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#also briefly
mean-and-rwde · 1 year
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More Thoughts
I hope the entirety of V9 won't be in this wack bootleg wonderland -- er, Ever After.
I want to see them dealing with the fact that their plan failed and they didn't save everyone, which they berated Ironwood for not doing.
In fact, their plan probably saved even fewer people than Ironwood's original plan (before he went all cartoonishly evil).
Kinda glad neither Ironwood nor Penny have shown up, even in a flashback because they've both been done so dirty. Let them rest.
Still wanna see what Neo is up to.
I'm hoping the others will be allowed to grieve Penny's death instead of her death being another Pyrrah, where only Jaune gets to grieve.
I am also so upset about Clover and Qrow. Qrow finally had someone he could confide in. But then Clover drank the dumb bitch juice and attacked him, leading to the fight where Tyrian killed Clover with Qrow's weapon.
Marrow deserved better too. I am still bristling over how they treated his character. I wish he and Blake could have talked more. Because he was literally the definition of "token [x] character", who only existed as a joke.
Though honestly, I think it was the whole disaster of Ironwood's "villain arc" that brought me here. Because wow. I'm. Wow.
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mumblesplash · 5 months
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i say if you’re gonna have the mysterious entities speak in rhyme you might as well commit (EDIT: part 2!)
(posting an unprecedented Part 1 of At Least 3 bc i actually have the entire script and most of the storyboarding for this done already)
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rubysparx · 4 months
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Honestly I don't think I'm qualified to make this post, I just don't know if I can make coherent enough words man. But the thoughts are in there and I will try to articulate them. This is probably going to be mostly images though. anyway yeah KABRU POST.
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A couple nights ago (at approximately 2:30am, lasting a little over half an hour) I had a bit of a moment about Kabru. That, too, was mostly images- most of what you see in this more concise post were presented then as well. I think my main points of the "moment" were about Kabru's trauma + self hatred, his autism and/or general otherness, and also a little labru if you'd like..
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I think something easy to start with is I wanna point out Kabru's constant back and forth and conflicting opinions of demihumans and how, I believe, thats a reflection of how he goes back and forth on what he believes his purpose of living is- and the general worth of his own life. I've said it before and i've just kinda shown it in images; Kabru is "i think im a monster and it disgusts me" where Laios is "I know im a human and it disgusts me" (i could go more into the latter on another post)
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the above are both from the world bible, with the left being from the section on kobolds and the right being from the section on Kuro specifically. Utaya was very near to the desert where most of the kobold population is, this is likely why Kabru is able to speak Kuro's language- he grew up around demihumans. (chapter 48 cover, kobold chapter in the world bible) I won't try to speak for how his mother or the rest of utaya felt about the kobolds but I can say that Kabru was very much othered as a child, as was his mother, purely for the way her son's (kabru) eyes looked.
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I feel like its fair enough to say that both kabru and the kobolds were othered, and possibly for similar reasons (villager's seeing them as nonhuman, as monsters) and the fact that Kabru learned their language probably didn't help his case. I think his perception of kobolds (and all demihumans, subsequently himself, as he probably still views himself as nonhuman or not human enough.. deep down) was damaged by the Utaya incident. at 2:30am when I first started this ramble my main comment was that "had the utaya incident not happened kabru would have little reason to feel ashamed for his connection to monsters. and may have ended up similar to laios in that he couldve had otherkin swag" which is just a sort of silly way of saying Kabru could've learned to love the thought that he is possibly nonhuman or at least not hated himself so much for it.
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in the original ramble I said, and quote, "he has been STALKING laios. laios is his hyperfixation to learn how he can ever be loved. he keeps going back and forth so harshly on wether or not he wants to kill Laios and he clearly sees his survival from utaya not as an unfortunate trauma [*] but as a necessary, deserved fate. a punishment for his mother's witchy sins, and for his sin of being non-human. to atone for it all, to apologize for being alive, he tries to better the lives of all humanity. He was set on his way to dethrone the governor of the island . do you understand? im going insane" *i also said somethings about the way he processes other people's traumas and not his own. He's able to understand and even help some people, but he struggles to process his own issues and see himself as worthy of love and life.
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^some examples of Kabru being understanding of or helping others who have suffered greatly. I think its also worth mentioning that with Rin (called "Lynn" in that translation) he says "I wish there was a way to get her out of this" though he's insisted and pushed for himself to go into a dungeon;
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In chapter 94, Mithrun says "The desire I had left wasn't revenge. All I wanted.. was for it to finish devouring me." and I don't feel like it's a stretch to say Kabru was in a similar situation. Mithrun sought out the demon with no plan on how to kill something like that because deep down he wanted it to end his (Mithrun's) own life, to finish the trauma it caused and kill him. I think Kabru went into the dungeon in part with the hopes that it'd kill him. That the same thing that destroyed Utaya and caused him so much trauma would just.. finish him.
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I just think Kabru is a beautifully complex character, I have a lotta thoughts on him and I don't see nearly as many analysis posts for him than I do Laios (despite labru being such a popular ship)
there is no tldr for this post idk how to summarize it. do what you will with this collection of images. have fun. go crazy
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fun fact the woman in the bottom left corner is his mother, she is labeled here as "witch"
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egophiliac · 9 months
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swipes everything else off of the table to yell about diasomnia flower bookmarks
(I gave Silver one too :D)
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#art#twisted wonderland#twisted wonderland spoilers#white rabbit festival#me: oh boy i wonder what excitement will happen in this new part#characters: now it is time to buy souvenirs :)#me: oh god#jk jk even when the filler is kind of painful i do enjoy the little character moments#like everyone screaming as loud as they can into silver's watch#deuce busting out his suzy izzard impression#SMASH IT WITH A HAMMER!#and of course silver assigning flowers to the other dias and getting all sappy over lilia. god. delicious.#you don't understand this ten second long scene is everything to me#though we all know the real highlight#the knowledge that 1) deuce used to have an extremely silly edgy badass nickname#2) he almost certainly gave it to himself#3) he harassed epel's extended family to the point that they told horror stories about him and he was briefly epel's personal idol#epel: i heard he once killed three men with but a look#deuce: what no i never...i mean...ha ha sounds weird nothing a model student like me would know about#also deuce: if you fuckers don't apologize to my mom right now i'll fucking kill all of you (sees dilla) uhhh i mean#deuce: i challenge you to a children's game#black bunnies leader: (strapping on his duel disk) i accept#meanwhile silver is running full speed at a group of children screaming to them about donuts#we aren't going to talk about what ortho did with that fantasy-gregg's sausage roll#so glad that we've reached the 'what the heck is even happening' portion of the event#anyway i completely screwed up the resolution of these so here's hoping they don't look terrible!#whoops!
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dekariosclan · 4 months
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Imagine Gale as a talented and impressive young man, able to compose the Weave at will, skilled in a way that few can match, and favored by the Goddess of Magic herself. Imagine that because of these accomplishments, he’s caught the eye of a few up-and-coming magic adepts, and he falls in love with one of them—his first real love. Gale isn’t one to toss the ‘L’ word around lightly, so when he tells them he loves them, he means it; he gives himself over to them completely.
And in return, they love him for his potential. For his status. For the magic he can command. They love the wizard they see on the surface, but not the man underneath. They are attracted to his power, but not to him.
So of course the relationship fails, after the thrill of his magic wears off. But because Gale is a resilient young man and he’s caught the eye of so many, he soon falls in love with another.
And then it happens again. And again.
And each time Gale’s heart is ravaged, his ambition to become a better wizard grows, because he’s being shown time and time again that his magic ability is all that matters.
So much so that, by the time Mystra decides to elevate him from Favored to Chosen to Lover, he welcomes her with eager, desperate arms. Because if all his worth is in his magic, and that’s all he has to offer, and that’s all anyone wants from him, who better to love him than the Goddess of Magic herself?
Except…there’s a nagging voice in the back of his head that whispers she doesn’t really love him. There’s anxiety in his heart as time passes, and he reaches both the limit of what his talents can do and what Mystra will allow him to do. And most troubling of all: a growing panic that, just like his other lovers, she will soon grow tired of him and discard him if he can’t improve his magic any further.
He tries pouting, and pleading, and begging her to let him take more power, to let him be more for her, but she refuses. Smiles patronizingly. Tells him to be patient. But Gale can’t be patient when his power is tied so closely to his self-worth; he can’t be patient when doing so in the past has only ever lead to heartache.
So he does what he believes will be a Grand Romantic Gesture, one that will finally put him on equal footing with the woman he loves. Instead, it turns out to be a folly that dooms him and destroys his talents. And just as he’d always feared, Mystra tosses him aside the moment his magical gifts are gone—because what’s left of him holds no value for her.
————
Imagine Gale in his tower, alone, afraid, the ever-hungry orb in his chest, with only his tressym there to help him. No other friends to speak of. His colleagues forced to keep away for their own safety. His magical talents utterly stripped down, so that even when he does try and distract himself with illusions, he’s bitterly reminded of what he used to be capable of. Waking every morning wondering if it will be his last, ending every day full of loneliness and disappointment.
…and then he meets Tav.
At the lowest point in his life, at his most vulnerable, when he knows he’s going to be considered a burden, he meets this stranger and their group. So he does what he can to be useful—assigning himself to be camp cook, offering up his (now meager) magic skills, turning the charm up to 11—as he desperately hopes this will somehow work out. He’s pleasantly surprised when, after providing only minor details of his condition, Tav agrees to help him. He’s even more surprised when they actually follow through.
Imagine how Gale feels as Tav treats him kindly. As he grows to trust Tav, and then grows to like them. Imagine his surprise as he opens up and shows them more and more of himself, and they don’t turn him away.
But then his condition worsens. And he has to reveal everything: the foolish mistakes he’s made, and how dangerous he is as a result. He clings to Tav’s hand as he shows them his folly. He’s at their mercy now, and he knows this might be the last time he’ll ever feel the touch of another being, if they decide—and Gods, why wouldn’t they decide?—to cast him out.
…but they don’t. They don’t. Instead, they tell him to stay.
Imagine the relief Gale feels. The gratitude. And perhaps…just a hint of something more. Something that he dare not name, but that flares to life every time he thinks of how warm their hand was in his. Something that feels dangerously close to jealousy, when he’s had too much to drink and sees Tav smiling at another…
But he knows these are all foolish thoughts, because he has nothing to offer Tav. They are wonderful just as they are, but he…he is an empty shell of a man, a discarded husk of a wizard, and while they might tolerate him, he could never believe they might actually want him.
And besides, he still thinks of Mystra. He still longs for Mystra. She who cast him out, but to whom he still feels tethered. Sometimes he needs to cocoon himself in the weave, just to try and calm his fears and bring some joy back to his life, because magic is his life. And sometimes he just needs to see her face, even though that hurts as much as it heals.
One night he’s lost in thought, having conjured Mysta’s image after settling down at camp. Thinking that even if she hadn’t ‘loved’ him—certainly not in the way he’d loved her—she’d given him enough otherwise, hadn’t she? She’d amused him and been amused by him, they’d shared countless pleasures, why hadn’t he been satisfied with that?
Gale is so lost in thought he doesn’t realize Tav has come up behind him. Until they ask a question, startling him out of his trance. He’s a bit shaken, so he tries to turn the conversation from Mystra to the weave itself. And then a wonderful idea occurs to him, something that he’d been toying with already: what if they were to conjure the weave together?
He can show Tav how important magic is to him, let them experience what he does, perhaps even impress them a bit. But most importantly, share a moment with them. As friends would do…
He’s elated when Tav agrees. He leads them through the steps effortlessly, and they’re a surprisingly good student, following his instructions correctly (if a bit clumsily). He’s as excited as they are—perhaps even more so!—when they succeed in channeling the weave.
It’s such a pleasant, familiar feeling for him, like coming home to his tower in Waterdeep. Even as the weave connects him with Tav and makes them one, he’s easily able to hide his innermost thoughts, because he’s done it so many times before.
…but he’s forgotten that Tav has not.
————
Imagine Gale knowing every romantic partner he ever had only wanted him because of how he could raise their status, or how he could amuse them, or how he could command magic for them. And, each time, he was happy to oblige them, even desperate to oblige them, because if that was the price of their love, then he was sure it would be worth it.
But it still all came to nothing.
Now imagine Gale connected in an intimate way with someone he likes very, very much—while being what he considers his lowest, most worthless, and most humbled self. As far from the powerful, impressive wizard he once was as he could ever be. And suddenly a vision enters his mind from the lovely creature standing next to him. Only, to his complete and utter shock, it isn’t one where he is providing them with a service, or wowing them with his magical ability, or granting them some kind of power from one of the spells he commands.
Instead, when he sees their desire laid bare before him, it’s a vision of kissing him. Of holding his hand. The two most basic forms of affection and physical connection. The two things that he would still be able to offer them even if every last ounce of his remaining magical abilities were stripped from him. The two things he could share with them even if he was no longer Gale of Waterdeep, and just plain old Gale Dekarios instead.
Imagine the embarrassment and trepidation he feels at first, because surely he is mistaken?…and then the elation when he realizes that he is not. So much elation that his concentration is broken, the weave dissipating as he forgets about channeling it, as he forgets about Mystra. Because all that matters to him now is the image before him—the most pleasant and welcome image he’s seen in a very, very long time.
Imagine how that would feel…and how besotted, enamored and completely devoted he’d be to Tav afterwards. To know that someone finally—finally—just wants him.
Just imagine.
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laundrybiscuits · 9 months
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(ETA: now edited and up on AO3)
Look. Eddie knows he can be a little uptight about these things, but. There are rules. If you become a vampire, you don’t need to go full gothic Count Von Dickhead or whatever, but you absolutely cannot just wander around in a puffy vest and light-wash jeans. 
“Why not?” says Steve. He’s leaning back in an armchair, sipping on a bloodbag like it’s a goddamn juicebox. “What, are the vampire police going to arrest me?” 
He pauses. “Wait. There aren’t vampire police, are there?”
“No,” says Eddie. “Probably not. I don’t know. But there are standards which you are refusing to uphold, Steven.”
“Thought you were all about hating conformity, Edward,” Steve says. He’s got an obnoxiously cocky little smirk, the smug undead fucker. 
Eddie grimaces. “Don’t call me that, asswipe. Don’t you feel, like—the call of the night? The siren song of life coursing through fragile human veins? A hunger for destruction that those paltry plastic bags of blood can never truly slake?”
“The bloodbags aren’t so bad,” says Steve, around the straw. “Better than protein shakes.”
“I actually hate you,” Eddie tells him. “Vampirism is wasted on you.”
Steve noisily slurps the last of the blood out of the bottom of the bag. “Come on, you can’t really picture me in some Dracula getup, can you?”
The problem, of course, is that Eddie really, really can. When Robin had read him in on the whole situation, obviously he’d been horrified and concerned—but also, a whole wing of his brain had immediately been cordoned off to work overtime imagining Steve in elaborate Dark Prince regalia, maybe leaning elegantly out of a castle window on the moors, gazing into the foggy dusk. Velvet might’ve been involved.
“...guess not,” says Eddie. It doesn’t sound incredibly convincing to his own ears, but Steve just shrugs and gets up to throw the bloodbag away. 
“There you go, man,” he says, clapping Eddie on the shoulder as he passes. “It’s the 80s. Vampires can be whatever we wanna be.”
———
It gets way too easy to forget about Steve’s condition, until Eddie ends up having to haul him out of a bar in Indy before they get banned for life.  
“Simmer down, buddy,” Eddie says, pulling him into the shadow of the van. “Let’s get those fangs packed away before any of the nice villagers wander by with torches and pitchforks.”
“I’m good,” pants Steve. “It’s all good. Don’t worry about it. It’s fine.”
Eddie lifts an unimpressed eyebrow. “Sure, that’s why your eyes are glowing red and you’re, like, fully vamped out. Which, by the way, looks extremely dumb with the whole clean-cut vibe you decided to rock tonight.”
“Fuck you, I look great,” says Steve, pushing a hand through his hair. He’s not wrong, it’s just not relevant to how he also looks extremely dumb like this, wearing a pristine henley with fangs hanging out in the parking lot for anyone to see.
“So what the hell happened in there, man? I was finally starting to get somewhere with Todd, and…” Eddie trails off in dawning realization.
“Holy shit, am I—I’m like your territory, aren’t I? Your stupid vampire brain got all screwy and decided to loop me in with Robin and the kids as part of your freaky human coven.”
“Uh,” says Steve. He looks unhappy in a shifty kind of way. “Something like that, maybe.”
“Wait, so, are Nancy and Jonathan—are you okay with them because they’re both already in the vamp pack? Is Vickie gonna have to be inaugurated before she and Robin can bone down?” Eddie perks up. “Shit, is there a ceremony? We could totally do a ceremony.” He bets he can get the kids to liberate some velour curtains from the drama club. With a few candles, they could get some serious atmosphere going.
“No, shut up, nobody’s doing a damn ceremony,” Steve groans. “Vickie’s fine.” 
“Okay,” says Eddie. “So…you gonna tell me what all that was about, then? Do I have to start running guys past you first so your vamp instincts don’t wig out? Or…hm, maybe Argyle’d be down to mess around sometime.”
Steve lets out an actual snarl with weird animal echoes, then claps a hand over his mouth.
“Sorry,” he says, muffled. The shadows around them seem darker somehow. 
“So I’m just not allowed to get laid ever again,” says Eddie slowly. “For vampire reasons.”
“Do whatever you want, man.” Steve’s still got his hand pressed tight over his mouth. 
“And it’s…just me?” Eddie peers at the tightness around Steve’s eyes; the way he’s scowling stubbornly at his feet. “Huh. Kind of…possessive, Harrington.”
“It’s—weird,” says Steve miserably, dropping his hand at last. “I know it’s fucking weird.”
“Maybe.” Eddie shrugs, biting down on the grin he can feel tugging at his mouth. “Lucky for you, I’m into that shit.”
“What?” Steve frowns. “You’re…”
“Always wanted a vampire boyfriend,” says Eddie. “Like, are you kidding? I would’ve sold my fucking soul at 15 for something like that.”
“I’m starting to feel a little objectified here,” says Steve, but he’s smiling, and he reaches out to snag Eddie’s belt loop and tug him stumbling closer. “Just in it for the fangs, huh?”
“Well, you’re kind of a shitty vampire, actually.” Eddie drapes his arms over Steve’s shoulders. “So I guess I must just be in it for you.”
Steve hesitates, searching Eddie’s face. Stray red lights are still sparking like embers in Steve’s irises. “Okay, but—you’re in it? Right?”
“Couldn’t get rid of me if you tried, Bunnicula. I’ll send the vampire police after you, just watch me,” says Eddie, and kisses him.
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nyctophorum · 10 months
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I love the film version of nimona but I do find it very funny how they’re like ‘ambrosius cut off ballister’s arm but he didn’t mean to 😢😢😢 he was just traumatised and reacting to a dangerous situation 😢😢😢’ whereas in the comic it’s like ‘ambrosius shot ballister with a laser canon that took off his whole fucking arm just because he couldn’t bear to lose lol. Lmao, even’
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which group do you find the most absolutely delightful at bringing the lolz together??
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ratcandy · 2 months
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alright baby after a full SEVEN HOURS, here's a rough little thing .
When I first got Shamura in my cult and realized they had seemingly completely lost their memories, I was just immediately reminded of this scene from Bojack Horseman and. well it plagued me for AGES until I finally went insane to make this thing.
'cause i mean . angsty ass men who have so much pent up rage towards a family member who treated them poorly but cannot properly express it due to said family member lacking any memory of it. amiright
some frames i like:
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filurig · 5 months
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instructional booklet for basal and listless ceteceans feeling like looking for porpoise
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redrocketpanda · 10 months
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Something that has been driving me insane about the credits are these sections with the fish so please bear with me whilst I do a mini deep dive (hehe) into fish discourse because YO, we need to talk about these fish!
Notice how at the beginning of the credits we actually have two white fish swimming along beside one another; one with bright turquoise eyes and the other with black.
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A little while later the fish begin to circle each other and a droplet falls into the water between them. As the disturbance ripples out from the center, one of the fish dives deeper into the water and changes its colour to black; symbolizing Geto's change and descent into darkness
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Then we have this heartbreakingly beautiful moment with Gojo and Geto:
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I cannot stop thinking about how long Gojo watches the black fish for as it swims across the screen, whereas Geto's eyes are lowered the moment the white fish appears and he closes them as it swims past.
Gojo cannot bear to tear his eyes away, whilst Geto cannot bear to look
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Throughout the credits, Gojo and Geto have been making their way towards each other through the pouring rain (or mostly sitting and waiting in Geto's case). At the end, they meet each other under a bridge and as they walk away together we see the fish a final time, swimming together again in a puddle formed by the heavy rain.
Geto walks on the left in the light, as the white fish swims close to his head, almost invisible in the brightness of the light. Whilst Gojo walks on the right in the shadow with the black fish swimming further away but still close by.
The fish speed after the two men before disappearing completely under the water just before the camera pans up and we watch as Gojo pulls Geto in for a hug as they walk away, before he's playfully shoved away by Geto.
There's a lot going on the credits (+ opening) that is absolutely killing me but man, these fish?! Breathtaking.
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justtrashperson · 5 months
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I love when people draw some of the hatchetfield characters that has met/interacted with the lords in black with a slightly different look that indicates it
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macksartblock · 10 months
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fellas is it-
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aroaceleovaldez · 2 months
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yknow actually we don't utilize the whole "gods may appear differently to different people" worldbuilding thing enough for jokes. Like, with love gods like Aphrodite and Cupid (and presumably also Aphroditus, the Erotes, and etc) it's kind of inherent, but also like.
literally in TKC we have a whole interaction of Sadie going "Wow Anubis was so hot..." cause she saw him as some hot goth teen and Carter being confused as hell because he saw Anubis with a jackal head. In the same conversation.
Where's more scenes and jokes like that. There's a lot of opportunity here.
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fullunadulteratedart · 7 months
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soooo are we talking about the way Luffy actually grabbed onto Zoro's ear before whispering into it to wake him up during the ep2 crate scene or...?
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(excuse the crappy quality screenshot and brightening)
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hamletphase · 5 months
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Luthien Confronts Melkor
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