something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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Trying to remember the last time I played hide and seek. The last time I said hi to everyone on the street or saw the girls I spent every day of six years with. The last time my dad picked me up, or my mum brushed my hair. When was the last time I dressed without consideration? There is so much to think about now. I remember falling on the grass at school and making stories with the clouds. Hanging upside down from the swing and realising how big the world was. I wonder on the path of growing when we stop feeling big. I am taller now, smaller still.
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pedro pascal doesn’t owe you shit.
it is absolutely fine to be disappointed by his absence at cannes. i am too. but he does not have to be there.
for whatever reason he’s pulling away from the attention. the esquire article talked about how guarded he is and his socials have really slowed down. maybe he’s unprepared or overwhelmed by all the tlou hype. i mean his follower count went up by the tens of thousands the day after the premiere. that’s insane.
but some of you have lost the plot. the ones wearing d*ddy’s little girl shirts in fucking public and yelling d*ddy at him at events and trying to convince everyone whether he’s queer or not and complaining there isn’t an explicit scene of him fucking in the strange way of life. it’s not a gay porn made for your fetish. ‘oh but narcos!!’ that’s called characterization. read literally any article from almodovar and understand why sex isn’t the point.
interacting with paparazzi content and making cute little edits - jfc. that’s creating demand and supply and paparazzi know no fucking boundaries. man’s got anxiety and no doubt the paps and fans watching his every move are probably making that worse.
let him make movies and rotate through his four shirts in peace. pedro pascal doesn’t owe anyone shit.
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Prompt 121
There’s several de-aged Danny prompts, but what about de-aged Jazz. Most agree she’s very liminal after all, so who's to say ghost things won’t affect her too?
So imagine with me, Jazz gets hit with something, and she is now child; maybe even baby. Danny panics, flees with his emergency bag alongside the other three in Team Phantom. So now they’re four teens with a very small child on the run. Four teens and a small child who have run into several heroes.
Heroes who are all very concerned.
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i know the hunger games isnt about romance i know it isnt a love story but. theres just something so beautiful in the way peeta is the personification of what it means to heal and he /is/ the dandelion and the bread and the hope that things can be better even if they wont be fixed. even if the nightmares dont stop he will still hold her. wake her up and tell her shes alive. shes safe. and when its over and done and theres no more saving or protecting or trying their absolute hardest to die if it means keeping the other alive, the horrors dont stop. but katniss will still find that comfort in peetas arms.
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can i req some arlecchino kink headcanons? no pressure to answer! there's just a lack of new knave content lately ahhh.. ( ̄ヘ ̄)
{☆} characters arlecchino
{☆} notes drabble, hc's, gender neutral reader
{☆} warnings 18+ content
{☆} dacryphilia
arlecchino is a sucker for crying. doesn't matter if you cry easily or not– either she sees it as a challenge to make you cry in the first place or to see how much you can cry before you have to tap out. her absolute favorite way to make you cry is straight up overstimulating (or understimulating you, depending on her mood) until you're practically sobbing. if you cry prettily enough maybe she'll take pity on you.
{☆} temp play
arlecchino has a pyro vision and she is absolutely going to use it. especially prominent if you're both in snezhnaya– it provides prime opportunities for her to slip her hands under your clothes when you least expect it just to see you squirm beneath her hands. she'd never actually do anything too scandalous in public, but if you're a bit more hidden away she'll have no qualms playing with your chest. if you complain about the cold you're just giving her an excuse to "warm you up" and see you tremble like a lamb.
{☆} face sitting
nothing prettier to her then seeing you above her with her face between your legs. her tongue is just as warm as any other part of her, and she knows how to use it, too. she'll hook her arms around your thighs just to hold you down until you've doubled over from the intensity of it– if you start crying, oh, she just gets worse. absolutely ravenous. she won't stop even if her jaw starts to ache. if you don't want her to stop, she could go for hours without a break.
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The Green family dynamics are so interesting because like, Viserys is the father but due to his decay he seems more like the grandfather, whereas Otto is the Grandsire but seems to fill out the role of a father more, not only to his daughter but also her children, so he and his daughter are a mother/father unit but in some situations Alicent is treated like a sibling to her children (by Otto) and then you have the obvious Helaena/Aegon happening (siblings who are also husband/wife and mother/father to their children), but at the same time it seems like Aemond is the one trying to be the family's protector and attempting to step up as patriarch, with some of the scenes between him and Alicent giving off the vibes of equals rather than Mother and Son (like when they discuss Aemond finding Aegon) and his relationship with Aegon seeming like he's the big brother and not the other way around, in this essay I will-
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