#What happened here was very specific to them

[hannieehaee]

raindrops (an angel cried) (teaser)

18+ / mdi

summary: being assigned watching duties over humans was usually a task reserved for high level angels. on jeonghan's first week of promotion, he finds himself far too curious about licentious human activities, becoming infatuated with his assigned human. what happens when his interest goes too far, it gets him kicked out of heaven?

content: fallenangel!jeonghan, jeonghan is your guardian angel up until he gets kicked out of heaven oops, infatuation, inexperienced jeonghan, even as an angel he's still a menace to all, heaven is super strict, afab reader, smut, oral (m receiving), mentions of masturbation, penetrative sex, etc.

(^ no actual content warnings in the teaser)

wc: 936 (teaser); 11.1k (full fic)

release date: may 17th

or you can check it out on my ko-fi or patreon today by subscribing to either one!

a/n: angel!jeonghan was a must so here it is

masterlist | kofi/patreon

support me through a one time tip<3

"Who is that?", asked Jeonghan, apprehension in his eyes.

"That's your human."

"My human? I'm getting a promotion?"

"Listen, Jeonghan. I had to call in a lot of favors to get the higher ups to let you get this promotion. You better follow the rules to the letter. Do you understand?"

"Yes, Kwannie, I know," he rolled his eyes, "Why do you have so little trust in me?"

"I'm serious, Jeonghan. If you keep messing up, you might get kicked out of heaven. Do you really want to be down there with the humans? Being a mortal?"

Jeonghan couldn't help but think the idea sounded enticing.

He hadn't had too much exposure to humans thus far, but he had always had great interest in them. They just sounded so free and different from one another, unlike in heaven, where specific behavior was to be expected from every working angel.

Within heaven, you were either born as an elite sort of angel, – with all their angelic duties assigned – or you were born human and then admitted into heaven as an angel, getting to enjoy eternal happiness with your loved ones. Jeonghan, sadly, was the former. Having been born into an angel position, it meant that although his life was not miserable by any means, it was just a closed box of responsibilities to fulfill until the end of eternity. He truly envied all the humans-turned-angels in heaven, often asking them about their memories as humans and trying to live vicariously through them.

Due to his constant curiosity of humans, Jeonghan often got in trouble as he stuck his nose in places it shouldn't be. As an angelic being, Jeonghan's duties as an angel were mostly clerical, managing which human each angel would be assigned to as a guardian angel. Ever since being born as an angelic entity, Jeonghan's dream had been to be promoted into a guardian angel position. In his current job, the most interaction with humans he ever got was the ability to see a quick overview of their timelines in order to assess which guardian angel would be the best fit for them. His job was comfortable and stable, never causing him any trouble. But he wanted more. He wanted to be down there, on the playing field as he watched over his own human.

So he would cheat occasionally, maybe snooping into human's lives for more than he was allowed to. Sometimes he'd pause on certain bits that drew a little curiosity and simply observe. He'd also on occasion tried to make his way down to Earth, only to check things out on his own. All his attempts were always met with reprimands from his higher ups, claiming that a soul as curious as his own should not be near humans. The existence of angels was meant to stay a myth, after all.

When Seungkwan took him into one of the offices designated for guardian angels, Jeonghan had been shocked. He had been banned from being brought here a few years back, so it was a very well appreciated change of pace for him. What was even more shocking, however, was when Seungkwan led him into one of the sphere rooms, which contained a view of any and every human in existence in real time. The most shocking thing, though? The pretty girl reflecting on the globe, very deep in slumber as Seungkwan revealed Jeonghan's promotion.

"Her old guardian angel retired. Chose to move to the land of humans-turned-angels. Angel Jihoon was simply going to ask you to assign her a new angel, but I put in a good word for you, so he gave you the job. Don't fuck it up, Jeonghan. Do you understand?", his friend was quite stern as he warned him.

"Big words for an angel."

"Don't go puritanical on me, Jeonghan. Your behavior in Heaven doesn't matter. It's when you meddle with humans that you'll get in trouble. Just ... Please follow the rules and don't step out of line."

Seungkwan was right. From all the accounts he heard from angels who had died and gone to heaven, Heaven and Earth were quite similar. People held jobs, lived a day to day life, had relationships. There were a few stark differences, though. There was no suffering in Heaven – no illness, no tiredness, no debilitating feelings. Sure, frustration and annoyance were a thing (God knew Jeonghan had felt those things), but it was virtually impossible to be truly unhappy in Heaven.

Jeonghan had no problem with Heaven, he was just far too curious about humans to stay still and do nothing. He was not allowed to admit it, but he had always wanted to know what it'd be like to be human. To live through pain, struggle, confusion. He just wanted to experience it all.

Angels had no needs in heaven. Hunger didn't exist, neither did aging or an itch to do or feel things humans usually engaged in. For instance, while Jeonghan had heard of sex and romantic relationships, this was something that angels did not have the innate desire to feel, as they were born fulfilled in every sense. Human-born angels, however, brought their humanly experiences and emotions along with them to heaven, sometimes telling tales of such things, always drawing Jeonghan's curiosity to new heights.

Looking at you through the sphere, Jeonghan felt excitement at thinking of what humanly emotions you may be feeling. He also felt giddy at knowing that you would one day come to pass onto his heavenly realm, where he would meet you after having known you for the entirety of your lifetime.

...

read today on ko-fi or patreon by subscribing to either one<3

NOTE: comment if u'd like to be tagged when it comes out<3 i wont respond to comments but if u reply ill tag u<3

#seventeen fanfic #seventeen x reader #svt fanfic #svt x reader #seventeen imagine #seventeen #svt #seventeen oneshot #seventeen smut #svt smut #svt oneshot #svt scenarios #seventeen scenarios #jeonghan #jeonghan imagines #jeonghan fanfic #jeonghan x reader #jeonghan smut #jeonghan scenarios

[cozycottagetarot]

PAC: Your First Kiss With Your Person

Notes:

This PAC Contains: 

General Info On The Kiss

Setting The Scene

The Kiss

Extended Edition Covers:

You During The Kiss

Your Person During The Kiss

The Aftermath

✨ This reading is for entertainment purposes only. ✨ (General Disclaimer at the bottom)

Reading Masterlist | Patreon | Paid Readings -- Open 🥂

PILE 1

General Things

Could be very early in the relationship… during the ‘get to know you’ stages. There’s a lot of attraction and tension between you and this person. I think this could be someone you either meet through a career or online. It’s fast paced but intense, a quick back and forth. But it’s good because it’s an exchange where you both are on the same level or matching energies. It’s welcomed, but it feels very interrogative, like ‘does this person fit the bill of what I’m looking for 👀’ rather than a chill get to know you. It feels like a new environment too, as in both of you are out doing something new together for the first time. It doesn’t seem like there’s any anxiety around the questioning, just kind of throwing every and anything at the wall to see if it sticks. Scorpio or Gemini could be important placements for you or them.

Setting The Scene

When it comes to the location of the kiss it could be a festival of some kind, I’m get a fair, specifically a renaissance fair for someone, or something with that vibe for a few of you. It could also be an event around water and/or where there will be live entertainment. I think it’s definitely picked strategically by whoever plans this outing… I think maybe more so your person. I also feel like it could be their old stomping grounds as well or something being hosted by someone they know. There’s an opportunity to kind of learn from others during this event/setting also.

The Kiss In General

I think this kiss is going to be awakening or energizing. One that gives you a surge of energy. I also heard that you might be trying to best them at something too. It might be outside of one your comfort zones and there could be a lot of anxiety surrounding the kiss on someone’s part. If not anxiety, hearts racing. During a dance as well could be another likely scenario. One where it’s like "Okay, we’re dancing... I feel like a fool, Oh! you’re kissing me!"... Except the rest of the thoughts just fizzle out because you melt into it. People around you might cheer you guys on.

If you'd like to see the extended version of this reading which covers you & your person's feelings during the kiss as well as the 'aftermath' you can check it out on my Patreon here. Regardless, thank you for reading and take care! 💕

PILE 2

General Things

The cards are giving me fairytale-esque vibes... a dream come true. This could happen when you’re traveling, finding home or experiencing something life changing. This could happen at a time where you’re on a journey to finding yourself/ finding your way and I’m getting that your person is intent on wanting to show you they can be a part of that world. I think this person is hard to ignore, and honestly it could be hard to ignore whatever is going on between you two. There could be something about their eyes… maybe you avoid eye contact because it’s so intense and feels like you’re intruding? I think your person lights up your world. However, they could kind of know themselves and have all their 'colours' while you’re now finding yours. There’s something intimidating here about them.... very much you trying to convince yourself you two can’t be together. I’m also hearing “You’re my North Star”.

It could happen during a place that represents transition, in the location you’re leaving or at one of your homes (most likely yours). It’s like they want to offer you home and you’re resisting. You’re denying yourself entrance into the castle they have to offer. I think your head and heart aren’t aligning and in all honesty your person is tired of it and just at a point where they are begging you to let yourself be happy.

Setting The Scene

I feel like this is a nice setting. More lavish for some than others . It could be in the evening or at night. It should be a date? I don’t think you want it to be but it is… I mean I think you know it is but you're at a point where you're beside yourself pushing this person away mentally and throwing up walls. You guys could go to a show or some kind of enchanting exhibit too.

The Kiss In General

This could definitely be at night. I think the setting really depends on your interest. So it could be a concert, something related to music… but somewhere someone has the chance to get rowdy. Even a wedding or something where it’s nice but someone can likely get plastered and no one would really be surprised.

Okay back to the general kiss. I feel like it's a battle in a way. It’s impulsive. Emotions are running high. It’s about potential and fighting for what’s 'right'... Trying to wake you up. A climatic battle of trying to get out of your head so you can see what’s in front of you and just not what you’re dreaming of... what you think the cards (?) are telling you. I think this may be if you're constantly consuming tarot or other forms of divination and living your life by it.

If you'd like to see the extended version of this reading which covers you & your person's feelings during the kiss as well as the 'aftermath' you can check it out on my Patreon here. Regardless, thank you for reading and take care! 💕

PILE 3

General Things

You could be a little bit disinterested or distracted when you have your first kiss with your person. I think it might take you a minute or two before it registers in your head that you too kissed. It could be a kiss to calm you… like you’re brain is going a mile a minute and generally not being grounded.

I think you’re going to be in a comfortable situation when your person kisses you/you two share your first kiss. It could be in a situation where you’re both working on something together. Or they are helping you with something you’re working on. It’s someone who complements you beautifully. It could be a social gathering between close friends as well (but it still feels like a rather private moment, like everyone else is distracted as well and they sneak a quick kiss). If you’re a musician (or a music teacher, really anything related to that field) you could be composing or reviewing a piece and they kiss you. You could get pulled in many different directions mentally or come up with a lot of ideas but burn out on them quickly.

Setting The Scene Oh my gosh-- Are you hungry or do you like food because all I can think of is food 😩

It could be a casino, family/friends game night, holiday dinner. You’re focused intensely on something in front of you. Your mind is calculating, unfazed by things going on around you. I’m also getting the caterpillar in Alice in Wonderland... a 'smoky' or and environment that gives off psychedelic vibes.

The Kiss In General

I think the kiss is attention grabbing, not just for you but someone around you may kind of cheer or whoop but you might not pay them much mind. I think your person is like this is my time with y/n and I’m not letting their thoughts steal them away! I think they're accustomed to you being off in la la land. For some of you, you could be in the medical field or have a very scholarly profession that bleeds into your personal time. But the kiss always cuts through that. I’m hearing “ah ah ah” as well.

If you'd like to see the extended version of this reading which covers you & your person's feelings during the kiss as well as the 'aftermath' you can check it out on my Patreon here. Regardless, thank you for reading and take care! 💕

Disclaimer: All readings and tarot/blog games are for fun and entertainment purposes only. It is in no way meant to act as or replace professional advice of any kind. You know yourself and what’s going on in your life best so I ask that you trust yourself above all else. Finally please take only what resonates from the reading which may be some of it, all of it, or none at all

#pick a card #pick a pile #pick a card reading #pac reading #pick a picture #pick a pile reading #cozycottagetarot #cozycottagetarot readings #free tarot reading #tarotblr #pick an image #future spouse #pac tarot

[dostoyevsky-official]

What do you see as the practical point of the student protests? What Israel is doing in Gaza is a moral horror, but the actual demands being made at e.g. Columbia seem so unlikely to affect it in any way (school sells small amount of stock in companies with some connection to Israel -> ??? -> ??? -> fewer children die) that it's hard to wholeheartedly support the protests escalating.

Unless the theory is "make demands that the college won't meet" -> "cause attention-catching disruption" -> "Biden admin finds it embarrassing" -> "Biden maybe pressures Netanyahu", in which case the specific demands are completely arbitrary?

one of the primary demands is disclose: the financial investments are not transparent information, thus the demand for the administration to reveal what they are. second, as i've mentioned before, university divestment is an established practice dating back to apartheid. there's nothing crazy, controversial, or quixotic about the demand. students are not making the demand with the idea that it will be the final straw that will finally crush the war effort, but with the understanding that it's their money, their community, and that a boycott of israel is the morally correct choice in line with the BDS movement. would you be comfortable attending a school that was investing in russian assets? i wouldn't. even if it's not a ton of money (we don't know how much) it's still likely to be significant given columbia's $14 billion endowment (and i find your phrasing unnecessarily condescending here.) harvard, where an encampment has been set up, is worth $50 billion. some of the ivies, like cornell, invest in raytheon—setting aside israel, why should any university have investments in the military industrial complex to begin with?

here is the preamble to the most recent currently available columbia divestment resolution:

not exactly pie-in-the-sky stuff here. the apartheid protests resulted in successful divestment, and even the 1968 protests resulted in all demands met by the admin. it's a very practical goal. it's also one that happens to be morally righteous and just.

furthermore, i don't know where you have been for the past week, but who have you seen escalate the protests? the reason why there is now a worldwide protest movement is because, for the thousandth time, minouche shafik called the cops to arrest 108 students. the NYPD itself said the students were peaceful and offered no resistance whatsoever, even as police also arrested legal observers. it was not the intention of the protesters to get national or international attention. "hard wholeheartedly support the protests" is an exceedingly strange comment to make that i, frankly, have a hard time understanding. i find it extraordinarily easy to wholeheartedly support fellow graduate students and professors i personally know at multiple universities who are meeting the ire of a lying media, lying administration, and lying government in the form of a police baton for the crime of sitting on some university's lawn.

at this point, given the sheer level of violence the police has unleashed on students and faculty across the country for showing up to said lawns, a portion of the protest support for them stems from the defense of free speech.

additional demands in light of the arrests and suspensions include the reinstatement of SJP and SJVP and amnesty for all arrested. again, not absurd, not without precedent.

lastly, i invite you to go to a protest and see what's happening for yourself. at this point, there's bound to be one near you.

#it's exhausting seeing everyone learn about them exclusively through twitter videos GO TO ONE! #free palestine and free the university

[noneorother]

Hi, I’ve only read one meta by you yet, but you seem to be just the right person to ask this: did you notice how many people in the scenes outside the bookshop are wearing orange, in series 2?

Any idea what that’s all about? Is it just esthetics, an echo of the bookshop‘s columns, or does it have a filmographical significance? Everytime I watch the show there seem to be more orange clothes, once you start seeing that, it’s crazy how many there are!

Hey thanks for the ask! I mean, you have until 2026 to read more of my drivel so; pace yourself! Orange clothing is definitely an *interesting* choice for extras in film. You almost never see it in background actors clothing because... it draws the eye! The fact that they included so much orange, yellow, and loud patterning in the extras in season 2 is a real decision to throw film tradition and S1 cannon out the window.

I would like to submit my own theory that the choice was made as a deliberate nod to time travel. But first, a little background.

Compare two crowd scenes on Whickeber street from each season: It's kind of nuts that even at microscopic resolution we get such a HUGE difference.

That's not to say orange is missing. Here are the only two extras wearing orange in S1, and they happen to be in the same scene in episode 2, when Newt and Shadwell meet for the first time, discussing occult beings "hiding in plain sight". (witches in this case)

We also get some pretty obvious bright orange in main characters in S1: Madame Tracy and Beelzebub. We meet Tracy in orange as she immediately reveals to Newt multiple hidden identities, see her again wearing orange hair when she communes with spirits, and finally all decked out in orange when she is being possessed by an angel (a person hiding inside a person). Beelzebub wears an orange sash and medal as a high ranking Duke of Hell, so orange is maybe their house colour, or a prestigious colour for hell in general, but after season 2 we know Beelzebub doesn't always have the same face, and is hiding intentions of their own.

Orange doesn't have much biblical significance, mostly because the colour orange was mostly seen as "fire" or "bright" coloured until way after the bible was transcribed, and orange dye wasn't really a thing in the European world until significant trade with east Asia developed. Here's the only other bright orange thing to appear all season, (in a deleted scene): Crowley hiding in plain sight, posing as a maintenance worker.

I think we might be able to draw the conclusion from season 1 that orange is a colour associated with the "Hidden Occult/Power". Not necessarily only hell, but more as something otherworldly, that's hidden in plain sight. (Interestingly, we never ever see Anathema or Agnes Nutter in orange. So I wouldn't say it's related to witches at all.)

In season 2 however, orange is everywhere. More specifically on extras' clothing and the outside of Maggie's record shop.

Maggie seems to be the only main character to wear bright orange herself (E2).

But this is by far my favourite one: in the back of the crowd of demons getting a Shax pep talk in S2E5, there's a regular human extra wearing bright orange sitting amongst the army, completely unnoticed by both demons and audience, observing the plan.

This really set off alarm bells for me, because there's a very Terry Pratchett precedent for powerful and unnoticed orange-wearing characters in the discworld series : the time monks.

Terry's character Sweeper seen here on the original cover of Night Watch. The time monks' clothing and general philosophy is based on Thai buddhist monks, who (like in many buddhists sects) wear donated, saffron-dyed robes in orange and yellow/red to symbolize flames of purity, and to separate them from the world of gross matter, like a fallen leaf from a tree.

In the discworld novel Night Watch, the time monks are responsible for monitoring and cleaning up the timeline, pruning it like a bonzai tree. They are everywhere and yet unnoticed, inside the flow of time yet not of it. And they are the ones who guide the main character through the process of being stuck after falling back through his own timeline, into his own past.

(Excerpt from the book where Sweeper is explaning time travel to Vimes).

Extras circling in the background are called "background actors" because they exist to not be noticed. Put in extras wearing orange/yellow and bright red, and suddenly you can track them, and notice how they are part of the crowd, but stand apart from it. You can notice when they go missing from one cut to the next, or appear to circle or jump between frames. Many extras, including the demon army watcher, also seem to be circling, and monitoring the goings-on in the world of Good Omens. Based on the meaning of orange from S1, it would seem these mere background actors are more than they appear to be. Could they even be checking up on unwarranted time distortions or timeline ruptures happening around a certain Bookshop...?

#good omens 2 #art director talks good omens #good omens meta #go season 2 #go meta #good omens season 2 #good omens season two #good omens #go2 #good omens analysis #good omens s2 #good omens theory

[chirpsythismorning]

Fun fact: In the original pitch for Stranger Things, El had a little brother.

After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.

This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.

But the thing about this moment, is that it might not have been scrapped entirely...

Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.

Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.

But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.

One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.

The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.

Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.

Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.

Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.

What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.

While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.

Which means she has likely seen him within the last 24 hours regardless.

This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.

Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.

Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.

Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.

We know Will is not younger than El, so how could this apply to him?

Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…

Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.

It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.

And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.

If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.

This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.

I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.

And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?

I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.

The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!

And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.

While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.

Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.

On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.

And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.

Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.

This leads to several moments where El is being compared to as not only a boy, but Will as well.

Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.

And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.

The changes don't stop there.

Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.

Another thing that changed from the first script, was Scott Clarke's introduction:

And so you might be thinking, who cares? What does that have to do with anything?

Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:

Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?

Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...

I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.

And the changes go on, as they obviously would.

Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.

And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...

If you've made it this far, congratulations.

If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘

#byler #stranger things #willel twins #twelvegate #montauk #as you can see #i am out of my mind #and i'm okay with that #i've spent the last couple months trying to make a video going over all the willel twin evidence #and i can't decide if it's even possible to do without going over an hour #like there is just so much shit that fits too perfectly into this family being ripped apart by mind control and time shenanigans #i hope to have it done soon #trying to make it less than 20 minutes #but it's probably going to end up being closer to an hour #especially with this stuff from the montauk pitch being added to the mix now #anyways #willel and byler are the curtain behind the curtain #if you are open to one of them #you are bound to stumble across the other #and they don't want that to happen #stay tuned for the inevitable twin imagery to continue in s5 related to willel leading up to the big reveal #bc it's arguably the most consistent thing about this damn show #and tbh this all just makes the queer-coding for mike in s1 a lot more concrete to me #them exploring will's queerness through his dad's expectations for him to do more 'manly' things like play baseball #and jonathan saying he shouldn't like things just bc people telll him he's supposed to #how they connect that narratively with the boys being at a baseball field when mike's being pressured about his supposed feelings for el #with the bullies showing up and literally being homophobic seconds later #the fact that jennifer hayes did in fact exist in the original pilot and was the girl mike had a crush on #only for them to scrap that and just make it about her having a crush on will... #never once introducing this idea of mike liking her...

[marikosenwrites]

karasuno boys - dating headcanons (pt. 1)!

a/n: sen here!! heyy obsessing over our haikyuu boys are we <3 yes i am i'm only on season two right now though, almost season three!! i'll be doing aoba jousai, nekoma, and fukuroudani gakuen! enjoy!

characters: hinata shouyou, kageyama tobio, tanaka ryuunosuke, sawamura daichi, sugawara koushi (suga-san🥹), tsukishima kei (TSUKKI🥹) [pt. 1], yamaguchi tadashi, takeda ittetsu (just me and one of my favorites), ukai keishin [and in that order] {pt.2}

pt. 1 || pt. 2

notes: in this au, kiyoko can't be married to tanaka...yeah. they're still in highschool, btw

gn!reader

↳ ❝ [ 日向翔陽 HINATA SHOUYOU ] ¡! ❞

-this cutie omg

-probably the first to confess

-gets all blushy when you're around at the start of the relationship

-you love ruffling his hair

-if you watch him practice until the end, he treats you to meat buns!! if he doesn't have enough money, he'll just share one with you

-kageyama is jealous omg and tsukishima is just like "the chibi got a girlfriend??"

-loves you so very much

-his love language HAS to be words of affirmation and physical affection

-you just can't help but return the affection

-if you don't know how to play volleyball, he's gonna teach you!!

-if you know- he's going to ask you to talk to him

-dates will be chaotic and affectionate

-often cooking dates!

-you love his family especially natsu

-also love them amusement park dates with him

-he's so fun loving and all

-kisses are very innocent, close to no spice at all except when he's feeling super annoyed or something

-loves cuddling with you when it's bedtime <33

-does NOT have a specific schedule rest assured

-calls you his dove (aww)

-you love calling him sunshine <333

-HE'S JUST SO BRIGHT

-I SWEAR

↳ ❝ [ 影山飛雄 KAGEYAMA TOBIO ] ¡! ❞

-a sweetheart actually

-he's so cold on the outside but lights up when you're there

-kisses have a little bit of spice

-he's too prideful to confess first ig so you make the move

-loves it when you come to his practice to support him

-at some point he has requested you to become a manager because sometimes ukai thinks you're a distraction for him so asks you to walk out for a bit to let kageyama concentrate

-you bet he has worried over it because he didn't know where you went

-ok onto the main shit

-dates are always somehow sport related (HOW DOES HE KEEP FINDING THEM)

-sometimes an outing or two when he's actually free and not busy with volleyball stuff

-you'd think he isn't clingy...WELL IT'S THE OPPOSITE ALRIGHT.

-he actually craves YOUR attention and YOURS ONLY

-i think you two would have a cat together (named it NOTHING after the other volleyball players you know :/)

-loves your cuddles too

-WAIT WAIT HEAR ME OUT

-YOU KNOW HE BUYS THEM DRINKS RIGHT

-HE WOULD BUY LIKE HUNDREDS FOR YOU IF YOU WANT

-aww the little (wait he's tall) guy

↳ ❝ [ 田中龍之介 TANAKA RYUUNOSUKE ] ¡! ❞

-the hot-headed guy just can't get enough of you

-you sometimes make fun of him for being almost bald-

-but he's okay with it because he loves you (as long as you dont do it that often)

-okay so firstly like kiyoko WHEN HE SEES YOU HE CONFESSES TO YOU ALMOST IMMEDIATELY

-one second he's dumbfounded by your beauty, the other he's confessing to you already

-like you reject him first few times

-AND THEN AND THEN YOU START TO FALL FOR HIM

-THEREFORE YOU ACCEPT WOOOOO

-it's uh "Y/N-SAN! I LIKE YOU CAN YOU GO OUT WITH ME?!!!" and then you're just like "ah- yeah. mhm."

-he's just like :o WHAT

-okay that's it for the confession

-dates are always what you want

-if it happens you want to make cake, go for an ice cream shop, an amusement park- whatever, you name it and he can afford it? YOU'RE GOING

-they're all so sweet...

-he's also needy at some point when you're dating

-so...MORE IN MY NSFW LATER

↳ ❝ [ 菅原孝史　SUGAWARA KOUSHI ] ¡! ❞

-i'm gonna bet 100 dollars that he's the one confessing

-STEP ONE: get you as his girlfriend

-firstly he's going to ask you to meet him during lunch in the morning

-second when you're both there he confesses

-to his surprise you accept to go out with him and one date turns into two, into three and ON

-STEP TWO: MORE DATES TO COMEEE

-always ice cream dates and baking dates

-always appears to get flour in his fluffy hair

-ALSO ALSO YOU LOVE PATTING HIS HAIR AT ALL TIMES IT'S LIKE COMFORTING YOURSELF

-sometimes picnics too <333

-STEP THREE: there is none for now but THERE WILL BE SOON. SOON ENOUGH.

-his way of giving you affection is by kissing you, cuddling, and giving you praises...

-do you have a praise kink (nvm forget i asked that)

-cuddling in bed is one of his favorite ways to go to sleep

-you stroking his back is too

-you guys are always the talk of the karasuno vb boys group when you guys get together for gatherings (the perfect couple?!?!?!?!)

↳ ❝ [ 澤村大地 SAWAMURA DAICHI ] ¡! ❞

-he's definitely the one to confess first being the big boy man he is <3

-literally will kiss you when you accept

-so taken aback you felt like you were going to faint

-his kisses are so gentle help

-ok maybe not sometimes but we all know when that is

-love playing with his ears mayybe?? i know there's nothing different with the rest, but i just feel like it's with daichi

-your first date is an amusement park one ✨✨

-p.s. you shared the cotton candy lmao-

-he literally walked you home and your parents invited him in for dinner

-they like him very much thank you

-relationship has been approved now your parents are urging him to marry you even though it's only one week into the relationship-

-now HE'S the one that pats your head every time he passes you in the hallway or whatsoever

-when you move in together LITERALLY EVERYTHING IS YOUR CHOICE NOW

-you can choose the flat, the decorations, the vibes, the furniture- EVERYTHING

-loves you that much yes

-the sweetest guy ever NO DEBATE

↳ ❝ [ 月島蛍 TSUKISHIMA KEI ] ¡! ❞

-SALTY SHIMA. THIS MAN IS SO SALTY

-i swear bro

-he has rizz though that's for sure

-he confesses to you first (it was during lunch you remember the day like it was yesterday)

-his kisses are half spicy (igg since tsukishima is that kinda person)

-the mean to the public and only kind to you kind of person <3

-dates are usually home dates (he's an introvert (i headcanon))

-perhaps if you can persuade him (it's a 50/50)

-first date was a movie date

-then you went home with him (you went to his house)

-and met his parents

-they liked you very much <33 now treat you like their daughter

-the next time you went on a date, you brought him to yours and he made a good impression but they don't love him as much as his parents do to you

-i will write the time skip arc for this because i am biased and you literally can't stop me (but tell me if you want more i'll reblog it with more hcs)

-you were so happy for him when he joined the sendai frogs

-cheered for him on every game (LIKE THE SHIRT AND THE SIGNS AND STUFF)

-facepalmed himself out of spite ya bet he got a scolding for that

-"KEI KEI KEI GANABTTE," that was you, screaming at the top of your lungs at your HUSBAND.

-"oi, tsukki, who's that?"

-tsukishima facepalmed himself, earning a glare from you, "my wife."

-"EHH?? TSUKKI HAS A WIFE??"

-lmao the most normal occurrence

-after that koganegawa would often come to you and ask for dirt on kei (screw him for facepalming)

-saltyshima (in the public) → sweetieshima (in front of you only)

©marikosenwrites 2024-25 all banners, dividers, and work. please do not steal. i own none of the HAIKYUU!!/ハイキュー！！ characters mentioned. reblogs, likes, and comments are welcomed. <3

#sen's works #haikyuu!! #haikyuu #haikyuu fluff #hinata shoyo #kageyama tobio #sugawara koushi #sugawara daichi #tsukishima kei #hinata x reader #kageyama x reader #sugawara x reader #sawamura x reader #tsukishima x reader #marikosenwrites

[utilitycaster]

RE: Ruidusborn superstition - It's weird because Matt has had several opportunities to make it about persecution and hasn't. Laura could've made it a stronger point in her backstory with Gelvaan and didn't. This rounding up Ruidusborn and throwing them in jail is a theoretical crime that a bad guy in a cult told them might happen. 

Dealing with the unfair persecution of non Vanguard Ruidusborn in the fallout of this could be interesting to explore, but a) it hasn’t happened yet and b) still entirely the fault of the Vanguard for, ya know, all the crime. I just don’t get why some folks aren’t exploring the actual interesting conflict in front of them (i.e. being tied to something inherently destructive, your parent using you as a justification for her crimes, etc.) and instead make it about some secret twist coming that will totally make Liliana and the Vanguard “correct” actually in order to (I assume?) justify Imogen’s brief consideration of them and dunk on Orym for having the audacity to not be objective about the organization that killed his family.

Hey anon,

This is a very good point re: the actual conflicts present. I know I've been guilty of going hard on Liliana and the thing is I do find her a profoundly compelling and sympathetic villain. I think she was placed in an impossible position by Predathos imbuing her with troubling and at times painful powers; that despite having good intentions with regards to the nature of Ruidus (there is a lot of value in both studying it and in concealing its nature, depending on your perspective) people other than Ludinus were unable to give her answers and so she was easy prey for his cult; and she has since been driven by these motivations so far down the road of the Ruby Vanguard that even when the daughter she has believed herself for so long to be protecting tries to give her an out and asks her why she's doing this, she can't answer but is terrified of leaving. She is very sympathetic. She is very much a villain. And yes, I'll cover Orym in a second.

The following is, by necessity due to the nature of what I want to discuss, going to touch on some real-world politics though mostly in the sense of abstract strategy with very few specific actual positions. I want to note that we are talking about a fictional work here, and while I do have some presumptions regarding the people advocating for the Vanguard, they are just that - presumptions. I will only say that if this is how the people advocating for the Vanguard engage with people in real-world activism (if they partake in that in the first place), this may be a revealing insight into why they are perhaps less than successful.

Every argument in favor of killing the gods ultimately presupposes killing the gods is correct. They are all, ultimately, either tautological (we should kill the gods because they are deserving of death) and assume that the only objective conclusion is "we should kill the gods", therefore anything other than "we should kill the gods" cannot be objective.

I may be repeating myself since I've said this a lot since the last episode but: there as a truly bone-chilling lack of empathy in thestatement that Orym needs to stop bringing up his dead family and get over it and be objective (read: agree with the premise that the gods should be killed). Actually, if you are a person capable of perceiving others as people, you will likely realize that it is cruel and absurd to expect someone to say "this group murdered my family, but because they did so with the correct motivations, I shall stop mentioning it." As you indicated, it's bizarre that Orym is expected to set the wholesale murder - deliberately set up with no hope of resurrection, just to twist the knife - aside, but Imogen is never expected to set aside the (let's face it, extremely tenuous, given that Liliana's been absent for over a quarter-century) feelings about her mother, a person who recruits child soldiers, turned Vax into an orb, and is a general in the death cult that murdered Orym's husband and father. Like, in a real-world scenario, someone in Orym's position very well might have just left over this. Your friends keep failing to consider your trauma? Perhaps it's time to, painful as it may be, find friends who will be sensitive. [I don't want to focus on the shipping or character dynamic aspects with that particularly argument against Orym, but this is a fictional work and I do think another running theme in all sorts of discourse is that you do not need to justify your ships as logical, and when you do, you really do sound like "why doesn't Ross, the largest friend, simply eat all the other friends." There are logical reasons why Orym might not want to talk with, for example, Fearne or Ashton; but also the heart wants what it wants, and again, if you aren't truly ignorant about the way human psychology works you have to acknowledge that.]

Before I move on to other items I want to note I've as of late seen attempts not just to discredit Orym but to pathologize his behavior as self-harming or moral OCD or a failure to get fully over grief (again, an expectation that is not just devoid of empathy but also sets the standard of 'get over grief' as "agrees with me") and not just "hey, this group killed my husband and father in front of me and I understandably will not budge on this particular front. So there's also a growing ableist push, here, because someone doesn't agree with you and will not agree with you and also might want to kiss someone different than whom you want them to kiss.

As of late, the banner of those wronged by the gods has shifted from any of Bells Hells to those of Aeor, and that is a bad sign in a D&D campaign. If you need to set aside the PCs in order to rely on NPCs who have not shown up in the current narrative? You are clinging to a melting iceberg, my man. (More so after invoking FCG as one of the victims of Aeor's demise, rather than someone created to be used for malicious purposes by Aeor; and even more so after they destroyed themself specifically in heroic sacrifice to save the rest of the party from a Vanguard general.). But more seriously, the focus on Aeor feels reminiscent of advocacy for the unborn; or, to take a page from my own personal experiences and move this back into a fandom realm, the way people will frequently more loudly decry antisemitism for depictions of goblins than for, say, the fact that I don't know of an American synagogue that hasn't experienced a bomb threat in the past 10 years. It's very easy to advocate for corpses or fetuses over the living, or for fictional characters over real people who might be less than perfect. Much easier to ensure they never do such inconvenient things as disagree with you or have their own suggestions or be complicated. It hearkens back to some of the conversations I and others had earlier this campaign about a denial of agency because by making characters victims "stripped of choice," (always that phrasing) suddenly they can't do wrong. They make for a shit story, but at least you can feel morally pure about your flavorless cardboard that ultimately means nothing in-world or out. (And if they don't have agency, that means your morality pet can't run away. Or blow themselves up in a stunning rejection of your argument.)

Returning to the Vanguard: an ongoing discussion in activist spaces (and internet ones as well) is that there's a weird ignorance of optics as an important factor in activism. I know it seems frustrating - why can't people just see that this cause is just - but optics have always been a crucial part of any successful movement. I mean, even if you do believe that we need to do more to combat climate change - and I do - my, and most people's response to the environmental activists who keep throwing soup or paint on artwork is "ugh, this again?" I mean, functionally, while the cause is far more just, it's not terribly distinct from the weird-ass He Gets Us ad campaign; most people are going to say "and you're doing this instead of anything helpful...why?" The Vanguard's optics SUCK. Sure, they've fomented some unrest, but it is an unfortunate truth that the vast majority of people will prefer the inherent violence of a stable system that they are used to over violent unrest. For a successful coup or radical change, either you need to strike at the seat of power extremely quickly or you need to show that you are the more, for lack of a better term, civilized option, and the Vanguard has failed utterly in both these. You're going to get a few places like Hearthdell (though, really, how long will that last given that they got rid of the temple without a scrap of help from Ludinus) but you're going to get a lot of places where city dwellers say "ugh, these stupid crystals are so fucking loud, could this motherfucker shut up" and you're also going to get no shortage of places that say "my family member was taken in by this cult" or "these guys murdered my professor". The rightness or wrongness of the Vanguard's politics aside, a lot of people in-world are likely to side with Orym - these people are murderers who disturb the peace and we should stop them. The cause is lost. Is it, in some absolute sense, fair that people will judge you more for how you convey a message than what the message is? No, although if you convey it in rivers of blood, then, perhaps, yes. But it is, fair or not, often true.

Which brings me back to Orym. I think the reason people are stooping so low specifically to malign and discredit Orym is because he brings all of the above uncomfortably to light. He's aligned with Keyleth, who quite frankly until pretty recently was, within the fandom, partly as (understandable) backlash to the hate she received, and partly because she was, if nothing else, always portrayed as someone deeply attuned to the human costs, treated as a morally infallible authority; and she is no friend to the gods yet still believes their demise is far too great a risk to take. Again, thinking of yourself as Exandria's equivalent of the man on the street (Imahara Joe the Plumber?), are you going to listen to "those people killed my husband and father to prove a hypothesis so that they could tether the moon?" or "my mom, who left me when I was two years old and never came back or sent a letter, is one of those people?" And that's assuming Imogen's even going to make that argument, which, as her actions indicate, she's probably not going to. But most of all I think they really don't like that Orym isn't backing down from "That is the blade that killed my father and husband. She is not right." He's kept to this story the entire time, while the positions of others have evolved. And he's telling the truth. Every time he says this, I think anyone who isn't actually a complete black hole of empathy must confront how much of their humanity they are supressing just to make a poorly-argued point about a D&D show and I'd imagine that can't make one feel very good.

I think people are terrified of Orym's conviction, because he has shown, time and time again, that he is not going to be swayed. I don't think, in fact, that he's going to be swayed by seeing Aeor, should that happen, since Aeor was destroyed a thousand years before he, Will, or Derrig were born, and their murders failed to undo that harm in any way. A really good way to turn people away from your cause, even if it's a good one, is killing those they love. And again, it's fine if you see that position as unfair, or ignorant, or even amoral. It's also extremely true. And I think people realize it's true, given that the only defenses I've seen for Liliana have been "well, but she's Imogen's mother" and "well, it's shockingly easy for people to fall into a cult, because this has happened to my family members." Clearly, we agree that people will place personal connections and the pain of those close to them over ideology. Orym's is just really inconvenient for some people, and so he must be discredited.

In the end: the people in the story who at every turn choose manipulation, indoctrination, violence, subjugation, and conquest are saying "This is the way; you just have to trust me." Is it any surprise most people watching the show are saying "No, I don't think I will"?

#answered #Anonymous #long post #critical role

[osirisiii-bc]

Secondo Emeritus - Naples

Primo | Secondo

Naples. My beautiful Naples. My beloved, adored Naples. It is the city where I studied and grew up in and it is also literally filled with mysteries and legends. I thought Naples would have been the perfect formation place for a young Secondo Emeritus. Let’s see what may have influenced and inspired him in his religious journey.

1 - The musical church. 

Ghost’s music has always been heavily loaded with the Devil’s Tritone: also called Diabulus in Musica or Devil’s Interval, it is an unsettling dissonance produced by an unusual arrangement of notes that gives that spooky, devilish tone to music. In Infestissumam, it was featured on 9 out of 10 songs. The use of the Tritone was banned in Medieval times (In Ghost, its use dramatically dropped with Prequelle, with only 2 out of 10 songs featuring it). So what if I tell you that, in contrast, in Naples there is a church that functions as a musical score, whose music protects it from evil?

Basically, there is a church in Piazza del Gesù that has a particular pointy ashlar on the external facade. Under the side (the one facing the ground, so if you look up from the street you can see them) of each of these little pyramids are carved symbols, which turned out to be Aramaic letters that were later translated into musical notes. So, it turned out that the whole church is a big score, and it’s playable. The whole melody, called Enigma, was played for the first time inside the church to celebrate the discovery. You can hear the music here (sound quality is not the best).

Will it protect the church from Ghost’s music?

2 - The skull cult.

Naples has very intricate underground galleries, almost all visitable. One of these is Cimitero delle Fontanelle, a famous catacomb where the remains of about 40.000 people who died from plagues are stored. It is said the “anime pezzentelle” cult was born here: it is a particular relationship each Neapolitan establishes with a chosen skull. You literally adopt an abandoned skull, which according to our tradition is the seat of the soul, and your duty is to care for it, protect it and also create a special niche for it. In exchange, the soul of that skull will protect you.

A nice place for a Bone Daddy.

3 - Pretty and Evil like Mergellina’s devil.

Knowing the passion our Secondo has for women, here is a story about a very devilish one.

In Santa Maria del Prato church, in the Mergellina area, there is the only representation of the devil as a woman in a painting.

The legend has it that said woman was the beautiful Vittoria D’Avalos, who seduced the Bishop Diomede Carafa, who commissioned the painting in 1542 to represent his victory against the woman’s lust (we're all believing him, right? 🙄).

Now that story has a way of saying that refers to femmes fatales as “Pretty and Evil like Mergellina’s devil”.

I’d say she may be considered among the first-ever Sisters of Sin. 

4 - Who gives life can also take it.

Infestissumam is filled with references to birth and Jesus, turning it into the birth of the antichrist and creating a narrative that is completely opposite to the birth of the Son of Man. Now, in Naples, there is a statue that embodies both concepts.

Back to Piazza del Gesù: On a very high pedestal in the center of the square stands a statue of the Virgin Mary, the Mother. That's all... until you position yourself at a specific point in the square and look up to see the statue transformed into the Reaper. His face is hidden by the cowl, staring straight at you, with a sickle at its feet and a snake crawling on it.

Depending on your point of view, the giver of life becomes the taker of it.

5 - Body and Blood… but especially blood.

What never stops to fascinate me about the relationship of Neapolitans with religion is the very thin line between devotion and pure blasphemy. It is the case of the “miracle” of San Gennaro’s blood. It happens twice a year and it consists in bringing the Saint’s blood in a liquid state again (after centuries it is obviously solidified). The particular thing is that during this ritual, the worshippers (and the priests too) literally insult the saint to convince him to make the miracle happen, because if it doesn’t work, it means that something terrible is about to happen.

(Last time it didn’t work was right before the Covid pandemic 🙂)

I’d say this could have been a great inspiration for Body and Blood and Idolatrine.

Honorable mention to the fact that I have lived 32 years now on this Earth and I never attended this event even though I would like to.

Bonus: Now, I said that Dante would come back in the chapters, and he is. In fact, not only Virgilio died in Naples (and he is the protector of the city) but, apparently, the gates of Hell Dante mentioned in his comedy were located on the Averno lake, near Pozzuoli, not far from Naples.

#the band ghost #ghost theory #papa emeritus ii #secondo emeritus #secondo #papa secondo #ghost fandom #Italian cities #ghost band theories

[sophie-frm-mars]

Liberal Dissociative Amnesia

The Cass Review is the most discussed political topic among trans people in the UK right now. The 388 page report by Dr Hillary Cass examines the gender services available to young people in the UK and concludes that young people are being let down, gender services need to be taken out of reach for trans people under 25 and a new system which urges avoiding transition at every turn needs to be created which will refer people at age 25.

I just watched Michael Walker on Novara Media say "I think there are some very difficult questions here that I really don't know the answer to", and I find myself baffled by statements like this. I did actually understand in watching what specific questions he thought were "difficult", and I think someone could probably answer them pretty effectively to a standard he was happy with if he had a well informed trans person who he trusted in his life. The problem is, the whole segment was presented with as much equivocation and both-sidesing as possible, this constant air of "what if"

I feel like I'm observing a dissociative amnesia that people like this run into when discussing something that people they can easily see are bigots have declared to be scientific and complicated and requiring serious scrutiny. The Novara team understand the broad wave of anti-trans attacks happening across much of the world, particularly America and Britain, right now, even if they won't necessarily call it genocide - so why does this story exist completely devoid of context? Why is it suddenly time to ask "difficult questions"?

Walker wonders out loud about people on a spectrum where at one end people would have always been cis under all circumstances and on the other they would have always been trans, and in the middle of course are people who might transition if it's easier and there's less stigma. His point as far as I can tell is that somewhere in there it could get TOO easy to transition and then people will do it and regret it. Do I need to bother saying this is why we have informed consent?

It's like the people trying to wipe us out are playing Simon Says with the most progressive of our liberal media. The progressives can see bigotry for what it is most of the time and then somehow suddenly it becomes ✨special science bigotry ✨ and, perhaps because there's an institutional weight behind it, perhaps because it claims to be a serious study, or perhaps just because of the aesthetics of intellectualism the progressive journalists mysteriously forget about the whole wider context of transphobia around the world and have to apply rigorous journalistic standards to it.

"There's social contagion!" "No that's bigotry"

"They're just undiagnosed autistic people!" "No they're trans AND autistic"

"They're coming after the kids!" "No, that's age old queerphobia"

"✨Simon Says ✨ there's social contagion!" "oh well this warrants very careful discussion, I need to think very hard about this before taking a side here, it's a toxic culture war debate and we must remain ✨rational✨ when discussing issues like this..."

[lopposting]

So, I noticed that people tend to notice P is not human, not from the way he looks, but from the way he sounds.

I can hear your springs even if you try to hide them. We musicians have a keen ear, you know. (White lady)

I hear the sound of springs inside you... You're a puppet too! (The Survivor)

[btw I'm going to be paraphrasing quotes and details from memory so I can get this out rather rapidly, so my apologies if they're somewhat incorrect]

Claudia and Lucio give no indication that they know about P not being human. Up until mid-game, they only really treat him as another stalker to con. The black rabbit brotherhood seem to know, but mainly because they know we're specifically "Geppetto's puppet."

I think that Claudia and Lucio find out because they either hear the brotherhood during the fight or Simon tells them as much, because Lucio calls us a "goddamn talking rag-doll" before he attacks us if you choose to fight.

The Black Rabbit Brotherhood and their connection to Carlo

And speaking of which - the brotherhood seems to know immediately that we are "Geppetto's puppet". Which makes me wonder... they seem to have known Carlo or known of Carlo while he was alive, which is probably how they put two and two together and guessed the obvious conclusion of how we came to be, which is the case with Antonia:

Oh, I knew you were Geppetto's puppet the moment I saw you (Antonia)

Is that Tenma's boy? > It can't be Tenma's boy. Holy cow, Tenma must have lost his mind (From Astro Boy 2009)

They also have Carlo's painting and the gravesite which is guessed to perhaps contain Carlo's empty grave has the mark of the black rabbit brotherhood on it. Geppetto also says he had no idea the BRB had stolen the painting.

A child who was a blessing to their family lies here. May he rest in peace. (Malum grave)

[Also I'm wildin now but korean pronouns are usually non-gender specific, so maybe it wasn't a "he" originally? this throws a whole bunch of other things into question though which I actually really don't like]

So, I thought of ways that ALL of these things could be true: That this IS carlo's grave in the malum district (which is strange because why would an aristocratic son be buried in Malum), the grave is empty because Carlo's body is still in the suitcase, the brb mark on his grave makes sense, AND the BRB having the painting is more than just a coincidence.

I have the most bizarre headcanon now. The BRB are a bunch of awful thugs for issuing "protection fees", but still, what IF:

They seem very hostile to us, particularly because we are a puppet, but maybe also because of our resemblance to Carlo - not because they resented him, but because Carlo was dear to them somehow. And the empty grave in the district was set up by them privately to commemorate his death when they heard what happened, (and the "family" they are referring to are themselves!). It's also worth noting that in the original story, The rabbits are aligned with the blue fairy (which would be Sophia in this iteration). [They're also associated with coffins and graves.]

I had no idea the black rabbit brotherhood had stolen it. (Geppetto on the painting)

The black rabbit brotherhood! I hate these guys. <- Gemini immediately remembers them. [They also appear very early on in the game, I guess to show they were watching us?]

So maybe their resentment and disgust for P comes from the fact that they know Geppetto has made an artificial replica of someone they knew into something they hated (puppets!), which they would see as repulsive. Perhaps there's an actual reason why the BRB has the painting. What exactly went down at the monad charity house?

...

extra notes

[The BRB knowing about Carlo doesn't mean they personally knew Carlo (since Geppetto must've been famous), but it's something. The thing is, both Eugenie and Venigni don't seem to recognize who we're "supposed" to be at all, even Venigni who is said to have been a close colleague to Geppetto. Maybe Eugenie and Venigni are just super polite and don't want to mention Carlo at all to us, but I kinda get the feeling that the public never really knew Carlo existed, Geppetto did dump him off at a boarding school early on after all]

[also also!! the golden stargazer next to the grave for DLC, Carlo being associated with ships, and the DLC showing a nautical theme?]

#look away theres BRB apologia here #lies of p #liesofp #lop #spoilers #lies of p spoilers #carlo #brb #black rabbit brotherhood #pinocchio #theory #more crack theory #speculation #btw i also love that they bring out a coffin for us to get into and WE END UP PUTTING ONE OF THEM IN IT INSTEAD #lore

[cripplecharacters]

Hi, I'm working on a character who has vitiligo, is there any more information concerning makeup and skincare you can give me to add in the story?

Hi!

Generally for "research questions" I recommend using good old Google! You can very quickly (or at least infinitely faster than by asking us) answer them by visiting sites like the Vitiligo Society. Most disabilities have some sort of organization that offers the basic information about the condition itself. We are here more to provide writing advice.

With that said:

Vitiligo is one of the disabilities that are often much more socially disabling than medically (doesn't mean it that doesn't cause physical issues, though). There's not that many things that you can do about it, but one that you should consider:

Sunblock. Non-pigmented skin is much more susceptible to sunburn, sunburn is a huge factor in skin cancer, etc. The character can also try staying out of the sun.

The type of vitiligo your character has will somewhat affect it, e.g. localized vitiligo will be easier to protect from the sun than the very rare universal vitiligo just based on the % of skin being affected. Also, vitiligo often appears in areas that are hidden, like armpits or the inside of the mouth. Not everyone will have vitiligo patches on their face.

Sometimes people will experience itching before a new vitiligo patch appears, but this will also depend on the type; some cause new patches to happen more frequently than others. If you know the specifics of your character's condition, research should be much easier.

I'm not sure what you exactly mean by makeup? I can tell you that you shouldn't use makeup to hide your character's vitiligo spots, but that's kinda it? Feel free to send more information if you have something specific on your mind.

If you're writing a character with vitiligo, I would also encourage you to look into comorbidities. As many as 30% of people with vitiligo are hard of hearing or d/Deaf, and they develop autoimmune conditions (especially thyroid ones) more often than people without vitiligo, with 15-25% having at least one.

If your character has their vitiligo on their face or other very visible body part, I recommend my guide on writing characters with facial differences (and the #face difference tag in general) as well.

I hope this helps!

mod Sasza

#mod sasza #theirisofmyeye #face difference #vitiligo representation

[yellowocaballero]

I admire your commitment to writing tim drake as having spent his formative childhood years on a different awful forum in every universe. it fills a conspicuous void in the fandom ecosystem.

I want to put this ask on my wall. Thank you for understanding me. Thank you so much.

Look, I think there are reasons why characters act the way they do. So often when writing Batfam people put in 0 work into actually establishing why or how a character is Like That, which feels necessary when the character is the most Like That of all time. You end up with a father-son or brotherly soulmates situations and it's bizarre. Why are you adopting this child you saved, you save fifty children a day and there is nothing special about him.

Tim Drake is a fucking freak and there needs to be a reason for that. Child neglect isn't enough. Somebody like Tim needs a very specific thing to happen in their lives to get them to the point of making his decisions. He needs to be obsessive, to spend time in a place that feeds and validates his obsessions, to be in a place where he can easily collect a great deal of data to construct a pathway model, and for all of this to happen without leaving his room. It has to be the internet. Tim is a guy who the internet churns out. I know he's from the 80s but Tim as a person is somebody who is so chronically online in the weirdest way. Not chronically online how WE'RE chronically online. He's on the weird forums. Like those military simulator game forums where military personnel post classified blueprints for future military tanks in order to win an argument. Those kinds.

If you were a domestic terrorist in the early 00s you were probably on Something Awful. All I can say (Actually, technically the SA thing is an anachronism - it didn't actually pick up until the early 00s. But it was the website that worked the best, explained the most, and I fucking needed to make the 'But he wouldn't tell her what the awful thing was' joke, so here we are). This is also the reason for the other anachronism of NW. Homestuck.

#everybody stop being boring. everybody stop being boring RIGHT NOW #tim drinks too much coffee tim's a nerd tim's weird NO #tim has drawn a complete map of the gotham sewer system because he hyperfixated on gotham-specific breeds of rat for two months #this is the only actually accurate map of the gotham sewer system to exist and he used it for smuggling motherboards #before he turned it over to bruce for batman purposes #his complete taxonomic knowledge of the gotham native rat population comes in handy 2 years later while fighting killer croc #successfully convincing steph that he knows everything and frightening dick greatly #my asks #admittedly the other reason for this is that Tim is based a bit off my sibling

[getvalentined]

I've never done a full breakdown of everything that happened to my version of Vincent while he was under the knife (although there is a partial breakdown from like 12 years ago on Ask Vincent Valentine), but @spinejackel tagged my recent Vincent doodle gushing about autopsy scar (Vincent Has a Y-Incision headcanon supremacy!) so I figured it was probably a good time. This is also probably the best method, since I can apply the right tags and trigger warnings to hopefully keep it from hitting the people who would be disturbed.

For anyone who doesn't know, figuring out the fucked up physiology of victims of science is like my entire jam. I think this is what happens when you let a chronically ill child watch Akira and the original Bubblegum Crisis OVA and most of the works of Masamune Shirow. All that before FF7 even existed. This means that the explanation under the cut may seem excessive, and this post is very long. I've been building it over over a quarter century, I don't think there's any avoiding it at this point.

Warnings for body horror, nonconsensual body modification, medical horror and torture. Basically, if there's anything you can think of related to becoming a victim of science under the rule of an unethical sci-fantasy oligarchy, it's probably in here to some degree. It's explained plainly and simply, in clinical but not visceral detail.

My headcanons for what Hojo did to Vincent are pretty specific, albeit not precisely comprehensive; 27 years later I still don't really have a particularly solid concept for how he turned Vincent into a shapeshifter, although at least we know it's not something entirely specific to Vincent—Hojo repeated that facet of the experiment in Azul, but not in any other SOLDIER operative even in DeepGround, implying that it's only possible if very specific physiological conditions are met. The minimal concept I do have involves a twisted application of the concept of incarnate summoning as it appears in FFXIII-2, but it's very vague and also not the topic of this post. Maybe later.

Regarding the Y-incision/autopsy scar, my headcanon is that once Hojo tweaked Vincent into being able to regenerate from any injury—an enhancement that is confirmed to be entirely Hojo's work in Dirge—the professor of course felt it necessary to run various tests quantify the usefulness of his handiwork. He did this first by inflicting various surface injuries, then by causing more extreme bodily trauma, which eventually culminated in Hojo removing the majority of Vincent's internal organs in order to measure how long it took them to grow back and, assuming they did grow back, how the new ones compared to Vincent's original parts.

To be able to observe this as closely as possible, Hojo kept Vincent's torso open for the entire process—which he repeated twice more in order to check the weight, size and structure of the newly-grown organs in comparison to the originals. This study proved that most of them did grow back, but the majority of them stopped developing much earlier than was appropriate for Vincent's age and size. The difference was consistent, Hojo just never figured out why most of them grew back smaller and less-developed.

The reason this happened is based the fact that most of the organs in the human trunk are used in digestion and other related processes, and Vincent's regeneration means he doesn't need to eat or drink anymore. His body only expended as much energy as was completely necessary to develop those organs to the point of being functional rather than normal, because they're not really necessary. Vincent is glad he still has them, though, because he does still occasionally eat (usually in social situations) and also he'd be really sad if he couldn't even have coffee.

Vincent's brain activity remained normal during the entire process, although that may have something to do with Hojo driving a bunch of fluid lines into his head and flooding the inside of his skull with mako to keep him awake the whole time even while deprived of oxygen. (Rebirth spoilers, but seeing the bit in the Nibelheim Protorelic questline where Hojo does something super similar to this, after this has been my headcanon for decades, was a trip.)

Two organs didn't grow back at all: Vincent's appendix and one kidney. This was also the result of efficient energy expenditure, as the human appendix isn't necessary for survival, and only one kidney is really required. (Each time Hojo removed the new kidney, the one that grew back would be on the opposite side, which bothered Hojo to no end.)

His lungs grew back a little larger, possibly because his skeletal structure never quite recovered after his first transformation into Galian—his arms and legs are noticeably too long for his body, although not to the point of looking impossible, and likewise his ribcage settled to breadth that would allow for larger lungs. He doesn't really need these anymore either, related to his brain being exposed to so much mako during the process that it can now operate without oxygen if necessary, but switching himself over from aerobic to anaerobic respiration is really unpleasant and Vincent tries to avoid it when he can.

His heart was pretty normal by the time Hojo was done with him, although his heartrate had dropped to like 20bpm even when elevated. Again, if respiration isn't necessary, there's not much reason for the system to be active. (By the time Lucrecia was done this had dropped to around 5bpm on average, although it's completely arrhythmic and jumps all over the place when he's not either particularly active or on the verge of a transformation.)

This was the experiment that left Vincent susceptible to degradation, which Hojo didn't realize until after finally closing him back up. Upon realizing that Vincent's body wasn't responding properly to a different test (a repetition of an earlier experiment related to the regeneration of external tissues and features), Hojo just kinda threw him in a tube to be disposed of at a later date, kinda like that scene in Arrested Development where there's that dead dove in a bag in the fridge. The incision healed at some point during the period that Lucrecia was working on him, but early enough in her work that the tissue couldn't flawlessly regenerate (like it does in the present), leaving him with one more gnarly scar on top of all the rest.

Vincent is self-conscious about all the physiological changes brought on by what was done to him, often to the point of loathing. His left arm is the worst—it rotted off while he was in the throes of degradation and grew back as something that he hesitates to call his arm—but Vincent hates that Y-incision scar almost as much. Some days they tie.

(It has come up in appropriately horrified conversation with Shalua that, considering how his regeneration works, Vincent could probably get rid of all the scars on his chest if he somehow peeled the skin off his torso in a single swath. He will not be doing that. Besides, it might grow back the wrong color/texture/etc, like his left arm. Not worth the risk, much less the suffering.)

Also I gotta finish off this entry with the extremely stupid headcanon reveal that Vincent's (honestly fairly impressive) dick was cut off during the first round of bodily trauma regeneration tests—and Hojo has never felt the sort of rage he experienced upon discovering that it grew back bigger than before. This occurred early enough in the experiments that Vincent was not awake for it, and thus has no idea how the fuck this happened, and does not want to talk about it ever thank you very much. I've never mentioned it in public anywhere because it is extremely stupid, but I hope someone out there finds it as funny a concept as I do.

#vincent valentine #headcanon warning #body horror tw #torture tw #medical torture tw #it's all described in scientific detail #not visceral at all #but it's still very much horror #so please be aware #and do not engage if you're not into that #fandom ramble

[eliasdrid]

you keep putting these tokusatsu shows on my dash for months and I have less than zero context what they're about. what's the cliffnotes version to get me interested in whatever these odd looking robots or perhaps creatures are doing?

Alright I'll try my best but it might get long.

To me, the most appealing thing about them is that the suits are very much suits, they often try to use practical effects where they can and there's a lot of neat choreographed fights. There's also often sci-fi elements (which I'm a fan of). Each season of each show seems to be made with love and passion for the genre* too and I've read/seen a few interviews which support this. There's also some very talented actors and it's amazing to watch them play pretend the colorful plastic weapons are real and can hurt you (they really sell it to you if you can suspend your disbelief a little and have some fun).

*edited - I wrote labor of love but forgot it is a specific thing and might not apply very well here?

Anyway. I'll give you the basics. The three big tokusatsu shows you may often see around are: Kamen Rider and Super Sentai (both from Toei) and Ultraman (from Tsuburaya).

Screenshots from: Kamen Rider OOO (2010), Kikai Sentai Zenkaiger (2021) and Ultraman Blazar (2023)

There's others! like Dogengers (screenshot below) - but I'll try to focus on those three.

In general these shows are aimed at young audiences so you have to watch with that in mind. Also, like any superhero show, they will want to sell you merch (figures, toys, plushies, etc).

Another important thing to know is that the seasons of these shows are usually self contained, and each have their own theme, so you can pick any season that catches your eye to check out with no previous knowledge. There are crossovers events (movies and especials) and anniversary seasons which will explore and/or showcase previous content too! I personally really enjoyed Kikai Sentai Zenkaiger (2021) which is a 45th Anniversary Sentai season and I had watched only two other sentais before it.

Now, some differences! so you can tell the shows apart and also know what you will potentially have in store if you decide to watch any. I'll put a read more because this is getting long 👍

Kamen Rider and Super Sentai air all year long, for this reason, seasons usually have 45-50 episodes. All the Ultraman shows I've watched have 25 episodes per season. Meanwhile Dogengers has kept a 12 episodes per season formula so far. Spin offs, specials and reboots have no defined number of episodes (to my knowledge).

I feel like I should mention that (especially in the case of 45-50 episodes shows) the episodes might feel a bit off sometimes? Be aware there's often release schedules with toylines involved* From what I've noticed this usually happens past the mid-season point the closer you get to finale territory. My guess is that, generally at that point, the writing team (or writer) was trying to do things they forgot to properly set up before, tie loose ends and/or finish arcs quickly. *Sometimes other things affect production, like COVID or an actor suddenly not being able to continue with their role.

All shows value The Power Of Love and Friendship and usually feature a team of heroes (or allies) fighting against an enemy faction. There's also, almost always, some sort of transformation device involved and in all these shows the heroes must collect some season-themed item to get power ups. The key difference between each show will be how they decide to play with these things.

Super Sentai is what Power Rangers is based on. If that tells you nothing: there's a team of heroes ("rangers"), color coded suits that are generally not too complex in design and one giant mech vs. giant monster fight per episode (on average). I've not seen too much Sentai so that's all I got for you.

Kamen Rider gives its heroes more complex suit designs and (usually) multiple forms (ascending in strength/skill). Kamen Rider's signature elements are probably: the drivers (belts), the henshins (transformation scenes) and the fact that they often have motorbikes (they gotta ride something).

Ultraman has more of a shared universe between seasons situation going on than the previous two so there's recurring lore. I won't explain that lore to keep this as short as possible. Either there's a host-alien situation (to varying degrees) or the protagonist has the ability to transform. In this show there's always an almost guaranteed Titular Ultraman vs. giant monster fight per episode.

More visuals that might help you tell them apart:

Screenshots from Ohsama Sentai King Ohger (2023)

Screenshots from Kamen Rider Ryuki (2002), Kamen Rider Den-O (2007), Kamen Rider OOO (2010), Kamen Rider Build (2017)

Screenshots from Ultraman Orb (2016), Ultraman Geed (2017) and Ultraman Blazar (2023)

I hope this was helpful! sorry it got long!

#i-gwrath #ask #reply #long post #elias toku tag

[brf-rumortrackinganon]

The thing is while Philip and Elizabeth were in a happy relationship, Charles and Diana were not. Elizabeth was monarch & Philip was the consort and it’s known that they hated that when Elizabeth’s father died that it meant they’d not be able to raise their children how they envisioned & life at Clarence House with them.

Charles was a post war baby boom baby in 1948, and child rearing especially with boys was much different than what it is now and while Charles loved the outdoors and the wilderness, he didn’t like it for sports like Philip, he loved the nature etc.

Diana was insistent on William and Harry always being treated the same and pushed them to go to Eton like her family had done for generations - just like Philip did having Charles go to Gordonstoun.

The thing is that boarding school helped an exiled prince like Philip find a home whether at Salem Schloss or Gordonstoun and helped him become who he was. Eton however seems to be a school that has boys graduating who are not emotionally stable or are easily manipulated.

William had the weekly meetings with the Queen and Queen Mother which seemed to have helped. Boarding school isn’t something I see in the future of the Wales kids and I think it’s why they moved to Berkshire and so did Pippa & James with their families so they could be there for the Wales kids alongside Carole & Michael when William & Catherine are away.

The quality of the marriages doesn't matter. Nor does it matter what generations or times someone was born and lived in or where they live now or what their interests were or what the parenting philosophy of the day was.

The crux of the issue here is that Charles complained about his parents in a very specific way. Then he turned around and behaved in a very similar manner towards his own children, according to the complaints of an aggreived child. The who, what, where, when, why, how details of it doesn't matter.

What does matter is that someone had complaints. They said "my children will be treated better" and they weren't. They were given different opportunities, but the result is the same: the child is unhappy because the parent did what was best for the parent because of the broader family's expectations, not the child. And we see now for the second time - for the third generation - the same thing happening in the Sussex family.

That's where William appears to be breaking the curse. He's prioritizing his children's needs over the parents'' requirements and extended family's expectations. Will it work, though?

Honestly though - you can't pin the boys going to Eton exclusively on Diana. Charles had an equal say in it. He wanted the boys to go to Eton too because it's where he had wanted to go to school.

#ask #brf

[happypotato48]

We Are EP 4 Unhinged Tangent Thoughts

Finally! some good shits. this week Vibes the show finally let go of some of its dumb BL tropes. and let the boys being their extreamly cute and chaotic selfs with each other.

Ok i'm still not 100% or even 60% vibing with Phum and Peem but this ep made them much more tolerable. i think my biggest gripe with Phum as a character is that in the show full of earnest loveable dorks his tsundereness and assholedary (is this a real word???) was sticking out liked a sore thumb. so i'm happy that we learnt this ep that he and Toey knew each other and that he and Fang used to take care and protect Toey from bullying when they were kids (i called it! Toey mannerism and the way he talks definitely made him prime target for bullying.) its still not excuse Phum's behavior toward Peem but that + all the apologies he gave this ep soften him for me.

Tan is my new number one blorbo. throwing a party to just tell your friends that you're in love is very Mwah! and that VOICE! he did for toey at the party, crack the hell out of me. ok, how to explain this. so that voice both the deepness of it and the way the audio played gave a very specific old C dramas Thai dubbed feels. that it, thats was the joke. i really loved its but its probably don't translated fully to non thai speakers.

We only got crumbs for Pun and Chain this ep. but ahhhhhhh! baby pun is so cute i can't, he too god damn cute. as a dumb boy myself your brain leaking from reading too much books is so relatable. Chain and Pun relationship being more like a mother and her son than friends is kinda weird but i'm rolling with it. idk what thats say about me but idc, i loved this two too dang much.

And now for the stars of this ep Toey and Q🌟 blam blam blam!! 🌟so i was kinda not into this two as much as other people on here who go bananas for them. but this ep sold me, i'm now 100% a QToey boyie. the way Satang portray him with such earnestly and those forking puppy eyes finally broke me. look, look. i'm not gonna say that i didn't cringe at the way toey talks, and i felt bad for it after we learnt that he definitely got bullied as a kid. the scene in the park where Q asked Toey if being his nong rahat make him felt under any pressure. Fuck thats so sweet, my heart! Q care so much despite being a grumpy bitch and he god damn shows it. i loved this so much. cause not a lot of grumpy BL characters were balanced well with thier grumpiness and tenderness. most of the times relationships like this in other BLs felt very one sided, but not this one. i hope the show will explore more of what happened to Toey, but i'm not gonna get my hope up cause thats kinda don't fit the vibes of this show.

This ep gave me the Friendships and the cutenest and i'm full! now we only need the brothers to get rope into this queer friends group, hell Phum can bring his two hot friends and Toey can bring cute little JJ, and Ciize can be the token lesbian. make them all friends!!

#we are the series #thai bl #bl drama #dumb boy unhinged thoughts #we are series #we are