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#OMG THIS IS SO LONG I'M SO SORRY
imrosalynangel · 3 months
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HELLO YOU GUYS, I WENT BACK TO ONE OF MY CONFORT FANDOMS, CAPTAIN TSUBASA!!!!! BIG TEXT ABOUT SONA, OCS AND HCs AHEAD, LET'S GO!!
Tw mention of the f slur and silly nsfw art!
I present you: my sona 😏
HANAKO MOMONOI, LET'S TALK A LITTLE ABOUT HER SHALL WE? :3
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SO, Hanako is a mixed Venezuelan/japanese girl, she has been in the nankatsu school since elementary, usually drawing, writing or doing all kinds of weeb, friki stuff. She was a pretty average individual 'til the shutetsu boys were transfered, her whole world change since that!
Hanako got a silent and shy crush on Hajime Taki, but she couldn't grow so close to him 'cause of being a girl (and not having access to the team football practices), SO she ended making up a BIG ASS LIE to be with her crush, she made herself an alterego called Hanato, a self claimed "brother" who practiced football and was really really good at it (Hanako didn't do any sports lol 😭)
Hanato visited after classes and when the team was practicing, SUSPICIOUSLY when Hanako was already home 🙄. Hanato's fame with football in Venezuela would cause a bit of a stir among the boys, more importantly, in Taki; who became very close with Hanato (and with Hanako via chat messages and occasional friend dates, all by Hanato's lectures about his "sister" lol) Even developing somewhat confusing feelings towards him, due to his somewhat androgynous beauty and the way he sold himself as a master.
This triggered Taki wanting to be trained by Hanato, insisting very much to him, to the point he couldn't resist more and ask him directly to train him out.
GOSH DUDE PLEASE SHOW ME THE TRICKS YOU ALWAYS TALK ABOUT, YOUR TECHNIQUES, EVERYTHING!!! IDK I'LL SUCK YOUR DICK IF YOU DO IT OR SOMETHING, BUT PLEASE TRAIN ME!!
This encounter obviously got Hanako REALLY nervous, so much that she ended up accidentally revealing her identity to Taki.
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-Real girly voice- WHAAAAAT???!!! NO DON'T!!! I'LL SUCK YOURS FIRST, YOU SILLY F*G!!!
This obviously let Taki very confused, but after talking things a bit this little secret became mutual between then, being used as a excuse for getting together more often and for Hanako entering to watch private practices of the team. This persisted for two years, then at 18 years old Hanato "had to go back to Venezuela for proffesional football training", this also lend space for Hanako and Taki to make their one year relationship public!
Oh and also the whole Hanato thing made Hanako realize that she was genderqueer 😭
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18+ SILLY SKETCH AND HC AHEAD!!!!!!
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You still here?
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Oh and their first time was in one of the schools bathroom/showers. Taki also liked both ways since he knew about the lie, SO he had no problem in letting her top!
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- H-hey... When you said you got "many plans" for our two years aniversary I didn't think being fucked by my other 'skin' was one of them...
- nngh WELL YES IT WAS, I DON'T SEE ANY PROBLEM. NOW PLEASEEE DON'T BREAK YOUR CHARACTER, IS NOT ENJOYABLE IF YOU DO-!!
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Now onto some big thing!! I was drawing all my ocs onto a lineup, here's a wip!
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There they are!! Hanako and Yui! (The short haired girl)
Yui is an oc!! She's a girl interested in tarot and gossiping!! She owns a gossip blog and also knows a lot of witchcraft and such. She's kinda fancy, like Rarity! She's also friends with Hanako and Masao Tachibana's girlfriend! But that's a history for another post.
I'll say goodbye for now! Please have this silly meme in order tho thank you for reading this! ^w^
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nailsinmywall · 4 months
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Maeglin in gondolin (and curufin laughing at eol)
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juneviews · 1 year
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BE MY FAVORITE
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whataloadofqueers · 1 year
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marauders era characters and their april fools joke of choice :
james : turning into a stag in places where a stag definitely shouldn't be
sirius : sticks paper fish on everyone's back because he grew up with les poissons d'avril
peter : pens and books and inkpots turn into small animals everywhere he goes
remus : just more werewolf puns than usual
marlene : enchanted bludgers that follow you all day
mary : 'actually i think i'm heterosexual'
lily : does not participate and refuse to believe anything that anyone says that day
dorcas : change the colour of everyone's tie
pandora : pretends she's a seer but actually makes accurate predictions
regulus : he's got 'nothing to do with the snake you found in your bag'
barty : 'april fools is stupid' but pulls little pranks all day
evan : charming all the plants so they can walk and then leaves the greenhouses open
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suashii · 1 day
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kuroo + making dinner ノ a late night snack wif him in a college au ? i hope ur week treats u well bbie <3
such a cute suggestion — thank u for sending it! hopefully u enjoy :3
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you’re usually better about not leaving a mess by the door when you return to your apartment, but tonight is different. you can’t help but messily kick off your shoes and shed your book bag in the growing pile at the entrance. after a long, draining study session, you can’t be bothered to keep a clean house at the moment. anyway, once you catch sight of your carelessness in the morning, you’re sure you’ll be rushing to pick things up.
“hmm,” you hum, stretching your arms above your head. the action feels good after being stuck in a chair for the past few hours and it seems like now that you’re home, just within reach of your bed, the exhaustion is finally catching up to you. “to eat or to sleep…” you ponder over your choices.
“i vote for the former.” kuroo chimes in from behind you. he replicates your movements, dropping his bag and stretching a bit before he turns and makes his way to the kitchen. “food is fuel, you know,” he tells you matter-of-factly.
“yeah, well, so is sleep. and that sounds like it’ll take a lot less energy than eating.”
he snorts at your reasoning as he surveys the contents of the refrigerator. it’s more bare than he remembers it being—the two of you are past due for a trip to the grocery store. still, he doesn’t let that stop him from trying to convince you to stay up just a little longer for a meal. “fair, but we skipped dinner. you should try to stomach something small at the very least.”
your bed is calling your name, you can hear its tempting whispers from down the hall, but you sigh and nod, joining kuroo in the kitchen to find a replacement for the dinner you missed in favor of reviewing powerpoints. the task seems like a tall one when you get a look in the fridge.
“what do you suggest?” you ask from beside him, “loose lunch meat doesn’t sound too bad.”
he laughs and pinches your arm at your unserious approach, which earns him a pinch back for ever daring to pinch you. 
“what about ramen?” kuroo proposes, lifting an arm to open the cabinet that holds your shared supply of noodles. unsurprisingly, there’s quite a selection of instant ramen at your disposal. “we’re never short on that.”
you take a few seconds to consider it before agreeing—something quick and warm should be satisfying enough.
“take your pick.” kuroo gestures to the multiple differing packages and you point at one—your favorite brand—for him to pull down. he grabs that and one for himself, closing that cabinet and opening the one that houses your pots. the kitchenware clangs loudly as they knock against each other but kuroo doesn’t seem to mind as he juggles the two, carrying them to the sink to fill them with water.
you busy yourself with opening the colorful packages and fishing out the seasoning packs while kuroo brings the pots of water to a boil. other than the gas from the stove and the occasional rustling  of  plastic, a still quiet falls over the kitchen. it’s far from tense or awkward and there’s a beauty that comes with it—being able to enjoy the company of someone without having to share words. and it isn’t lost on you how kuroo tries to take on the bulk of the work, emptying flavor packs and stirring the contents before you get the chance to grab the chopsticks.
he even pours the noodles into your preferred bowl and takes it over to your tiny dining table for you.
“i would have eaten this straight from the pot, you know,” you tell him, sliding into the chair and picking up your utensils to dig in. 
he’s known you long enough to be able to read between the lines of your speech—what you really mean to say is that he made extra dishes that you have no intention of washing. it makes him smile on the other side of the table. “i can handle the dishes.”
“don’t worry, i’ll help you,” you say in between bites. you hold his gaze, blowing on the noodles hanging from your chopsticks. “as long as we do it in the morning.”
he swallows a bite of his own. “deal.”
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Hi!! Could you do a scenario where Grimmjow has to handle/comfort his overworked S/O? I’m curious as to how he would react
Certified, he's the worst at these types of things.
Grimmjow finds it exceptionally irksome when he's around and you lack the energy to keep up with him. Why does he even bother visiting you anyway?
"Hey, stop being pathetic, get up," he says, poking your head.
This deep into your relationship with him, you understand there's no malice in his words. He's not intentionally mean; it's just his way of talking. Yet, you're too fatigued to pay him any mind.
"Go away. I'm exhausted," you say, snuggling further into the pillows of your bed.
A brief silence ensues.
"Why?"
This makes you peek at him. He wears that silly expression with furrowed brows, a mid-annoyance look reflecting his own struggle to comprehend something. It's cute enough to draw a tiny smile to your face.
"One of my coworkers quit last week, and all of her work has fallen on me, which wouldn't be a problem if my paycheck increased accordingly, but no! Haha, God forbid we get paid fairly for what we do," you blurt.
Your head throbs, announcing a migraine. You know Grimmjow doesn't grasp these human matters, and that somehow makes it worse.
"Withdrawing's for cowards," he states.
Or maybe he does understand?
"Do I kill them?"
Never mind. At least he asked. You sigh.
"No. Look, I like spending time with you, but right now isn't the best moment for me. I'm so overworked I could cry, and it would mean a lot if you didn’t kill or destroy anything for the night.”
You don’t have the heart to kick him out. Hueco Mundo is, after all, much worse than unpaid extra hours. You just hope he doesn’t take your tiredness in a bad way.
On his part, Grimmjow just looks at you like there’s no remedy in this world to cure your feebleness. However, whenever he sees you in a similar state of mind, he can’t help but feel an uneasiness twisting inside his guts, as if his stomach was making a knot.
When you catch him at his lowest moments, when he’s willing to allow you a glimpse of them, you always provide soft things that bring a close sensation of existing free from distress. It would be fair if he reciprocated it now.
A tiny gap leaves your mouth upon sensing his weight over the bed, and then his body over your own, not in a looming, predatory form for once. He just lies on top of you, close enough to feel the tip of his nose brushing your nape, far enough not to crush you under him.
Oh, lord, you want to kick him, but just then, you hear it: a soft vibrating sound that comes and goes steadily, like a purr. The same sound he made a couple of months ago while you played with his hair. You said it was relaxing, that you liked it.
A warm feeling washes over you. You scoot closer to him, and he lets you, his arm now keeping you tucked at his side. The purr intensifies. It lulls you to sleep. When the alarm clock rings the next morning, Grimmjow is no longer there, but the warm feeling remains.
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m-kyunie · 1 year
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"'Noah's are immortal', huh? I wonder who came up with that crap...?"
episode 77 supremacy
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bakughostly · 6 months
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SPARE VAMPIRE BKG THOUGHTS ??? SPARE VAMPIRE BKG THOUGHTS SIR MAAM ??
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omg i have been traveling so it took me forever to respond to this because i wanted to be able to type out my Thoughts on the computer but WILLOW omg..... u spoil me by asking this. because i have so many and they constantly live in my brain ldfskjfslkdjf
i think what i love about bkg so much as a character is that he has desires but most of those desires take the form of achieving a goal. he has so many things he wants to be the best at and so many heights he wants to reach and yeah, part of this is because he's an ambitious person but part of it is because of his ego and his insecurity and the expectations placed upon him by the people around him/society at large. and i think bkg in any context has these things that he wants to achieve because his desire to reach his lofty goals is integral to his character.
and vampire bkg... think of all that time. what do you do when you've achieved everything you've ever wanted to achieve? what's left after that? for a century he has been achieving his goals, and now he has everything. money and power and even respect from locals in the villages near his castle (though that respect is tinged heavily with fear, because even if they don't know exactly what the handsome bachelor that lives inside the creepy but beautiful castle on the horizon is, they know he's something other... and not to mention he looks exactly like his father, and exactly like his father's father, and isn't it strange that none of us have ever seen their wives, have never seen these men at any point in their lives outside of their late twenties/early thirties?)
i don't think stagnation sits well with bkg. i don't think he's ever learned how to be still. despite having unlimited time, he had to accomplish everything as quick as possible, because he just wanted it all. he wanted to be the best so bad that it sung in his veins like adrenaline. and now, in the aftermath, he feels that same emptiness. adrenaline come and gone and only a hollow tiredness in its wake. now is when you feel the pain--nothing distracts you from it.
and one day... you, cat-curious, find your way to his castle. (this has gotten long lmao so im gonna put a read more)
maybe you're a traveler, or an adventurer, or simply someone in one of the nearby villages that doesn't believe the rumors. but no matter who you are and where you come from, you've heard the stories of his Otherness. though you don't know it yet, just like him, you thrive best with adrenaline thrumming through your veins--you thrive when you have something to want. and you want to know the secrets behind the Otherness that everyone else is so afraid of.
does that mean you're not afraid? god, no. of course you are. but you've reached his castle under an auspicious moon and you're sure this is a good omen.
here is why desire is such a dangerous thing: it is often insatiable. for a long, long time, bkg has survived from the blood of his livestock which he cares for, from game on his land. deer in spring, grouse in winter. to live like that for so long, and then to have something so much more tempting come directly to him, delivered to his doorstep--it's almost like a gift.
at the same time, i don't think bkg relishes the idea of drinking human blood, and certainly not killing a human. i think he could be a bloodthirsty vampire, but specifically when it comes to vengeance. he could hurt someone that wronged him, but not someone whose only crime is their curiosity.
you offer to work for him. to clean his castle, to tend his grounds, to care for his cattle. you know how to cook and how to bake (though you're unaware that this means little to him), and you have more fortitude than your appearance belies--his long-fallow farmland would thrive under your hands if he gave you the opportunity to work with it.
if it was years ago and he was still the same man, he might have said no. but it's hard to care when you feel empty. fine, he says. but don't expect fancy lodging or riches beyond measure.
you work, you investigate, you sleep. it's a cycle. and bkg watches you the whole time, though you're none the wiser. he's smart. he knows what you're doing. but you've broken up the monotony for him.
there's no food in his pantries, and you have to find him to ask for coin to go into town and buy groceries. he doesn't provide you the coin directly--a smart move, perhaps--but later that day, what you've requested has been stocked in the pantry shelves. and that's how you mainly interact with him for a while--weeks, maybe. you wake at dawn and clear the land and feed the cows and pigs and begin the monstrous task of cleaning a castle that has been left to rot and you go to the room you've chosen when the sun is long set, settle into your moth-eaten bed, and sleep harder than you've ever done in your life. if you need tools, feed for the cattle, groceries, supplies to clean, you relay this to him, often finding him in his study reading or in the greenhouse, pruning exotic plants. he never gives you more than nods and grunted words of acquiescence, but despite his temperament, he always provides what you ask for.
he's surprised by your tenacity. by your boldness, to ask for so much, even if it's not for your direct benefit. when you cook dinner each night, you make a serving for him as well. he can admit, begrudgingly, though you are in his space and disrupting his quiet, that he admires the way you chop vegetables so uniformly, that you're so careful with the way you measure out the spices he has filled his cabinets with for you.
and above all, for the first time in a long time, he feels something like desire.
he's never been intrigued by other people--he has friends, other vampires he has known for decades (kirishima and mina), but their friendship was foisted upon him until he gave in. he doesn't think he's intrigued by you. but your blood--
it has been a very long time since he has been tempted by something so sweet.
(i think there has to be so much context for this situation because i truly believe that the longer bkg is alone, the harder it is for him to let someone in. after a century of shutting himself away, it would be almost impossible for him to open himself back up in any significant way. it's the situation that allows for this desire to grow. the lack of anything else to hold his attention, the feeling of achieving everything you've ever wanted to achieve and having nothing left to strive for, the unobtrusive yet spellbinding nature of your presence. he remembers what it was like to want something. this, at first, is what draws him to you. nothing more.)
vampires are always hungry. even when sated, they know that hunger is going to return. there's nothing to stop it. it's the nature of their existence. so yes, at first, it's his hunger that draws him to you, though he wouldn't ever do anything about it.
he talks to you more. finds out things about you. your father was a drunkard and you never smile with teeth. you've worked on farms since late childhood and your right pinkie is crooked from a bad break. you read romance novels late at night and deny that you've been in his library when he asks you about it.
and after dinners spent together where he doesn't eat, after early evenings when he joins you outside to feed the cows, he tells himself this pull he feels is because of that hunger. because of that desire--not for you, but for the lifeblood that nearly intoxicates him just by scent if he gets too close to you.
(though you are aware of his Otherness, he is disarming to you. it's something about the earnestness in everything he does, despite his gruff exterior. he seems rusty at conversation, but his efforts are genuine. he doesn't eat your food, but he picks at it so as to not make you feel bad. you find this more endearing than you care to say aloud.)
and then kirishima and mina visit, and they meet you, his new human employee that lives in his castle and reads his books and touches his shoulder gently when he steadies a ladder for them so they can rehang one of the long-covered paintings in the drawing room, as if he has ever let anyone touch him, as if he has ever let anyone close enough to try--
and it's kirishima that finally asks what's going on, and when bkg says nothing, obviously, he asks again because he knows his best friend better than anyone else in the world--now, perhaps, better than anyone except you--and the truth is more simple than expected.
for so long, bkg had only ever experienced desire as hunger. hunger for blood, hunger for power, hunger for everything greater in the world. he was hungry to be the best. whatever that meant. because becoming the best meant that no one could question him. no one could doubt that he was powerful and all the things that came along with it. no one but himself. surely, he had thought, once he got to the top he would stop having those doubts because he would, unassailably, be the best.
just like hunger, doubt is something that can never be truly sated.
and for a long time he sat with that.
but then, to his own surprise, he was shown that desire can be something other than hunger. something softer, a smile with less teeth. desire can be vegetables chopped precisely, or dirt from the fields caked under fingernails, or a badly-healed little finger. desire can be a gentle hand on his shoulder, an act of trust: i know you'll be there to steady me.
he never knew he could want something without being hungry. never knew he could have his teeth to someone's throat without drawing blood. but now it's all he wants to do.
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aphverse-confessions · 5 months
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yeah a lot of people talk about how weird the yaoi zane era was. everyone knows about yaoi zane im not here to bring it back
anyway i understand the purpose of the cishet zane era (overcorrection in response to yaoi overload) but damn those were some of the worst takes i ever did see. definitely indicative of that era of fandom where good = diverse.
like the influx of skinny zane art by people who simultaneously insisted that it was wrong to draw aph skinny because she's canonically chubby.
the zanchan hate that centered on how zane was an awful person which could be it's own ask tbh
ive literally been in discord servers where "eluding to zane in a way that can be interpreted as fem" was blacklisted. as if canon zane isn't already the aphverse's most prolific drag queen.
once i saw an ethnicity hc post where zianna was some sort of middle eastern but zane "didn't count as a poc" bc he couldn't handle spicy food? unironically.
i literally joined aphblr specifically to heal tbe ecosystem. thars the only reason i made my account.
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masezace · 8 months
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little off topic for my blog, but i started watching a new show since a friend mentioned it was good and i'd heard positive things about it, so i just wanted to talk about it a little bit (probably never again after this since this isn't a fandom blog, but it's the only one i have rn so idc it's going here)
the show is Jurassic World Camp Cretaceous, and just going on looks alone, despite my love for dinosaurs and the Jurassic Park franchise i never would have considered it. it appears to be very much for kids, and as i'm in my late twenties now i'm not particularly interested in especially kiddy media. however a friend my age enjoyed it and mentioned it has a canon lgbtq+ couple in it among the main characters, so of course i just had to watch it. i had already been hearing that despite its initial appearance and premise, it was surprisingly good for a kids' show, so i had already been curious, but i was even more keen after knowing there were queer characters, and not even the adults, the kids themselves (in a kid's show?!! what a time to be alive), so i finally sat down and watched it.
[spoiler warning, both minor and major, for the rest of this post btw, so continue reading at your own risk if you haven't seen it yet/are still watching]
the show overall
okay so firstly, i am coming at all of this from the perspective of a writer, so my observations are from a technical standpoint more so than just as a fan of the show. and honestly, it really is a well-written show as a whole. is it geared towards kids? definitely. there are plenty of jokes/gags in it that just don't appeal to me as an adult, but beyond that, there was plenty to appreciate as an adult.
the writing is actually phenomenal? there were several points in the series where i just sat back and mulled over the way a scene went, what the thought process behind writing it was like, how well it was executed, and how important it was to the characters and overall plot.
the suspense is spot on, nothing gets dragged out too long, and i will admit there have been a few scenes throughout that actually got me; i jumped! it's actually scarier than i expected a kid show to be, but i'm so glad they went where they did because it really elevated the experience.
the pacing overall is very good, adequately engaging for kids' short attention spans (and us adhd adults 🥲) but not too short either to a point where things felt abrupt or unfinished. plot arcs are well developed and tied up nicely. also, as a bit of a dinosaur nerd, the array of dinosaurs in the show is super broad and satisfying! very fun stuff.
character element
imo the real gem of this show is the character development. honestly it's just *chefs kiss*
the characters grow and change so much and so realistically over the course of the show, it's honestly so much better and more satisfying than the character growth in most adult fiction/media recently.
the growth in ben (who btw was def my favorite character by the end of s1) and kenji in particular were my favorites and, in my personal opinion, the most interesting. the way ben started out anxious, cowardly, and rule abiding to a fault, then grew into a brave, confident, adventurous little pyromaniac gremlin, then had that stint later in the series where he regressed a bit-questioning himself-until eventually ultimately striking a great balance and really coming into himself was just... peak character writing.
kenji started out overconfident, lazy, and overly concerned with money/status. but that arrogant overconfidence and laziness slowly turned into responsibility, and a desire to protect his found family, and the realization that it's the people in your life that really matter most.
honestly what i mentioned only scratches the surface in terms of those two characters, there's certainly more that can be said about them (as well as all the others) but i'm not really in the mood for a deep dive character analysis atm. just trust me tho when i say these characters are so well done and each one of them have arcs that are super satisfying to watch play out.
queer representation
and as for the queer couple? yasmina and sammy are PERFECT. it was so beautiful watching their relationship grow from one-sided to mutual friendship, to loyal devotion, then to love. they were set up incredibly well and incredibly naturally. i have like, no complaints when it comes to them. i don't even know if there's anything i can say that would add to things, they were just a really awesome couple to watch become canon, they're the beautiful and painfully needed representation we all beg for in tv and movies.
shipping, chemistry, and intent
but oh goodness... probably my only real complaint about the entire show would be how benji (ben x kenji) and kenji x brooklyn (kenlyn? brookji? idk and idrc) were handled. because for all that this show did SO much beautifully right, they really screwed the pooch here, sadly.
i'm gonna start by saying that the writing in this show, as with most, is deliberate. what i mean by this is that despite having no clue who it would be because my friend thankfully did not even spoil me as far as the genders of the queer couple, i clocked yas and sammy as the would-be queer couple as early as season one (actually it was between them and benji, but more on that later). i could already see the chemistry, because it was deliberately written in.
shipping is subjective. anyone can ship any character, and in most cases it's pretty easy to see how there could be (romantic) chemistry between fan pairings based on their personalities, their arcs, etc. and that's okay! ships don't even have to have any canon support to be valid, because shipping is for the fandom, and it's for fun (i have a few rarepairs and crack ships across different media that i just love).
but onscreen/written romantic chemistry is a lot less subjective (to clarify, it is subjective whether or not the chemistry is good, but it's not subjective about whether or not it exists). there are literally scenes written with the sole purpose of building the romantic tension and/or chemistry between planned couples (some of which even have absolutely zero plot relevance, which usually is not advised tbh, and most of which are the cliches/tropes you see in literally any romance ever written, some are just disguised a little better than others. but make no mistake, it's all the same set of cliches. there is nothing new under the sun), as well as intentional, key moments within scenes that have other purposes. they are essential to establish romantic pairings.
and typically, the foundations for these couples are laid VERY early on. always within the first or second season (well, at least they are when the writer actually knows what they're doing and has at least a rough plan/outline for the entire series & characters. this is usually a large part of what separates the good chemistry from the poor chemistry. an author who knows who the couples are going to be and has a plan from the beginning to build them up is going to be more successful in creating a believable relationship with good chemistry. one who does not plan, or makes last minute plans will almost certainly fail, and the couple is just going to suck). when the set of characters you're working with are going to stay the same for most or all of the story, you start immediately.
i don't mean to toot my own horn, because i think it's because i'm a writer so i just pick up on narrative patterns very easily, and pretty much always clock the planned couples within the first few episodes of any series, and by the end i am right like 9 times out of 10.
that being said, do you know whose deliberately written chemistry i also clocked in jwcc? ben and kenji's.
kenji and... brooklyn?
no offense to people who like/enjoy kenji and brooklyn, you are free to love them, but the way their romance was written is... quite possibly the weakest point of the show. it felt like they were just trying to appease the upsetto heteros in charge, because there was definitely another het pairing that had a lot more potential than kenji and brooklyn (hello darius x brooklyn aka darilyn, you would have actually made sense because your relationship had amazing buildup and multiple standout scenes from s1 on. dgmw, i love that we got a m/f strong, supportive, purely platonic friendship out of them, i live for those and we really need more of them. but we could have had that with kenji and brooklyn, or darius and sammy, or ben and yas, literally any other pair instead).
kenji and brooklyn as a couple came out of absolutely nowhere. i honestly think they decided to shove them together last minute, and had no actual plan for them until they were working on s4. because their development barely started at the VERY end of s3 (the abruptness of him caring about her being held hostage so much more than literally anyone else in their group despite them having like zero buildup to that point gave me whiplash), but honestly didn't really even become "meaningful" development until s4, over halfway through the series. the two spend the first 3 seasons basically not particularly gaf about each other individually, only as part of the whole group and on an equal level with everyone else. they otherwise have no deliberate narrative foundation. it just starts in s4 with no prior hinting. which makes their development rocky and difficult to believe. the funny thing is their characters literally have dialogue (in s4) trying to draw comparisons/parallels between them to say that they especially have a lot in common and like??? no? they really don't? not any more so than any other two kids in the group. their relationship just, really falls flat.
it was disappointing to see it take such a massive spotlight in the series for almost all of seasons 4 and 5, overshadowing the friendships that have been the focus of the show and should have remained so, to the point where at times it just felt like i was watching some stereotypical het highschool romance. genuinely, it made s4 & 5 more of a drag to get through. yasammy and ben and yas' growing bond (which by the way was so sweet, it had the strongest queer solidarity vibes good lord, i sure wonder why yas chose ben out of everyone to come out to first, hmmm) were some of the few things that kept me invested, otherwise i would have dropped it if it had leaned much farther into becoming the kenlyn show than it already was. especially when it was that pair so much of the focus was given to, even though we had so readily and perfectly available, the pair that could have, should have been: benji. which finally brings me to:
ben and kenji
benji's foundation was laid in s1. their interactions, the situations they found themselves in, were deliberate (on the writers' part). i'm even gonna go out on a limb here and say the pairings were fully established in s1e3, even with parallels between yasammy and benji (sammy clinging to yas and ben clinging to kenji throughout the episode), and darilyn gets the beginning of their development too.
even though they bicker a lot in the beginning, they clearly care about each other? kenji protects/helps ben multiple times, and there are definitely some looks ben gives kenji at times. at the end of s1, the one who seems the most deeply effected over ben's "death," other than darius (understandably since he's the one who failed to save him), was kenji! immediately after it happens, we get two close up shots, darius and brooklyn then yasmina and sammy. after which, we go back to the whole group with kenji in center frame, the focus is intentionally on him. it is only kenji who drops to his knees at the loss, and then we get a close up of just kenji. he was saved for last, and he was alone in frame (tbf bumpy was in frame too, but i'm talking humans here), which implies his feelings are especially important in this moment. that is the reason for solo close ups.
after ben's "death," kenji takes to always wearing ben's fanny pack, and up until bumpy--who ben cares VERY much about--got separated from them, kenji was the one who (however briefly) took over her care, ensuring she got off the monorail with them, and he's extremely distraught, more than pretty much all of them, when they can't find her, and he's last to leave when they decide to accept that ben's gone. even when they do leave, he's distant and distracted and his mind is clearly still on ben.
other than darius, kenji is the only one (if i'm remembering correctly) to mention ben/say his name after they lost him, upset because he was actually trying not to think about him. he has clearly thought about ben, probably a lot, because it's hard not to be reminded constantly when you wear something that belonged to a deceased loved one. and frankly, he appears to be the only one who dwells on him that much.
when ben reappears alive (which btw he found the group again because of kenji's butter knife, hello), the frames literally purposely focus on kenji's reaction. he's the one in the foreground every time they show him and brooklyn in that scene. he is the first one to say ben's name, the first one to go to him and hug him, and the scene takes special care to highlight kenji's strong emotions at ben's reappearance, lingering on his teary face as the focus for a bit even after brooklyn enters the frame to hug ben (because she is not at all an important element in the scene at that moment). just like when ben "died," the way this scene is written and shot HEAVILY suggests that ben holds significant importance to kenji, specifically. because again, the focus here is on kenji and ben almost exclusively, with brooklyn as only an afterthought lol. and quite frankly literally everyone else's reaction to him being alive was pretty lackluster compared to the special attention they gave to kenji on this.
and then in s3 we have the infamous hat scene, where darius and ben are in the limo and ben sees and mentions kenji's sailor hat, looking sad and sounding like... longing?? then directly after we switch to kenji realizing he forgot his hat?? the scene has no real significance tbh other than to draw a connection between ben and kenji. like, it acts as a transition to switch to the pov of the group on the boat, but it was entirely unnecessary? why not just have darius say something about the others and then show them on the boat? if there were no special relationship between ben and kenji, it would have made far more sense if they really wanted it to be ben to say something, that he sees the hat, and sadly says something along the lines of "i hope the others are okay/doing better than we are right now/etc" which implies that the hat made him think of everyone, their whole group. rather than what we got... which very much implies that he was mostly just thinking about kenji 💀 and then kenji thinking about the hat at the same time ben's looking at it and thinking of kenji. like, this is.... a very blatant connection being made by the writing/directing here.
all of that. so many deliberate connections made between ben and kenji, they had a very solid foundation laid for a romance to develop, and by all intents and purposes one already WAS developing according to the show's own subtext. which was why up until s4 obliterated the idea, i was positive the queer couple in the show was either going to be yasammy or benji. it was extremely obvious imo. but as soon we started getting the typical, loud, cliche "we are going to pair off these characters" scenes for kenji and brooklyn, i knew we were getting yasammy and not benji (to be clear, i'm not at all upset about yasammy, they're beautiful and i love how their relationship was done, i wouldn't have had it end any other way for them. but i do personally prefer benji, i just like their personalities and dynamic more. and i feel they had so much potential that got wasted to make way for a far less interesting pairing between kenji and brooklyn. why can't we have 2 queer couples, huh? and if we really needed a minimum of one hetero pairing to appease whoever needed appeasing, darilyn was right there).
but then??? their like entire bond just gets dropped (honestly ben himself gets pretty heavily sidelined for almost all of the last two seasons, which is criminal imo). mostly so that a rushed kenji x brooklyn can be established. like there are still a few small moments here and there in early s4, and one episode in s5 (ep 10), but from early s4 till pretty much the end of the series we hardly see them have any meaningful conversations or interactions, meanwhile literally every other combo in the group does.
it's so weird? why build up benji so deliberately over the course of multiple seasons just to like, fully discard it for a pairing with far less chemistry, even after the chemistry-building scenes they shared, some of which literally had no other purpose than to affirm their connection? even though they were very sparse, the moments benji had were just so blatant (kenji leaps into the rock crevice right onto the back of a saber tooth to save ben?!!?? like he literally was just willing to exchange his life for him like that?? he basically says that he wasn't really thinking, he just did it. so he moved out of what, emotional instinct, that's what we're meant to intuit from that series of events? implying that he specifically has strong emotion and doesn't think things through when it comes to ben? because he doesn't do that kinda stuff for any of the others in the group! even better, this parallels when sammy jumped on the nothosaurus to save yasmina. and then the way benji look at each other after it's over??? hello??? and then how kenji pulls both brooklyn and ben in for that hug a couple minutes later... side eyeing the writers for that choice. they knew what they were doing there and they were evil for it). i just can't see any reason to have dropped them like they were, after all the development they shared for 3 seasons. confounding. biggest disappointment of the series.
i know this probably reads to some as just "wahh, my ship didn't become canon" nonsense. but that's not why i'm bugged. this wasn't just a ship i liked and wanted canon despite no actual narrative support, as most ships tend to be. this ship did have narrative support. there was intent behind many of their scenes together, lingering looks and little things that matter narratively and are always used to signify a stronger/special connection. and it led nowhere, for no good reason. that bothers me. writing that implies and promises something, but never delivers on it. like a person who never finishes their sentences (think Dr McPhee from Night at the Museum). ultimately it's not a HUGE deal or anything, at the end of the day it's just a ship and just a kids' show. but as a writer, it's just irritating to see something like that be done. what can i say 🤷
conclusion
even despite the wasted potential between certain pairings, and even though i do think the first three seasons were superior to the last two, overall i really enjoyed the show, and for what it was, it was really well-made. the overarching focus was of course on found family and friendship before anything else, which i absolutely love, and it was masterfully done. out of 6 kids, all of them had at least one or two meaningful bonding moments one-on-one with another in the group, so every possible combination had their moment to build strong, believable friendships with each other. i'm just so surprised by how good it was as a whole honestly, good enough to binge over the course of a week. i will happily recommend jwcc to anyone willing to give it a watch regardless of age, because i definitely think there's no age limit for a good story, no matter the medium it's told in. :)
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expelliarmus · 2 years
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IT IS I, Load, once again!
And okay, so i found this hoodie on pinterest, and i HAD to draw noi in it. It was just too cute of an idea!!
So i hope you enjoy! I also drew it in a more rendered style this time around!
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smoosey · 7 months
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Unseasonable, for your prompts. <3
"It wasn't supposed to rain today," Obi-Wan comments, but in truth it's lovely, lovely, the midsummer rain light and cool and misty where they walk under the wide sweep of the stars, belly full, warm and tipsy and flushed and alive.
"We've had worse surprises," Cody says from beside him, and Obi-Wan laughs, because the Force is singing all around him, and Cody is beautiful in the rain, and there's something buoyant in his chest that makes him feel young again and quite in love with every star and raindrop, the wide galaxy and every soul that shines in the Light of the Force.
Cody's watching him laugh, eyes warm and dark, and then he's taking his hand, leading him into an alcove where Obi-Wan lets himself be sheltered by his heat. Obi-Wan raises his robe over them, and kisses him in a hallowed space, alone with Cody's smiling lips and reverent hands and his good, good heart.
(AKA: I saw this gif and lost by entire mind...)
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upperranktwo · 2 years
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☆Gifset Per Episode - Kimetsu No Yaiba☆
S01EP07 - Muzan Kibutsuji 
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hypocriticaltypwriter · 3 months
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I have a baby bat ask!
Did Crysta ever struggle with some downsides of raising babies? Like did she ever struggle with postpartum depression or did any of the babies have colic? Parenthood is already a challenge without the vampire aspect.
Side question, how did the boys go about adjusting to their own fatherhood challenges and being supportive of their baby mama?
Thank you for the Ask, Lav! I'm glad to answer your questions about the coven! ^^
Warnings: long ass rambling, postpartum, mentions of arguing, sick babies, a lot of angst and heavy topics will be mentioned!
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To put it short: Yes. Raising the Baby Bats was tough and each had their trials. I think even adding the fact they were Vampires is what made it rather difficult, cause they couldn't just take them to get check ups or doctor visits- and Chrysta could only go and get checked up the first two births before she was turned as well.
Especially after birth issues with Jenny- who was pretty premature. Chrysta was still human when she had had Annie then Jenny, but it even after Annie was born it was obvious her body wasn't gonna be able to handle more Vampire births with her as a human.
It was extremely hard for her to adjust- especially when the boys would leave half the time at night to go hunt and be on the boardwalk, and she'd be left for a couple hours taking care of them by herself with no idea what she was doing.
She felt alone, more alone than she though she would. She didn't want to say anything out of guilt thinking it was her fault to just up assume the boys would get into the swing of this new page in their lives. To be rowdy, wild bikers straight into being daddy's was something she knew you probabaly didn't get the hang of quick.
Recovery was hard. She could barely stand half the time and she was exhausted chasing around a toddler while taking care of Jenny with a sore body and pounding head all the time. Some nights, all Chrysta could do was hand Jenny to Dwayne or Anastasia and just give up. Nothing she could do could stop the crying and screaming. She'd spend hours sobbing till she fell sleep in her nest.
The boys did everything they could do to try and console and support her, but the first few months Chris was born Chrysta was getting overwhelmed.
And finally, one night of crying, hair pulling, fussy, hungry, teething babies, screams of protests for no bedtime, and frustrated mates, David swiftly pulled her aside by the arm and whispered something that shattered her heart.
"Go away."
She couldn't even say anything but look at him almost distraught.
"Run away. Don't come back till dawn. Do you understand me?"
She wanted to quite literally tell him to fuck off. But she was so weak she couldn't bother. She couldn't even tell him anything but nod and pathetically walk out of the ruins of the hotel.
She spent that night mostly walking around the beach and exploring some shops along the boardwalk, and when it got quiet and finally closed, she began her trek home, feeling more like a petty excuse of a mother than anything.
But as she entered the cave, it was quiet. No screaming no crying, no girls running around causing chaos to be seen, all put to bed for the morning, just the boys all sat around watching a small fire, a finally sleeping Chris cuddled up in the crook of David's arm.
Nothing was said as she joined the group near the fire, resting against Paul's side. She just stayed there till she'd fall asleep.
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gimmethatagustd · 3 months
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Is kook is kstl gay or queer ? How come tae never knew he experienced sexually with men ?
AHHH omg omg i'm so excited to answer questions about my fics 😭 you have no idea. esp my emo boys. ty bestie ily.
okay, so this is a great question and there are a couple reasons for tae not knowing.
kstl jk is demisexual. for him, that means he isn't sexually attracted to people unless he knows them well/has established some sort of relationship with them. it's actually very difficult for him to open up to people sexually, and it causes him a lot of stress. he's also homoromantic, meaning he only develops romantic relationships with men. but he has had sexual relationships with people of other genders.
tae doesn't know about jk's sexuality because he just assumes jk is straight (since straight is usually the "default" that we assume people are in our society, yknow), and jk never talks about his relationships with tae. in tae's mind, it makes sense because he views jk as this innocent, quiet kid - bragging about his sexual experiences wouldn't be in-character for jk.
jk doesn't talk about his sexuality cuz a lot of people don't understand demisexuality, and he is shy 🥺
the whole fic is pretty much a commentary on how hard it can be for young queer people to figure out our sexualities when we're expected to conform to society's expectations. ie, tae thinking being bisexual is "bad", and jk thinking not being a very sexual person makes him "weird". that's why i chose bisexuality and demisexuality - two sexualities that are often judged/erased in queer spaces and oppressed by homophobia.
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