My Baudelaire presentation + essay are finally submitted! I’m basically done with this evening diploma in French and honestly… it’s a relief. Consistency really pays off, even when the end doesn’t seem in sight ⭐️
see the danger, always danger
endless talking, life rebuilding
don't walk away
digital painting, 10 hours - drawing video below
song: atmosphere by joy division
my other spn art
kim manners et al were all about the light through the slats in this episode. i painted another scene from this ep that also had this type of lighting - when john is telling sam and dean he has to leave without them. different location, same kind of light. i feel it though, it's good stuff. i'm also a sucker for it. hence drawing it twice!
I think what’s most appealing to me about dratchet is that ratchet is portrayed as a character who is always there to help others, form close relationships with people, be the ‘best friend’ or in even some cases the third wheel, but he is never picked. He is never the once chased after, for all he does to help and care for people. He is expected to give, and give - as he is a doctor, but even then, he is emotionally expected to do that.
Ratchet is the only time where ratchet is picked. Drift is appreciative of everything ratchet has done to help him, but he also sees Ratchet past being a doctor. While everyone else sets up boundaries with ratchet and keeps him in a specific place, Drift doesn’t. Drift breaks the all to familiar narrative of Ratchet only existing to help others, and eventually in a way be left on his own at the end of things.
Ratchet helps Drift, and rather than part ways or remain close friends, Drift breaks the mold and takes Ratchet with him and eventually, makes Ratchet his conjunx. Ratchet hasn’t ever been shown that type of love, appreciation or passion from someone. He is just expected to give and never receive anything in return. Except when it’s with Drift. he isn’t an outsider or a passerbyer in Drift’s life as Drift himself heals, grows and finds his own identity and self outside of the Lost Light. No, Drift makes sure Ratchet is apart of that.
i've been waiting to answer this until I actually beat the game in my current playthrough because navi is another one of those characters that i think of in like a "set" with several other characters who serve relatively the same thematic purpose; in this case that purpose being the "mother" character, and i wanted to have all the characters in that set fresh in my mind. it's notable that while oot shows us very clear and consistent instances of the ways in which the adults of hyrule fail to protect their children, there ARE several adults who DO go out of their way to both oppose ganondorf and protect and nurture the children under their care. All of these characters are adult women, and all of them explicitly help the children out of some sort of parental responsibility or sense of duty towards them. in this group I include link's late mother, impa, nabooru, and navi.
all 4 mother characters, despite being adults or adult-coded, reject the inaction mentality which characterizes other adults in the game. they become either direct supports or shields to their children from the conflict the world has to offer them, and they are always explicitly punished for their interference--link's mother is killed trying to protect her son, impa's village is burned, nabooru is brainwashed. The mother's fatal flaw is that she will protect her child above all else, even in a world in which children cannot truly be protected. however, with the exception of link's mother, these characters manage to persist even in the face of her punishment, and this is where I think navi becomes the exemplary character.
Navi, after a lifetime of being link's only support system, the only adult in his life he could truly, consistently count on, receives her punishment at the hands of ganondorf--in the final battle, she is pushed out. she is unable to reach her child. she cannot protect him. However, BECAUSE link has grown up with her at his side, he is strong enough to take ganondorf down. and when ganon rises again, navi is there to support link, promising not to leave his side, and the intuitive targeting of that battle (a mechanic which navi is inherently tied to!!) makes it a cinch to win. Navi, and the other mothers we meet, are a reminder to the player that the world doesn't HAVE to be the way it is. Their persistence when punished, their insistence that their children ought to be protected, is a reminder that good adults do exist, and that good adults raise good children. link and zelda are able to win in spite of the adults who refused to help them, but also BECAUSE of the adults who DID. It's a reinforcement of the core theme of oot--that childlike idea that the world SHOULD be good and fair and if it isn't, it should be changed until it is. The mothers of oot are examples of what the world COULD be, reminders that it is possible to grow up without losing hope or growing bitter, and they are examples of the next step for the children they've raised to change the word--to continue fighting even in the face of punishment, to refuse inaction, and to foster that same hope and persistence in the generations to come.
you think i can't keep talking about karl and esther you are so wrong btw episode four timestamp 34:40 he hesitates before rubbing her back, comforting her the way a parent or guardian might. the whole tube scene is karl finally deciding he has to do this ("i'm here, and i'm not going anywhere, i promise") he still HESITATES because he knows he's probably not the right man for the job. he's the man that got her stuck in this problem in the first place. but they've only got each other and he has to try. does it hurt that the moment he finally builds this resolve and determination to leave it all behind and to actually fight for something that matters to him and admit that, even though he hasn't known her for long, he cares about this girl like she's family, esther is murdered and it totally consumes him? does it hurt that he's then framed for her death even though he just spent the last 24 hours killing and taking revenge in her name? not only because he knows he's a dead man, but also because he's out of options to do something that matters, and what else can he do with his grief other than inflict it onto others? yeah it hurts a lot actually
Now kiss (haha Jk... Unless??? (Toby PLEASE make it "Unless"))
Ello Deltarune fandom. Guess what ship has gotten my brainrot now 2 1/2 years later. :P Because ofc I go from one f/f ship to another and cling onto it. But fr tho I love these sapphics sm. I love them so muuuuuch I'm so glad they are semi-canon just 2 chapters in.
Been wanting to draw something with them since February, but because of art block back then I decided to just let my pen go on its own since I had art block and ended up with a rough of this and hallelujah lol ^^
Seriously Toby please. Take your time ofc no rush. But please I NEED to see them together again.
Also I love Noelle's glow-y nose hc so that's mine now too thanks fandom.
Art: Mine
Do not steal/crop/edit/etc.
Do not tag as kin/me ty!
Suselle haters DNI :U
ageswap au made by @tenretsuzan on twitter! there's a brief explanation beneath the readmore
your name is hikari ku, age 30. you were banished from your home nation of ku at a young age and led a failed rebellion against your treacherous brother, laid low by a harsh betrayal.
"even if it means harnessing this darkness... i will see my country freed from war."
marred by scars left by your once erstwhile friends and plagued by a darkness that grows uncontrollable, you grasp onto the small hope that you may one day reclaim your nation once more...
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your name is temenos mistral, age 21. you led a peaceful life in flamechurch until one day your brother disappears after leaving you with an ominous message about the church.
"roi... what could have led someone like you down a path like this?"
despite your father's protests, you follow after his footsteps in hopes of uncovering his whereabouts, as well as the church's secrets that forced his departure...
In an AU where Pharma lives the Adaptus thing and comes back on the Lost Light, wouldn't he find out that the crew had to deal with being cornered and nearly killed by the DJD and a bunch of other Decepticons?
And then Pharma could get to be like "oh I see :) you were under threat by the DJD :))) why didn't you just run? Oh you couldn't and had no means of escape? Funny :)))) didn't you call for help? Oh you did right??? And did anyone come???? :)))))) did anyone come in time to save you from the DJD????? DID THEY????? DID YOU JUST CALL FOR HELP AND RUN AWAY AND THE DJD JUST LET YOU GO????? :))))))))))) OH THE DJD BLOCKED COMMUNICATIONS AND HAD YOU SURROUNDED????? OH HOW TRAGIC I GUESS YOU COULDN'T ESCAPE AFTER ALL AND A LOT OF YOUR FRIENDS DIED :)))))))))))))))) AND THE ONLY REASON YOU WON WAS BECAUSE YOU HAD A LOT OF SUPERPOWERFUL FIGHTERS ON YOUR SIDE???? WOW IMAGINE WHAT MIGHT'VE HAPPENED IF YOU HAD NO FRIENDS AND BARELY ANY MILITARY SUPPORT AND THE DJD CAME HUH??? WOW WHAT A RELIEF THAT DIDNT HAPPEN"
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In other words, I'm pretty much convinced that the reason Pharma is remembered as "the evil cowardly doctor that murdered innocents to save his own skin" instead of "the Autobot that got mindbroken by Tarn into thinking that making a plague and killing everyone was his only way to escape" is because he got introduced before the DJD were established as a pants-shittingly evil and sadistic group of freaks, and unlike Rodimus' crew he didn't have the luxury of being a main character whose thoughts and experiences were shown on screen. Pretty much his reputation as "crazy token evil Autobot" was sealed from MTMTE #5 and by the time MTMTE #50-something brought Dying of the Light, Pharma was a footnote in the story and never got to have this new information about the terror of the DJD factored into his own character.
well this morning as I woke up from a 4 or so hour night of sleep i had the brilliant idea of trying to fight Gabriel in 3-2 on Violent while listening to a youtube video, with no in-game music, relatively low in-game master sound and without having actually beaten him (on Violent) after having spent over three hours and a half exclusively trying to kick his ass a few days ago.
so. uhm. yeah. drew how it felt (while also remaining as vague as i could as to not upset anyone lol)
this was both surprisingly hard but also relatively quick? in a weird sort of way? idk girl
screenshots below if you care lol
the 3h30 hour attempt proof (i quit at fucking 3 am my wrists were sore as fuck)
the one successful attempt (was surprisingly quicker than expected)
so uh. yea. laughed really loudly when i did beat him and when he called me an insignificant fuck again. 11/10 will do again.