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thavron · 5 months

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So I think I've cracked this moment.

So this moment has bothered me. I've seen several people say this is Crowley breaking up with Aziraphale, but I think it has a different meaning. I think he's saying, "I understand."

Hear me out.

It was actually listening to the song Good Old Fashioned Lover Boy that caused me to have a little epiphany. I love how it's juxtaposed over Crowley rushing back to Aziraphale, indicating that he is the Good Old Fashioned Lover Boy, but there is more to it.

That song was released in 1976, which is a time when being gay or being queer of any kind was deeply frowned upon. Though laws in the UK banning same sex relationships had been lifted by this time, for consenting adults over the age of 21. Freddie explicitly coming out at this time was something that could have ended his career. Freddie danced with the media on this one, hinted but was never forthright and kept his romantic life largely under wraps. This is something that queer people did in general and had to do well into the 90s. They flirted in code, they romanced behind closed doors. They kept their love out of sight.

Much like our Ineffable Husbands.

Editing to add- that the reason this triggered something for me, is that despite the secrecy, Freddie Mercury got up on stage and sang a song about a man taking another man out on a date at the Ritz. Everyone knew. Just no one knew knew. And it wasn't enough to end his career. Much like our Ineffable Husbands. Everyone knows, including them. Just no one says a thing about it.

Which brings me back to A Nightingale Sang in Berkeley Square.

This song is about one magical night. A couple meet, fall in love, feel the magic of their romance, and then as the sun comes up they go home. It is something like a dream that has to be let go with the harsh light of day. But there is hope, because sometimes they can hear the echo of the nightingale. A promise perhaps to meet again.

So I think it is widely assumed that there is more to the 1941 flashback. I tend to concur. I think we will see the origin of why this song is important to them. I suspect the song is about them. They have one magical night, where they are both brave and express their love for each other. But then the sun comes up and they realise that they have to go back to their lives. I think they will acknowledge that the incident with the zombies was a close call, and they need to cool off and stay away from each other. Slow down.

So 1967 is the first time they have seen each other since. They both know how they feel, they're just waiting for the right time. They shouldn't have met at all, except Aziraphale wants to give Crowley the holy water. I think that explains the awkwardness but also their softness toward each other. It's a meeting of lovers, but the time isn't right just yet. No nightingales are singing. That's what Aziraphale means by "You go too fast for me." Not yet, it's too soon. We're still under suspicion.

So the end of season one, the world is not over and our ineffable husbands are free. What do they do? They go for date at the Ritz. You can not tell me this is not a date. Sorry, don't believe you. "The Ritz is the most romantic hotel in the world." It's like their whole selling point. It's why it pops up in the lyrics of Berkley Square, and also in the lyrics of Good Old Fashioned Lover Boy. It's the place where magic happens. And for me, the playing of the song, and the reference from God herself, it's saying the time is right. They can finally be together again. This is their moment.

So Season Two. I've read reviews of season two where people liken it to fanfiction. Neil calls it is a bridge season. I think it's the dream. Not actually a dream, I don't think Neil is that unoriginal. But in the song they liken that one magical night to a dream. It's a fantasy that they get to live until the sun comes up. They get to live their dream for four years. They are together and they are in love but they are still living in secret. They still don't acknowledge it. They're still holding back. One of the themes in this series is timing is everything. Maggie and Nina's relationship doesn't work because timing. The magic trick worked the time it mattered. Timing is important, and the ineffable husbands are bad at it. They should have thrown themselves into this but they were too cautious and they missed their chance.

I think this conversation is when Crowley realises. Not that he is love with Aziraphale, that was established in 1941. But that everyone knows anyway. There is no reason to hide. No one cares that they're an item. Aziraphale has a similar epiphany after his chat with Shax. So they both decide to move the relationship along, but damn do they have bad timing.

Now I am as confused and heart broken as anyone about the final fifteen. And I am certain that there is something that we are not seeing, a trick that we've missed. There are six minutes unaccounted for. Neil says its a continuity error, but he's demon, he lies.

So here is what I think, and why this line "that's the point, no nightingales" is important. At some point during that conversation Crowley catches on. Whether they have a moment of stopped time, or the fact that Aziraphale is acting so utterly unhinged, there is something that happens that we don't see and it clues him in. He is hurt and angry yes, but he understands. What he is understanding is that the dawn came stealing up, and that the interlude is over. The nightingales stopped singing, and they have to go back to work. He gets it and that's how he lets Aziraphale know.

"You're an idiot, we could have been us." He doesn't like the plan, whatever it is. He thinks running would have been preferable, but he is resigned to it.

Then that kiss. One last goodbye just in case the world ends? Desperate longing and years of pent up frustration? I don't think the trick is here. I think this is misdirection. We're all looking at the kiss, we missed the coded message that came right before. I think "No nightingales" may also suggest that this isn't the kiss. The romantic kiss will come later, when the nightingales sing again. And they will, of that I'm certain now.

The song playing in the car, a message from Aziraphale or from the Bentley reminding him to have hope. Two things we know about Crowley. He is an optimist. He loves to rescue his angel. We also know that he is the trusted stooge with the steady hand. Aziraphale will perform the theatrics, he will do the rest. The fact that he waited and didn't just storm off like he did when he was rejected in series 1 tells Aziraphale that he is still here. He's still in this.

That's my interpretation anyway.

#good omens #good omens meta #yup i have way too much time on my hands #and i hate unhappy endings #and will live in denial about this

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endusviolence · 2 months

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Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?

I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?

In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".

Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.

This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.

Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.

The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.

[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]

There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.

This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.

[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]

As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.

But of course, you knew that already, didn't you?

Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.

#transgender #trans history #transsexual #transphobia #Magnus Hirschfeld #holocaust #holocaust denial #book burning #j.k. rowling #jk rowling #just in case you missed what i mean by all this: go fuck yourself anon :)#trans people have always existed #and we will always exist #if you really wanna pick a fight with me over well-documented history then you better bring in some sources to back your shit #queer history #queer #lgbt+#lgbta+#lgbt #lgbt history #edit: i finally got around to those damn image IDs. i am so very sorry for totally forgetting that's my bimbo moment of the month #also real quick i thought about adding an image of the actual building but the only one i can find has a Nazi parade in front of it #it was taken the day of the book burning raid and honestly if i were to include it then i'd add it to the first few paragraphs #and i think the story's better told when you uphold the hope Magnus Hirschfeld and all the researchers he worked with had #also keeps being brought up: yes Hirschfeld was a eugenicist. it was a popular belief set that was only discredited after WW2 #Hirschfeld died in 1935. he literally didn't live long enough to see science turn against those beliefs and practices #considering how he changed his mind on transitions i like to think he would've changed his mind on eugenics too if he'd lived

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shima-draws · 8 months

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I’ve watched FMAB a thousand times but Greed’s death STILL gets me every fucking time. 1. Him realizing that Ling is going to get hurt and possibly killed by Father if Greed doesn’t leave his body, 2. Greed coming to terms with the fact that he’s definitely going to get killed by Father but he’s willing to make the sacrifice for Ling, and 3. Greed discovering that what he wanted was what he had the entire time, and that was true friends who would stick with him through thick and thin, who would share the same experiences and failures and triumphs and still love him despite his homunculus status. I’m so.

Also I’m SO pissed at the fact that Pride got to live but Greed didn’t. In my brain I kept saying “Well yeah I guess it makes sense for all of the homunculi to die bc they came from Father and HE has to die” but then I remembered that Pride LIVES and that makes me so salty. Out of all the homunculi Greed deserved to live the MOST AND I JUST. FUCKIGN.

#It’s been years and I’m STILL in denial #I’m living in my fantasy Soulmate GreedLingEd AU. Don’t fucking talk to me about canon #Anyway we finally finished FMAB today. My roommate absolutely LOVED it lol #But of course he would it is The anime of all time after all ;)#Shima speaks #FMA #FMAB #Fullmetal Alchemist #Greed #Ling Yao #Also it fucks me up EVERY time that Ed and Ling are the Last People Greed sees before he dies #The last people he looks at #The two people he cared about the MOST #AND. Greed’s death is what gave Ed the final push to defeat Father #Both he and Ling were DEVASTATED at Greed’s death and I’m. SO fucking normal about it #GODDD. God. G o d

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canisalbus · 6 months

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Is that canon!?! Was Machete just really naive/didn't really understand the implications of his relationship to Vasco? Did his mentor ever find out about them or discuss such things with him? I assume bc he didn't have parents, he kinda didn't get educated on sex or anything. Was it a big shock to realize he was "sinning"?

#eh I was just exaggerating it for comedy because the page was so unintentionally funny and fitting #he might've been a little bit naive but was painfully aware he was in a relationship with a man and that it was forbidden #his mentor was all about asceticism and mortification and extreme self-denial #and had drilled it into his head that practically all romantic feelings let alone sex were foolish and sinful and should be shunned #so his feelings about the whole thing were complicated but in the end Vasco was more important #not to sound corny #but there was a hole in his heart that he had desperately tried to fill with god that never seemed to care about him #and once he got some of that love he had been aching for #from another living person #he had to do what it takes to make room for that in his belief system #how could such a tender fulfilling and healing thing be wrong #answered #anonymous #his mentor did eventually find out about them and wasn't very happy about it #to put it mildly #but by that point Machete had managed to mostly inch his way out from under his heel #he was graduating and getting ordained and wouldn't be going back to Naples #if it were up to him he'd never want to see him again

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stinkythehutt · 4 months

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also. something about palpatine being so adept at seeing into the future that all of his successes feel completely joyless by the time he achieves them because he’s just going through the motions… how fucked up and nihilistic and brutal that would make you…

#teddy talks #anakin is like the opposite of this bc he’s tortured by his future failures #so he lives in constant terror and denial #whereas palpatine is lowkey tortured in a different way though he’d never ever label it as such #but the boredom of it all. the inescapability…#in a sense of course you would long for ultimate power over the force. because you would feel so much just like a meaningless vehicle #of its will otherwise #and anakin would be a PERFECT toy for someone like that. because he is so bewildered. he’s easy to tangle up in knots #i’m just doing some character Thinking #but yeah. of course one in palpatines position might hate the force and feel a need to lash out and dominate it #and he manages his own repressed bewilderment by manufacturing it in anakin to an extreme degree #but. importantly. while also having complete control over the machinations of anakin’s experience #and by crushing the force and all knowledge of it #CHRIST i’m back sorry but all the stuff he does to extend his life. he obviously is terrified of death #and rather than face it he just creates My Apprentice: The Guy Super Fucked Up About People Dying #to punish somebody else for his own horror…. it’s giving projective identification. not to bring freud into this

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transmascutena · 5 months

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so much of anthy's life is a tragedy, but i like thinking about the parts of it that are just kind of normal despite it all, and what those must be like for her. crushing on a girl in the way that teenagers do, a way that doesn't fit into her carefully crafted role of martyr and victim and manipulator. she just Likes utena in a way that would be simple if not for the circumstances. she's not supposed to care for her outside of their respective roles, but she does anyway because she can't help it. she thinks about her while she's with touga because she misses her and liked being around her. she likes having tea with her and watching her play sports and seeing her get along with chu-chu and holding her hand and talking with her in bed and looking at her while she falls asleep. she thinks about kissing her, not because she has to but because she wants to, and sometimes maybe she's even able to forget all the reasons they can't be together. and yeah sometimes she also hates her guts. but that's normal too.

there are a lot of reasons anthy falls back on her role as the rose bride, and a big part of it is that it's easier for her to have this clear set of rules to follow, these instructions of how she should feel and when, rather than having to think about how she actually feels about any of it. but at the end of the day she's just a girl who has fallen in love with another girl, something so mundane that i doubt she even fully comprehends it

#utena is super in denial about liking girls obviously but anthy's in denial about having feelings in general which is a whole other thing #maybe they're not normal. but they Are just kids. and no matter how weird their lives are they still experience normal kid things.#like being in love with your girl best friend and not knowing what to do about it #revolutionary girl utena #anthy #utena and anthy #m

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pocketsizedquasar · 4 months

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TPOC-Prioritized writings on anti-transmasculinity / transandrophobia

transandrophobia / anti-transmasculinity are both theories that have been spearheaded primarily by trans poc, particularly Black transmascs and transfemmes.

unfortunately, as with Everything created by queer and trans poc, particularly Black queer ppl, white trans ppl (regardless of gender, and regardless of whether they "believe" in this form of oppression or not) have coopted these theories and dominated these conversations, such that both "sides" of the "discourse" are divorced entirely from the racial connotations in which these theories were created, and the ways in which they were created specifically as an intervention against white feminism, and to highlight the ways multiple marginalizations affect the marginalization of masculinity. these are theories that explicitly interact with and can only be understood in conjunction with transmisogyny, as well as other oppressions like racism and misogynoir.

*"anti-transmasculinity" as a term and theory was coined by Black trans folks (some of whom's writings are linked below), and is specifically a theory within the context of Black transfeminism antiBlackness, and transmisogynoir, and cannot be divorced from that context. i try be very intentional about my use of the terms 'anti-transmasculinity' and 'transandrophobia' in different places here, because i do not want to dilute the former’s very particular context.

anyway, here's a list of miscellaneous writings on the subjects, with a priority for collecting writing from trans poc (not all of the authors are tpoc, but this list was intended to prioritize tpoc voices). the intention of this is not to be a be-all end-all on the subject, nor exalt any one of these individuals or pieces as exclusively ~correct~ or whatever, but to combat the whitewashed nature of these discussions online, and raise awareness to the myriad of people speaking on this subject. (nor do i claim to speak for any of them, or claim that any of them speak for me. i tried to make sure i didn't platform blatant racists, zionists, transmisogynists, or other bigots, but i'm not pretending to be 100% accurate about that.)

they aren't in any particular order (except the first one, which i think is an extremely foundational text for anti-transmasculinity theory as delineated by its creators, within the context of antiblackness and transmisogyny, and necessary reading to understand anti-transmasculinity as a theory). I tried to group all the links from the same authors together.

This is a non-exhaustive list! I will likely come back and add more writings as I find them. please feel free to recommend to me any works to include (including your own! especially if you yourself are a Black trans person or a trans POC).

Now with an Archived Read-more Link!

Racial-Class Paternalism and the Trojan Horse of Anti-transmasculinity by Nsámbu Za Suékama. if you read nothing else from this list, read this.

“But even as TME struggles escape the mainstream imagination, they persist, and are often both fueling and being fueled by the war on trans women and transfeminine people. Nothing makes this clearer than in how a Western binary system triangulates that war with Anti-transmasculinity. This is why I say that Anti-transmasculinity is a Trojan horse for Transmisogyny. Like the wooden horse in the Greek myth, it might not seem like what it is, for its actual contents and character are invisible, but at the heart of it, there is a violent campaign going on that is key to how the West aims to lay seige to its civilizational "enemies." And, like the walls of the city of Troy, materialist transfeminism has fortified the opposition to Western domination, in such a way that to overcome the stronghold requires a new strategy for the Man, one that follows up the open and vicious attacks on TMA people with a different, more hidden form of warfare.”

“today’s gender paternalism frames any manhood and masculine embodiment outside of (western) cisheteronormativity as not just biologically illegitimate but also the result of a barbaric threat to civilization. And who typically figures as the face of that barbarism but the Black trans woman? Materialist transfeminism has to theorize Anti-transmasculinity.”

"Non-Men", maGes, and Black Masculinities by genderfugitive / disrupthehuman

One such argument, which is really a collection of arguments but can be consolidated into one, is that trans men are attempting to take a place alongside cis men in the hierarchy of patriarchy. In other words, while they may not have been so before naming themselves as trans men, they are aspiring to be oppressors. This employs a number of rhetorical devices that I have identified before including the idea that trans men are “betraying” cis womanhood and therefore should be seen as threats unless they act as footsoldiers for transmisogyny. The problem with this is that it treats trans manhoods as embodiments that exist as something which merely aspires to be cis manhood.

"For Those Seeking Fight or Flight: Black Trans*feminist Nihilism" / primer on transmisogynoir by genderfugitive / disrupthehuman (not about anti-transmaculinity specifically (though it does come up), but a very good + important read on Black transfeminism & transmisogynoir, so I'm including it)

anti-transmasculinity needs its own theorizing outside of general "transphobia" by genderfugitive / disrupthehuman

anti-transmasculinity & antiblackness inherently linked (& another) both by genderfugitive / disrupthehuman

There is a hidden epidemic of violence against transmasculine people by Orion Rodriguez

a thread master post linking to multiple threads about anti transmasculinity by Salem L. Void / thewarmvoid

a thread on anti-transmasculinity as an epistemic injustice (translated) originally by magicspeedwagon in French; English translation by Salem L. Void / thewarmvoid

Not transmasc invisibility, but erasure by Salem L. Void / thewarmvoid

Girlboy Boygirl Blues - antitransmasculinity as a denial of individual history & more by Salem L. Void / thewarmvoid

"irl we just kiss" - ‘transmasc vs transfem’ discourse & reactionary ‘boys vs girls’ politics in trans spaces by Salem L. Void / thewarmvoid

transmascs & being treated as predatory by Salem L. Void / thewarmvoid

transmasc mental health statistics by Salem L. Void / thewarmvoid

violent anti-transmasculine hate crimes by Salem L. Void / thewarmvoid

thread on examples of systemic anti-transmasculinity by magicspeedwagon

a thread on anti-transmasculinity and its erasure by storyjunkie

anti transmasculinity & transmisogyny and the degendering of Black people by afrodykee

anti transmasculinity & transmisogyny cannot be theorized in opposition to each other by afrodykee

white transfeminism's anti-transmasculinity by afrodykee

Black trans people & erasure of TPOC voices from the trans community by thatspookyagent

transmasculine nonwhite expereince by thatspookyagent

trans men being silenced by thatspookyagent

queer POC being pushed out of conversations by thatspookyagent

cis women's harm to trans men by novascotioducktoller w/ addition about TMOC by thatspookyagent

medical violence in anti transmasculinity by Caleb / sethpuertoluna

example of medical anti transmasculinity by Dominick / transguyenergy

response to inclusion of a trans man in an ad (thread) by Dominick / transguyenergy

anti-transmasculinity around periods by Dominick / transguyenergy

anti-transmasculinity towards pregnant trans men by Dominick / transguyenergy

transitioning as a transmasc of color by gendercriminals

white (cis) women & racist transandrophobia by dead-lavender-society

transandrophobia as an indigenous trans man by petrichorvoices

examples of transandrophobia by transvermin

the “lost lesbian” narrative & antitransmasculinity by vaguefiend

cis women & transandrophobia by vaguefiend

intersectionality & transandrophobia by visible-schizo-spectrum

more transandrophobia from cis women by cock-holliday

tl;dr : there’s LOTS of theory and discussions out there abt anti-transmasculinity, transandrophobia, how these things relate to other forms of transphobia, how it interacts with other marginalizations, most especially race, and the ways in which it affects transmascs. this information is everywhere. it’s out there. y’all (white ppl) are just refusing to engage with it.

#trans #lgbtq #queer #transphobia #transandrophobia #anti transmasculinity #transmisogyny #racism #long post #quasartalks #been compliling this for ages but i think it's finally at a point where i feel comfortable posting it #like i said though it is very much subject to change! i would love to add more things to this #it is extremely shitty that discussions on antitransmasculinity and transandrophobia have been dominated on here by racist yt ppl and their #token trans poc that they so clearly are just using as a shield against when ppl call them out on aforementioned racism.#anyway. dont bother clowning on this post i will just block <3 #so much of this 'discourse' boils down to: transmascs and trans men (esp transmascs of color) saying: 'hey i experience this thing'#and other ppl (esp white ppl!) going 'no you don't.' it's so blatant lmao #it's just the complete denial of our Authority to talk about our own experiences. we are not trusted to be authorities on our own lives.#which. where have i heard that before. smells like racism. smells like misogyny.#also bc ppl can't read: none of this means transmascs have it worse than transfemmes; that transfemmes oppress transmascs; or that these #-experiences ONLY happen to transmascs. those are all extremely bad faith readings of these discussions.#AND ALSO to the (especially white) transmascs who also can't read and take these discussions as excuses to be racist & transmisogynist:#we cannot combat transandrophobia & anti transmasculinity without combating transmisogyny. they are linked.#anyway. good night

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kadextra · 7 months

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“You are important.”

“I’m really worried about you. You need to take care of yourself, because you’re not okay, we can see it. are you drinking water and eating?”

“You’re scaring me. cause I know that you’re not okay, but I can do nothing.”

“Every day I hope to find something about the eggs because I can’t stand seeing q!Bad sad anymore”

“He’s changing every day, turning into something like a ghost… I’m so worried, it’s like at any moment he could just disappear.”

“I feel powerless. I think q!Bad is suffering a lot, but he doesn't admit it. I really want to help him, I've been thinking really hard about how to help him”

“He took me around, we hang out, he helped me a lot and gave me items. He is my best friend. I don’t know what I should do…”

ough q!bagi. every time she talks about q!bad it makes my heart break, she is so kind. they’ve known each other a week, but she says with her whole chest that this is my best friend and I Will find a way to help. she is the only person q!bad has straightforwardly admitted not being ok to. I’m so….

#I’m so normal about her #<- FALSE im going crazy about her character and this duo they hurt me #she is so observant and inquisitive about Everything she doesn’t take anything at face value #her detective mind sees a mystery and wants to solve it. q!bad is her enigma #but it all comes from a place of care for her friend #she pushes past his mask with her words- to a demon who lives in denial this is exactly what he needs #to open up a bit more #anyways I BEG for him to reveal ron to her #my girl would be happy to join tbh she threatens to torture cucurucho everyday #qsmp bagi #qsmp badboyhalo #qsmp #madrugaduo #also how she said in character she’s worried for him but Also normal irl gabi is worried for this fictional cubito too is skrsjskdk #same girl. mood.

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raemeh · 1 year

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Small little moment that can go unnoticed but Taylor saying he finally had someone to watch anime with

his dad sharing his passion for it by mentioning death note only for scary to slice the upper half of his body and then Taylor immediately gets defensive

I swear I am so normal about this boy you don’t even know

#Again Freddie out right says Taylor is Lonely #He uses denial to forget about all the traumatic experiences he’s been through so he can live in this anime fantasy forever #I might be thinking too much into this #dndads #dungeons and daddies #dndaddies #dndads s2 #dndads quest #dndads taylor swift #taylor swift dndads

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drakaripykiros130ac · 29 days

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Green stans finding their way into the Team Black tag trying to convince people that both Teams end up losing the war - Never not funny.

Please, read the book and try to understand that even though the Blacks didn’t win the way they expected to, they still won. They’re still standing. They actually exist.

The Dance ends with the Seven Kingdoms under the control of the Blacks (since the final battle of the war was won by them):

Aegon III Targaryen

Viserys II Targaryen

Baela Targaryen

Rhaena Targaryen

Alyn Velaryon

Cregan Stark

Jeyne Arryn

Kermit Tully

Corwyn Corbray

Black Aly

Benjicot Blackwood etc.

Where are the Greens in this whole scenario? Dead? Extinct? Cool. Justice. House Targaryen’s biggest mistake, corrected.

So, you TG stans finally get the picture? The Greens are history (not even that, since history doesn’t bother remembering them).

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electric-plants · 24 days

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cyno: could you give me advice on how to get closer to alhaitham?

kaveh: huh?? why are you asking me? i hate alhaitham

cyno: haha oh yeah that’s one of my favorite jokes you do it’s so funny :)

kaveh: …..one of your favorite what?

#cytham #haino #cyhaino #cyno #alhaitham #haino incorrect quotes #i think cyno should just take it all as a very intricate joke instead of just stubborn friendship denial #kaveh would be spiraling rip #suddenly has to wonder if EVERYONE thinks it’s a joke #(they don’t)#and yet somehow he’s closer to the truth than everyone else😌 best investigator fr #also this would have astronomical implications for cyno’s ‘he lives rent free in each of our hearts’ quip #and also ALSO kaveh being torn between giving cyno advice and acknowledging he’s friends with alhaitham openly #or refusing cyno and feeling BAD but maintaining his reputation #is my aesthetic #also he would OBVIOUSLY give the advice while pleading that cyno does NOT tell anyone he did #which cyno doesn’t because he keeps promises and also because he’s excited he gets to be in on their joke #srry for all the tags my brain gets one (1) thought about them and runs with it forever #genshin impact #genshin incorrect quotes

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dreamaboutwhathappens · 15 days

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it’s interesting to see how taylor has always imagined her ideal partner as being courageous (“headfirst fearless,” “this love is brave and wild,” “you walked in wearing a football helmet and said okay let’s talk,” “don’t blame me love made me crazy if it doesn’t you ain’t doing it right,” “standing broad-shouldered next to her was a love that was really something….”) and how i think at first she thought that joe simply being willing to be with her felt courageous but then as she grew she realized that it wasn’t enough of that feeling because he wasn’t always standing broad-shouldered next to her, only when it was convenient for him. and that’s not fearless. that’s just doing what’s easiest

#i’ve been thinking a lot recently about love languages #and how not only are there the five that everyone talks abouf #but like. for me. i experience love through excitement. i’m excited about this! and if you love me then you should be too!#and how i show others i love them is by being excited about their lives snd interests #so i’ve been thinking lately that another love language (or maybe currency) is an emotion #and i think for taylor it has always been fearlessness #because she’s SUCH an innovator. about everything #her career and her work and her personal life and the industry and and and #so i think part of love for her is the enjoyment of trying new things!! and exploring how that can improve your life!#and i think that’s what she’s talking about all those times #and also why sweet nothing is on the denial playlist. oops.#(what she originally ran home to him for was the love that made her crazy. not sweet nothing.)#ttpd #random thoughts with grace

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rufflebatz · 6 months

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YESTERDAYS TRISTAN DOODLES LETS GOOO

eats himt he fuck up i dont know what i was doing but i wish he was normal for once

also a silly doodle i had to make because i was brainrotting the fuck up ASHFAKJSDAS i would die for them do you hear me i wish i could bite their heads off i bet they taste like the most expensive chocolate and almonds

also rushed haurchefant doodles because i was testing a new brush .. felt weird !

#im not normal about them #i hope they have the best life ffxiv can offer #lives in vault denial #tristan posting :D #ffxiv #ff14 #final fantasy xiv #ffxiv oc #wol #ffxiv wol #tagging this with wol things despite triste not being a wol i am spreading misinformation #haurchefant #haurchefant greystone #haurchewol #wolchefant

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hephaestuscrew · 20 days

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“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens

TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).

Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc

Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate).

With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.

***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***

Detective duos

Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other.

Romantic assumptions

Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:

When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)

When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)

Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)

When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)

Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…

Proposal via door plate

The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:

CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)

Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:

She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187).

Anniversaries

In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon.

When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”

“Miss Clara Entwhistle, my partner”

I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:

FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)

Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself...

“Her ridiculous detective.”

When Clara fears for her life at the display of the Lanterns, the narration tells us:

“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172)

The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”.

Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.

Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.

“Settled”

When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:

"She's still living in hope that one day I'll settle down." "You're not settled?" asked Fleet. "I am." (High Vaultage, p259)

By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.

I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.

As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5:

FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.

I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.

Inseparable

Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says:

"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)

Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.

Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)

“Like a friend might?”

At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.

“Maybe it'll just be my good luck charm.”

CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.

In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.)

That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…

Thank you for reading all of this!

If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!

#victoriocity #clara entwhistle #inspector fleet #archibald fleet #high vaultage #I'm not really trying to persuade anyone who doesn't already vibe with Fleet & Clara QPR as a concept #I just enjoy digging into that interpretation #I don't have any lived experience of QPRs myself #I'm just an aro who occasionally yearns #which tbf is probably the demographic most likely to obsessively interpret fictional duos as QPRs #I tried to avoid straying into anything like ‘they are too important to each other to be *just* friends’#when writing this #because I deeply dislike that outlook #That's not what I'm getting at here #Friends can be that important to each other without being in a QPR #I just think Fleet and Clara are important to each other in a particular way that can easily be read as a QPR or QPR-adjacent #Ngl for me personally I was very happy that there was no explicitly romantic Fleet and Clara moments #in S3 or High Vaultage #I’m sure I would still love their dynamic if they did explicitly take it down that route #I’m sure it would be done well #But the fact that Fleet and Clara are platonic (or at least ambiguous) means a lot to me personally #A related thought to that bit on romantic assumptions is that under amatonormativity #even the denial of romance/attraction is so often treated as evidence for it #which can mean that there's no way to escape that implication #so that's another reason why I enjoy taking characters at their word #when they express discomfort over a dynamic being interpreted as romantic #I finished writing this on Wednesday and I've been so impatient about waiting until S3 is fully out to post it lol

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