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#I have a lot of feelings about the survivors if you can't tell
punk-pitcher · 1 year
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Thinking about the trauma bond of the Danganronpa survivors and how they stick by each other no matter how clashing their personalities can be at times:
THH survivors clash the most but they can and will fight god to make their fellow survivors feel better. They have movie nights. They stay up all night together when someone has work to do just so they don’t have to be alone. They all have nicknames for each other and tease each other constantly. Hina and Hiro are always there to try to lift the mood, and they offer comfort so often that they forget that they need comfort too, but it’s okay because the others remind them in their own ways. They talk about their families and their lives before the despair. Even Byakuya and Kyoko have their occasional breakdowns when it all gets too much and no one judges them. Sure, they may get into spats and arguments but they care about one another.
SDR2 survivors are like a family. They never go without one another, and they have long talks about nothing just to try to get their minds off of the horrors going on outside. They work constantly to try to bring their dead friends back and to help the world recover from the despair that they helped caused. They feel guilty and self-hatred, but it’s okay because they aren’t alone. Akane and Sonia always find fun activities for them all to do, and sometimes they can forget all of that guilt if only for a moment because they feel like kids again. They all go on walks together to find things around the island. Kazuichi makes tributes to all of their fallen friends so they all can remember who they’re fighting for. Sometimes they can just be found all cuddled together because it makes them feel safe and loved.
V3 survivors offer a break from a world not meant for them. They all sleep in the same room and talk when they find it hard to sleep. Often times, one of them will awaken from a nightmare and the other two are quick to offer comfort. Whenever they go out, they are always found together because they can’t stand to be alone in a reality where everyone knows them. Maki is always first to put on a brave face, and she isn’t afraid to scare people away when it gets to be too much, but when the three are alone, she knows that she can let her feelings out. Anxiety attacks are common with all three of them, especially when they’re alone, but they know that they have each other through thick and thin. They know that they are real. Even when they don’t think that they belong in this world, they know that they belong with each other.
The common thing with them all is that it takes time to heal, and having a support system can be so important when dealing with trauma. Knowing you aren’t alone- that you matter to people- can be something special.
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daily-hanamura · 5 months
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#p4#persona 4#hanamura yosuke#yosuke hanamura#EVERYDAY IM HOWLING. EVERYDAY IM SCREAMING.#for context this comes at the heel of yosuke charging at mitsuo kubo in rage because of his flippance towards killing saki and he's hit har#but souji and kanji jump in to protect him#like ok a lot of things going on here such as the obvious OH MY GODDDD yosuke being yosuke and taking things on for himself#because he doesn't want to bother people?? because he's made it his own responsibility? because his survivor's guilt is still lingering?#i mean don't tell me he doesn't look at how he surrendered to his shadow like apart from his self-sacrificing propensity#i low key feel like everytime yosuke demands answers about saki's death from the murderer/god/etc there's this undertone of how#he would rather it have been him#he cheapens his own life so much and for what#BUT ALSO!! ALSO!! not just souji jumping in because we know he would he's down bad for yosuke BUT ALSO KANJI#listen you've all heard me talk so much about how i adore kanji yosuke friendships#i can't really tell whether it's kanji or souji that says “haven't we earned your trust yet” but it's a line that hits SO HARD#regardless of which one of them was saying it and i think it hits hard in slightly different manners#it's kanji's admiration and how he looks up to yosuke and how he wants to be closer to yosuke as a friend/kouhai/whatever you want#tatsumi “who's your partner now!” kanji has so much respect for yosuke he wants yosuke to rely on him too!!!#and this stands out because kanji is very conscious of social hierarchies and such but as a kouhai as yosuke's junior#he's so specific about wanting yosuke to treat him as an equal#i smtimes feel bad for kanji because he has a bit of that vibe of a poor puppy trailing after souyo because he wants to be in their convos!#he wants to be included! but critically he also just! wants them to SEE him!!#going a lil off tangent but i think kanji's attitude towards souji is very much one of kouhai respect like he understands his place#of like deferring to souji or getting advice from him and just generally regarding him as a reliable mentor#and it's the same with chie and yukiko? but idk man. with yosuke. guys. with yosuke i always feel like kanji wants to break that hierarchy#that convention. that social norm. to cross a line and be closer to yosuke.#he's more willing to tease yosuke in a way he doesn't with the other 2nd years. and this isn't coming from a place of disrespect either#AGAIN. KANJI REALLY LIKES YOSUKE. he wants to protect yosuke!!! he jumps at the opportunity for yosuke to rely on him!!#i'm getting delulu but there's those hints of “yosuke senpai i want you to see me as a man!!!” kind of energy here and i'm it's yknow hmm
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lith-myathar · 10 months
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envy-of-the-apple · 3 months
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Dark!Naga!Gojo Satoru x reader x Dark!Naga!Geto Suguru
Top of the Food Chain
I've always wanted to continue my naga!mha fic but considering i dont write for deku+co anymore, i decided to move my au a couple fandoms over:D 1.8k wc
Part two
(Warnings: animal deaths, blood, obsession, dark content, slight gun threat but not rlly, polyamory, gender ambigious!reader) 
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Despite being here for nearly a week, you still don't think Satoru understood how delicate you are. 
He's overbearing, in that sense. Constantly poking and prodding and squeezing until your lungs give and you're forced to squeak. You can't blame him for not understanding. He's an animal, after all. Inhuman. Despite his skin and hair, the scales coating his tail give away just how different he is. He was probably born fighting, kicking, and screeching his way through the foliage, hunting, chewing, and biting. 
He's not like you when all you knew when you were younger was coddling and softness. You can see it in his scars, and bruises, and marks. 
Luckily, for you, Suguru had an inkling that you weren't made for sharp claws. 
It's not a fight, you can tell when they're fighting, it's more like a warning? A minor disagreement. Suguru hisses at the other naga, scrunching up his face, showing his teeth. Satoru is quick to respond, but a little more playful. Fortunately for you, the black-haired male seems to win the argument. Satoru's coils loosen around you. Air stops fighting its way to get into your lungs. 
You finally go lax in his hold. Satoru seems to enjoy that, dipping his head to bury his face into the base of his neck. The first few times he did that, you were afraid he was trying to bite off your jugular. Now, you think it's just another way he can soak up your body heat. 
Maybe you've been here for longer than a week. At this point, you couldn't really tell. Hope that you'd be found was starting to slowly fizzle away. The explosion had been massive. The ship had sunk in a matter of minutes. With a disaster that huge, you doubt anyone would still be looking for survivors. Especially on an uncharted island, where myth had turned into reality. 
 Satoru had been the one you'd woken up to. Washed ashore, barely conscious. You were half-certain he was planning on eating you with the way he held your leg, watching your muscles bend and turn. In his defense, he must have thought you were dead. Your shrill scream quickly convinced him otherwise. 
It was barely a fight. More or less, a pathetic kidnapping as he grabbed your body, slinging it over his shoulder. You've never remembered screaming and crying so loudly before, convinced you were about to be eaten. Suguru probably heard you before he saw you. 
Satoru's mate was a little less impressed with you. Back then, they didn't bother learning your tongue, speaking in hisses and snarls, unaware of your misery. Suguru's frown was glued on his face, but the naga never let you run away, always keeping a hand or a tail on you at all times. It was a rough first day; you didn't know they weren't interested in eating you until they tried to feed you. 
Things were much different back then Nowadays, they are a lot more considerate of yourself and your soft body. You think you've come to an understanding with these strange creatures. 
Suguru was the nicest out of the two. In that, you mean the least rough. Compared to his counterpart, he's a bit smaller, but that's not saying there's any real difference. If it comes down to it, you are more than certain he'd be able to kill you off as quickly as his mate. You thought he hated you, at first. Now, you think he has a hard time showing blatant affection. His touches typically come in the dead of night, when you're barely conscious. A clawed finger gently raking over your soft skin. Large hands sculpting your face. 
Satoru's eyes were the first thing you noticed about him. Glittering like blue sapphires. You had a feeling they weren't just for show. Time and time again he's proven that he can see better than Suguru could. He smiles a lot more, but you're starting to wonder if that expression translates across species. He can speak your tongue slightly better than Suguru could. It most likely has to do with his insistence on staying with you. The more time you spend with him, the more you have to say 'No' 'Don't touch there' 'Stop'. 
In the rare times you manage to escape their hold, you like watching them interact with each other. They often sunbathe for hours, lazing around hot rocks to soak in the heat. They like touching each other. Sometimes it's aggressive, like when Satoru chomps on Suguru's neck and you're suddenly much more aware of how careful he is with you. Other times it's: soft, unintentional, meaningless. Languid cuddling when you are finally able to braid Suguru's hair. 
At this point, you've surmised they won't eat you. At least, not for the moment. You don't exactly know what they think of you. Do they have the concept of pets in their worldview? Maybe that's the closest thing you can place yourself as, at least in their eyes. They must think you're helpless. To them, you have no claws, no fangs, no venom. They probably don't know you come from a species that's hunted others to extinction and currently burning down the planet. You must be the first time they've ever seen your kind, stripped away from your weapons, when you're the least dangerous. 
"You should be more scared of me, you know," you once whispered to Suguru in the dead of night.
He was dozing off, blearily keeping his eyes open to stare at your moving lips. There was a grunt behind you, and Satoru tightened his arms across your waist. Greedy for affection, even in his sleep.
"Humans are terrifying," you said, reaching out to touch, "top of the food chain."
Suguru had smiled at that. You found yourself smiling back.
"You're lucky I didn't have a gun on me. You probably don't even know what that is." It's dark humor to press two fingers into his forehead. Your way of coping maybe.
Or perhaps your actions prove that humans will always desire to be violent, no matter how perilous their fight may be.
"Bang." He leans into your touch, unafraid. Oblivious to the threat that you are.
You're guessing Satoru only let you go because of the food Suguru brought.
You're able to feel the ground again as he glides over to Suguru having just come back from a successful hunt. The carcass of the largest deer you've ever seen is slung across his back. The smell of blood already makes you nauseous. 
You think Suguru had been the most panicked when you refused to eat, clicking and cooing while he tried to force-feed you the bloody leg of a bear. Back then, your communication was even worse than it was now. You were smeared in crimson by the time he relented. Practically dripping in it. 
Now, Suguru knows you have different tastes than them. You're not a big fan of raw. The fish and the handful of berries are more than enough to sate you as you gather the items he's given in your hands. 
"Thank you," you say. You reach out, touching his face with warm fingers. He purrs into your touch. You smile. It's the least gratitude you can give him. After all, he's not asking for much. If they hadn't found you, you would have been dead long ago, or at least, significantly less weaker. It's the least you can do. 
For a moment, you delude yourself into thinking they were your pets. It'd certainly be easy too. They have little to no regard for personal boundaries, much like dogs. They're more animalistic than they are human. 
It's funny to think of these monsters as lovable pets.
"Thank you," Suguru repeats. You giggle. It's not like they actually understand you. It's simple mimicry. Like talking to a parrot. 
"Thank you!" Satoru chirps, never one to be left out. He pushes his mate out of the way, eager for your pets as well. Suguru hisses, but doesn't argue. You've learned they like to be scratched right there on the bottoms of their chins. 
Suguru's less obvious, but Satoru has no desire to pretend. He melts into you, practically slumping his weight into your weak hold. It's a little adorable actually. You give a little laugh. He seems even more pleased at that. 
They're fun to be around, but this can't last. You belong with other humans, far far away from this island. So far, you hadn't seen any boats in the horizon, but you hope one would come by soon. A plane would be even better. Close enough to give you hope. Maybe if you built a big enough fire, it'd reach someone eye. 
Hopefully, in just a few weeks, these creatures will be a very cherished memory. 
You frown when Satoru reaches over to grasp at your food, the meat specifically. You glare, moving away from his hold. He titters in clear disappointment. You hate seeing him sad but you already have so few food sources. It's best to conserve whatever you get. 
"No," you pointedly tell him, "It's mine. Mine." 
His frown deepens, and he opens his jaws to let his fangs pop out. 
"Mine," you repeat. 
He leans back, huffing. You laugh because you know his expression is more out of frustration than any actual anger. Again, animals. You pet his head in apology, before turning away. You'd have to start a tiny fire to start cooking. Raw fish is edible, but it's hardly desirable. 
A hand grabs yours, clawed, the grip is tight around your frail skin. When you look back, Satoru is staring at you. Eyes wide. Eager. 
"Mine," he says, but it's more like he's testing the word. Tasting it on his lips. 
You scoff, unamused. "That's my arm. Not yours." 
Satoru smiles. Sharp teeth. You suddenly remember he's a carnivore. 
He's slow when he draws you in, practically dragging you into his arms. You're used to his spontaneous hugs, tight and suffocating. You can't fight him off, so you typically wait until Suguru has enough of his behavior and drags him off you. 
"Mine," Satoru repeats. Alarm bells ring in your head but it's easy to brush them off. It's mimicry. They can't understand. It's like talking to a parrot. 
You feel the weight of the other naga at your back. His arms wrap around your waist, pushing you against Satoru's chest. You stiffen when Suguru's fangs lightly graze up your neck. Never quite punctures, but is terrifyingly close.
"Mine," Suguru says into your skin. 
You laugh again, but it comes out less hesitant. More airy. Amid their hold, a sudden thought comes to you.
If you weren't at the top of the food chain anymore, then who was?
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mr-ribbit · 4 months
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this isn't meant to soften or reduce the objective transmisogyny + additional hate action going into this, but since the people running these harassment campaigns are acting like they're literal baby children who need their hands held to understand anything, maybe this needs to be said:
what you're doing and how you treat trans women on this website is fucking MEAN. if you want to sit there and honestly convince yourself that you're *not* a transmisogynist or a transphobe or a misogynist or any other type of bigot - like if you genuinely believe that and are confused why people are calling you these things - then maybe we need to start from little primary colored building blocks and tell you that you're being fucking mean and rude and actively harmful to real people who read the things you say. im not sure why we need to start off with "trans women have feelings" - just kidding I know exactly why we need to - but maybe you don't.
no matter who you're talking to, do you honestly think accusing someone you do not know of being a pedophile, en masse, behind their back /and/ in a public forum, is a reasonable way to treat someone for making a tumblr post about video games or political opinions? even if you strongly disagree with the post, you think someone deserves to be treated like that by people they don't know? take a second please and sincerely imagine how that would feel. wouldn't it be scary? wouldn't you wonder who the people were who thought this about you - if they're people you know - if they're just a few people that will continue saying mean things to you forever or if there are thousands of people who choose to dedicate their time and energy specifically to making you feel bad? if you accidentally write a post in the wrong tone or unknowingly interact with a shitty person, that there are uncountable people that will keep track of that just to hurt you later? that's fucking horrifying
and to zone in on what's specifically happening here: do you think randomly accusing people of being pedophiles or sexual abusers has no effect on them? like a lot of you tend to excuse yourself in these discussions by saying "I didn't actually see the context of what they were saying" or "I didn't see that they apologized already" or "I didn't actually understand the post was a joke" or whatever other kneejerk response to make sure *you* aren't seen as a bad person. do you realize that makes you look even meaner? you didn't bother to actually follow up on a thought you had about someone before sending them hateful messages or making public accusations about them? those actions are harmful whether or not you like the victim at the end of the day.
believe it or not some people you send this shit to are survivors of abuse themselves, or have their own historical personal reasons to be weighing in on a touchy subject. when you baselessly decide it's ok to call someone an abuser of any type, that person is probably *also* disgusted by whatever horrible shit you're accusing them of. as someone that hates these things as much as you do in order to attack someone for them: what do you think it's like to have complete strangers think that about you? how many eggshells would you walk on if random people thought so little of you that they were ok doing this?
it's mean. it's heinous, cruel bullying, and if you genuinely think you are not doing it from a place of transmisogyny or hatefuk bias over the victims' identity, then you need to understand that that's not an excuse. "i didn't even know she was trans" ok, it was still mean to call her a pedophile with 200 of your closest friends in public. "im trans so it can't be transphobia" ok it was still mean to assume someone was endorsing abuse when they were talking about being accused of abuse. "i didn't see the post where she said it was a joke" ok it was still mean to actively harass someone without bothering to look into the full context.
at the end of the day, yes, obviously I still think you're all transmisogynist assholes who are clearly willing to gang up on a woman who has nothing to do with your problems simply because she dared to speak on them. i think you're bigoted and unwilling to examine that if it means giving up your vitriol against someone who doesn't like your favorite video game or whatever excuse of the week. but like even if you were just doing it for love of the hate game, it's fucking weird heinous shit and i hope you're happy having that be a central part of your life
to be clear: im not transfemme and if I'm overstepping or talking over anyone please let me know. im not speaking for anyone's actual experiences except my own, which is the experience of being angry at how much literal bullying and harassment I see excused on this so-called progressive queer blogging website
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etirabys · 3 months
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meandering post about reading Orson Scott Card again
I've been offline starting at 9pm every day (except once. I was drunk at karaoke and asked for anons at 8:30pm) for six weeks, with the result that in befuddled boredom two nights ago I picked up Orson Scott Card's Songmaster from the house bookshelf.
I read Ender's Game and three sequels when I was a teen thought the books were mid. Since those are OSC's best works I assumed he had nothing more interesting to offer me and didn't try more of him for fifteen years, but Songmaster was compelling enough that I immediately afterwards picked up The Memory of Earth, the first book of a pentalogy.
TMoE is extremely my jam: after humanity blows itself up on Earth, AIs monitor thriving human civilizations in the planets that survivors managed to escape to, and suppress any tech that enables large scale violence by exerting low key mind control via satellites. But forty million years pass, many of the satellites break down, and the AI needs help from humans to restore capabilities. Because as its control wanes, people are starting to e.g. conceive of airplanes or bombs again, and override the injunctions against entering military alliances more than two edges of connection away.
The AI is worshipped as a god all over the planet, but the fourteen year old protagonist that becomes one of the AI's agents tells the AI from the beginning that he'll break with it if its morality seems wrong to him. I like the fourteen year old – unlike Ender or Songmaster's protagonist (adult minds piloting ten year old bodies), he's a normal gifted kid who's unpopular 50% due to his ego and big mouth and 50% because he's socially inept and offends people even when he's trying to be nice.
Songmaster is also partly about a permanent solution to large-scale violence, albeit through one guy who establishes a monopoly on violence and sweeps in pax galactica. Both it and TMoE are preoccupied with the eradication of suffering from evil / human violence, which is closer to my resonant frequency than narratives about defeating particular people or ideologies. At the moment I can't think of any other book with such an insistent focus on the matter than T.H. White's The Once and Future King. It's hard to make a compelling story out of, and I don't think Songmaster really succeeds, but TMoE's premise is well suited to explore that. (I'm also enjoying the matriarchal culture where everyone is expected to have multiple serial-monogamous marriages.) After reading 70% of TMoE last night I wrote:
Usually when I read fiction there's a small part of me going, how can I use this as fodder for my own growth, how can I remix or improve or react against this, how do the author and I measure against each other? (If the quality and content are at an anti-sweet spot, the small part becomes quite large and I feel all teeth towards the author.) But on occasion I read something so close that the absence of that measuring-feeling is its own sensation – ego departs, or at least is split across two bodies. There's just amity and recognition
And it's pretty interesting to feel this way about Card for, well, the reasons.
(If you're familiar with Card drama none of the following will be new to you; I'm coming to it fresh so the rest of this post is me going "uh... wow")
I vaguely knew he was a homophobic Mormon who'd gotten into fights about gay stuff, but I couldn't tell from the Ender books I read. But in Songmaster his issues spring off the page in such a weird way. Every fifth Goodreads review of this book is "Card, u gay?" because, well,
(One review, possibly from a fellow Mormon, that went "Card, it's so sinful of you to be this gay in your novel". Why did he write this book that would predictably make everyone mad...)
it's full of gay male desire. The protagonist (Ansset) is approximately a castrato and characters notice him sexually a lot. The first and only time Ansset has sex it's with a Kinsey 4-5 male character he loves, who's married to a woman but has fallen in love with Ansset. It turns out the drugs Ansset took to prolong his singing career painfully and only-kinda-figuratively explode your balls when you have your first orgasm and you'll never feel sexual desire again. (You'd think his loving teachers would have warned him of that, but, whatever, they didn't.) The other guy is literally castrated in punishment for inadvertently torturing a highly valuable castrato. It's pretty bald: GAY SEX IS ALMOST IRRESISTIBLY TEMPTING BUT YOU SHOULDN'T DO IT.
(Sidenote: both Ansset and the guy's wife are very close and have a "there's enough love to go around" attitude about the gay sex initially, before they go "wait Josif is a SERIAL MONOGAMIST... he can only love one person at a time... the moment he had the gay sex his marriage was destroyed". It's funny in a mildly stupid way that Card would set up this parable of homosexuality destroying lives and a marriage but almost everyone involved is peacefully ready to sail into an open marriage. I guess it makes sense if you want to say very clearly that THE GAY PART IS THE BAD PART)
which is fascinating to me, because... why would you tell on yourself like that
(81k also told me secondhand of an essay? interview? where Card openly says "we have to stand against legalizing gay marriage because everyone will get gay married and society will collapse", so that's informing my read of Songmaster as well)
I am pretty dang open about my personal life online but if I had a lot of feelings I thought were disgusting and immoral I would not write a novel dripping with those feelings before pointedly castrating the leads for them. Especially if it wasn't relevant to the actually highbrow themes of (checks notes) winning over your adversaries with kindness and never relinquishing your monopoly on violence. I would be so so so so embarrassed to let this go to print, it's so psychologically transparent, what was he thinking
(Well, I assume he's a very different person with different social incentives. For all I know, people in his church went "hey Orson we read your book and it's clear that you're gay but signaling strongly that you won't give into the gay feelings, we're here for you, it was really brave of you to publish this".)
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matan4il · 1 month
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Ahead of Eurovision 2024
I was listening to Eden Golan's song, Hurricane.
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At first, it didn't seem to me like it stands out. I'm one of the people who prefers my Eurovision song less on the power ballad side of things, so this being in that genre...
But then I found myself haunted by the lyrics. By specific lines. Singing them to myself quietly, over and over again. I had to listen to the song again.
And it got to me, it really did, I haven't stopped listening to or singing it since, so I guess I needed to share a bit.
There's more than one hint that this is a song about mourning and survival. Lines like, "someone stole the moon tonight, took my light" can be interpreted in more than one way. But they become less ambiguous when combined with ones like, "holding on in this mysterious ride," when the mysterious ride we're all on is life itself. It makes it clearer that this isn't just a break up song. Then it becomes even more explicit with, "we shall pass, but love will never die."
The imagery in the videoclip is also telling, that ending when Eden is looking up, much like many do when talking to or thinking about a loved one that we have lost.
But the line that gets to me the most, the first one that took over my brain? "I'm still broken from this hurricane."
We all get what this song is about, in the wake of what happened here in October 2023, and since. And I am broken. So many Jews and Israelis are. As one survivor said (his words have haunted me first, then I heard them echoed in this song): "We are broken, but strong." That's exactly what the song is about, deeply feeling the pain and the tragedy, the loss, this impossible to accept grief, and still trying to find a way to live with it, to survive not just the horrors of a massacre, but the trauma that follows it as well.
The other line that affects me the most is directly related to this, "baby, promise me you'll hold me again." Because I have spent the last 5 months watching the news, seeing the funerals, and hearing people breaking down, as they say a variation of this to their loved ones, who are gone. Asking for a promise that can't be made, or fulfilled, and knowing that it can't, even as the request is being uttered. I hear their voices breaking around their words, whenever I listen to or sing this line.
The videoclip is also infused with imagery that's related to the massacre of over 360 people at the Nova music festival (and the kidnapping of 40 more from that scene), which is in a way very apt for music lovers. The images show dancers in what looks a lot like a nature party, just like Nova, and since the massacre happened when the music festival was meant to reach its peak, a long night of music and dancing climaxing around sunrise, that's exactly what we see, a move from the "moon light" throughout most of the videoclip, to the "sunrise" at the end.
But in the case of this "sunrise," Eden can smile, she can find comfort, she can sing a few words in Hebrew that reflect hope, about that little light that's left even when the moon's been stolen.
She's bringing the song to a beautiful, emotional closure.
Obviously, it can't be ignored that this is a re-write. The original song (which was called October Rain) was disqualified as "political."
You can read the original lyrics here. They're almost identical. I heard an interview with the song writers, who said they weren't even told what got their song disqualified, so they had to guess what the Eurovision Broadcasting Union had in mind, when they called an expression of our pain, and our strength at the face of that, "political."
I admit, I find it very hard to accept this disqualification. It's not like there isn't precendent for countries at the Eurovision expressing pain (including the kind originating from political circumstances) through their songs.
If you take the wildly popular Ukraine 2007 entry, the singer was quite obviously singing "Russia goodbye," with allusions to Russian interference in Ukrainian elections while wearing outfits reminiscent of Soviet uniforms. And that wasn't called political, because "Russia goodbye" was changed into gibberish that still sounds like it (and in recent performances, it was blatantly sang like that).
If you take the much talked about Croatia 2023 entry, it was about the Russian invasion of Ukraine in 2022, and also criticized Belarus' tyrant kissing Russia's tyrant's ass, by referencing the tractor that Lukashenko bought for Putin, while the band members played with military weapons and uniforms on stage. And that wasn't disqualified for being political.
If you take the Ukraine 2016 entry, that was explicitly singing about their pain over what the Russians did to the Tatar population in Crimea in 1944, with clear allusions to what Russians did when they invaded Ukraine's Crimean peninsula in 2014. And that wasn't called "political" either.
Even this year, we have the entry from The Netherlands being political, with both the lyrics and videoclip referencing the borderless Europe (which IS a political issue, as Brexit, if nothing else, had made clear). I've seen people pointing out online that the song isn't political, because the whole borderless Europe thing is a metaphor for the singer's grief for his father/parents. I have no problem with that reading, but let's acknowledge that there could have been many metaphors for that, and he chose a political one.
So why is Jewish pain treated differently? Why is our pain labeled "political," when the metaphors for it in the songs aren't that, there are no specific political mentions of people or organizations in the song (unlike the Georgia 2009 entry, which slipped Putin's name into the song's title) in either version, when there are no political statements being made in the song, there's just expressing our pain, and trying to find a way to cope with it?
This WAS the biggest massacre of Jews since the Holocaust, and expecting Jews not to write about it, not to sing about it, not to try to process it through art... Our pain is not political. It's human. When Ukraine won in 2022 with a song that wasn't originally political, but became one, as it was adopted by Ukrainians suffering from a war that they did not choose, but had to fight, singing it wherever they were displaced (I remember the winners, Kalush Orchestra, coming to Israel to sing it for and with Ukrainian refugees who found shelter here), I thought it was quite obvious, even for people who don't like politics at Eurovision, why the song won, and why everyone overlooked the fact that it was only partly based on its qualities as a Eurovision song. I don't expect Israel to win, I very much expect that, even as Israelis embrace this song about our pain during a war, that we didn't choose, but have to fight, and while hundreds of thousands of us are still displaced, we will get a lot of hatred, instead of understanding and sympathy. But I still have to speak up. I still have to point out that treating Israeli or Jewish pain differently is wrong.
(as a footnote, I wanna get ahead of the usual, "Why is Israel allowed to participate in Eurovision to begin with? It's not in Europe!" comments, while I haven't come across the same ritual for certain other Eurovision participants, like North African Morocco, just-as-Asian-as-Israel Lebanon, transcontinental {despite some of these countries only being considered European culturally, while geographically speaking, they're fully Asian} Georgia, Russia, Cyprus, Turkey, Azerbaijan and Armenia, and the one that's a continent all on its own, Australia. They all have the right to participate, because they all belong to the European Broadcasting Union. Just like Israel)
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୨⎯ Ithaqua with a reader who has a crush on him ⎯୧
**•̩̩͙✩•̩̩͙*˚You finally confessed in the snowy place of Leo's memory.˚*•̩̩͙✩•̩̩͙*˚*
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— ♡ When you first saw him you were fascinated with him. He seemed so amazing, his laugh, his abilites, and yeah...Whenever you see him you can't take your eyes off of him. There's just something special about him that pulls you in. You never told anyone about your crush on him, but once you did your close friend asked you this specific question.
"Have you seen his face though?"
Of course they wouldn't mean any offense by it. But they're actually right. You haven't seen his face, but you could care less. Appearance doesn't matter! Your eyes naturally gravitated towards him, and you always hoped that nobody would notice.
You often read books in the library since nobody is allowed to go outside the manor. Ithaqua often came in the library as well. You couldn't help but to always secretly look at him for so long.
You were quite obvious as well. Whenever you wouldn't see Ithaqua in the library, suddenly you only thought about where he could be. One time you were looking for the Night Watch because you couldn't find him anywhere and you made the great mistake of asking someone. The conversation went like this.
"Ah, excuse me? Have you seen the Night watch? I can't seem to find him anywhere."
You asked quietly to the Perfumer. She's known for having a loud mouth. She gasped and yelled out loudly.
"Do you have a crush on him!?"
The other survivors nearby looked at you two in confusion and or curiosity.
"I normally see him in the library! So wouldn't it be normal for me to wonder where he went?"
You desperately tried to reason with Vera. She just didn't buy it. Unfortunately for you, she always caught you looking at him everytime he was nearby and your body language changed as well.
Poor (name) was so obvious and couldn't hide their feelings for him. Not a while later a rumor went around saying that you had a crush on him and it was true. But that never stopped you from admiring Ithaqua. Due to your luck, you had to go against him in a match. Oh no, he probably already knew about the rumors. But strangely he decided to be friendly for this match because he wanted to speak to you.
He luckily found you first and looked at you. You couldn't tell if it was in curiosity, disgust, or maybe in adoration due to his mask. He reached his hand to take his mask off and behind it was a playful smile.
"So you're the one i heard that liked me a lot?"
He said in a mischievous tone but you could only admire his facial features. His eyes were beautiful, his cheeks had a slight tint of blush on it, his smile is adorable, and you could see his pretty hair as well.
"Ahaha! Rumors spread quickly don't they? I have no choice but to say yes. I actually do like you a lot..."
(name) replied with a stutter. Why were they so dumb? Ithaqua is gonna think they're weird and what if he hates them?
"I think you're cool! Your abilites are fascinating, and more..."
"What "more"?"
Ithaqua asked in a teasing tone. Just like he wanted to hear how much you liked him.
You quickly mumbled.
"Your voice, and that handsome face of yours."
He chuckled a bit at your response. So shy just for him, he hasn't had anyone admire him so much like this. Ithaqua thought of you as cute.
Ithaqua found you something new. He knew that your thoughts of him were different from the others, many thought neutrally of him but no one has thought this positively about him expect for his mother. He wants to get to know you more.
It feels like something big has happened with Ithaqua, he has never felt so curious about someone before.
"Do you want to grab a cup of tea with me sometime and have a chat? But of course, we could chat right now."
Ithaqua asked to the (hair colored) young person. (name) shyly replied back after realizing what they got themselves into.
"Ah, sure!"
While (name) and Ithaqua were having a good chat together, the other survivors were wondering what was happening. Why wasn't the hunter chasing them? And why couldn't anyone find (name) decoding. The two kept on endlessly talking throughout the match that they even forgot they were in one. Until the other survivors discovered them throwing snowballs at each other.
The other survivors kept quiet though. And whispered to each other instead to not attract any attention to them.
"Oh my, they seem like they would make a lovely couple. Their chemistry is so good."
The Entomologist said to the other survivors standing beside her. But the other survivor had to say something else that wasn't as positive.
"Aren't these types of relationships forbidden by the Baron? I find it unacceptable that a survivor and hunter would date."
The magician spat with venom. He couldn't believe that a survivor and a hunter could get into a relationship. He found the idea extremely weird.
But their thoughts don't matter. After all right now it was just you and Ithaqua. You can't feel any nervousness around him anymore, it's just like you two are meant to be.
That's their love story.
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brain-rot-central · 3 months
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ok so has anyone made a list of things that Astarion said that had a different meaning than first thought?
For example, if you tell Astarion when you first meet that you’re Baldurian as well, he says they must not be in the same social circle. With the way he talks and dresses it seems like he’s implying you’re lower class, but later it becomes clear you’re not those petty criminals or brothel goers that he targets. (And there’s the separate “of course it’ll turn me into a monster” line that becomes obvious later.)
He reveals he fears breaking his nail to the dryad, and it seems shallow but we learn he’s traumatized by digging himself out of his coffin, and the year he endured being trapped inside a coffin and desperately scratching and breaking his nails off as punishment, which is also why he refuses to dig anyone out like Nere.
Also, he mentioned he targeted brothel visitors, and at first it sounds like he just waited outside those establishments for victims, but then if you visit the drow twins he mentions he never thought he’d be on the paying end, plus if you choose one of the twins then Astarion says you have a type for elven prostitutes. And if you really think about it, considering how Petras’ lines are similar to Astarion’s, it wouldn’t be weird to imagine Cazador forcing them to work at a brothel for a few years as training…
Some of Astarion’s lines have a lot to unpack
Many things Astarion says are doublespeak. It's a common coping mechanism used by trauma survivors to "make peace," in a way with what they went through. It's not until you've played through his whole story that you understand that, and honestly it breaks my heart. He has a lot of self-depreciating language. Little quips here and there where you realize he's not only commenting on the current situation but himself, as well.
The monster line in the beginning gets me the most, because he follows it up with, "What did I expect?" For the first time in 200 years, he's able to stand in the sun without burning. He's grappling with that entire realization while also readjusting to there being light and color in the world, and probably was looking at the whole Nautiloid experience as something slightly positive... only to learn that no, this is not something positive. In fact, it's horrendous, because if it's not rectified, he'll become a grotesque monster, worse than he already is. And idk, that guts me. He has this small glimmer of hope for the first time in two centuries, all to realize that it's a giant farce.
But, Astarion is also stubborn, so he holds onto this small glimmer of hope to see if there's a way he can work the tadpole to his advantage. So that he can continue to walk in the sun. Once he realizes that Cazador's compulsion has been interrupted due to the tadpole, he doubles down on wanting to keep the tadpole and control it.
Astarion's story is such a beautiful portrayal of what being in survival mode feels and is like. You're so entirely desperate to make it out of your current situation that you would quite literally give anything and everything to obtain it, even if it means burning the entire world down around you.
The elven prostitute line made me laugh when I first heard it; I knew he was referring to himself and trying to make some light humor about his past, but it's also heartbreaking to realize he sees himself as one. He hasn't yet taken the grace with himself to distinguish between being forced into that line of work vs who he actually is. The lines are still blurred.
I can't think about the intricacies of his background/personality too long, because it all feels way too familiar to me. To know even a smidge of the despair he probably felt for years and the constant mental and physical struggle he endured (there's even disordered eating/food insecurity in his back story too and no one really talks much about it; Cazador purposely kept all the spawn near-starving as a form of control).
Our boy was severely abused and neglected and I really just want to give him a fucking hug.
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creature-wizard · 7 months
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ngl as an abuse survivor the whole “micro trauma” thing makes me roll my eyes back into my head like that’s life babe sometimes we have a negative experience it’s not trauma 💀💀💀 i really feel like so many folks live soft lives that any negative feeling becomes “traumatic” and something to avoid. i don’t think it’s good to conflate times your ego was tested or times that didn’t go exactly your way with genuine trauma. you’re more resilient than that. (obviously this isn’t about day to day trauma living as a bipoc in a racist white society etc but i don’t think you were talking about that either)
Welp, there's a lot to unpack here.
First of all, I'm an abuse survivor with my own share of trauma. I was raised in a form of conservative apocalyptic Christianity where beatings were considered an acceptable form of punishment. Because my parents believed that parental authority was never wrong, and anything a child did or even felt that seemed to challenge that authority (whether intentional or not), I was constantly told that I was wrong for having my own feelings, punished for having my own feelings if I dared to to express them. In addition to this, my family thought I needed to be very aware that the Mark of the Beast was coming and I needed to emotionally prepare myself for beheading once the Antichrist took over and started killing anyone who refused the Mark of the Beast.
In addition to this, I was subject to all of the day-to-day trauma that comes from growing up with ADHD and autism in an ableist society, as well as the trauma that comes from growing up with ADHD and autism in an environment where people think children must be obedient at all times. (My parents believed spanking and slapping was fine, by the way. So, that happened often enough. And when it wasn't spanking or slapping, it was my mother screaming and yelling.)
Now with all of this context established, I'm going to tell you: You don't get to decide who does and doesn't get to have trauma. Trauma doesn't work according to some abstract notion of what should and shouldn't constitute "trauma." People can, in fact, be genuinely traumatized over things that seem totally ridiculous to you.
Also? You don't know what other people are living through. You don't know what goes on behind closed doors. You don't know how people are being traumatized by economic circumstances, by bullshit at the workplace, by knowing that Christofascists want to subjugate them or kill them. You don't know how many people are being slowly traumatized by partners who invalidate and mock them in countless tiny ways every day. You don't know how many people are being traumatized by thinking they should be able to meet certain expectations that they don't realize are based in ableist standards or impossible capitalist ideals.
You've also evidently never had a conversation with someone who can't figure out how they're such a mess because they "don't have a reason to be traumatized," but the more you talk to them the more it comes out that they lived a profoundly messed up life, and were profoundly mistreated in a thousand ways that they didn't even recognize as mistreatment at the time. (No, it's not normal for your mother to call you ableist slurs if you can't tend to her every whim in five seconds.)
You also say "obviously this isn’t about day to day trauma living as a bipoc in a racist white society etc but i don’t think you were talking about that either." And you know what? You wanna know what? I absolutely was, because my post was meant to be inclusive of all forms of microtrauma.
Anyway, I hope you can recognize that suffering and trauma aren't a contest, and trying to decide who does and doesn't "deserve" to have trauma based on your own personal abstract ideals and limited comprehension of their lives doesn't help anyone.
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mlmxreader · 2 months
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I'm not gonna be in the Call Of Duty fandom anymore, well, the MW fandom. at least not fully, and I will explain, but first and foremost I want to clarify: I'm NOT leaving tumblr entirely & I'm NOT gonna back down either from my previous statements. So, allow me to begin as to why I'm making this decision.
The rape, incest, pedo and animal abuse pornography
Quite frankly, as someone who has been through rape and child sexual abuse, I find it ABHORRENT that anyone would ever look at such abuses and decide to fetishise, romanticise and glorify these things. I do not care nor want to know your "justifications" because frankly there aren't any. As a survivor, I am aware that the fandom is malicious and nasty towards people like me; I am aware that you people willingly and HAPPILY engage with such harmful, disgusting material. Quite honestly, I could not name a space more dedicated to the harassment, malicious treatment and utterly disgusting behaviour towards these topics and the people who openly disagree with them.
The racism
Before you tell me "Call Of Duty fans have always been racist", I am aware of that. But I'm talking specifically about the niche fandom (because it is niche). The fandom treats Black and Brown characters utterly abhorrently; from turning Gaz into a stereotype through to fetishising Farah and everything in between, the fandom's racism is progressively getting WORSE - and then x reader writers (who are predominantly white) only add to that by purposefully and willfully excluding Black and Brown people from fandom altogether. The racism within this space makes it clear that anybody who is NOT white is NOT welcome, and frankly, I do not wish to be associated with such disgusting people. To treat Black people as tokens, to purposefully KICK people of colour out of fandom - it's disgraceful and I hope that everybody is ashamed of themselves.
The ableism and saneism
The Call Of Duty fandom is NOT a safe place for anyone who has a psychotic, schizospec, dissociative or personality disorder. Plain and simple. From the colloquial usage of mental health terms such as "delusional", through to the "jokes" which are made to trigger people with such disorders (e.g. "in your walls"), and to the casual usage of anti-psychotic slurs like "psycho" and "schizo", it's obvious to anyone with just one quick look that this fandom sees people with such disorders as either their punching bags, their "memes" or worse: not human at all. And this also translates to fanworks, as quite honestly, I'm tired of seeing the same treatment directed towards characters like Nikto, because it shows that you people do not care about us at all. We aren't human to you, and we never will be. We are not even worth CONSIDERING when it comes to offensive language - it's degrading, it's dehumanising and it's exhausting to have to constantly walk away from fanworks that are so obviously made with malicious intent.
The homophobia
I am a bisexual/pansexual/omnisexual/queer/whatever you wanna call it man, and the amount of homophobia in the Call Of Duty fandom is disgusting. No, bisexual men AREN'T your "uwu bby boy so soft such a bottom bitch!!". You perpetuating homophobic stereotypes for the sake of a ship is utterly and completely and truly vile. How dare you claim to support LGBTQIA+/queer people when you KNOWINGLY perpetuate these stereotypes? When you KNOWINGLY engage in homophobic behaviour. You are scum.
The antisemitism and islamophobia
This is a touchy subject for non-religious folk, but I really wish you lot would all leave religious people alone. It takes you two seconds to look up what Muslims and Jews believe in and act accordingly. It takes you two seconds to NOT open your mouth when Muslims and Jews talk about their headcanons of characters being religious - because what gives you the right? Why do you feel so comfortable to shut down religious people's headcanons of characters? "Oh, he can't be Jewish because he's English", English Jews exist. "Oh, he can't be Muslim because he's Scottish", Scottish Muslims exist. These people exist in real life, and you saying that a character CANNOT be a Muslim or a Jew because of where they come from is little more than antisemitism and Islamophobia. Do better.
The apathy
When I say "the apathy", I mean exactly that. It is exhausting having to call out these horrid things time and time again and then see people WILLINGLY ignoring blatant bigotry by brushing it off and saying "I don't want to get involved in drama", as if somebody being a bigot is akin to a quarrel between two friends, or a disagreement between two people. If you aren't willing to address genuine harm ONLINE, then I'm sorry, but I doubt you would do anything OFFLINE either. If you're boiling things that actually harm people down to "drama", then I'm sorry, but you can't expect to be considered a safe person for people to be open with and to be honest with when it comes to their mental health or to their triggers. It's that simple. Your apathy towards your fellow man is blatant, and I cannot in good conscience continue to rub shoulders with such people.
Going forward
I'm not going to be engaging with MOST of the content within the Call Of Duty fandom - whether that's edits, fanfic, fanart, etc. I'm not. I've got a few mutuals who I've decided I WILL continue reading from or looking at their art or whatever, but for the most part, I'm not going to be active within the Call Of Duty fandom. I will continue writing for SOME of the characters, but my list of who I write for will be drastically reduced to just a few select characters. If somebody asks me "hey, is X thing saneist?" then of course I'll answer. If somebody points out to me that I took a request from someone who follows a rape pornographer, then I will delete that request and that fanfic entirely. I will still be happy to talk about the characters & games, but it will only be WHEN ASKED, and I will continue to use my DNI (although I'm going to change it a little so that the rape porn viewers/readers know I don't want them near me).
Of course, if anyone requires further clarification on anything I said, I'll be happy to answer and explain as best as I can! And if anyone feels emboldened by this post to come forward and share their own experiences with such things, then I will happily read through that, too! This post is 100% okay to reblog, and if anyone wishes to reblog it and go "This is also why I left the fandom", then I will happily hear you out. What I will NOT hear out, however, is any justification or defence of any of the harmful behaviours I have mentioned - I do not wish to hear it. Pack it in, and take it to 4Chan where you belong.
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denaliwrites · 6 months
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Dance on a Tightrope of Weird
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Crowley x GN!Reader
Summary: Crowley was not expecting you to lose your shit when he asked what you were reading.
Soundtrack: Crazy = Genius by Panic! at the Disco
Requests: Open!
Warnings: The ravings of a madwoman. (It's me, I'm the madwoman.)
It wasn't unusual for Crowley to find you tucked away somewhere in the bookshop reading one of the countless old books Aziraphale kept around. You liked classic literature, and history, and philosophy, and who knew whatever other subjects you happened to find lying around the place.
What was unusual, however, was finding you sat in his usual armchair, reading what was decidedly not a two-hundred-year-old first-edition copy of the random novel you'd decided to bury yourself in that day.
He paused in front of you, carefully tilting the book you held up so that he could look at the cover.
"Dead Mountain?" he asked, an eyebrow cocked so high you could see it over the rim of his sunglasses.
"No, no," you said, a fire immediately lighting in your eyes. "No. Don't even get me started. This is fucking insane."
Crowley never was one to listen to your advice. "Oh?" he prompted casually, and suddenly a chair appeared behind him that he, without looking, flopped down into and sprawled across.
"No, because--"
He loved watching you read. The quiet intent, the way your face moved in tandem with whatever emotions the text wanted you to feel. He'd once walked in on you sobbing along with some tearjerking novel (as a side note, that was the first time Crowley had found himself wanting to kill a book?), and another time he'd walked in on you cheering over something... triumphant, he assumed, or at least something like that.
This was different. New.
He loved it too. The fevered look in your eyes, the frustrated set of your jaw. The way your hand, shaped like a predator's claws, gripped his knee tightly in excitement.
"This is--" you were saying, and Crowley startled back into the moment, eyes on you, attention now unwaveringly on your blazing gaze. "This is so fucking insane. I can't get over this."
"Over what, darling?" he asked, and your gaze sharpened on him, as if only just realizing he was there.
"Do you know about the Dyatlov Pass Incident?"
It sounded familiar. "Tell me all about it, darling."
"Oh, you're gonna regret that."
He wouldn't. Not ever.
"Okay, so -- Soviet Russia. 1959. Middle of winter. These nine hikers -- actually, it was originally ten. These ten experienced hikers go into the Ural Mountains to, like. Upgrade themselves? 'Cause I guess there are levels to being a hiker, and you have to go on increasingly more difficult hikes to level up. So all ten were level two or whatever, and they were going on a level three hike to upgrade to level three."
He nodded, even though all the information was secondary in his attention. He just liked listening to you.
"Okay. So they get to this little town, and while they're there, all the locals are telling them shit like, 'Don't go up that mountain,' or 'you'll die up there!' Like, horror movie type shit. The kind of stuff that makes you yell at the TV."
He was familiar with that. You did that a lot -- but so did he.
"Oh, and the mountain they were hiking on? In the local language it's called Kholat Syakhl. Do you know what that means?"
He... he did. He knew what everything in every language meant. But he let you have this, because you were clearly excited. Seeing the way you motioned with the book, he waved toward it and asked, "Dead mountain?"
"Fucking -- dead mountain!"
He chuckled, but otherwise stayed silent.
"So they're getting all these crazy warnings and the mountain is literally called Dead Mountain in the local language, but they decide to go anyway! So they go off, but before they get very far, one of them is like, 'I'm so sick, I can't go on!' and so he tells them he's gonna go back to the town, and they leave without him."
"I take it he's the only survivor?"
You nodded. "Yeah. The other nine kept going. Oh, and another crazy thing -- one of the girls on the trip was keeping a journal? That's how we know about, like... 90% of the things that happened after they left the town."
He nodded. "Makes sense."
"So, because of this girl's journal, right? We know that one of the hikers just, like, fully went off his fucking rocker about a day into the trip."
"What?" Crowley asked, leaning forward with interest.
"Yeah! He started getting really antsy, and he kept shouting stuff at seemingly nothing? He yelled, like, 'Stop following us!' and stuff like that. At nothing!"
Crowley, for effect, took his sunglasses off so that you could see his surprised look.
"Anyway. So they keep going, even though literally everything that could ever say 'turn back' is saying 'turn the fuck back!' They got off course --"
"As you do."
"As you fucking do. They got off course and decided to hunker down for the night and retrace their steps in the morning. They set up camp, went to bed, and then they all fucking died."
"Oh, I imagine there's more to it than that," Crowley said.
The grin on your face was bordering on manic. "Oh, of course. First of all, according to the girl's journal, two of the hikers went batshit, started laughing hysterically for no reason, and then took off into the night, never to be seen again -- well, not alive, anyway."
"Ominous," Crowley observed thoughtfully.
"Right? And the other weird thing about that -- well, pre them all dying. There was, according to the girl, a big, glowing orange ball of light in the sky that night. They have a picture of it," you said, turning the book so that he could see. "Of course, it's in black and white, but still. And -- the craziest part of that, is that there were hikers on the other side of the mountain on the same night who confirmed the big glowing orange ball of light!"
Crowley's mouth dropped open.
"I KNOW! And then -- their deaths are even more bizarre! First of all, they cut their way out of their tent? Like, they didn't just -- open it and leave. They cut. Their way out. And then they ran down the side of the mountain into the trees. No one's really sure how anything else happened, but what we know for sure is that three of them were found a little up the mountain, like they'd been trying to make their way back up."
"Mhm."
"And two were found naked -- right at the edge of the trees, under one of the bigger ones. Some branches in the tree were broken in a way that seems to indicate that they were trying to climb up and get a view of the camp. There were also remains of a fire beside the bodies. We don't know for sure why they were naked, but the theory is paradoxical stripping."
"And what's that?" Crowley asked, even though he knew.
"It's when you're so cold that you start to feel hot, and so you take off all your clothes."
Demonic work, he was sure.
"So that's five of them. They were found shortly after they died. The other four weren't found until a few months later, after the spring thawed a lot of the snow."
"Why weren't they found right away?"
"Because they were found in a ravine about a mile past the treeline! Three of them were found in a stream in this ravine. One of them had a piece of her skull missing? And all of them had major trauma to their chests -- like, high-speed impact by a delivery truck kind of major impact. To this day, no one's sure what the fuck caused that kind of damage."
Crowley clicked his tongue in thought.
"And the last one -- she was found sitting up against a big boulder? The official report describes her like that. Sitting up against a boulder. She had, like, chunks of her face missing? And her tongue was missing. Like, the whole thing."
"You specified the official report," Crowley observed. "Is that important?"
"Oh! Yes! Because the pictures of the area? They show her as laying face down in the stream with the others!"
"That's suspicious."
"Right? On top of all that, their bodies had traces of radiation! Not their clothes, though, or their belongings. Just the bodies."
Crowley hummed.
"Oh! And their tent -- when authorities found the tent, it looked like it had been put up by amateurs. Like, level zero hikers. But these were level two hikers doing their level three hike. There's no reason their tent would've been put up like that. Even if they were in a rush or scared or whatever, it would've been put up at least sort of better."
He nodded in understanding.
"It's just -- it's all so crazy!"
"I can tell," he mused aloud, lips quirking into a smirk at your perplexed and frustrated expression.
"The thing with the girl's face is really weird," you said after a moment of thought. "The theory is scavengers, but reports of the incident specify there were no animals in the area. Like, I feel like if there were scavengers, you'd write down 'no predators,' or even 'no wolves or bears.' But no, they wrote, very specifically, 'no animals.' Like, I dunno, it just feels like that's a weird distinction to make. But then, if there weren't any animals, how did her face end up with bits missing?"
"I couldn't tell you."
"And why lie about her, too? Why move her and put her in the stream when the report literally says she was up against the boulder?"
He shrugged, before shifting forward to grip your knee.
"I just -- it's all so crazy, and weird, and -- and --"
"Oh," Crowley interjected, looking thoughtful. "Now I know why that all sounds familiar."
"Huh?"
"Yeah, that was demonic work," he continued, blissfully unaware of your increasingly maddening expression. "I'm pretty sure that was my side."
"So you -- you know what happened?"
He finally caught your expression, the set of your jaw and slight twitch in your eye. "Oh -- yeah. Of course," he said, sounding rather unsure, actually. If anything, that just seemed to aggravate you more. "Space yetis."
"... SPACE YETIS!?"
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woodolly · 1 year
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Peace
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Cal Kestis x f!reader
Warning: Smut but very soft smut, oral f! receiving, unprotected sex, grammar errors, No spoiler for Jedi survivor
Cal's only dream was to live in peace with you. To live on a planet away from the Empire. One they’d never find. Where he couldn't be hurt and, more importantly, you wouldn't get hurt. Maybe have a kid or two, but he would be more than content with just you and BD. 
You and Cal had been in this fight for too long. Sure, it had its good times. Cal was sure you and BD could make any bad day better. Even when he was bleeding from a blaster shot, he truly believed your soft hand was all he needed to fix it (which was not true, he needed a stim, a bottle of bacta spray, and 20 stitches). 
“Cal?” you ask quietly, rubbing your eyes gently to try to wake yourself up. “Go back to sleep,” he whispered gently, cradling your head. “Kinda hard when your staring at me,” you smile lovingly, Cal laughs.
“Just so beautiful,” he mummers, playing with a strand of your hair. “What’s on your mind?” you ask, knowing he's thinking about a lot more than your sleeping form. “Just our future.” he answers, his fingers finding their way to your scalp as he massages gently. “How do you see our future?” you try to pry, he smiles. “Always so snoopy,” he teases you, kissing your forehead. “If i was snoopy I would have read your thoughts by now,” you respond. He tilts his head. 
“You know, having a home where we can be safe, having time to relax, spend more personal time together.” He throws in a wink at the end, “maybe get married,” he adds
“You’d want to marry me?” you ask, a slight blush appearing on your cheek. “Of course,” he answers, draping your thigh over his body. His fingers slowly move back and forth between your upper and lower thigh. He moves to kiss you, and you gladly return it. As the kiss deepens, he moves between your legs. Moments like this were rare for you and Cal, you never had too much time, and when there was, you both were too sore and bruised to want to do anything except cuddle up and go to sleep. 
Cals kisses made their way down to your neck, causing you to giggle. His fingers found the bottom of your shirt, hinting he wanted it off. You obliged, lifting up your arms in response. The moment your shirt was off, Cal's mouth found its way to your nipple. His tongue circled it. This was all Cal wanted to be able to suck on your breast while you rutted against each other. He was always infatuated with your breast. He was ashamed of it and still partly is. He just can’t take his eyes away from them when you are showing just the tiniest bit of cleavage. Just the thought of cuddling into your breast gives him instant relaxation. But Cal was on a mission to please you, and if you keep rutting against him, he will not last long. 
He moves his mouth down, kissing you all the way down to your panties, and his fingers drag down until they're on the floor. “This okay?” he asks before attaching his mouth to your clit. “More than okay, Cal” he wasted no time after those words fell from your mouth. His hot tongue circling your clit makes you arch your back. Your hands make their way to his red hair as you pull him as close as humanly possible to you. His short beard is rough against your inner thigh, and you are sure it will irritate your skin. But for now, you can't bring yourself to care. Your thighs close around his head. You aren't quite sure how Cal is breathing, but how his tongue darts in and out tells you he's doing okay. “Cal,” you moan, “gotta stop baby.” you moan, your hands not letting go of his hair even with your brain telling you to let go. 
Cal's head pops up, “Kinda hard to stop when youe body keeps forcing me back down,” he laughs. The bottom half of his face is soaked in your juices. You pull him to you, giving him a kiss. “Need you inside me,” you whisper. Cal gives you a quick smile before going back to work. His big red tip looks painful and makes you feel bad for making him wait this long. Not that Cal minded. Your pleasure would always come first to him, no matter how much pain he endured. 
Before Cal's tip reached your entrance, you stopped him, instructing him to sit. You straddle his waist, guiding his cock into you. You both let out a moan at the sensation. “Never let me take care of you…” you begin, “Let me take care of you… Like you do me,” you whisper in his ear. Leaving sloppy kisses on his neck. “Yes, Maam’ he responds. Your arms wrap around his neck as your start bouncing. His hands are firm on your waist, trying his best not to help you. Not that you needed it. You were doing amazing. Pleasing him more than he ever thought was possible. He had this urge and instinct to help you with every little thing, even when he knew you could handle it. But he had to control it this time, in fear if he helped you, he would be forced to take his hands off your waist. 
“Mmm, close,” you moan. Your movement is slowing down and getting sloppy. “Cum for me,” he responds, brushing your hair from your face. “Not before you,” you cry, tears falling down your face. Trying your best not to cum on his cock, but it all feels too good. Cal's heart breaks at the sight of you crying in pain. “At the same time then, okay?” he brushes your tears away. You nod, pulling him as close to you as possible as you both come undone. Cal's hands rub up and down your back, “So good,” he whispers, leaving kisses near your jawline.
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This question might be off topic..👀 or strange perhaps.
In your opinion , how do you think other Strawhats if each of them were in Luffy's place instead and instead of Ace , Luffy died at Marineford?
I am trying to find a way to draw other Strawhats but slightly having troubles with finding best devasted like poses/things they's do upon such trauma☆
This wound up focusing a lot more on the long term aftermath than the initial devastation because I believe it would be pretty similar for everyone (whole lot of screaming and crying), but I hope you still find this useful or at least fun to read.
In the event of Luffy dying at Marineford, everyone would be in shambles. Whitebeard (assuming he lives) would offer them a place to stay on his ship while they regroup and try to grapple with the trauma of what happened. He isn't forcing them to join his crew or anything. They're free to go whenever they please, but he would also welcome them with open arms should they choose to stay.
Zoro splits off almost immediately and returns to his life as a bounty hunter. He is very much still pursuing his goal, just in solitude. He is constantly being inundated with invitations to other pirate crews, but he rejects all of them (sometimes violently). Luffy is the only person he will ever all captain. He blames himself a lot for his death. He was supposed to support and protect his captain, but he failed miserably. He's even more cold and removed than he used to be, and he'll never let anyone else in again. He also drinks more, to the point that it becomes genuinely concerning.
Nami also leaves, but takes more time to do so. She claims that she's only going back to Cocoyasi village temporarily so that she can process everything that has happened around familiar faces, but she never sets foot in the Grand Line again. Luffy was her safety net. Even in the most scary and intense situations, she could find solace in the reassurance that Luffy would be there to handle it... But now he isn't. He's gone forever and she feels lost without him. The Grand Line is much more scary without him leading the way. She will eventually start venturing around the Blues, but that is it.
Usopp cannot handle the survivor's guilt. He latches onto the Sogeking persona to cope after Luffy's death. It becomes extremely rare to see him without the mask, and he doesn't even respond to hearing the name Usopp anymore. He wants to go home so bad, but he can't bring himself to. He can't stomach having to look everyone there in the eye and telling them why he's back. Now would be a great time for Yassop to step up and be a father, but he's nowhere to be seen so Whitebeard steps up to the plate. He supports Usopp and actually talks him through the intense grief that is choking him. It takes time, but Whitebeard does succeed in making Usopp take of his physical and metaphorical mask by properly addressing his emotions on the matter. Usopp decides to stay with the Whitebeard Pirates and accepts becoming one of Whitebeard's sons.
Sanji is devastated. He wanted to leave immediately, but waited around for Nami to be ready to go before heading back to the East Blue. Sanji goes back to the Baratie and refuses to talk about what happened. He blames himself intensely for not being there for the battle and fully believes that it's his fault that Luffy is dead. On top of his smoking habit, he starts drinking. Everything feels so hollow now, and nothing will fill that emptiness. The only times that Zeff or the other Baratie staff members get a glimpse of the old Sanji is when Nami stops by to visit with him. Even then, he's much more subdued. He never really recovers from this and has abandoned the idea of ever finding the All Blue.
Chopper is inconsolable after Luffy's death. He feels like a failure as a doctor for not being able to save him even though there was nothing that he could do. He also chooses to stay with the Whitebeard Pirates and becomes Marco's apprentice. As devastated as he is by Luffy's death, he copes with it relatively well by throwing himself into an education. He does becomes obsessed with curing Whitebeard, however. He can't stand to watch two captains die back to back.
Robin up and vanishes as soon as night comes. This breaks her. She fully believes that Luffy's death was her fault. Someone finally loved and accepted her and look what happened to him. As far as she's concerned, she's cursed. Naturally, she distances herself from literally everyone. She refuses to let anyone else die because of her. She'll spend the rest of her life in solitude, and it probably won't take very long for that to happen.
Franky goes back to Water 7 with the Thousand Sunny after confirming that the Straw Hats were disbanding and that no one else wanted it. He makes the ship into a memorial for Luffy and takes meticulous care of it. While the death absolutely does hurt him, he copes with it the best out of anyone. He is no stranger to grief, and he bounces back relatively quick. He works for Galley-La designing ships, as well as doing so as a hobby.
Brook is similar to Robin in the sense that he believes that he is cursed. He finally let someone in and joined another crew, only for the captain to die almost immediately. He resolves to never join another pirate crew. Unlike Robin, he doesn't completely sink into despair. He pours all of his pain into music, and you can find a lot of clear inspiration from Luffy and other Straw Hats in his music. He also takes the time to visit Laboon whenever he can. He doesn't want the poor thing to be abandoned all over again.
Bonus round for Ace. Ace will never emotionally recover from this, and his grief is messy. He alternates between hysteric sobbing and an uncontrollable rage. One moment he'll be begging a god that he doesn't even believe in to give Luffy back and take him instead, but the next second he'll be destroying everything in arms reach while scream his throat raw. He's cursing Luffy for being a damned martyr. For putting himself somewhere he had no business to be. For leaving him to pick up the broken pieces in Luffy's wake. There is a noticeable improvement in his psyche once he reunites with Sabo and realizes he isn't the last brother left alive, but he is never truly the same after Luffy's death. It should have been him. He is very much at risk of dying not long after Luffy because if Garp doesn't kill Akainu, he will. And he will die trying.
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leconcombrerit · 2 months
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A warm hug to Non, or when are we going to stop demanding perfection from victims
It's been forever since I thought about making this post but I've finally decided to write the goddamn thing.
Three disclaimers : one, I haven't yet managed to get past the first third of episode 9, so this whole thing is based on episodes 1-8 at best. Two, I'll block on sight again if I see victim blaming on this post. Finally, I'm by no means an expert on the subject. It's complex, I might get things wrong and I'll have to oversimplify at times for clarity and brevity's sake, please don't kill me for it. It's probably gonna be long enough as it is. I've tried my best to organize my thoughts in a way that would make sense, but. Well. I hope it does.
Trigger warning for mention of suicide, bullying, grooming, sexual assault, rape
Non started as the poor little baby everyone wanted to protect -both the audience and Jin ; for all the shit he got after filming Non and Keng, there are a lot of parallels to draw between him and the audience. Then the dreaded episode 7 happened and all hell broke loose. I won't include screenshots of the disgusting things I read from some viewers about Non, but Jin's reaction is pretty telling already.
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The easy explanation would be that he's mad Non isn't returning his feelings, but I think it has more to do with Non not fitting his 'good victim' role anymore. There's sadness on his face, but the dominants are anger and betrayal. Non tries to regain agency and gets crucified for it.
So what's a good victim ?
Non, basically
If you want an examplary blueprint of what society defines as a good victim and survivor, someone worth justice, defending and loving, just take a look at Non. I broke it down in four marks that need to be checked :
-Innocence : none of the person's action prompted the abuse -Moral high ground : the person has values and displays kindness -Helplessness : the person cannot do anything about the situation they're stuck in -Accepting to be saved : self-explanatory. The person has to accept the help that's offered to them, traditionally by a love interest
Non is abused for being poor, something he's not responsible for. He's hardworking, honest, passionate about the things he loves and commits to his engagements. He's kind when talking with Jin. He's resilient in the face of the gang's bullying. None of what he could do or say would make it stop, neither can he help owing Por for a camera he hasn't broken nor get out of Tee's pyramid scheme. His mental illness only increases this impression of vulnerability. Jin doesn't have all these elements, but he's got more than enough to paint a very similar picture of Non as the audience.
As for accepting help, Jin repeatedly offers some -and Non finally lets him in during their conversation on the rooftop. What Jin offers may be little but it's still help ; Non smiles and even gives Jin a shove -what I think is the only time he initiates contact with Jin at all.
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"Thank you so much, Jin, for helping me all along." "It's alright, I'm glad to. I just want to see you smile again, Non."
The audience gets even more of Non being happy and grateful to be saved : he calls his "♥" contact for help multiple times, smiles at the reminder to take his meds and, later on, clings to Phee for dear life after trying to kill himself. He doesn't fight him, he doesn't reach for the scattered pills. Hell, even accepting Tee's offer to make money could count as Non agreeing to be saved by everyone around him.
Non checks all the marks. Everyone in the audience is rooting for him, the other boys can all go get impaled on a branch, and Jin looks at him like he hung and lit all the stars in the sky.
Speaking of the other boys...
Tee and Por victims as well but don't get the same amount of sympathy, if any. Tee isn't responsible for being stuck in a criminal environment and can't get out of it ; no one has offered help, so he gets a pass. But he's been shown to be selfish, opportunist, often cowardly and sometimes gratuitously cruel.
As for Por, it's even worse : every actions he takes seems to confirm his dad's opinion of him. The only mark he ticks is accepting to be saved by his mother, which looks very bad taken on its own. I made a post about Por not too long ago if you want more.
The only way for them to redeem themselves and go from 'horrible people who should die' to 'maybe they don't suck they're my poor little meow meows' is penitence. Take Por ; he's the archetype of the rich son who gets abused by his dad and suffers from having so much money. Just like Kang in Dangerous Romance, or Tanthai in Laws of Attraction. Tee ? I don't have names from the top of my head, but he's that hardened jaded guy stuck in a mafiosi network who has to learn to love and be loved again (enters White). Yet the audience learnt to root for these characters.
Basically, nothing is set in stone. Your status as a good or bad victim can shift depending on your actions and the way they're framed. The usual narrative is to get those characters to grow into the acceptable victim pattern. DFF however is going for reverse development (Non, Jin) or stagnation (Por, Tee, Fluke). It makes for gritty yet very realistic storylines ; and while I'm the first to yell that the masked figures should get their ass stat, I also recognize that there's much more complexity to them than this. Except Top. I have yet to come up with a good explanation for what they're doing with Top, but I will at some point.
How did Non fall from grace if he's such a good example ?
Three points : Phee, the paradox of the demand for Non to seek agency but not too much, and his inacceptable betrayal.
Phee as a magnifying factor
I love this kid to bits but Phee's appearance in the flashbacks concurs with Non's flawless image being torn to shreds for a reason. He's a good, strong and caring person who loves and tries to protect Non -something the audience has wanted to do for weeks ; so we all gathered behind Phee and made him our emissary, carrying out the impossible task outsiders to the series' world couldn't : saving Non.
Since Phee voices the questions and concerns of the audience, we are Phee to an extent. Betraying Phee means betraying the hope and love and care the audience has for Non. Phee is the series' moral compass by that point. I'm sure you see where I'm going with this. If not, consider it's a surprise tool that will help us later. When Phee gets hurt by Non or decides he'd be better off lost and dead.
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For the record, in this poll Phee gets even fewer votes than White
Seek agency, but not too much
Discontent starts to rise with the helplessness point first as viewers start to question why Non doesn't ditch the group. Why he's putting himself through such trouble. Non changes from being subjected to others' action to being the subject in a grammatical sense. Yet Non has hiw own reasons to stay (how much does the movie mean to him ? How many hours and sleepless nights on the script ? How long would it take for him to find another chance to get enough funding ? How big of a dream is it for him ?). It's the first occurence of the audience claiming to know best what's good for Non.
Complaints quiet down when Non does try to leave for good only to be stopped by Jin. We saw him try, we saw him fail, he really couldn't leave so he's off the hook.
Jin also makes sure Non remains a perfect victim by bringing him back into the group. I'm not accusing Jin of trying to make Non suffer on purpose ; he's a good guy at heart, come fight me to death on this hill. But the only way for him to exist in Non's life is to remain a savior of sorts. If Non leaves, there's nothing to save him from. Which brings us to my next point.
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Non must try to solve things by himself, sure. But not too much. Because when you thrash to regain control of your life, you might break a few things in the process. Especially if you have to wrest it away from well-intentioned but firm hands.
He rejected Jin's offers to help numerous times. He looked anything but thrilled when Phee put himself in danger to clear his name. He refused to change schools at first, only to begrudgingly agree when Phee insisted. This insistence is the heart of the matter : Phee is sure he knows best, so he bulldozes through Non's objections and hesitation : he doesn't consult him before asking his dad for help, he speaks in his place when Non doesn't answer his proposal, he puts the bracelet on his wrist. He asks him if he's taken his meds, just in case.
Phee has the audience's benediction in doing so. Part of it stems from our knowledge of future events : we know it's going to end bad for Non. We know he has to get the fuck out. We know whatever decision he makes will be a bad one. Kids and teenagers as a whole are often deemed unable, or not mature enough to make informed decisions anyway. Just look at Non's mother telling him to prioritize his studies so he can go abroad like his brother. Multiply it tenfold for people with mental illnesses ; they get babied on a daily basis. So Non cannot, I can't emphasize it enough, cannot do anything.
All of the above end with Phee getting his way. Non can't win against him, so he chooses to lie instead.
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Aside from willing to be in charge of his own life, Non's refusal to let Phee help is also rooted in love and fear. While Phee would offer him an easy way out as he did for the bank accounts, it would most likely only be easy for Non and put Phee in danger. Both their survivals are held in that curt 'no'.
He's already straight up refused help, and now he loses the moral highground by lying (to his perfect holy savior Phee of all people). From here on out, any action he takes will be his -which is what Non wanted ; it's his life, and he won't be a bystander in it. But it also means that he jumped off the pedestal he'd been put on to land on thin ice.
And guess what, Non is a multi-dimentional character in a difficult situation who weighs more than a poor little damsel in distress. Of course said ice cracks. And the Non hate train gets started.
The betrayal
Lying and refusing help to go get it from the worst place he could have had was bad enough. But sleeping with his teacher while he had a boyfriend (Phee, for heaven's sake) ? Unforgivable. Cheating is the BL equivalent of every cardinal sin, the worst of the worst, and no matter the circumstances you'll get roasted for it.
And yet there are circumstances. One, especially, and it's called motherfucking grooming. I won't elaborate on this point cause I've done it over and over already, but Non was groomed by an adult. Does he see things that way ? Probably not. In his mind he's in control of the situation. He can lie to Phee about it because there's no reason for it to backfire. He does what he has to if he wants to save himself, using he one weapon he has : his body. It's cheating, but cheating in a game rigged for you to lose.
Society has two opinions about sex. It's either holy or gross. Take Jin, for instance.
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See the look on his face. He's heartbroken, he's sad, he'll live through it. Witnessing Non having sex with his teacher when he has a boyfriend ? Now that's another story. That's a betrayal.
A betrayal of what, exactly ?
Of this goddamn image Jin had painted of Non. The same the audience was given to see prior to these events : Non was perfect and loveable and worth defending, an innocent, pure, helpless baby in need of saving. So when the illusion shatters in what society and especially BL culture hold as the worst action possible, people feel fooled. Stupid, if you will. And they turn their hatred to Non. Non lied to us ! He pretended to be good, dear god, to think I loved such filth ! My heart is so dirty now, ew.
But Non didn't lie. He lied to Phee, but that's it. Everything else was expectations and assumptions. Fail to meet them and suddenly everything is your fault. It's Non's fault for refusing to be dragged along in his own life anymore, Non's fault for lying in order to get some control, Non's fault for lying again not to lose Phee when caught by surprise, Non's fault for listening to Jin, Non's fault for resorting to use his only weapon to get out of a situation he was cornered in, Non's fault for being tricked into thinking any of the decisions he made regarding Keng were his own, Non's fault for everything.
He wanted to claim his life back and made a mistake, yes. He doubled-down on it when he realized it was too much for him to handle. He clung to it and did his best to keep it together. He dared not to be the perfect victim he was supposed to be ; to try when everyone knew he was bound to fail. And you know what, sometimes there's stuff that's someone's fault, consequences they didn't foresee, things they said, slips and falls, and they're still victims, just as much as they were before.
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I believe that dealing with his debt himself is as important to Non as finishing the movie is. He's ready to be used and abused (by Keng in the former, the group for the latter) and to break his own heart, values, pride and sanity. He's the most resilient and dedicated character in the show to me.
But the world doesn't necessarily see it that way. So when Non realizes the mess he's made of everything, he fights Keng (who represents his desperate and violent search for complete independence) to reach for the bracelet he got from Phee. He wants help. He needs it. But he's not a victim anymore and any help is denied.
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Both Phee and Jin later manage to reconcile their broken image of Non with the man he actually is. Too late to save him, but they still did. I have a hunch that things would have been different if Phee had beat up Keng and taken a crying Non in his arms, holding him tight while whispering none of it was his fault. But our moral compass fucked up, like the hurt kid he is.
What some people did by blaming and hating on Non is closer to the hateful comments he got on the video than Phee or Jin's reactions. They're far worse.
That's the big takeout. What if we stopped stigmatizing or idealizing sex ? What if we stopped demanding perfection and so-called purity for someone's trauma and status as a human being not to be negated ?
Anyway, here's a hug to Non and every victim who live in the paralyzing fear of a single slip. You can make mistakes just like the rest of us. You don't owe anyone perfection.
I'll end this rant on a bright, happy smile. I don't see a good ending for Non, but god knows he'd deserve it.
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Crosshair, Omega, and the Hidden Horrors of Tantiss
Crosshair and Omega going home might've saved them from experiencing more of Tantiss' horrors, but "Infiltration" and "Extraction" remind us that these two still have so much unspoken trauma. They've told us only the surface level of what happened to them and I think we'll finally start getting answers in the coming weeks. I also have a new theory regarding Crosshair's hand.
Major spoilers below
A lot of people commented on how Omega feels like she's hiding something. Her smile doesn't reach her eyes and she feels distant. Our sweet sunshine child is no longer in the bright sun. She kept putting up a brave face because Crosshair needed it. He needed someone to help him push through the darkness. But underneath, Omega is suffering. We see her routine and the monotony of it in "Confined." Months and months of that leave marks that we can't see. She isn't being physically hurt, but the separation from her brothers, the routine, Crosshair's broken spirit, and Hemlock breathing down her neck have all gotten to her. She is tired and is doing the best she can with the hope she has. Her hope, Crosshair, and Batcher were the only things keeping her from falling into despair. But that can only last for so long and thankfully, she made it. But that doesn't mean it didn't impact her.
During "Infiltration," the way Omega spoke to Rex dug deep. There's something she's not telling us. She looked sad, scared, and broken. The look on her face when she mentions herself as part of Hemlock's experiments hurts. I bet they did more to her than we realized. I bet there's much more going on with her in general. She also carries a lot of survivor's guilt due to her escaping when so many didn't. Worse, she left them behind. That doesn't sit right with Omega because she knows what the Empire is doing to the Clones. They're not just there getting blood drawn, something far sinister is happening.
I think in the next few weeks, we will start hearing Omega open up more to her brothers. Michelle Ang said in an interview I think that Omega worries her presence will endanger her brothers. She needs to talk to them. I know personally what happens if you keep stuff in. You don't want to let that stuff fester and I think if we want to see our girl truly happy again, she needs to confide in her family. Crosshair, Hunter, Echo, and Wrecker won't let anything happen to her. They love her so much.
We're also finally starting to get answers as to what happened to Crosshair. But like Omega, he's not fully open either. Crosshair explains to Rex and the others that Hemlock tried to turn him into a clone assassin, a process which involves erasing their identities and going through intense conditioning. Hemlock himself states that Crosshair resisted this "reeducation." But that's all we get about it. Like Omega, Crosshair isn't telling us the full story. We don't know what reconditioning implies or how Hemlock erases identities of the clones. They even come with a tracker that can't be found with normal technology.
I definitely think that Crosshair will also begin to open up more in the next few episodes. He's tied to the Clone X story now so I know we will be getting answers soon. I also think Crosshair's bad hand is tied to the Clone X program. What if his hand started shaking as way to get him out? If he can't function, then Hemlock wouldn't have use for him. Crosshair also knows that they wipe identities. What if Crosshair did have his identity wiped and his hand is shaking as a result of that? He fought Hemlock's programming. But at what cost? His mental scars are there, but there's more than he's letting on. Crosshair is not ok; he may have come to terms with Mayday and his brothers, but his trauma from Tantiss is still there.
In "The Return," he says "I was a prisoner, not much else to tell." Except that's not the case; he was avoiding talking about his trauma with the program. Seeing the clone assassin frightened him and whatever is to come in the next few weeks will be emotional for sure.
Edit: to add to this, Crosshair says that being defective is part of his nature. Now, he could just be making a remark, but what if there’s more? What if Crosshair’s mutations helped him resist the reconditioning?
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