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driveintheaterofthemind · 3 months

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Doc Savage (Jan1938)

Art by Emery Clarke

Street And Smith

#Pulp #Doc Savage #Pulp Heroes #Emery Clarke #Street And Smith #Vintage #Magazines #Art #Original Art #Before And After #Kenneth Robeson #Pulp Art #Pulp Illustration #1938 #1930s #30s

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cantsayidont · 5 months

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August 1984. This won't change anyone's feelings about cult movie perennial THE ADVENTURES OF BUCKAROO BANZAI: ACROSS THE EIGHTH DIMENSION one way or the other, but if you're wondering what the hell the deal is supposed to be with Buckaroo Banzai and his team, the answer is, "It's an obvious pastiche of the pulp hero Doc Savage."

Launched in 1933, Doc Savage was one of the leading adventure heroes of the pulp magazines. Doc (whose full name was Clark Savage Jr.) was scientifically trained from childhood to the peak of human perfection, singularly adept in everything from mechanical engineering to medicine to martial arts. He had a secret headquarters called the Fortress of Solitude and a whole array of specially designed vehicles and equipment, but he was also a public figure, with offices in the Empire State Building. Doc had a team of eccentric, highly specialized aides — Monk Mayfair, Ham Brooks, Renny Renwick, Long Tom Roberts, and Johnny Littlejohn — who each had a particular skill and a couple of distinctive personality traits (for instance, Monk was a skilled industrial chemist, but also an "ape-like" brute with a ferocious temper). They were sometimes aided by Doc's cousin, Pat Savage, who was almost as capable as Doc, although he tried to keep her out of the fray because she was (gasp) a girl.

This was a fairly common pattern for pulp heroes. For instance, the pulp version of the Shadow (who was distinctly different from the radio incarnation) relied on a whole network of agents, some appearing only once or twice, some recurring across many of his published adventures. From a narrative standpoint, the agents and assistants had two principal purposes: The first was to offset the rather overpowered heroes — pulp heroes didn't necessarily have superhuman powers, but even those who didn't tended to be preternaturally skilled at nearly everything, so it was convenient to limit their direct involvement in an adventure to crucial moments, and let the assistants (who could be much more fallible) do much of the legwork. The second object was to beef up the characterization. Doc Savage was morally irreproachable as well as absurdly multi-talented, so there wasn't a lot to be done with him character-wise, while maintaining the mystique of a character like the Shadow required him to remain a fairly closed book.

Although the pulp heroes were a huge influence on early comic book superheroes like Superman and Batman, some of these conventions didn't translate well to other media: In a 13-page comic book story or half-hour radio episode, having too many characters was cumbersome (and expensive, where it meant hiring extra actors), and comic book readers normally expected to follow their four-color heroes quite closely, even before the breathless internal monologue became a genre staple. So, Superman inherited Doc Savage's Fortress of Solitude, but not his "Fabulous Five" assistants, while heroes like Batman and Captain America generally stuck with a single sidekick rather than a team of aides. Even the late Doc Savage pulp adventures (which ended in 1949) de-emphasized the assistants to keep the focus more on Doc himself. Ultimately, the pulp heroes didn't really have the right narrative center of gravity for visual media, which is why they've become relatively obscure, despite repeated revival attempts. The 1975 Doc Savage movie with Ron Ely, for instance, was a notorious commercial flop, and elements like Doc's childishly bickering assistants seemed odd and dated, even taking into account the film's nostalgia-bait '30s period setting.

What BUCKAROO BANZAI tried to do was to bring that old pulp hero formula into the modern era with a big infusion of '80s style and humor. Like Doc Savage, Buckaroo is a wildly gifted polymath (in the opening scenes, he rushes from performing brain surgery to test-driving his Jet Car through a mountain), so famous and important a personage that he puts the president of the United States on hold, and he surrounds himself with an array of brilliant, eccentric aides with silly nicknames who play in his rock band when they're not fighting crime or doing advanced scientific experiments.

Alas, judging by the poor box office returns, general audiences were no more amenable to the '80s version of this formula than they had been to DOC SAVAGE: MAN OF BRONZE nine years earlier, even with the 1984 film's extraordinary cast and memorably witty dialogue. Granted, even many of the movie's most diehard fans are baffled by the convoluted plot — a crucial expository scene where the leader of the Black Lectroids (Rosalind Cash) explains much of what's going on is nigh-incomprehensible without subtitles or closed captioning — but beyond that, THE ADVENTURES OF BUCKAROO BANZAI is essentially an extended riff on a particular slice of pop culture that had long since dropped out of the public consciousness, which is both part of its charm and also its commercial undoing, at least as mainstream entertainment.

(Also, if you're wondering, yes, the TOM STRONG series by Alan Moore and Chris Sprouse is also an obvious Doc Savage pastiche, although at least some of its plot and character concepts were probably retoolings of unused ideas from Moore's earlier Maximum Press/Awesome Comics SUPREME series, which was an extended pastiche of the pre-Crisis Superman.)

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thehauntedrocket · 2 years

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Vintage Pulp - Astounding Stories (Jan1932) (Street And Smith)

Art by Hans Wesso

#Pulp #Astounding Stories #Science Fiction #Hans Wesso #Ray Cummings #Victor Rousseau #Street And Smith #Magazines #Vintage #Art #Science Fiction Art #Science Fiction Illustration #1932 #1930s #30s

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browsethestacks · 1 year

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Vintage Comic - Supersnipe Comics #028 (Vol. 03 #04)

Pencils: George Marcoux

Inks: George Marcoux

Street And Smith (July-Aug1946)

#Comics #Street And Smith #Supersnipe Comics #George Marcoux #Supersnipe #Vintage #Art #CGC #Pulp #1946 #1940s #40s

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michonnes · 7 months

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She is a survivor.

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hugs-and-stabbies · 1 year

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working on getting myself to sketch more and faster by doing character-themed sketch pages ^^

#yall get the michael one early here bc i didnt wanna wait to post it somewhere lol #halloween #michael myers #halloween franchise #dbd #dead by daylight #a nightmare on elm street #quentin smith #my art #also a confession 😔#i still havent watched halloween ends 😩#im a shame to my michael shrine #hoping to maybe 🦜🏴‍☠️🏴‍☠️ it tomorrow night

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undr · 10 months

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W. Eugene Smith. Girl at flower shop. 1957

#w. eugene smith #vintage #photography #black and white #street photography #art #history #vintage photography #black and white photography #usa #1950s

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multifandomfanficss · 1 month

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F*ck You?

Adrian Chase/Vigilante x Reader

and the rest of the 11th Street Kids

Adrian Chase Masterlist

Prompt: Adrian has his own secret way of asking you to sleep with him.

Warnings: Mentions of sex, but no actual sex. The team bullying Adrian as per cannon ☹️. Peacemaker typical language.

A/N: Just a silly little thought I had at 5am during a text convo with one of my best friends when I couldn’t sleep. Shout out Tyler for letting me bounce this idea off you. Thanks bestie! Just a short little fic. The italics are flashbacks. Crossposting on my AO3 adriansglasses.

Adrian stuck his middle finger up, pointed at you. You were going through some files on the other side of the room unable to see him behind the papers you were focusing on. Those who saw were giving him questioning looks.

“Dude why are you flipping off, (Y/N)? I didn’t realize you were mad at them” Economos decided to be the first to question him. Usually he didn’t care enough to ask, but even he was curious as to why Adrian was enthusiastically flipping you off.

“Oh! That’s because I’m not. I just wanna have sex when we get back to my apartment. I was saying can I fuck you.” Adrian says, as if it’s obvious. Chris begins to laugh, having overheard the conversation.

“Oh my god. I’m not sure if you’re insane or an idiot.” Harcourt rolls her eyes, walking away.

“I’m pretty sure he’s both. You know that’s not what that means right?” Economos questions.

“It has two meanings.” Adrian says in a very matter of fact way.

“No, it doesn’t.” John argues.

“Then how do they always know what I mean?” Adrian asks, as if he’s proving his point.

Chris continues to laugh to himself as Adrian and Economos argue.

You’re deep in thought, not paying them any attention when Leota passes you the file you were looking for.

“Thanks!” You smile at her.

“Why is Adrian flipping you off?” She asks.

You look over at him, blushing. You nod.

“See!” Adrian yells throwing up his arms. “Two meanings! I told you!”

“Oh god.” You blush, hiding your face in one of the files. You didn’t need the entire team knowing you were going home to have sex after this, but it’s not like it was that big of a surprise. You’d been dating Adrian for a while, of course you had a sex life. “I don’t know how or why he got it into his head that fuck you means can I fuck you- but like I personally think it’s very clever and very cute so I just don’t correct him.” You laugh, deciding to be honest with Leota.

You thought back to the first time he flipped you off in such a manner. You were out with the team celebrating with drinks after a mission. He threw up his middle finger, drawing a question mark in the air with the other hand. You looked at him with a confused look and mouthed. ‘Are you asking me to have sex with you?’ and he mouth back, ‘Isn’t it obvious?’. Only Adrian could think something like that was obvious. Only Adrian would even do something like that. You smiled, laughing quietly to yourself. It was so uniquely him.

Chris was still laughing uncontrollably in the back. He was thinking of the first time he’d seen Adrian do this too. Little did everyone else know Chris had been the one to teach it to him long before you were dating.

“You really wanna know how I pick up chicks across the bar?” Chris asked with a shit eating smirk.

“Please!” Adrian begged. He could pull girls as Vigilante no problem, but it was a lot harder without the suit.

“Be direct. Just ask if she wants to go home with you. The most subtle way to be direct is to flip her off.” Chris falsely informs.

“Wait… you want me to be subtle and direct? I’m confused.” Adrian asks.

“Well, yeah. You want her to know, not the whole bar.” Chris quickly lies.

“I always thought flipping somebody off was an insult.” Adrian is rightfully cautious.

“It has two meanings. It’s like special. Special can mean you’re one of a kind, cool, awesome, or it could be used the other way.” Chris explains.

“Oh! Okay!” Adrian smiles, before pausing, with a pondering facial expression. “Wait! You call me special all the time.”

“You should hit on that girl over there!” Chris redirects.

“Okay… here goes nothing…” Adrian says, slowly raising his middle finger. The girl looks shocked and starts to walk up to the two men at the bar. “Oh wow! I think it worked!”

Her pace picks up. She walks up to Adrian, slapping him, hard.

“Wait! This is positive! I’m hitting on you!” Adrian says frantically with his finger still up, as she walks away.

“Aw! Fuck! Do you think maybe she had a boyfriend?” Adrian asks, adjusting his glasses and rubbing his jaw.

“Yeah, maybe.” Chris laughs hysterically.