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#C Ko
inbarfink · 3 months
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Nothing is a truer testament to Revolutionary Girl Utena’s masterful storytelling then the way they built up the mystery and mystique around the Shadow-Play Girls; who they are, what they are, what are they actually doing with their little shows, how much do they actually understand of the deeper truths of the narrative…. and then like five episodes before the finale reveal they’re just a bunch of Theatre Kids.
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fruitymarcy · 10 months
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She’s so me
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bunnyboysuperbuu · 5 months
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Not me drawing fanart for a weird obscure anime movie
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gotchibam · 5 months
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Mega Mawile and Tinkaton ko-fi doodle for Gophersaurus!
I'm accepting pokemon ko-fi doodle requests here! ✨
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sunkissedlouis · 3 months
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louis signing his doll’s abs for a fan during the jakarta m&g 😆
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doodliver · 6 months
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🥞🍨🥤✨
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k4pp4-8 · 23 days
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Do you have a future version of Elodie?
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I do!!! I just finished designing her<33
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in-the-nights · 7 months
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Project A-ko
Animator: Atsuko Nakajima
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otiksimr · 29 days
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Desperately.. trying.. to complete- the pokedex as much as I can without having to trade for version exclusives.
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skrimblo · 10 months
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Rkgk
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exocc · 11 months
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Ilaw, ilaw . .
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torgwn · 1 year
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next month!! s2s coming out next month!!
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gotchibam · 5 months
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Espeon, Dusk Lycanroc, and Sylveon ko-fi doodle for Kaitlyn!
I'm accepting pokemon ko-fi doodle requests here! ✨
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aroanthy · 4 months
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the symbolism of revolutionary girl utena is key to understanding what it’s even trying to say narratively and thematically. if you remove the symbolism, if you remove the ways in which the narrative obfuscates itself and abstracts what it’s saying, then what it is saying changes dramatically. if rgu was like ‘yeah lol and did you guys know that incest is bad’ or ‘maybe gay people are good’ or ‘hey did you know that csa victims are Real and Alive and Have Interiority’— like those are all paraphrases of things that it says, but the way that it chooses to say them is so powerful and conveys so much nuance and complexity that those simplistic statements don’t. it provides an incredibly meaningful commentary on the way that systemic violence and abuse are covered up, codified, made part of our culture that supposedly resents those things. it’s examination of incest, the incest taboo and how that impacts incest victims— it’s all so incredibly considered and layered because the show chooses to convey what it’s saying through symbolism, through its metatheatrical framing, through allegory. it retains the reality of these issues; it shows them to us only when we’ve already bought into the system’s lies to make a point about how that operates, how that works to make us all complicit in that violence. nanami. nanami.
dont even get me started on how the movie uses its symbolism to demonstrate how the abuse anthy and touga experienced is simultaneously built into the world and culture they exist in, and always obfuscated and abstracted for the sake of their abusers (also specifically the way that it engenders shame and prevents people from seeking help. rgu is so damn good at understanding how and why people don’t ‘do what they should’ in abusive situations: the systems in place don’t fucking work bc they are an extension of the system built upon that abuse). anthy is the model in all the paintings, the symbol of so many undesirable things, the canvas on which they are painted. her likeness is used as an approximation for all of these awful things, many of which are a part of her in a way, but such that her interiority, her feelings, are never regarded, never seen, never understood. she’s the model. akio is never explicitly named as her painter.
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saionjeans · 3 months
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it’s rly funny when I’ll be reading an utena analysis and someone consistently mistypes “akio” as “aiko” (this happens way more often than you’d think) because it’s like.
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oh? we’re talking about this bitch now?
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heartslobbf · 8 months
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hello hi for the love of god hello. does anyone else care about the fact that a-ko and b-ko perform all of the akio ohtori and apocalypse arc shadow plays apart from their episodes 34 and 37 collabs with c-ko, and, more importantly imho, c-ko’s solo performance in episode 31. like. her tragedy’s shadow play takes place on the wall of penis tower, it’s just c-ko, it revives every stylistic choice of the black rose arc shadow plays, even down to utena delivering the punchline at the end. anthy holding a microphone up to utena…… the monkey-catching robot making a comeback…… i have shadow girl thoughts forever and always………..
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