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#Only time will tell if that is right! but that has been my theory!
the-solar-system52 · 21 hours
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TPOH UPDATE THEORY
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TPOH UPDATED AND YOU BETTER BELIEVE I HAVE THEORIES!!
So! Negative talking with the Butterfly definitely did something to him. Maybe he recognised their voice? Or he looked at him directly in their eyes? Some people have proposed the idea that Anxiety blinded Negative, and if that's the case, then I wonder how long the effect will last.
The Butterfly gave him a flashback to his human life, and I'm guessing its one that includes the Butterfly.
Its hard to make out, but we see a human hand extending out, and text that says "WAIT! Don't lea-" (I'm guessing 'don't leave') and "What do you say? We got a deal?"
What's even more interesting, is that RGB didn't get this flashback when he came into contact with the Butterfly. Only Negative did.
This tells us two major things:
The Butterfly used to be a human and they knew Human RGB
2. Negative has access to memories of their life that RGB doesn't
Starting with the first one, I think I'm beginning to figure out just what happened between Butterfly and RGB.
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It all starts with this infamous page. The Butterfly gave RGB a schism, which caused him to get a flashback. In this flashback, he is in a backstage acting room (judging that there's one of those fancy mirrors with the lights on them in the background) and he looks very tired and angry. He then tells whoever he is talking to that he hates them.
I assume that this is RGB talking to whoever the Butterfly used to be.
In the lastest update, the flashback gives off similar vibes. RGB and The Butterfly make a deal, but there is also text ("Don't leave") that implies one of them is backing out of the deal. I'm not exactly sure who is who in this situation though.
Either way, RGB did something that really pissed off the Butterfly enough for them to still be mad at them in The Land of Make Believe.
My assumption is this:
As we know, RGB was an actor. So I'm guessing The Butterfly was either an actor, director, or any professional job that would give them the opportunity to meet RGB.
Just like the Butterfly is trying to partner with Negative in this scene, Human Butterfly had a partnership with Human RGB long ago. I'm not sure what it was, but I'm guessing it was related to acting. (It also could've been romantic. Or both. RGB already has like three partners, I wouldn't put it past him.) But the Butterfly messed something up so badly that is caused RGB to get mad and call off the partnership, which is the scene we see on the "I hate you" page. The Butterfly begged RGB to stay ("Wait! Don't leave.") but he didn't.
This may have led to consequences that ruined the Butterfly's career. Either way, they were so hurt by this that they still resent RGB to this day. I have no clue how The Butterfly made it to The Land of Make Believe, since I don't think they were a hero, but it was probably something to do with how RGB treated them.
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So when The Butterfly asked Negative for a partnership again, not knowing who Negative was, he got a flashback.
The colours that come out of Negative's vents are Red and Yellow, Anger and Anxiety. Both emotions fit perfectly with this situation.
(Or I could be totally wrong. Since I don't know who's who, it could be the BUTTERFLY saying 'I hate you' and RGB saying 'Don't leave.' But I think the first version fits better with the overarching theory I have. So I'll assume RGB is saying 'I hate you' unless proven otherwise.)
Please let me know if anyone has anything to add to this theory! I think I'm really getting close to figuring this stuff out but there's still some stuff I'm confused on.
Onto the second thing!
I've already talked about this a lot in this theory, but I'd like the expand on it a bit. That theory is slightly outdated since now we know The Butterfly doesn't know who Negative is, but I think I was on the right track.
When RGB and Negative split, Negative took some of RGB's memories with him. (That, or whatever memories RGB sold to Time were given to Negative. I haven't decided yet but either way Negative has some of RGB's lost memories.)
Since RGB and Negative used to be a whole person as a human, parts of their personality in the flashbacks are influenced by both RGB and Negative.
More than that, we have visual identifiers as to which personality is being portrayed in these flashbacks!
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When Human RGB's eyes are covered and we see his mouth, it's RGB's memory. Since his TV self has a mouth and no eyes. This means RGB is the one having the flashback and the memory has him displaying more 'RGB-esque' personality traits. Like, in this scene, sleeping on the job and being woken up by a colleague is definitely something I imagine RGB doing, but no so much Negative.
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When Human RGB's mouth is covered and we see his eyes, it's Negative's memory. Since his TV self has an eye and no mouth. In this scene, he is displaying more 'Negative-esque' personality traits. He is being confrontational and cold, and straight up telling someone he hates them. That doesn't sound like something our resident coward RGB would do.
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And to add to this, blue roses show up as this flashback happens. This memory belongs to Negative, but RGB is viewing it because of his schism. And as I've said before, his schisms/gaps are definitely related to Negative.
So when they split, their human memories and personality traits were split up between them.
I really hope I am right, because I LOVE this facial feature detail! The fact we never see his full face at once gives the impression of him not being 'complete' bc he's not! He's literally being split into two people, so his face was split accordingly. Genuinely a genius visual metaphor on Mod's part. And it really makes me wonder if we will see his full face if RGB and Negative ever fuse back together again.
It's something to keep in mind for the next flashback!
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As for the lastest memory, I'm not sure if it's Negative or RGB's, since we don't see their face. It's a possibility it is either a shared memory or RGB's memory that Negative is viewing, which would explain why it messes up Negative so much. And why we see some of RGB's colour return to him.
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And what on earth is happening to Negative here? At first I thought he was going to faint and allow RGB to return, but now I'm not sure. Yes he is disoriented, but I think he'll be sticking around for just a bit longer. The blue roses haven't popped yet, and they tend to do that when he leaves. And I'm hoping he'll get a little more screentime since they still need to escape the house and everything, but I won't jinx it.
And what's with the yellow root in his leg? Those roses are mysterious as fuck, and I wanna find out what they'll do to him. I am still trying to figure out wether Negative completely controls them, or if they kinda have a mind of their own. They could make him stronger or make him weaker. They could charge that static electricity again. They could do something to his gaps. Who knows! But I'll be back next Sunday to figure it out.
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kitsunefyuu · 2 days
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Did you notice how some AFO fans who used to like DFO Theory started to hate it and suddenly attack the same fans? Maybe this is due to generalizing DFO as OOC? I once saw someone saying that "to respect someone else's opinion, just remember that you have also changed your opinion several times" but these people only seem to attack what they once liked for no apparent reason, other than "nooooo my beautiful AFO is not like this 😭😭"
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Yes, it is a trend that I did notice when I first came into the fandom that a lot of people would say they are former DFO. Then say how they realize how 'stupid' the theory was and unrealistic. As if suddenly now they are the pinnacle of rational and totally know everything about a fictional character.
I never claim my interpretation is the canon, because I know I could end up wrong. That just how it is and I'm always willing to adjust my headcanons with the source material. But honestly I think the AFO fans that liked DFO and now hate it only changed because other people started being hostile to the theory.
Like popular writers, artist, and all kinds of people begun to sneer at that interpretation beside those in the little community. Seeing it as just trying to 'soften' AFO or as something gross to do to the MC. Or worse some people like DFO but hate AFO so when the former DFO see that they change their mind to double down on disliking DFO as they LIKE AFO. As they see it as like you said 'softening' him to make him palatable. The theory itself, however, is only parentage.
Like it still be valid to assume AFO had Izuku with Inko from a One Night stand, and Hisashi Midoriya is just the guy that stepped up for single mom Inko. We have evidence of there possibly being more aware but if don't like it then that an option too.
DFO theory is simply the theory that Izuku Midoriya is RELATED to All for One. That is the bare bones minimum, I don't care if you are OH HE LOVES HIM or HE AN EXPERIMENT or whatever you want to believe. None of that really registers much to me nor should matter, like DFO can be used in many manner of ways.
The ones that seem to hate is most... Well they tend to either want Virgin All for One (for sexual reasons) or want him to be purely asshole(for sexual or just because love assholes that can go either way) or maybe fear of being the outsider. There also many who claim that every time he does a more evil act that it PROOF he never father a child.
Like tell me you never had a mentally unstable parent that does outrageous things. Anyone can have a kid, it sure doesn't take much for a guy to one and done for various reasons. We also literally been confirmed now he can change his face, DNA, and has actually done so. Also we've seen how he is with Yoichi, literal proof of his ability to love it just dark and twisted.
It why DFO is so interesting since if is the child of AFO it an avenue to explore his character. How WOULD AFO raise a child now that we knows what happened with Yoichi? Is he aware of Izuku? Does he care? We've seen him vault family and say how precious family is.
But then, none of that matters to the former DFO fans who now are DFO hates. They just don't want to be the weirdo outsiders believing in something that isn't even 'canon' and as I've said many times. I'm not exactly going to stop writing or enjoying it even if it NOT canon.
No one can dictate what I like and enjoy. And those people projecting hatred once they loved it?
I hope they know it ok to just like different things and change your mind. They should be happy with what they like instead of just wanting to be 'right'.
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raphaellight · 2 days
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Insane, untrue, don't know why it even came to my mind?
Sera is the one with Alastor's soul on a leash.
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Here, I said it. Also reussing this frame, because her face is just 'cheff's kiss'. Although Emilie's face wouldn't be this happy hearing this one.
Had to get it out of my head, because if by the sheer miracle I get the twist of the show, I then will be able to say "GOT THEM" Here is the reasoning why I would think that:
Sera is the Machiavelistic character, without a clear boundaries not to break for a "greater good". She agreed for extermination, owning a soul isn't beyond her.
Can't tell that with certainty, but she seemed quite well informed about hell's business, in a sense that she never showed any sign of being taken a back by anything. Can be just her general personality, but take Vaggie coming to heaven with Charlie. Sera had to know she is a former exorcist, it's not rocket science, it would be perfectly reasonable to think she got informed an exorcist had been casted out. Yet she shows no sign of suprise to seeing her come with Charlie to heaven, like it's not news to her who is engaged in that project, like she has more sources of info that we know of.
She clearly mentioned "hell uprising". Extermination was one way to keep hell at bay, but it's possible she took more steps to ensure heaven safety, including espionage.
Now for Alastor:
This dude is not only one of the most powerfull beings, but also one of the most intelligent people in hell. Person above him has to be not only as powerfull as him, that person would also have to possess insane power to even have anything to offer Alastor that he couldn't possibly get himself (unless we go by my previous theory about Alastor deal, but these two don't exlude themselfes)
Right as I started listing points about Alastor, my playlist jumped to "Insane" :D
Alastor is weirdly protective over identity of his owner. Of course it's a reputation thing, he doesn't want his enemies knowing he can't control himself, but even to himself, he never says who he owns his soul to. Maybe part of the deal is that noone is suppose to know, because that someone doesn't want to be known for owning Alastor (which, let's be real, if anyone in hell owned Alastor, that person would spend all his time flexing that fact, I know I would).
Whoever owns Alastor is clearly letting him preety louse. As far as we know, the only thing the deal does, it makes Alastor weaker (unable to enter his full power), which would be weird for demon, but in character for an angel that wants someone on inside for specific tasks, not full time servant
Alastor immidietly upon arrival took down powerfull overlords. It's been played as him being crazy, but what if it was to break hell's power and create power vaccum to cause chaos.
Just when hell is emptied of most overlords, Alastor dissappears, then returns when it is once again under control of semi-fincional goverment of overlords (and right as angel dies in the extermination day)
Zestiel alluded that Alastor fell into "heavenly hands". Maybe someone saw Alastor dissappearing into angel's portal and this created the rumor.
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I won't really defend this idea, I know we have to little information for any definitive answer. We have at least two seasons to go and I don't even think next one will be the one to resolve who owns Alastor soul. But please, let me know, if I'm crazy, or IS this just as weirdly fitting both all plotlines we know so far and character we encountered so far as it seems to me. Follow for more crazy posts like this one.
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Helluva Boss Season 2 trailer break down: Pt 4 Mastermind!
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The C.H.E.R.U.B.'s and D.H.O.R.K's are back bitches!
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These two shots seem to be fairly face value. The C.H.E.R.U.B.'s have been stuck on earth since we saw them last, and apparently have been spending their time trying to find I.M.P. and settle the score. They are captured by the D.H.O.R.K.S, the two realizing they have a common enemy team up.
Also notable is that the portal Blitzø is peaking his head out of is that of an Asmodian crystal. Meaning he did accept it from Stolas.
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I think these four shots are a direct sequence of the crew porting back to the office after a successful hit, only for another portal that the D.H.O.R.K.S and C.H.E.R.U.B.'s have developed to be able to traverse to hell, presumably to capture the main crew.
(they are Stolas' grimore to portal in the first shot. Which is kinda weird to me if Blitzø has the crystal.)
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I said previously in my post on Apology Tour that I think these two sequences are most likely in Mastermind. I believe what we are seeing is Blitzø being held, and either him having another nightmare sequence, or the D.H.O.R.K.S have somehow found a way to extract his memories, and are forcing him to re-watch some of the worst parts of his life.
Regardless as to why Blitzø is seeing these, its very interesting with a few. We were lead to believe in Oops that when the accident happened Blitzø didn't see Fizzarolli crawling towards him, the first frame suggests he did see him, but chose to still run to his moms tent to try to help her.
The next is the first time we've seen anything of Fizz during the 15 years between the accident and Ozzie's. This is almost directly directly post accident, we see Cash stopping Blitzø from going to see Fizz. Confirming the popular belief that Cash was the one to come between and lie to Blitzø and Fizz (father of the fucking year right here)
The next two frames are Blitzø's perspective of Fizzarolli and Veronika from Ozzie's.
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We have another flashback, this one not seen through the screen though a screen like the others. Blitzø is crying while Tilla holds him, hes wearing the same outfit as we see him in the night of the accident. I have 3 theories on what this is.
The least likely in my opinion: This is a flashback to that night, before the accident, Blitzø confiding in her that he planned to confess to Fizz that night
This is when Tilla told him how sick she was and explaining that she probably didn't have much time left.
But my personal belief is that this is not really a flashback at all, this is a dreamlike scene where Blitzø is taken back to being a teen and sees her again. She comforts him and tells him that she is proud of how he has grown, and encourages him that he needs to work to escape and save his family from the situation they are in.
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Another shots that are tricky to me, I have a strong feeling these two are connected, but not completely sure where they fit. This is honestly kinda a process of elimination guess for me.
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I want to included these two clips from the Hells Belles short which reference the C.H.E.R.U.B.s episode, i assume as a hint to them coming back soon.
Again I am sorry for the shit photo quality, and possible bad grammar and spelling. I currently have the posts for the rest of the episodes nearly done so expect those in the next few hours ♡ I'd love to hear any other ideas or theories about the upcoming episodes, or anything I missed/got wrong!
Pt. 1: The Full Moon | Pt. 2 :Apology Tour | Pt. 3: Ghostfuckers | Pt. 4: Mastermind | Pt. 5: Sinsmas
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Betrayal!
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walker-lister · 3 months
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I just have to remind myself sometimes that no matter what anyone else says, the way a piece of media makes me feel and the positive impact it has had on my queer identity is valid, and that tearing myself apart thinking I have to defend it or questioning my own place within queer communities is not at all important when compared to the almost tangible sense of 'rightness' that piece of media helped me to feel about myself.
#just something i've been pondering the last few days#kind of like no matter how much people debate or i suppose theoretically deconstruct media featuring queer stories#the most important thing is how it makes a queer person feel#and I do think it is of course a good thing to ensure queer stories are executed with respect and authenticity#but there's this grey area in fandom spaces in which people may have found rep from a 'unreliable' source i suppose#or something which is queerbaiting- sherlock springs to mind for example yet if people have been able to explore and nurture their own#queerness through that media does that therefore mean their experience is invalid? i don't think so#and my worry is the more we focus on theory the less we focus on emotion and therefore the actual queer experience itself#and sure theory can inform the queer experience and ensure the media is a 'healthy' site of queer identity formation and identity aid#but at the same time scorning or being rude to those who have found certain media an aid is not the right approach to be taking#especially as queer experiences are so wide ranging that one person's idea of 'good' representation is someone's else's of 'bad'#and that unless a piece of media is clearly offensive in its portrayal of queer experience there has to be some benefit of doubt#I think we're still in a period of progression in media espc tv where queer creators are coming to the fore of their own stories#and we've got to 'live and let live' a little about where people are finding sights of queer validation and joy#and perhaps this a naive and simplistic way of thinking but i think queer people can either recognise when something isn't the best rep#but was helpful for them anyway and therefore in a way confer 'ownership' of the media to themselves in how they engage#or there is variety in queer experiences represented in media so that perhaps not everyone finds a 'site' of rep but that does not#therefore invalidate it or make it 'bad' representation#this is just my opinion and it'd be hypocritical for me to not now mention this is only formed from my own queer experience lol#so i'm not trying to tell anyone how to feel or anything just something i'm pondering
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lunarharp · 2 years
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a random draft where i was ramblingg about witch hat & art to myself for myself :)
rare time i feel like actually going off about the thing i’m having fun with right now in more detail ... but not on twt where strangers might try to discuss back at me lol sorry but that is scary. (not that you even have the room to soliloquy on there)
i love how there's characters for varying types of artists to relate to. people like agott who have been adept at drawing from a young age but feel overwhelmed by feelings of not meeting their expectations. and are driven mostly by feelings of wanting to prove their worth..
people like oru who have always been around the art but now are burnt out from commissions and wondering just what they're drawing for... and ones i relate to the most personally like coco and qifrey, who started drawing at an older age to the skilled people around them. like coco i'm so happy that i'm in the world of drawing(/magic) now and excited every day but also weighed down by fears that i'll never get to what i where i need to be after starting at this late stage and also whether i'm really cut out for this....
and like qifrey i only started drawing after a narrow escape from trauma... i started drawing to make sense of what my life is now, just as he was invited by beldaruit to become a witch because it was the only safe path he could take. (although i've not been through anything quite like what he's been through... ouagh)
and there’s tetia who just wants to draw to make other people feel happy about what she’s made, to have fun, and spread hope and happiness and gratitude. who feels so happy whenever someone thanks her for what she’s created - i understand now how it feels to want to thank them for thanking her and how making art, when you get a meaningful response, can be a truly warm communal type experience. but you do need that response - her overwhelming happiness when the dragon thing was happy and she said it was the first time she’d ever felt fully appreciated for her magic and it made her soooo happy. she had been drawing until then, but it was the last puzzle in place to make her realise the breadth of what magic can be for her.
and riche who is determined to not lose the “her”-ness from her art, doesn’t want to learn new techniques and become more regular and orthodox in style if it means she feels she’s losing something... i get that!!! precious autistic-coded child... the ways we feel about our art differ depending on our own mental landscapes. hahhhh... shirahama said she began this series because she was having a conversation with artist friends about how it feels like drawing just really is magic. i mean..... it is.
i think writing feels like magic too, and i’m glad i can do both now. any creation is total magic. i’ve drawn scenes that were in my head and that’s let other people see them and if i can trust their comments about it, has moved them in some way or at least let them imagine a scene or a situation that they wouldn’t have imagined otherwise. but it’s different from just telling someone about it. when you draw something, or write something it really exists now - outside of you. THAT’S SO WEIRD.
i liked drawing a lot of takarazuka things (before i realised i got kind of burnt out drawing all this transcore stuff that people were not exactly responding to because it’s so niche and weird lmao) but drawing fanart for something that also ONLY exists in art is so special. it’s not acted by real people. like.. they’re just little people that someone drew and now i draw them too. total magic. and she gets up and draws them every day the same as me...
i love that a manga isn’t just art, it’s storytelling too. doing both writing and drawing at the same time - it feels like such a perfect and fascinating combination of skills and facets of creation. i’m better at writing than drawing, so i don’t feel like i can express my original stories well enough in comic form just yet. but i might just get there.
the world is so confusing and overwhelming and terrible every day. only creation is something i can understand. sometimes i can’t understand it - when i feel REALLY bad, it’s definitely like, what’s the point. and i wish i had more things to experience at present than just creation - i want to be outside and just feel and be as well as create. and at some point i’ll definitely stop posting my creations online. but creating has become something that i don’t need to understand the reason for it - so at those times when i wonder what the real point to any of this is.... lately, i usually still create anyway. just as you’d still breathe and sleep even though you’re hurt and confused by the horrors of the world. it’s becoming how i express myself. i find myself drawing pretty much every day because it’s part of how i make sense of shit now and i naturally want to do it. not doing it is painful.
i hope this magic continues. i hope it becomes far more wonderful than i can even imagine from here.
and i won't lose.
#things really are different if you start drawing in your mid/late 20s or onwards.#you haven't developed your idea of yourself as an 'artist' at the time your brain was developing your identity.#but reading something that is basically saying- it's not too late and you have your own magic that only youan do... is so heartening.#also the manga is very gay. it's not THAT shockingly original and fascinating a story- but like...#i just don't know many ongoing fun series with interesting lovable characters where there are also major representations#for disability race queerness etc.#esp if tetia is trans. shirahama-sensei you can tell me...#MOSTLY IM LOSING MY MIND AT WHERE THE SERIES IS GOING LIKE I AM SCARED. my theories are dark and i fear for qifrey SOMEONE HELP HIMMM..#ONCE AGAIN LET SOMEONE HLEP YOU YOU QUESTIONABLE AND TRAGIC GAY LITTLE SKIRT MAN#i hate that i had to just let my fic be so short. I CANT WRITE ANY MORE RIGHT NOW...i would have to make up so much plot stuff#bc orufrey CANNT happen they cant freaking KISS until so much is sorted out between them which requires the plot moving forward and..#AUGHHH !!!! sensei please just tell me what happens please please please please please please please please please#the next chapter looks hella plot-ful but STILL..it's going to take YEARS..i just want to know if qifrey IS GOING TO SURVIVE THIS SHIT !!!!#if the brimhats [redacted] then he'll [redacted] and THEN WHAT IF [redacted] has to [redacted] I FEEL LIKE SENSEI'LL DO THAT !!! SCARED#SURELLLY she'll have [redacted] have to [redacted] but i dont think shed go as far as [redacted] ??????#i plan to go to japan next year if possible anyway but what if it's too early for an anime-fuelled merch section in animate. please#this is like the first new and non-zuka thing i've been hyperfixated on for years. i need official qifrey and oru items. I need the items#once again i feel weird putting my personal feelings and theories on the internet to an audience of nobody but once again we will die.#am i going to be on my deathbed thinking 'oh i shouldn't have happily gone off about witch hat on tumblr that time how embarrassing' no.#do you know how worthwhile it is to enjoy something. and to basically avoid other fanworks for the most part so you're just surrounded#by your own pure and enjoyable feelings.#i actually went to a local queer art place yesterday and like. man i was very different to them but#there are people somewhat like me out there huh. somewhere. i'm going to make zines and art and express my world. even if just a bit.#literally why would you priv reblog something like this i think there is something wrong with you? i feel better about myself now#i will find the ones like me not the ones like you <3
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secretmellowblog · 6 months
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People who try to analyze what happened on Tumblr on November 5th, 2020, often really overstate how much it was actually “about” Supernatural. As someone who has never been in the supernatural fandom ever but dID join in on the hysterical destielposting—it was really more about the stress of the pandemic and the 2020 presidential election.
The two biggest Youtubers I’ve seen try to dissect “what happened that November 5th” in video essays both weren’t American—- and I think that explains why they both tried to explain the hysteria primarily via analyzing the Supernatural fandom/the original show, rather than through the lens of the election. And while those videos are cool, valid, informational, and make lots of really well-considered interesting points— I can tell you that me and almost all my mutuals had literally no knowledge or interest in the fact that “oh supernatural had made nods at the ship in the past but the creators were adamant that I wouldn’t be canon” or etc etc etc etc. the first time I learned about any of that context was way later, watching videos where people claimed that fandom history context (that I did not know anything about) was the actual reason for the hysteria.
But the reality is that people latched on to the Destiel stuff because it was a piece of big useless inane zero-stakes fandom news in a time when we were desperately waiting for serious high stakes election news. We were latching onto a “positive “ piece of inane stupid fandom news in a time of great stress, with all the desperation of a drowning man who latches onto whatever piece of wood will keep him afloat.
The core of the hysteria was that Americans (who make up a huge chunk of tumblr’s userbase) were currently glued to their laptops watching the live presidential election vote counts come in. These vote counts were taking an extended amount of time due to the pandemic causing high numbers of mail-in ballots, resulting in a constant state of Election Day Stress for multiple days straight.
This was also during the height of the Pandemic. People had predicted Trump’s presidency would be bad; no one had predicted it would be this apocalyptically bad. No one had predicted pandemics and lockdowns and hospitals overflowing with bodybags. remember Trump spreading Covid lies and conspiracies?? There were so many Qanon conspiracies about democrats being Satanic child traffickers who had to be put to death, and coup threats were mounting from the right wing side. It seemed like this election was a choice between ‘centrist democrat’ and “apocalyptic right wing conspiracy theory authoritarianism,” in the midst of pandemic conditions that people feared would never ever improve— and it seemed like a close election.
Another major point was that Trump voters were more likely to be antimaskers/Covid deniers, while Biden voters were more likely to take the pandemic seriously— so Biden voters were more likely to send in mail-in ballots instead of risking the in-person voting crowds, which meant their ballots would take much longer to count. And so, in many state electoral vote counts, it would initially seem like Trump was very far in the lead— only for Biden to slooooowly build up an agonizingly small lead as the mail in ballots came in, and then defeat Trump at the very end.
So you’re just watching these news sites giving live election updates, refreshing the page every 2 minutes to see if you’re going to live under a spineless centrist democrat or a literal Qanon Dictatorship. And then you go on tumblr to distract yourself, and there’s more election posting, and more agonizing over the votes, and more stress and despair—-
And then it’s been days and we’re right at the crucial tipping point where it’s anyone’s game and the next few hours will determine whether Trump will win, so you need to keep your eye on the vote count, because the next hours will determine the future of the pandemic and your country and your plans for your entire life—
And then stupid Destiel becomes canon! And it becomes canon in the silliest way possible!
If Destiel had become canon at any other time, it would have been a big goofy tumblr celebration? But we wouldn’t have gotten the insane explosion of hysterical interaction.
The entire core of it was the contrast between the inane meaningless stupidity of fandom news vs the actual stressful election news you wanted to hear! It really is best conveyed in that meme where Castiel says “I love you” and Dean indifferently responds with a piece of important election news.
It’s about the contrast between the low-stakes inanity of fandom and the massive life-destroying stakes of a terrifying election. There really was no reason it had be Supernatural specifically, except that Supernatural was a thing everyone knew basic things about from dashboard osmosis— it could’ve been any other equally huge silly fandom ship news about a ship everyone *knew of* but might not necessarily be invested in (ex. Stucky becoming canon, Johnlock becoming canon, Kirk/Spock becoming more canon somehow, etc etc etc.)
I think it’s true that people who weren’t paying agonizingly close attention to the American election news got swept up in it, and that non American Supernatural fans also were extremely excited for purely fandom reasons — but the entire reason it blew up to an unprecedented degree was because of that core of stressed out terrified Americans glued to their computers watching election results and suddenly receiving stupid fandom news instead, and deciding to just hysterically parodically hyper-celebrate this absurd useless zero-stakes news.
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I think it was also all elevated by the fact that, as I said before, this happened at the crucial “tipping point” of the election where the next few hours would determine the winner. The fact that Biden began to slowly develop a lead in the hours after made it feel, hysterically, as if the hours after Destiel became canon was somehow the turning point where he began to win; so celebrating Destiel felt like celebrating that slow turn towards victory.
The tl,dr is that it’s so important to Remember the Fifth of November …..in preparation the inevitable hysteria that will happen in the presidential election on November 5th of next year. XD. Personally I’m rooting for Johnlock or Frodo/Sam to somehow become canon in the eleventh hour right before the democrats win
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tinyluvs · 8 months
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ok so after reading about Spencer’s first blowjob…what do you think about the first time he ever eats out? 👀 man’s all “oh I read about this hold on” like it’s fkin quantum theory and he’s intent on trying all these different “techniques” he’s read about but then he tastes reader for the first time and just goes absolutely feral like a man starved 🫣
i see the vision, i gotchu, enjoy my angel!!! this carries on from !! this prompt !! but you don’t have to read it *mdni!!*
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time moves slower as you rest your head on spencer's hip, humming deeply when his fingers press against your scalp, "you okay, angel?" he asks once his post orgasm haze passes, the fog around his brain finally clearing after god only knows how long
"i'm great baby," you reply, lifting your head up to look at him, smiling softly when he traces a knuckle over your cheek bone. he looks at you, thinking, you can practically see cogs turning behind his eyes, "out with it,"
a breath catches in your boyfriend throat, "can i return the favour?" he asks, voice barely a whisper, "please," fingers ghost over your neck, pressing only over your pulse
“spence,” you breathe a little harder, knowing he can feel your heartbeat racing under his fingers, “please, don’t think you have to,”
the insides of your thighs are already damp and sticky, coated with your arousal from your previous activities. you clench slightly, not so subtly rubbing your thighs together
spencer sits up, his head shaking slightly as he does, “no i want to, please honey,” he presses, leaning over your body to kiss the corner of your mouth, “please”
“okay,” you answer simply, words failing you as he uses his body to push against yours, pressing you down into the couch cushions
air gets trapped in between your cheeks, puffed out while you watch your boyfriend hike your shirt up, only enough to expose your stomach and hips before he dips, dragging his lips over your ribs all too slowly
“can i?” he mumbles as he gets to your hips and your head tilts, confusion taking over as you’d been to occupied watching him instead of feeling his fingers teasing at the waistband of your shorts
spencer looks up at you in time to watch you nod, eyes wide and mouth slack, the previously trapped air escaping in a gentle whimper. he lifts your hips slightly, dragging your shorts and panties down your legs, letting them drop onto the floor, out of sight
“hey, are you sure?” you ask again, knuckle hooking under his chin to turn his attention to you. he turns in your hold, kissing your palm before sliding further down between your legs
big hands slide up the back of your thighs, blunt nails barely digging into your skin as he pushes your legs apart, spreading you open inches away from his face
spencer's tongue darts across his bottom lip, his gaze focused on where you're already wet, "i, uhm," he whispers, "read about how to do this,"
you can tell he's nervous, a slight frown forming over his forehead though it doesn't stick around when you smooth over it gently with your thumb, "you read about it? angel, it's okay if you don't get it right straight away" you assure him as he looks up at you briefly
the anticipation is killing you, though you'd never tell him. having him between your thighs, eyes dark while he takes the situation and you in, has you dripping, a soft whine passing your lips as you feel it happen
your boyfriend snaps out of his state of staring at the noise, he sighs gently, happily, before surging forwards. immediately your back arches off of the couch as his lips press against your folds
"fuck, spence," you gasp, fingers tangling into his hair to hold him there. he parts his lips before dragging his tongue up your centre, circling cruelly around your clit, "oh my god," you moan, loudly
this spurs spencer on further, his body pushes up further between your legs, his broad shoulders holding your thighs apart while he eats you out like a starved man, his eyes shut, lashes tickling his cheeks
distantly you wonder if he has done this before but your ability to think leaves you and makes you helpless and completely at spencer's mercy. he pulls away from you, barely, a string of spit connecting him to your cunt.
while he uses his shoulders to keep your thighs spread, his hands become free and you feel them before you see them. his thumb dips over your sticky hole before sliding upwards, bumping against your clit
"please baby, don't tease," you whine, chest heaving and fingers tightening in his hair, pulling him back towards where you need him and he obliges, leaning in to kiss your clit before sucking on it lightly
every moan, whine and whimper that leaves your body has spencer working harder, spit dribbling from the corners of his mouth and over the inside of your thighs as he starts to hum and moan against you
spencer sucks hard on your clit, obscene noises fill the room as he leans into you, one hand on your hip holding you down and the other stroking your thigh, moving far too slowly towards your cunt
you hold your breath, feeling his fingers tease at you, your attempts to clench around the tips of his fingers don't go unnoticed. he gives you what you want slowly, barely pressing a finger into you before pulling away again
"oh god," you whimper, hips rolling underneath his forearm. spencer hums against you, sending vibrations rumbling over your clit , "this is your first time?" you question as your thighs start to shake
"yeah," spencer replies, taking a break to breathe, his eyes focused on his own fingers. without warning he presses a finger into you, his gaze traveling up your body as you cry out and clench around him
"fuck, i'm not going to last," you pant whilst throwing your head back. your nails dig into his shoulder, guiding him back towards your body as heat starts to form in the pits of your stomach
slowly spencer fucks his finger into you, pulling out and pushing back in before adding another, again, without warning. the stretch burns in the best way possible as he works you open
"i love you," spencer mumbles, not giving you a chance to reply as he delves back into you, his tongue lapping over your clit with earnest. your orgasm builds embarrassingly fast, thighs shaking, back arching away from the couch while your brain turns to mush
"oh, fuck, i'm gonna-," you cry out, letting your thighs close around spencer's body, "i'm gonna come baby," you whimper loudly, stomach clenching underneath spencer's arm
he doubles down, fingers speeding up slightly, his knuckles bumping either side of your hole as wet, sticky sounds fill the room, "uh huh," he hums against you and that sends you hurtling over the edge
you come hard, harder than you ever have before, loudly whimpering as your body shakes and your thighs close around spencer's head, trapping him there while you pant, eyes clamped shut
"baby, stop," you almost cry, pulling on spencer's hair to move him away from your body as you start to get overstimulated, "jesus,"
spencer looks incredible, his hair tousled and messy, lips and chin completely soaked with your slick and his cheeks puffed out as he catches his own breath. gently, he slips his fingers from your body, smiling softly to himself as you wrap your own around his wrist
"c'mere," you hum, eyes shutting again as you yank on him, his body toppling down onto of you, his head resting on your chest, "seriously though, that was your first time?"
"yeah," spencer chuckles, his fingers trailing up your rib cage, “definitely won't be the last though,"
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thanks for reading! remember to like! reblog! and comment! i’ll give you a smooch if you do, ily !! send prompts to my ask box!
❥ spencer reid masterlist !!
a/n tell me if you see any mistakes, i proofread but really fuckin badly !! much appreciated and hope ur having a great day, mwah
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rachalixie · 3 months
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a/n: my tiktok feed has been full of the orange peel theory and i know minho would be the perfect research participant for it.
“i really want an orange,” you sigh, nuzzling a little further into where you were buried into minho. he hums in agreement, eyes flickering to you for a moment before trailing back to the tv. 
“we just got some tangerines from jeju,” he strokes a hand up your arm. “they’re on the counter.”
“yeah,” you pout up at him, leaning forward and trying to catch his eye but he keeps them trained on the screen. “but i don’t want to peel them.”
“then i guess you’re not getting an orange,” he snarks, a smile twitching at the corners of his lips when you huff and relax back into him. you grumble a bit and he ignores you, the only inclination of his attention being the hand he continues to stroke up and down your arm. 
a few moments later he shuffles out from under you, leaving you hunched into the place in the couch he was just occupying. you shoot him a glance that’s half curious and half accusatory, a bubble of hope building up in you. 
“just gotta use the bathroom,” he explains, and the bubble bursts. right. 
“hurry back,” you tell him, and you’re sure you look a bit ridiculous sprawled out like you are. 
“okay, boss,” he rolls his eyes, leaving the room swiftly, and for the first time tonight your attention is fully on the tv. he really doesn’t know how distracting he is, even when he’s not doing anything. 
he comes back just as the episode is ending, and you can tell that it’s going to end on a cliffhanger. you don’t look away from the screen as you recap him on what he’s missed, filling in the details that have led to the scene right now that has your heartbeat in a chokehold. 
you let him slot himself next to you again, lifting yourself up so he could slide under you and settling your head down into his lap, your gaze not wandering from the tv for a single second. it’s only when the episode finishes and the tv screen turns black with end credits that you notice it. 
the smell of fresh oranges. 
you might have explained it by the scent of the fruity hand soap he keeps stocked in your bathroom, but that one is lemon scented, not orange. a quick flick of your eyes upwards fills in the gap, and you’re shooting up from his lap with a blinding grin on your face so quickly that your head spins. 
“careful!” he warns, balancing the plate of freshly peeled orange slices in one hand as he steadies you with the other. 
“you peeled me oranges!” you can’t stop smiling as you ignore his reprimand. 
“yeah? you said you wanted some,” he furrows his brow, looking a bit confused, which is entirely unfair. he knows that he has tsundere tendencies. 
“you passed the orange peel theory test,” you gush at him, taking a slice into your hands and holding it like it was something precious. 
“i passed the what?” 
“i’m going to eat these oranges,” you continue as if he wasn’t talking, popping the slice in your mouth and groaning at the taste immediately. it’s so good. “and then i’m going to make out with you. for a long time.”
“well if this is the reward i’m going to get, i’ll peel you oranges every day.”
soft hours
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fushigowo · 1 year
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𝐒𝐇𝐘 𝐆𝐈𝐑𝐋𝐒 𝐀𝐑𝐄 𝐓𝐇𝐄 𝐇𝐎𝐑𝐍𝐈𝐄𝐒𝐓 | 𝐆𝐎𝐉𝐎 𝐒𝐀𝐓𝐎𝐑𝐔
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╰┈➤ gojo satoru x fem!reader
╰┈➤ synopsis: in your LIT 2000, your classmate, gojo satoru, has his eyes set on the shyest student after telling his theory to getou suguru that the shyest ones are always the horniest. to prove his theory right, satoru finds ways to know whether he’s correct and he’s absolutely sure that he is.
╰┈➤ warnings: fingering, cunnilingus, oral sex, teasing, praise, degradation? soft to rough sex, multiple orgasms, overstimulation, dumbification, doggy style, cowgirl, name-calling, size kink, spanking, begging, pleasure dom satoru!! (reader and satoru are in their early 20s)
╰┈➤ a/n: this was supposed to be posted on christmas but i didn’t finish it on time :(( but i hope u all had a gentle holiday!! as a gift, i wrote whatever this is and i got inspiration from this soundgasm audio which is HOT AF!!! also, i did not proofread this. im lazy as fuck
PART I | PART II
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Gojo Satoru has his pretty cerulean eyes set on someone, and that someone is none other than you.
You sit at the very front of the classroom, three rows in front of Satoru’s where he can get a clear view of you every time he stares. Not only you’re the smartest and the teacher’s pet, Satoru considers you as the most mysterious student in LIT 2000 despite being with 30 more students because of how quiet you are.
Satoru’s been observing you since the start of the year and the thing that he noticed the most was that you rarely and he means rarely talk to anyone or even participate in class. Whenever you’re called by the professor, you would mumble some I don’t knows and I’m sorrys because you can’t answer the question that was given to you. However, Satoru knew for a fact that you’re just saying those things so you won’t get to speak longer than that. He knew very well that you know the answer to every damn question.
Which is why he is so lucky to have you as a partner for a midterm essay.
As for you, you don’t know what to feel when professor called your name after Gojo Satoru’s.
You don’t really have a problem writing a five-page or more essay with a minimum of three thousand words. The problem is… Gojo Satoru is your partner. It’s not like you don’t like him. It’s just that...
Holy fucking shit. Did she figure out that I have a huge crush on Satoru?! Is that why she paired me up with him? But I made sure not to make it obvious! No, no. This won’t do.
So after class was over, you had a talk with your professor, begging for her to take the midterm essay on your own. The talk didn’t go well as planned.
Since Satoru is having a hard time catching up with LIT 2000, your professor told you to help him by partnering up in this midterm essay. However, that didn’t sit right with you so you protested, saying that there’s a chance that Satoru wouldn’t help writing the paper which would result into you writing the entire thing yourself. But that was just an excuse not to work with Satoru, otherwise you would get all flustered and nervous throughout the week while working on this midterm essay.
“It is not different from doing the entire essay myself,” you scoff.
“I know, but that is also why I partnered him with you,” she says, making you raise an eyebrow. “You can let me know if Satoru didn’t help with anything at all, which is easier for me to fail him.”
“You’re gonna fail him?” you ask.
“Yes. As you can see, Satoru hasn’t been performing well in my class,” she says, “but I figured you can help him since you’re my top performing student. Can I count on you?”
“There are other top performing students in your class though,” you mumble. Sighing in defeat, you agreed to partner up with Satoru. “Professor, did you know that I have a crush on Satoru? Is that another reason why you paired me with him?”
Silence. She knows.
“I genuinely did not know that until now.”
Crap. She doesn’t know. And I told her?! Holy—
“ForgetIsaidanythingprofessorthankyouforyourtimegoodbye.”
With that, you immediately rushed out of her office and slammed the door shut.
The only reason why you wanted to do this midterm essay on your own is because you won't have to deal with Satoru’s presence. Oh, his presence alone would make you so nervous that your smartass brain won’t even function and you would get all flustered, which is really bad because this might hinder your focus on working on the essay. Not only that, but Gojo Satoru does not take things seriously. A complete opposite of you since you take everything related to academics very seriously. But you realized that it won’t hurt to give a little help for Satoru to not fail LIT 2000.
Meanwhile, Gojo Satoru wanders around the halls of the building, in hopes of searching for you so the two of you can start working on the essay. But before that, he had a talk with his best friend, Getou Suguru.
“Yo, Satoru,” Suguru approached the white-haired man with one hand raised up. “I heard your partner for this midterm is that girl. Won’t this be the perfect time to test that theory of yours?”
“Yeah, well, I’m not trying to get into her pants,” Satoru says and a smirk grew on his glossy lips, ”not unless she wants me to.”
After your talk with your literature professor, you had to compose yourself in the rest room and even practiced a script on how you’re going to talk to Satoru. However, you had a realization that this isn’t going to be the only time that you’ll interact with Gojo Satoru since your professor knows that you have a thing for him. You scold yourself for being so nervous around him, despite being a grown ass woman.
But Satoru is… just so pretty. I can’t even look at him straight in the eyes. Also because I’ve touched myself to the thought of him so that would be awkward as fuck.
When you finally got out of the restroom, you heard a loud voice from behind and the minute you heard that voice, you already knew that it would be him. Looking over your shoulder, Satoru in his white long sleeves, black pants, messy yet gorgeous white hair and those round sunglasses. The tall man approached you with a smile on his face while you try not to melt down the ground that you’re standing on.
“I was looking for you,” Satoru says. “I thought we could start working on the essay so we can finish it ahead of the deadline.”
“You—uh, you want to start working now?” you ask, but a hint of nervousness in your voice.
“Yep!” Satoru gives you a smile and a thumbs up, and suddenly, he leans down on your face and brings his lips closer to your ear, making you shiver. “Just between you and me, I think professor is failing me this semester.”
Your eyes widen when he mentioned that.
Could it be that he heard your conversation with your professor earlier? Did he also hear the part where you told her that you have a crush on Satoru? That would make him think that you’re a complete loser in your 20s and in college yet you act like a teenager with a crush. But it’s not your fault that you’ve rejected so many guys because they’re not your standards and it’s definitely not your fault that you reject them because they’re not Satoru.
“Why would you think that?” you ask.
“Mmm? Because I haven’t been performing well in her class.” he grinned.
So he knows.
“Uh, let’s start then,” you say before walking pass him until he asked where you’re going. You look over your shoulder and said, “the library. It’s where I usually do my tasks if not in my apartment.”
“The library is too… quiet. So we’ll work in your apartment instead!”
It’s a library so it would be quiet. And did he just decide that on his own? God, he’s so stupid, I love him.
Your apartment is not far from your university. The reason why you had an apartment for yourself is because you don’t want another person taking up space and you most definitely don’t want to live with another person that you barely even know. And you’re not bothered that you’re living off-campus. It just makes it easier for you to live independently.
When the two of you got in your apartment, Satoru’s cerulean eyes scanned and observed the place. It was neat and everything is organized. But the thing that caught his attention is the stack of books next to the balcony of your apartment. Four stack of books that almost reach Satoru’s waist and he’s a tall guy. He knew that you read a lot since every time he takes glances at you in class, you’re either reading or writing something so he knows that you like reading, but he didn’t expect you to like it that much.
“Sorry, it’s a mess here,” you mumble. “Let’s get started.” You sit down on the wooden floor as you place your laptop on the coffee table adjacent to Satoru who is now sitting on the couch.
“I forgot my laptop.”
You blinked. Twice.
“Sit next to me.” he mumbled.
And that’s what you did despite being flustered at the thought that it’s only you and Satoru inside your apartment. The thought has you squeezing your legs together as you try to listen to Satoru about his ideas regarding the midterm essay. However, your thoughts were making your mind foggy and you couldn’t think straight. It’s awkward that on this very couch, you’ve touched yourself to the thought of Satoru and now, he’s sitting right next to you.
“Hey,” Satoru calls out. “You okay?”
“Mmm, yeah…” you mumble. “Since, uh, since professor asked us to analyze a chosen text from the 20th century regarding its social context, let’s choose a piece first to write about first. Do you have anything in mind?” you ask, trying your best to not make eye contact with him now that he doesn’t have his round sunglasses on.
“I have a few,” he says. “How about The Bell Jar by Sylvia Plath? Or No Longer Human by Dazai Osamu? Ah! I know. Of Mice and Men by John Steinbeck.”
“Am I the only one who didn’t cry my eyes out at the end?” you ask.
“What? You did not cry your eyes out at the end?! Are you even human?” Satory’s eyes widen, looking at you with shock while your eyes are locked on your laptop as you type. “I had snot coming out of my nose that soaked the pages of my book when I read that.”
“First of all, that’s disgusting. Second, it was sad, I admit, but I didn’t shed a tear. It was really good though so kudos to you, Mr. Steinbeck.” you chuckle. “Third, I gave it a five stars so you don’t have to attack me.”
Satoru laughs, making you flustered all over again. This is the first time you’ve heard him laugh this close and he’s laughing because of you, and you like it of course. You like that he’s comfortable around you and you like that he’s still himself despite you being awkward around his presence.
“You know, you’re actually fun to be with,” he says. Satoru’s legs are crossed while his elbow is resting on the arm rest and his cheek is on top of his closed palm as he stares at you with his pretty cerulean eyes. “But why can’t you look at me in the eyes?”
You gulped, squeezing your legs together since you can feel him staring daggers at you. Satoru seems to notice your action and a smirk formed on his glossy lips. Satoru moves closer to you, almost like you can feel his hot breath touching the sensitive part of your neck, making you shiver.
“Are you scared of me?” he asks and the only answer you could give him is by shaking your head, telling him that it’s a no. “Hmm? Then why can’t you look at me?”
You didn’t answer.
“Look at me,” he demand.
This time, you feel Satoru’s fingers making its way down your chin, making you face him and look up at him but despite his actions of forcing you to stare into his pretty cerulean eyes, you didn’t protest at all… because you like every single move he’s making on you. Satoru’s other hand glides down your arm, feeling your soft skin that made you shiver because of his warm touch.
When your eyes met his, you couldn’t help but melt on your seat. And it’s not just because Satoru is staring at you.
“There you go,” he chuckles. “That wasn’t so hard, was it? Now tell me, sweetheart, why are so flustered around me?”
You couldn’t form the words. Of course you can’t. How could you even continue to talk when Gojo motherfucking Satoru is so close to you that his hot breath is almost touching your skin and his hands are caressing your arms and chin, leaving you no choice but stare into his eyes. Not to mention the smirk that he has on his glossy lips.
“T-that’s because I… I—fuck.” you curse under your breath, trying hard to compose yourself and break eye contact.
“Do I make you nervous? Is that why you’re squirming and squeezing your leg so much?” he chuckles.
You bit your lips—hard—trying to wake yourself up and check if you’re having another wet dream about Satoru again. Fortunately, you are fully awake and the person right in front of you is the real Gojo Satoru. Not your fantasy, not your dream, but real. It was hard you to believe that something that you wanted for so long finally came true and you most definitely won’t let this moment go.
“S-Satoru…” you whisper, almost inaudible.
“Yes, sweetheart?” he asks with a smile on his face. “Is there something you want? Or need?”
He knows what he’s doing. He definitely knows what he’s doing.
“Touch me…” you mumble under your breath. “Just—touch me, please.”
With that, Satoru chuckles before leaning in towards your ears. His hands trailing down, from your chin down to your neck and wraps his slender fingers around the base, but not too tight. Just enough to make you squirm and squeeze your legs even more.
“If the shy girl wants it then who am I to refuse?” he whispers, his hot breath touching your skin that caused the hairs of your body to stand up.
Suddenly, you feel a wet yet hot sensation make contact with your ears, making its way down your jaw while Satoru’s hand tilt your head to the sides to give him more access of licking and kissing your jaw and neck. Your back touched the arm rest behind you as Satoru slowly pushed you down. He held both your thighs, positioning them to open so he can stay in between them as he kisses your neck down your collarbone, leaving bites and marks.
As Satoru devours your neck and collarbone, his hand expertly unbuttons your shirt while the other caresses your thighs, his fingers making circle patterns on your skin. When your buttons are finally undone, Satoru opens your shirt so he can clearly see your body underneath him. He pulls away from you so he can properly enjoy the view then pulls his shirt over his head.
Your half-lidded eyes earlier suddenly widen when you saw the perfect view of Satoru’s body. A body that was almost carved by the gods themselves and that wasn’t even the main attraction that caught your attention. It was the veins running down his crotch and that fucking v-line.
“You like the view from down there, slut?” he chuckles but then he noticed how you whined and squirmed underneath him when he called you slut. “Oh? Did you like being called that?”
You nod. But Satoru doesn’t take that as an answer so his hand made its way down to your neck again but he wasn’t squeezing it too hard.
“Yes,” you say. “I like it, Satoru. Like it when you—ngh—when you call me a slut.”
“Good. Because that’s what you are,” he mumbles as he leans down to your chest, leaving marks and kisses. “Such a shy little slut for me.”
But the white-haired man scoffs because your bra is in the way. He didn’t bother taking it off by clasping it. He just pulled it down to expose your nipples and didn’t waste any time to lick and suck your sensitive bud, making you arch your back. Satoru’s fingers pinch your other nipple while his knee keeps on pushing and adding pressure on your sensitive pussy, still covered with your now-soaked panties.
Satoru continues to feast on you body while you squirm and moan underneath him. When he was finally done with your tits, Satoru’s kisses went even further down until he reached your skirt. Being the impatient asshole he is, he didn’t bother taking them off and just lifts it up, exposing your panties that has a wet area because of your arousal.
A smirk grew on the white-haired man’s lips and didn’t hesitate to touch the wet area using his index and middle finger. He pushes his fingers on your sensitive bud with enough pressure to have you arching your back. Satoru might be an impatient man but of course he would take your panties off to have better access on your soaking pussy.
Realizing that your cunt is now exposed of Gojo motherfucking Satoru, your hand instinctively covered your pussy as if he did not just suck your tits earlier. But seeing your pussy is different. Of course you’d be shy and flustered. He’s Gojo Satoru, for god’s sake. He’s seen more pussy other than yours.
“Don’t get all shy on me now,” he mumbles. “Take your hands off or I’ll tie them together.”
With that, you slowly took away your hand, letting him see your soaked pussy.
“Don’t hide yourself from me,” he smiles. “You’re fucking gorgeous.”
Satoru leans down so he can easily make contact with your cunt. His fingers rub your slit, soaking it with your juices and you couldn’t help but arch your back. A smile grows on his face and suddenly, you can feel him insert a finger inside your cunt, making you whine. His thumb draws circles around your clit that made your thighs quiver until you feel another finger being inserted inside you.
Satoru plunges his fingers in and out of you yet in a slow and sensual pace. He can feel your walls clenching around his fingers as he inserts his digits back. A smirk forms on his glossy lips and plunges his fingers even deeper, deeper than you could reach yourself.
You’ve fingered yourself before but—god, this was so different than what you would usually feel. Is it because his fingers are thicker and longer than yours? Or is it because he’s so fucking good at it?
“Ah! Satoru!” you whine. “R-right there! Right there, please!”
The squelching noise that your pussy and Satoru’s fingers are creating together as well as your wanton moans filled the air of your apartment. You didn’t care how loud you were. You didn’t care if the walls are thin and you didn’t care if your neighbors hear you. You didn’t care about anything else, you just want Satoru to make you cum with his fingers.
Satoru’s pace becomes even more faster, but he figured that it wasn’t enough. Of course it’s not enough. He wasn’t satisfied with just using his fingers.
So he leans down and lolled his tongue out, not even hesitating to lick your sensitive clit, making you jolt and arch your back when you suddenly feel his tongue circling around your clit while his fingers plunge in and out of you. Your legs start to quiver and squirm. The sensation was too much for you that you couldn’t help but close your legs. But Satoru wasn’t done so he grips your legs apart and held the back of your thighs to keep you in place.
This time, Satoru pulls his fingers out and held your thighs in place but his tongue is doing all the work now, licking and sucking your poor overstimulated pussy. Your eyes suddenly widen and your back arched when you feel Satoru insert his tongue inside you, plunging it deeper that his nose is touching your clit.
“Oh, fuck! Satoru! It’s—ngh—too much! I can’t—!”
Your whines and moans continue but Satoru was too busy eating you. But he suddenly pulls away to look at your view. You look so fucked and he didn’t even used his cock yet.
“For someone who’s shy and quiet, you’re being awfully loud for me, sweetheart.” he chuckles before devouring your cunt again.
Satoru can already feel that you’re close. He knows you’re close so he used his thumb to rub circles on your clit and that’s when you completely lost it.
Your legs quiver on Satoru’s grip when you feel your orgasm rip through you. The sensation that Satoru made you feel had you seeing stars, something that you never felt before whenever you touch yourself and this might’ve been the first time that you came this intense. And it felt so fucking good.
Seeing your fucked out state, Satoru chuckles as he watches you catch your breath after that intense orgasm.
“You still with me?” he asks. “I haven’t even used my cock yet!”
“Then use it. Fuck me, Satoru… I want your cock inside me, please.”
“Kiss me first. Come up here and kiss me.” he smiles.
You didn’t hesitate to sit back up and reach for Satoru’s face. Your hand made their way to his cheek while the other caresses his soft white hair. He returns the kiss and inserts his tongue inside your mouth, writhing and swirling against yours. This time, Satoru settles himself next to the arm rest, laying down on the couch while his head rests on the arm rest. Now, you’re on top of him, kissing his glossy lips and grinding your aching pussy on the bulge of his pants.
“Why don’t you do the honors and take my cock out?” Satoru smirks in between your kisses.
And who were you to deny that?
So you unzip Satoru’s pants, bringing it down to reveal the bulge inside his boxers. His cock sprung free when you slid down his boxers, slapping against his lower abdomen. Its size and girth has you gulping because you haven’t seen a cock that big. Sure, you’ve fucked yourself using your dildos but none of your toys compare to Satoru’s cock. A prominent vein runs along the underside of the base of his cock, its pinkish head is releasing pre-cum that drips down to the base.
You didn’t have any idea what you were doing when you had the urge to suck Satoru’s cock. But the white-haired man didn’t have any protests, of course. In fact, his hand is guiding your head to suck on his pulsating cock. After realizing that you didn’t need any guidance, Satoru lets you do your thing.
You let your tongue swirl around the base of his cock and despite it being deep inside your throat, you’re barely even gagging as you take him deeper that your nose is touching his nicely trimmed hair. You continue to suck and lick Satoru’s cock, making him release pretty moans and groans and curses under his breath.
When he felt himself getting close, Satoru couldn’t help but grip your hair and guide your head even though you’re sucking him so well. He just needed something to hold on to and your hair was perfect.
“Ah, fuck! I’m gonna cum. Shit!” he moans until he feels himself release inside your throat. Satoru lets you pull away. Your saliva and some of his cum is leaking down your chin, making him wipe it using his thumb.
“Holy shit. That was so good,” he chuckles. “You sure it’s your first time sucking cock?”
“Uh, well, I-I had some practice,” you say, “with my… toys.”
“Who knew you were such a horny slut?” Satoru didn’t let you answer when he told you to—
“Sit on my cock,” he says. “Sit on my cock and ride me like what you do to your toys. I bet they won’t even compare to mine, huh?”
You gulp before climbing on top of him again. Satoru uses his hand to snake down his head as a pillow while his other hand holds your hips. Positioning yourself on top of him, your hand holds the base of his cock while the other is clinging on the head rest of the couch to support yourself.
You lower yourself down on Satoru’s cock and you couldn’t help but whimper and bite your lips when the tip of his cock finally went inside you. His cock is far more thicker than any of your toys that it has your legs quivering and shaking yet you still continued to lower yourself, taking all of him inside you.
When you stopped, Satoru looks up at you.
“Why’d you stop? You’re not even half way there.”
“What?” you whimper. “Is it t-that big?”
“Yes, sweetheart,” he chuckles. “It’s that big.”
Without answering, you continue to lower yourself. Satoru is staring at how your pussy is taking him all in and how you’re struggling to. You’ve done this numerous times on your toys before but riding a real cock—his cock—is far different from that feeling, mainly because Satoru is big.
“It’s so—ah—so deep, Satoru. I don’t think I can—can’t take more.” you whimper.
“But it’s all inside you now,” he smiles. “Ah, fuck. You feel so good.”
To ease the feeling, Satoru lets you cockwarm him while his thumb rub circles on your sensitive clit. When you finally feel at ease and ready to ride him, Satoru places his hand on your hips to keep you in place as you bounce up and down on his cock.
The squelching noises every time his balls meets your skin fills the air of your apartment once again, accompanied by your loud moans and Satoru’s groans.
You can feel the tip of Satoru’s cock hitting the sweet spot of yours that has you clenching around him and every time you look down at the lewd sight below you, you can see a bulge forming on your lower stomach whenever you sink yourself down on Satoru’s cock. Although you seem to be fine riding him and taking all of his cock, you couldn’t look at him straight in the eyes and you even use your hand to cover the lower half of your face since his cerulean eyes are staring right at you.
“Don’t get all shy on me now, slut. You’re riding my cock and yet you still have the nerve to be shy? C’mon, don’t hide yourself,” Satoru grins when he grips both of your hips and lowers you down.
“Ah! Satoru! What are you—ah!”
You couldn’t seem to think straight when he took the initiative to guide you on his cock in a fast and rough pace. Every time he sinks your body down his cock, his hips would thrust up and meet your movement, making the lewd noises even more louder and harder than before.
“Ngh! Fuck, ‘Toru! It’s so deep! So good!”
“Yeah? It’s better than riding those plastic cocks you own, huh?” he chuckles, followed by a moan. “God, you feel so fucking good. Fuck, fuck, fuck!”
“‘m gonna—gonna cum, Satoru! ‘m so close! So close!”
“Do it. Cum on my cock.”
With that, your orgasm rip through you once more. Your legs quiver on top of Satoru and your chest making rapid up and down motions, letting you catch your breath while you half-lidded eyes try to open despite being fucked out after releasing another intense orgasm, but this time, on Satoru’s cock.
When you decided to get off Satoru’s still hard cock, he tells you to—
“Bend over the couch.”
And who were you to disobey?
Satoru positions your upper body to bend over the arm rest of the couch, placing a hand wrapped around the back of your neck. Wasting no time, Satoru plunges his cock inside of you again, making you let out a muffled whine.
This time, Satoru didn’t let you relax on his cock and continues to pump inside you in a fast pace. His hands grip your hips as he thrusts in and out of you. His gaze his on the lewd sight of your pussy taking him all in, observing the white ring around his cock.
Who knew he’d be fucking the smartest and shyest girl in his literature class? Who fucking knew that that shy and quiet girl is secretly a horny slut who is begging for him to fuck her harder until she can’t think?
“Oh, fuck! Satoru! Yesyesyes! Fuck me harder, please!”
“Easy.” he mumbles before fucking into you so deep that it reaches your cervix, making you grip the sheets of the couch and whine so loud that you’re sure that everyone in your apartment building heard how you’re being fucked so good.
As Satoru keeps his rough and fast pace consistent, you couldn’t seem to let out coherent words anymore and your eyes are now teary from the pleasure that Satoru is giving you. Your toes are curling and your hands are gripping the sheets as you feel yourself releasing another intense orgasm out of you.
“Fuck, ‘m gonna cum—gonna cum! ‘m close, Toru! Satoru! Fuck!”
“Yeah, cum on my cock again! Oh, god. Fuck! Fuckfuckfuck!
Satoru quickly pulls out of you before he can release. His hand pumps his cock, releasing his cum on your back while your thighs are now soaked with your juices that drips down your legs. The two of you catch your breath but Satoru pulls you in to kiss you.
“You just proved me right, sweetheart,” he mumbles in between your kisses. “Now let’s work on that essay, yeah?” he pulls away and smiles, as if he didn’t just fucked the words and ideas out of you.
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© fushigowo | 2022 reblogs are appreciated <3
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yesimwriting · 3 months
Text
thinking about bestfriend!felix who's known for being touchy within his social circle, so when he holds your hand as you walk around campus and leaves giggly kisses against your cheek, your jaw, your neck after a few drinks, you think nothing of it.
especially because it comes up in conversation from time to time. everyone that hangs out with him regularly enough has at least one story: felix smoothed circles against my back until i fell asleep on the bathroom floor after a party; he's kissed the top of my head twice; i've never seen him end a hug first.
and you've seen things--at parties, while studying, while out with friends in general. so you genuinely have no reason to think there's anything strange or different about the way he treats you, and neither does anyone else.
at first.
one night, when you're still new enough to felix and his world that you feel extremely out of place at a party that he invited you to, he calls you over to where he and his friends are sitting. you walk over to them, greeting everyone politely before moving to take the available space next to felix.
he grabs your wrist before you can actually sit. you're confused, but given little time to react. felix mumbles an absentminded, "c'mere" before pulling you towards his lap. it's a little flustering, but you sit, because that's just how felix is.
okay. normal enough. conversation continues. no one thinks twice about it. farleigh thinks it's a bit of overkill, but just assumes it's a combination of alcohol and maybe an attempt at laying the groundwork to hook up with you a little later in the night.
then, someone asks about potential vacation plans over break and farleigh brings up an inside joke from the last trip he and felix went on. it's casual, but it's clear that felix is supposed to say something.
farleigh looks over in time to see felix holding one of your hands to his lips. alright. still not the most egregious display of platonic affec--felix takes his time pressing kisses to each of your knuckles.
it's not just the gesture. it's the way felix watches your reaction through his lashes and the amount of care in his focus. as if you're the only one in the room. there's a patience there that's practically devoted.
maybe farleigh had it wrong. he thought you were just one of those platonic friends that felix would cart around for a few months before getting bored. maybe it's more romantic, or at the very least sexual.
then felix's eyebrows draw together. "you're cold." you start to say that you're fine, but before you can get the words out, felix is holding both of your hands between his.
in the beat that it takes farleigh to recover from the slightly nauseating display, the rest of the group has gone quiet. they're all watching felix dote on you like you're the reason for the moon hanging in the sky. annabel whispers something about the "unsuspecting".
farleigh eventually tries again, directly stating felix's name. he finally looks up, a little confused, as if coming out of a trance. farleigh repeats his earlier comment, finally getting a reaction from felix. the group recovers because while the moment had been almost uncomfortably intimate for something so casual, this is far from the first time felix has started (casually) seeing an 'outsider'.
some time passes and you finish your first drink. when felix notices, he asks if you want another. you tell him that you don't mind getting your own, but felix is insistent. you stand so that he can get up.
a part of you wishes you could have found an excuse to go with him. the gesture, in theory, is nice, but without felix's protection, being left with his friends feels like he's thrown you to the wolves.
annabel, a little tipsy and now curious asks, "so, how long have you and felix..." she trails off with a knowing look.
you kind of get what she's implying, but it feels like too random and too unfitting of an assumption to be accurate. "oh, we've been friends since around right after syllabus week, felix ask--"
"no," she shakes her head, "i mean--" she tries again, this time asking with precise language.
your face grows a few degrees warmer. "oh." the slight laugh that follows the syllable is too genuine for it to be you playing coy. "no, it's not--we're friends."
friends. you genuinely believe it. annabel fixes you with a tight lipped smile that makes something in your stomach knot.
you decide that her question must have been prompted by you sitting on felix's lap. you've also heard enough stories about them to assume that they have an on again off again, sort of thing, and because you really don't want to make an enemy of her, you try to justify it, "that was just--you've known him way longer, he's just like that."
oh my god. he's fooled you. completely convinced you that that's normal. before annabel can really react, felix comes back. he hands you your drink and kisses your cheek before sitting down next to you. he doesn't ask you to go back to where you were sitting before, but he does keep a hand on your knee.
----
some bestfriend!reader concepts ft oliver
another bestfriend! felix blurb :)
bestfriend! felix and reader basically dating
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Things I look for in history books:
🟩 Green flags - probably solid 🟩
Has the book been published recently? Old books can still be useful, but it's good to have more current scholarship when you can.
The author is either a historian (usually a professor somewhere), or in a closely related field. Or if not, they clearly state that they are not a historian, and encourage you to check out more scholarly sources as well.
The author cites their sources often. Not just in the bibliography, I mean footnotes/endnotes at least a few times per page, so you can tell where specific ideas came from. (Introductions and conclusions don't need so many citations.)
They include both ancient and recent sources.
They talk about archaeology, coins and other physical items, not just book sources.
They talk about the gaps in our knowledge, and where historians disagree.
They talk about how historians' views have evolved over time. Including biases like sexism, Eurocentrism, biased source materials, and how each generation's current events influenced their views of history.
The author clearly distinguishes between what's in the historical record, versus what the author thinks or speculates. You should be able to tell what's evidence, and what's just their opinion.
(I personally like authors who are opinionated, and self-aware enough to acknowledge when they're being biased, more than those who try to be perfectly objective. The book is usually more fun that way. But that's just my personal taste.)
Extra special green flag if the author talks about scholars who disagree with their perspective and shows the reader where they can read those other viewpoints.
There's a "further reading" section where they recommend books and articles to learn more.
🟨 Yellow flags - be cautious, and check the book against more reliable ones 🟨
No citations or references, or references only listed at the end of a chapter or book.
The author is not a historian, classicist or in a related field, and does not make this clear in the text.
When you look up the book, you don't find any other historians recommending or citing it, and it's not because the book is very new.
Ancient sources like Suetonius are taken at face value, without considering those sources' bias or historical context.
You spot errors the author or editor really should've caught.
🟥 Red flags - beware of propaganda or bullshit 🟥
The author has a politically charged career (e.g. controversial radio host, politician or activist) and historical figures in the book seem to fit the same political paradigm the author uses for current events.
Most historians think the book is crap.
Historical figures portrayed as entirely heroic or villainous.
Historical peoples are portrayed as generally stupid, dirty, or uncaring.
The author romanticizes history or argues there has been a "cultural decline" since then. Author may seem weirdly angry or bitter about modern culture considering that this is supposed to be a history book.
The author treats "moral decline" or "degeneracy" as actual cultural forces that shape history. These and the previous point are often reactionary dogwhistles.
The author attributes complex problems to a single bad group of people. This, too, is often a cover for conspiracy theories, xenophobia, antisemitism, or other reactionary thinking. It can happen with both left-wing and right-wing authors. Real history is the product of many interacting forces, even random chance.
The author attempts to justify awful things like genocide, imperialism, slavery, or rape. Explaining why they happened is fine, but trying to present them as good or "not that bad" is a problem.
Stereotypes for an entire nation or culture's personality and values. While some generalizations may be unavoidable when you have limited space to explain something, groups of people should not be treated as monoliths.
The author seems to project modern politics onto much earlier eras. Sometimes, mentioning a few similarities can help illustrate a point, but the author should also point out the limits of those parallels. Assigning historical figures to modern political ideologies is usually misleading, and at worst, it can be outright propaganda.
Extraordinary claims require extraordinary evidence. "Big theory" books like Guns, Germs and Steel often resort to cherry-picking and making errors because it's incredibly hard for one author to understand all the relevant evidence. Others, like 1421, may attempt to overturn the historical consensus but end up misusing some very sparse or ambiguous data. Look up historians' reviews to see if there's anything in books like this, or if they've been discredited.
There are severe factual errors like Roman emperors being placed out of order, Cleopatra building the pyramids, or an army winning a battle it actually lost.
When in doubt, my favorite trick is to try to read two books on the same subject, by two authors with different views. By comparing where they agree and disagree, you can more easily overcome their biases, and get a fuller picture.
(Disclaimer - I'm not a historian or literary analyst; these are just my personal rules of thumb. But I figured they might be handy for others trying to evaluate books. Feel free to add points you think I missed or got wrong.)
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justhereforthemeta · 8 months
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Romantic expectations and the story we didn't see: A magic trick hiding in plain sight
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Here's a hopeful meta for all my fellow celestial brainrot sufferers out there. Cheers! :)
This idea started as a dead end, trying to track the movements of Crowley’s sideburns/tattoo because I thought time travel shenanigans were afoot. I had to abandon that theory when it was pointed out that David was simultaneously filming as the sideburns-having Fourteenth Doctor, and in-universe Crowley can do whatever he wants with his facial hair whenever he feels like it. But hey - null findings are still findings!
On the bright side, pausing the show to make notations in a spreadsheet forced me to slow down and notice other changes I'd overlooked the first time around: acting choices, costuming choices, references to book lore. And possibly a few surreptitious flicks of the wrist, in places where we’re meant to be focused on the magician’s other hand.
@amuseoffyre and @ineffablefood had a great exchange recently about romance and “the significance of misdirection and three-in-one (magic) tricks” throughout the show. I suspect Neil has done something brilliant with the audience’s long-standing expectations (since the 1990s, really) for the love story between Crowley and Aziraphale to develop. And while it is a wonderful story indeed, playing to this expectation lets Neil distract his audience from the blink-and-you'll-miss-them seeds he's planting for the final chapter.
Continued below the cut...
Let’s start at the beginning of Episode 2. First, context: In the previous installment, Crowley stormed out of the bookshop, was whisked away to Hell by Beelzebub where he learns about the Book of Life threat to Aziraphale’s existence, then returned to the bookshop to dance a little apology dance and hide Gabriel with an unintentionally massive joint miracle. In S2E2, we and Shax catch up with Crowley as he's snoozing in the Bentley.
Shax: “You’re in trouble”
A. J. Crowley, cool as a cucumber: “Obviously. Former demon, hated by Heaven, loathed by Hell. How will our hero cope?”
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Interesting! Sarcastic? Yes, absolutely; but that’s also a good 4500 years and an averted apocalypse away from “I’m a demon. I lie,” wouldn’t you say? Someone is sounding a whole lot less depressed and aimless and navel-gazey (do snakes have navels?), and a whole lot more like he’s got a project to focus on, since his "what's the point?" ruminations on the park bench in E1.
And of course we all noticed the costume change right away. Hello, black turtleneck. Feeling cute today, thought I’d cover up my graceful long neck? That sounds unlikely. Let’s put a pin in this one.
There’s also an interesting acting choice going on here. Crowley speaks to Shax in a funny, drawling, too-cool-for-you voice that we haven’t heard in a while. Specifically, not since 1967. If you go back and give the S1E3 scene in the Dirty Donkey a listen, you’ll hear it (and if you know of another instance of it that I've missed, please let me know!). In S2E2, he keeps up this odd voice (if anybody knows what kind of affect this is supposed to be, please do tell!) throughout this dialogue with Shax, except for the brief moment when she first surprises him about the joint miracle having been detected.
1967 was a fun year. Crowley masterminded a heist! And seemed like he was having a ball doing it, right up until his little caper was called off after Aziraphale brought him the thermos of holy water. Crowley spoke to his co-conspirators in that same funny, very 60’s-caper-film voice. He wore a hip 60’s turtleneck. He bought petrol for the only time ever, so he could get those sweet James Bond bullet hole decals for his car (per the book, seen on the Bentley in the show).
Those James Bond bullet hole decals would of course have been part of a promotion for this 1967 release, which you just know our film-enjoying demon went to see in the theater:
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Starring this suave, be-turtlenecked guy:
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And now - begging your forgiveness - a brief rant.
There are a number of posts out there that refer to Crowley’s S2E2 turtleneck as a flirtatious sartorial choice - actually, ‘slutty’ seems to be the favored accusation. There are even a few posts floating around commenting on how sweet it is that Crowley swaps out his slutty, kinky, throw-me-over-your-desk-and-take-me turtleneck for a more dressy and appropriate collared shirt specifically to attend Aziraphale’s Jane Austen ball. 
Now this is all in good fun, and Crowley does indeed look fantastic here, and I do love a good fangirling sesh as much as the next person. However, fandom’s collective tendency to interpret what we are seeing on the screen through the lens of romantic expectation can, at times, give rise to a kind of blinkered enthusiasm that obscures the original text in a haze that is part Mandela Effect, part unrestrained horniness, and part in-group code talking and identity reinforcement.
Respectfully, Crowley’s black turtleneck does not appear at all in S2E5: The Ball. In fact, it never appears again after the end of S2E2.
For Someone’s sake, let’s collectively pull our heads out of the romantic fog/gutter for a moment and focus on what we are actually seeing in the book and on the screen. For Crowley, this is an uncharacteristic within-period costume change. There is a surreptitious flick of the wrist happening here, out in broad daylight, and we are all missing it.
So here’s a thing. Aziraphale appears to have settled comfortably into life on Earth, his neighborhood, his books, using Crowley as an outlet for sharing his good deeds that he would once have reported to Heaven. Meanwhile, at first glance, Crowley appears stuck in a rut. There he slouches on a park bench with Shax in S2E1: a guy who lives in his car, stagnantly clinging to old familiar habits, mulling over the pointlessness of it all.
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Setting aside the bit about living in the Bentley (I’m going to attribute this to well-documented issues between him and Aziraphale, discussed in many other excellent metas, and move on), Crowley has at least two very good, proactive reasons for maintaining his contact with Hell through Shax. First and foremost, it’s a source of information he can use to keep ahead of potential threats to Aziraphale and himself.
But also, I would posit…he kinda likes it.
Recall that book GO was first conceived as a parody, with Aziraphale and Crowley as spy-against-spy (but not really) field operatives in an ages-old cold war between Heaven and Hell. Their entire book dynamic is rooted in the trope of two opposing agents who have been in the field for so long that they now have more in common with each other than with their respective head offices. Their St. James’s Park meetings among other spies and ministers trading secrets are a sendup of what was once a well-known Cold War-era cliché. 
Our contemporary Crowley still likes slick outfits and hellaciously expensive watches and high-performing vintage cars and pens that write underwater while looking like they could break the speed limit. He coaches Shax on how to blend in as a demon on Earth, and he helpfully redirects the wayward contact looking for the Azerbaijani sector chief. He loves improvising and getting away with shenanigans under the institutional radar. And boy golly was he impressed with Jane Austen: master spy, brandy smuggler, and mastermind of the 1810 Clerkenwell Diamond Robbery. 
And if you look at it a certain way, for as long as Crowley has considered himself to be on “[his] own side” - going at least as far back as Job - he could almost think of himself as a sort of double agent. It’s actually a very romantic sort of notion, befitting our hopeless romantic of a (professedly former) demon; but it’s romantic in a very different way than we, the audience, have been primed to watch for.
In other words, in a very “on my own side” kind of way, Crowley really gets a kick out of being a spy. Or at least, dressing up and accessorizing as one, and moonlighting as a good-doing double agent when he can get away with it. And also being a plotting criminal mastermind. Two sides of a coin, really. Just look at Jane Austen.
My point is: No, Crowley did not wait around for Shax to come find him in a turtleneck so that he could go flirt with Aziraphale later. He’ll flirt with Aziraphale no matter what. No, this:
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is actually this:
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Much like the one he wears to the Dirty Donkey in 1967: 
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whilst holy water heist-plotting. Here's a clearer shot with gratuitous Bentley, because I love them:
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…and which he'll wear again, with appropriate camouflage, while infiltrating Heaven in S2E6:
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That is the 1967 planning a HEIST turtleneck for committing ESPIONAGE and STEALING THINGS in. Because turtlenecks are what modern human master spies wear to get their hands dirty - after all, he saw it in a movie once. 
Crowley dons his tactical turtleneck sometime during the first major break in the action (which doesn't happen until after the joint miracle to hide Gabriel) after he learns about the threat the Book of Life poses to Aziraphale. Loverboy started mentally preparing himself to go after that book immediately upon learning that it was in play as a genuine threat. 
Now let’s pick up at the S2E2 Dirty Donkey scene, reading the story from this angle. Of course, Crowley enables Aziraphale’s delusions about Heaven by hiding information from him, and does not disclose the Book of Life threat when they meet again. They go into the pub, Aziraphale shamelessly paws Crowley’s chest like the seductive Bond Girl he is, and Crowley gets to act all smooth and suave and intimidating as he chases off the interloping Mr. Brown (or Mr. Collins for the Pride & Prejudice fans, take your pick).
Ergo, theory: beginning in S2E2, Crowley is already thinking of himself as a Jane Austen/James Bond action hero (“How will our hero cope?”), psyching himself up to rescue Aziraphale by getting his spy game on and stealing the Book of Life.
Now, watch closely...This is where Aziraphale and Crowley brainstorm their plans to solve the problem they both know about: getting Maggie and Nina to fall in love and thereby get Heaven off their backs. Crowley’s vavoom plan is drawn from yet another movie (“Get humans wet and staring into each other’s eyes - vavoom, sorted. I saw it in a Richard Curtis film.”). But Crowley also implicitly shares his solution to the problem he hasn’t told Aziraphale about. And true to form, Crowley’s Jane Austen solution isn’t the same as Aziraphale’s Jane Austen solution. 
Two solutions that fail by the end of Season 2, and a secret third one that might still work...and there's our magic trick of three.
‘“I’m lost. Am I doing a rainstorm?” Yes, babe. And a heist, too - just not until season three. Can I get a wahoo!? 
I won’t spend time on A Companion to Owls during this meta, except to note that in all three minisodes, we get to watch stories that involve Crowley acting as a double agent on “his/their own side” - successfully making Hell and Heaven think he’s fulfilling their will while saving Job’s goats and children; failing to fool Hell when he does a good deed in Edinburgh; and of course, collaborating with Aziraphale whilst evading detection as an infernal turncoat during the Blitz.
(Because this is getting long, I'll also skip over Crowley's interrogation of Jim in this episode - I'll probably come back to that in another meta. But interrogating is a rather spy-ish thing to do.)
When we catch up with Crowley again later, he’s already slipped out of the bookshop, having left Aziraphale to his biblical reverie about Job. He saunters snakily down Whickber Street as usual, but with a very pointed and swift glance over his shoulder (see pic above). This demon is up to something - possibly something we didn’t get to see, something that may have happened offscreen while he stepped out. In any case, knowing there’ve been unfriendly angels in the neighborhood that morning, he’s rightly concerned about being spied on.
From this point until the beginning of episode six, there isn’t a whole lot of opportunity for Crowley to make any next moves. He babysits the bookshop, during which time he manages to wring some crucial information out of Jim; he follows his Crowley’s Angel around like a puppy, and downs a bottle of red like a good old fashioned lovesick boy once that’s been pointed out to him. If any plotting or scheming is underway, this occult being is keeping stumm for now.
This has been a long one, so I’ll wrap up with Crowley’s infiltration of Heaven with Muriel. The turtleneck disguise works (Archer fans, be vindicated!) long enough to gather some information that will be crucial not just to the denouement of S2, but also to Crowley’s journey in S3 (previous post on Crowley's Fall, Saraqael, and memory wiping). And Aziraphale gets to enjoy that view exactly zero times. The point isn’t oh, a turtleneck! How flirty! So cunty! So cute! Y’all. Everything matters. The costume change was a deliberate choice. In-universe, Crowley’s decision to wear his special spy turtleneck for spying in is a signal that he is out doing spy things, even as we watch.
In sum: Beginning in S2E2 and continuing through the end of the season, Aziraphale and Crowley are actively living out the scripts of two parallel, concurrent, and completely different Jane Austen stories. But you and I, dear fellow audience member, we came here for a comedy with a hefty jigger of romance, and that’s what Neil gave us to focus on. And right up until the Final 15, that was the only story we saw.
Meanwhile, Special Agent A. J. Crowley doesn’t have time to mope around at the end of S2E6. He’s kicked down, but he’s not out. He's got a Book of Life to steal, a very serious bone to pick with a certain memory-wiping angel, and his Angel and the world to save. 
“‘Heigh ho,’ said [romantic, optimist, former demon, hero, master spy] Anthony Crowley, and just drove anyway.”
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astarion-obsessions · 7 months
Text
Hold on, there is something I thought about. When Astarion approached Tav with "all his favourite lines" of flattery, leading to fake confessing his love to them, I was genuinely hurt to see that he would play with Tav's feelings like that, just for the sake of entertainment.
But now that their relationship progressed and Astarion actually confessed that he developed feelings for Tav, but still claims to not know how he would define their relationship, I get the feeling that he made the choice to fake confess beforehand for another reason than entertainment or seduction altogether. Hear me out.
Why does Astarion fake confess his love to Tav?
When I get a scene with Astarion, I always reload a thousand times to try out all the routes and see all his reactions, so what I'm about to break down will be no less than heartbreaking.
First let's take a look at what Astarion has to say. He starts the conversation with a clear goal in mind: he wants to seduce us again and he says so right away. He continues with very openly displaying his skills at charming people with honeyed words, seemingly enjoying himself while doing so. But what we have to keep in mind is that he's done that thousands and thousands of times already. I think it's safe to assume that he's perfected this mask of a smug, flirtatious man enjoying all this debauchery. 
But after giving us one suggestive line after another, he does something that does not match the tone of the conversation so far: his fake love confession. I mean, just look at him. 
He goes from completely exaggerated facial expressions and gestures: 
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When I'm with you, I feel practically alive, yet I crave only to die again with you.
To this:
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I love you
We get a closeup of his face and see that he gets serious all of a sudden despite the fact that the conversation has been all fun and flirty just a moment ago. He draws his brows together, tells Tav "I love you" and then just looks at us with this serious and almost sad expression. Completely different from before when he was just toying around. 
And yes, I just said he's very practiced in playing pretend, but just the difference between shallow and cheesy lines about craving to die together and their perfect body whispering temptation in contrast to a simple "I love you" and then on top of that the difference on how he conveys it - for me it just doesn't fit together, this isn’t Astarion pretending. And furthermore he gains nothing from adding this confession. The flirty lines would have been enough to seduce Tav once again and therefore ensure their attachment to him, so that his protection is granted. And that is all he wants, at least in the beginning. 
But then, why would he voice this fake confession in the first place? And that's where my theory sets in. I don't think he would risk the trouble of getting more feelings involved than necessary in his "nice simple plan" - seducing Tav, sleeping with them, manipulating their feelings. For doing so, he simply wouldn't need a love confession. 
With saying "How about I say those little words. Everyone's favourite" he already suggests that he's said them to a lot of people already. And this surely is a way to charm and seduce people very fast, but with Tav he doesn't need to rush. They're tied together for an indefinite amount of time, he doesn't need to seduce them in a matter of hours or days before serving them to his master. And he's already seduced Tav successfully before, so my guess is this:
My explanation for the fake confession
The real confession scene, where he admits to having started to genuinely feel something for Tav, came a bit out of nowhere for me. (And don't get me started with our options to react to his real confession. I talked about that here.) I don’t think he would just willingly tell Tav that he's grown fond of them, when a few nights before he threw the fake confession their way without giving a damn about Tav's feelings - that just felt very out of character for him in my opinion. 
But what if he started to fall in love with Tav even before the fake confession? Think about it, he has slept with Tav once - successfully seduced - so all he has to do is sustain this kind of relationship. Saying all his favourite lines at Tav and trying to get them to sleep with each other for a second time would have been just that - sustaining the relationship at present. But then he says "I love you". And I say he does so purposefully. It's a test. Having someone like you enough to sleep with you is one thing. Having deep and complex feelings like love involved is something else entirely. So he tests the waters with this confession. He hides behind all of these flirtatious lines and places the confession at their end to throw a veil over its real meaning. 
It may be a lie either way - saying it just for entertainment or saying it to see if Tav is open for deeper feelings - but I think he exaggerates on purpose to trigger a reaction that speaks for itself. Does Tav care about these words? Is Tav hurt to see that Astarion is apparently willing to play with their feelings like this? Or do they not care about such vanities? 
I want to emphasise the fact that Astarion hasn't had the luxury to allow himself anything resembling these kinds of feelings for at least two centuries. Naturally, he would not just come around and open up his heart to Tav when all he's done until then was charming them just for his plan. He would want to reassure himself that this wouldn't turn against him if he dares to show such great vulnerability in front of anyone. He says it himself when he properly confesses that it is intimidating for him to make decisions on his own again. And confessing his feelings is exactly one of those intimidating decisions.  
Interpreting Astarion's reaction
To back up my take I want to take a closer look at Astarion's reaction when we reject him after the fake confession. After he laughs the confession off in one way or the other, he insists on having sex with you again. Here he sticks to exaggerated facial expressions and gestures, just like before with his honeyed words.
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Now, as much as I relish standing around and saying all my favourite lines at you, I’d much rather we got to experience each others’ full portfolio of talents once again.
But if Tav then turns him down with saying “I don’t think I really want this”, this is his immediate reaction:
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Well, well, excuse me while I die of a broken heart.
He takes a few seconds to process what Tav said, and then instantly responds with another exaggeration accompanied by fitting gesticulation, ending with a fake smile. After that he just looks at Tav for another few seconds and his demeanor changes again:
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In all honesty, it's a shame. That time was special to me. I've gotten on my back ten thousand times or more, and forgotten half of them. 
He loses his fake smile, averts his gaze and starts fumbling with his hands nervously. He can't hide his disappointment, but he tries to keep his face neutral - even if it doesn't work all too well. He tells us we were special before giving us a scrunched fake smile once again. It's really hard to watch…
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But you… you I'll remember. 
For usually being rather quick to react and respond, we can see how difficult it is for him to react to Tav in this case.
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Have a fine evening, dear. 
He pauses yet again, lifts his gaze to the sky and just looks so lost. Mere moments ago he was flirting and laughing, and now he seems so utterly desperate. And then, he can't even keep up his attempts of masking his sadness when his expression slips in the end and his face scrunches painfully for just a second before the whole scene ends. This really broke my heart.
Conclusion
This is definitely not the reaction of someone who was turned down for just another round of sex - even if this meant that Astarion's plan of assuring his safety didn't work out. Because then he could have just tried to get Tav to change their mind with another one of his favourite lines. Or he would have at least reacted like he does when you tell him to stay at the camp ("Oh darling, I'm hurt" which he obviously isn't). But he doesn't. 
Because this is the reaction of someone who dared to get his hopes up. Someone who thought that maybe, just maybe, these unwanted, complicated feelings for Tav which had slowly crept up, nullifying his nice simple plan, could genuinely lead to a relationship he didn't know he needed so desperately. Someone who is so devastated by a rejection at this point, that he doesn't even question it. He just accepts that Tav isn't interested in sleeping with him, let alone having feelings beyond sexual desire. It's just as it always has been. It's not as if Astarion remembers anyone caring about him, so why should it be different this time… 
And that's why I think this whole fake love confession was a way for Astarion to veil his growing feelings for Tav under the pretence of flirting, and had the purpose to find out if he could more or less safely confess his true feelings to Tav. 
Gods, this is so heartbreaking. I need to pat Astarion's fluffy head in my dreams as a redemption. 
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xothatnerdykid · 7 months
Text
what's love got to do with it?
The students and teachers alike at UA High can't help but notice the strange behavior of the typically stern and stoic teacher of Class 1-A. They come up with all sorts of theories but soon discover the even more surprising truth: Aizawa-sensei is simply falling in love. Fluffy Aizawa x fem!reader drabble. SFW. 2,828 words.
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The way everyone looks at him when he walks in, you’d think he’d grown a second head or something.
Aizawa glances up from his phone after reading a sweet little text from you, greeting him good morning and wishing him a good day at work, only to find every student's wide-eyed, unblinking attention focused solely on him.
One second, they were all happily chattering, and then, the next…
"Hmm? What?" He asks his class offhandedly, throwing his things on the table and taking his usual seat.
But instead of answering him, the whole room erupts into a whispered frenzy.
"Did you see that? Did he just...?"
"No way! Must have been a trick of the light or something."
"What the heck? I feel so unnerved. Llike we just spotted a UFO or there’s been a glitch in the matrix."
“You guys saw it too, right? Are we all just collectively hallucinating?”
"Oi!" He calls their attention. "Would anyone care to tell me what it is exactly that's gotten all of you so worked up this morning?"
Stunned silence falls over Class 1-A again, and Aizawa can’t help but cross his arms and sigh. “Iida? Yaoyorozu? What’s going on?”
He doesn’t miss the way the class president and vice-president exchange a hesitant look before Iida answers him. 
“Apologies, sensei!” He hastily gets up to bow. “I will personally make sure everyone quiets down.” He zooms around the room and gestures frantically at his noisy classmates to settle down.
Bemused by their commotion, Aizawa observes them all carefully. What could’ve caused such a stir? He wonders. And why are they all so reluctant to tell him? Did he have a piece of spinach in his teeth or something? A quick glance downwards tells him he didn’t forget to wear pants or shoes or anything, so what was it?
“If I may, sensei?” Yaoyorozu raises her hand and he nods at her. “I think everyone was just a little distracted by your change in demeanor today."
He furrows his eyebrows at the young girl. "What change?"
"Well, we’ve never seen you smile before. Or at least, not like that.”
He blinks in surprise. He’d been smiling when he walked into class this morning? "What about it?"
"Well, sir," Iida adds, taking his seat once everyone's finally settled down. "It's quite an uncommon sight. Naturally, they were taken aback."
“You usually only smile when you’re giving us a tough time in exams or training exercises, sensei.”
The corners of Aizawa’s mouth twitch upwards at that, which he quickly covers up with a small cough. “Well, enough of that. Let’s get on with today’s lesson, shall we?”
Everyone straightens up to listen as their homeroom teacher goes over a few important announcements. And although he isn’t smiling anymore, Class 1-A doesn't miss the way his usually sharp gaze has grown soft and almost...fond as he speaks to them.
As soon as the homeroom bell rings, Aizawa dismisses them with an absent-minded wave of his hand and takes out his phone to text you: Do I really never smile?
You smile when you’re rounding up bad guys sometimes. You reply almost right away. Or when you see a cat.
He chuckles. Apparently I also do it when I’m torturing my students. Then…Or when I’m texting you.
You send back a little cat emoji, and the grin you get after reading that doesn't leave your face for the rest of the day.
_________________________________________
“Shouta! Helloooo? I said Earth to Shouta?” Kayama waves her hand in Aizawa’s face.
It seems to snap him out of whatever trance he’s in. “Sorry, what?” He blinks up at her.
She gives Yamada a look. “What’s with him today?”
“Dunno,” he shrugs, then turns to his friend. “Hey buddy, didn’t get any sleep again last night or something?”
You could say that, Aizawa thinks to himself with a smirk, then hastily scolds his features into their usually stoic expression. “No. Why?”
Kayama raises an eyebrow at him. “You've just been acting a little...off. Distracted, maybe?”
"Nothing to worry about," Aizawa reassures them, dismissing their concerns with a wave of his hand. He goes back to observing his students closely in the hopes of them moving past the subject, but Kayama and Yamada aren’t convinced. Anyone looking at him could tell something was different today.
“Sensei?” Kirishima hesitantly calls out to him. “I’m having a little trouble with my balance. Could you show me that move again?”
Aizawa nods, and everyone’s jaw just about drops to the floor when he demonstrates the proper stance with uncharacteristic patience. 
"Remember to be mindful of where you shift your weight," He guides Kirishima through the motions with a supportive tone, a stark departure from his normally gruff and no-nonsense approach. "And keep your focus. You'll get it."
Kirishima does as he’s told and looks to his teacher for feedback.
"No, adjust your stance a bit like this. Yes, that's it. Great improvement," Aizawa says, offering a rare compliment. 
Flabbergasted, the red-haired boy manages a stuttering, "Th-Thank you, sensei," before Aizawa moves on to help the next student. 
Observing everything from afar, Kayama leans over to Yamada and whispers, “He didn’t get a concussion on that last mission, did he? I've never seen him like this."
“Check what was in his coffee a while ago. And if he still has more — oof, it was just a joke!”
_________________________________________
“Okay, enough is enough!” Mina bursts into the room, dramatically crying. “I have to know!”
“Know what?” Kirishima asks as the others start to gather around her.
“What’s going on with Aizawa sensei? I saw him on the way here — he’s wearing a buttoned up shirt.”
There’s a collective gasp.
“Are you sure?” Momo asks.
Mina nods frantically. “And it was freshly pressed, too!”
Another round of gasps.
“And his hair was tied up!” The pink girl all but weeps, throwing herself onto the nearest desk.
“What do you think is going on with him?” Deku rubs his chin thoughtfully.
“He’s been acting so weird lately!” Uraraka whines.
As if on cue, Aizawa walks in. “Good morning, class,” he greets them without his usual gruffness.
Everyone hurries back to their seats, but Mina leans over to grab Kaminari’s sleeve, screaming under her breath, “He said good morning!”
“Look at his eyes!” He points frantically. “No puffy, dark circles or redness at all! He actually looks well-rested for once!”
“That’s where I draw the line!” Kirishima almost slams his fist on his desk. “We have to get to the bottom of this.”
Sero joins them, “Do you think Mic sensei and Midnight sensei know anything?”
Kaminari shrugs, “It’s worth asking.”
“Maybe Aizawa sensei has a secret twin and he’s pulling a prank on us?” Deku contemplates.
Uraraka shakes her head, “Sensei? Pulling a prank? I doubt it. What if there’s a new teacher at UA with a shape-shifting quirk?”
“Or Shinsou brainwashed him into being in a good mood?” Jirou chimes in.
As they huddle and murmur, Todoroki and Tokoyami shoot them curious glances, and Iida has to shush them discreetly. 
They snap back to attention every time Aizawa faces them, pretending to listen to the lesson. But as soon as their sensei turns away again, the room buzzes with whispered speculation. 
And though he acts none the wiser, seemingly engrossed in the topic they're supposed to be discussing, Aizawa can't help his amusement listening to their outlandish theories. A small, smug part of him relishes stoking the fires of their confusion. 
He knew he'd have some explaining to do, but for now, he’s more than happy to just let  them wonder.
_________________________________________
“Oh, look who finally decided to show up!” is the first thing Mic says when he spots him. The colorful cocktail in his hand is practically empty, but he happily sips the fun loopy straw for whatever dredges he can anyway.
“Are you going to make me regret it?” Aizawa grumbles, taking his seat next to his friends.
But Mic and Midnight just snicker, unfazed. They’ve had years to get used to his grumpiness after all (and a few drinks to put them in a better mood). 
"We have to admit, Aizawa," Midnight smirks up at him. "We had an ulterior motive for asking you to come hang out tonight."
"Don't you always?" He deadpans, lazily chewing at the gyoza they ordered without him. Although he doesn’t show it, he’s pleased to see there’s already a whiskey neat waiting on the table for him. 
Midnight rolls her eyes as she slides it over to him, "Yeah, but aside from just getting you to lighten up as usual."
"And getting you to sing karaoke with us, which I still can't believe—"
"You promised me we'd never talk about it again,” Aizawa groans as he rubs his hand over his face. “And that you'd never let me get that drunk again.”
"Awww, come on, buddy," Yamada slings his arm around him. "What's the point of having a good story you can't tell?"
"Fine, but I'll deny it, so no one will believe you anyway."
"I don’t know,” Midnight sing-songs, swirling her margarita in its glass. “With the way you’ve been acting lately, they just might.”
He frowns at her. “Meaning?”
Mic grins, leaning forward with an impish glint in his eye, "Meaning we heard you've been keeping secrets from us, Aizawa."
"I don't know what you're talking about."
"Oh really? Then would you care to tell us why you’ve been smiling so much lately?”
“Or who you’ve been trying to look nice for?”
Realizing they weren’t going to let this go easily, Aizawa sighs and takes a deep sip of his whiskey, the familiar warmth sliding down his throat. He's not one to discuss his personal life openly, even with his close friends, but there's something about their teasing that doesn't quite irk him tonight.
Aizawa tilts his head slightly, thoughtfully. "I'm just...happy, I suppose."
“But it’s more than that, isn’t it?”
“Come on, buddy, you can tell us!” Mic nudges him playfully. 
“We want to know what’s got our favorite grump acting like a—" Midnight’s hands quickly fly up to cover her gasp. 
“Like a what?” Mic gives her a puzzled look, but Aizawa’s shoulders tense up at the glint in her eyes. That look usually meant very bad things for him. 
“Like a lovesick puppy!” She grabs Mic’s arm, excitedly slapping it before shaking Aizawa’s shoulders and squealing into his ear. “That’s it, isn’t it? You’re in love!”
Aizawa chokes on his drink, and Mic pats him on the back to ease his coughing fit.
"Real smooth, Kayama,” he teases her.
"Sorry, but I couldn't resist," Midnight pouts, the twinkle of amusement still shining bright in her eyes.
Aizawa wipes his mouth and sets his glass down with a sigh. “Well, if you must know…There is…someone I’ve been spending time with.”
"Someone!" His friends chorus, delighted.
Mic nudges him gently. “Well? Don’t leave us in suspense!”
"Who is it? Do we know them?" Midnight leans forward, giggling.
Aizawa looks down at his glass for a moment, contemplating how much he should reveal. Although he feels a little overwhelmed by their excitement and their scrutiny, he also secretly relishes the joy of sharing this part of his life with his closest friends. 
It feels good, he thinks, to be around them and to know that they care so much about him. And though he’s never been one to discuss his personal affairs, he trusts these two enough to share the parts of himself he usually kept guarded. 
Seeing the expectant looks on their faces, eagerly awaiting his answer, Aizawa's ears turn the faintest shade of red. 
“Do you want to meet her?” 
_________________________________________
"Had a fun night?" You greet your boyfriend with a hug when he shows up at your door well past a reasonable hour.
You don't miss the small smile on his face when he takes off his shoes. "Actually, I did. But Yamada and Kayama were pretty insistent on meeting you." 
"You told them about me?" you respond, feeling a mix of excitement and nerves. 
He nods, not quite meeting your gaze. "I think they'd like you."
"Really?" You plop down on the couch with him and stretch your legs atop his lap. 
"Yeah," He gently grazes your thigh. "They were wondering why I've been acting so differently lately."
"Like what?"
"Apparently I'm smiling more and acting nicer and" — He air quotes — “Stopped looking homeless."
You laugh. "And what did you say?"
He shrugs, “That I guess my girlfriend just makes me really happy.”
“Awww,” you pat his cheek playfully. “What’s next? You gonna tell me you’re in love with me or something?”
"Yes? I thought it was obvious?"
"What?" Your heart skips a beat at his nonchalant admission.
“Hmm?” He looks over, and seeing the evident surprise on your face makes Aizawa chuckle. "I thought I'd been making it pretty clear, but I suppose I should say it outright. Yes, I'm in love with you."
Your heart flutters at his words, a warmth spreading through you. "Well, for someone who's known for being so straightforward, you sure took your time saying that."
He brushes a strand of hair from your face and leaves a soft, lingering kiss on your temple. “I’ll say it as many times as you want to hear it, baby.”
You lean in closer, your lips almost touching his. “Alright,” you look up at him with a sleepy smile and half-lidded eyes. “I’m waiting.”
"I love you," he whispers, his voice low and tender. He places a gentle kiss on your nose. “I love you,” and then another on your cheeks…“I love you.” Before gently brushing his lips against yours, cupping your jaw so you can’t help but gaze deeply into his dark, smoky eyes before he finally closes the distance between you.
“Mhhm.” You smile, contentment washing over you like a gentle wave. "I love you, too, baby."
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