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parad-ice-lostandfound · 6 months

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Prompt: "You, whose image the Dark Mirror did beckon forth... If your heart bids it, take the hand of the one reflected in the mirror."

Pairing: Dire Crowley and GN!Prefect/ Yuu/ MC

Genre: Yandere (platonic)

TW: Yandere Dire Crowley, crow man's delusional and literally does not give two fucks, just generally creepy vibes all around.

AN: I am so, so, so sorry for what you are about to read now lol. If you get too confused in the middle, don't worry, I was just as confused writing this but my brain just wouldn't rest until I finished and posted this so here we are. The basic summary of this is that Yuu or the Prefect is trapped in an endless cycle because Crowley overblotted. You might have to read this twice or thrice to understand the how and why <3

He knows.

From the moment he sees them, he remembers.

He remembers and he watches as they do it again.

And again.

A puppet, unaware of their being handled by someone else, someone kinder and gentler who just wants to keep them safe and sound.

Even if it means trapping them in an endless cycle.

Even if he is the only one who sees and notices and remembers.

Dire Crowley cuts an imposing figure as he stands in his office, facing an ornate mirror. Not the Dark Mirror, no. This particular mirror has its roots in mystical arcane magic, from the times of Jupiter and when the Titans roamed free. Dire has a faint memory of his mother, the Crowley Matriarch, telling him to be careful with it, to pass it down to his heir as she had, to him.

Crystal clear, it beckons to him to reveal himself. To bare himself, imperfections and flaws laid out in the privacy of his office for it to see.

A selfish, sadistic desire to pick apart every carefully constructed lie, each bejeweled facade to show the utter mess of a man that lies beneath it all arises in him; he finds himself indulging in it more often than he likes to admit.

The masked man removes his mask for what is not the first time, and most certainly would not be the last. Sharp golden eyes look on as black ink, once held within the confines of his mask, drips down his face. Times like these make him wonder and marvel at how he has not met his demise yet.

Fingers adorned with golden claws rise and touch the blot, marveling at how cold it feels as it stains his skin. Lesser mages would have been dead long ago, Crowley knows this. Slight dread rises in him at the thought, knowing that his magic reserves are long finished; he lives on borrowed time and magic.

But then again, who cares? As long as he can have them here, where they belong, safe and sound-

A knock resonates through the room, startling the headmage. He quickly puts the mask on his face again and clears his throat, saying, "Come in."

He watches as they walk in, no doubt to complain about something, or to talk about their financial situation. Perhaps he should increase their allowance? After all, it is their being, their magic that sustains him, and allows him to live through these lifetimes watching over the unassuming, now magicless human he had imprinted on and the students they had endeared themself to.

Crowley watches as they speak, unable to stop his lips from curling up into a smile. He hems and haws and lies through his teeth about not being able to find them a way back.

He sees the light in their eyes dim; it is a small change, one that doesn't stay for long. But the magicless human is precious to him, and so he observes them. He watches them leave his office silently, a stark contrast to when their impatience and indignance have them cursing his name to the skies. No outcome, no outburst of their emotions will be able to move his cold, frozen heart to thaw, however; they belong to Twisted Wonderland, as Twisted Wonderland belongs to them.

In their first lifetime, Crowley recalls with the fondness of a father thinking of his grown-up child, they did possess magic; far different in nature, but magic nonetheless. And powerful too, considering the aura of it radiated from their being even as something stopped them from being able to use it.

Crowley wonders if it was so that he could see how invaluable, how indispensable they were.

How the entirety of Twisted Wonderland was made for them.

He did try, the first time, to find them a way back home. Endless efforts were dedicated to researching the existence of universes and multiverses. Of course, such exhaustive research would take time, time which he saw them spend getting close to the students of Night Raven College and fighting overblots.

Seven overblots, in the span of one year.

A record untouched by any other being, mage or otherwise. A record they kept making each and every lifetime they spent in the loop. A record that became his new normal, so much so that he no longer gives more than a cursory glance to the overblots and their aftermath.

He knows how it all ends, after all.

In their first lifetime, his efforts had bore fruit. His studies revealed a way to connect the Dark Mirror to their plane of existence, through the use of the very mirror that was hidden behind his back. His blood had run cold at the revelation, and he spent the next few weeks? months? looking for alternatives. For other ways to be able to send them back.

Until one day, the Prefect found out.

As they angrily interrogated him for the reasons behind his silence, asking him why he would not send them back even though there was a way, he realized exactly why he was hesitant about sending them back.

Crowley had no spouse, no children. But the mirror, the mirror which had been in his family for generations, needed an heir. One who could gain control over it, rather than have it control them like it did with so many of his ancestors, including his mother.

Surely the one dubbed a beast-tamer could tame such a dangerously powerful magical artefact?

He desperately begged and bargained with them, trying to change their mind. Trying to entice them into staying forever in Twisted Wonderland, as his heir. He offered them gold and silver, riches beyond what one would expect a man like him to have. He offered them the immense honour and prestige that came with being a deity that the entirety of Twisted Wonderland bowed to.

But they... they refused to stay. The only thing that was in their mind was to go home. Why couldn't they get it through their head that Twisted Wonderland was meant to be their home?

The aftermath of that argument... Crowley's memories are hazy at best. He remembers waking up in a pool of blot, the sticky ink covering his hands and the top of his face, dripping constantly. He remembers the mirror glowing as he dragged himself to it like a mindless moth flies to the flame even with the risk of getting burned.

Words had slipped through his mouth like the prayers of the devout at the altar of their deity, the faint and familiar hum of magic accompanied by a slight crackle of dark miasma.

"Ah, my dear esteemed benefactor... My proud, beautiful flower of evil. You are truly the fairest one of all," he had spoken, not knowing exactly what spell he was casting. All he knew, was that he was succumbing to the mirror, the same way his mother had; the same way all of his ancestors had, giving into the madness that such unchecked power and magic could create.

"O magic mirror, thy wisdom I entreat... Reveal unto me the visage I seek.." A vision of them, standing on the other side of the mirror, had Crowley try to reach out to them. His hand grazed the solid glass, before passing through it. He watched as their eyes widened and they took a step back.

"You, whose image the Dark Mirror did beckon forth... If your heart bids it, take the hand of the one reflected in the mirror." A shiver of thrill ran up his spine as they gingerly placed their hand in his after giving his words some thought, even with all the doubt in their eyes. He curled his fingers around their warm hand, and pulled.

He later found out that, during his overblot, he had managed to trap a significant portion of their soul in the mirror that was his family heirloom. The mirror rejected their magic, foreign as it was, and somehow those powers transferred themselves over to Crowley.

The words Crowley spoke, was the way to invoke their soul and bring them back each time they left Twisted Wonderland. A reset button, if you will.

Every time they show the slightest hint of wanting to leave, the slightest glimpse of understanding that he is the one they need to defeat in order to go home, he resets. Memories get wiped and Twisted Wonderland moulds beneath his gold-plated fingertips to what it was before. They say time waits for no man, but then again, Dire Crowley is more monster than human now. And so it bends to his will, but not without taking away his memories as well.

But then he sees them.

And he remembers.

#ice write #twst writing #twisted wonderland #twst #twst crowley #dire crowley #gn!yuu #gn!prefect #twst yuu #yandere twst #yandere dire crowley #platonic yandere #gn!reader #gn!mc #dire crowley twst #yandere crowley and gn!prefect #i dunno what this is #but it is something

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the-orion-scribe · 6 months

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An essay on Ford and Mabel

To commemorate my 1000th post, I decided to embark on an essay on the limited Ford and Mabel bonding in the show!

Among some of the shortcomings in the show (including Wendy being chaffed as a main character), there aren’t as many moments for Ford and Mabel to bond over, compared to Ford with Dipper. Well, it’s also due to the short runway we have from A Tale of Two Stans to Weirdmageddon, but for rather odd reasons, Ford didn’t get a lot of screentime and often holed up in his own lab. Even Roadside Attraction did not even drop any mention of Ford. As a mutual lamented to me, it’s likely the case of Ford, like Wendy, being another character whom the writers had a purpose for (as the answer to the mystery of Stan and the Portal), but didn’t know how to write outside that purpose.

Of course, some argued that, for plot reasons, this is so that Mabel gets duped by Bill since she didn’t know about the Rift from Ford. Or that Ford just overlooked her when he offered Dipper the apprenticeship. As such, there is a main misconception that Ford didn’t care about Mabel at all compared to Dipper. Or, in some ridiculously extreme cases, that he hates her. While I guess this was extrapolated from what we might have gleaned in the show, I don’t agree with such extreme views.

People forget that Mabel was actually the first twin he interacted with, and it was largely positive. When Mabel stated that his six-fingered handshake was one finger friendlier than normal, Ford laughed and said he liked her. Given how much he was shunned by many others for his extra fingers, it probably warmed him to hear someone saying something positive about his anomaly. It seemed initially set up that Ford and Mabel should get along fabulously. Even Mabel went as far as to knit finger puppets for Ford and while he sounded rather hesitant in Journal 3, we later glimpsed a scene in which both bonded over something similar (a hand turkey).

Which brings me next on Ford’s journal entry about Mabel. (I also noted he interviewed, or wrote about, Mabel before Dipper). His interview with Mabel sounded largely positive given he remarked how he was “instantly charmed” by her “enthusiastic” personality. Ford also considered her as an “odd specimen” (almost certainly a compliment), and also hoped to seek her help to repair his own coat.

I suppose this interview probably shaped some initial impressions for Ford about Mabel. “Overall positive but somewhat ambivalent/not-really-comprehending how she ticks necessarily” is much of how I would define Ford’s attitude toward Mabel - he likes her, but doesn’t especially identify with her because the traits he admires in her are almost inversions of some his own.

At this stage, one could also take that with his remark in Dipper’s initial assessment about how he “possibly takes after Stanley” as Ford initially trying to identify with Mabel the way he ended up identifying with Dipper, such as him enthusiastically commenting about her sweet tooth and hair curls being a Pines trait. Of course, as it turned out in the show and in Journal 3, his perceptions of the twins shifted and he found himself relating more to Dipper especially when he looked back on Dipper’s entries and additions, and the events of Dungeons, Dungeons and More Dungeons.

I have to admit that when I first read this part, I thought he remarks he himself needed further psychological testing and not Mabel. For some light-heartedness, I rather think of it that way, but there’s something deeper in this for the two’s psychological profiles. First off, the tests were flawed, given Rorschach testing blots should be less definitive, but it probably reflected Ford’s possible lack of comfort with ambiguity, and the preoccupation he had with death and destruction for so long. As for Mabel, it shows a certain degree of wilful misinterpretation, trying to see things through a particular positive lens and has a sort of fear of unpleasantness that manifests in a possibly neurotic drive to control reality around her, which finds its ultimate expression in Mabeland.

This is rather important as something I would delve into deeper later on in this essay, which gave Ford an impression that Mabel’s psychology, while odd, was overall positive and not much to be concerned about. He clearly recognized Mabel’s social ability as a valuable skill, and may see her lack of cynicism as something of an asset too, as we later see in The Last Mabelcorn. I suppose Ford neglected to do a deeper dive into her psychology given the fallout we would see in Dipper and Mabel Vs the Future. He might claim to have 12 PHDs, but I doubted one of them is in psychology.

We move on to the Last Mabelcorn, which is where we see Ford interacted more with Mabel and offer a bigger insight into how he feels about her. First, he agreed with Mabel when she stated she was probably “the most pure of heart in the room” and entrusted her with the unicorn mission, even knowing that the unicorns were difficult (and frustrating). As such, he equipped her with Journal 1 and a crossbow for the mission. Obviously this was for her safety, as well as trying to give her as much help as he could regarding unicorns, even though he himself had little success (Ford mentioned of an arm-wrestle with a unicorn in the blacklight edition which I doubted went well). At the end of that episode, he directly told her that she is a good person, even without being aware of the struggles she had gone through with her morality moments prior. And after the episode he even regarded her as an expert on unicorns given she managed to defeat one, and allowed her to write an entry in Journal 3 about unicorns. I needed to note that Mabel was the only person who wrote in Ford’s Journal after Dipper returned Ford the Journals (and before their recovery in Weirdmageddon). This rather showed how much Ford really trusted Mabel, especially when he regarded his Journal as his “important scientific documents”.

Dipper and Mabel vs The Future is more contentious in this regard. We see how plenty of fans often using this episode as proof that Ford doesn’t care about Mabel just because he only asked Dipper to stay in Gravity Falls, and waved off concerns that Mabel would be all alone in California. However, we need to relook some bits of this in context.

Dipper: There’s also Mabel. She’d be all alone in California. Ford: Mabel will be fine on her own. She has a magnetic personality. I watched her become pen pals with the pizza delivery man in the 60 seconds he was at the door.

From this, we can see how Ford cared enough to observe Mabel’s social skills with the pizza delivery guy, plus probably witnessed plenty of instances of Mabel handling herself without Dipper’s help. I guessed that was further underlined by her success in the unicorn adventure, and thus he genuinely believed that Mabel could take being without her brother outside of the summers.

Dipper: Gosh, we’ve never really been apart before. Ford: And isn’t it suffocating? Dipper, can you honestly tell me you never felt like you were meant for something more?

This is another contentious bit, I admit. It sounded like Ford considered Mabel as a stumbling block in Dipper’s future. Well, I concede Ford isn’t perfect. Again, this is one of those times Ford was projecting his issues with Stan onto the younger twins after finding out how similar he thinks Dipper is to him (possibly aggravated probably by Stan blatantly aligning Mabel with himself, ex, telling Dipper that he belongs upstairs with “me and Mabel”). At this point, he was just extremely clueless about the nature of her and Dipper’s relationship, and how it was much healthier than his was with Stan, probably even at that age.

Nevertheless, to say that he didn’t care about Mabel at all is simply a misguided oversimplification. He cared about them both so much. His traumatic experience with his own twin just tainted how he saw the twins’ bond being something that could be potentially suffocating. He did sort of have a point though; Dipper and Mabel couldn’t force each other to stay glued at the hip forever or it could potentially stifle their individual dreams if handled badly. But the twins were only 12 and had a lot of growing up to do together. It wasn’t a great idea to separate the twins at this point, which was something Ford forgot.

Mabel wasn’t forthright about her feelings about leaving Gravity Falls and growing up until she blew up at the end of the episode. We see how she maintained that mask of optimism throughout the show, even when she was worried about the Grunkles’ falling out and the parallels she found between her and her brother back in A Tale of Two Stans. That mask began to slip when she realized growing up wasn’t as great as she thought, and Ford didn’t know how badly Mabel would take it.

Ford thought he was doing Dipper a favor by giving him a head start on his studies. This is probably a bit too charitable of an interpretation, but one could, I suppose, see Ford's “something more” remark as “Dipper more than just half of a set” instead of “implying that Mabel is in some sense inferior than her brother.” As said earlier, he even believed Mabel would be fine and thrive on her own, too. That the two could have reached a compromise if needed.

We can probably conclude that Ford actually did not disregard Mabel or see her as the "inferior twin", but he just found trouble trying to connect with her despite his initial positive impressions. At the same time, due to Mabel's outward outgoing personality, he overestimated Mabel's confidence in being on her own, and also (subconsciously) projected his own issues with Stan on the younger twins. Not to say Ford was a bad person by any means, but he was misguided in some of his assumptions and impressions.

On a tangent, I say the recent fan episode Return to the Bunker tried its best to imagine how Ford and Mabel might go on an adventure together. However, it instead exaggerated too much of his flaws (e.g. his trust issues) and it became more of a Ford bashing episode. Yes, we know Ford isn't perfect by any means, and he might be unfamiliar with interacting with others like Mabel.

Yet, as we also saw from the canon (the show supplemented by Journal 3), he could get along well with Mabel, especially in such a desperate situation like confronting a Shapeshifter (how he dismissed the others' suggestions is really beyond me). We even saw how Ford was willing to give up himself to Bill in WMG when Bill threatened to torture or even kill the kids.

I supposed the writers of that fan episode did read J3 but took the wrong lessons. While definitely an attempt to show Ford's flaws, the episode instead went the other extreme. Ford could sometimes be insensitive (like the remark he made about "suffocating"), but not anti-social or downright unpleasant.

There is definitely potential for more positive Ford and Mabel bonding moments that could further underscore that Mabel could cope well on her own (from what we saw in The Last Mabelcorn). From what @hkthatgffan also told me (and on Reddit), when Lost Legends was coming up, everyone thought, from Hirsch's hint through his emojis, that we might finally get a Ford and Mabel bonding story but instead we got an (admittedly) half-hearted attempt to redeem Mabel from her role in WMG.

I supposed another angle could be Ford and Mabel also coming to terms with their roles, given Ford is partly responsible (and even took some blame himself), and both can overcome the trauma together. I don't doubt these are already concepts being explored in various fanfics and fanarts. And here are some other ideas from Reddit.

Let me end off with some parallel scenes between Ford and Mabel, which show how similar both are. We need to also remember that it's not exactly Dipper-Ford and Mabel-Stan, but rather Dipper and Mabel paralleling each of the Stans in different ways. That is probably another essay for another time.

This essay is written with assistance from @jacky-rubou (who already provided an initial essay for me to work from) and @callipraxia who is able to offer more insights.

#gravity falls #essay #ford pines #mabel pines #thousandth post #stanford pines

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shmolish · 14 days

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AN: This is the Shadow Milk version of the Affogato post I made a while back- hahaha .-

(Fem again bc that's all I know how to write smut about. And if you saw me already post this on accident, no you didnt.)

Oh yeah, shout out to @vkxiraa again for help!! (They assisted with the start for this-)

Shadow Milk x Reader

Oneshot

Warnings: Sexual scenes, marking, oral, degrading, choking, swears, mirror fucking, overstimulation, creampie, NSFW, overall unholy,

-Obedience-

….Well, this situation is certainly interesting.

You were now Shadow Milk's 'puppet', as he likes to say.

His very own that would do whatever he wanted, whenever he wanted.

You were like some sad excuse of a pet. He even gave you a collar and everything.

Suddenly, the room filled up with light as Shadow Milk Cookie entered, twirling around energetically.

“Doll~! I have a little gift for you!”

Finally; some real light... This is the first time you've seen it in a long time.

You could not screw this up...

"Ah, what is it?" You asked him.

Shadow Milk Cookie gave you his signature grin as he crawled in-between your legs.

A subtle blush would dust your cheeks, "What's this for-?" You asked, averting your gaze from Shadow Milk.

"Just rewarding you for your obedience.." He'd say, slowly slipping off your skirt and panties.

A cold breeze could be felt along your now exposed clit.

Shadow Milk gently pushes your legs apart with his hands before licking a long line over your entrance.

"You always taste so sweet.." he admitted before sucking on your already dripping cunt.

Shaky breaths escaped from your lips as Shadow Milk began to fuck you with his tongue.

"Come on love, let me hear you."

His voice sent a vibration that went up to your core, signaling a moan from you.

Your legs would twitch each time Shadow Milk swirled his tongue around in your insides.

His nails would dig into your plush thighs as he ate you out like he had been starved for weeks.

Loud exasperated moans spilled from your lips as he continued to suck and taste all of your liquids.

When it came the time for your orgasm to finally set into place, you'd leak all of your cum onto his tongue, to which he glady swallowed.

Just when you thought he had finished with you, he'd push you further onto the bed and flipped you over so that your knees and hands were pressed onto the bed.

Shadow Milk swiftly removes his pants before grabbing your hips.

He slowly pressed his tip into your swollen pussy, causing you to tighten around nothing at all.

"So eager for my cock?" He leans in towards your neck and whispered. "Such a needy slut.."

Shadow Milk Cookie finnaly presses fully into you, moving in and out, slowly and teasingly.

"Fuck, you're so tight.." He'd say before quickening his pace.

You pressed your face into the pillows as he'd thrust into you, muffling your moans.

He tugged on the back your collar, pulling your face out from the pillows below.

"Doll, make sure I can hear you while I rearrange your guts, yeah?"

Tears picked the corners of your eyes as he slammed into your already overstimulated self.

You could see yourself in the mirror infront of you, drooling and letting out unintelligible noises.

The pain would quickly turn into pleasure as he managed to hit all of your good-spots, and you'd hold onto the sheets like your life depended on it.

You kept cumming on his throbing cock, again and again, unable to say any words.

Shadow Milk placed a hand on your breast, rolling your nipple and sucking a hickey onto your neck.

You'd tighten around him with each thrust, taking him in deeper and deeper.

"Want me to cum inside of you?" Shadow Milk asked as tugged on the collar around your neck, causing it to become slightly harder to breathe.

"Y- yes-!" you chocked out between screams of pleasure.

You felt his cock twitch inside of you after you said that, before he released his seed deep inside of you.

Shadow Milk would flip you onto your back before pounding into you once more.

"We're not stopping until you've either drenched the sheets or pass out."

《☆》 Fin

#crk #cookie run kingdom #crk x reader #cookie run kingdom x reader #cookie run #smut #shadow milk cookie crk #shadow milk cookie x reader smut #cookie run kingdom shadow milk cookie x reader #shadow milk x reader #shadow milk #shadow milk cookie x reader crk oneshot #shadow milk cookie oneshot #shadow milk cookie x reader #ckr smut #cr kingdom #cookie run kingdom x reader smut #shadow milk cookie

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spencerdaze · 8 months

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'Labyrinth' and how trauma makes us search for escapism

Welcome to 'Mikaela please log off' where i talk and overanalyze movies because i'm unemployed. In today's hell of a post, i'm going to talk about probably my favourite movie and one that has shaped me for my entire life: 1986 'Labyrinth', with musical numbers written and performed by none other than Miss David Bowie himself! SPOILERS AHEAD.

Now i've seen this movie more times than i've seen my own face in the mirror. It's a movie i enjoyed in my childhood and certainly one that has shaped me, with how the puppets have a certain uncanny feel to them almost and how crazy and whimsical the whole movie is. It trully is an amazing movie that can be enjoyed by children, but also by adults as well, with many of the movie's themes and meanings being hidden or something you find with experience or relate to later in life. Because the movie is a very clear reference to fairytales like Wizard of Oz and Alice in Wonderland, is no surprise to know there are many, many different readings that can be done to it. The firts reading i made of the movie when i rewatched it as an adult was that the movie was a very clear allegory for growing up and maturing, having to leave behind your childhood but also keeping in mind your inner child so that you don't lose yourself in the labyrinth that is life.

While the allegory reading is correct, and i think it's one of the meanings behind the movie and certainly the most obvious theme, it's definetly not the only one. One thing kept me wondering after watching the movie this time: Why is the phrase 'You have no power over me' so important? It's used in the beginning of the film, with Sarah forgetting this line in her book, and by the end, when she's facing Jareth, Sarah remembers the phrase by herself, clearly showing us as viewers the inner power Sarah has over her life. It's obvious this line is meant to represent Sarah's ambition and power, but why is it this phrase? Whi is it You have no power over me and not something else like 'My power lies within me' which could tie to the end of the film, with Bowie's Within you playing? Well, after rewatching it recently, i figured it out: Sarah isn't just talking to Jareth, she's talking to her stepmother.

At the beginning of the film Sarah seems to be, on the surface, a spoiled 15 year old girl who doesn't want to do her chores and just wants to play around, not even wanting to date, something her stepmom wants her to do. Her stepmother wants her to mature and grow, to find love, etc. And Sarah and her obviously do not get along a lot. Two important details appear when Sarah goes back to her room at the beginning after fighting with her stepmother over having to take care of her little brother: her stepmother talks to her dad, telling him 'She treats me like the wicked stepmother of a fairytale', and when Sarah goes to talk to her to her room, he doesn't even bother to open the door or make sure she's okay after the fight. To some people these details seem just normal parent behaviour, but it was very clear to me after the film that Sarah is being emotionally neglected by her father, and possibly made by her stepmother to grow up to fast. Sarah is fifteen and an older sister, and unfortunately is common for older sisters to act as parents for their siblings while also not being taken care of themselves. We see Sarah clinging to her childhood as an escapism from the fact she feels completely neglected, since her dad won't even open the door to talk to her.

When Sarah tells Toby her fairytale, it's a clear depiction of how she feels like: There once was a princess who was basically a slave to her stepmother and she was forced to take her of her baby brother. Sarah takes her rage out on her brother and sends him away with the goblins, and inmediatly regrets it. She's repeating patterns of abuse. She's realizing sending her brother away is the submitting him to the same neglectful behaviour she has struggled with. So she makes a deal with Jareth to get him back.

Jareth poses an interesting character in Sarah's healing journey from her trauma. He's in love with her, in very possessive, clingy way that makes him do anything she asks him too to try to manipulate her to love him, which doesn't work on her, because she's probably used to it. The fact Sarah has a lot of toys and costumes, which makes us feel like she's spoiled, while being simultaneously emotionally neglected, is a very common way a manipulator convinces the victim there's no reason to feel that way. So seeing as she's used to being gifted things, being given 'her dreams', instead of actual emotional support and availability, Sarah is basically inmune to Jareth's advances. This could be read as Sarah's first experience with love outside of her family life, which is also a common thing in the experiences of older sisters: they date men who aren't good for them, repeating the patterns they're used to and being once again emotionally hurt. By the end of the movie, after meeting new friends Sarah loves deeply and grows to appreciate, and by being shown there are people who do care about her and who do love her and respect her, Sarah is able to fight Jareth alone, because she might be phisically alone, but she knows her friends have her back always. The found family trope is used here even until the end when we think Sarah has grown and the people she met in the Labyrinth are gone, and Sarah tells Jareth he has no power over her because she finally has healed, and she knows she deserves better.

By the end, Sarah has matured and learned, not just about herself, but about love and relationships of all kinds. She gives Toby her plushie as a way of showing she doesn't need to desperately cling to her childhood anymore, because she now has people in her life who care about her for real, and also she tucks him in as a way to show she's going to break the cycle, and show him finally the emotional support she didn't get from her parents. She keeps many things in her room, but puts others away, and when her friends from the Labyrinth appear to tell her they'll be there if she needs them, they don't simply say this and go away, but she makes them stay. 'I need you', she tells them, because even if she's healed, her life might still be filled with the remnants of her trauma, and an escapism might be needed. But most importantly, 'I need you', because they're her friends, her found family, the people who have shown her what she deserves in her life.

The movie definetly shows us the many highs and lows in life, particularely in adolescence, and how the journey to being mature can be difficult. But these subtle themes of emotional neglect, trauma, and the struggles of a young girl forced to grow up a little too soon trully give the movie another layer of depth that maybe not everyone might see, but some of us, specially those of us who relate to these struggles, do see and aknowledge, reminding us that we're not alone and that we deserve better, for our trauma has no power over us.

#labyrinth #the labyrinth #jareth the goblin king #labyrinth 1986 #sarah williams #jareth #film #cinephile #movies #cinema #movie review #essay #in this essay i will #literacy #childhood trauma #maybe the labyrinth was childhood trauma all along

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spiderceo · 1 year

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Lol, I can’t help but imagine how Wally would react to a gothic, kind of grungy, reader. Just someone who wears black and white all the time, maybe with hits of darker blues or reds. I just find the idea amusing since the neighborhood and characters are all bright, fun colors while there’s just this one gothic person wearing spikes or something. Anyways hope you’re having a good day/night I’ve enjoyed your headcanons so far but make sure to not overwork yourself <3333

(Platonic or romantic I don’t mind what you pick)

WALLY DARLING HCS PT.3

pairing: wally & gothic!gn!reader (platonic or romantic — up to your interpretation)

warnings: none

a/n: you are such a sweetheart! thank you for the request <3 i hope you have a good day/night as well ^^

master post

⋄❥ never in his life had wally seen someone so…desaturated. living in the world of colour that was the neighbourhood never really exposed him to this sort of style.

⋄❥ when you first introduced yourself to everyone, there were so many questions about your clothes, your hair, and your makeup. you had to spend a while explaining what being a goth was to these bright and colourful puppets.

⋄❥ it was out of the blue one day when wally approached you and asked for help with picking an outfit.

⋄❥ you tried to decline, reminding him your tastes were very much different, but he was insistent on wanting your help and only you.

⋄❥ the two of you spent hours going through wally’s enormous (and seemingly never ending) walk in closet filled with a sea of rainbow items of clothing. it was during this time that he asked to dress the way you do.

⋄❥ because you had never been able to share your style before, you were ecstatic! wally was just as excited about it as you, copying your happy mannerisms with a bright smile and his monotone laugh.

⋄❥ you went to work —restyling his hair, lending him some of your clothes, doing his makeup. it was all very much fun. both of you were so joyful and being in each other’s company just seemed to increase the feeling tenfold.

⋄❥ at the end of the day, you showed off your hard work to wally in the mirror. he did a little twirl for you, delighted with himself.

⋄❥ “it certainly is different, neighbour, but a very fun different.”

⋄❥ on days where there wasn’t much to do, wally and you would swap clothes and make each other look completely different. he would ask questions about your style and incorporate your answers the next time you both dressed up.

⋄❥ it’s safe to say that despite your lack of colourfulness, you fit in very well with everyone in the neighbourhood. everyone, especially wally, adores you.

i hope you enjoyed this! i tried my hardest to figure it out jshjshbfjd as always, my asks are open if you have any questions or requests ^^

< previous part !!

next part !! >

#wally darling #welcome home #welcome home arg #wh #wally x reader #wally x gn!reader #gender neutral insert #reader insert #x reader #welcome home wally #wally darling x reader

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comradeboyhalo · 7 months

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I had wrote a post a month ago about q!Bad's role in the narrative, and I want to revisit it. (Full disclaimer, this is just Not Real. I'm analyzing mcrp like a conventional narrative for fun. There are no actual "roles": every character is a main character.)

The analysis had come after months of Bad being a large part of lore, but not a major player. The mysteries and missions he went on were never his own. He was known as a strong fighter, until the codes directed their attention at Etoiles. He was second place in the election. Characters would get kidnapped or given enigmas, and q!Bad always played support. At the time, we were all impatient that he had no special Federation plotline after months of arriving on the island (no shade to the admins here - we're not talking meta).

But that brings us to present day, and suddenly Bad has become a very proactive character. His kids are gone, he has a motive, and suddenly he's the one changing the story. In literature, there is the trope of a "passive character": one that is affected by the story, one who is led by the plot. q!Bad is certainly not this character anymore. Instead of letting the Federation set the scene, he takes a page out of their book. He kidnaps one of theirs. Instead of theorizing about a spy like he did months ago, he's now actively feeding information to others to find a puppet. His skin is deteriorating due to his self-inflicted punishment. There has been a spike in posts and tweets about how Bad did [x] to [y] character. And that's what I'm talking about: Bad is moving his own plot. He is now what others react to.

And still. This is not Federation-designed. This is all on his hands. It's very rare that QSMP characters are so untouched by the Federation. Many characters are punished by the Federation. Many characters discover a storyline tied to the Federation. Many characters are experiments of the Federation. Bad has none of this. And I'm not at all saying this is unique to Bad, or that Bad is the only one who's actively moving his own plot, I just think that this provides a really interesting insight to Bad's character. (Again: this is a NON-META analysis! Every creator writes/helps writes their own storylines).

He is an extremely insular character. The Federation only investigated him when he made himself too hard to ignore. Aside from that? They do nothing. Secret shulker boxes? They were tied to Cellbit's lore. The tickets? Everyone ended up getting one. Imprisonment? Okay, but only for 15 minutes. He remembers his backstory, he remembers his life before the island. While the Federation could have interfered anytime in his lifetime, he's over 11,000 years old. His core trauma stems from (presumably) Atlantis. None of that is connected at all to the Federation. Drop q!Bad in another server, and nothing about his backstory changes. The more I think about it, the more odd it strikes me that Bad is an original islander, and he is so untouched by the Federation.

So this brings us to Bad's biggest Federation tie, which are the emails from before the server started. And even then, it implies that Bad is not a worker or an experiment, but a guest. And a special one, at that. It's very hard to take the emails as any definitive evidence, but what stands out to me is this quote:

"We are seeking quotes for the purchase of 1393 muffins to satisfy the extra demand of our special guest."

Each word here is the Federation catering to the special guest. The Federation has been given a demand, and they are fulfilling it. They are the reactionary party here. They are not the ones pulling the strings. They are not penning this story. It is the guest who is doing so, and, in theory, q!Bad.

So we come back to the same conclusion. Perhaps this has always been Bad's "role" - the special guest of Quesadilla Island. Invited to sit at the table, but not to give a speech. Perhaps he just never is going to get that Federation-tailored storyline because he is not meant to. His story started in Atlantis and he will always be pushing forward his own already-established plot. The Federation is just another antagonist in an already long, long tale. Everything he does is self-inflicted. Doesn't it make sense if this applies to the narrative as well?

#qsmp #badboyhalo #analysis

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sleepingdeath-light · 10 months

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wally smut hcs ; 18+

requested by ; anonymous (17/06/23)

fandom(s) ; welcome home

fandom masterlist(s) ; sfw | nsfw

character(s) ; wally darling (standard vers)

outline ; “Can I get Wally x reader nsfw hcs?

I'm 22 btw (also yea props to clown for finding away to allow nsfw while also being able to avoid it if they want)”

warning(s) ; sexually explicit content, assumed human-accurate anatomy

note ; please block the ‘playfellowxxx’ tag if you don’t want to see any nsfw content for this fandom — it’s the tag created by clown for this exact purpose

additional note ; before anyone asks about it; i am using the main ‘x reader’ tags for this post because they are necessary for navigation/filtering as well as accurate to the content itself (it is x reader after all). blocking the ‘playfellowxxx’ tag will stop nsfw content (that’s tagged correctly) from popping up for anyone who doesn’t want to see it — i know this because this is how i got rid of o/c and other squicky fics in the x reader tags i follow lol. it’s also why i have a universal blog tag.

so, yeah, stay safe and block any tags you want to avoid.

minors and ageless blogs will be blocked

very sexually inexperienced before you but he’s a quick learner and adapts well to your needs/desires in the bedroom based on your feedback and your reactions

leans more towards soft dominance — the sort that involves taking care of his partner rather than actively being domineering and aggressive

that being said he’s happy to top or bottom depending on your preference

i guess that makes him kind of a service top?

mostly prefers vanilla sex with the occasional dip into kinkier territory — but always makes use of a consent system so that you have every possible opportunity to back out (and so does he)

it’s probably an adapted version of the traffic light system

he’s pretty traditional in regards to positions and will usually default to missionary — but could probably be convinced to test out standing sex or riding

unlikely to initiate sex unless it’s established that you’re needy but too shy to initiate yourself

average to low libido, which means that most of your sexual encounters will be him getting you off before going back to whatever he was doing beforehand

related to the above point: his love language is acts of service which lends itself heavily to your sex life

not loud per say but he is vocal, quietly praising and encouraging you as he pleasures you — occasionally asking how you’re feeling, what you want and if he’s okay to touch you there

the terms he frequents the most are ‘beautiful’, ‘you’re doing so well’, ‘that’s it’ and ‘is this okay?’

also enjoys receiving praise and depending on your position he’ll either pause and fluster or he’ll beam and thank you for it — though either way his cheeks and ears and neck will be going from yellow to pinkish

big fan of more decorative scenes/kinks — of which he has many paintings hung around your second bedroom (which has become something of a makeshift playroom)

so things like: lingerie/leathers/latex/corsets, suspension, decorative bondage, etc.

prefers to use softer materials rather than rope to tie you up in the moment — but if you’re just modelling for a painting then he’ll relent and use the traditional rope and chains

also enjoys body worship — both giving and receiving

though if you’re especially soft and genuine in your appreciation for him and his body then this poor puppet is going to melt and become putty in your hands

king of aftercare and will make sure that you’re physically and mentally sound even if you only got as far as a messy makeout session

doesn’t like pushing you and is very aware of your limits, which means that overstimulation and the like are very unlikely to pop up

though accidents do happen and there have certainly been moments where he’s gotten a tad overzealous and overstimulated you to the point of tears — but he was incredibly apologetic and made sure to take care of you properly after the fact

not really the sort to use specific names in bed (like master, for example) because he’s the sort to value intimacy over kink — the furthest he might go is carrying through pet names from outside of the bedroom (‘love’, ‘sweetheart’ or ‘darling’)

not into traditional marking but gets terribly flustered if he notices that you’ve left lipstick stains on his body

would be up for painting you nude — be that portraying your body on a canvas or using your body as a canvas — as a type of foreplay (though he wouldn’t know how to ask howdy for body safe paints)

a lot more sexually sensitive than he lets on — particularly in regards to his chest and his inner thighs (but this would only ever come up if you convince him to let you take care of him as a treat)

#sleepingdeath #playfellowxxx #minors dni #minors fuck off #minors don’t touch #smut #smut hcs #welcome home x reader #welcome home smut #wally darling x reader #wally darling smut #gender neutral reader

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mossstep · 5 months

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More sagau (self aware genshin au) headcanons(plus a little bit of writing) These ones are a bit more focused instead of general.

Ghost!reader sagau headcanons

As always: I am a minor, don’t be weird with my posts!

Note: these posts are made with the intention of lightening up the sagau tag, also, if you’re interested in me writing an entire story using my headcanons just ask and I’ll be happy to!

Tw/cw: sagau, swearing, references to the 4.2 archon quest (not 100% sure if this is needed)

Arriving in teyvat

Waking up in teyvat was certainly not on your bingo card for this year. You had only been playing genshin seriously for about a year or so. You had played before that, but had gotten bored after the Monstadt archon quest, because of the steep ar requirements for the Liyue archon quest.

So waking up in Liyue, specifically wuwang hill was, jarring to say the least. You had recognized the area immediately. You had basically lived in the crimson witch domain farming for your Hu Tao. Not that you had Hu Tao yet, having lost your 50/50 on each of her reruns. (Seriously! Talk about bad luck!)

As you get up you notice a vague feeling weightlessness, looking down, you noticed that you were partially see-through? What?

So the creator would probably meet Hu Tao first, as she likes the hang around wuwang (I don’t know her lore to correct me if I’m wrong) and Hu Tao would almost immediately recognize the reader as the creator due to their “golden aura.” Despite this, she’d treat you as your average ghost

The creator’s appearance would be like the ghosts seen in a game. But instead of that blueish-white color outline, the creator’s would be golden.

The creator’s ability to interact with things would be limited, only being able to slightly nudge or push things. They wouldn’t be able to pick anything up, or eat anything.

Despite this, they’re able to be seen/talk to vision holders and other elemental beings. While regular humans would only be able to sense them.

Also, the creator can possess shit, because ghost!

It’s likely that Zhongli, after catching wind of the creator’s arrival in not only teyvat, but also Liyue, would try to meet with them.

I can see the geo archon getting in contact with Ei or Neuvillette about making a mechanical puppet/body for the creator, since they were very limited in what they could do.

In their ghost form the creator would likely be able to take advantage of laylines/teleport waypoints/statues of the seven/etc. to travel around teyvat, which is how they meet with their favorite characters, wether or not they know about the creator’s arrival

Creator: hi tighnari :3

Tighnari: ARCHONS WHERE DID YOU COME FROM!?

Creator: secret :3

Alternatively

Creator: Hi Kaveh

Kaveh: OH SHIT A GHOST (unaware they’re the creator)

The creator would probably spend a whole 6 months or longer in teyvat without a body, because the people of teyvat would make sure only the best body is given to them.

If the people of Fontaine make a body for the creator they’d probably have the the fortress of meropide temporarily stop production on gardemeks to put all their energy in making the perfect mechanical body for the creator of teyvat.

If Ei instead uses the technique she used to create the shogun and scaramouche she’d source only the highest quality materials, then spend ages meticulously working on every little detail to make sure it’s perfect

No matter how much you say you don’t care about it being perfect, the people of teyvat would consider it blasphemy to give anything less than the best for their creator.

#genshin impact #genshin sagau #self aware genshin #self aware genshin au

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goodqueenaly · 4 months

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Which pre/post-Conquest events and in-series events do you think would be popular plays/operas in each of the Seven Kingdoms and Essos?

Well, we do get a bit of a sense of what sort of "history plays" have been written and performed in Braavos (though whether these have been popularized elsewhere in Essos is a bit of a mystery). Arya references the mummers of the Ship teaching her speeches from, among other plays, The Conqueror's Two Wives, presumably about Rhaenys and Visenya Targaryen (which I personally think would be a potentially fascinating study on the respective characters of as well as the relationship between the two sisters). Likewise, in "Mercy", Arya-as-Mercy notes that Izembaro borrows a threat from Prince Garin in Phario Forel's Wroth of the Dragonlords, a play about the doomed final resistance of the Rhoynar against the Valyrian Freehold. Of course, the main action in "Mercy" centers around the staging of Forel's newest work, The Bloody Hand, a play which - obviously more than a little loosely - adapts very recent Westerosi history, staged in that chapter for the entertainment of the Baratheon-Lannister court's envoy, Harys Swyft.

Westeros doesn't appear to have exactly the same theatrical tradition Braavos seems to have, but there are certainly both puppet shows and mummer's plays performed across the Seven Kingdoms. While the specific entertainments we've seen have been limited to either mythological (the story of Florian the Fool) or allegorical (the unsubtle tale of the kingdom of beasts reported by Qyburn to Cersei) subject matter, there might nevertheless be any number of opportunities for historical events to, no pun intended, take center stage. There are way, way too many historical events and figures in the roughly eight millennia of Westeros' existence as a collection of political entities (again, to say nothing of Essos), so these ideas are not even scratching the surface, but I thought I would come up with a few.

So, for example, the accusations against Queen Naerys and Prince Aemon (perhaps complete with a Katherine of Aragon-like defense by the queen) might mirror, say, Henry VIII. The collapse of the Gardener kingdom under the weak and ineffective Garth X, followed by a devastating civil war, feels to me like an opportunity for a Reach version of Henry VI (perhaps echoed with the Dance of the Dragons, many centuries later). Even the story of Torgon Greyiron might have its share of light Hamlet parallels, as the story of a royal son quasi-usurped from his royal place by the wicked murderer of his kinsmen while he was away from his homeland (though with Torgon having something of a more fortunate ending than Hamlet himself, naturally). Not, of course, that we need to limit our imaginations only to perfect parallels of Shakespeare plays (to say nothing of any other history playwrights). Benedict Justman, for one, seems like a figure whose life could be used to ask deep questions on, say, the nature of power, the importance of love versus duty, and the importance (or not) of legitimacy. The flight of the Manderlys from the Reach and their welcome by the Starks might likewise be used by some enterprising playwright to explore themes of justice (and injustice), alienation, and self-identity.

And of course, what entertainments might be popular would likely be dependent on the politics of any given time and/or place. Would, say, plays depicting King Ronard Storm have been popularized during the reign of King Aegon IV or King Daeron II - maybe to denounce Ronard's reign as defined by lasciviousness and resistance to lawful authority (as with Aegon's), but maybe also to depict a bastard as a stronger and more worthy heir than his legitimate half-brother (if, say, the play was written by Blackfyre partisans)? Perhaps in the immediate aftermath of Robert's Rebellion, Riverlands playwrights would have looked for inspiration to the heroic uprising of Edmyn Tully against the wicked tyrant Harren Hoare (though perhaps with less emphasis placed on the king rewarding Edmyn being the first of the recently overthrown Targaryen dynasty). Daeron I's conquest of Dorne might have encouraged pro-conquest playwrights to create works about King Durran the Young, whose similar name, apparently similar youth, and very bloody military campaigns against Dornish armies might have made a natural comparison for these creators (though probably less so the idea that King Durran supposedly "became besotted with his own niece in later life and died at the hands of his brother Erich Kin-Killer").

Personally, I would love to see more fanfic invent plays or similar entertainments from Westerosi history. I, of course, would be remiss not to note my own, albeit very humble attempt at a Westerosi history play, The True History of the Blackfyre Rebellion. (And please no one remind me that I have a second play that I probably have to completely rework and is certainly nowhere close to being done.)

#asoiaf meta #creative #westerosi culture

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professoruber · 3 months

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The Vees & Alastor: Reckless Ambition (Hazbin Hotel Thoughts/Analysis)

There's been a number moments throughout Season 1 which I think served to show that Alastor is not as different from the Vees as he may seem. I might go into more detail into these specific moments in another post; but the gist of my observations is that Alastor has been shown repeatedly to not be the enigmatic badass he presented himself as, at least not fully, and there's been a few allusions between them and the Vees.

This moment in particular near the end of the finale caught my eye in particular. Both The Vees ans Alastor are shown signing their own sections of the song independent of the rest of the cast; namely singing about how they will be the ones running the show soon.

Considering these segments are back-to-back, and also the other moments of similarities between the Vees and Alastor throughout the season, I kinda feel this might be intentional.

Ultimately they're all Overlords; power-hungry sinners who are much smaller in the grand scheme of things than they'd prefer.

I know there's been some debate on how Alastor will turn out, whether he'll be the big bad or not. And honestly...? I'm kinda leaning towards him not being the ultimate evil.

Because he is ultimately is just a sadistic serial killer with power-hungry ambitions. And just like how the Vees pick fights with those "above" them (Vox with Alastor, Velvette with Zestial and Carmilla, Valentino with Charlie), so does Alastor (Lucifer & Adam).

While Alastor's desire to 'unclip' his wings and be the one pulling all the strings is certainly rather sinister and foreboding, the scene is also a stark reminder of how human Alastor still is. He brought too much into his own hype, he seemed to get genuinely caught off guard by how Adam was able to beat him, and he only narrowly escaped death.

And his reaction to his near death experience brought on by biting off more than he can chew... is to affirm his intentions to be even more ambitious and high-reaching.

Alastor wants to guide Charlie's potential. Which is potential to be someone much more powerful than Adam, the guy who gave Alastor a very near death.

Look, I'm all for having ambitions and upturning power structures. But Alastor's desire to upheave the status quo seems solely to put himself at the top.

I think that Alastor's desire to be a puppet-master of everything is going to backfire on him. He keeps testing his luck, and even after his luck almost ran out he's seemingly not changed his plans.

Subsequently though; the Vees should not be written off as a threat. Just like how Alastor was once an overlooked nobody before he did something big... the Vees are looked down upon by the older Overlords as "smug wannabes", but may very well still manage to accomplish something big.

And off course, these people are all still Overlords; very ambitious ones at that who have little issue in rather recklessly antagonising those stronger than them.

Maybe its a wild guess at this point; but I think all of Hell (and perhaps even Heaven) is going to pay the price for their reckless desire to be the ones on the top of the food chain.

Because the introduction of Evil into Earth because of Lucifer and Lilith showed how even a well-intentioned changes to the status quo can have disastrous consequences; what will happen when self-serving and evil overlords seek to upturn the status quo to place themselves at the top?

Probably something which isn't good for anyone, the Overlords in question included.

#professoruber thoughts #hazbin hotel #hazbin hotel spoilers #the vees #alastor the radio demon #the show must go on #charlie morningstar #lucifer morningstar #hazbin hotel theory #hazbin hotel analysis #spoilers #vox #valentino #velvette

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glazedtrash721 · 9 months

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Artblock sucks, so I drew some more Wallys to counteract it!

(TW: Scopophobia and a lil' bit of poorly drawn gore! [A heart and some blood lol])

Anyways, here are two very different Wallys from two very different AUs! One of the few things they have in common is that I love them so so much!!

Corpse Puppet AU belongs to @sketchquill and Red Eyes AU belongs to @dottyorange !!

What a goober Corpse Groom Wally is! He may literally be a reanimated corpse, but that doesn't stop him from being adorable!! I can't get over how utterly BEAUTIFUL @sketchquill 's art is, especially for this AU!!

Red Eyes Wally is also a goober, but in an entirely different way! This man may not be a corpse, but he certainly seems to enjoy making people into corpses! (And reanimated ones, at that!) I did two versions of him, one where I just kinda slapped OG Wally's colors on him and one where I took inspiration from @dottyorange 's style of traditional art!

BONUS WALLY!!!

This is Liminal Space Wally created by Professor Jake on YouTube!! This piece looks so different because I drew it about a month ago! I've been waiting for an excuse to post this dude, and I figured he would fit in with this post, so here you go!!

(The background picture is from Google, lol!)

Also! Just as a reminder! None of this is canon to partycoffin's original Welcome Home!!

#welcome home #welcomehome #welcome home wally #wally darling #corpse puppet au #red eyes au #welcome home au #not my au #au #if you couldn't tell wally's my favorite lol #art #digital art #my art #AAAAAAAAAAAAAAAAAAAAAAAAA I LOVE THEM SO MUCH #if you couldn't tell I LOVE AUs!!!#and I have ever since the whole Undertale AU thing!

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carnivalcarriondiscarded · 7 months

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hm ok so for a while i was thinking that Wally, for the most part, only perceives reality as "Home", the neighborhood. that's his entire world, it's all he knows

but then i slapped myself and went wait. the Live Interview. Wally has been outside of Home, and has interacted with humans (presuming that the interview did actually happen, of course). and through Wally's interactions - or rather, attempt at interactions with Us, the QA, and the WHRP, it can be strongly assumed that he knows that there's an Elsewhere. there are places outside of Home. maybe he doesn't quite understand that there's another reality of sorts, but there's no way he's unaware that there's more than just the neighborhood out there

(and then of course there's the fact that Clown has said that humans are deeply involved (not a direct quote, im paraphrasing) in Welcome Home. maybe Wally interacted with them / regularly interacted with them. there could have been an adjustment period after he gained consciousness where humans helped him learn how to walk/talk/fine motor skills - this could be why he has such a seemingly inherent / desperate trust in Us & the WHRP & the QA... humans made him and cared for him. it's possible he could view them as a sort of higher power to trust & have faith in

& maybe he's been off-set or could go off-set. i mean, the houses' rooms were all different sets - the buildings themselves were empty husks, right? who's to say Wally wouldn't physically walk to the individual set pieces whenever he went over to someone's house (but then that leads me into speculation on how the puppets' consciousness works and how multiple copies of them could co-exist and wondering which is the - im getting off track. but there's all of that and then the two part "you're okay!" art pieces of Wally & Eddie, which are technically canon - dont quote me on that - and that's Another ramble/theory post i could go on about & have strong feelings on. Anyway!)

"but wait," i hear someone protest, "what about Barnaby? he was in the Live Interview too"

but was he? was he really? was that Barnaby, or was that a person in a suit playing the character Barnaby B. Beagle? i mean, if it was Barnaby, there had to be some memory fuckery going on that prevented him from either fully comprehending/realizing the situation, or just made him forget as soon as it was over.

and actually wait, Wally has to be aware of the reality discrepancy. because it was certainly him in the Interview as himself. He had to have understood on some level that either that wasn't really Barnaby, or that Barnaby wouldn't remember the interview.

(there's a connection in my head between all of this & how he would view an apple pie. "it isn't the same anymore. something's different". but i can't pin it down for the life of me.)

and with the Talking Telephone calls, Wally explicitly tells Us that he's not going to tell anyone who was behind the calls. i remember listening to the "original" prank call audio tests, which while were very similar to the canon in-website ones, have a few changes. one of which was Wally - in the tests - saying that the others weren't ready to meet Us yet. now in canon that tidbit has been swapped out for "You have to go too. You have work to do" but i think it's still implied through Wally's purposeful withholding-of-information that he doesn't think the others are ready to know. or he straight up doesn't want them to know

i mean, one little theory i previously had is that Wally wants them all to catch on to the nature of their reality and situation, but he doesn't want to - or Can't - tell them outright. they have to figure it out. and that can't was either something keeping him quiet, or because if they learned too soon / inorganically, their little puppet heads would pop into confetti like Red Guy's in dhmis 4

However my views have Changed and i'm pretty sure Wally is purposefully not telling anyone to maintain the illusion that everything is fine and can continue on as it always has. maybe it comes from a place of protectiveness, of love? whatever the motive i think he wants them all to keep being unaware and dare i say, Complacent while he "fixes" their situation.

which is delusional, but we all know Wally is digging his metaphorical claws into a desperate bid to keep everything the same / return it to its original state, leaving bloody scratches in something already rotted. or something like that!

all this to say i think it's interesting how it seems that he's the only one aware of humans / an outside/other world, yet he's so determined to stay in his lane. he wants connection & communication yet he doesn't want to leave or change. he wants help in keeping things the same (some could say in keeping Our reality & his separated) but in the process he's dooming everyone/everything and tearing down those walls himself

(Wally: i'm going to stay where i am, and you're gonna stay where you are, and we're gonna help each other keep me and my friends where we're meant to be. anyway i wonder what this sledgehammer does)

#this is a very disjointed ramble but when are they ever put together!#i have to start at point a to get to point 36 yk yk #trying to write down my thoughts is like trying to keep a firm grip on a lubed up ferret #SOAPED!!! SOAPED UP!!! I MEANT SOAP yk that doesnt make it any better. anyway moving on dont look at me #its. its. the more i think about wally the more i go insane #like he's got neurosis stacked on neurosis stacked on-#there is something soooo wrong with him <3 #homebogging #welcome home speculation #wh speculation #i do think his heart is in the right place. i do think he's trying to achieve something he thinks is good & best for everyone #but... despite being aware of more than his friends... technically knowing more Truth than them #he's more trapped by that knowledge. he's ruled by it. and he doesn't really have the -#i dont want to say capacity bc i have to believe that he Can change. he just doesnt know how / currently doesnt want to / is too scared to #but he doesn't have the freedom the others have. bc in their ignorance they can ignore their confines #in a way they're more real than wally despite living in a fabricated world as fabricated people with fabricated lives #they're authentic in their ignorance #and ive said it before and ill say it again - wally was created as a blank slate while everyone else already had a Foundation #no matter how false their memories are they Have them. they have the tools to change and want change #they already perceive themselves as more than what they were made for. they think they're People (not humans - people) dont they?#so if they learn theyre trapped... they'll want out. meanwhile wally is already stuck bc while they have - in a way - More #the neighborhood & the show are all wally has. he knows there's outside but he doesnt have any reason to Want that outside #bc why would he want to leave home? why would he want anything to change? it's his sole purpose isnt it?#idk i just think wally would benefit from being told 'you dont need a purpose / you dont need to adhere to a purpose / you are enough as Yo #doing what You want. you can just Be'#but yk. what was i talking about again #oh yeah - wally is so so aware and yet so in the dark #he's got one half of the puzzle but they're all corner/edge pieces and he's trying to fill the inside space with Nothing #hm. i wonder if he'll end up needing the other neighbors to help finish the puzzle... who's to say who's to say!!#FUCK YOU TUMBLR I HAD MORE TO SAY. CUT OFF AGAIN AGH

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