just finished season 3 and i have. thoughts.
1 note
·
View note
Me, writing the parts of my fanfic I want to write: Haha fuck yeah!!! Yes!!
Me, trying to string those parts together into something that resembles a narrative: Well this fucking sucks. What the fuck.
2K notes
·
View notes
Parallel Lines and Brothers.
[First] Prev <–-> Next
1K notes
·
View notes
no but actually imagine being immortal and meeting THE LOVE OF UR FUCKING ENDLESS LIFE and spending SIX THOUSAND MFING YEARS imagining an ETERNAL future with them and fucking knowing that you want to spend ACTUAL FOREVER with them like dude im gonna fucking choke and die how can love like that exist even in fucking fiction?? HOW??? this is making me so emotional imagine someone wanting to spend actual fucking eternity with you i would die at the mere fucking possibility. "and we spend our EXISTENCE pretending that we aren't (...) and i would like to spend–" are u fucking kidding me rn man??? fuck off fuck u shut up
2K notes
·
View notes
can’t talk about it
[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.
Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."
The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"
The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."
The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."
The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."
The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]
2K notes
·
View notes
I feel like Bruce would use his charm against Otto whenever he tries to mess with his brothers. Bruce sees Otto about to say something nasty to Floyd, calmly gets between them while giving Otto a Look™ and telling him to play nice, immediately flustering him so badly Otto has to run away to avoid embarrassment.
Not sure if Floyd and JD would find it funny or be horrified at the idea of Otto actually being into Bruce (even if it will never develop into a relationship).
The Talk consists of Bruce telling Otto to leave his brothers alone
Bonus:
481 notes
·
View notes
I’ve grown to appreciate the aus where Shen Yuan enters the story as “Shen Yuan” - same name, probably similar face, generally able to interact with PIDW as himself and change the story through his added presence. I like the sense of “if only you’d been here, things might have been better the first time around” of it all.
And I was thinking, it’s a funny coincidence in that scenario that someone named Shen Yuan gets put into… another Shen Yuan. What are the chances? What a weird twist of fate that Airplane would pick out the name that his most dedicated critic could slip into seamlessly.
What about a version where it’s not coincidence at all?
Airplane goes to school with a kid named Shen Yuan. He’s prickly and hard to approach and a little intense, but Airplane is persistent. In fairness, Airplane is relentless - and maybe it’s a good thing that they end up being friends, because they’re a little too much for anyone else to handle. They balance each other out. They’re the “weird kids” in class and they’re okay with that, because even when they don’t have any words for it, they know they’re not like their classmates, not really. That’s okay; they don’t want to be.
Recesses and breaks are consumed with the elaborate stories that Airplane wants to tell, and all the holes Shen Yuan pokes into them. It’s not mean-spirited, though, even though Shen Yuan isn’t the kind to temper his words. It’s passionate. He cares about those stories the way Airplane cares about them, and it can’t be mistaken for anything else when they lean together conspiratorially across the lunchroom table. They’ve both got notebooks filled with details and characters and monsters. Shen Yuan’s practically got a whole bestiary sketched out in wobbly childhood attempts at art, entries fervently scrawled beside them. Airplane prattles out plots nonstop, always with the promise of shining eyes and being asked “what happens next?”
They come up with a whole world together. Airplane’s going to write about it someday. Shen Yuan is going to read every word.
Shen Yuan misses school. Shen Yuan starts missing school a lot.
Airplane goes to the hospital room instead. He doesn’t think to worry, because Shen Yuan is okay - that’s what he says. He looks okay, and he’s a kid, and it doesn’t feel real that anything bad should happen to a kid. He doesn’t think to worry. He doesn’t think to say goodbye.
It’s one of the older Shen brothers who catches him on the way up to the room one day, in the hallway just outside - snaps at him to go the fuck home, and when Airplane hesitates, pushes him into the elevator and tells him not to come back. “Tells” is a generous way to describe the way the words come out - a growl, a hiss, the sound an animal would make when a hand got too close to a wound.
(It’s not fair to name a villain after him, even if the name never really comes up in the story. He wasn’t trying to be mean. He’d lost a brother minutes before, and he was getting his brother’s friend out of the way so he didn’t have to… see. It isn’t fair, but then, none of it is fair.)
Death feels very real after that.
The notebooks get shoved into a closet, and it’s not until Airplane’s moving out and one falls on him from a high shelf that he thinks about it again. He’s written things, lots of things, but nothing as ambitious as this - nothing as important. It could be good, he considers. He’d promised. Shen Yuan wanted to read it.
The problem was that no one else does, not for a long time, not until Airplane has whittled himself and his art into a corner and into such an unfamiliar shape that he has to wonder how it’s still his own face he sees in the mirror. He has to eat. He has to pay rent. Shen Yuan would yell at him, but Shen Yuan isn’t there to yell at him, and who cares. Who cares if it could have been better? The people who actually are here love it, and it’s paying his bills, and sometimes stories don’t go the way they’re supposed to and the world is fucking unfair. It doesn’t matter.
(It does. But he shoves that thought away along with styrofoam cups and soda bottles to the bottom of a garbage bag.)
Authors are not gods and their power is limited, but Airplane exercises just a sliver of what he’s been granted and gifts an inconsequential sort of immortality. He thinks about making him a rogue cultivator, maybe the kind that goes around documenting beasts and compiling his findings. He thinks about making him someone too powerful for death to touch, or too important to threaten, but when Airplane looks at the world he crafted and everything that’s become of it, it feels like the kindest thing he can do for Shen Yuan is a childhood where he’s loved, and a death that’s peaceful. What does it say about that world, that he’d kill off his best friend too early again instead of making him live there?
(The best writing he ever does is the only, shining moment of humanity that his scum villain ever displays: a lament about death that comes too early, about a brother gone too soon. The commenters praise him. The commenters flatter over how real the emotions feel. The commenters don’t get any response from Airplane on that chapter.)
Death is incredibly real when it comes for him too early, too, still hovering over his keyboard with the story technically finished and incredibly incomplete. Airplane could tell himself that’s because the written version can never be the version in the writer’s head, always shifting and with every possibility still on the table, but he knows better than that. The System knows better than that, with its condescending message about “improving” his writing and “closing plot holes” and “achieving his original vision”...
…and he’s a child again. He’s a child in his own story, he’s Shang Qinghua now without the benefit yet of a peak or cultivation or anything, and maybe he’s a little bitter, and a little scared, and…
And Shen Yuan - with longer hair, with robes, with a couple of older kids watching him from across the street, but undeniably the prickly little boy who used to sit down imperiously across from him and tell him everything that was wrong with the chuck of writing that had been handed to him last period, but with that smile that said he was only invested because he knew it could be better and they were going to make it better - marches up to him with a fire in his eyes and a frown that warns of a coming tirade.
“You told it wrong,” is the first thing he says.
Shang Qinghua wants to ask how him how he’s here, how this is possible, or maybe laugh because, yeah - yeah, Shen Yuan has no goddamn idea how wrong he got absolutely everything.
(Shang Qinghua wants to say “I missed you” and “why did you leave so soon” but he’s here now. He’s right here.)
“I know,” he says instead. “I’m sorry. It all kind of… spiraled out of control.”
Shen Yuan frowns, but then it dissipates the way it always does, and his eyes shine with ideas the way they always used to. “That’s okay,” he relents, grabbing for his hand. “We’ll fix it. We’ll make it what it was supposed to be.”
798 notes
·
View notes
Our second DCXDP au has Danny hiding in Gotham with the cores of Dani, Dan and two other clones who survived. They need DNA to be able to reform but it's in a ‘it doesn't have to be now’ kind of way. Not just Danny’s DNA but another to to balance out their genes.
They'll become babies and be raised up. Dani was melting but forced Danny to promise he wouldn't find someone right away he'd take his time to fall in love first. Dan did the same and the twin clones did to.
Danny decides it's a good idea but keeps the cores safe. He ran to Gotham in the DC universe because the GIW were to close to killing him. His parents, Jazz, Sam, Grandma Ida and the Foleys all followed. Grandma Ida is running some gang down in crime alley having a blast with Sam, constantly trying to hook Sam up with Jason who Ida is in a turf war with. Tucker is happily running a tech company that will soon outstrip it's competitors., his parents helping Jazz is terrifying in Arkham as she tears our corruption.
Maddie abd Jack found out about the Leauge of Assassins and went: study time. Danny, knowing its corrupted ecto and also not wanting to deal with assassins lets then have fun. So Ra’s is dealing with liminal mad scientists who keep stealing the Pits and also have uncovered two Damian clones they kidnapped. Their kids now.
But we’re focusing on Danny who is in college and living a peaceful life which is what he wants most of all. The cores of his kids are always on him just in case and he's casually dating. It's great. He can just be Danny the guy who is super into space and plans on being a mechanic for the watch tower.
Then one day Two-Face attacks the cafe he's at (because of a sale it was having where it was two for one on some sort of new treat). Danny has to run for his life. He gets hit and the bag he has the cores in is harmed. One falls out and he freaks, diving for it. He grabs it just as Black Bat swoops in to save him. She flies him up to a roof.
They land and then she moves to grab one of the cores that fell out. Danny gets antsy but it requires skin contact so it should be okay, she's wearing gloves after all. It'll be fine!
On her part, Cass is wondering why her hand feels tingly but there isn't anything malicious in the mans face so she thinks it might just be the orb she caught being weird. She swings off, noting that she has a hole in her glove.
Danny goes home and doesn't think about it until he realizes that the core the hero touched is growing. And it's getting sick without the touch of its other parent.
Cass on the other hand feels strange. Like she's pulled somewhere. She instantly thinks of the guy and alerts the others to him. They hunt him down to find him on a rooftop. He's surprised to see them, holding an Orb that’s glowing.
“I thought it would take longer…” the man says. He shakes his head. “Umm… rip the band-aids off- I'm nottotslly human.”
The Batfam kinda pauses cause he's giving this info up for free. Cass is eyeing him closely. It's just her, Batman and Robin in front of the man. Everyone else is listening in or in the shadows.
“I ran away from my home dimension cause they were hunting me down to kill me because they believed I was non-sentient. You know sad trench- I mean, John Constantine? I think he put in the word we’re friendly,” the man babbles. The orb shines. “Okay, okay. I need to… Black Bat did your glove have a hole in it when you touched this?”
Cass hums but nods. Barbara has Constantine on the line (and no one wants to know the blckmail she has to make him answer) and he's confirming it's a friendly.
“Okay, okay… this is a Core and it's the heart, soul, brain, everything of an ecto-entity like me. And it… it’s my child. But it needed a second set of DNA. It's fine dormant, it doesn't hurt the baby. But it…” the man swallows. “Skin touch.”
Cass knows in a second what he's leading up to. She touched the orb. It needed DNA.
That's her baby in his hands.
Que the chaos.
309 notes
·
View notes
this is sort of pathetic, but when you were younger, you were sort of puzzled by the cartoon representations of fathers: how a kid would be outside with a mitt, waiting to play catch.
it's not that your father never played catch with you, but you also didn't like when he did. something about a hard ball coming quickly towards your face doesn't seem exciting. not that you'd ever say you don't trust him. you trust him, right?
it's not like he never tried to teach you anything. or never tried to parent. on rare days, a strange person would walk in your father's skin. bright, happy, magnificent. this version of your father was so cheerful and charismatic that you would do anything to keep him. and this is the version of your father that would laugh and gently coax you try again. this is the version of your father that would break down the small elements of a problem and point them out so you have an easier time with them.
as a kid, those days happened more often. but somewhere around 11, you started being too much of a person, and he was often cross about it. when he'd try to sit you down to learn something, you spent the whole time with your shoulders around your ears, nervous, uncertain. terrified because you didn't immediately understand how to navigate something. worried you will run out of his goodwill and then you will have the Other Father back, and you will have ruined a good day for your entire family. something about you being visibly afraid - it just made him angry. he would accuse you of not wanting to learn and storm away.
on tv, it's not like there's a lot of versions of men-who-are-mostly-fathers. they can be good dads, but usually their stories are not told in the household. so it's normal that your father is there, but he's never around. you know he was in the house, somewhere, it's just not that you guys ever... "hung out". he just seemed to get kind of bored of you, annoyed you weren't made in his perfect image. frustrated with how much energy it took to raise a kid. over time, you kind of adopt a bittersweet band around your throat - he knows nothing about me. he says at least i never abandoned my family.
and it's technically - technically - true. he was there for you. sometimes he even made an effort and made it to the big moments; the graduations and the dance recitals. he grins and tells everyone that he taught you. it almost erases the days in between, where he complains because you need a ride to school. the weeks that go by where he doesn't actually ever speak to you. the times you say i am struggling and he says figure it out on your own. i can't help you.
and that's fine! that's all fine. you can call him if you are having a problem with your car. or if you need a ride to the hospital. he loves playing hero, he just doesn't like the actual work that comes with being a father. and you've kind of made your peace with that; because you had to, because you don't want to live your life like he does; the whole world at a managed distance, a little rotating and controlled orb he can witness and take credit for but never truly love.
as an adult, you are rewatching some dumb cartoon - and again, the child standing in the rain, with a mitt, waiting for their father to come play catch. as an adult, there's this strange creeping dread - this little thing? this little thing, and their dad can't even show up for that? oh god, holyshit, it's not about the mitt, is it. oh god, holyshit, your father spent most of your life leaving you hanging.
3K notes
·
View notes
Something about how Fire & Ice give up on going after Pearl directly, and instead both arrow in on dissing Marina-
Something about, Pearl having no shame at all, outright telling Frye right off that Off the Hook is here to “take control” and then literally talking over Frye’s turn. Frye’s snarking on how Pearl isn’t the boss here and no one’s cheering for her, ignored. How she goes after both Frye and Shiver asking where Frye’s big friend is to help her pass this test, moving right on to saying they’re both just goons making a mess anyway, little fish who should stay in they're bowl, but
that seems to give Frye the idea of hitting back with the “who’s backing you? Imaginary friends?” line… like Marina doesn’t even count as a music partner- or a friend?
Pearl literally yaps about Marina being divine, one of a kind, voice so fine, big mind- raps the lines off her cuff and the heart that's proudly pinned there
And Frye and Shiver go TARGET DETECTED. They lock onto Marina.
Shiver doesn’t bother trying to needle Marina about Pearl, the way their partners were each doing- if Pearl has no shame then at least she DOES still have a weakness, a soft spot, a thing she openly cares about- something they can try riling her up over
(problem: Pearl actually has all the confidence in Marina as a musician, partner, and performer. She's WATCHED Marina be all those things for YEARS now)
In the end Frye and Shiver just rile up the gay feels. Because Marina’s been living with a rapper who LOVES hyping her up even when they’re not on stage- Pearl who said she’d cut a fish for Marina. And if you don’t come to Inkopolis with a lot of self confidence, well then getting some from your girlfriend is fine too
But it’s cute that Pearl’s still so obvious about being Marina's no. 1 fan that Fire & Ice thought they could use it against her XD
166 notes
·
View notes
Alright new Jason Todd headcanons in a dpxdc setting:
Danny is a "liminal" ghost, rather than a "half" ghost. He's alive and dead at the same time. (He's like Jesus Christ (in the church denomination I grew up in), fully ghost and fully human.) Danny, in human form, can go through a ghost shield, because he IS a living human.
Jason, however, is a reanimated corpse. He isn't a ghost, wouldn't have a ghost core, etc, he has a normal human system that runs ON ectoplasm. Jason CANNOT go through a ghost shield, because he is always an ectoplasmic entity. Danny can go through the Fenton Ghost Catcher and be split into a ghost and a human; if Jason went through the ghost catcher, he would straight up die.
(For my purposes I'm gonna say that Jason became an ectoplasmic entity upon his resurrection, but wasn't very stable. Dunking in the Lazarus pit stabilized his system but also poisoned his ectoplasm.)
I do think that Jason could learn certain ghost abilities if he learned to harness his ectoplasm, especially if they detoxed him off the Lazarus waters. He's probably already enhancing his stealth and strength in ways he hasn't really noticed. I think he's held back by the amount of physical matter he's lugging around, so maybe he couldn't fly, but I'm imagining temporary invisibility, or intagibility of like, a limb at a time. Maybe he can't walk through walls, but in a fight he can dodge by instinctively making the targeted part of his body intangible.
146 notes
·
View notes
What if Neil and Aaron find out they have a class in common during Neil’s second year and they reluctantly agree to team up for a group presentation because doing it together is better than doing it with unreliable strangers. Although a lot of snark is involved at first, they start warming up to each other the more time they have to spend together to work on their presentation and one evening, while it’s late and only the two of them are still awake, one of them—under the guise of exhaustion—makes a dark joke about his childhood that surprises a bark of laughter out of the other and that’s ultimately what makes them open up to one another. They find out they have more in common than they would like and this one evening marks the beginning of an unspoken friendly truce between them.
711 notes
·
View notes
💙❤️Happy Holidays!❤️💙
567 notes
·
View notes
one of a kind living in a world gone plastic
baby you're so classic
@most-tragic-character-tournament
(all my thoughts in the tags)
224 notes
·
View notes