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velociheroviridi · 7 days

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So who was gonna tell me you can only follow 5000 tumblrs 😭😭 I can't follow anyone else now this is so ruude

#viridi posts 2024 #viridi speaks #girl help I've reached the following limit #been wondering why i keep having to refollow people i know i already followed #this is so sad 😔#and very rude

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pxison · 7 months

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Ask my muse “Wed, Bed, Behead” Give my muse three names and they will say which one they will wed, which one they’d bed and which one they’d behead @ikkaku-of-heart asked: For Ichiji: Pudding, Ikkaku, Cosette

Compared to the last one this was just a list of peasant women with two of them relating in some way to pirates. Though He was associated with one of said women on the list which he'd never openly admit to those that matter.

"For at least most of this list it'd be appropriate to behead but unfortunately I cannot apply that option over multiple people."

Honestly this was tough in its own special way with how much he wanted to lower himself with anyone of these women. Though a certain idea came to mind that put to rights the order in his mind.

"I'd say it'd be ironic if I wedded Pudding instead so I'll snatch her up where that loser could not and teach her a lesson about underestimating Germa in the meantime." His smile was every bit as sinister as the ideas in his head only dispersed as he moved on down the line.

"I'd bed that engineer simply because that is what I've been aiming to do. Cosette is just as replaceable as the rest of the staff, so I'll behead her."

#Ikkaku-of-heart #👑don't waste my time👑asks #brutal Ichiji...#and very rude #someone put this man in his place pronto before his head gets any bigger!#too big to fit a crown

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three-bunnies-in-a-trenchcoat · 1 year

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I would never tell my mutuals if they did something I found mildly annoying. Like what if they decide I'm the annoying one for disliking something so inconsequential?

#i am too polite #and very rude #all at the same time #mb's two am rambling

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comfytaire · 8 months

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severely unwell. thanks mr hozier

#unreal unearth #hozier #this album feels very personal very intimate i feel rude and invasive for listening #but i will continue to #worth the wait as always you big soulful bastard

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chattematsu · 8 months

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[4.0 archon quest spoilers]

#genshin impact #genshin impact fanart #fontaine #childe #lumine #lyney #Lynette #Okay before you'll say BUT THEY HID IMPORTANT INFORMATION IT MAKES THEM BETRAYALS listen yo listen thanks a lot!!!!#And before CHILDE IS OUR CLOSE FRIEND WE KNOW HIM FOR ETERNITY SO IT'S OBVIOUS WE TRUST HIM AND GET DISAPPOINTED IN SIBLINGS #I made it JUST FOR IRONY not any negative in any ot these characters #These events were pretty close in quest and it looked pretty strange (for me)#Even after trial traveller was pretty rude with characters who didn't have any odd intentions and it made me think in that way #Maybe writers wanted to make traveller more emotional than earlier but it looked very strange (for me again)#Bro it were the longest tags i ever made here but it's just for clearing the air #Btw don't take it serious #Ofc you can disagree with me and that's okay!!! It's just little note for making clear some things

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quail-in-red · 4 months

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Happy New Year, darlings!

2023 was kinda lousy for personal reasons, but I also started posting on tumblr this year and it’s been really fun making goofy drarry art! No idea what 2024 will bring but I’m glad to be here✨

#drarry #hp fanart #harry potter #draco malfoy #drarry fanart #2023 was…a lot #also I got sick a few days after xmas which is very rude tbh because it meant I was sick on my birthday

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royalarchivist · 9 days

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Phil: [In chat to Bad] Threaten anyone in particular?

Tubbo: What?

Phil: He threatened Missa, according to Missa.

Tubbo: Not the Philza Minecraft sidepiece!

Phil: [Cracking up] WHAT IS WRONG WITH YOU?!

Tubbo: Wait, is he your side-piece or main ho?

Phil: JESUS CHRIST—

#Philza #Phil #Tubbo #QSMP #Pissa #Death Family #April 17 2024 #Very rude to Missa. Phil's reaction was funny #But I personally didn't like that comment that sucked :/#not a full transcript btw #but saw a VERY innacurate one floating around on Twitter that is being quoted here so it's better than that at least

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glfry · 6 months

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Can we agree that the "Thats two things" line from Mike was autistic as shit

#i love how William very clearly thinks he’s trying to play smart or something but. no he’s just like that #in general hes sooooo autistic. Same goes to Abby.#when aunt Jane noted how abbys meltdowns reminded her of mike I was cheering in my fucking seat #SO autism #fnaf movie #five nights at freddy's #Fnaf #five nights at Freddy’s movie #Mike Schmidt #can’t wait till this movie comes out anywhere that isn’t peacock. please I wanna watch it again but peacock doesn’t even have a free trial #also Just his general anti socialness??????? hello?#the way he just. walks off during the pharmacy scene #or the way he basically ignores max CANNOT be neurotypical #also with the former that his stand-offish nature is seen as rude #ALSO near the beginning of the movie where he tells his coworker about the dream theory-#-and he completely avoids eye contact and just fiddles with his Walkie-Talkie #like that cant be nt behavior

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doginacafe · 13 days

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There's something deeply fucking wrong with you for having a gay character turn bi, especially after all the shit you wrote earlier. I hope you die screaming and alone, you fucking miserable, worthless, degenerate piece of shit. Absolutely nauseating. People like you are the worst possible part of the queer community and I wish I could kill you myself.

Fuck off.

first tumblr hatemail!! does this mean ive officially made it you guys

#ask #im fine also u guys but thank you to everyone who sent very sweet messages #this is not my first run in with people bein rude which is shocking because of how tame my comic is

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mumblesplash · 2 months

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he's not even that light impulse is just really strong

#[elsewhere skizz is hit with a sudden inexplicable compulsion to teach the whole server about maslow's heirarchy of needs]#my art #tangotek #impulsesv #hermitcraft #taken completely by surprise by how much fun i'm having with the ambiguously-on-fire hair #random thing but i've actually been putting effort into drawing *fewer* fabric folds recently #it's one of those things i get like. stuck in #and i want to Simplify the Shapes #but do u guys understand. tango just has digitigrade vibes #vital to his character that he be able to scamper and clamber at a moment's notice #honestly the idea of designing shoes for nonhuman feet is super interesting #i defaulted to pseudo-claws cuz like..that's what they'd be used to using for traction? at the very least seems rude to remove that option

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kaladinkholins · 2 months

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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.