Free Flying Graysons (Feat. Ghostly John and Mary Grayson)
Hey, what if when Freakshows staff and control on the Ghosts in his circus broke and all the Ghosts (but Lydia who seems to be loyal to that clown) ran off, what if two ghosts stayed behind to thank the two teens (Danny and Sam) for freeing them. And maybe ask the Ghost boy a small favor to relay a message to their still living son.
What if those two were The Flying Graysons, John and Mary. (They did die tragically and I wouldn't put it passed Freakshow to try to take control of the best of the best circus preformers)
What if when they follow Danny after he flies Sam and himself to safety.
What if they see him detransform into his human half and are struck with how much Danny looks like their son.
Is he related to the Graysons? Idk. Could Danny be a long lost son in this AU? Maybe? We could always make him Dick's unknown son if we want. Just throwing out ideas rn. Any work.
509 notes
·
View notes
what are bradley’s earliest memories of ice and mav? the bits of his perspective on them that you’ve written are so fascinating
fairly unsurprising answer but: ice: when he came to see Carole to apologize for killing goose in ch 2 of wwgattai (sets the tone of their relationship)
mav: something very benign like mav doing magic tricks for him as a little little kid. you know how your earliest memories are always a little fuzzy and always afternoon sunshine? imagine a desaturated maverick sitting crosslegged in the grass in pale afternoon southern california sunshine showing Bradley how he can detach his thumb from his hand and then put it back again. no blood, no bone, no pain, and he’s got this daredevil grin like he’s enjoying separating his thumb from his hand. can’t see his eyes behind his aviators. the best magicians are the ones who can make even their pain disappear. or, playing “got your nose,” holding Bradley’s nose up so he can see it right in front of his very eyes, NO PAIN!, and then making it disappear. “where’d your nose go, Gosling? oh, my gosh, I lost your nose!! how’re you gonna smell? i bet you’re gonna smell bad. get it? get it? —here it is, i found it, don’t worry, it’s all good!” and putting his nose back so everything’s ok. that’s Bradley’s earliest memory of mav.
68 notes
·
View notes
Davidwache Police Station | Painting by Klaus Voormann
Prior to being deported, Paul McCartney spends a night in the Davidwache police station.
In the meantime, the final four could start playing [at the Top Ten club] now, and move themselves into the bunk-bed accommodation at the top of the building.c Tony Sheridan was already here, possibly others too, and the Beatles were welcome to shoehorn themselves in. It was neither the Ritz nor the pits. John was the first to move. Then Paul and Pete went back to the Bambi to grab their gear.
The place was in near darkness, as usual. They had to strike a match to see their way about … and then they decided to leave Koschmider a little gift. Pete had a few “spunk bags,” and he and Paul had the idea to hang them on nails in the wall in the long concrete passageway and set light to them. “The place was dank and dark,” says Pete. “They spluttered, they stank, and OK, maybe they singed a tiny bit of tapestry on the wall. It caused nothing but a little smoke and a few scorch marks and then they went out.”41 It was the ultimate fuck you, Bruno, or so they thought.
They got to play one night in the Top Ten, and it seems to have been a good one, pulling business away from the Kaiserkeller, but it was just this one night. Having been shafted once by Eckhorn, when he’d prized away the Jets and Tony Sheridan from the Kaiserkeller, Koschmider wasn’t going to sit back and let it happen again. He might also have guessed the Beatles would make some grand gesture for his “benefit”—they could even have hinted of it—because an inspection was made of the Bambi’s rooms very quickly. When the stinkende qualmende Piedeltüten were found, he decided to form the view it was an attempt to burn down his cinema, and informed the police.
The chronology of events over the next twenty-four hours is rife with confusion and contradiction, but may have gone something like this. Paul was picked up by the police while walking along the Reeperbahn, taken by car to the Davidwache police station (two hundred meters from the Top Ten) and locked in a cell. Pete and John were also arrested. Koschmider didn’t know which of them was responsible for the “attempted arson,” so the Polizei rounded them all up. As Stuart wrote in a letter back to Liverpool a few days later:
I am living in the lap of luxury and contentment. Better than the cell I spent a night in last week. I was innocent this time though accused of arson—that is, setting fire to the Kino (cinema) where we sleep. I arrive at the club and am informed that the whole of Hamburg Police are looking for me. The rest of the band are already locked up, so smiling and very brave on the arm of Astrid, I proceed to give myself up. At this time I’m not aware of the charge. All my belongings, including spectacles, are taken away and I’m led to a cell where without food or drink I sat for six hours on a very wooden bench, the door shut very tight. I fall asleep at two in the morning. I signed a confession written in Deutsch that I knew nothing about a fire, and they let me go.42
John was also allowed to go. It was now clear who’d done the dirty deed, and for them the ordeal continued; Paul would always remember the little one-way peephole in the door of their detention room, through which he sensed they were watched. It seems he and Pete were then allowed to leave, but a few hours later—early the following morning—they were dragged out of their Top Ten bunk beds and interviewed a second time. Pete suggests they were taken to Hamburg’s main prison at Fühlsbuttel, Paul remembers it being “the Rathaus … it doesn’t mean rat house, it just felt like one.” They were interviewed by an official of the Bundeskriminalamt (Federal CID), one Herr Gerkins, and it was definitely inadvisable to snigger. Instead, they requested permission to contact the British Embassy, like people did in the films, and were refused; then they were taken for a car ride. “We tried our best to persuade him it was nothing,” Paul says, “and he said, ‘OK fine, well you go with these men.’ And that was the last we knew of it. We just headed out with these couple of coppers. And we were getting a bit ‘Oh dear, this could be the concentration camps’—you never know. It hadn’t been that long [since the war].”43
Criminal charges were not pressed, but Koschmider, inevitably, had the last laugh. It wasn’t a camp to which Paul and Pete were being taken, but the airport—and in handcuffs, according to Stuart. They were being deported, and banned from reentering Germany unless they lodged an appeal within a month. Auf Wiedersehen, Piedels! Handed their passports at the gate, they were put on the London plane, set to fly for the first time in their lives. It then got even tastier for Koschmider because Eckhorn was billed for at least part of the cost of the plane tickets. Bruno must have been rubbing his hands with joy.
—Tune In, Ch. 17 (Oct 1–Dec 31, 1960)
Sources:
41 Author interview, March 7, 1985. Pete says (Beatle!, p72) there were four rubbers and always speaks of them in plural, Paul speaks of one.
42 December 12, 1960, sent to Ken Horton. This letter provides the only suggestion that John was arrested in the roundup; he’s not mentioned in other accounts.
43 Interview by Paul Gambaccini, Rolling Stone, June 12, 1979. Rathaus means “city hall.” Instead of the main prison at Fühlsbuttel, it’s more likely Paul and Pete were taken to the remand prison near St. Pauli called Untersuchungsgefängnis (easier done than said).
47 notes
·
View notes