I know time loop stories are often about characters going on an emotional journey and/or learning a lesson but if I was stuck in a time loop I would very quickly stop caring about consequences
Who cares if I spend all my money if the purchase wouldn't have even happened the next day? Who cares if I finally flip someone at work off? If I got angry and wanted to throw my phone at the wall, I could without needing to buy a new one.
Coming out of a time loop must be incredibly difficult. You'd have to relearn small petty consequences the way an astronaut relearns gravity after returning to earth. You have to relearn how to live like the next day actually matters.
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DPxDC Au: Normally when Danny vandalizes ancient cave walls and historic places on his 'favor' missions for Clockwork, he gets sent back to erase them. But no, apparently this time, when Danny added his actual phone number into some painting, he's not allowed to go back and fix it. Ugh.
...
Tim has had the painting of Bruce professionally reviewed a few times since the old Bat was retrieved from the time stream. He's not entirely sure how the painting still exists, he's not even sure that it matters any more... But one day Tim catches something new in the painting.
It was small, and it could've just been the light at first but... Is that a phone number in the background?? It looks like black marker on the black curtains and it makes him feel feral. The family is kinder this time about how they think he's gone crazy- but each one of them admit that they can't remember a phone number ever being present.
The lab reports that the number was added over the paint- and that it's an ink based marking akin to a sharpie but like, hundreds of years old. So... It's been added recently but not at all recently enough for Tim to have an explanation.
Tim doesn't want to hear any more of his family members opinions on the matter and he certainly isn't going to just, stop investigating or something stupid like that. So, he takes the painting to the tower, gathers his team (Cassie, Kon and Bart), and they call the number in the middle of the night after a lot of planning/back-and-forth/catastrophizing.
It doesn't answer until the final ring, and the static that comes through the phone is bone chilling. A deep, monstrous groan which echoed with agony fills the room.
"I have a math test in like, three hours, who the fuck are you and why the fuck are you calling in the middle of the night?" The voice now complains, still sounding vaguely inhuman despite it's very human word choices.
"Your number is in a historical painting, we had a few questions but uh, you can call us back later?" Tim cringes as he says it but he hadn't planned on having to reply to someone trying to go back to bed. Or someone who was apparently also a teenager. (He had so, so many contingency plans for like, every kind of villain, alien or demon. lame.)
"...Ugh. might as well." The voice calls out, agreeing with a sigh that echos so deeply the team can feel it in their bones.
"Cool. Good luck on your test?" Tim offers.
"Mph." And the line hangs up.
...
Danny is at lunch with Sam and Tucker when he remembers the late night call. He'd spent the morning bitching about never getting a full night of sleep and it finally occurred to him what had happened. Of course his friends think it's hilarious that CW wouldn't let him erase his number. Of course they do.
They stop laughing when Danny calls the number back.
"Hello, this is Red Robin of Gotham. I have Superboy, Wonder girl and Impulse present with me. How did your math test go?"
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honestly just in general it's very exhausting to try to analyze media that is literally meant to be analyzed, only for the replies to be filled with people arguing not against your analysis, but against the premise that the media can be analyzed at all.
i don't even know what to say about it without starting to really betray my frustration, so i'll just settle with— just don't engage with analysis posts? I'm serious. if you're typing a response to a media analysis post, reread what you've written and ask yourself "is this comment/response against the very concept of analyzing the media at all?" and if the answer is yes then delete it all and go sit in the shame corner. throw your curtains away if you want to so bad and stop telling me that I'm not allowed to hum and haw at the fact mine are blue
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Imagine you live in pelican town.
The new farmer has been here a couple weeks now and seems to be settling in, except... He's picking the weirdest friend choices. Like sure it's not weird to befriend the local fisherman, especially when he has an interest in fishing himself, but you're pretty sure you've seen him rooting through the Saloon's garbage with the local homeless man. As well, he keeps harassing the poor guy who works at Joja even though you KNOW he doesn't want to be friends with him.
And since you're on the topic of weirdness, isn't it odd he seemingly runs everywhere at a full sprint? Or just... Eats entire raw fish while fishing for "energy reasons"...
...
Despite all that, it's too early to call him off putting or anything... He has been engaging in town traditions, and he's started helping out with the old community centre. He's probably like the rest of you. Someone with a few quirks, that will fit in with the valley great!
Surely he can't get any weirder... Right?
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actually this comes out of the tags: I know some people hate it, but I honestly love how the hermits will keep design traits from many seasons ago in their fanart. it’s like. the hermits may change over time, sometimes drastically. and their designs may change a lot over time with both canon skin changes and fanon trend changes. but so often some little solidified bit of fanon just… stays, season to season. just little pieces of bits that haven’t been relevant for four seasons, kept alive in some way through how we perceive the people who did them.
it’s neat.
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