Dylan O'Brien was spotted by a fan at a restaurant with his "Anniversary" co-stars Madeline Brewer (in the video), Zoey Deutch, McKenna Grace, Phoebe Dynevor and Daryl McCormack (not in the video / pic 1 is from the same day) in Dublin, Ireland. (July 19, 2023)
Hola personitas. Venimos con un aporte que nos ha costado un tiempito reunir. Es posible que algunos PB tengan 1 añito más de lo que pone, porque igual cumplieron recién. Esperamos les guste ^^
what would you want to see in a jaime king/davide sorrenti movie? fancast, fan director, etc?
Ahhh I’ve never thought about that!
For Jaime I love Elle Fanning and she’s played a model before… or Anya Taylor Joy or Madeline Brewer (watch her in the movie ‘Cam’ !!!) For Davide, Im not sure. A young skater/non-actor Larry Clark finds in NYC would probably be perfect.
Director maybe Gregg Araki or Catherine Hardwicke! I think Darren Aronofsky’s style would be fitting for the darkness of the story, but Gregg and Catherine feel a little more suited for movies about young people.
Summary: Shiner is an iconic Texas craft beer maker with a growing number of beers under its portfolio. In the last year, they saw unexpected organic growth for the heritage brew inspired by the original Shiner Beer recipe - Shiner 1909. This growth presented itself as an opportunity to rev up Shiner’s reputation outside of Bock and, bring attention to Spoetzl Brewery, where every drop of Shiner gets made. Bakery was tasked with developing a campaign that raises awareness and repositions 1909 as the House Beer across Shiner varietals, as the sub-brand looks to become the top-of-mind Shiner Beer behind Bock.
The challenge: Drive awareness while simultaneously repositioning 1909 as the go-to House Beer of Spoetzl Brewery, and make craft-beer fans excited to drink 1909, despite its lack of extravagant allure and lesser-known status in the Shiner Beer portfolio.
***
After a couple sessions of qualitative research: gathering from journalistic sources, social listening on Twitter and Instagram, and first-hand extraction of Meltwater reports), I noticed a couple of patterns that pointed me to these findings.
Key Findings:
Craft beer fans are nerds. Their passion for flavor and differentiation are the reasons craft beer even exists in the first place.
Hop Fatigue creates choice paralysis. While craft beer drinkers love variety, there is a feeling of fatigue when it comes to hoppy IPAs and their fruity counterparts. It seems like every brewery likes to push out a new Double Hopped IPA or Raspberry Sour every season. These flashy brews continue to be popular, but after a night of drinking one thing rings true for the beer nerd…
There is a need for a sophisticated go-to choice. This is a reasonable beer with a moderate ABV, flavorful, but not shocking to the taste buds. One that says “I know about beer” without having to say you know about beer. It wouldn’t be the beer of choice for a newbie or someone who is trying to prove something.
The Strategy: Highlight 1909's drinkability while tapping into Shiner's current fans who pride themselves in being "in the know."
The Big Idea: When Beer Was Beer
Shiner 1909 is our most humblebrag beer. There's a lot of work that goes into Shiner 1909, more than 100 years of brewing expertise to be exact. But Shiner brewers aren't ones to brag. Ask them how they did it and they'll say "nothing fancy." Just like they've been doing it for the past 100 years.
Super Star Saturday! Scotty Meets The Handmaid's Tale Cast! Madline Brewer! Ann Dowd! Samira Wiley! Max Mingella! O.T. Fagbenle! And More!
Super Star Saturday! Scotty Meets The Handmaid’s Tale Cast! Madline Brewer! Ann Dowd! Samira Wiley! Max Mingella! O.T. Fagbenle! And More!
“Super Star” Saturday – The Handmaid’s Tale Cast Continues
December 11, 2021
By: Scott
One of the NICEST casts out there is from Hulu’s The Handmaid’s Tale. Even with all their success, the cast continues to be awesome! We were out recently to meet O. T. Fagbenle, Madeline Brewer, Ann Dowd, Samira Wiley, and Max Minghella. They were all over the top kind to sign our posters. Thank you all for…
A celebration of Hollywood peers, the SAG Awards is one of the first red carpet moments of the year. The front-runners in the television and movie industries are revealed and setting the tone for who to keep our eye on for those jaw-dropping jewelry moments. White diamonds were sparkling all over the carpet. From Selena Gomez’s Bulgari Serpenti to Lady Gaga’s floral Schlumberger necklace by…
(L-R) Eugenio Derbez, Daniel Durant, Marlee Matlin, Troy Kotsur, and Emilia Jones accept the Outstanding Performance by a Cast in a Motion Picture award for 'CODA' onstage during the 28th Screen Actors Guild Awards at Barker Hangar on February 27, 2022 in Santa Monica, California.
Will Smith and Jessica Chastain win Best Performance in a Leading Role
Outstanding Performance by a Female Actor in a Leading Role
Jessica Chastain (The Eyes of Tammy Faye) (WINNER)
Olivia Colman (The Lost Daughter)
Lady Gaga (House of Gucci)
Jennifer Hudson (Respect)
Nicole Kidman (Being the Ricardos)
Outstanding Performance by a Male Actor in a Leading Role
Will Smith (King Richard) (WINNER)
Javier Bardem (Being the Ricardos)
Benedict Cumberbatch (The Power of the Dog)
Andrew Garfield (Tick, Tick … Boom!)
Denzel Washington (The Tragedy of Macbeth)
Outstanding Performance by a Female Actor in a Supporting Role
Ariana DeBose (West Side Story) (WINNER)
Caitriona Balfe (Belfast)
Cate Blanchett (Nightmare Alley)
Kirsten Dunst (The Power of the Dog)
Ruth Negga (Passing)
Outstanding Performance by a Male Actor in a Supporting Role
Troy Kotsur (CODA) (WINNER)
Ben Affleck (The Tender Bar)
Bradley Cooper (Licorice Pizza)
Jared Leto (House of Gucci)
Kodi Smit-McPhee (The Power of the Dog
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
No Time to Die (WINNER)
Black Widow
Dune
The Matrix: Resurrections
Shang Chi and the Legend of the Ten Rings
TV categories:
Outstanding Performance by an Ensemble in a Drama Series
Succession — Nicholas Braun, Juliana Canfield, Brian Cox, Kieran Culkin, Dagmara Dominczyk, Peter Friedman, Jihae, Justine Lupe, Matthew Macfadyen, Dasha Nekrasova, Scott Nicholson, David Rasche, Alan Ruck, J. Smith-Cameron, Sarah Snook, Fisher Stevens, Jeremy Strong, Zoë Winters (WINNER)
The Handmaid’s Tale — Alexis Bledel, Madeline Brewer, Amanda Brugel, Ann Dowd, O-T Fagbenle, Joseph Fiennes, Sam Jaeger, Max Minghella, Elisabeth Moss, Yvonne Strahovski, Bradley Whitford, Samira Wiley
The Morning Show — Jennifer Aniston, Shari Belafonte, Eli Bildner, Nestor Carbonell, Steve Carell, Billy Crudup, Mark Duplass, Amber Friendly, Janina Gavankar, Valeria Golino, Tara Karsian, Hannah Leder, Greta Lee, Julianna Margulies, Joe Marinelli, Michelle Meredith, Ruairi O’Connor,Joe Pacheco, Karen Pittman, Victoria Tate, Desean K. Terry, Reese Witherspoon
Squid Game — Heo Sung-Tae, Jun Young-Soo, Jung Ho-Yeon, Kim Joo-Ryoung, Lee Byung-Hun, Lee Jung-Jae, Oh Young-Soo, Park Hae-Soo, Anupam Tripathi, Wi Ha-Jun
Yellowstone — Kelsey Asbille, Wes Bentley, Ryan Bingham, Gil Birmingham, Ian Bohen, Eden Brolin, Kevin Costner, Hugh Dillon, Luke Grimes, Hassie Harrison, Cole Hauser, Jen Landon, Finn Little, Brecken Merrill, Will Patton, Piper Perabo, Kelly Reilly, Denim Richards, Taylor Sheridan, Forrie J. Smith, Jefferson White
Outstanding Performance by a Male Actor in a Drama Series
Lee Jung-jae (Squid Game) (WINNER)
Brian Cox (Succession)
Billy Crudup (The Morning Show)
Kieran Culkin (Succession)
Jeremy Strong (Succession)
Outstanding Performance by a Female Actor in a Drama Series
Jung Ho-yeon (Squid Game) (WINNER)
Jennifer Aniston (The Morning Show)
Elisabeth Moss (The Handmaid’s Tale)
Sarah Snook (Succession)
Reese Witherspoon (The Morning Show)
Outstanding Performance by an Ensemble in a Comedy Series
Ted Lasso — Annette Badland, Kola Bokinni, Phil Dunster, Cristo Fernández, Brett Goldstein, Brendan Hunt, Toheeb Jimoh, Nick Mohammed, Sarah Niles, Jason Sudeikis, Jeremy Swift, Juno Temple, Hannah Waddingham (WINNER)
The Great — Julian Barratt, Belinda Bromilow, Sacha Dhawan, Elle Fanning, Phoebe Fox, Bayo Gbadamosi, Adam Godley, Douglas Hodge, Nicholas Hoult, Florence Keith-Roach, Gwilym Lee, Charity Wakefield
Hacks — Rose Abdoo, Carl Clemons-Hopkins, Paul W. Downs, Hannah Einbinder, Mark Indelicato, Poppy Liu, Chris McDonald, Jean Smart, Megan Stalter
The Kominsky Method — Jenna Lyng Adams, Sarah Baker, Casey Thomas Brown, Michael Douglas, Lisa Edelstein, Ashleigh Lathrop, Emily Osment, Haley Joel Osment, Paul Reiser, Graham Rogers, Melissa Tang, Kathleen Turner
Only Murders in the Building — Aaron Dominguez, Selena Gomez, Jackie Hoffman, Jayne Houdyshell, Steve Martin, Amy Ryan, Martin Short
Outstanding Performance by a Male Actor in a Comedy Series
Jason Sudeikis (Ted Lasso) (WINNER)
Michael Douglas (The Kominsky Method)
Brett Goldstein (Ted Lasso)
Steve Martin (Only Murders in the Building)
Martin Short (Only Murders in the Building)
Outstanding Performance by a Female Actor in a Comedy Series
Jean Smart (Hacks) (WINNER)
Elle Fanning (The Great)
Sandra Oh (The Chair)
Juno Temple (Ted Lasso)
Hannah Waddingham (Ted Lasso)
Outstanding Performance by a Male Actor in a Television Movie or Limited Series
Michael Keaton (Dopesick) (WINNER)
Murray Bartlett (The White Lotus)
Oscar Isaac (Scenes From a Marriage)
Ewan McGregor (Halston)
Evan Peters (Mare of Easttown)
Outstanding Performance by a Female Actor in a Television Movie or Limited Series
Kate Winslet (Mare of Easttown) (WINNER)
Jennifer Coolidge (The White Lotus)
Cynthia Erivo (Genius: Aretha)
Margaret Qualley (Maid)
Jean Smart (Mare of Easttown)
Outstanding Action Performance by a Stunt Ensemble in a Comedy or Drama Series
Squid Game (WINNER)
Cobra Kai
The Falcon and the Winter Soldier
Loki
Mare of Easttown
The 73rd Emmy Awards nominations were announced by father/daughter duo Ron Cephas Jones (THIS IS US) and Jasmine Cephas Jones (Starz’s BLINDSPOTTING, HAMILTON).
Surely it was a good morning for Jasmine as her fiancé Anthony Ramos
and their HAMILTON costars Lin-Manual Miranda, Leslie Odom Jr., Daveed Diggs, Jonathan Groff, Phillipa Soo and Renée Elise Goldsberry were nominated thanks to the production being released on Disney+ .
Many fans were happy for Goldsberry’s nod but felt she should have also been nominated for her role in Peacock’s GIRLS 5EVA
The most jarring category nomination was Don Cheadle’s nomination (his eleventh!) for Outstanding Guest Actor in a Drama Series for his 98 seconds (literally, 98 seconds) appearance in THE FALCON AND THE WINTER SOLDIER. The worst of it is that he didn’t snag a nomination for his actual Showtime series BLACK MONDAY, a role he’s been twice nominated for.
Many people...had thoughts.
Don’t hate the player, hate the game.
Other nominations and snubs...
THE FALCON AND THE WINTER SOLDIER and HAMILTON was not the only Disney+ content to get nods, WANDAVISION was recognized with Elizabeth Olson, Kathryn Hahn and Paul Bettany all snagging nominations.
Lizzie’s husband breaking the good news.
Bettany was also chuffed to find out that his Amazon Prime film - the richly deserving UNCLE FRANK - was also nominated in the category of Outstanding TV Movie.
THE MANDALORIAN also received nominations
The majority of THE MANDALORIAN’s nominations were in the technical realm but the show did garner three acting nominations: Carl Weathers, Giancarlo Esposito and that silver fox Timothy Olyphant.
When I think about how he was only nominated once for JUSTIFIED and zero times for Netflix’s THE SANTA CLARITA DIET I want to scream.
- A galaxy far, far away from Obi Wan Kenobi in characterization is Halston but Ewan McGregor embodied the (in)famous designer perfectly and got an Emmy nomination for it.
Just another great thing to happen this year to McGregor as he and his FARGO and BIRDS OF PREY partner Mary Elizabeth Winstead welcomed their first child, son Laurie.
Laurie with three of his four sisters: Clara, Esther and Jamyan.
-This was a very good year for first season shows as evident by the nomination of Apple+’s TED LASSO whose 20 nominations broke GLEE’s first season record for nods.
As Interpol sang, “there’s no ‘I’ in threesome”, there’s also no ‘I’ in team as the nominations just wasn’t for series creator and lead Jason Sudeikis but Hannah Waddingham, Juno Temple, Brett Goldstein and the Diamond Dogs: Nick Mohammed, Jeremy Swift and Brendan Hunt.
Juno has said that she would like to walk the red carpet with Hannah. Hopefully they can recreate Hannah’s Golden Globe winning night.
Phil Dunster (Jamie Tartt do-do-do-do) reacts.
As does Toheeb Jimoh (Sam Obisanya)
- Like TED LASSO, Hulu’s THE HANDMAID’S TALE had many nominations across the cast with Elisabeth Moss, Yvonne Strahovski, Samira Wiley, Madeline Brewer, Max Minghella, Ann O’Dowd, Alexis Bleidel, Bradley Whitford and newcomer to the show McKenna Grace all receiving nominations. The glaring omission? Joseph Fiennes who gave a gloriously sinister performance this season.
As for snubs, I (try) not to go with my heart and classify omissions from shows/actors I love as a snub (though IT’S A SIN, THE GOOD LORD BIRD and its cast was robbed), I go by who was being pushed during The Hollywood Reporter’s roundtables. In that vein: John Boyega and the entire SMALL AXE crew were snubbed, after being nominated and winning various awards; Chris Rock for FARGO, which only managed to get technical nominations despite winning performances by Jesse Buckley, Jason Schwartzman and Ben Whishaw.
No nomination for Lena Waithe on her season of MASTER OF NONE. She has previously shared a writing Emmy for that show. Also locked out was Sarah Paulson for Netflix’s RATCHET.
Though Paulson’s costar Sophie Okonedo garnered a nomination.
While not honored this year, Paulson saluted her friend and AMERICAN HORROR STORY costar Evan Peters on his first Emmy nomination for his supporting role in MARE OF EASTTOWN.
While various awards bodies are always throwing nominations Nicole Kidman’s way, including the Emmys, she missed out on a nomination this year for THE UNDOING. However her costar Hugh Grant received one.
While not snubbed in nominations, many feel that HBO snubbed LOVECRAFT COUNTRY with cancelling it after one season - a season that has garnered 18 nominations.
The show has received technical nominations, as well as acting for stars Courtney B. Vance, Michael K. Williams, Aunjanue Ellis, Jurnee Smollett and Jonathan Majors.
Samira DID NOT deserve that nomination. I am not even sorry to say that. It should have been Yvonne. Ann Dowd, Madeline Brewer or Amanda Brugel I can accept, but Samira did NOTHING. 'You are the gender traitor' was a big moment but the other ladies had more and better big moments like that.
Seriously. She had a nice chunk to work with in S1, marginally adequate amount of content in S2, but S3? Really? WHY?
ESPECIALLY when you have literally every other female character who had a better season and far more to do. Except maybe Alma (cos she got shafted too). I mean off the top of my head, actresses more deserving of a nom from THT S3: Yvonne (OBVIOUSLY), Ann (huge presence in S3), Julie Dretzin, Ashleigh Lathorp, Alexis (who actually had one of the most moving scenes/subplots all season and I say that as NOT an Alexis fan), and yes even at a push Madeline or Amanda.
I mean as it’s basically been confirmed they filmed Nicks story and cut it out, it makes me wonder what happened? Do you think they saw fans reactions and decided to change it? Or they cut it because they decided they wanted to change where they take his character in season 4? I just don’t get why you’d pay for actors, set design, costumes, write the scripts etc and then completely erase it! I’m not mad that they did erase whatever they had planned I’m just curious and hope someone explains it
Idk I saw on reddit that bruce miller says there wasn’t enough “real estate” for nick. In my personal opinion, the writers for the handmaids tale have a lot of problems. The way they ignore intersectionality and write women and people of color is a problem. Literally this season is filled with fractured story lines with absolutely no follow through. The scenes in Canada with Emily were the most compelling and they stopped. A big battle in Chicago with Nick was built up and then it went nowhere. Samira Wiley and Madeline Brewer are severely underused. They can’t decide what they want to do with Luke. Aunt Lydia’s backstory was a let down.
Because elisabeth, yvonne, and ann dowd are regarded as the best actresses and are usually sure bets on getting emmy noms, the show focuses on their characters the most. It’s why there are so many extreme close ups of june and why the show feels like it can’t move on from the waterfords. Because they want yvonne to get another emmy nom that would look good for the show. Why did aunt lydia have that “i dont want you to be silenced” talk with june only to go back to being a terrible person the next episode? Because the show wanted to have an emotional scene with its two best actresses.
I think without margaret atwood’s source material the show wrote itself into a corner and didn’t know how to get out. The first season is the best season and there is a reason for that. Season 3 feels like the writers were like “okay how can we get emmys” by having each character be “nuanced” and give compelling performances and then they neglected the plot. To make up for it, they give occasional cathartic moments for viewers like moira yelling at serena in an effort to make you think there is a plot.
they had so many possibilities... showing emily adapting to life as a refugee, showing nick as a soldier, showing more scenes of luke and moira raising holly, following the swiss after they left gilead to show what international relations are like. And instead they chose to spend multiple episodes on serena moping about a baby that isn’t hers and having june go through the same cycle she goes through every season (she gets put in isolation as torture and then comes back stronger) but on steroids.
this ended up being a longer answer than i planned but that’s because I’m just really disappointed about the whole season. And not just because of nick. Nick is a big part of the show but he’s not an integral part. It can function fine without him if done correctly. But it hasn’t been because every other story line has also been butchered.
This is the third episode in a row that I didn't like much. But yes, I got the point.
Aunt Lydia decided to punish June for her treatment of Ofmatthew, whose real name is Natalie, and forced June to do penance by kneeling in Natalie's hospital room until the baby is born. That's such a horror when you think about it, the torture of being forced into an uncomfortable position for hour after hour, day after day. And again, much of the focus of this episode was Elisabeth Moss' face – her colorless exhaustion, the bags under her eyes.
Let me pause for a moment and ask why punishment was more important than June getting pregnant. Aunt Lydia doesn't know what goes on in the Lawrence home, so what about the monthly sacred ceremony? What about endangering one of those all-important walking wombs? The handmaids are sacred objects, except when they are not. Their bodies are all important, except when they're not. It's senseless. But Gilead is senseless. Maybe that's the point.
Anyway. There was a purity to that sparkling white hospital room, the three evenly spaced windows and the lines of perspective pointing toward June and her suffering, while some of the shots with Natalie's body in the center made her look like a crucified Jesus in a Renaissance painting, eyes closed, her head on her shoulder, hair cascading down. With nothing to see but the comatose Natalie, June became obsessed with the sounds and smells of the hospital.
"Oooh, heaven is a place on earth." Why did June hear that oh so fluffy pop song? Assigning musical notes to random beeps and boops is like claiming that Gilead's policies have meaning, and June and Natalie were most certainly not inhabiting anything resembling Heaven. In her constant internal monologue, June said the Wives smelled like the Ceremony and the Handmaids who stopped by to pray with her smelled like food. And that Natalie smelled like a baby, a blameless infant, as she was treated like an object. Let's slice into her leg to increase the amount of fluids that the fetus is getting. Let's not worry about what that does to Natalie herself.
Increasingly desperate to reach the end of her punishment, June still couldn't make herself stop the respirator, couldn't stab Natalie with the scalpel. Her rage dissipated when she finally realized that Natalie wasn't the enemy – she was a fellow victim of this horrible place. And that like Natalie, June is at risk of death, which I think was the point of this episode.
Doctor Yates didn't report June for stealing the scalpel, and he knew that June had taken a "swipe" at Serena. Yates knew June's mother. ("Doctor Maddox, she was scary.") When June confessed that she had planned to kill the doctors and the Calhouns as well as Natalie, Yates saw it for what it was – a way for June to commit suicide. By shocking her out of her rage, Yates made June see the path that she was on.
(Of course, he did nothing to actually help her other than stitch up her bloody hand, because this is Gilead. He might have made a stab at honoring his Hippocratic oath, but as he was leaving the room, he turned so that we could see the Gilead star on his shoulder. Message received.)
After the premature birth of Natalie's son, June voluntarily stayed with Natalie until she died. Aunt Lydia chose to see it as June learning the lesson Aunt Lydia was trying to teach her, but it wasn't that at all. June was acknowledging Natalie's humanity, their sisterhood as Handmaids. At the start of the episode, June was calling her "Ofmatthew." At the end, she called her "Natalie."
During her punishment, June thought she was hallucinating the girls in pink, and it would have been better if she had – the girls were coming into the hospital for their "menarche exam." While adults all remember life before Gilead, those girls in pink do not. They weren't taught to read. Instead, they spout religious platitudes about their marvelous future bearing babies for the state. Rose, that freckle-face little girl with braids, is a slave of Gilead, a future baby incubator like Natalie and June. It's horrifying.
So June has now decided to focus on freeing the children. But what I don't get is how June can possibly think she's going to get children out of Gilead. What has changed? Nothing has changed. Increased hangings, that's what is going on right now.
Most of this bottle episode was about June, but there were some nice bits of Janine and Serena Joy that I should mention.
Whenever we see Serena these days, I ask myself, "Is she a good witch or a bad witch?" This time Serena was a good witch. Serena noticed that June was in terrible distress and cared enough to stay and talk to her, to acknowledge her pain, and later, to conceal the fact that June attacked her with a scalpel. Why?
And Janine, who was seriously injured by Natalie to the point of having a hospital procedure on her empty eye socket, came to Natalie's room to forgive her. Janine had every reason to be enraged with Natalie, but she was not. As a reward, Aunt Lydia brought her yet another red Handmaid accessory – an eyepatch.
I am always floored when we get a cute eye-related scene with Janine and Aunt Lydia, and we've gotten several of them. None of those scenes ever acknowledge that Aunt Lydia took Janine's eye as punishment. But we all remember it. The show doesn't have to remind us.
Bits:
— The little girl in the hallway was named Rose. They actually gave her a pink/red name.
— After all of Natalie's worry that she was having a girl and how that girl would fare in Gilead, she had a fourth boy, after all. June had a point that boys in Gilead weren't free, either. They might have it better than the girls, but oppression is oppression.
— The scene where June put her hand in that sharps box and came out with a needle in the tip of her finger made me cringe. Would anyone actually put a scalpel in a sharps box, though? It's mostly for needles and lancets. Scalpels would be sterilized and reused, wouldn't they?
�� And I should mention that Doctor Yates put the scalpel back in the sharps box, still within June's reach, when he left the room. You'd think he would at least take it with him.
— This bottle show took place almost entirely in a bright white hospital room. The use of color was striking: June's blue eyes and red uniform against that vast white floor, the trail of blood. I especially liked the four Wives in graduated teal and blue shades as they prayed over the baby. It would have been nice if they could have included a prayer for Natalie.
— I'm glad Janine said, "I look like a pirate" because it would have been silly if no one had said that. I hope the eye patch means less time in the make-up chair for Madeline Brewer, who is so consistently wonderful as Janine.
Quotes:
June: (re: the wives) "They smell of powder and soap. They smell like the Ceremony. Like Serena Joy, when she held me down. It's hard not to fucking gag."
June: "Maybe I'm crazy and this is some new kind of therapy."
Aunt Lydia: "God never gives us more than we can handle."
June: "Are you sure?"
I don't know why this made me laugh, but it did. Like Aunt Lydia is any sort of authority, like she actually knows what God wants. That's the thing that drives me nuts about some religious people, that they think they can decide what God wants.
Janine: "When did you get to be so selfish? Everything is always about you now… You're different. I don't like it."
Were they listening to the fans of this show?
Doctor: "They're not sick. They're here for their menarche exam."
Mrs. Calhoun: "They've flowered? How lovely."
June: (to herself) "That will be Hannah soon. Too soon."
Serena: "You were supposed to be one of the strong ones."
Everyone has limits, Serena. Even the strong ones.
Doctor Yates: "How long have you had suicidal thoughts?"
June: "Homicidal."
Doctor Yates: "Doing any of the things that you said would put you on the Wall, and you know it."
Doctor Yates: "I honor the Handmaid's life by saving her child. How will you honor your daughters?"
June: "I'm sorry I was such a shit to you. I got lost, I think."
Beautifully written, acted and filmed, as always. But I'm not happy with this one. It feels like we're meandering instead of forging ahead. If we have to meander, couldn't we do it in Canada?
Two out of four discarded scalpels,
---
Billie Doux loves good television and spends way too much time writing about it.