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neorouxls · 4 months

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Bisexuality

#art #deltarune #asriel dremuur #brazzy #azzypants #cazzy #bratty and catty #pizzapants

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thepermanentrainpress · 9 months

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CONCERT REVIEW: TEARS FOR FEARS W/ COLD WAR KIDS AT ROGERS ARENA - JULY 24, 2023

Tears for Fears have been wowing audiences with their high-energy new wave for over 40 years. Playing to an almost sold-out crowd at Rogers Arena, Roland Orzabal and Curt Smith put on a show that felt like time traveling back to 1985.

Opening the show was indie rock group Cold War Kids. Their first album was released in 2006 — I was surprised to see them and their style of music opening for a much older band. It took a few songs to win the crowd over, but by the middle of their set everyone was clearly having a good time. Lead singer Nathan Willett greeted us about halfway through and said “Vancouver, this is an oldie, you know this!” before launching into “Hang Me Up to Dry,” one of their first and most popular singles. The whole set was high-energy and a lot of fun. People were dancing, getting into it, and the band commanded the stage and crowd.

They played for 45 minutes or so, concluding with “First” – the group’s biggest single to date that reached #1 in 2015. Nathan told us that it was an “excellent experience” to be part of this with Tears for Fears. “They are incredible people and this has been a life-changing tour. Thank you guys for being a part of it. We love you, peace and love.”

Between sets, I noticed the pre-show playlist had covers of Tears for Fears songs on it. Examples included “Everybody Wants to Rule the World” by Lorde, “Shout 2000” by Disturbed, and perhaps the most well-known cover, “Mad World” by Gary Jules. This was a cool feature I’ve never seen a group do before, and was a reminder of their legacy over the years.

Finally came the main event. Although they look a bit older, there’s no mistaking the famous duo on stage. They opened with “No Small Thing,” the first track from their latest album The Tipping Point – also the namesake of this tour. This was followed by the titular track. Then came the first major hit of the night — the smooth, mellow yet merry “Everybody Wants to Rule the World.” Perhaps my personal favourite of their singles, it lit up the arena both literally with phone videos and in the energy as we all sang along.

Curt in particular spent a lot of time speaking to the audience. Just a couple songs in, he thanked us for coming out “on a Monday… It’s great to be back in Vancouver.” Curt also informed us it was a special night as their touring drummer, Jamie Wollam, hails from Salt Spring Island just outside of the city. “He’s an amazing guy with an amazing heart and a proud Canadian,” Curt added, leading of course to loud applause. Roland took the mic to inform us “it’s fantastic seeing people singing along to our new songs… It means a lot.” He told us to expect a lot of new songs that night (“If you don’t know them, you will”), and that they’d do “perhaps a cover as a sing-along, and a forewarning, some deep cuts.”

The setlist consisted of a mix of songs from all of their eras, with particular emphasis on their latest album. After a deep cut (2004’s “Secret World”) we heard another hit – the 1989 tune “Sowing the Seeds of Love.” This was followed by no less than four songs in a row from the new album. Although the newer tracks were not as well known as the classics, the attention and style never left the room on stage or in the audience. I heard the entire album before the show, and it’s a timeless, diverse, orchestral release leading to a trippy experience on stage. Psychedelic backdrops and various dark hues added visuals to the melodic, often strange music.

We got back to the familiar songs with the very upbeat but sad “Mad World.” Curt danced around the stage to flashing neon of red and blue, basically turning the arena into a club. Curt and Roland then left the stage for a bit as their backup vocalist, Carina Round, used her beautiful voice to sing “Suffer the Children.”

In addition to highlighting Vancouver as a hometown show for the drummer, Curt said it’s “a gorgeous city and great if you’re a runner.” He also mentioned he’d spent quite a bit of time in Vancouver filming episodes of the show Psych, in which he played himself. Tagging on to the runner comment, Roland remarked “our songs are more famous than we are. It’s great, because Curt can go running along the seawall without being mobbed. I’ll go on holiday and say I’m a musician in a band called Tears for Fears, and they’re like ‘who?’ Then I say you know ‘Everybody Wants to Rule the World?’ and they say oh yes, yes.” He had a great sense of humour about this, and it was clear the group was so happy and grateful to be here performing these well-known songs for us 40 years down the road.

We closed the main set with a long staple hit – “Head Over Heels / Broken” – a song still running through my head a few days later. We all sang along to the “La la la la…” part, leaving the show on a high note.

But it wasn’t quite over yet — they came back for an encore and introduced the band. Keeping the synth beat on the keyboard was Doug Petty. The guitarist was Charlton Pettus, also noted as a co-writer and producer on the new album. They then highlighted local drummer Jamie and backup vocalist Carina, before of course introducing themselves as Curt and Roland.

The previously promised sing-along cover turned out to be “Creep” by Radiohead, of all things. It’s not a song I expected – it certainly isn’t upbeat or cheerful – but it did seem appropriate for the band’s style. It’s also very well known and was a fun one to chant the chorus to.

The final track of the night was perhaps the most upbeat of all of their hits – “Shout.” It was the perfect closer as the entire arena stamped their feet, jumped around, and chanted “Shout! Shout! Let it all out!” once again echoing a club at the height of the 80s. It’s clear Tears for Fears have still got it. A couple generations later, they continue to record, entertain, and draw a crowd of thousands. They may have aged physically, but their music, old and new, is simply timeless.

Written by: Cazzy Lewchuk

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ladygwyndolin · 1 year

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Ellinad in 5 minutes

#el cazador de la bruja #cazzy #ellinad

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noturpies · 1 year

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me, real

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meridethdunemnt · 1 day

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#geek girl #cute shirt #lgbti #plantcore #cazzie #pearl #country #beauty face #red nails #neon pink

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forbescaroline · 4 months

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235 FAVORITE SHIPS OF ALL TIME (ranked by my followers) 92. casey gardner and izzie taylor - atypical

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santinacedes · 1 year

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This might sound lame but you're like my new favorite person.

#atypical #cazzie #cazzieedit #wlwedit #wlwsource #tuserhannah #tuserdee #tuserkt #tusertheresa #userrachel #tuserssam #userbru #dailynetflix #userbbelcher #*#miss them :(

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amityscatra · 2 months

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i love tragic gays so much it physically hurts me like wdym you would literally die for each other wdym you would literally cut off the whole world just to be with ur lover WDYM

#young royals #she ra #seraph of the end #wilmon #catradora #mikayuu #yellowjackets #taivan #renga #sk8 the infinity #cazzie #tanthamore #wolfstar #soukoku #klance #elliedina #i need reqs for more tragic gays pls #wlw #mlm

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perdumaisreveuse · 11 months

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ahhh the sapphic urge to lay down together and have meaningful conversations

#kitty and yuri #paige evans x aj campos #cazzie #sydney novak x dina #xo kitty #crush hulu #crush movie #kitty song covey #yuri han #atypical #casey atypical #izzie taylor #i am not okay with this #sapphic

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lesbiansloveleatin · 11 months

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asian lesbian rep <3

#my loves #yuri han #kitty x yuri #anika kayoko #mindy x anika #izzie taylor #cazzie #ellie chu #the half of it #atypical #scream 6 #xo kitty #lesbian

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thepermanentrainpress · 7 months

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CONCERT REVIEW: COLDPLAY W/ H.E.R. AT BC PLACE - SEPTEMBER 22, 2023

Coldplay has been consistently selling out stadiums worldwide for two decades, and for good reason. Their live shows are more than a concert: they are unique, colourful, active participation events. The audience does not just experience the show, but they become an essential part of it.

Opening acts comprised of hip-hop artist Bobby Gonz, pop-rapper 070 Shake, and R&B singer H.E.R.. H.E.R.’s set was especially fun, featuring a full band. The artist played multiple guitars and even the drums while singing, and performed multiple rock covers. A mashup of “I Love Rock 'n Roll” and “We Will Rock You,” followed by Lenny Kravitz’ “Are You Gonna Go My Way” to close the set really warmed up the energy for the main event.

Of particular note for this tour was the efforts Coldplay took in social responsibility and sustainability. Videos detailed how the tour dollars went to support global environmental initiatives, and how much of the show was powered by renewable energy. The set was opened by members of local First Nations, who gave a speech welcoming everyone to their shared lands. The young people and elders on stage gave gratitude to Coldplay for being the first group to create this space for Indigenous peoples of the area.

Each audience member was given a biodegradable LED bracelet that lit up in different colours. Throughout the show, a sea of lights soared across the stadium. This created a really neat, gorgeous visual effect. Thousands of pinpoints blinking in tune and hue. It’s really unlike anything I’ve seen at a concert, particularly with the number of people involved and the amount of detail put into the synchronization. There were lasers and balloons as well, as if BC Place had become a giant rave party.

The majority of Coldplay tracks are upbeat, dance-worthy tunes. But even the mellow piano-focused tracks (“The Scientist” and “In My Place”) were accompanied by a sing-a-long of thousands, creating a unique, warm energy in the vast room. In fact, every single track – no exaggeration – featured people singing along. I’ve never experienced a show quite like that.

No doubt, part of Coldplay’s longtime appeal is their direct, personal connection with the fans. It’s obvious these guys are so grateful to be on stage and appealing to so many two decades later. Chris Martin profusely thanked everyone for their work in making the show happen, from stage crew to bus drivers. He gave gratitude to the audience for enduring the high prices of tickets to parking to beer – and for giving the band their Friday night.

Chris scanned the pit for signs and flags, trying to shout out as many as he could. “You came from Australia, you came from India... Wow! Happy birthday! Happy anniversary!” As with every show, they brought someone from the audience up on stage – in this case, a young married couple. They joined Chris by doing backup vocals for “In My Place,” the lady going so far as to have written the chords on her arm to help. It was a sweet, endearing way to bridge the gap between artist and audience.

Perhaps “Yellow” was the biggest shine of the night. The whole venue lit up with tens of thousands of bright yellow points as the band performed their most popular song. The loudest, most intense singing, dancing, and rocking occurred at this time. It was physically impossible not to smile and feel the joy in the room. Any energy that hadn’t been captured yet was released at this midway point.

The visuals got extra strange towards the end of the set. The band wore alien head masks and LED motorcycle helmets for “My Universe” – part of the concept for their whole Music of the Spheres album. The last song of the main set was “A Sky Full of Stars.” We were politely asked to put “our hands in the air and our phones in our pockets” for this one, leading to a phone-free, shared moment of 50,000 people, shining lights, and a chanted chorus across the stadium. It really did resemble a sky full of stars.

The encore did not let up with the energy and visuals. Large balloons resembling planets floated around the pit, as if the floor was a solar system. This echoed the theme concept for Music of the Spheres. At this point, the band brought out a surprise guest: Vancouver music icon Bryan Adams. Apparently this was a last-minute decision made by everyone backstage. They all performed “(Everything I Do) I Do It for You,” primarily sung by Bryan and backup vocals joined by H.E.R.. It was a big hit with the crowd.

Even the grand finale was an impactful image. For one of their latest singles “Biutyful,” Chris was joined on stage by a female alien puppet known as Angel Moon, part of the album concept. It was rather odd – particularly if one doesn’t know the context – but also “biutyful” in an alien way.

I was a little disappointed to not hear more of their earlier work, especially with only one track played from Viva la Vida. But with nine albums and dozens of singles, there’s always going to be some shuffle. There’s truly nothing like a Coldplay tour: whether a longtime or new fan, casual or devout, few artists bring people together and create memories like these men. Their style may have evolved, but this tour has proven the show is only getting bigger and better. I already can’t wait to see them again.

Written by: Cazzy Lewchuk Photographed by: Timothy Nguyen

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sapphicisland · 8 months

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One thing I want to see in wlw fanbases specifically is cross fandom fanfics with multiple main ships that isn't just 50 chapters worth of smutty oneshots with no plot and no sign of the fanfic ever ending. Like please take some of your favourite wlw ships throw them together in a completely new world and convince me that them orbiting each other makes sense. Extra points if you disrupt established ships and let crack ships reign supreme. I just want gay chaos.