♥︎Pick a picture:💎✨️Everything about your next partner✨️💎
•Pile 1 •Pile 2 •Pile 3
❗️This is a collective reading, take what resonates and leave the rest❗️
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💎Masterlist💎
💎Pile 1: 10 of Cups, Ace of Wands and Ace of Cups.
Hi pile 1! Your next partner is someone fun and reliable, I sense a lot of air signs energy from them, they know how to be serious but also fun! I see someone taller than you and with curly hair; i keep hearing people laughing so he probably has a really good sense of humor.
You two will bond over similar interest and also humor, i see them making you laugh a lot which is really cute. This person is really focus when it comes to their job/career, and you may meet them in a work/academic environment; they are really smart when it comes to what they do and value their time also. This person is someone non judmental when it comes to others, they are on the more out going side and likes to get along with everyone; i see that they are this way because others may have judged them in the past.
Theres a lot of duality in your person, i feel that they have a balanced femenine and masculine energy, they are in touch with their emotions and wont play around when it comes to a romantic connection. They will be really dedicated towards you, a trully loving energy; they want to be the one to be with you in your good and bad days, theres something about sharing memories and spending time with you that they really value and love, i keep hearing "you are the light of my life".
💎Signs: Air signs, glasses, blue, autum and winter season, winter holidays.
🪩Channeled Song:
💎Pile 2: Knight of Wands, The Emperor and 4 of Swords.
Hi pile 2! I see that this person is someone who is not the relationship type, they are more focused on other aspects of their life, but you will change this for them! They have a fast energy, always setting new goals in their lifes. Because of this, they probably have the romantic aspect of their life quiet down; but when they meet you is like an instant spark for them. They will try to approach you and get to know you, their energy is dominant. Dark hair is really prominent, as well as longish hair and jewerly, i also see tattos on the hands and arms.
I feel like when both of you meet will be like a divine scenario, like it was meant to be, maybe you also resonate to be more focused on other aspects of you life instead of the romantic one. I don't know how to explain but this trully feels like a divine meeting, everything fell into place in order for you to meet, i heard "we almost missed eachother". I also see a rainy scenario so maybe the day you meet is on a rainy day.
Both of you will grow together, it will be a serious connection and you will feel really secure with them, maybe even doing long terms changes with them like moving or adopting a pet. You bring another side of them, the most loving and caring one; i'm hearing that you are their one and only, is like you could get anything out of them with just a look from your pretty eyes (their words pile 2🥹).
I trully see this as a long lasting connection; also this person family/friends will really love the relationship, it feels like you bring out the more fun side of them, you ground them somehow.
💎Signs: Earth signs, dark colors, mid lenght hair, cats, piercings.
🪩Channelled Song:
💎Pile 3: 4 of Wands, Ace of Swords and The Fool.
Hi pile 3! I feel like this will be a ying and yang type of connection. You two may be seem really different but are actually more alike that what others thinks. This will be a very healing relationship, if you have had bad romantic experiences in the past, this person is coming to help you heal and evolve together. I keep hearing "Ill be you safe space", which is really beautiful; you will feel really comfortable with them. I see someone with brownish hair, they may have dimples and a really pretty smile.
This persons energy is a really kind and soft one, they may be the type of person who always seems relax and tries to see the positive side of life; maybe they do charity work or its involved in a career that requieres to connect/be in touch with a lot of people.
I see that you two will travel a lot together and would potentially build a home too; i feel that non of you will rush into the relationship, both will build a solid friendship and then will start developing a romantic connection, trully taking your time to get to know eachother. I am getting a Colin and Penelope from Britgerton type of vibe. I see that both of you will enjoy spending time together around the house, watching movies or cooking, so if you are a home buddy type of person, your person is too! I see cute dates in the park, but specially long conversations and bonding, i feel like you would be eachothers favorite person.
💎Signs: Earth/ Water placements, Green, Spring season, City, Brown hair, green eyes.
🪩Channeled Song:
💎Thanks for reading and tell
me if it resonated💎
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in the cold spring
a/n: i'm in a writing mood recently! disclaimer: i haven't read mota or on a wing and a prayer yet so i do not know anything about jack kidd's life beside what is available on the 100th bomb group's website, so consider some details ~exaggerated for dramatic effect~. title is from ml burch's "i feel like giving you things" and this fic is about neither the cold or the spring, but it fits.
Goddamn Air Exec.
Jack says goddamn Air Exec from the moment Bucky tells him that Hughlin recommended him, through two rounds of meetings with Harding—call me Chick—and Bowman—call me Red, through moving into the ops barracks, through shaking a thousand hands, and through getting a desk. Goddamn Air Exec. Goddamn Egan, goddamn Hughlin, and goddamn Air Exec.
His crew, his fort, and his dignity all because Bucky purposely flunked out of the tower. And Buck vouched for him! Goddamn Cleven and goddamn Air Exec. All of his training out the window for a desk in a corner office. He can’t even see the runway through the blinds, just the backroads of East Anglia and occasionally the Land Army girls and their cows. Five hundred hours of flight school for a desk in a corner office and a secretary.
“A secretary?” he asks as Harding points at a small station outside Jack’s newly-labeled office.
Chick nods. “Yes, Lieutenant Keene.” He looks around the busy floor, eventually settling on who he’s searching for. “There she is… Hazel!”
A head pops up from the mass of moving bodies and paper and a woman quickly makes her way across the room, weaving through the crowd with practiced ease. As she approaches, she’s smiling with a brightness that goes all the way to her warm, round brown eyes, hand outstretched for another yet another handshake. Goddamn Air Exec, but he’s less bitter about it.
“Jack, I assume you’ve met Lieutenant Keene—”
“Hazel, I insist.” Her grip is firm and as warm as her eyes.
They met the few times when he had to go to Bucky’s office—his office now—and she was waiting at her station outside. He remembers her as polite but busy, inoffensively curt. Not one of the staff who blathers away, overly chipper and overly interested in the reason for his visit, but also not one of the ones who snaps at him to sit and wait and then ignores him like he’s the reason they’re losing the war. Hazel’s friendly and effective, a good temperament for a C.O. He wonders why she’s in here and not up in the air.
“Good to see you again.”
“Thank you, sir.”
“Jack, I insist.”
Her smile widens just so, and he has a feeling that they’re going to work well together.
She turns to Chick and nods to where she came from. “Last of the after actions for the 418th—” Jack pretends that doesn't hurt to hear. He should’ve been up there with his boys. Goddamn Air Exec. “—I’ll have ‘em to Sheila in fifteen, and I’ll be at my desk after that, in case you need anythin’.”
It takes him a moment to realize she’s speaking to him, and he mumbles an ‘of course’ at his shoes. He’s a man who gets waited on now; it would take some time to get used to. She departs with another smile and heads back into the fray.
As Chick leads Jack around the rest of the space, showing him charts and maps and a million other semi-familiar faces, he remains acutely aware of Hazel. She’s speaking to a WAC as they go over some maps, marking here and there, her encouraging smile no doubt prompting stellar work from the younger girl. He’s reminded of Ev, the way his friend’s genial countenance can turn a boring day kicking around the hard stand into a respite and a rough flight home from a mission into a night at a comedy club.
Then he misses his friends—Ev, Dougie, Crosby and the man the navigator has become since getting kicked off of the Crash Wagon. He misses hearing DeMarco and Cleven bicker as they climb into their fort, that damn dog never far behind as Lemmons likes to sneak him out onto the hard stand. He misses the feeling of sitting in his seat and the controls roaring to life under his fingers as he hears his crew get ready at their guns. He misses looking out the window to see Ginny settling into her cockpit to his right, grinning like it’s Christmas morning and popping her gum into her headset receiver to set off Knick Knack at her navigator’s seat.
He even misses Bucky and his plane-to-plane chatter, always vigilant, always watching out for his squadron, his group, and the rest of the wing. He misses the man Bucky can be in the air as opposed to the faux-apologetic fast-talker that landed Jack at a desk in the first place. Goddamn Air Exec.
But then he comes back to Hazel and the scrunch of her nose as she stretches her arms above her head with a yawn. She slumps back onto the desk she’s sitting on, looking around the room curiously before meeting Jack’s eyes and nodding. He nods back before Chick drags him off to some new wonder.
She’s at her desk in fifteen minutes like she told him she would be and sticks her head into his office with a smile. She smiles a lot. “I’m back. Holler if you need anything.”
By the time he can look up from the file he’s puzzling over, she breezes back to her desk and immediately busies herself at her typewriter.
He doesn’t know what to do with her. The other C.O.’s have their secretaries do the standard—take memos, keep their schedules, make coffees—but that seems insulting. She’s here to win a war; he wasn’t going to send her scrambling for sugar. On the other hand, it’s insulting not to utilize her, as sharp and reliable as she is. His father would find her a task and a ring, which he had with his last three secretaries. Jack had no intention of using his rank like that. He’ll find something for Hazel to do. It just has to be the right thing.
And he searches for too long, it seems, because after three days of greeting her when he arrives in the morning and occasionally asking her where certain stationery was stored, she steps into his office post-lunch and plops down in the chair in front of his desk with a sigh. Her eyebrows raise and she wears a bemused smile as she folds her hands in her lap. She reminds him of Bucky for a moment.
“Was it something I said?”
He shakes his head. He’d been hoping she wouldn’t notice his lack of engagement, or perhaps would lean into not having much on her plate. “I’ve never had a secretary before.”
“Most men haven’t.” She leans forward and starts picking at a chip in the wood of his desk. “Your job is my job, too.”
“You seem busy enough.” She does. Every time he looks out into the hall, she’s up to something, whether it’s at her desk, in the filing cabinets along the walls behind her, or somewhere on the ops floor. She knows what she’s doing; he’s the one who’s lost.
Her mouth purses. “Not for long. I’ll be done with the backlog Bucky left by EOD.”
“I’m sorry he left so much—”
Her exaggerated eye roll surprises him. “That’s the point, Jack. It’s too much work for any one man.”
Goddamn Air Exec.
“But that’s why you got me. We’re a team… so,” she raps his desk twice, “put me in, Coach.”
He wants to say something, to have an important Air Exec order or some example for her to follow, but as he looks into her expectant face, he comes up short. He hasn’t eaten yet today, but he’d shoot himself in the foot before he ever made her go to the mess for him. She reads him like a book, which only further rankles his sense of command.
“Well, what’s all this?” She spreads her hands over the papers in front of her.
“Interrogation logs, new crew files—” He points at a pile Chick’s aide had delivered that morning. “I need to get those back to Harding as soon as I sign them.”
“Sign ‘em now and I’ll run ‘em over.”
“No.” This is exactly what he’s been avoiding, assigning her utter tedium.
She pushes the papers toward him. “C’mon.”
He blinks at her before opening the file. It’s some report or inventory request, or both or neither, which he has no idea why he has to sign, but he’ll do it because that’s job along with waiting around and going to briefings and briefings about briefings. Not even a week in and he was ready to crawl out of his skin or at least out the window. Chick denied both his requests to fly so he’s truly stuck in this office for who knows how long. Goddamn Air Exec.
Two signatures, three, four, five—Hazel points to hidden dotted lines, flipping through the pages without a second glance, and Jack can’t help but feel like she’s tying his shoes. That probably flew with Bucky, but it wouldn’t with him. They gave him the promotion because they knew he could do the job well and he agreed. This is something he could be good at. A team of subordinates was a perk of the job, expected for a man of such a station, and he’s grateful that folks were will to help out, but he’d grown up watching secretaries turn from aides to mother-wives and he doesn’t want that for anyone, especially a gal as nice as Hazel. He’ll find something for her to do.
He signs the last page and closes the file as Hazel stands, hand outstretched. Pausing for a moment, he doesn’t pass it over quite yet. “I don’t want you being my errand girl.”
She reaches across the desk and plucks the file from him. “It’s my job.”
She turns on a graceful heel and heads out across the floor, making it to Harding’s office and back before he could find it in him to stop staring at her confident, unaffronted gait. Bright laughter—the brightest he’s ever heard—bubbles out of her as she tucks her skirt under her thighs and takes a seat at her desk.
“You could’ve signed three more reports in the time that took me. Now I’m gonna have to wait for you.” She tsked. “Wastin’ both our time.”
She’s tying his shoes again and that lights a fire under his ass for the rest of the day. He clears the files that had accumulated on his desk plus two rounds of parts inventory from the hard stand and he gets a memo off to London requesting more birds. He feels satisfied by the time he flicks off the light and gathers his jacket and coat. It sure wasn’t flying, but it felt like making a difference all the time. He didn’t know he could do that from behind a desk.
It takes some soul-searching, but he manages to light his own fire for the rest of the week. He maintains his composure through the worst of it, a long fog delay that had half his pilots climbing into the tower to beg him for clearance, a ‘misplaced’ delivery of Mae Wests that somehow ended up with the 418th before they came to ops, and another declined request to fly from Harding. Goddamn Air Exec.
The job gets easier each day, especially with Hazel right outside the door. It does feel more like a team than subordination as they move around each other, trading reports and memos without having to speak. Still, she’s a few steps ahead of him—coming through the door before he can call her to pick up a file, finding this or that form before he can realize he’s misplaced it—but he’s determined to catch up. He comes in early on Saturday and has the summarized after action reports in Chick’s office before Hazel’s arrived for the day. It’s a good feeling when her eyes go wide in surprise and her cheery mouth finds its usual smile.
“Well, I suppose we’re even now.”
“No,” he shakes his head, “not even close.”
If they’re really going to be a team, he’s going to even the playing field. No more having her play governess. Neither of them are here to clean up after someone else.
That evening, Hazel is leaning into Chick’s doorway as Jack leaves for the day, chatting with Sheila.
He mumbles a ‘pardon me’ as he passes and her face lifts at the sight of him. “Major Kidd! We were just talkin’ about you.”
“You were?” he asks as they fall into lockstep on their way out.
“We were sayin’ how nice it is to have an Air Exec who knows what he’s doin’.”
“Bucky tried his best.” He’s lying.
She knows it and she snorts. “He was fun to have around, certainly.”
It’s quiet as they walk. The flights have stopped for the day and if he strains his ears he’d be able to hear the crews working away on the hard stand, but there’s no need for that now. That’s another thing he’s learning—when he’s doing the job and when he’s not. With the warm evening air and the blazing sunset in front of them, he’s grateful for the time off the clock.
He looks at Hazel and is struck by the sight. The light washes her dark cherrywood skin in a velvet glow, sending shadows of her lashes and her nose across her face. He’s suddenly jealous of Bucky and he doesn't know why. She catches his eye and smiles. Blanching, he clears his throat and stares at the ground. His boots are the cleanest they’ve been since he’s been in England now that he’s out of the grease and dust of the planes. Goddamn Air Exec.
They’re nearly at the ops barracks when he realizes that he doesn’t know where she’s going. Does she live in the barracks? Is she one of the girls who’s at a billet in town? Why doesn’t he know? Shouldn’t he know? She’s never in the mess and is so rarely at the Silver Wings. He wonders what she does with her time. He realizes he doesn’t know much about her at all, not her hometown, her family, where she was before the Air Force. The Oberlin pennant on the wall in his office had prompted her to ask into his life, but that’s because she’s always where he is, but he’s never where she is. He wants to be.
“Where’re you headed?”
She comes to a stop. “Home.”
“Where’s that?”
Her wry smile makes his heart skip a beat as she turns down the path leading toward the enlisted barracks. “Good evening, Major.” She never calls him that.
“Some of us’ll be at the pub tonight—Chick, Red, Bucky… it’d be good to see you.” He takes a half-step toward her so as not to yell the offer, maybe she’ll take it if he’s gentle. Part of him hopes she’ll say yes. He wants time with her outside of keeping the group on its feet, just an hour to hear her laugh, to ask her where she gets that charming accent from, to ask her for a dance. Part of him hopes she’ll give him one more good smile and walk away, that she’ll remind him there are rules, lines to be maintained. He’s not going to become his father.
“Good evening,” she repeats and he watches her go. He doesn’t have time to dwell on the ache in his chest as Cros yells at him from across the way. He’ll have his night and she’ll have hers.
He’s not sure if he should apologize for being out of turn when he sees her next, clear the air and make it clear that he’s not… he isn’t going to be that man. He reasons to himself that wants to know her as a teammate, in the same way he’d come to know the members of his crew. It’s what any good leader does. There’s a short speech ready to go when he enters HQ Monday morning after seeing the forts off.
She greets him as politely as she always has, but he gets the feeling he probably wouldn’t be able to tell if she’s upset. Her cards are meticulously close to her chest while she learns about the people around her. It’d be a good quality in a C.O. He thinks of all the women he’d just sent to Norway—Ginny, Vera, Amelie, Suzanne. Hazel would fit right in.
There’s a small box on his desk, no sender address upon investigation. “Hazel?”
“Yeah?” she asks as she gets up from her desk.
“Do you know who this is from?” He’s popping open one end with his letter opener.
“Oh, well,” she starts, folding her arms and leaning against the doorframe, “it’s from my momma” Her inflection is that of an embarrassed and entertained daughter.
A swath of white silk flutters to the floor and he picks it up. It’s a scarf decorated with rows of small and large flowers. From… from her mother?
“I—I, uh, I wrote her about you and she insisted on sending it. Bucky got one, too, when he started.”
He couldn’t recall Bucky ever wearing a scarf. “What’d he do with it?”
She scoffs. “God knows. I don’t think he remembers getting it. It was one of his… one of his mornings.”
“Hungover?”
“Still drunk.”
Closing distance, she takes the scarf from him gently and tosses it around his shoulders. She’s so near now as she starts tying it and he can look at her while she concentrates, her eyes glittering with that hope that never seems to fade. Does her mother have the same eyes? The same round apples of her cheeks, the lovely point of her chin? And her perfume, the faint hint of roses he occasionally gets during the day now in full force as she works. He feels flush and he doesn’t know what to do with his hands or where to put his eyes or what to say. A woman who’d only heard about him in letters sent her daughter to war and is sending him beautiful scarves. That’s the kind of woman who would raise Hazel.
“I always tell her that this is unnecessary, that y’all have mommas of your own to fuss over ya,” she says as she adjusts the knot at his neck and smoothes her hands over his shoulders.
“I—I don’t,” he stammers out.
Her eyes widen and he hates the kick in his chest. “Oh, I’m—I’m so sorry, Jack, I had no idea.”
He waves her off but can’t quite find the words. There’s a yearning suddenly, one he left in the dark years ago, and he doesn’t know what’ll come out if he tries to name it. Hazel puts a comforting hand on his arm and looks at him sympathetically. “Well, I’ll tell my momma to keep sending scarves… only if—if you wouldn’t mind.”
“I could use a few more of these,” he says, glancing down at the knot at his neck. He probably looks ridiculous wearing it without the rest of his flight gear, but the accomplished smile on Hazel’s face is worth it. He’ll bear all the stares in the world if it keeps her smiling.
She gives him one more once over before returning to her desk. “It’s a good color on you.”
“Matches my eyes?”
“Something like that.” She winks.
His stomach flips; he thinks of his father and three weddings.
“Oh,” she calls, “you can keep it on.”
He raises an interested eyebrow.
“The Telergma mission, you’re going. Chick sent authorization this morning.”
Three days later, Ev’s the only one who comments on Jack’s new gear after they finally get the all-clear for engine start.
“That from Franny?” his co-pilot asks. It’s a good guess; his sister would send something like it.
“Lieutenant Keene’s mother sent it.”
Ev scoffs with a shake of his head. “Your secretary’s mother is sending you scarves? Goddamn Air Exec.”
Yeah, Jack thinks, smirking out the window and sitting a little taller. Goddamn Air Exec.
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hey, so. people on twt (ugh, I need to delete that account) started to compare Zuko and Azula’s relationship to Sokka and Katara. So, I jump in like “they are not comparable in any way” then people are like “Sokka and Katara do have issues even though it’s not the same as Zuko and Azula” (even though the original tweet did imply that but, whatever). and I’m all like “sure, they both have trauma from their upbringing and they fight like siblings and that trauma probably has effected their relationship but it’s still no way like it’s being compared… they love and care for one another” and then they’re coming back like “it’s not the same but they still have issues” and citing the southern raiders (which I have my own opinions about and I feel like people totally miss read that scene) but all in all to say; I’m annoyed because I feel like people are being disingenuous and I feel like your thoughts would be interesting
okay yeah obviously I don’t know what the full arguments were (and I never will because I loathe twitter. I mean X sorry) but i can definitely talk about this more generally. I mean they are the central sibling pairs configured in a similar way for obvious reasons. they are definitely comparable.
sokka and zuko have superficial similarities as older brothers who feel undervalued, struggle to live up to a harmful patriarchal standard of gender (specifically masculinity/manhood) as shaped by imperialism/colonialism/war and the expectations their fathers placed on them to “be a real man” within a very limited framework, and ultimately find their worth via other avenues beyond the limited scope of patriarchal imperialist logic. azula and katara have superficial similarities as younger sisters who are placed on a pedestal by their culture community, are the best benders of their respective elements and outclass all the older more established (male) masters who dismiss and look down on them for being teenage girls, and who feel a deep sense of grief due to the loss of their mothers that informs everything they do and fundamentally who they are as people. and then obviously the REAL foils who are foiling are katara and zuko, and sokka and azula. these pairs are each very obvious mirrors, both in terms of their personalities (as developed differently by their respective environments) and their arcs. zuko is fire nation katara. azula is fire nation sokka. so obviously their relationships are similar in this way. they are narratively constructed as parallels.
that said, I think the key primary difference between these sets of siblings is that zuko and azula are directly opposed due to being pitted against each other by ozai’s abuse, whereas sokka and katara are extremely codependent, to the point that sokka’s entire identity is shaped by his role as katara’s brother and protector. so if you read zuko as a foil to sokka (which he certainly somewhat is, but is not the primary foil to sokka) you’ll get confused because he doesn’t live for others and he doesn’t look out for azula at all. but azula, like sokka, does define her identity through her loyalty and her ability to best serve others, so she does try to help zuko as best she can, which is obviously hindered by the incredibly limited of scope of what she considers “helpful” (much in the same way that sokka’s protection of katara is often limited by his own narrow worldview and unhealthy sense of duty as it corresponds to his identity). azula wants zuko to be a “perfect prince” in the way that she is a “perfect princess” because she refuses to acknowledge how specifically harmful that paradigm is to both of them until it is too late. so her intentions are actually good (don’t @ me), but she’s just deeply misguided and her level of cognitive dissonance is off the charts generally (again, much like sokka).
meanwhile katara and zuko, despite loving their families a lot and feeling defined by their families in many ways, are still very self-focused. which isn’t to say that’s a bad thing or that they’re selfish (they are both defined by an incredibly passionate and outspoken sense of justice for others, of course), but rather that they understand that what they want is to further their own interests for their own benefit even as they are seeking justice for the entire world. (in katara’s worlds: “me. me, personally!”) but like. if anything, the fact that azula and sokka never think in terms of the ego but only in terms of servitude to the point that they are actually detached from their own humanity is deeply unhealthy and awful, which is why so much of sokka’s arc is about getting him to understand his intrinsic worth as a human being and the value of accepting help, and azula’s tragedy and downfall is precipitated by her acknowledgement that she has been deliberately isolated her entire life and now she is alone and utterly helpless.
I do see katara and zuko as quite heroic, inspiring characters, to azula and sokka’s quite tragic, heartbreaking characters (especially azula of course, but like. I don’t think sokka’s deep-seated, copious issues have somehow been magically resolved just because “the boiling rock” is his apotheosis. you get it). but katara was always the “valued” sibling whereas azula began as the valued sibling and zuko rose above her by disrupting/transcending the paradigm that valued her only to end up in the position that she felt teleologically entitled to (not to say that she thought she would become fire lord, but that he does become the most powerful player in the fire nation, at least in name). and a large part of that is the fact that katara and sokka grew up in extremely different conditions than azula and zuko did, even if both their worldviews are informed by imperialism and patriarchy in some way. so katara was valued as a sort of cultural artefact who represents the last hope of a dying people, whereas azula was valued as the obedient daughter of a powerful abusive patriarch. it’s still a way of ascribing “value,” but the criteria are completely different in both cases. which is why I still think that azula and sokka are functionally more similar, because even if azula is valued, it is with the expectation that she function in the same way that sokka is expected to function, as a depersonalized vessel for the good of their people.
so there are similarities for sure, but also those similarities are constantly being complicated through locating their respective cultural contexts as they informed their upbringing, psychologies, and sibling relationships. I will say that it’s true that both of these relationships are unhealthy (to an extent), and both sets of siblings parallel each other in very significant ways, but the ways in which their relationships are in fact “unhealthy” are nonetheless almost diametrically opposed.
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As promised, the theory heights of the Octo2 crew based on my best guess from the official arts. These are not canon heights (or headcanon heights), they're my best theory for the general heights the art team was using based on recurring heights in official arts.
I used several official arts, but this was the main art I used for ref:
This is (currently) the only official art where all the characters are standing more or less on the same plane, without being too far in front of or behind others. Also they're spaced out nicely, which made sketching mockups of their proportions much easier.
I also went ahead and threw my lineup onto an actual height chart (US system, sorry) to try and guess at their heights, and got...these:
Again, these are super not canon (or headcanon), and even for theory territory this falls more into the wild speculation side of things. But this was my best guess, since placing Osvald in the 6' range made Agnea and Hikari way too short. Ochette is a beastling, and as far as I can tell they have a different set of proportions as well as anatomy, so I'm assuming her smallness (which is very consistent in official arts) is intentional on the art team's part.
(I also didn't include Ochette's ears in her height estimate, but it should be noted that while I used the concept arts from the artbook bc they provided the most consistent "character is standing in an upright pose" artwork, Ochette's ears are actually a bit larger in all official non-concept artwork).
Anyhow, I also included my entire process for how I extrapolated under the cut. As a treat.
So I started with the main art I showed above and drew out quick mockups measuring each character from the top of their head to bottom of heel, not counting heels on shoes. For characters in dynamic poses, I sketched out a quick "puppet" using major anatomical points (head, torso, hips, knees, heel) as guidepoints, which I then "straightened out" separately to figure out the "height" (as seen with Ochette, Partitio, Hikari, and Throne; I forgot to save a copy of my Osvald sketchover but since his stance was so wide I knew he was going to loose a bit of height if I didn't sketch a puppet).
Agnea is mostly upright, but she's leaned forward a bit, and I wasn't going to be able to figure out how tall she was if she wasn't leaning forward with a puppet, so I gave her a bit of height in her mockup using my best guess as an artist for where the top of her head would be if she wasn't leaning forward. I took the same liberty with Hikari after straghtening out his sketch-puppet, since he's also leaning a bit forward. I couldn't actually see the bottom of either of Partitio's heels, so I went with my best "I'm an artist how would I have drawn this" educated guess.
Then I grabbed images of the concept artwork from the artbook scans (special thanks to @octopathartbooker for the scans) and adjusted each character to the mockup, and then put all the mockups so that the bottom "heel-line" was level for every character, getting this:
Note that Throne is in a wide stance for her concept art but that I still scaled her to the mockup for ease of visual reference (even though as I've scaled the art, it looks like she'd be taller if she were to stand upright, but I needed the visual more than I needed the pose accuracy). I also ignored the position of Agnea's foot in favor of having her heel on the heel-line, so she looks kind of awkward. These things happen, but considering how a few of the heights bounce around a tiny bit in official arts, I think this is the best I could do.
Because a few of the heights just...didn't look right (Partitio being that tall, and Ochette being that small) I also referenced a few other key official arts. First off, the "thank you" art:
This was useful for checking Throne's height against Osvald, since if I were to draw perspective lines then the top of Throne's head would be about level with Osvald's shoulders. This art also shows Ochette as being about half Throne's height, which is also consistent with my mockups.
I also checked the "nighttime" artwork for the soundtrack:
This art isn't actually as useful given how much perspective depth is used in the illustration (Agnea looking taller than Osvald bc she's in the midground and he's in the background being a good example of the depth I'm referring to), but it does show Ochette next to Hikari, and again, she is small. Also Partitio towering in the background supports the idea that he's actually just like, really tall.
The final official art I used to check heights was the endgame artwork, which is naturally a huge spoiler, so go ahead and skip this if you don't want to see it, bc aside from my notes on the artwork there isn't anything after it. (J is the hotkey that'll let you skip to the bottom of a post, though I dunno how this'll look if you're on mobile, sorry).
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This art is...somewhat helpful. I can't see anyone's feet and Ochette appears to be floating (although again, she is tiny compared to everyone else), and there's still some depth of perspective at play, and some of the characters look like they're standing on a higher elevation than others. But! Here we can see that yeah, Partitio is about as tall as Osvald and that's with his head leaning forward (tall enough to use Osvald as an armrest, Parti buddy). Agnea also looks like she could be about two feet shorter than Osvald and this art does nothing to suggest that Hikari isn't short, but again it's hard to tell with some of the perspective choices. Mostly this the art that convinced me that, okay, yes, Partitio is that tall.
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