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seiwas · 3 months

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if art can be touched, will you let me hold you? | nanami kento

wc: 7.2k

summary: you press love into each piece of art you create, and nanami wonders if you’ve ever been loved that way.

contains: f!reader, non-curse!au, ceramic artist!reader, pov switching, slowburn, reader wears a skirt, food mentions, bad breakup (mentioned), mentions of art critiques, almost explicit sex, it’s love without words.

a/n: a concept and fic i didn’t expect would be so dear to me; there are some very small personal touches in this but the main inspiration for this is ‘we’ve been loving in silence’, but some bgm are ‘can’t take my eyes off you’, and ‘make you feel my love’.

ao3 (needs account)

MINORS DO NOT INTERACT.

part of the in's and out's new year/birthday event | request prompt: showing ‘i love you’ in all the ways you aren’t used to

CLAY. Take your material of choice; turn it over, get a feel of it. Is it a suitable medium for your art?

You first meet Nanami in the halls of an echoing applause.

The host’s spiel is muffled through the walls, but you know the program flow like the back of your hand—you’ve rehearsed your entrance every single day since being invited to announce your upcoming exhibit. In just a few minutes, your name will be called.

Yellow cue cards slip through your fingers, scattering to the floor as a result of the haste from your last minute touch-up just moments before.

“Shit,” you curse under your breath, checking the time.

As you crouch low, a pair of brown Derby shoes land in front of you—long and thick fingers reaching for your cue cards on the floor. The time on his wrist matches yours, each second highlighted in the stark contrast of a dark face and silver exterior.

You’re quick to receive his help, taking the cards into your hands as you lightly graze his fingertips. When you look up, you’re met with sharp lines—an angular jaw, eyebrows set straight; a pointed nose and his cheeks carving out hollow shadows.

A geometric study on blank canvas.

It’s embarrassing, the way you fluster and bow, thanking him with a stutter as you’re brought back to the urgency of the matter by the sound of your name being called out.

The rush to the conference hall has you breathing heavily, the nerves hitting you full force as you step up the stage, nearly tripping at the last step. Hues of blue, yellow, purple, and green lights glare at you, and when the host hands you the microphone, you chuckle nervously, clearing your throat before addressing everyone in the room to thank them for coming this afternoon.

Your exhibit is called ‘What is the Face of an (Un)Touched Soul?’—a collection of ceramic sculptures molded to the realism of a human face, with the soul imagined as varying patterns and colors that fit each featured individual.

It’s been half a year since you started, with three out of six sculptures completed already. Two are in-progress, and you have yet to find a subject for one more; there are six more months for you to complete everything.

The audience sounds their applause, sophisticated claps and nods a familiar tune in the many years of your sculpting career. Critics in the room jot down their thoughts, reporters holding up microphones and recording devices to cover your announcement.

You smile wide, the rehearsed kind.

And at the end of your presentation, stepping down the stage, you spot him again.

You think to approach him in that moment, to thank him properly instead of the fumbling mess you’d choked out in the hallway—but you’re pulled towards a crowd of reporters and critics, recording devices pushed just below your chin as you watch him disappear into a sea of faces not nearly as interesting as his.

You meet Nanami again in the bustling morning rush at the bakery near your studio.

The past few weeks have been head-down and tedious, late nights working on painting some of the last few pieces for your exhibit. One of them is of your niece, 5-years-old in mint and white innocence; your brushstrokes are featherlight, softly accentuated by sponge dabs—a slate barely filled in, with room for more colors to appear with time.

Another is of your neighbor, an old man whose eyes have seen war beyond your comprehension—a retired soldier, a veteran of the military force. He plants primroses by his windowsill, the pastel yellow a stark contrast to the life he’s lived in red; neither of the colors cancel each other out, neither of them blend. You drag harsh strokes against his jawbone while smoothly gliding watercolor across his eyelids.

The people in your sculptures have sparked an untapped curiosity within you—for stories, for lives, for souls and what those might look like.

You bump into Nanami on his way out, the sandwich in his hand falling to the ground as you frantically attempt to pick it up.

“Oh my god, I’m so sorry.” you turn over the sandwich, checking for any holes or openings in its packaging, “Let me–”

It only registers that it’s him when you notice the same brown Derby shoes, the same watch with that dark face and silver exterior, the same geometric perfection on his face when you look up and finally come eye-to-eye with that same fixed stare.

You clear your throat. Well, this is embarrassing.

“Let me buy you another sandwich.”

He doesn’t exactly look angry, expression set in straight lines, but you can’t tell for sure—there isn’t much you can go by.

“There’s no need,” he dusts off the wrapper, “it’s still sealed.”

“Please, I insist,” you pat down your skirt, linen rough on your fingertips, “As a thank you too, for last time.”

He arches a brow, and for a moment you worry that you’ve remembered him wrong—honey blonde hair and features you’ve been intrigued by since.

“You insist.” he repeats, clarifying more than questioning.

You nod.

He sighs, checking his watch before pocketing his sandwich and turning back to open the bakery doors.

The silence in line to the counter is awkward. Nanami remains impassive, hand tucked inside his pocket—you can’t read a single thing about him.

“I was meaning to thank you after the exhibit announcement,” you start, turning slightly to face him before looking ahead again.

He hums.

“But I couldn’t find you, so…”

He hums again.

The lack of response makes you nervous and quite honestly a bit irritated. Here you are, trying to be nice, and all you’re met with are dry—

“It’s no problem, but that’s thoughtful of you, thank you.” he finally says, “I didn’t expect you to remember.”

A pause.

“I’m sure you meet a lot of faces in your line of work.” he further clarifies, in case his earlier remark had offended you.

You snort, “I wish.”

The line moves forward.

“Ceramic faces, maybe. People not so much.”

When you glance at Nanami, the look he returns is still characteristically inscrutable, but you think the corners of his eyes soften just a bit—to feel for you maybe, you hope, you think.

The line moves quickly after that, and next thing you know it, you’re by the cashier, pointing at one sandwich for you and another for him. You buy him a cup of coffee too, just as an extra kind gesture (—for his time; you’re sure he has places to be and people to see), but he stops you.

“Coffee’s on me.” he pulls out his card.

“Oh,” you look up, surprised, “you don’t have to do that—”

“It’s only fair,” he nods as the cashier punches in the order, “now we’re even.”

You attempt to rebut, but find no room for argument in the unbending weight of his gaze.

An interesting man.

You watch him stand by the claiming booth, hand in the pocket of his khaki suit. Nothing about him feels cohesive, yet he makes it work. Artistically, from a sculpting standpoint, the sharp lines on his face would be an interesting challenge—but beautiful, nonetheless. A study of near-perfection, you think.

And it would seem obvious, that from the rigid cut of his jaw and the sharp edges of his cheekbones that he’d act just as pointed.

Except, he doesn’t—a stark contrast to how much of a gentleman he seems to be.

His blue shirt stands out when you’d assume he prefers subtlety, and it’s ridiculous, but that yellow cow print tie feels simultaneously out of place but so fitting.

He walks toward you with your coffee, sandwich resting on his forearm.

“Thank you, Mr.—” you smile sheepishly, “Sorry, I don’t think I got your name.”

“Nanami Kento.” the corners of his lips lift slightly.

“Mr. Nanami,” you repeat, introducing yourself right after.

“Thank you as well.” he adds on as you both walk towards the doors.

Something tells you this is a missed opportunity. Something tells you there’s more to learn about this interesting man and what lies beneath his straight-faced sincerity.

The chatter from the bakery is replaced by the city’s breaths—cars passing, dogs barking, footsteps on pavement rushing to get to their next destination. And you and Nanami stand by the entrance, neither knowing how to say bye.

“Do you come to this–”

“My studio is just by the corner, so–”

You quickly look at each other. Nanami bows his head slightly, hand gesturing for you to go first.

“Sorry, um,” you tuck your sandwich in the crook of your elbow, “yes, I come here pretty often. My studio is just around the corner, so I drop by for quick meals when I can. You?”

“It’s on the way to work most days.”

You nod, humming.

Another awkward pause.

“I hope you–”

“I should get–”

You look at each other again, a bit more amused this time. The slight wrinkling of his eyes is impossible to hide.

He gestures for you to go first again, but you shake your head, offering him instead.

“I hope the pieces for your exhibit are going well.”

“Thank you,” you smile, bowing your head slightly.

That ‘something’ in your brain speaks to you again.

“Actually,” you begin, “sorry if this is weird, please feel free to decline, but,” you shift your weight, “I have one last piece to do and I was wondering if I could ask you.”

Nanami looks taken aback for a moment, eyes wider than normal as he processes what you’d just said.

“Ask me… for an opinion?” he clarifies.

You mentally facepalm yourself—you really should have made yourself clearer.

“Sorry, no, I meant,” you take a deep breath, fingers fiddling with your skirt, “if you’d like to be the subject for it.”

The expression on his face is as indecipherable as ever.

MOLD. Be familiar with your art, learn more of its intricacies. What will you shape it to be?

In the most unexpected play of events, Nanami says yes, but not without his hesitations.

You explain your process: the selection of a subject, an interview to get to know them better, then a few meetings at the studio to create the mold of facial features before coating it in plaster.

Never in his entire law career did Nanami ever think he would be into art, much more be chosen to be the subject for it. But he figures, if anyone were to get him to do things so wholly out of character like this, it would be you.

After all, he’s been a fan of your works for a while—from your third exhibit up to your seventh one now.

People love paintings and the strokes on canvas, admiring textures and blends of colors bleeding into one another; Nanami loves sculptures, a mixture of materials and techniques forming an object with more than one viewing plane.

“Have you always loved sculpting?” he asks, sitting still on the wooden stool in your studio.

A few meetings have gone by by now, and he’s told you a few things about himself for this to be a comfortable enough way to spend his Friday night: he’s a lawyer in a firm he’s co-founded with a good friend, evenings being the only free time in his schedule; he lives alone in a two-bedroom apartment and his neighbor’s cat often lands on his balcony every morning; he likes coffee and tea, paperback books and music from the 30’s and 60’s.

He chose to be a lawyer to correct the shitty system that’s vowed to help but has instead made it difficult for anyone genuinely trying to be good.

“I started with paper craft first,” you mold out the slope of his nose, looking back and forth between him and the mass of clay on your desk, “you know that 3D looking paper art that kinda pops out of the page?”

He hums instead, careful of any slight movement that may disrupt the pose you’re trying to replicate.

“And this?”

Your metal scraper drags on the sides of the sculpture’s nose, sharpening it as it narrows to the bridge.

“I picked it up in college, was an outlet to keep me company during that time.”

The PR answer.

Nanami knows most of your general story; pamphlets and exhibits always give a run-down of the artists’ individual histories. You’d started sculpting as soon as you entered college, a need for company while in a completely unfamiliar place with no more home to return to. It was all or nothing, and as the sculptures grew in number, so did your popularity—you are by no means a fresh name to the scene 10 years later.

“Why do you love it?” he looks you in the eye.

You pause, holding his gaze for a few seconds before looking away, focusing on the chunk of wet clay between your fingertips as it turns more pliable.

“It’s gotten me through a lot.” you sigh, attaching the piece of clay to form his lips, “Touching clay feels therapeutic sometimes, and you can tell from how it looks if it’s been molded with love.”

The stillness in your studio is extra quiet, filled only with the faint sounds of your fingertips sticking onto clay; he doesn’t quite know what to say.

“Sorry, that was cheesy.” you scrunch your nose and pout.

He chuckles, a low laugh, “Not at all.”

You lock eyes, the curve of your lips upturned. He feels his eyes soften around its edges.

It makes sense, and he thinks he can understand; there must be a reason why he loves books with creased spines, why he prefers weathered pages—why the scratches on his vinyl records don’t bother him as much as it should.

You both like your coffee without milk, just with a bit of sugar for yours.

Nanami’s taken up baking, specifically breadmaking, in his spare time—he brings you sourdough the next Friday you meet.

Your studio is an organized mess, scraps of clay decorating the otherwise bare and white space. To the left of the room is a large cork board filled with pinned sketches and some color swatches—a visual representation of the creative chaos in your mind.

A whiteboard to its right holds your schedule, and everywhere across the room are your art pieces—on shelves, in glass cases. He assumes most of them are the versions that didn’t make it, considering that the ones that have are either auctioned off or left as collector’s pieces in exhibits and art museums.

“That’s the first one I ever made.” you sneak up behind him, biting off the sandwich you hastily put together.

The sculpture is smaller than the busts you’ve made for your current exhibit, but it still occupies a third of your shelf. It’s unlike any of the works you’ve ever done, but he supposes it makes sense, given how much your style has probably evolved over time.

The piece is a lot simpler in comparison to the edgy twists most of your works now contain, but the little girl fast asleep in the sculpture begs questions he’s not sure how to ask you—if he even should.

He continues to stare, clearing his throat; you eye him knowingly and snort.

“Just ask, I know you want to.”

The texture of the carved blanket catches his eyes, the ripples and creases made to conform to the girl’s curled up figure. There’s a sadness underlying her comfort, a search for security while being wrapped in a bundle of safety.

“Who is it?” he asks.

You pause before you answer; he’s worried he’s crossed a line.

“Me.” you admit, a near-whisper.

He hums, back still faced towards you. It explains, then, why he’s always felt an underlying sadness beneath the creases of your smiles.

When he turns his face to the side, an attempt to catch your eyes, you look away, diverting.

“Which one introduced you to me?” you gesture towards the rest of your pieces.

As it’s come to be, Nanami’s learned that you’re good at that too—creating curves of deflections, pockets where you can hide when you feel something’s gotten too close.

He plays along, turning around to view the expanse of your studio; it’s amazing, how the art pieces that stack shelf upon shelf all boil down to your hard work. You briefly mentioned that you haven’t taken a break from creating because you still don’t believe you deserve it.

“It’s not here,” he puts his hands in his pockets, “the one with the hand clutching a heart.”

‘Unhand’—his favorite piece of yours; he’d seen it in one of the museums he had to visit for one of his clients. Hyperrealistic branches of veins and arteries running across an anatomical heart, every curve and indent a carefully placed texture to bring your piece to life. It comes clenched in a hand, the veins streaming across each finger while blending into those of the heart’s—at first glance, it’s impossible to tell where one ends and the other starts.

It’s a different view from each angle—that’s why he likes it so much, along with the graphic nature of it. The pain feels vivid, real.

“Ah,” you run your fingers across your work table, fiddling with the small pieces of clay before taking a seat again, “that one.”

Nanami follows but he doesn’t say anything, resuming his place in front of you in the usual way he’s done the past few weeks.

“I didn’t think I was the type to be moved by art.” he confesses, sitting still as you continue the final work on the clay wisps of his hair.

You encourage him to go on, nodding along.

And he does, watching the way your steady hand forms features that look uncannily like him, if not better; strands of your hair always fall from behind your ears and he’s almost tempted to tuck it back to where it came from.

He tells you of the pain he feels from that piece, how it presents itself in different ways depending on the area you focus on—the constricted blood vessels, the buildup of pressure from a vein blocked by a thumb, the strain of muscles at the back of the hand.

A small smile makes its way onto your face, slightly sad but somehow relieved, “Didn’t expect you to be such a poet.”

“Must be from being around you so often,” he responds.

And if it’s a trick of the light, a part of him sinks at that possibility—he thinks your smile stretches wider, suppressed only by the shyness trying to hide it; no pain whatsoever.

Unexpectedly, you share with him the story. Not the filtered version, but the one just as raw and vivid as the sculpture made from it—a failed relationship that had you clinging onto sculpting as your lifeline. You spare him some of the gruesome details but hint at it enough that he can fill in the gaps on his own.

You tell him that you’re a people pleaser, you’ve learned—it’s the only way you can view that relationship with grace, that at least you understand yourself better because of it. That even when the grip on your heart wrung tight enough for each beat to hurt, you still clung on with all your worth.

(Now you know you shouldn’t have.)

People have come to you with stories of their own, sharing how much your art means to them. Critics write articles, both good and bad, detailing the technicalities of your work. The applause follows you everywhere you go, yet it has never touched you—has never gotten too close.

If your art has touched others, has listened and spoken their truth in your handiwork, who does that for you?

During one of the last few Friday meetings, you offer to teach him how to mold clay.

He looks at you curiously, watching the way your fingertips pinch and squeeze, how they glide to smoothen the material and press down to create indents on the surface.

“Do you want to try?” you ask, gaze still set on his sculpture in front of you. There’s a teasing edge to your tone, one that’s developed over the months of getting to know you more.

“Would that be troublesome?”

You laugh at his rigidness.

“Of course not.” you push your piece aside, standing up to gather clay from the mound of it to your right. You lay down a wooden platform for him–his own little workspace–and slam a chunk of clay atop it, “I think you might be good at it actually, since you like making bread.”

The movements are familiar but not entirely the same. He rolls up his sleeves, blue cotton pinching at the creases of his elbows; you hand him an apron to protect the rest of his clothing. There’s not much kneading involved, not much palm action too, but he learns to move his fingertips with a force he can only compare to creating little dimples into focaccia dough.

You teach him how to make a bread basket—something practical but beginner-friendly; something he can use and keep as a reminder of you.

The trickiest part of it is mimicking the rattan weavings, and you notice him struggling with it when his strips of clay begin to break.

A screech fills the room as you push back your chair, standing up to go behind him as he attempts to salvage his work.

“Here, let me–” you reach over his shoulders, flattening some of the cracks from above him.

You’ve never been this close before, the thin strands of hair dusting your arms tickling the sides of his ears. These past few months, he’s watched your hands press and pull and form, turning each detail of his face into art. It’s only now, right next to his larger and rougher ones that he’s noticing just how small and delicate yours are.

It’s dainty work, weaving and braiding. He attempts to do it again, but the clay only falls apart when he pulls too hard.

You stifle a giggle, the vibrations tickling his back, “We might take a while here.”

“I don’t mind.” he mumbles.

“You sure you don’t have anywhere else you’d rather be?” you lean forward, pressing closer until he feels your warmth against the back of his head, “I feel bad, I’ve been taking up most of your Friday nights already.”

It shouldn’t mean anything; he shouldn’t feel anything—you seem to be unfazed; art is meant to be taught by doing.

But then your hands go over his, guiding them to lift each strand of clay gently before interweaving them with one another, and he thinks—

—this must be what it feels to be touched by art.

So, no.

There’s no other place he’d rather be.

DRY. Give it time, let it settle. Watch your art come into form. Is this a good foundation?

“Will you be free next weekend?”

His question surprises you as you stand in line at the bakery. You tend to catch each other at just the right times almost everyday, saving a spot for whoever’s running a little late.

Today, it’s you, rushing in slightly frazzled with your hair sticking out which way; you’d just finished up molding the sculpture late last night, letting it rest out to dry. Nanami’s head is turned towards you, hands in his pockets as he directs the same pointed gaze you’ve become all too accustomed to.

You must have forgotten to mention it.

“Oh,” you turn to him, “there’s no need, our sessions are over.”

His silence makes you nervous, just like it did the first (second) time you met.

Did you upset him? Did he already cancel plans to free up time for your studio?

The entire trip to the cashier is quiet, but you find that he’s ordered ahead for you—your sandwich order and a cup of your usual coffee. He pays for it too, despite your refusal (and confusion).

It’s when he hands over your drink by the corner of the room that he finally speaks.

“Not for a session.”

You tilt your head curiously.

The coffee feels warm on your hand, and you think you see the same warmth at the tips of his ears, dusting it light pink. He coughs, fingers clenching around his tie before loosening it.

“For a date.”

You begin to take up his weekends now, too.

Since that day at the bakery, when you’d nearly dropped your coffee before stuttering out your availability, you’ve already gone on seven dates (to you, at least; Nanami would officially count three).

He insists on still visiting you every Friday, bringing you dinner as a reminder that you should eat on time and not the moment you’re keeling over from a rumbling stomach and a pounding headache. You count these as dates too—because what else do you call spending time with someone you like while having night-long conversations over good food?

(Nanami creates a distinction though, prefers his dates to be more planned out and intended. On the three official dates you’ve gone on, he’s brought you to three different locations—a weekend market, a picnic by a lake after you’d mentioned something about it, and a vintage record shop on the outskirts of the city, a place he frequents often).

The near-perfection you once thought of the man, a geometric study on canvas—he’s still every bit of it, still every bit as interesting as what he seemed, just in a completely different way.

For a man typically so nonchalant, he is extremely particular about his tastes, borderline picky with trusted company.

Nanami enjoys coffee (as expected), but the fermented filter kind, dripped down a V60 pour over to extract different notes of sweetness and acidity. You’d think he enjoys a straight black, face stoic enough to handle its bitter bite; but no, his jaw clenches when he dislikes the taste, his tongue sounding the faintest click against the roof of his mouth before he downs the entire thing in one gulp.

He also happens to be extremely gentle, in a way you don’t expect from a man of his stature and build. Veins run through the back of his large hands, branching to webs around the thickness of his fingers; they may not be delicate enough to weave clay, but he carves out different patterns on the sourdough he presents to you every Friday.

The first time he held your hand, it wasn’t exactly planned—an instinctive move to reach out his palm as you climbed the steps of the spiral staircase in the record store out of town. You’d barely felt it then, just the featherlight hold of his thumb pressed against your knuckles as you gripped the fabric of your skirt.

(To your surprise, he kept it up all the way through, slipping his fingers through the gaps between yours as he showed you around vintage vinyls and the sound of love in muffled 60’s tunes.)

You imagine him to be like clay, a softness hardened over the years that have shaped him; smooth but solid to the touch, breaking into powdered shards once you manage to work your way through.

It’s unexpected, but you like that.

And you like him—quite a lot, really.

This date–the tenth, or fourth, whichever–is a lot fancier than all the others, a more formal dinner with a few glasses of delicious wine whose name you by god, don’t remember. You’d been too focused on something else—the handsome way he’d slicked back strands of his honeyed hair.

Black suits him, contrasting the paleness of his skin and complementing the sharpness of his features.

Black, the color of his suit, pressed neatly to fit him perfectly. He looks clean, broad shoulders with straight slacks falling to exactly where they’re supposed to be.

Black, which is the only thing you see, pressed up against him. You’re so close by your doorway, that half-minute of deciding whether to stay or walk away; he has one foot behind him and one firmly planted right next to yours.

You share a breath, fingers lightly intertwined with his.

There had been signs the entire night that it would lead to something like this—he’d played with your fingers a lot more, kept much closer to you than he ever has before.

Every sound around you is amplified—each inhale and exhale, the gulp he makes; your heart beats on rampage.

When you look up, your noses are almost touching, and his eyes are shut, the crease between his eyebrows deepening.

It’s a look you’ve only seen once before, when he’s stuck contemplating.

“Kento,” you whisper.

His eyes blink open slightly, the color of your coffee. He leans forward, forehead resting against yours as he takes a deep breath, “I–”

Then you kiss him.

It’s mostly a peck really, and wholly out of character for you, but it’s that same something that compelled you to ask him to model for your sculpture months ago that’s pushed you to do this right now.

You’re worried for that first split-second because he doesn’t move, shows no sign at all of reciprocating. It’s a moment before you consider parting that he finally softens, relaxing his lips as he glides them over yours. His fingers slot themselves by your ear, palm pressed against your jaw as he deepens it; you almost stumble back, his other hand catching your weight as it leans on your door.

It’s a good thing you did this then, because you learn that he likes you too—very much, actually.

Things are good a month until your exhibit.

Things are good until they aren’t.

You end up reading a premature critique on your exhibit, calling it ‘overrated’ and ‘boring’, detailing the trajectory of your decline as an artist, citing your works as having become increasingly more lackluster over the years.

The critic calls your theme ‘lazy’ and ‘unoriginal’, predicting your pieces to be nothing extraordinary or different from your older sculptures.

All this time, your publicist and manager have made it a point to protect you from things like this, requesting that you avoid searching up your name on social media or search engines. You’re usually fed with praises and the occasional constructive criticism, but never anything as spiteful as this.

It’s every possible thing that could be said to invalidate your hard work.

And you break because of it—along with Nanami’s sculpture.

It tips over accidentally, the funk in your mood making you especially clumsy.

The damage is terrible, half of his face is gone, his neck down still intact but chipped off. It’s impossible to repair without redoing the entire thing—which, you don’t have the time for, either.

You groan, banging your head against the table.

Frustration leaks out in your tears, every inch of self-doubt surfacing.

Nanami finds you in your studio that way.

He’d texted you the entire day, tried calling you a few times to no success. It’s a Thursday, but without your usual ‘just got home’ text, he’d gotten worried and rushed over as soon as his meeting ended.

If he’s being honest, you’ve been off this entire week—stressed and distant, overworked from revisiting all your finished sculptures for the exhibit in case of anything to change or tweak.

Then this.

And it’s too much—it’s all too much.

Nanami calls your name from your entryway and you look up with tears streaming down your face. He’s never seen you like this, you could never want him to.

He hurries over, brows immediately furrowed as he digs into his pocket for a handkerchief. The cow print would make you giggle on any other day, but now, he uses it to wipe your tears away.

“What happened?” his gaze shifts to your right, his sculpture half-ruined.

Silence.

“Is there anything I can do?” he asks hesitantly.

You shake your head, swiping at your nose, “It won’t look the same, Ken.”

“Do you want to redo it? I can clear up my schedule every–”

“There’s no time.”

Nanami takes your hands to rub his thumbs over your knuckles, soothing.

“Then we’ll do what we can.”

The sincerity in his voice hurts you, the reassurance in his eyes even moreso. You’ve never had anyone look at you this way.

“There’s no point.” your shoulders slump, lips trembling as another wave of tears pool on your lash line. “People are calling the exhibit a flop.”

“Who?”

You huff out, exhausted, “I don’t know, critics, media. Whoever.”

He furrows his brows, firm, “They don’t understand what you’re doing.”

You chuckle sarcastically, “They’re art critics, Ken, of course they–”

“If it means something to you, what does it matter to anyone else?”

That makes you look up.

Nanami stares at you with the same unwavering gaze, no longer indecipherable to you. There’s a softness in the squint of his eyes that you now know means concern, with every pointed feature only meant to drive his words home.

You’ve been second guessing everything down to the core of your abilities, because of what? A few words? This must be what you get for having a penchant to people please, for hinging on everything everyone has to say.

“If you love what you create, then continue to make it.” he squeezes your hands, as if pressing the words into your bones gently.

You remold and repair, and you build up your sculpture to something different but not worse than before.

You remold and repair to build up yourself.

The half that broke off isn’t as symmetrical as you’d like it to be—and it definitely doesn’t do justice to the man it’s sculpted of, but you think you like the softness you added to it, how his eyes look kinder. He means something else to you now, after all, compared to when you first started sculpting him.

And you think, you know just what kind of design speaks of his soul.

PAINT. Add the final touches, perfect your piece. Bring it to life with colors and details, whether it be for one pair of eyes or many. Do you now see?

Nanami teaches you how to make bread on a Sunday morning.

Flour coats every surface of his counter, dustings of it transferred to the deep blue of his apron. You’re wearing a white one, borrowed from your studio. Elbow-to-elbow you knead, and he only has to teach you once for you to get the hang of it, really.

He smirks, “You’re a natural.”

“Must do stuff like this a lot in another life or something,” you stifle a giggle, playing along.

It’s a beautiful day out, golden sunlight hitting your cheek—Nanami stares, sneaks peeks between every knead. The same strands of hair tucked behind your ear fall to frame your face, and he hooks his pinky around it to tuck it right back (because he can now, without having to hesitate).

You turn to him, daylight in your eyes when you grin your thanks.

His kitchen has an open space, deep wood and black metal detailings as its central theme (the white bread bread basket you made together stands out on the counter, but he’s done that on purpose). There’s a pretty extensive collection of alcohol in his liquor cabinet, along with his very particular coffee set-up right next to his record player slotted in the corner.

On Sunday mornings, Nanami likes to keep his music playing; today, it’s the classic 60’s–’Can’t Take My Eyes Off You’–serving as your background beat, with the soft meows from the cat on his balcony as added accompaniment to the melody.

He watches you sway, his feet tapping along, then you jolt, giggling in surprise when there’s a hiccup in the song (it’s from the scratches on his record, but he can’t bother replacing it with a new one). After that breakdown in your studio, you’ve seemed to loosen up immensely.

“Ken,” you call him, “how much pressure do you usually put into kneading?”

There’s no way to explain it, really, but to make you feel it yourself.

“Let me–” he lets go of his dough, dusting his hands with more flour before coming up behind you.

Nanami is a big man, tall and lean, all chest and shoulders—when he hunches over you, you look so small, delicately tucked into him. Heat rushes to his cheeks, if you turn around you’d see pink; the music is drowned out by his heartbeat.

He leans forward, palms clasping over the back of your hands, fingers slotting themselves between the gaps of yours.

“Like this,” he pushes down, his chest pressed against your back. To get a better look at the dough, he tilts his head to the side, nearly slotting it by your shoulder, “Can you feel it?”

You hum, your swaying gone. He’s trying hard to focus on the bread, but when you turn your head to face him, the tip of your nose touching his cheek, he stops.

The moment is tense, drowned into silence despite the music playing in the background. He can hear your every breath.

“Thank you,” you whisper.

Nanami knows it’s for many things—for agreeing to the sculpture, for spending time on it; for this Sunday morning, for being there when you needed someone the most. But that’s not the whole point of this, he thinks. It’s how you sound, voice heartfelt and filled with something else—a kind of affection he’s all too familiar with himself.

This must be what you mean when you say you can tell if clay has been molded with love.

In the quiet, Nanami’s hands move loudly.

He holds you gently, just like he always has, but it’s a permission every time—like he’s asking if he can touch you, love you in ways you aren't used to.

Your apron falls to the floor, followed by your skirt, the fabric pooling by your feet. The faded gray t-shirt you wear during studio days is tugged over your head, dropped next to him. He takes his time with you, turning you over, feeling you, knowing you—thick fingers squeezing the sides of your arms lightly as his lips press against your neck.

A gasp escapes you.

Then you move, nimble hands undoing the buttons of his shirt, pushing it open as you feel across the planes of taut muscle on his stomach and chest.

He groans, soft and low, your fingers brushing against his skin, ticklish.

You take a step back and he moves along with you, letting you settle into yourself as you inch backwards, the back of your knees knocking against the edge of your bed. He holds your gaze as you move towards your headrest, your shy smile doing nothing to lessen the butterflies in his chest—you did mention that it’s been a while.

He kneels on your bed, the mattress dipping to accommodate his weight—his slacks have been discarded to the side as he crawls over you.

Beneath him, you look like the very subject art could only wish to replicate.

So, he makes sure to remember all of it—to look close and memorize every detail of you as he dips down, arm planted to the side of your head as his other hand cradles your face, tilting your jaw up for a kiss.

He catches your lower lip between his, running his tongue over it before sucking lightly. You moan, smooth and honey-sweet, bringing him closer with your fingers clasped behind his neck. The room is quiet save for your lips smacking against each other’s, warm and soft as the heat builds between you.

Slowly and tenderly, with the same care you tend to clay, Nanami discovers all your dips and curves; he kneads the flesh of your hips, gripping your thighs as he kisses his way down the slopes of your body.

You squirm in his hold, tugging at his hair when the sensation feels too much, too good.

(But when he reaches between your legs, arms locking your thighs over his shoulders, you realize, nothing could have ever prepared you for this, for him—he treats you as if you are every bit of the art you make, and looks at you like it too.)

Then, Nanami kisses you on the forehead when he’s inside you, lips pressing on the part of your skin that creases when your brow furrows.

A tear drips down your face.

“Should I–” he looks you in the eye, worried.

“No,” you breathe out, a watery smile as you nudge your nose against his chin, “keep going.”

So, he does; he loves you without the applause, with the feel of his hands, leaving no place untouched.

He moves his body against yours.

It’s only after, when he tucks himself into your neck, arms wrapped around you and skin sticking onto skin that you tell him your tears aren’t anything bad.

For the first time in a while, you feel full—perfectly content.

He thinks you should be the final piece to your exhibit.

It’s a grand event, the conference hall decked in some of your previous works; blankets of white cloth drape over the stage—the unveiling of all your sculptures. You’re standing to the side, looking pretty in a long white skirt while Nanami blends among the crowd, far back enough to remain hidden from reporters but close enough to catch your eyes should you look his way.

You present each one, introducing the titles with brief descriptions of the people they’re sculpted from. The reasons for your designs are left primarily up to interpretation, but you’ve explained it all to Nanami—he’s listened to every single one.

Then you present his sculpture, finding him through the crowd. The corner of your lips curl up slightly, the stage lights reflecting on your eyes.

He smiles at you the same.

‘The Undoing’ is what you call it—half-perfect and half-salvaged.

It’s far from your original vision for the piece, but you think you like this more, splitting down the part that’d originally broken off into two different colors. His entire color scheme consists of yellows, greens, and browns—the perfected side of his face appears in clean strokes of coffee, with light yellows highlighting his pointed features. The angles are clean and sharp, his gaze straight and dead-on.

Running down the cracks of the broken half is a sky blue line, an almost glowing effect added to the salvaged side. In a way, it’s an emergence, of the part of him you never thought existed—green wisps like leaves, a life springing from within. You add flecks of gold to mimic light bouncing off his irises the same way sand becomes a glittering sea of sunbeams.

To you, Nanami is warm but cold to the touch, and he’s undone you just as much, has chipped away at the parts of you that have built themselves over years of habits reinforced and untouched.

It is as much you as it is him.

That’s what happens when you love someone, he supposes—an intermingling of souls.

Kraft paper crinkles in his grip as he adjusts the bouquet of flowers behind him, deep red carnations and orange tulips decorated with white astilbe flowers—for when you get down, and he can have a moment with you privately.

Now, he looks at you fondly, shifting his feet from where he’s standing. You search for his face, eyes darting to where you know you’ll find him; he meets your gaze, and you smile brighter, that one look ringing louder than the standing roars of an echoing applause.

a/n: each segment represents the steps to making a sculpture that i tried to parallel with the development of their relationship. V60 pour over is a kind of set-up for drip/filter coffee.

thank you notes: for @mididoodles, this is my very late birthday gift for you midi, but i hope you like it! (this also so happens to be your request for my in's and out's event) 🥺 + @soumies @scarabrat for reading through the first third of this and believing in the vision for this when i was so unsure of it, i love you both 🥺 + @stellamancer for helping me figure out what goes in the 'contains' 😭 + @augustinewrites to scratch the nanami itch 🥺

comments, tags, and reblogs are greatly appreciated ♡

#nanami x reader #nanami kento x reader #kento nanami x reader #jjk x reader #jujutsu kaisen x reader #kento x reader #nanami x yn #nanami x y/n #nanami x you #nanami kento x yn #nanami kento x you #shotorus.writes #shotorus.events #in's and out's event

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running-with-kn1ves · 3 months

Text

Drunken Stupor

A/N: this is based off of that drunken yan gangster idea that I couldn't get out of my head. I might rewrite it or do it differently but this is 4 u my 1 gangster lovin' anon for now!

OG Yandere Gangster Drabble (nsft) w/ da Yan Gangster Ramble

TW: kidnapping, drunken yandere, noncon kissing (no nsft), threats, toxic behavior,

Puzzles, accompanied by whatever news channel you could get through. Paint-by-number pictures, and shitty DVD’s from another time. Horribly thin sheets and an aching back--- you were completely, utterly, and seemingly irrevocably, isolated. The tight handcuffs around your feet only allowed you to hop around the house, barely making it to the front door before you tripped over the rug and nosedived into the cold, black floor.

How long has it been? When was the last time you felt the spring wind on your face? You weren’t even allowed to open the windows, out of your captors fear of you screaming for help, even with him right next to you. He gave you countless things to keep yourself entertained, whether they be knitting grandma-like sweaters or taking up a different artistic hobby, anything that could keep you in one spot for long without the need to move or the option to hurt yourself.

You were tempted to scream, to throw your half-finished puzzle at the wall and destroy the nice room set up for you that once belonged to the lone bachelor-- who, was much later than usual tonight. Your throat was too sore to keep up with the screaming however, and you pushed it to the back of your mind to try again tomorrow. If he came home all of a sudden and found you screaming at the ripe hour of 11 PM, he might do more than just threaten with one of his switchblades.

You hated being around the bastard, feeling so terrified and weak like maybe today would finally be your last-- but at this point, you were going insane being by yourself for so long. Even a nice screaming match with him until your voice finally left you would more desirable than watching another 80s thriller that would haunt your dreams, alone. For someone who wasn’t home very often, he certainly had an extensive collection of old gangster movies, romcoms too even. But you couldn’t put Sixteen Candles on again without wanting to rip your eyes out-- not even one of his five million copies of The Godfather. Who needs that many copies of the same movie?

Your exhausted, beaten-down brain jolted at the sound of someone jerking at the door handle. The door practically thumped with the lock against the wall, dust raining as it was violently ripped back and forth. But then came the familiar jangle of an overloaded key ring, one you had heard most nights for what you can only assume has been the past month.

Finally, your spiked anxiety crashed when you saw those familiar, much-too-shiny-for-a-gangster-to-be-wearing black leather shoes thump inside. You peaked your head out from your sitting position near the opened bedroom door, trying to get a glimpse without getting up and alerting him of your presence. It was inevitable for him to come to you, his kidnapee, but you tried to postpone the smothering for as long as possible. Maybe now was the time to chuck that puzzle.

“You reallyyy gotta hold *hic* on mee…”

Mismatched footsteps trudged, stopping first to hit the corner of what you could only assume was the livingroom loveseat.

“Move outa ma way, couch! ..Even though you… treeat me *hic* badlyy..”

You heard the raking of fingernails on the couch cushions, the clink of a bottle rolling on the ground back and forth. You didn’t dare look back through the door crack. Maybe you should shut it? Lord knows what that would cause him to do, though.

“You still gotts’a hold on me…”

The sing-songy voice came closer, belonging to the madman you dreaded the return of. Within the crack of the door you saw a dark silhouette, the TV casting a face-shadowing glow that made you just an inch more terrified.

“Hey, baby…” He hiccuped.

“Well that’s new,” You started, looking away from him back to your puzzle. “When did I become your ‘baby’?”

He moaned thoughtfully, thinking about your rhetorical question. “After you kidnapped me, I suppose?”

Maybe it was wrong to poke the beast, especially because he smelled like dirty whiskey and had three buttons too loose on his dress shirt, showing a deep scar betwixt his faint chest hair. A vulnerable image he’d never let you witness soberly.

“Hrmmm….” He pushed his entire weight on the door, letting it creak open as he looked at you with a smile.

“I dunno…maybe.” He laughed a little, giving a small snort like a schoolboy hearing his first nasty joke.

You rolled your eyes. Damn, as if you weren’t on edge before, now you were going to have to deal with the equivalent of a murderous toddler who’s been threatening to hurt you ever since you were first brought here. Drunken fools were best left at the bar.

But your icy demeanor didn’t sway his unsettingly good mood, the gangster opening the door all the way to flop onto your (unwillingly) shared bed. He dug his face into the sheets that smelled like you, looking at the back of your head that was pressed against the edge of the mattress.

“Was thinkin’ bout’cha…” He murmurs, tugging at a strand of your hair from behind. “Couldn’t stop talkin’ to the boys, ‘bout how pretty you are..”

The short yanks at your hair to get your attention were becoming annoying, though you didn’t want to give him the satisfaction of glaring face-to-face.

“Told em’ how nice you look when yer sleepin’, when ya brush ya teeth, sayin’ that they’re not allowed to have ya....”

You hummed in response, trying to bend away to get closer to your puzzle. But you could sense the bubbling in your stomach, could feel that something was coming. Whether it’d be a bunch of slobbered kisses or your early demise, you couldn’t tell.

“Oh really?” You asked, knowing he’d been adamant on not saying a word or letting make a peep about your existence in his gang-funded condo.

“Yah, I did. Don’t believe me? Said i’d cut their fingers off, like boss does when some’n fucks up. I’d slam into em, make em watch while I...”

He went quiet, and you thanked whatever made him. Whatever he said, you didn’t want to know; you’d already had enough of an unwilling look into his violent thoughts.

“Well, doesn’t matter now, right... ‘cause now I gots’ya here. Mmph,” You hear him kick his shoes off, his face coming up to bury in your hair. “Smellin’ so good, lookin’ so nice fr’ me… wanting you so bad.”

The sound of him inhaling you, his nose pressed to your neck as he shimmies his head deeper against you like a cat is uncomfortably warm. You feel two hands creep up, looking for your shoulders to push you back and make you more accessible.

The gangster wasn’t normally so affectionate, so quiet and simple when he spoke. You were waiting for it to be replaced by his normal, angrily resentful behavior, the type that’d pull you by the hair to kiss you, that’d rant about the idiots he’d had to deal with for the day at you. But maybe, just maybe, you were in the clear for now?

“You’re acting weird,” You try to jerk away. “I’m not in the mood to entertain you, okay? Just, let me do my puzzle in peace. Go take a shower or something.”

He’s quick to respond, wrapping veiny arms around your shoulders and dangerously close to your neck.

“Nuh huh, not unless yer comin’ with me, wanna show how much I loove you,” His head pops up closer to yours, the stressed crinkles under his eyes making him look older. “Cuz’ baby, you reallyy gotta hold on mee..”

“Stop stop stop.” You couldn’t take the second-hand embarassment of listening him to try to sing again, horribly off key and far too confident in each drawn out word. “What do I have to do to stop you from singing again?”

“I can’t hold it in though. Love’s too strong for you, love.” His disheveled hair, once slicked back in an oily black, now strewn about across his forehead as it nearly covers his eyebrows. He presses his forehead towards you. “Lemme kiss. Told the boys you give the best kisses, lemme prove it..”

“Prove what-- they’re not even here!” You try to go under his arm-barricade, only to be stopped as he practically puts his full weight forward, dragging him with you each time you move.

“Lovin’ you for so long, jusst a kiss, just one kith..” He reaches for your cheek with his lips, ignoring how you whip your head around in retaliation.

“No, no! You stink like a bar and ciggarettes, get off me.”

He grunts in frustration, biting down on his lower lip as his dark, full eyebrows furrow together.

“Let me kiss or i’ll.. I’ll gut you like a fish, my lovely..”

You stopped at that, looking out of the corner of your eye to his pink-tinted cheeks and strong neck that sweated at the sight of you.

He puts a ringed knuckle to your cheek, huffing as his eyes go half-lidded. His suit was all wrinkled from rolling around on the bed, dirty with the day’s work and bar-stench as he forced you back against the end of the mattress.

“C’mon, don’t make me say stuff like that just for a kiss…” He whined, scooting closer. “Maybe I’ll start singing again, y’knoww, if y’don’t come close.”

“Please just… don’t hurt me.” You mumbled, trying to avoid that blank, dark look he often held that came crawling back a moment ago. You didn’t want that sober side right now; this was somehow easier to handle, even if it meant losing your dignity.

“Don’t wanna, never will,” He hums, staring unbothered at your lips, as if he wasn’t holding you tight enough to suffocate. “S’just kiss me, need it bad..”

You looked around, as if there was anyone else looking, trying to avoid the task that made you shiver inside.

But you didn’t get a chance to reject the drunken gangster again, his wet lips coming against the side of your face. He poked the tip of his tongue out, flicking against your lip before going tongue-first into your surprised mouth.

Anytime he had tried to kiss you, to do anything overtly intimate, the most he released was the silent huffs of a man too wrapped up in himself to let you hear anything of pleasure. But now, you witnessed the lewd shlops of his lips against yours, the neediness of the back of his throat, groaning to be deeper inside of you.

One of his heavy hands cradled the back of your head, his stupor not caring (or rather, not noticing) how little you moved, how you seemed to be backing into his large palm that massaged your hair.

“Loved’ya forever, so happy you were so stupid…” He mumbles between licks to the corner of your lip, diving back into the sticky warmth of you. “What kinda… mph, idiot, doesn’t..hugh, report to the police..?”

With his arm once wrapped around you, the gangster takes your limp wrist to his collar, bringing it to hold his loose tie. He makes you drag him closer, guiding your slow and frowning lips in his one-sided makeout session.

“Not’ma fault, making your life so much better now.. N’now, you’re mine.” He grins, a stupid little grin from the alcohol and delusion swarming his head as he consumes you, fingers coming to fiddle with your cotton T-shirt as he draws lines down your chest. “My sweet sunshine, all mine, forever n’ ever.”

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dragon-kazansky · 2 months

Text

Bridgerton shade of blue

Benedict Bridgerton x Female Reader

Benedict bumps into you, quite literally, at a ball while trying to escape his mother's attempts to find him a partner. You decide to humour him with a dance, not realising just how entwined you would become with him. It seems the universe will find every excuse to push you and Benedict together, no matter how much you fight it.

{Masterlist}

{Previous Chapter} - {Next Chapter}

Season one

Chapter Nine - Late night scandals

♡♡♡

"What do you think Bridgerton?"

Benedict turns around to find the artist he had accidentally offended at the gallery the other night.

"This one more to your liking?"

"Mr. Granville--" Benedict raises from his chair to approach the man.

"Perhaps they should take it over to Somerset House so it can be skyed right next to mine."

"I believe I owe you an apology, sir." Benedict says, feeling rather embarrassed.

"Unnecessary. I actually quite enjoy the eloquent stings of your critique. So?" He gestures back to the painting on the wall.

"A touch morose for my tastes," Benedict says.

Henry points to the next one.

"A tragedy. The hound deserved better," Benedict comments.

Granville laughs. "Where is yours?"

"My..."

"Your work," Granville clarifies. "Are you tell me you're not an artist yourself?"

"Well, I-- I suppose sometimes I like to... Well, I mean, I almost--"

"I believe 'yes' and 'thank you' are the words you seek. But either way, you should come by my studio." Mr Granville holds out a small card to Benedict, who accepts it. "The pieces I do for myself are there, and I think you will find my real work far less, um... Oh, how did you put it? 'Cold and lacking inner life?'"

Benedict scrunched up his face as he nodded, still burning with embarrassment. "I shall never live that down, shall I?"

Mr Granville leaves.

Benedict returns to his table where he had been absentmindedly doodling. Eyes. He was sketching out a pair of eyes. Pretty ones. From memory.

He sighs and closes the sketchbook.

♡♡♡

As you sit in the drawing room of the Bridgerton house, as invited by Violet, you discover that she had no idea about the boxing match, or that Daphne had been there.

You keep your eyes focused on the latest Whistledown paper, though you had stopped reading it.

Daphne was playing the piano while her mother interrogated her.

"A boxing match is no place for any young lady." Violet sighs.

"Is it a place for a prince? Was he at today's match, sister?" Hyacinth asks.

"He certainly was."

"It is a loathsome and barbarous form of entertainment," Violet was very displeased.

That was when Daphne took the opportunity to mention you had gone as well, which had Violet looking at you.

"You too?"

You glare softly at Daphne, who gives you a smug little look. Crafty one, she is.

"Anthony invited me," you admit.

Violet looked terribly ill all of a sudden. You were sure she would being this up with her eldest son at some point.

"What about the duke?" Hyacinth asks.

"What about the duke?" Both Violet and Daphne ask at the same time. You eye Daphne curiously from your seat.

"Was he also present?" Hyacinth asked, less enthusiastic now.

"I do not know," Daphne says. "If the duke was there, I did not see him."

Hyacinth leaves the piano to go see what Eloise is up to. She had been scribbling away in her book since you arrived.

You put the Whistledown column down and rose from your seat to seek entertainment near the window. Watching the street was surely more entertainment than listening in on that conversation.

Anthony enters the room and greets both his mother and his sister. You turn and he greets you too.

"Did you truly take your sister to a boxing match?" Violet hounds him.

"Your admonishment will have to wait. I have news," he cuts her lecture short. "Prince Friedrich has asked for my permission to propose." He looks at Daphne.

She stops playing. "So soon?"

"Well, what did you tell him?" Violet asks.

"That I know better than to answer for my sister. I have no objections to the man. People speak well of him. Whatever you decide, Daph, you shall have my support."

You look at Daphne quietly.

"I... uh... I..." She doesn't know what to say.

"You need not decide now," Violet tells her. "You certainly have no known him long."

"Let me know when you have an answer, and I shall convey it." Anthony says to his sister.

"Indeed." Daphne looks at him.

Anthony leaves as quickly as he came in. It was clear Daphne needed time to think.

♡♡♡

When Daphne had pleaded with you to attend the next ball with her, you couldn't say no. There was a sadness to her gaze, and you wondered from where it had risen.

Something had happened between her and the duke, and she had been off kilter ever since.

The ball, like all had been so far, was wonderful. The theme was a little more out there this time, but everyone was behaving quite perfectly.

You were standing with Daphne as she scanned the crowd. Exactly who she was looking for, you weren't quite certain. You would suggest the prince on the account that the duke was apparently leaving London tonight.

The prince could be seen across the room. He was in conversation with someone. You glance toward Daphne, but your gaze shifts as Cressida Cowper comes over. You give Daphne a gentle nudge.

"Daphne." Cressida chuckles. "You look beautiful, as always."

"Thank you, Cressida," Daphne says politely.

"You could have chosen anyone," Cressida says. "You have gentlemen lined up to pay you tribute. Yet you did not hesitate to steal my chance for happiness away, did you? I knew the marriage market would make rivals of us, but I never thought youcapable of being my enemy."

"The man made his choice, Cressida. What did you expect me to do?" Daphne asks.

Daphne walks off in the direction of the prince. You look at Cressida and then walk off in the other direction.

There is nothing you could ever say to her.

You begin to walk alongside the dance floor, watching the couples dance. A hand comes into view, and you turn to see a friendly looking young man smiling at you.

"May I have this dance?"

You take a moment to gather yourself. You had hoped one of the Bridgerton boys would be here to dance with you, but you supposed you couldn't rely on them every time.

"You may."

You go with him to dance.

It seemed Benedict wasn't here.

♡♡♡

Benedict was, in fact, making his way to the studio of Mr. Granville. He was intrigued by the artist.

He finds the address and knocks on the door. Henry Granville answers.

"Mr. Bridgerton."

Benedict stands there a little awkwardly.

"Come in, come in."

Granville lets him in. Benedict enters and follows him. He is led further inside and finds himself in a large room. A circle of easels presented around two nude models.

"I do not know what I was expecting, but it surely was not this." Benedict says.

"Oh, simply a gathering of like-minded souls." Henry tells him. "Here, let me show you what I've been working on."

Benedict is led further inside the studio. He passes a couple of painters discussing war so causally.

"What do you think?" Henry asks.

Benedict walks over and takes a look at the canvas.

"Hmm. It's a far cry from Somerset House, I must say."

"I shall take that a compliment."

They both chuckle.

"And I must say, I'm truly jealous. Is this your life?" Benedict asks.

"There are advantages to being the second-born." Henry tells him. "Heirs have the responsibility. Second sons have the fun."

They both chuckle again.

"So... why not go have some fun?" Henry gestures to the models. He's giving Benedict the chance to epress himself through art.

Benedict picks an easel and sits down.

♡♡♡

As you dance once again tonight, you spot Anthony standing off to the side. He's staring at the opera singer.

You hard heard whispers about him being infatuated with an opera singer, but had no idea if there lay any truth to them.

You continue dancing with your partner.

Benedict was still a no-show tonight, which you found to be rather disappointing. You had been looking forward to another evening of his little quips and teasing.

When the dance ends, you curtsy to your partner and head in the direction of Anthony and Violet. Lady Bridgerton had tries to introduce her son to a rather pretty young lady, but he showed no interest.

"Shall we dance, Lord Bridgerton?" You ask, looking at Anthony.

He turns and looks at you, for half a second, thinking you were another lady his mother was intent on pushing on him.

"Yes, let's." He offers his arm, and you take it. Violet watches you both go. Even if he chose you, she would be pleased, but she knows her son will not take you as his wife. You're his friend who has come to rescue him from her for a while.

Violet downs a third glass of champagne.

"She is persistent," you say.

"Hm?"

"Your mother."

Anthony chuckles softly. "Yes. Quite."

"The opera singer..."

He looks at you.

"Nevermind. Its not my business."

Anthony's expression softens. "I was - am - found of her."

"Yes. I assumed as much."

Anthony sighs. "It's complicated.

You nod and say no more on the matter. Anthony spins you around elegantly.

"Is Benedict not here tonight?" You ask, twirling with him.

"Benedict? No." He gazes at you. "Why do you ask?"

"I just noticed his absence."

"Missing your dance partner?" He teases.

You chuckle. "Am I that obvious?"

He winks at you, and you shake your head with a smile. "I'm fond of you boys. I can't help it when I notice one of you is missing."

Anthony grins. "How lucky we are to have gained such a special friend such as you."

As Anthony gives you another turn around the floor, you spot Colin speaking with Penelope. You smile softly at the sight and then turn your attention back to the eldest brother.

At least you'll have one Bridgerton on your dance card tonight.

As the next dance begins, Anthony keeps your company longer. You're aware this may catch attention from others, especially Lady Whistledown should she be here, but none the less, you dance with him twice.

You soon see that Colin has left Penelope on the sidelines to dance with Miss Thompson, and you also find the prince talking to Daphne amidst their dance.

The dance ends, and you manage to catch sight of Daphne fleeing the ballroom.

Anthony bows, and you curtsy.

"Until next time." He nods his head at you. You smile and nod, taking your leave. You worry about Daphne and intend to go check on her, but you're stopped by another gentleman.

You sigh and realise you'll have to dance with him before you can flee again.

The dance feels like it drags on, and on, and on. You smile, you listen to your partner talk, but your mind is focused on Daphne. She did not look well when she fled.

When the dance ends, you spot Anthony leaving the ballroom. You waste no more time and follow him.

He heads outside. You follow.

"Anthony?"

He turns and looks at you. "Go back inside."

"What's the matter? What's happening?"

"Did you see him?" Anthony asks urgently.

"Who?"

"The duke."

"He is here?"

"He was, and now I can't find Daphne." You realise he's concerned about his sister.

You hear something further in the garden, and Anthony hurries off. You follow him, close on his heels.

What you find is not what you ever expected to see.

Simon and Daphne were not just kissing. His hands were all over her. Her dress had been pulled down. You cover your mouth, though you can not hide the gasp that escapes you.

Anthony runs at Simon.

"Bastard!"

Simon receives a strong punch to the face. He falls to the ground, and Anthony takes another swing. He punches him a third time and then stands beside his sister. You hurry to her other side and checks her over.

"Daphne..."

She is speechless. She has no words for you. They have been caught in a compromising position.

"You will marry her," Anthony declares.

"What?" Daphne looks at her brother.

"Immediately. We can only hope no one saw you take such liberties, and my sister is saved further mortification. You will marry her!"

Anthony is angry.

"Brother!"

"I cannot marry her," Simon says.

"You have defiled her innocence, and now you refuse her hand? I knew you were a rake, Hastings, I never thought you a villain."

"I cannot marry her," Simon states more firmly.

Daphne looks hurt.

"Then you leave me no choice. I must demand satisfaction."

"A duel? Anthony, you cannot--" Daphne begins.

"He dishonours you, sister." Anthony looks at her. "He dishonours you and me and the very Bridgerton name. I have misjudged you, indeed. You have duped us both, but I shall not see my sister pay for my own misdeeds. We will settle this as gentlemen."

"I understand," Simon agrees. "I shall see you at dawn."

"I do not understand," Daphne says softly. "You would rather die than marry me?"

You look at Simon quietly.

"I am truly sorry."

"We need to go, Daph. Before anyone should see us." Anthony says softly.

You reach out for her arm gently and pull her away, Anthony follows you both.

Daphne takes her brother's arm after he begs of you not to say a word about anything. You swear by it, looking him in the eye. Anthony thanks you.

You drift off from them as you enter the ballroom once again.

Anthony approaches Colin and tells him he is taking her home. He asks Colin to take care of their mother. You decide to step in and help. Anthony looks grateful.

Anthony and Daphne leave.

Colin looks at you, but you just smile softly at him and ask him to help you with Violet. He doesn't say anything about Daphne or Anthony.

Neither do you.

♡♡♡

@callmemana - @lilscast - @imgondeletedis - @benedictbridgertonss - @clownsdiehard - @wxnterwidow333

@sillynilly27 - @autumn-slaves - @ben-has-arrived - @ajdelilah - @aadu2173

@booknerdlife - @tamlinrose - @sarahskywalker-amidala - @cheryyluv - @louschan - @lou-la-lou - @cultish-corner

@hopshusushi - @katherinejess - @nannabug - @afunkyfreshblog - @f0x33 - @dd122004dd

@jupitervenusearthmars - @orchiidflwer - @bespinnn - @captainlunaxmen - @winchestersimpalababy - @acupnoodle

@ms-fandomgirl - @fablesrose - @anyaisinyourcloset - @meowzerzstuff - @orchiidflwer - @bespinnn - @crazymar15

@cosmixstar - @bree3parchen -

#Bridgerton shade of blue #benedict bridgerton x reader #Bridgerton #female reader #dragon writes

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praj29 · 2 years

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kingneonfineart · 2 years

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Website : https://www.kingneonfineart.com/

James 'Kingneon' Guçwa was born with a paintbrush in his hand. There was never any doubt in his mind that, one way or another, he would become a professional fine art painter. This was his dream.

After obtaining a BFA in painting, he yearned for more and began additional study as a private student at the Dan Welden Lithographic Studio in Long Island, N.Y., and shortly after, as a painting apprentice in the art studio of the late contemporary painter, Gregory Gillespie, (Fulbright Scholarship, Whitney Museum, Hirshhorn Museum, Forum Gallery, N.Y.C.).

The French post-impressionist, Paul Gauguin, moved to Tahiti to live and paint its people and tropical landscape. Admiring this artist's choice, Guçwa left for the island of Jamaica to do the same.

Business mail : [email protected]

Keywords: modern art prints wall art prints artist painting large art prints vintage art prints art prints online cheap art prints abstract landscape painting river painting lake painting oil paintings on sale oil painting for sale ikea paintings glaze a painting park painting art prints near me abstract landscape paintings boho art prints oil painting sale digital art prints pop art prints black art prints original paintings smith oil the storm painting art prints sale daybreak painting art prints modern large wall painting buy art prints online bathroom art prints oil canvas original oil paintings for sale moth painting painting print painting large

Follow on :

Facebook : https://www.facebook.com/kingneonart

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spiderfunkz · 1 year

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𖦹 ˖ ࣪ artist!gf headcanons

— characters : earth 1610!miles morales, gwen stacy, pavitr prabhakar, hobie brown.

— a/n : more atsv headcanons bc they r currently rotting my brain. again, these are just my opinions on what i think atsv characters would be like if their gf is an artist :) also this is not proofread oops

✶ miles morales :

lovessssss drawing with you and making sketches of each other!! anniversaries would be so cute where you two exchange the you've made drawings. oh!! he'll ask you out on dates where he takes you to his 'secret spot' near the subway and draws your ideas as graffiti art.

he would be so impressed every time he sees your sketch book and compliments you every time by saying how lovely it is and how it should be put in a museum. he would also love learning new art techniques with you and learning your art style.

✶ gwen stacy :

lots and lots of 'whoas' and 'omgs' when she sees you draw. also loves looking at your new art and asking you a butt load of questions, "how long did this take you?" - "how did you even do this? it's so pretty it's unreal." - "i bet you could draw with a crayon and still make it beautiful."

you would have your sketchbook filled with drawings of her, maybe when she's smiling, playing the drums, in her spider-suit, or just her laughing (exactly like that one scene with mile's sketchbook).

✶ pavitr prabhakar :

would be in awe watching you do your work, not saying anything and just admiring you because he doesn't want to disturb you & would literally make a :O face when you show your finished art pieces.

he would be ur number one supporter and showers you with compliments when you finish a piece & he would literally be speechless if you show him all of your art pieces and drawings - "i love that one, ooh and that, and that! i love all of your drawings they are all incredible." AAA he would also love to learn how to draw with you, learning new techniques and styles (i feel like he would be a quick learner and you two would be such a cute duo).

✶ hobie brown :

would definitely say "paint me like one of your french girls!" while posing dramatically in front of you & would volunteer as a model for your art pieces.

towers over you while you draw and takes a peak at your sketchbook while saying something that'll 100% distract you and make you flustered - "that looks really good darling, how did i end up with such a talented girlfriend like you?". his apartment walls would be filled with your drawings because he just loves them so much.

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mistydeyes · 1 year

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opposite occupations

┊ ⋆ ┊ . ┊ ┊┊ ⋆ ┊ . ┊ ┊┊ ⋆ ┊ . ┊ ┊┊ ⋆ ┊ . ┊ ┊┊ ⋆ ┊ . ┊ ┊┊

summary: all the 141 boys have different plans while on leave, each having their own idea of how to spend the time. but when they run into a lovely civilian, they realize that all the long hours, deployments, and trainings worth it.

pairing: 141 x civvie!fem!Reader

warnings: swearing, all fluff :)

a/n: I love me a good little meet cute

┊ ⋆ ┊ . ┊ ┊┊ ⋆ ┊ . ┊ ┊┊ ⋆ ┊ . ┊ ┊┊ ⋆ ┊ . ┊ ┊┊ ⋆ ┊ . ┊ ┊┊

price - florist

Everyone knew that the minute Price went home, he would be making the trek to his favorite cigar shop. It had been one he frequented for years, the familiar sign welcoming him home. Most shops on the street stayed the same. He liked the constancy, the familiarity.

As he rounded the street corner, he noticed a new shop had filled the unoccupied next door. The pale pink awning and rose-tinted glass were a new sight to see. "Sentiments of Carnations" he read as he walked past. He could see through the window that the shop had not yet been opened, noting the smell of fresh paint and empty displays. He wondered what grandma had put their retirement money into this florist shop.

He continued, opening the cigar shops store and smelling the musk of smoke and tobacco. "Ah John, I have your regulars set aside," the old shop owner said with a smile. "Back again for long?" he asked upon his return with a dark oak box. "Just waiting for another phone call from his majesty," he joked and slid over the usual bank notes. "I'll be seeing you," Price said as he opened the door and exited with the familiar chime of the bell.

As he embraced the warmth of the summer England weather, he pulled out one of his fresh purchases, excellently wrapped and balanced. He flipped open his lighter from his pocket and sat down to have his first smoke at home. He closed his eyes and savored the notes of espresso and hickory. As he sat in his small nirvana, he heard the florist's doors open.

He turned as he saw you, a flower behind your ear and a pink apron that perfectly matched the outside of the shop. You were not the grandma he had expected and instead were beautiful, the sun catching your lovely features. You had placed an antique table outside, along with a bucket of a colorful array of flowers adorned with a handwritten tag. You hung a small sign on the table that read, "Take one for a friend, family member, or loved one." You smiled at yourself, proud of the little display. You turned your head and noticed the mature man enjoying his smoke only a meter away from you. You picked out a scarlet carnation and walked over to the man, handing it to him.

"Here, you go," you said as his calloused fingers held the flower delicately. "A flower to brighten someone's day," you said with a smile. "Thank you, although I am not a man for flowers," he replied and extinguished his cigar. "Well, flowers can be for a variety of reasons, a friendly gesture, a gift for someone you fancy, or even something to brighten up your flat."

You ended with a sweet smile and he could feel himself melt on the spot. Something about the floral aroma emanating from the flower behind your ear along with your soft voice and pleasantries added to his current state of nirvana. You were so radiant in this light and he appreciated the kind gesture, especially upon his return home.

"No one to give a romantic gesture to, but thank you," he replied. "Well if that ever changes, my shop opens later this week! The shop's number is on the tag" you said before giving him a small wave and wink. He could hear the shop's door close as you began to set up your display and paint a mural on one of the walls. As he twisted the carnation in his hand, he knew he would be adding your shop to his routine becoming your most frequent customer.

soap - tattoo artist

Soap looked at his phone, making sure he was in the right place. His favorite tattoo shop near his Scottish home had closed and he was taking a recommendation from Ghost.

"She's got an attitude but her work is amazing," Ghost had said before Soap's deployment. He couldn't deny the craftsmanship of her work on Ghost's arm. He marveled at the attention to detail as Ghost proudly shoved off his ornate sleeve.

Soap had an appointment for today, previously approving of the artist's rendition of his vision. A black-and-white thistle, a charm his mother had said. It was commonly known to keep its owner away from danger and bad acquaintances. Something Soap needed on the battlefield.

He pushed the maroon door open, admiring the many gold frames with what he assumed were some of the artists' work. He let out a light chuckle as he noticed a framed sketch of Ghost's sleeve. He was just about to snap a picture when a voice called out, "Hey Mohawk, this isn't a museum."

He turned around to see a woman, a gorgeous one at that. You were wearing a tank top that showed off a collage of various tattoos in different styles. You had been taking a break and relaxed, sitting behind a desk, feet propped up.

"Actually, lass, I'm here with an appointment," he said, walking over to you. "Name's John MacTavish." he finished with a cheeky smile.

"Ah MacTavish, one of Riley's military boys I'm guessing. How's that masterpiece of mine doing?" you joked, Soap didn't know what to say. Were you and Ghost a thing?

You laughed at his pause, "My tattoo, Mohawk. There's no way I'd be shagging his Halloween-looking-arse." Soap appreciated the heads up about your attitude and knew this was gonna be a fun session.

"Looks gorgeous, Sweetheart. Just like yourself," he poked back and you let out a loud laugh, almost doubling over. "Don't flatter yourself, you can go make yourself comfortable in my station over there. Looks like you're only getting a bicep tat, so I better not see your shirtless arse back there."

Soap made his way to where you motioned, sitting down in the black velvet chair. You came in a few minutes later with your sketch and supplies. You closed the scarlet curtains behind you before walking over to prep his arm.

As you sat in relative silence, Soap asked, "So what do the tattoos mean, Lass?" You finished your prep work and were working on the correct tattoo placement. "Travels from around the world. I took it upon myself to get a tattoo in every new country."

With that, you offered him a mirror so he could approve of the sketch and placement. The tattoo rested on his right bicep and he made sure to look at it at every angle and made sure to flex for your enjoyment.

"Alright, muscle man, this should only take a few hours as long as you don't pass out on me," you said and began to tattoo your next masterpiece. During the next two hours, you made conversation about the tattoos meaning, his life in Scotland, and you even shared more intimate details about your travels.

The hours flew by like minutes to Soap as you let him know you were finished. He admired the detailed flower and you handed him some care instructions with some cream. "And your buddy paid for you ahead of time, so you're all set, Mohawk" you replied and Soap got off of the chair.

"See you around, my world-class woman," he joked as he exited the door. You slightly cringed, wondering if writing your number on the tube of aftercare cream was a good idea or not.

gaz - primary school teacher

Gaz looked at himself in his flat's mirror. He brushed a hand over his freshly cut hair and evened out his dress shirt. "Just a favor for a friend," he said to himself as he walked to catch the next tram. Two days ago, an old colleague during his days working with the metro police force had reached out to him. They called in a favor, "Kyle c'mon it's just a couple of primary students, all you need to do is give a little talk about stranger danger." Knowing he had nothing else better to do, Gaz agreed.

As he signaled the tram to stop, Gaz looked at the brown brick building reminding him of his younger days. Gaz walked in, checking in with the receptionist who directed him to the classroom where he'd be giving his talk. He was early, the school had not yet opened but he was asked to have the presentation at the beginning of class before the children's lessons. He admired the walls filled with the artwork of the students, silly attempts at drawing their families. He finally reached your classroom, noting the smiling sunflower on your opened door. He knocked softly and he saw you lift your head to greet him. If he had known you would be so beautiful, he would have not needed his friend's encouragement.

"Ah you must be Sgt. Garrick," you said, beginning to get up from your desk to greet him. You smoothed out your skirt and placed your glasses down. "It's just Kyle," he said and returned your friendly smile and warm handshake.

"Well Kyle, the children should be arriving in a few minutes. I'll get them settled and introduce you for your small talk today," you said with a grateful nod. You motioned for him to sit at your desk as you stood at your door to greet your excited second-year students. Gaz played on his phone and smiled as he heard you return the children's happy good mornings with a similar high-energy one. The students began to file in, placing their bags in their cubbies, and sitting with their friends. You heard small whispers from the children, wondering what you were doing at their teacher's desk. He let out a chuckle when he heard one boy whisper, "Is that Miss Y/N's husband? He's sitting in her chair."

Finally, with all the children in their seats, you walked to the front of the classroom and greeted your students warmly. "Good morning everyone, today we have a very special guest with us. This is our friend, Kyle, and he's here today to tell you all a little something before we start our lessons."

Kyle knew this was his cue, he rose from your desk and swapped places with you at the front of the room. "Hi everyone, today I'm going to teach you smart kids about something called 'Stranger Danger'." The children oohed in response as Kyle waved his hands in a fake menacing manner. You smiled as he was a natural. The children were attentive, writing down the information as he spoke and working together with their classmates to fill out the worksheet answers. Kyle ended his talk and asked if anyone had any questions. One child raised her hand and Kyle called on her. "Is Miss Y/N a stranger? I'm confused."

"I'm your teacher, Amelia. Teachers that you know aren't strangers," you responded and Kyle nodded in agreement. Another kid raised their hand and asked, "But you aren't Kyle's teacher, so you're a stranger to him."

Before either one of you could respond, his friend boasted, "It's because they're married, your Mum and Dad aren't strangers to each other." Both you and Kyle shared a look and he saw the soft blush rise to your face. "Ah we're just friends," he said and saved you the embarrassment.

Little did Kyle know, his email would chime that night with a thankful message from you along with your number at the bottom asking him to breakfast that weekend.

ghost - veterinarian

Unlike most people, Ghost loved the quiet ambiance of London's rainfall. The streets were empty and peaceful as people were cozying up in their homes with a blanket. Enjoying the evening air and cold, he walked with an umbrella in one hand and a warm cup in the other. His boots resounded on the cobblestone street as he sipped his Earl Grey tea. His chest was warm from the bold citrus and bergamot liquid. This was, in his opinion, an ideal leave well spent.

The rhythmic rain fell and his walking was interrupted by a soft mewing. Simon hurried down the street to find the source of the noise. In front of a grocer's, he noticed a small cardboard box being drenched by the unrelenting rain. He placed his cup down and gently lifted the box. Underneath was a small grey cat, cuddled into a ball to experience some semblance of warmth. Simon placed his umbrella to shield the box and lifted the tiny meowing animal into his hands.

As he cradled the cat to his chest, he heard a click of heeled boots behind him. He turned his now-drenched head to notice you walking up with a bright orange umbrella adorned with cat paws. "Excuse me, Sir, but is he yours?" you asked gesturing to the ball of grey that laid meowing in his arms. "Uh he's not, I found this little fella underneath this box here."

"Ah a Good Samaritan, I see. Well, I own the veterinarian shop down the way, I can take him off your hands if you'd like and make sure this little lad gets the care he needs," you said and offered a hand to hold the kitten. You noticed his slight hesitation and said, "If you'd like, I'll give you my card so you can take the little one home when he's all better."

"That would be nice," he smiled underneath his black face mask. Simon loved animals, never being permitted to have one as a child. As you held the kitten in your arm, you handed him your umbrella. He initially tried to refuse but you insisted saying, "You're soaked, I'll be alright." You ended with a small giggle which made Ghost warmer than his now cold cup of tea.

"The least I can do is walk you back to your shop," he replied a little too quickly. He instantly realized the surprising force he had said that with and followed up with, "You know, just so you and Earl Grey can make it there in this weather.

"Earl Grey, I like that. That's my favorite order, especially on days like this." Simon moved slightly behind you, holding the umbrella to shield the three of you on your walk. The air was filled with the familiar scent of rain and the notes of your floral perfume. "I'm Dr. L/N by the way, but most people just call me, Y/N," you said as you continued on your way. "I'm Simon, a pleasure to meet you doc."

Three weeks later Simon's house was filled with all the necessities for a new cat father. As he grabbed his coat, he pulled out a water-stained business card with the vet's office address and your number written on the back. He smiled to himself as he traced his fingers over the small handwriting saying, "To Earl Grey's owner, fancy a cup of tea with me?"

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brandchimes · 4 months

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Do you dream of transforming bland walls into captivating canvases? Imagine vibrant murals whispering stories, playful characters igniting joy, or elegant textures adding depth. It's all possible with Brand Chimes, your local hub for exceptional wall painting artists near you!

#3D Wall Painter near me #Wall Art Painting #Wall Painters in Delhi #Wall Painting #Wall painting artist near me #Wall Painting in Delhi NCR

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wanderingsoul6261 · 20 days

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Credit for gif goes to esqueciment-o

Title: Heavenly Skies

James beaufort x Reader

Warning: hella sad. Mentions of death.

The entire school could name two people who haven't been there for an entire week.

James Beaufort and Y/N.

Lydia had also been gone for a few days, and she would be seen coming and going with a large workload. But the other two have not been seen.

The entire school as a whole about where the two could have gone. The entire scandal was that maybe they had decided to elope to get away from their families. That they had been stripped from their statuses within their families and were left on their own.

Little did they know, that that was far from the truth.

Reluctantly, James parents had allowed him to stay with Y/N's parents as plans were made. Their parents had allowed an arranged marriage between the two, helping strengthen the connections between the two families. In the meantime, James and Y/N had plenty of time to get to know each other, eventually falling in love.

It was rare amongst arranged marriages, in which both parties felt the same mutually about each other on the topic of love, but the two had made it work.

James was sitting in a study within the manor that belonged prominently to Y/N. Book shelves, filled mostly with classics, lined one of the walls. His head turned to the other wall, where canvases, filled, empty, and half filled, lined the wall and floor. His heart swelled as his eyes traveled over the paintings, taking in the sight of them. Most of them he had seen already, as the two of them had spent alot of time here. He would watch while she painted, often joining in and attempting his own paintings. James wasn't anywhere near as good as she was, but Y/N always told him that he did a fantastic job no matter what.

A smile came to his face as a tear rolled down his cheek, remembering the conversations.

"You did good, James! I swear on it!" Y/N had leaned into his side as they stared at his painting. It was a landscape painting, and for a person of no experience, he did well enough. She her arm around his, her other hand coming up to rest on his bicep.

James had looked down at her, a small smile on his smile.

"I don't know love. It doesn't compare anywhere close to yours." His eyes drifted from her to the paintings surrounding the room. "And yours are astonishing." He said, finally looking back at her. The corner of her mouth quirked up.

"Do you know how many artists out there in which people thought they weren't good enough? And look at where they are at now. Sure, most are dead now. But, I'm just trying to prove my point. It might not look the greatest to you in this moment, but I adore it."

James scoffed. How ironic it was in this moment. His eyes trailed from the floor to the two paintings centered on the wall. It was the two paintings they did that day. He took a few steps close to the wall, his eyes moving over the two paintings, his heart thumping against his ribcage. James lifted his hand, his fingers gingerly tracing over the details of her painting.

His phone vibrated in his pocket, knowing that it was likely either Lydia, telling him about what everyone is saying about him and Y/N at school. Or it was quite possibly Alistair or Cyril, checking in on him.

It didn't matter, because he was ignoring his phone. And he had been all week.

James moved from the wall, never taking his eyes off, as Y/N's mother walked into the room.

"Oh, James. I didn't think you were still here." She said. The exchanged soft smiles as they gazed around the room.

"You feel closest to her here, don't you?" She asked. James let out a heavy sigh, his eyes fluttering as he gazed at the floor.

"I do." He said quietly.

"There isn't anything wrong with it, James. Me and her father sit in her often." James looked up at her, tears swelling in his eyes and in this moment, he decided that he would allow himself the ability to be vulnerable.

"Why her." His voice sounded thick. "Of all the people in the world. Out of everyone on this entire planet. Why Y/N?" He croaked, the tears rolling down his cheeks. Her mother had her own tears rolling down her cheeks. She shrugged, shaking her head.

"We ask ourselves that every night." She said, a sad smile on her face. James took a few staggered steps towards her, before allowing himself to collapse against each other. They hugged each other tightly.

"She loved you James. Don't forget that. And tomorrow, you'll get your chance to tell her how much you love her back." She whispered.

------

James had arrived to the funeral home early with Y/N's parents. Lydia and their parents would be following behind them.

He made a b-line to the casket. There she lay, herself and everything she had been on full display. Tears already began to swell in his eyes as he neared it. He thought he was ready, but with each step he took closer to the casket, the more difficult it became.

Once beside it, he stared down at her. Just as beautiful as the last time he had seen her, which was only about a week and a half prior.

She had met him on the lacrosse field before he started practice. They had bid each other a Goodnight with a kiss to go.

It was only a few hours later that James heard about the accident.

Y/N and her chauffeur were killed in a drunk driving accident.

James put his hands on the edge of the casket, unsure if he would be able to stand on his own.

"Your mother told me you loved me. Always knew you could never resist my charms." He teased quietly. James drew in a shaky breath before swallowing thickly. Tears pricked the corner of his eyes. He glanced down at his feet. James slipped his hand inside the casket, letting it rest on hers currently resting on her stomach.

"I know you know this already." He started, his thumb gently rubbing along the knuckles of one her hands. "But I love you, Y/N. And I always will." James smiled, gazing softly down at her face. Her expression was so peaceful, and it was almost as if nothing happened.

Oh how he hoped that she had only been asleep.

More tears rolled down his cheeks and dripped onto the dress she wore.

"You'll paint some more heavenly scenery for me. Right?" His voice grew thicker, and he drew in a shaky breath. James blinked the tears out his eyes before closing them. He imagined her voice and laughter. It was followed by a gasp, as he started crying.

He leaned over the casket, his hand moving from hers to her face. James pressed his forehead to her own, his tears dripping his cheeks and onto her own.

He was suddenly aware of others in the room, and he had only expected her and his parents to have filed in. Were his parents really there for him. Or were they only there to save face? He rubbed his thumb gently on her cheek.

"Nothing at Maxton Hall could have prepared me for this." He said quietly. "Nothing could have prepared me for losing you. My heaven here on earth." James eyes drifted across her face, just hoping that it was a sick joke and she would open her eyes right then and there. That she would wrap her arms around him in that moment and console him, telling him that everything would be okay. He wanted everything to be okay. "Y/N. The one good thing I truly believed in." He brushed his lips against hers.

"You will continue to be that one good thing in my life. No matter where you are." He said softly, sniffling quietly. James stood upright, never taking his eyes off of her.

"I love you, Y/N. Paint the skies for me."

------

Taglist:

@honethatty12 @lifeonawhim @ashamedtobewhitemanswhore27 @maryvibess @avada-kedavra-bitch-187 @imasimptoowth @wheredidmyeyesgo

#james beaufort x reader #james beaufort #maxton hall

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signsandartwork · 6 months

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Coloring the City The Renaissance of Wall Murals in the UK

Embark on a visual feast as we delve into the resurgence of wall mural painting in the United Kingdom. Witness the transformation of urban landscapes through the lens of artistic innovation and community collaboration. From bold, contemporary designs to thought-provoking social commentaries, explore how these large-scale masterpieces redefine the aesthetic of our cities. Join us in celebrating the artists and communities behind this mural renaissance, as we showcase the power of public art to inspire, connect, and beautify the streets of the UK.

Beyond the Canvas: The Stories Behind Wall Mural Painting in the UK

The fascinating world of wall mural painting in the United Kingdom, where every stroke tells a story. This blog unravels the narratives woven into the fabric of these monumental artworks, exploring the cultural, historical, and social themes that inspire the talented muralists. From the iconic landmarks of Manchester to the hidden gems in Bristol, uncover the tales behind each mural and gain a deeper understanding of the artistic tapestry that graces the walls of the UK. Join us as we unveil the untold stories that make each mural a captivating piece of public storytelling.

#traditional signwriters near me #sign writing #chalk board menu art #chalkboard sign writer #hand painted sign #sign writers london #chalkboard writing #mural painter london #wall mural painting in uk #best mural artist uk #hand painted sign in london

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darkficsyouneveraskedfor · 9 months

Text

In Abstract 1

A sequel no one asked for. First Series: Portrait of a Dangerous Man

Warnings: noncon/rape, some violence, blood, alluded murder (for now?), grief, confusing, criminal allusions, some untagged extreme events.

This is dark!mob!Clark Kent x reader and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Synopsis: You adjust to life with Clark, thought the past won't seem to let you go.

Character: mob!Clark Kent

Note: I don't know where this came from.

Thanks to everyone for reading and thanks in advance for all your feedback. :) I appreciate your comments and enthusiasm! Reblogs help and are like candy, so please, feed me.

I really hope you enjoy. 💋

<3 As usual, I’d appreciate if you let me know what you think with a like or reblog or reply or an ask! Love ya!

A speck of red. A speck of red in a sea of blue. From the observer's eye, one would not notice. But the creator, the artist, the start error is obvious. No inadvertent, but entirely deliberate. A reminder of what it cost you.

You close your eyes and the fleck of blood sears in your mind. Like the site of your boyfriend gasping his last breaths. Ex, now. For a while. It feels like yesterday yet no time at all.

You shiver and hug yourself through the white cashmere. The sweater offers little warmth in the cold house. The glass doors look out onto the white lawn, a fresh dusting of snow trims the covered pool and blankets the landscape. It would be beautiful to any who did not know the sinister secrets of this place. The crimes witnessed by these walls alone.

You turn away from the portrait hung above the gaping fireplace. Even the crackling flames cannot warm you. There is no comfort in this house or the man who resides there. A warden, a maniac, a murderer.

You near the glass doors, eyes drawn to how the snow gathers in corners. The thin sheet of frost that cakes the panes and the fog of your breath as you stand close. The world outside is obscured by your own existence.

Silence. Stillness. Distance. Isolation. The vast grayness of your small world trapped behind a transparent wall. You touch the handle, feeling the cold metal, gripping it tight. A sudden urge to run out and dive into the heaps.

"Dinner tonight?" Clark's voice claps like thunder through the lull.

You gasp and recoil from the door. You turn to him, hugging yourself as much out of fright as the temperature. You step away from the door and your yearning for escape.

"Dinner," you repeat, your hollow voice echoing off the high ceilings.

"Yes, your mother is coming to town? We'll get her from the airport and take her to Elliston's?"

"Are you asking or telling?" You mutter as you drop your arms, tucking your hands up the cuffs.

You sweep away, crossing to the archway that opens into the spacious kitchen. You go to the counter and flip up the lid of the coffee machine. You focus on the rack of pods. It's habit more than anything, often you let your cup go cold, basking in the scent but too numb to taste it.

He follows. You sense him. Like you always do. Always hovering. Always watching.

"Don't be like this. You've been looking forward to her visit."

You grumble as you pick out the cinnamon cookie pod and shove it in the top. You shrug. Not really. You only ever play the part he wants. Move your brush to his whim, streak the paint by his word, lay on your back as he gets what he wants.

"And I have been too. I can't wait to meet your family. All of them."

Your chest winds tight. You can't tell if it's a threat or genuine. He is always hard to decipher. If you had ever been able to see through him, you wouldn't be standing there, trapped in his house, in his grip.

Five months. Five months in your cell. Five months with Marcus' blood on your soul.

"I'll get a room ready," you put a mug under the spout and hit the brew button.

He lurks closer. You stare and wait for the drip to begin. He puts his hands on your shoulders, the fabric turning course beneath the weight of his grasp.

"Nina's already working on it," he growls into your crown, "don't act so hard done by…"

"I'm not," the trickle spits out and hits the porcelain sharply.

"I give your more than he ever–"

You tear away from him, sliding along the counter as you spin to face him. He clucks and tilts his head, slowly pivoting towards you. The anger cordons in his cheek.

"I told you…"

He scoffs. "You're right, he was nothing. Not worth talking about. Sweetheart, it was always going to be me."

You clamp your lips shut as your eyes sting. He doesn't wake up every day in horror, he doesn't sink into sleep like a stone in mud, he doesn’t know what it is to live in black and white when the world used to be painted in a million colours.

"I'll confirm what time she gets in."

He sighs and crosses his arms. You look down at the white sweater and unroll the crumpled hem. You didn't wear cashmere before, no silk, no satin. Just cotton and tweed. Now you wear what he tells you to.

"Find something to wear for dinner," he demands, "and after."

He crosses the pristine tile and you look at him in the face, eyes glossy and pathetic. He kisses your forehead as his hand comes up to your chin, his thumb stroking your lips. He inhales your scent and lets out a growl.

"Wear the diamonds," he demands.

He lets you go and leaves you there. You watch after him as he stalks off, checking the time on his wristband. He clears his throat as he turns out of your sight. Your vision blurs to a muddy blur.

The coffee machine dings and brings you back. As much as you love your mother, how do you explain this to her? Lies are easier on the phone, but face to face, the truth is clear to see.

🎨

Your mother pulls you into a hug, her suitcase forgotten at her side. It's been almost a year since you last saw her. You and Marcus made a rare trip down for her birthday. As solitary as she prefers her life, she cherishes your rare company.

"Tweety bird, it's been so long," she hugs you, swaying you with her. She releases tou and holds you at arm's length, "don't you look like a dead mouse?"

"Ha, yeah, I was up late… painting," you smile thinly.

"Never change," she chides as you sense a shadow approach. Clark grabs the handle of her suitcase and rolls it towards him as he puts his hand on your back. "Oh, who… is this?"

"Clark," you try not to show your frustration. Your mother's always been a touch flightly, "I told you about him."

"Ah, yes, oh, that Marcus," she tuts and shakes her head, "couldn't believe it when you said he ran off but then again, I wasn't unhappy."

"Mom," you sniff.

"Well? He always left his dirty socks on the couch."

You bite the inside of your cheek. You'd rather not talk about him. You fear she'll see right through your story. Clark takes his hand off your back.

"Nice to meet you–" he begins.

"Don't be silly," she pulls him into a hug, an impressive feat as she is rail thin, "you must be the one saving my gal from heartbreak."

"Um, sure," he snorts, "you're Janine?"

"That's the one," she pulls back and fixes her wild waves, "I'm afraid she hasn't given me more than your name."

"She's been busy. Commissions and all," Clark puts on that perfect act. The gentleman with all the charm. The one you fell for. "We hope you're not too tired, I suggested a reservation for dinner…"

"Oh, yes, please, I'm starving. That airplane food is better avoided," she trills, "besides just ask Tweety, I'm mot much of a sleeper."

You shake your head in confirmation and she grins wider. Clark rolls her bag around and waves his arm ahead of him, "ladies."

"Oo, finally got yourself a gentleman."

"Mhmm," you hum as you start forward, "something like that."

🎨

You watch the wine flow into the glass, filling the belly with a rich burgundy colour. Your mother looks around emphatically as Clark gives a curt nod of dismissal to the server. You're left to peruse the menu.

“Wow, this is a fancy place,” your mom comments as she opens the leather folio containing the menu, “where was it Marc would take us? Denny’s?”

You give her a look. It’s strange, you’re mother was never one to turn her nose up at simplicity but there were some very specific sticking points when it came to your boyfriend. Ex. Or maybe money really does corrupt all.

The wine is stringent. You don’t like it. You take a hefty swig and set the stem down heavily. Clark gives you a look. Right, he has his curated image, you have to fit into that.

“So mom, how was your flight?”

“Ah, it’s fine. But I was sat next to this skinny fellow. So nervous. Jittered the whole way. I had to close the window because it made him sick. So I took a nap.”

“I hope you don’t mind shacking up with us. I thought of a hotel but we have more than enough room,” Clark suggests, “after a long day, I’m sure you’d like to just relax.”

“With us? You live together?” Your mom raises her brows.

“You knew this. Remember?”

“No, you said you moved out of your apartment, I don’t remember a where or with who. This is moving fast,” she says, “definitely not a rebound then?”

You cringe. Clark is a better actor than you. He laughs. Or maybe it is really that funny. Laughing at your dead ex and the ensuing predicament. You take another gulp of the disgusting wine.

“Well, the salmon looks interesting, “but I do prefer halibut…” she mulls over the listings, “oh, prawns. Tweety, don’t you remember when you drank all my vodka and puked up seafood all night?”

“Mom,” you swallow.

“Tweety, that’s an interesting nickname,” Clark says, opening the door for further humiliation.

“Ah, yes, well, funny story.”

“Not really,” you intone.

Your mother ignores you as she closes her menu and rests it on the table in front of her. “Her aunt used to give her Tweety Bird everything. Pajamas, stuffies, notebooks… she hates Tweety Bird. Always has but she was too nice to tell my sister so she had this little collection. I bet it’d be worth a bit now. Vintage and all that.”

“Oh, Tweety,” Clark echoes, “interesting. Cute.”

“Yellow did always suit her.”

“Anything suits her, doesn’t it?” He puts his hand over yours, “I tell her all the time. She makes paint stains look incredible. You wouldn’t believe it, at the end of the day she walks out of the studio looking like, uh, what’s that artist that does the splashes?”

“Pollock,” you answer dully.”

“She was always obsessed with men with too much time and not enough talent,” your mother remarks, “art, I’m just happy she isn’t still working at the coffee shop.”

“That was like six years ago,” you retort.

“Still, you have a degree, you should use it.”

“And she does,” Clark assures, “she’s wonderful at what she does.”

“Aw,” your mother almost fawns, “you’re such a sweetheart. Where did she find you and where do I get one?”

You barely restrain from rolling your eyes. Clark basks in the praise. You empty your glass and feel the slosh in your mind. It might be a bit too much but the wine makes the nights go quicker.

You decide on a salad. You’re not hungry. Your appetite is scant at best, food is a necessity, not a joy. Like much of your life now. It makes you miss those numbers you thought were so dire. The easy life of putting numbers in boxes and putting frozen lasagna in the oven.

The server returns and you turn your attention to his convenient arrival. You need the distraction. He nods to your empty glass and you see how Clark takes notice as well.

“Did you require more, mademoiselle?” He offers.

“One will do until we have our entrees,” Clark insists, “no good drinking on an empty stomach.”

You smile and take the stout glass of water from beside the stemmed glass, “thank you. He’s right.”

“Do we know what we’re having?” The server asks.

Clark defers to your mother with a gesture. She orders first. Halibut with the seasonal vegetables. Clark has his usual filet mignon, and you get the cobb salad. You hand over your menu and sit back, twiddling your fingers in your lap.

“Salad,” your mother comments, “when she was a teen, I couldn’t pry the onion rings out of her hands. Now look at her. It’s catching up, isn’t it?”

“Nothing wrong with being mindful,” Clark comments as he brushes his fingertips along his thick beard. He’s let it grow out, his hair too, the curls spiraling past his ears. “It’ll save room for dessert, they have a delicious creme brule.”

“Mmm, amazing–” your mother’s voice catches and she looks past you.

You don’t react right away as another serve sneaks up on you. Clark reaches behind him with one hand, covertly as if trying not to give himself away, and brings it forward as you peek up at the woman all in black. She giddily grins and backs up.

Clark takes a breath and pushes back his chair as he rises. He turns and kneels as the server hovers nearby, hands clutched together. Several other tables hush and servers look up from their work. You feel time halt as your ears ring.

Clark presents a red velvet box as your mouth falls open. For those strangers all around, those who don’t know about you or him, it must look like shock, even glee. But it's thrumming, crashing terror. No. No. Your eyes pinpoint on the large diamonds as he reveals it, three rings of smaller ones around the large.

You look up over his head then over at your mother. She dabs her eyes and covers her mouth in disbelief. You wobble as you turn back to Clark. His voice rumbles in your ears but you can’t make out the words. You blink. And blink. And blink. Gaping like a dead fish.

“...marry me?...”

His question hangs before you. You could keel over and shrivel up. You could stand up and flee. Run until you can’t stop. You close your eyes and see the blood spurting from Marcus’ chest. The image of your mother’s face flits across your mind, replacing his. You won’t let him hurt her too.

“Yes.”

The voice is not your own. It can’t possibly be because you can’t feel it on your tongue but it tickles in your ears. Clark snatches your hand and forces the diamond on, standing as he tugs you up and pulls you into an embrace. He tilts your head and kisses you. The fairy tale he writes for the onlookers is nothing more than a cautionary tale.

#clark kent #dark clark kent #dark!clark kent #clark kent x reader #au #mob au #fic #dark fic #dark!fic #in abstract #series #dcu #dc #superman

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jadeittic · 11 months

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MUSE.

“Your words are my food, your breath my wine. You are everything to me.”

Carmen “Carmy” Berzatto + Artist!Fem!Reader

note : a small blurb for my favorite boy again cuz i cant get him out of my mind. lmk if u have any reqs! :)

In a bustling city, where creativity and gastronomy intertwined, there existed a love story that transcended the boundaries of personality. YN, an artist with a whirlwind of emotions, and Carmy, a stoic, introverted chef with an unyielding passion for food, found their lives intertwined in the most unexpected way.

YN’s vibrant art studio was a haven of color and inspiration. Her days were filled with laughter, conversations with her friends, and the rhythmic strokes of her brush. Her artwork, an extension of her expressive soul, captivated the hearts of art enthusiasts from near and far. She reveled in the joy of sharing her passion, breathing life into her canvases with every stroke of her paintbrush.

Carmy, on the other hand, found solace in the realm of flavors and ingredients. His restaurant, The Bear, became a sanctuary where he could let his culinary genius thrive. With unwavering determination, he crafted dishes that were unparalleled in taste and presentation. He poured his heart and soul into every recipe, channeling his stubbornness into creating gastronomic masterpieces.

Their paths crossed one evening at a charity event, where YN’s vibrant artwork adorned the walls, and Carmy’s delectable creations adorned the plates. Drawn to the energy of YN’s presence, Carmy found himself captivated by her contagious laughter and genuine enthusiasm. Despite his introverted nature, he couldn't resist the magnetic pull she had on him.

Intrigued by Carmy’s stoic demeanor and the unwavering confidence in his culinary skills, YN saw beyond his silence. She sensed the passion and dedication radiating from him, much like the flames that danced beneath his pots and pans. YN, with her boundless energy, brought colors to Carmy’s monochromatic world, and he found himself enchanted by her unfiltered comfort for life.

As their love story unfolded, they discovered a beautiful balance in their differences. YN’s enthusiasm coaxed Carmy out of his shell, encouraging him to share his culinary expertise with the world. Meanwhile, Carmy’s calmness and introspection grounded YN’s allowing her to channel her creative energy with focus and purpose.

Together, they embarked on a journey of culinary and artistic exploration. YN’s paintings adorned the walls of The Bear, creating an ambiance that resonated with patrons. In turn, Carmy’s mouthwatering creations became a muse for YN, inspiring her to infuse her art with the flavors and emotions that his dishes had.

Their love grew like a symphony, with each passing day revealing new harmonies and melodies. The pair celebrated each other's successes, finding solace and comfort in their shared devotion to their crafts. Their relationship became a tapestry of passion, understanding, and unwavering support, each embracing the other's uniqueness.

In a city where artistry and culinary genius thrived, YN and Carmy’s love story stood as an evidence to the power of connection beyond personality types. Their journey proved that love can blossom in the unlikeliest of places, uniting two souls whose passions complemented each other, painting a picture of a love story that transcended all boundaries.

#carmen berzatto x reader #carmen berzatto fluff #carmen berzatto fanfic #carmen berzatto fanfiction #carmen berzatto fic #carmy berzatto #carmen berzatto imagine #carmen berzatto x you #carmen berzatto one shot #carmy berzatto imagines #the bear x reader #the bear imagines #carmy berzatto x reader #carmy berzatto fanfic #carmy berzatto fanfiction #carmy berzatto imagine #carmy berzatto fluff #carmen berzatto angst #jadeittic

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the-modern-typewriter · 1 year

Text

The Art of Turning 30

“So, am I allowed to talk?” Annabelle gave an awkward little laugh, that she immediately wanted to stuff back into her mouth. “I’ve never done this before!”

“You can talk.” Julian flashed her a quick, reassuring smile. “At least until I tell you not to.”

They both laughed, then. Julian’s laugh was not awkward.

It was six months until her thirtieth birthday.

She had met him at her girlfriend Camille’s twenty-ninth birthday party, a few weeks ago, only to be surprised that they’d somehow never crossed paths before. London was big, but it wasn’t that big surely, and Julian was an artist.

Annabelle felt like she spent half her free time at artsy bohemian parties and amateur gallery openings, though maybe that was why. He wasn’t an amateur, was he?

She’d looked him up online after and seen several shining reviews of his first exhibition, and a rosy buzz of anticipation at what he’d do next.

She remembered that buzz. People used to get that buzz when they talked about her. Apparently, his work was ‘visceral’ and ‘felt startlingly alive’.

It seemed impossible that he wanted to paint her, of all people.

Annabelle shifted on the stool, glancing around Julian’s studio space as he finished setting up his easel and paints. Oils. He’d said he was using oils. That mattered in painting, didn’t it?

The studio was everything she’d always imagined a professional artist’s studio to be. It was quite large, with clean wooden floors and white walls crowded with stacks of sheet-covered canvases in progress.

There was only one that was ready and visible; a painting of a beautiful blond man, probably nearing thirty too, lounging on the same stool that Annabelle was perched upon. He gazed out at the viewer with a hungry sort of hope. Like they were the best thing he had ever seen.

The studio smelled like drying paint and the sandalwood diffuser wafting its calming scent from the window sill. Sunlight coated the room like honey, or gold.

“You’re not going to make me look ugly, are you?” she asked.

He smiled again, meeting her eyes. “I couldn’t possibly.”

He probably flirted with all of his models, but she still felt a blush of heat rise to her face.

He looked like he could be in a painting, or one of those classical sculptures still concerned with archetypal ideals of beauty. Of course, she was with Camille, so nothing would happen…but still. The attention made her heart pound. Camille was usually too tired from work to flirt with her anymore.

Annabelle wasn’t sure how good she’d be at seeing a painting of herself that she hated, and not letting it show on her face. She’d probably tear up. It would be embarrassing for both of them. She shifted on the stool once more, and tugged at the hem of her summer dress.

“This is for your next exhibition?”

“I think I’m going to call it ‘The Art of Turning 30’.”

“Explains why I’m your muse instead of some gorgeous twenty two year old ingenue.” She laughed again. He did not. She continued, even as she willed herself to stop babbling, because he wasn’t looking at her with the expectation that she do anything. He plucked up a pencil, beginning his work. “It’s like, when you’re a woman, after you turn thirty your life is over, right? It’s like with my acting. And then by the time you’re forty all of a sudden all you can possibly be is, like, a mother or a witch. Or, you know, the dead wife. It’s all downhill.”

“You wouldn’t want to be a witch?” He raised a brow. “They always seemed pretty powerful to me. I could see you as a witch.”

“But do you know what I mean?”

“Can you turn your head a little the left, please?”

“What? Oh. Yes.”

She turned her head to the side, towards the window, and hoped the sunshine made her seem younger rather than highlighting every growing crag and wrinkle.

She could only watch him out of her periphery vision now; a wistful muse, seemingly unaware that she was being observed. She tried to look deep and mysterious.

“Perfect,” he said. “Thanks. You’re just perfect.”

The canvas of the blond man fell to the floor with a soft thump.

Annabelle jumped.

“Sorry.” Julian shook his head, another easy laugh on his breath. “The landlord never lets me put proper hangings on the wall here. Says it wrecks them. I guess so long as they don’t do that at the exhibition?”

“I don’t know, you could probably play it off as a stunt…lean into the photorealism.”

“Now, there’s an idea. Genius.”

She probably didn’t look deep and mysterious. She probably just looked smitten.

***

She sat for Julian three times a week for the next several months.

It became a pocket of peace in her life, the hours when it was okay to finally stop and be for a while, because everything else seemed to be hurtling through her fingers faster than she could clutch hold of it.

She’d always imagined that she would be a successful, or at least up-and-coming, actress and screenwriter by the time she turned thirty.

Sure, women only made up around 30% of the directors or writers behind the camera, but back in school everyone always said that maybe she’d be the one to change that. She wasn’t entirely sure when they stopped saying it, but they had.

It was three months until her thirtieth birthday.

“Here.” Julian caught hold of her chin, featherlight, angling her back towards the sun. The days were getting shorter. Time was running out for them both. “You were like this.”

She had got in the habit of always sitting a little wrong, because he’d always adjust her, oh so careful and attentive, like she was his masterpiece.

She would have probably preferred to be her own masterpiece, but being his seemed like the second best option. She could practically feel the ghosts of forgotten, underappreciated female muses-past screaming at her that no, it was always better to be somebody than someone’s, but frankly she wasn’t sure she could be picky.

She’d been getting less and less call backs, and was starting to feel more like she was a part-time waitress dabbling at film than a part-time actress-filmmaker working hours in hospitality to make ends meet.

It was like a window was closing. Her window. That morning she’d found an honest to the devil grey hair on her head!

Camille told her that she was being ridiculous – that she’d become increasingly vain since Julian started painting her.

Annabelle had snapped back that vanity wasn’t vanity for an actress. Her looks were her currency.

It hadn’t always been so hard, had it?

All in all, it didn’t seem like a sin to let him touch her. It was nice to be touched. There was nothing untoward in that.

She peeked up at Julian, standing over her, his star ever on the rise. Their stares met again. He smiled that quick, reassuring smile of his.

“You look tired,” he said softly.

“Sorry.”

“No, no.” He widened his eyes. “I didn’t mean—” he huffed gently, and let go of her. “I haven’t got to your mouth yet. If you want to talk about it.”

Annabelle grinned back before she could stop herself.

It had become a standing joke. She sometimes felt she spent their whole time together talking about herself, but he always said it was interesting and made the hours fly. He was a very good listener.

More privately, she sometimes suspected that he was leaving her mouth for last just so they could continue chatting, but she wasn’t allowed to see the painting to check. The thought was thrilling though.

“It’s nothing,” she said, even if she already knew she’d probably tell him everything on her mind. “I don’t know.”

What would she do when the painting was done? She’d see him at his exhibition opening, probably, but there would hardly be a reason for them spend time together like they did when she was sitting for her portrait.

Maybe it was silly to consider him one of her friends. She’d miss it, though. She’d miss him.

Maybe he’d want to do another one of her, but who was she kidding? Maybe in ten years, when he did a gimmicky but charming follow up. The Art of Turning 40: Where Are They Now?

What did he know about turning thirty anyway? He couldn’t be more than twenty-five. He had loads of time.

“There’s an intimacy,” he murmured, “to painting someone. Especially like this, in the old fashioned way. A lot of people use photographs and quick studies because they’re more convenient and you don’t have to catch the right light, you know? But I love it.” The air filled with their breathing, and the soothing dab of his paint brushes on his palette, mixing up the colours of her. “You really get to know people this way. It adds soul to the work. It’s magic.”

She felt, more than saw, his gaze cut over her again. Her blood was electric beneath his scrutiny.

He continued, softly.

“I knew from the moment we met that I wanted you to be my centrepiece for this one.”

“Flatterer.”

“It’s true!” He laughed. “You have this great energy. I knew you were going to be interesting, and I was right. And you know how to model well. Because you’re an actress, right? You’re used to people looking at you.”

An actress, no ‘wannabe’ or ‘aspiring’ or ‘failed’ tacked on front. She couldn’t help but sneak a glance at him as best she could without turning her head.

“My boss always says I should have more energy, then I’d wait tables faster.”

“What does Camille say?”

“Camille—” Annabelle blinked in surprise, then swallowed. Her hands curled in her lap. She resisted the urge to sigh.

“Uh-oh.”

“No, no,” she said. “It’s fine. I just – she thinks if I’m not happy I should do something about it. She’s always telling me about other things I’d be really good at that have better pay, or more sociable hours.”

“So, give up on your dreams already.”

“Yeah.”

Annabelle deflated. She knew that Camille didn’t mean anything bad by it, but that was what it implied, right? She was never going to be a famous and successful actress or screenwriter, so she should settle for something manageable.

“Well, she’s not a creative, like us,” Julian said. “She doesn’t get it.”

Like us. Annabelle was a horrible girlfriend for feeling a swell of pleasure at that. It was true, though. Still.

“We’ve been together for a really long time, and she’s been really supportive. I think she’s just finding the whole ‘me turning thirty’ thing annoying. Mainly because I won’t shut up about it. Which I’m sure you sympathise with!”

Camille said that anyone who claimed life stopped at thirty was an idiot. There was no limit for potential, no one age where everyone had to have their life together and perfect by.

She was probably right, but Annabelle could still feel the panic of it clawing at her the closer her birthday got. Even if she was successful after thirty, she wouldn’t be one of those young geniuses that everyone had expected her to be. She wouldn’t be exceptional.

She would just be Annabelle. It didn’t feel like enough. Maybe if she could see herself like Julian apparently saw her, it would be better.

“Chin up,” Julian said.

Annabelle cleared her throat again. “Right, yeah.”

“No, I mean.” His voice was deadpan. “Your head. You’ve moved. Drooped.”

She shot him a look over her shoulder. The melancholy shoved itself down again in the pit of her stomach.

He tossed her a wink from behind the easel, to indicate he was joking. Only trying to cheer her up and lighten the mood.

“So, I still don’t get to see what else you’re working on, huh?” she asked.

“I’d have to kill you.” He switched to another, smaller brush in her periphery vision.

She snorted.

“It would be very inconvenient all around,” he said. “Rigor mortis sets in fast. I’d never get the painting done in time.”

“Well we can’t have that. After you’re finished with me then, I suppose.”

“Our art is a part of us, Annabelle.” He shot her another glance in turn, brush poised above his image of her, considering. “So how, then, could I ever truly be finished with you?”

Her breath hitched in her throat. She debated possible responses to that, and how he could have meant it. Her body felt warm and flushed.

He gestured that she angle her head left once more, not looking away for a second himself.

Annabelle turned.

The summer waned outside the window, but in the painting she would still be in her sundress, legs tanned and toes painted sky blue.

Thank god he kept his studio warm. The minutes ticked by, the air between them settling tranquil once more.

“Sometimes,” she said, softly, “I wish we could stay like this forever. Freeze the moment. Is that stupid?” It felt a confessional thing to say. Bold.

“No.” She could hear the equally soft smile in his voice. “It’s not stupid. Isn’t that how I got you to agree to do me this favour?”

She remembered the party; an adult version of what they all used to do, even if it still felt like they were all pretending to be grown-ups. Or at least, Annabelle felt like she was pretending. She didn’t feel twenty-nine.

She’d clutched her glass of wine and hovered near a somewhat strained conversation about mortgages and the state of the housing market, and how none of them were going to be on the property ladder before they were fifty, before she caught sight of Julian coming in.

She echoed his words, and didn’t have to fake her wistfulness that time.

“To be remembered in art is the closest any humans’ get to immortality.”

He echoed the next line back at her. “Doesn’t that sound like fun?”

And she’d said yes.

***

“I’ve got a date for the exhibition,” Julian said, from behind his easel. “A few weeks after your birthday. Short notice, I know. Soz.”

“Ugh, don’t mention the B word. But that’s exciting! Can I come?”

“Of course you can come,” he said. “It’s why I’m telling you. This wouldn’t be possible without you.”

“I mean, while sitting here is terribly difficult,” she said, “I do feel like you should get some of the credit. Just some.”

She heard him laugh.

She’d grown to love Julian’s laugh; he was so ready to do it, at least in their sessions.

She couldn’t remember the last time she’d heard Camille laugh at something she said. Then again, she wasn’t sure the last time she and Camille had spent all that much time together.

By the time Camille got back from a day of teaching, Annabelle was usually already out for the night shift at the pub she waited in. Yet another thing in her life that wasn’t working like it was supposed to!

Camille said that could be worked on if, hey, Annabelle was willing to actually prioritise their relationship.

It had been one of their worst arguments to date.

“There’ll be thirty paintings in total, I think,” he mused, more talkative than normal. “Yours being the main one, like I said.”

“I’m sure you will perfectly capture the raw turmoil of turning thirty.”

He laughed again. It had been one of the most notable reviews of his first exhibition – except the exact wording had been that his work perfectly captured ‘the raw turmoil of adolescence, as an emotional and nostalgic period of change and growth’.

He’d finally caved and showed her some of his previous pieces, other than the ones she’d managed to find online, as a compromise of his refusal to show her how his painting of her was coming along.

Most of the individual pieces from his first exhibit had been sold off, but he’d kept the main one.

His main piece – Girl On Swing – got the most praise, so it had apparently been a bit of a scandal that he hadn’t sold it. He’d had offers.

It was a triptych (Julian’s word) of a girl, unsurprisingly, on a swing.

In the first of three paintings she was a child, carefree and giggling. In the second, a young teenager, her face a storm of emotion. In the final one, she was a young adult, caught mid-leap flying off the swing she’d been sitting on for seemingly eighteen years. Her arms were painted halfway to transitioning to a bird’s wings. She was no longer looking back at the viewer but forward, to all that life had to offer.

Annabelle wondered what people would say about Julian’s version of her.

People liked to fantasise about how amazing being a teenager was when they were an adult, but she hadn’t met anyone who fantasied about turning thirty. It wasn’t nearly as glamorous.

She hoped he made her glamorous.

“Of course,” he was continuing, “with the date so near, we might need a few more sessions to get finished on time.”

She looked over at him again, then, even if she wasn’t supposed to be moving.

The golden light danced across his handsome features, and caught the edges of the canvases behind him. There were twenty nine of them waiting.

“I make a pretty good lasagne,” he said, biting his lip. “If I say so myself. Compensation. If you don’t mind finishing late. There’s also a nice wine I got for Christmas that I really couldn’t drink alone.”

“I don’t mind,” she heard herself saying, before she’d even thought about it. “I don’t mind at all.”

“It’s a good venue,” he said. “A really good venue. Everyone’s going to love you.”

With him, maybe, the window wouldn’t close.

***

“I’m done, except for the varnish.”

The words sent a bolt through her, stirring away the sleepy content that came with posing for an extended period of time. She felt seen. Now, though, she wanted to see. Finally.

It was the day before her thirtieth birthday, and Camille had a massive surprise party planned, that Annabelle was both pretending that she didn’t know about, and dreading like a punch to the gut.

It was sweet that Camille was doing it. But also, maybe, if she didn’t celebrate the date she could still, somehow, be in her twenties for another year. That was how it worked, right?

“You are?” She leapt off the stool, and felt her joints click. “Can I see? I feel like I should have a right to see before everyone else. I won’t tell anyone.”

“It is top secret.” He pretended to consider.

She took the opportunity to relish actually looking at him for once; there was a kiss of red on the cuff of his painting shirt that hadn’t yet dried. It was the exact colour of her lipstick. She smiled.

He really had left her mouth for last.

“Fine,” he said, and gestured her over, eyes bright with amusement. “But only because I know you won’t tell.”

In the short space of walking over, Annabelle had time to feel her stomach clench. Her old fears boiled nauseously to the surface.

What if it was awful?

What if it wasn’t what she wanted, as if that had ever been the point?

What if her immortality looked like the part-time waitress she didn’t want to be?

She would have to keep a straight face, and not hurt his feelings. He’d been working on it for so long. It would ruin everything if he knew she hated it. It would no doubt be technically very skilled. She should have researched painting techniques she could comment on.

She rounded the easel, a little dizzy.

His hand fell on the small of her back, thumb tracing the curve of her hip, idly almost.

She stared.

Her painted self was lovely. So alive, as if thirty couldn’t possibly contain her.

It was not as realistic as ‘Girl On Swing’ though.

She was caught in the motion of talking, hands gesturing animatedly in the air despite her best efforts of posing, and though her face was turned towards the light of the window it was as clear as confession that her eyes were always turning towards him, trying to steal a glimpse.

She looked at him, at the viewer, like he was the best thing she had ever seen.

Camille would see the painting too.

She had already said that she had to come to the opening, especially ‘after all the time her girlfriend had spent with this Julian fellow instead of her.’

Annabelle swallowed.

The perfect bubble burst.

She released a shaky breath, abruptly more aware of his hand through the thin material of her dress.

They hadn’t done anything.

Even the night when she ended up staying over at his, after lasagne and wine, they hadn’t done anything.

The painting made it look like they had, though. She wasn’t even sure she could accuse Julian of exactly making it up, either.

He had painted the truth. Raw. Even when it would have been politer to hide it.

“Oh,” she said. “Wow. Um. Julian—”

“Happy Birthday,” he murmured. “For tomorrow.”

His hand moved up to the back of her neck and all of the colours of the painting swirled and rushed forward to meet her.

“Oh, and Annabelle?” His voice sounded very far away. “This is the bit where you stop talking.”

***

Annabelle had been thirty for nearly a month. Well, not exactly.

They all said that she looked amazing. So realistic.

She couldn’t move. She couldn’t feel her body. But, she could watch, from her frame.

She’d watched as Julian approached her with a paintbrush dipped in varnish – to seal the work – and she’d watched with her world turned sideways as they carried her canvas from the studio to the gallery.

She’d watched as they hung her up on the wall and made comments about her like she wasn’t there at all.

She’d screamed, too, or tried to. They hadn’t been able to hear her.

Julian had approached her again when they were alone, hands in his pockets, perfectly relaxed and pleased with himself.

“It’s a good trick, isn’t it? I’ve always had the knack of turning people into portraits.” He’d flashed her the same quick, reassuring smile he always did as he peered up at her. “As I said, it’s all about getting to know the person. Getting them to pour their soul out to you.”

He’d laughed, like he so often did, only this time it was at his own joke instead of hers. Or maybe she had always been the joke.

“I did worry for a moment that I wouldn’t be finished in time. But, don’t worry. We made it. You’re twenty-nine forever! Just like you wanted. Just like I promised. I’m not that cruel.”

She’d wanted to tell him that this was not what she’d wanted. She wanted to ask a million questions. She wanted to punch him.

Instead, Annabelle watched as Camille stepped into the exhibition room, on opening night.

She watched Camille scan the crowd, feverishly, expecting her to be there.

She watched as Camille’s attention snagged on the vast painting of her across the room.

God, Camille.

Her girlfriend made a beeline over. It had been an age since Annabelle had last looked at her, properly looked at her, hadn’t it?

Camille’s face crumpled a little as she studied the portrait; a myriad of regret and fear and confusion. Hurt. Her eyes were red and swollen like she’d been crying. She raised one hand towards Annabelle’s life-sized face, as if to touch, but didn’t. Her fists curled at her sides instead.

Guilt twisted in Annabelle’s gut. Camille looked exactly like how one might when learning that their girlfriend had cheated on them.

She felt an absurd surge of hope, despite everything, that Camille might see her where no one other than Julian had. The portrait, for all of its intimacies, suggested a grand love affair. People didn’t vanish fairly from grand love affairs, they just didn’t! It was suspicious, right? He was the last person to see her. The proof was in the painting!

Camille stared at her for a moment longer, her jaw set with grim determination. Then she scrubbed a hand over her face. Her shoulders hunched against some unbearable, undefinable weight. Her dark hair was greasy with worry.

“I’ll find you,” Camille still whispered. “I swear, I’ll find you.”

Annabelle’s stomach sank.

“No, Camille—” Of course, the words didn't come out. Nothing did.

She’d had been such an idiot, hadn’t she?

She felt a fresh stab of longing for that surprise birthday party.

How long had they waited for her to arrive? Waited for her.

Had Camille reported her missing? There would be no body to find, no evidence. The painting, the wanting limited eyes she looked out of, felt like a mockery.

Maybe the life she had with Camille hadn’t been perfect, not by a long shot, but at least they’d been alive. At least they’d been real.

Camille began to turn away.

“Please.” Annabelle’s voice broke. “I’m so sorry. I’m here, please. Don’t leave me! Camille!”

More attendees bustled to claim prime spot in front of the painting, murmuring about how talented Julian was, speculating on if Annabelle was his lover. Camille flinched.

“It makes me feel,” one of gallery attendees said, “like I’m interrupting them in a private moment, you know? Of course, it’s so Julian that she’s not actually a nude—”

She couldn’t see Camille anymore.

She was never going to see Camille again, was she?

CAMILLE. CAMILLE. CAMILLE.

Annabelle screamed it with everything she had, every atom of her, with the absolute certainty that if her girlfriend walked out the gallery door that Annabelle would never escape the painting.

She would never get to say sorry, or kiss Camille, or tell her properly that nothing had happened or would ever have happened, despite what she may have let her foolish heart feel.

She’d just liked the way he looked at her.

She didn’t want to stop the clock.

She wanted her life back, to live.

The painting hit the floor of the exhibition with an almighty crash.

Everyone scattered back. Red wine spilled like a crime scene against the polished floor.

Camille whirled back around too, alone a few metres away, her eyes wide and startled.

Julian appeared, clutching a glass of champagne in one hand.

“Goddamn these hooks. Who set this up? It’s a hazard. Everyone alright?” He looked around at his adoring fans, and summoned up a rueful smile. “I should have just got eyes to follow you all around the room instead, huh?” He looked down at her, where she stared up, in the same narrow periphery vision he’d painted her with. “Really leaned into the photorealism.”

Past him, past his taunts, Camille looked between the two of them. Uncertain misery flashed across her features once more. She opened her mouth, as if to say something, before closing it.

Annabelle willed her painted self to move again too, to speak, to do anything. She willed Camille to question, to press, to not give up on them and on her. Not now.

“Camille!” Julian had caught sight of her too, and straightened. He gestured for one of the gallery employees to get Annabelle back into position. “I’m so glad you could make it! Is Annabelle not with you? She was so excited for the exhibition…”

“You haven’t seen her?” Camille’s voice broke. “I – I thought she’d be here, at least. With you.”

“With me?” Julian spoke mildly. Innocently. “No, no. I haven’t seen her. I thought she was with you. Is something wrong?” His tone gentled, as he walked towards Camille. “She mentioned you’d been having some problems…”

“No – it wasn’t like that – Camille—”

Crowds swarmed Annabelle’s painted self once more. She was lifted back on the wall, as if nothing had happened.

"Let me get you a drink," Julian said. "You can tell me everything."

She caught a glimpse of Julian's arm wrapped around Camille's waist. The way she leaned into him, looked up at him. His lips by her ear.

"Camille—"

By the time the room cleared, they were already gone.

#the last of these stories I swear #turning 30 #short story #horror #fiction #writing #creative writing #writeblr #getting rid of the archive just in case #idk what to tell you #art #magical realism

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