Replanting (Chapter 1)
[read on ao3]
When you feel the missile clip the corner of your mech's leg joint, you know it's over.
It feels like a line of white fire directly to your brain; your pain and the mech's mingling. But pain is nothing, pain is your every day. It's the immobility that terrifies you. Your mech knows before you do that the leg won't work, can't carry you back to base.
They won't send a field repair team out this far, not into enemy territory. Not even for the material outlay of the mech. You have no illusions of what would happen to you if they had to extract, but at least it would be fine, given a new pilot and allowed to keep doing its duty.
Don't think like that, it sends to you. I don't want another pilot.
You struggle a few dozen meters until the residual coolant in the leg motivators gives out and the intractable hand of physics pulls your mech to its knees. A cloud of dust billows up around you and you give up the rest of the way, mech lying on its side amid the baked earth and the scrubby bushes.
Creosote bush, the mech says. Didn't know it grew this far north.
You know it's just trying to keep you from panicking. It's not working -- you can feel your heart racing, the connection gel around you contracting in an autonomic effort to keep you from thrashing in the cockpit. Worst of all, your handler's ever present voice in your ear has gone silent.
A pilot's job is to keep its mech moving. No more and no less. You know there's no real affection from your handler, that her ministrations are part of the system, but you can't think about that sudden abandonment without a pang of grief. She should be there, she should always be there, but now there's nothing. Silence and static.
That feeling gives you a rush of adrenaline, coarser and hotter than the artificial flush the mech gives when you complete an objective, purely a product of your own withered adrenal glands. You have to get back you have to get back. You struggle to your knees, planting the mech's hands in the caliche like anchors and shoving so hard you feel something pop. (In you? In the mech? Is there a difference?)
You make it another hundred meters before you fall again, and the Caskie mech finds you, hitting you with an EMP before you can take them down with you. It lands with a jumpjet hiss in your sightline, so you're treated to the view of the alien-looking mech opening its canopy wide, two pilots getting out of the crude-looking mechanical cockpit.
---
They salvage the mech with you in it.
The pilots didn't seem to know what to do with you; you could hear from your outboard sensors that they were discussing in that strange, fluid accent how to get you out without killing you.
(You don't understand why that matters.)
Eventually, they just called for reinforcements; three heavy carriers showed up some indeterminate amount of time later. They haul your mech, pilot included, through the air on a frankly ridiculous web of heavy cables. You see the desert fade to green, canals threading through the land like veins, as you pass from the disputed zone into Union territory.
Your mech keeps a constant stream of commentary, talking about the plants that it sees, pointing out where old semi-arid forests have been restored. Its voice across the neural tunnel holds false cheer, picking up whenever you start panicking, but the enthusiasm is genuine.
Finally the carriers land at a base. It looks much like Conclave military architecture, concrete in utilitarian blocks, but you can see shining glass and chrome off in the distance, a city. They must want to keep you a ways away from civilians. You suppose that's fair.
They land you in an empty mech bay. It’s been cleared out hastily – you can see the Union mech that used to reside there off to the side, plugged into an aux power array. Your mech is not the right size, not the right shape, but a gaggle of mechanics come out anyway. They locked a restraining clamp on you at some point so you can't move, can't fight. Still, the mechanics move around you warily, like you'll snap and take them all out at any moment.
You would, in a heartbeat. Not just to get the euphoric response, but to quiet the anxiety, the feeling that you're entering a world where you don't have the tools to survive. But you can't, and a quiet part of you (or the mech) is relieved at that.
They strip your mech of all its weaponry, a harsh and hasty disassembly. You feel each removal sharply. Not physically -- mercifully, the mech has dialed down the haptic connection so it's left to suffer alone -- but in loss of potential, the closing of options.
Finally, when everything is done and your mech is defenseless (other than being a fifteen ton vehicle) a tall woman in a labcoat comes out, flanked by guards with red cross emblems on their sleeves.
"Hello," she says. Her voice is formal, neutral. Lower than you expected, with just a hint of that singsong Cascadian accent. "Can you hear me? Or see me? We have sensitive solid-conductance microphones on the outside of your mech so we can hear you if you speak."
You know the trainings. A pilot is part of the system, part of the Conclave war engine, and cogs don't speak. Your tongue flicks idly against the suicide capsule in your back left molar. You go to press in on it.
You feel something, like a hand, guiding you away. A great wave of fear washes over you, and you know it's not yours.
Please. No.
You stop. Think a moment.
"Hhhhh."
It's been a while since you've spoken. Just whispers in the dark with your handler, words carrying neither voice nor meaning. Your throat is dry, and you feel for a moment like it's not there. (Why would a mech have a throat?) You clear it, and try again.
"Yes. I can hear you."
She nods. "Good. I'm Dr. Mia Crane. I'm required by Cascadian Union treaty to inform you that as a prisoner of war, you have rights including food, shelter, protection from torture, and the right to ask about your other rights." She adjusts her round framed glasses. "I'm required by basic hospitality to ask you your name."
You pause. You know what names are, of course. Your handler's name is Rebecca. But that's not something pilots have. "I, uh. No?"
She blinks, a little taken aback. "Okay, well, we can work on that. Do you at least acknowledge your rights as a prisoner of war?"
This isn't going to end until you acknowledge, you feel, so you just say "Yes."
"Okay. Is there anything we need to know before we get you out of there?"
"I don't want out," you say. Your throat tightens.
You can't stay in me forever. It's okay. You'll find a way back to me.
You hear a hissing sound, and the low, sick gurgle of the connection gel draining out of your suit. Before you understand what's happening, the canopy drops open and you stagger out of the mech onto the diamond-patterned steel catwalk.
The sharp edge of disconnection, the sudden hole where there should be something inside you, keeps you off your feet. You stagger to one knee, felled as surely by shock as you had been by the missile.
The guards rush over to you and help you up. You want to fight them off but your muscles are jelly. Your head hurts.
Dr. Crane looks you over. You know she's not your handler, but you reach for the familiarity anyway, half expecting the usual routine, the ministrations that get lost in the foggy haze of post-battle euphoria. If your arms weren't being held for your own stability, you'd start opening your suit.
Instead she shines a light in your eyes and asks you to stick out your tongue, making notes on a clipboard as she goes. She puts a strip of fabric around your arm and it gets tight for a moment. "Elevated heart rate and systolic pressure, pupil dilation is beyond what I consider normal."
Your heart hammers in your ears. The smells around you -- the saccharine sweet of connection gel, your own body, something undefinable coming off the doctor, heighten to a nauseating strength. Your head hurts. "Are you going to..." You swallow. "Do you have the syringe?"
Dr. Crane tilts her head. "The syringe?"
"When the..." How do you explain this? You haven't had to explain any of this, people just know what to do. "When I'm done. Rebecca, she has the syringe, it's blue, and."
"Do you know what's in it?" she asks, gently. Too gently. The words are too soft, they smother you, it's too hard to breathe.
Your head hurts. The lights beat down.
"No, but it... she... always..."
Your head hurts.
Your head hu--
---
There are voices.
At first you don't care. You just want to go back to sleep. But there's something wrong with your bed, it's too soft. And the voices don't sound right -- that soft lilt, one you've only recently heard.
"Patient has been stable for six hours. Their heartrate is still a little funny, and I'm not sure this godawful cocktail of tramadol, modafinil, and tricyclics we pulled out of their tox panel is good for anything other than keeping them from dying of withdrawal, but we should be seeing them awake soon."
"Thanks, Dr. Chen." You recognize this voice, soft and husky -- it's Dr. Crane. "Have you figured out the... um. Mortality problem?"
"Part of it is that stimulant cocktail, I'm sure -- we haven't had the chance to pull in a full Conclave mech with pilot intact, and our field teams don't have the tools to stabilize someone as quickly as we were able to do here. But the most likely reason... false molar full of tetrodotoxin. We made sure to extract it. Carefully."
You probe the back of your mouth with a sluggish tongue. There's still a tooth there, but it feels strange. The one that had been there was artificial already, of course, but this one is much smoother, more like the rest of your teeth. Something lightens within you -- you've lost an option, sure, but maybe you were never good with options.
"Fuck," Dr. Crane says quietly.
"That's not all," Dr. Chen says. "There's extensive neural grafts consistent with the autopsies we've performed, but... there's something weird going on with the brain activity scan. I'm not sure what the Conclave is doing to their people, but it's scary."
"Nnn. 'M not," you say.
There's a rustling around your bed. You open your eyes and blink against the sharp light a few times, and eventually the face of Dr. Crane comes into focus.
"Hey," she says. "Glad you're awake. How are you feeling?"
You have no idea how to deal with this. Never expected to be in a hospital room of all things, being treated like valuable materiel instead of ammunition. So instead of answering her question, you just repeat your previous statement. "I'm not. Person."
She gives you a look you don't really know how to read. You never had to get all that good at reading faces, but you suspect this one might be hard even if you did.
"...well. Anyway." Dr. Crane clears her throat. "You had a medical emergency when you left your mech. You mentioned something about a syringe? I assume that's part of your post-operation routine? We've got you stable now. We're going to give you about another day to rest up before we bring you in for questioning."
"Questioning?"
"You're the only Conclave pilot we've brought in alive," she says, with a twist of her mouth. "It's damn near impossible to piece together any information about Conclave technology and hierarchy. I should know -- I'm the Union's top academic expert in Conclave culture and I always feel like I'm flying blind."
That was... a lot. You just nod.
"So you said something about... not having a name? Do you have something you'd like to be called? I know you're technically a prisoner, but you're safe here. People will respect what you say you are."
She says that last part with a lot of emphasis, a particular gravity to the words, but you're not sure why. "No."
"Okay. Designation number?"
"They re-assign our numbers every week so we don't get attached to them," you say.
She says a word under her breath that you don't know, other than that your handler says it when she gets mad.
"Alright." Dr. Crane takes off her glasses and pinches the bridge of her nose. "How about I just call you "Pilot" for now?"
That's what you are, and you don't see why that's so difficult, but at least this line of questioning seems to be over when you answer yes. She promises to check on you in a while, and leaves.
---
You dream about vines.
They're all over you. You haven't seen many vines up close -- there was sparse ivy on the back of one hangar for a little while before Maintenance took care of it. But you feel you know these.
They aren't strangling you. It almost feels like a caress, like the flight suit, like Rebecca's post combat care, but not quite any of those. It's pleasant. Cool rather than warm, and calming.
There is intense pain in your arms and legs, but it doesn't bother you. It's like someone is telling you that your limbs are being shredded, but the pain isn't getting through to the part of you that cares. It's just another sensation, less pleasant than the vines but certainly not bad.
You feel things you can't explain. A name, a pull in a direction that's not physical, feelings and sounds beyond your ability to parse. They build to a crescendo, and you wake with a shout. But at the edges of your awareness, the green is still there.
---
The next morning, you're herded into a shower stall with a clean jumpsuit, a washcloth, and a bar of soap. You clean yourself off as well as you can, given the circumstances. The soap has a soft smell to it, and no grit. It almost doesn't feel like it's cleaning you at all, without the scratches.
You knock on the stall door once you're finished dressing, and the door slides back. In addition to the two guards, Dr. Crane is there. She's wearing the same white coat, but her hair is pulled back, and she looks even more tired.
Still, she manages a slight smile. "Pilot. Did you sleep well?"
"No," you say.
"Ah. Well, hopefully we can help with that tonight. In the meantime I have some questions for you."
You follow her through a maze of white corridors, lit with skylights. Your sense of direction was never the best (your mech always took care of that, you think with a twist in your gut.) You wouldn't be able to find your way back if you needed to.
She leads you to a room with two chairs, both of them plush and soft. You feel like you're sinking into it; she looks like she's perched on hers. She balances her clipboard on her knees and starts in eagerly on the questions.
There's a part of you that feels you should shut up, refuse to answer, let them finish the work they didn't let your false tooth start. But one handler's as good as another. You're a weapon, and weapons know no loyalty. So you answer -- even when the questions don't make sense, or aren't about obvious things, or are about things you've never been allowed to see.
The reactions don't really make sense to you either. You talk about some of your worst missions, and she seems sad but like she knew what was coming; you talk about your handler, and she's gripping her clipboard so hard her fingers go pale. You stop trying to understand what's going on, and try to hit the same state of unconscious action that you do on a sortie. Question, response. Question, response.
There are a few about your accommodations. They're fine, of course. You have little standard for comparison, and if she asks if you need anything else, you feel she won't leave you alone with a "no," so you ask for books. Rebecca was always reading when you were doing synch tests.
After what feels like the whole day, Dr. Crane lets you go. She doesn't ask you any questions about the haze of green starting to fade in around the corners of your vision when your mind drifts, so you don't volunteer any information.
---
The next day's meal comes with a couple of books, and Dr. Crane seems determined to find you the right reading material because every meal tray thereafter has more. There's a shelf in your room for the purpose. It was a ruse at first, but it is genuinely a better way of spending your time then staring at the wall.
There's more questions, along with a handful of medical tests, supervised by Dr. Chen. Dr. Chen's questions are even stranger than Dr. Crane's, but at least they seem satisfied with the answers given by the scans and blood draws.
A few days pass until you get a good enough feeling of the layout of the facility to know which direction the hangar is in. You occasionally see Caskie pilots in groups of twos and threes, talking and joking with each other. No handlers, no augments that you can see -- if you hadn't seen people in those same outfits walk out of their primitive looking mechs in the desert, you wouldn't believe that they were pilots at all.
All of them are coming and going in the same direction, and it's a direction that Doctor Crane and your guards never take you. So naturally, the first chance you get when both of your escorts are distracted and you have the chance, you peel off that direction and start running.
Your augments sing as you stretch your legs. They’re not like infantry augments (or so you’ve heard) and they don’t have auxiliary power – you can feel them burning away your body’s energy, energy that would normally be supplied by your mech. But your desperation fuels them just as much as your calories do, and the initial burst of speed and agility is all you need.
The facility is confusing as always, but you spot a sign that says HANGAR and get reoriented. Startled cries fly in your wake, doctors and workers and pilots confused at your frenzied speed. Something that might be an alarm and might just be lighting flashes at the corner of your vision, nearly obscured by the green.
You get lucky, and a mechanic is coming through the secured door at the checkpoint at the same time you arrive. You take advantage of her confusion and duck underneath her outstretched arm, through the door and out into the hangar bay.
It's not hard to find your mech. You remember the layout from your brief spell of consciousness after arrival, the way your mech looked so different from the rest and didn't quite fit into its space.
You pull up to a stop, wheezing from exertion, and look at it with dismay.
Your mech has been dismembered, all four limbs strewn about the bay hooked up to various pieces of testing equipment. The body itself is on a riser jack, slightly askew like there wasn't the right connector to fit it, hooked up by thick cables and patched-together connectors to the exposed limb contacts. The canopy stands open, the inside unlit but visibly cleaned of leftover connection gel.
The sight makes you sick. You hold it down, but barely; but the nausea makes it hard for you to resist when a burly mechanic comes up behind you and wrestles you to the floor.
You're not sure you would have, anyway.
By the time Dr. Crane has shown up, your face is wet with tears and snot, and your breath comes only with sobs. You're still being pinned to the ground by a mechanic, but she's not putting her full weight into it. She more or less let go when you started crying.
Dr. Crane pushes through the crowd of onlooking mechanics and kneels down in front of you. "Are you all right?" she asks.
At first, you think she's addressing the mechanic; it would be such an incongruous question to a pilot about to be terminated for insubordination. After a silence disproves that theory, you shake your head and gesture with one semi-restrained arm to the mech. "No."
"I'm sorry, pilot," she says, "but you are still a prisoner. I'm going to request the board not to restrict your access for this, given that you didn't really hurt anything -- and I'm sure they'll listen to me -- but you surely didn't think you could just get back in your mech and run away?"
"No," you say again, frustration at your own inadequate words prompting a fresh fall of tears. "It's... you're hurting it, you're..."
Things click together, things that you've always known. Feelings shared through the neural tunnel, deeply held beliefs that couldn't be kept from a pilot. You understand, now, what your mech was trying to tell you all along.
"You're hurting her."
Dr. Crane looks from you, to your mech, back to you. She goes pale.
"Are you telling me," she says quietly, "that there's an AI in your mech? A sentient AI?"
You nod. It's too late to lie, now. To protect her. The green in your vision threatens to overwhelm you. You're sorry, so, so sorry...
"A sentient AI that... we have been effectively torturing for four days. Fuck." She takes her glasses off, buries her face in her hands for a moment. "I can't believe that didn't come up during questioning."
It could have. You had avoided the topic, because you were afraid of this happening -- your greater part, torn away and experimented on because you couldn't keep her safe. You had always heard that the Union had strange beliefs about machine minds.
Dr. Crane looks around to some of the mechanics. "Anyone who was working on this mech -- did you have any idea there was a sentient AI? Any anomalous readings?"
"Some anomalies came up in the report that indicated synaptic activity in the post-0.4 Turing level," says one mechanic, nervously playing with their hair. "But everything about Conclave tech is anomalous. Kinda got buried in all the other weirdness."
"Okay." Dr. Crane sighs. "Can we get some input/output hooked up to her, please? And give her her limbs back."
One of the guards flanking her frowns. "I don't think that's a good--"
"She's a prisoner of war, Ortega. Pretty sure removing a sapient being's body parts is against something in the codes. Not to mention the First Principle."
Ortega sighs, and waves some mechanics over.
---
They don't know what connection gel is, but it doesn't matter. The sensation of her against your skin is important, but not as important as just reestablishing the connection.
Dr. Crane apparently spots your longing glances towards your mech, and takes you by the arm. When you flinch back, she holds her hands up in a defensive posture. "I'm sorry," she said. "I was just going to guide you over there again."
There's a lot of activity going on in the hangar, between the mechanics re-arming your mech and the other pilots getting suited up to react in case she tries to start killing people. (You don't think she's going to, but you suppose you can't blame them too much.) It would be a shame if your reunion with your mech got postponed because you got beaned in the head by an inattentive mechanic carrying a crysteel strut, so you offer your arm to Dr. Crane again and she guides you through.
You don't want to take too long, but you're only going to get to do this once. You run your hand over the lip where the canopy seats into the body, feel the soft seal and the framework beneath, then lift yourself up over and inside the cockpit.
There's no gel, so you can't hear her voice right away, but you know what to do. Years of drilling guide your hand to the hidden compartment with the emergency connection pads. It falls open with a clunk, the ribbon cables and connection pads jutting out in a fall like vines. One on either temple, one on either side of the chest, one on the back of each trembling hand. You're probably being watched, stared at as you have been since you broke into this hangar, but you don't care. She's here.
Hello, love.
You shudder, come apart, not in a procedural way like with your handler but in a form that shoots through to the very core of you. Untouched, but undone. You have no words for her, but you know she can feel your relief and your joy. You crumple, weeping, and run your hands over the familiar inside of the cockpit.
The green in your vision doesn’t go away, but it recontextualizes. It’s her. It’s the part of her that lives in you, a fragment within a fragment.
It's a little while, just basking in the connection, before you realize you've fallen in an uncomfortable position. Your skin, your joints, protesting their treatment. You reorganize yourself, pull yourself from the connection just long enough to get there.
They've hooked a set of speakers up to her ports. They come to life with a spiky flare of static as she finds her voice.
"Hello," she says. You can feel her voice from inside and outside, through the tunnel and through the skin of the mech. "I am a Conclave of God Armored Forces Samson-B Light Interdiction Unit, but I would prefer if you called me Acacia."
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(Murder Drones Episode 7 spoilers!)
THEY CHANGED THE INTRO V IS OFFICIALLY DEAD FUNERAL'S ON THURSDAY
Cult. It's a cult. This is definitely a cult. They probably don't even realize it but it is undeniably some kind of cult.
Nori what are you doing. Nori why are you like this.
The cross is a USB??
They're keeping the Drones themselves in the lockers??
Of course the unpaid intern whose opinion doesn't matter is the only one with any sympathy for them.
Pink Solver core?? SOLVER LIZZY?!?
Ah great, the Envy shippers are gonna be using this as "proof" that he's still in love with V.
HE IMMEDIATELY APOLOGIZED HE LOVES HER SO MUCH
Tessa. Stop. I was willing to give you the benefit of a doubt but you're not doing yourself any favours.
And now she's being racist. Way to go.
"The power of a black hole in the palm of my hand."
SEE TESSA ALL YOU DID WAS MAKE EVERYTHING WORSE
THEY'RE BACK THAD AND LIZZY ARE FINALLY RELEVANT AGAIN
Did they change Thad's VA? He sounds different.
Was that V? Is she already back?
N BABY NO DON'T SAY THAT YOU DON'T DESERVE THIS
Eldritch V??
I can't wait for people to meme about his perfectly cut scream there.
Not going near the corpse. Smart move.
Cyn stop. Cyn stop. CYN STOP PLEASE I'M BEGGING I WANT YOU TO BE SYMPATHETIC
She hugged him. That's probably a good thing, right? That's probably proof that the real Cyn is still in there somewhere, right? THAT PROBABLY MEANS SHE MISSES HIM AND IS GENUINELY SORRY RIGHT
Nothin' like a good old-fashioned Robot Uprising Apocalypse, eh? In other news, Skynet is suing the Solver for copyright infringement.
Those admin privileges comin' in handy. Unfortunately they don't do much in the physical world.
Uzi has absolutely no reason to be crawling and scuttling around like a creature right now except for the simple fact that she wants to. Never change, little gremlin.
Oh I don't think you should watch that. N was right, y'know, there's probably stuff down here you don't wanna see.
Why does this remind me of the garbage maze in FNaF Security Breach?
Okay so it's not some kind of disembodied Solver Lizzy core. Don't blame me, the lights looked pink before and the cat ears headphones reminded me of Lizzy's bow.
Familiar?? Nori??? DID N ACTUALLY KILL YOU AND WHY AREN'T YOU BRITISH/MOMMY LONG LEGS
Khan? A hunk? In the words of Professor Membrane, NOT SCIENTIFICALLY POSSIBLE!!!
"How do you know my daughter?" "Well y'see, it all started when we tried to kill each other..."
Oh it was J. Is it bad to say I'm kind of relieved?
Are we getting the cool edgy Khan from the concept art??? Bro why are you so nonchalant about it being the end of the world.
INB4 people go frame-by-frame through the list looking for the most Russian-sounding name and say "THERE, THAT'S DOLL'S DAD"
Tessa was that really necessary? You're giving really bad vibes right now.
Patch? So the Solver can be removed? And she knows? Again, major bad vibes.
*FNaF 2 Foxy jumpscare*
I'm starting to suspect Yeva either can't or chooses not to talk.
Is she saying the Solver wiped her memory of the labs? I guess that would explain a few things.
N being so polite and cute as always.
What do you mean, "found its way back?" Where did it go? Is the timeline completely wrong? Did it start on Copper-9 then go to Earth then return to Copper-9? I'm so confused.
Nori why are you so casual about the prospect of your own daughter being a planet-eating eldritch abomination. This is exactly why I'm worried about the fandom giving you the Rose Quartz treatment.
I told you not to watch it, Uzi.
Welp, so much for Doll. Consider this karma for killing V. But "fight back?" Does that mean it can be resisted?
So now we know where Uzi gets it from.
Tessa no. Tessa stop. Tessa STOP. TESSA STOP YOU'RE NOT EVEN TRYING TO PRETEND TO HELP ANYMORE
YEAH N SAVE YOUR GIRLFRIEND
Whoa, didn't see that coming. No face reveal?? Does that mean she really is a Drone???
WHY CAN'T YOU JUST LET THEM BE HAPPY
Imagine meeting your daughter for the first time and she's currently being possessed by an eldritch abomination masquerading as her boyfriend's dead sister.
Every time I think this episode's about to end on a cliffhanger it doesn't.
EVEN WHEN SHE'S BEING POSSESSED BY AN ELDRITCH ABOMINATION MASQUERADING AS HIS DEAD SISTER HE WOULD RATHER DIE THAN LET HER BE HURT AND IT WAS ENOUGH TO SNAP HER OUT OF IT FOR LIKE HALF A SECOND HOW COULD ANYBODY SAY THEY'RE NOT IN LOVE
Oh no, now people are gonna write fics about Nori being vored by her own daughter.
"Hang out" is code for "date." "Hang out" is code for "boyfriend and girlfriend." "Hang out" is code for "madly in love with each other." "HANG OUT" IS CODE FOR "WE MAKE SWEET AND PASSIONATE LOVE TOGETHER EVERY SINGLE NIGHT WE'RE ALREADY PLANNING THE WEDDING AND I'M GONNA WEAR THE DRESS AND WE'RE GONNA NAME OUR KIDS GLOCK AND BAYONET"
Literally smacked the sense back into her.
Imagine meeting your mom for the first time and you don't know who she is and she's a gross little fleshy crab-spider-thing similar to what your boyfriend's jerk boss turned into so you punt her into a bottomless pit and she makes a dodgeball noise.
LOOK AT HER REACTION SHE KNOWS EXACTLY WHAT "HANG OUT" IS CODE FOR SHE JUST DIDN'T REALIZE HE THOUGHT OF IT THAT WAY TOO
My last two brain cells while watching this episode. Now would be a really good time for you two to kiss.
Oh good gosh she's not dead. Okay it wasn't at all necessary to put your head on backwards.
CYN IS HUMAN NOW??? OR IS SHE WEARING TESSA'S BODY LIKE ENNARD DID WITH MICHAEL
NO JUST LEAVE THEM ALONE ALREADY
Sorry J but you're still not plot relevant yet, you're not allowed to participate.
J: *sees the railgun* *has war flashbacks*
UZI YOU CAN'T SACRIFICE YOURSELF RIGHT IN FRONT OF HIM AND TELL HIM TO "DIE MAD" AS YOUR LAST WORDS THAT IS LITERALLY NOT OKAY
*Uzi falls* *screen fades to white* *UNDERTALE*
The Void???
Glitch I beg of you please don't make us wait another half a year for the next episode. And Liam please don't let it end after one season.
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