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#anime comedic duo
alexa-fika · 1 month
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I've finally reached the point in the anime where the cross guild is formed and addicted🙌
I don't mihawk wouldn't even think about letting buggy near child!reader, but what if reader snuck off to one of buggys shows and got caught by crocodile and/or mihawk?
Circus Escapade ( Cross guild x Gn!Dracule!child!Reader)
A/N Finished my essay ya’ll!! So I made this for you guys, sorry it took so long anon! Also idk how I feel about it, no idea why but the first word that comes to mind is surreal?
Reader here is replaced by Dokucha which means Reader in Japanese.
Dividers by @/saradika
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Dokucha knew that what they were doing was likely to get them in trouble not only with their dad but their uncle would not be the happiest either
But they just wanted one small peek of the show, a small peek at what happened behind the tarp; that’s all they wanted
They grin, popping their head slowly over their hiding spot and watching as the different acts went about performing
The stage was filled with different acts performing, each one seemingly more outrageous than the other; some were dangerous, some were more comedic, and a few even seemed a bit off to the audience…but that was the point; it’s a circus after all
A new act has now taken the center stage, the lights dimmed and the curtains drawn as Buggy himself came out, using his devil fruit ability to perform various tricks
They grin, giggling at his comedic actions, watching enthralled as the different body parts move around independently
Buggy’s comedic act continued; his body parts continued moving all around, one arm reaching over, picking at his teeth, and one of his legs would do a silly little kick before each body part would come together again.
His act was rather amusing, and as the act reached his peak, he came over to the podium, extending his arms toward the audience
“Hahaha!! Applause, Applause, Applause!!,” he screamed, waving his arms around, trying to get the audience to clap for him
They laughed along with the audience, gleefully enjoying the act until they felt something lift them up
They squeak as they suddenly are brought right up to the ringmaster himself
“Well, looks like we have a break-in!” Buggy laughs but stills as he takes a closer look at them
“W-Wait, you’re Mihawk’s-
“Clown.”
Everyone turns their head at the sudden entrance of the ex-warlords; the circus growing eerily quiet, everyone too afraid to move a muscle in fear of angering the duo more
“Buggy…” Mihawk seethes, his eyebrows knit together, his tone of voice dangerously eery
Crocodile, while maintaining his usual stoic expression, holds back a low grow
Buggy’s expression changed when he saw the two enter, his body parts freezing into place, his eyes widening slightly as he gulped, his voice growing quieter as he spoke
“Cro-Crocodile, Mihawk…”
Buggy gulped, taking a few steps back as he spoke, “I ca- I can explain!”
“Do you think I care for explanations?” Mihawk glares at Buggy, his gaze becoming sharp; he takes a step closer
“W-Wait, I swear I had nothing to do with this. I didn’t bring them here!”
“Your hand on them tells a different story,” he growls, ripping way the hand from Dokucha and embracing them
“Tha-I swear I can explain. I didn’t know.”
“Dokucha.”
They flinch at their father's sharp tone, and although they were aware that the anger was not directed at them, they were also going to get one hell of a scolding
“Go to your room; I will come to talk to you after I'm done with him.”
They nod
“Sorry Papa”
“Now you,” Mihawk said coldly, looking at Buggy, who just stood there, sweating profusely, his entire body shaking in fear as the duo advanced on him.
“H-Hey, I'm sure we can talk this out.”
The last thing Dokucha heard as they flew out of the tent was the cries of the mercy of the crown; they flinched at the sound
“Oops…”
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Did buggy probably die? Yeah, is everything Dokusha said to that oops? Yeah cause their a menace
Taglist:
@imaginarydreams
@amethystviolin
@h0n3y-l3m0n05
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superfurytamago · 6 months
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Every Japanese comedy reference in Jujutsu Kaisen chapters 240 and 241
EDIT: Added one more reference to Audrey that I completely missed out when I was writing this post. Putting my self-proclaimed Japanese comedy otaku title to shame!
I was a Japanese comedy otaku way before I got into manga and anime, which is why I get way too excited whenever I spot Japanese comedy references in other forms of media. Granted, the plot is totally coherent even without knowing the references, but please indulge me as I find myself a rare opportunity to talk about Japanese comedians. All English panels are sourced from Manga Plus and Japanese panels are my own digital copies.
Preface about Japanese comedians
Japanese comedians usually form duos called "combi" in Japanese. Some may form trios or even quartets, but duos make up the overwhelming majority. Solo comedians are becoming more common, but like Takaba, most if not all of them had started out as a duo that didn't work out over time.
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Nabe Nabe Entertainment and Pony
Reference to Watanabe Entertainment, a major entertainment agency in Japan. The most famous comedian group under Watanabe's management will be the comedic trio Neptune, and the above panels reference them indirectly as well.
Another talent management agency mentioned is Pony, which is a reference to Sony Music Artists Inc (SMA). Yes, they manage comedians as well lol. Agencies have distinct styles of management, which eventually shows in the type of comedians they manage. Kenjaku assumes that Takaba is with Pony because SMA has managed to propel an impressive number of solo comedians to fame despite the comparatively smaller scale of management. They also lean more slapstick than the "cooler" forms like skits and monologues. In fact, Takaba reminds me of Koume Dayū:
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Laughing Dog? Vocabula?
Both Laughing Dog (Warau Inu) and Vocabula (Vocabula Tengoku) were incredibly popular variety TV serial programmes that Neptune appeared in during the 1990s and early 2000s. Takaba admires Neptune, which is why he chooses to sign with Nabe Nabe rather than Pony, even if the latter may actually manage him better.
Kenjaku wondered for a second why Takaba didn't cite Vocabula as the reason he admires Neptune, because Vocabula was the one that gave Neptune their shot to fame, and they absolutely reached superstar levels of fame during the time. Laughing Dog came later, when they were already established as household names.
The reason why Kenjaku walked back on it with "I guess that's obvious enough" has to do with the nature of the two programmes. Laughing Dog was a sketch comedy programme like Chappelle's Show, while as the name may suggest, Vocabula focused on wordplays, puns, and parodies. Comedians were voted based on how they performed the jokes. Here's a short clip of Neptune on Vocabula:
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While here's a sketch from Laughing Dog (the second, third, and fourth green leaves members are Neptune lol):
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Of course Takaba was inspired by Laughing Dog, "I guess that's obvious enough".
Backbone! My backbone!
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An actual short gag (ippatsu gag or lit. one-shot gag) by Haranishi from the duo FUJIWARA:
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It's not the first time Akutami has referenced an actual short gag in the series. Perhaps you may remember Itadori's unfortunate reunion scene at the sister school goodwill event:
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This is a gag from Kojima Yoshio:
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You have my condolences, Itadori.
Comedians and auditions
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Kenjaku is dressed like a stereotypical TV producer here. This dates back to Japan's asset price bubble; during which, tying a cardigan over the shoulders was a staple look among TV producers and directors. In this scene, Takaba is auditioning like he would for a part in a variety TV show. Struggling comedians like Takaba often audition for variety shows that showcase a series of comedic skits or manzai. Pass the audition and you get a spot to perform on national TV.
Comedians and theatre
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Most comedians who don't get their big breaks on TV spend a large part of their careers in small theatres. A typical comedy show consists of several groups of comedians performing their skits or manzai, and the theatre will hand out feedback forms like the above. It seems like Takaba used to go by the stage name Pinchan.
P-1? C-1?
The fictional C-1 is a reference to an actual long-running competition M-1 Grand Prix, while the fictional P-1 which Takaba mentioned earlier is a reference to another competition R-1 Grand Prix. M-1 is restricted to manzai performed by two people or more, while R-1 is open to solo comedians only. There are several important annual comedy competitions in Japan. Winning these big-name competitions is usually the ticket to fame for many comedians, but even then it may not work out for everyone.
Idol shows
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It has become customary to have established Japanese comedians host Japanese girl groups TV shows, and I pretty much agree with Takaba's take on why. If you're a fan of idol groups like Morning Musume, AKB48, Nogizaka46, or Idoling!!!, then you would be familiar with Japanese comedians like Ninety-Nine, Ariyoshi Hiroiki, Bananaman, and Bakarhythm.
By the way, Takaba was watching TV while eating cup noodles after the above panel. The lines are from a well-known manzai performed by comedy duo Audrey. This particular joke with them going "hehehe" at each other is a staple in their early manzai:
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In fact, take a closer look at the apartment that Takaba lives in. It's based on the actual apartment Kasuga (pink vest guy on the right) used to live in, named Mutsumi-sō. His shabby apartment and extremely thrifty lifestyle had been featured in many variety TV shows in the past. He lived there for more than 20 years, and the apartment was actually quite a tourist spot for fans of Audrey. Kasuga's Japanese Wikipedia article even has a photo of it as seen below, which is what I think Akutami referenced from. The interior is largely based on Kasuga's apartment as well:
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Bonus Japanese comedy!
Akutami has taken inspiration from actual Japanese comedians in the past. In chapter 153, two of the spectators look eerily like comedy duo Sandwichman:
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And how can we forget Ken, the fellow comedian who gave Takaba advice in chapter 146:
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He's based on Kendo Kobayashi, and if you've seen images/clips of Akutami dressed up as Mechamaru, that was when he went on Kenkoba's show:
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Wow that was long. Thanks for indulging the squealing Japanese comedy fan in me!
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I usually really prefer ships that are like “we have complicated history, we cant live without the other, we are so different but so similar in all things that matter” that i cant explain to you how surprised i am at just how much i like ginhiji (hijikata x gintoki from gintama)
The show itself and most characters (kondou had a whole ass monologue about it during the thorny arc) go to great lengths to empathise just how similar those two are. Their mannerism, behaviour, stories. Insert they are the same picture meme. And they are, really. Not the “two sides of the same coin” NO they basically share everything, from complicated backstory to a found family, even if Gintoki technically had it harder
So you would think they wouldn’t work as a fun pairing. Gintoki has that whole thing with his three bros going on (dont get me started on the whole Takasugi situation), Hijikata also has complicated relationships with his coworkers, surely there are better options? AND YOU WOULD BE WRONG
Somehow nothing beats the way they are so attuned to each other. The way they fight, and in general the way gintama animates fights? Fucking hell. They value the same things in people, so their found families are also similar. They are both so fucking feral and deep into bad coping mechanisms, with Hijikata being a workaholic and Gintoki drinking and blowing momey in casino. Like you would think they dont work, they are so similar there is nothing interesting happening
But they are a comedic duo and both of them are like “surely i cant like that idiot?” They both think they are the only normal person in the room. While thinking the other is insane. Its so fucking good they are so dumb. But they also get each other on such intimate level. I cant
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chaossmith2 · 22 days
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Animated comedic duo that slowly got more and more queer coded over time
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wondrousmay · 5 months
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I loved the new episode of SxF ! I’m happy with how they adapted the fight between Yor and Barnaby! Yor’s continuous movements and her speed was well animated! Yor’s monologue was even sadder with Hayamin’s voice and the OST. I want to give her a big hug 😭
Loid and Anya continues to be the comedic duo of the season. In addition to Anya’s iconic reaction, the squeaky noise from the shoes made Loid’s tacky outfit so much funnier! Loid’s monologue about the fear of unknown was so dramatic and I love him for it.
I do love the quieter scene where Anya tells Loid that she likes it best when all three of them are together. Loid’s response was so heartwarming. He cares for her a lot and it really shows in these little scenes.
The flashback of Zeb and Olka was also really bittersweet too. I liked that Zeb acted like a fool so that Olka and Gram would not be as scared.
I have my personal nitpicks with the anime but S2 has been really good so far! Had low expectations before the season premiered so I’m happy to be enjoying it!
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gamerstar111 · 17 days
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Makoto & Nagito’s Survivor’s Guilt
i have many thoughts ab why makoto and nagito would have an interesting dynamic but today i’m thinking abt how their history parallels a little (like a lot of things ab them. they’re foils of each other i cld write an essay about it)
this is just a very long (kind of disorganized) tangent about lucky duo’s traumas and how they shaped their mindsets (and how they might understand each other better than people think at first)
i kind of get nervous anytime i put my analyses out there for people to percieve, but that’s okay. we’re facing fears today. LOL
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i don’t think many people think about how makoto probably understands the survivor’s guilt nagito deals with better than anyone could, because he also has the mentality that he didn’t deserve to survive the things he did, and that his luck had a lot to do with his survival. they cope in very different ways, but at the core of their emotions they both feel that same “i don’t deserve to live” guilt.
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Makoto’s Survivor’s Guilt
makoto doesn’t attribute as much of his trauma (which is the killing games he went through) to his luck, it doesn’t factor into his thinking as much as it does for nagito. junko says it at some point in the anime: makoto’s luck isn’t like nagito’s! he wouldn’t ever be able to utilize it like nagito can, because it isn’t consistent, it comes and goes super randomly. it keeps that mf alive and that’s IT 😭
(/j. it does more for him than that but im not talking ab his luck rn so BACK TO HIS SURVIVOR’S GUILT.)
he leaves the first killing game with this huge unofficial responsibility. he lost 10 of his classmates and it’s said that he was able to get his memories back after leaving, so that means he remembers the two years he spent with them. they were his friends :,)
and some of them did more than him to contribute to surviving. i know it’s for comedic effect in the game, but makoto is kind of consistently told by byakuya (and sometimes kyoko & others) that he’s stupid or unhelpful. + he already struggles with feeling like he’s not interesting, memorable, or unique in any kind of way (mr. “i’m average at being average”)
but nevertheless, he survives the games, (after basically convincing his remaining classmates to NOT sacrifice him. a second time.) and when he does get out, he joins the future foundation, where his nickname as the ultimate hope starts to push him to do as much as he can. and because he’s so determined to save as many people as he can, he opposes the foundation’s plan to kill the remnants, and takes them to jabberwock island. he’s so determined to do as much as he can because he feels like if he doesn’t, he’s wasting the life he was given. it’s implied a few times that he would have killed himself if he didn’t feel guilty throwing away the life that was taken from his friends! people don’t talk enough about how makoto is NOT as endlessly optimistic as everyone thinks
he isn’t completely immune to despair. i honestly feel like his main motivation in helping people and spreading hope isn’t that he lives by it, it’s that he has to do as much as he can to to spread it to OTHERS because if he doesn’t, what is he doing with the life he has that his friends were robbed of? i could get into the nuances of makoto’s character and how he isn’t just “hope enthusiast #1” but that’s more fitting of a makoto exclusive character analysis. coming soon/hj
the point of that is that he wouldn’t be alive if he didn’t feel like he had to make something of the fact that his classmates died and he didn’t. that’s what motivates him to try and save everyone, no matter who they are or how terrible they are (him saving the remnants, trying to save junko even though he hated her for what she did, and trying to save the future foundation members in the second game, even though they want him dead)
and when he already has this mentality, he goes through a SECOND killing game, where one of his closest friends (i forget if it’s canon they were dating or not, but you get the point) dies as a DIRECT result of him surviving. and instead of breaking down and giving up, he takes it and becomes more determined to end the game. but his despair video shows that he feels so guilty that he survived, even if he doesn’t ruminate in that feeling.
but nagito is the polar opposite
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Nagito’s Survivor’s Guilt
most of nagito’s character revolves around two things:
His self-loathing
His twisted perception of hope, and his obsession with the concept
putting aside the fact that he has been diagnosed with dementia that definitely warps his perception of reality as it is, when you look into his backstory it makes sense why he thinks the way he does. his childhood pet died in a car crash when he was a little kid, then, when he goes on vacation with his parents (still in elementary school), the plane taking them back is hijacked, and then those hijackers are killed by a meteorite that also kills his parents right in front of him.
he has no other living relatives, so he’s given all of their inheritance, and is said to be free to live on his own. so he’s been alone since he was a kid, and then during middle school, he’s kidnapped by a SERIAL KILLER that held him for ransom, and then let him go after realizing no one was going to come for him. (which is actually so distressing to me like r u kidding me that’s so SAD HE HAD NO ONE WILLING TO EVEN ACKNOWLEDGE HE WAS MISSING?? UGH. ANYWAY.)
any chance at happiness Nagito has had was ripped from him in that cycle of good and bad luck. he starts to become fixated (and eventually, unhealthily obsessed) with the concept of hope, so that he could try and find some meaning to his life beyond killing anyone who'd ever shown him any kindness or cared about him. and then after ALL OF THIS, in high school before hope's peak, he gets diagnosed not only with CANCER, but also DEMENTIA. Which, typically, only affects people over 65!!!! he was probably not older than 16 when he got diagnosed!!!! he's then told that he probably has less than 6 months to live. he tells hajime this whole speech about how he realized all he wanted his entire life was to be loved by someone, and he didn't want to die alone, but then says that he was just quoting something, curious to the sympathy it would get him (i don't really believe that, but THAT is a nagito analysis topic. back on topic again…)
then he gets invited to hope's peak. he tries to refuse, but they insist, and so he finally agrees. but then, during his second year, junko starts to ruin things, and yet ANOTHER person he started to care about is killed right before his eyes (chiaki). of course, then, he goes on to bring as much pain and despair to anyone he can under junko’s brainwashing
he's fully convinced that he's a curse, and that he's not worthy of living.
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"ok….. what’s your point??" you didn’t ask???
the difference between nagito and makoto is that makoto took his grief and made it into motivation, while nagito took his grief as a personal reflection, and spiraled down into a mental decline.
i think the main reasons for this difference is that, first of all, nagito's trauma has been his entire life. since he was a little kid up to even currently (when he's around 21-22), all he's done is cause or witness death anywhere he's gone. watching your childhood pet AND parents die before your eyes has to impact development in some kind of way (not to mention he was entirely alone since ELEMENTARY SCHOOL)
makoto had a very average, but nice life to that point. he had nice parents that were together and happy, his little sister that he's super close to, and while he didn't have any super close friends, he wasn't on particularly bad terms with anyone (as shown by his reaction to seeing sayaka, and sayaka's reaction to knowina him). all of the trauma and death he experienced happened to him when he was an adult (even though he thought he was 16-17 when the first killing game happened, he was most likely 18-19 and junko can erase memory but not alter brain development. so.)
second of all, makoto had support from his friends! he had the other 5 survivors, and then during the second game, he had kyoko and aoi to support him and get him through it. nagito grew up experiencing all of this grief and guilt and trauma entirely alone, even during the killing game he was in. his classmates treat him awfully even before he has his mental break doing incredibly unhinged shit like blowing up the gym (it's so. hard. to defend him sometimes.)
i still haven’t gotten to my point oh my god i talk a lot. BUT THE POINT IS they cope extremely differently, and arguably have different levels of trauma, but they experience the same survivors guilt. both of them feel like they don't deserve to be alive, and that others around them deserve so much better than they do. i really feel like makoto would be able to empathize with nagito's struggles with survivor's guilt and self worth, because he feels the same things! clearly, not to the same extent, but again, that goes back to the support makoto got during his experiences. it's one of the many MANY reasons i think makoto and nagito would be able to help each other heal, instead of being unhealthy like a lot of people say. (of course it depends on when because obviously, servant nagito meeting ff!makoto would not be healthy. that man would skeeve makoto out MASSIVELY but that dynamic is also an interesting one to explore.... ANYWAY.)
nagito's obsession with hope would give him an unhealthy attachment/idolization of makoto at first, but i really do believe that after he recovers a little more from junko's influence, a few days with the guy would make nagito realize that they're way more similar than he thought and that respectfully, makoto isn't as amazing and godly as he thought LOL
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TLDR: they have very similar experiences, the only difference between them is that makoto had support that reminded him he wasn't to blame for the deaths of those around him, while nagito was isolated from EVERYONE from a very, VERY young age, and it led to his mental decline. i really believe they would be able to help each other heal a lot and that's why i love them so much :(
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side note: genuinely nothing makes me as sad as nagito and his dog 😞 every time i mention them i get so upset
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skeletonpunching · 1 year
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Buddy Daddies director interview
Interview with Asai Yoshiyuki (director)
Interviewer: Director Asai, how did you first get involved with "Buddy Daddies"?
Asai: At first, I had the idea that it was a "parenting story", but when I got to meet the scriptwriting team and read the plot, I found out for the first time that it was a "buddy story". (laughs) And so I wondered what sort of worldview I wanted to have for this "buddy story" - if it was going to include parenting elements, I figured it might be better to go for something a bit more comedic. From there, together with the rest of the production staff, I developed the characters' personalities, the overall worldview, and so on.
Interviewer: I hear that you had very clear images of Kurusu Kazuki and Suwa Rei, right from the start…?
Asai: I spent ages pondering Kazuki and Rei as characters - what sort of thoughts they'd have, how they'd talk and behave. That's how fascinating I felt they were as characters. So, rather than my image of them being fixed from the beginning, I'd say that I kept randomly fantasising about how Kazuki and Rei's story might unfold, and figuring out how that might tie in to the plot… I guess. They're in the assassin line of work, and at the same time, they're raising a child - so how can I make that enjoyable for the audience? I thought about that a lot.
Interviewer: Did you have any specific suggestions for the design process?
Asai: Kazuki and Rei's appearances were developed through discussion with the character designer, Enami Katsumi-san, but I also drew a rough sketch of my own early on, just for fun. I wanted to go for the vibe of a contrasting duo, so the sketch was along those lines. I requested a design from Enami-san based on that. As for how much of it carried over to the final version - honestly, at this point I don't remember my own sketch. (laughs)
Interviewer: Was there anything you paid special attention to in portraying a "buddy story"?
Asai: Personally, I think in a "buddy story", it's important for the two people to have a finely calculated balance of contrasting aspects and complementary aspects. For example, they may clash verbally, but they have little gestures which are perfectly in tune - it's great to show that sort of thing. And besides, this series "Buddy Daddies" focuses a lot on how the roles of the duo change going forward, as they "play happy families" with (Unasaka) Miri. How does the Kazuki-and-Rei duo grow through meeting Miri? It was important to keep that in mind while depicting the two of them.
Interviewer: This series contains contrasting elements of hard-boiled stories and sitcoms - was it difficult to maintain that balance?
Asai: That was incredibly tough. They're cool assassins, but the fact is that they're still criminals. At first, I struggled with how to handle such a worldview, where guys like that would end up raising a child, even just by chance. The fact that they deal with matters of life and death, versus the slapstick comedy of Miri jerking them around - I feel like I had to fret over that and make up my mind again with each episode. You could say it's a worldview where "anything goes", but I wanted to be conscious of the significance of "life and death", and to not make light of human deaths too much. Otherwise, the parenting thing also gets a lot less convincing. So I drew a line for myself.
Interviewer: Amidst all of this work, was there anything you personally got hung up on?
Asai: When producing animation, I essentially place a lot of weight on the characters' expressions. This time, I especially wanted Rei to have distinct "on" and "off" modes - he's "on" when he's being an assassin, but when he's "off", he's just a shut-in lazing around at home. So it was vital to have those differences in his expressions and gestures. And there was also the question of how to portray Kazuki's subtle expressions whenever he's tenderly doting on Miri. We had to be careful with that during the storyboarding process. How do Kazuki and Rei's expressions change during their family roleplay? I really enjoyed myself, coming up with the depiction of their emotional states.
Interviewer: Speaking of Kazuki and Rei, what do you think is appealing and interesting about them?
Asai: They're an assassin duo that first start out as simple roommates, but after a child is added to the mix, they basically get cast in the roles of mother and father - and as the story progresses from there, their relationship becomes more than just a duo. I think that's what's interesting about them. Since we always wanted the series to have comedic elements, we made Rei and Kazuki quite clear-cut yin and yang character types, but in fact, the yang-type character has a deep inner darkness, and the yin-type character has all sorts of problems. Ultimately, both of them are outlaws, so we also wanted to bring out the charm of this duo when they're being uncouth and slinging insults at each other. I found myself surprisingly fond of these characters, so I'd love if the audience looks at them and goes, "What the hell, are you two a married couple?!"
Interviewer: Toyonaga Toshiyuki-san, who plays Kazuki, and Uchiyama Koki-san, who plays Rei, are both perfect casting. Were your impressions of the characters enhanced by the cast's performances?
Asai: For sure. After the casting was decided, the instant I heard the first words of the recording session, I thought, "So Kazuki's that sort of person," and "So Rei's that sort of guy." It reconstructed my internal conception of the characters. I produced the animation materials with a thought process of "give them such-and-such expression; have them talk like this", so in that sense, the cast members were a huge help. I really got the feeling that these characters were being made to grow and develop in various ways.
Interviewer: Miri is the key to this story. How was she developed?
Asai: It was a process of trial and error - both with whether to make her a shy girl or a lively one, and with her appearance. I figured that if she was going to be brought up by those two, it'd be better for her to be a lively girl, but after Enami-san's character design came in, that was when I could really see what direction I wanted to take this character in. That was all due to how incredibly powerful Enami-san's design was. But Enami-san went through countless attempts before settling on Miri's final design - that ended up taking the longest. We'd decided on "a 4-year-old girl", but we tried all sorts of different things for her hairstyle, the look in her eyes, and so on. We really spent ages coming up with that.
Interviewer: And what about the performance of Kino Hina-san, who plays Miri?
Asai: When it came to Miri, we requested that Kino-san not speak in the usual style of anime child characters - we wanted a performance that was a little more true to life. During the audition, we ran through a number of different styles, and in the end we asked Kino-san to read the lines in her own voice, without trying for a child's voice. Somehow, that came closest to my impression of Miri. We didn't use that exact same voice in the show itself, but when playing a pure and innocent character who believes firmly and with zero doubt that two hitmen are her dads, that's the level of expressiveness you need - or else it won't be convincing at all. Kino-san was a real help in that way.
Interviewer: Please tell us what you think are the selling points of this series "Buddy Daddies".
Asai: Speaking as director, I'd love if the audience can fully take in the entire series, but simply put, I'd like you to pay attention to the characters of Kazuki and Rei. If you observe their little gestures and behaviour, I think you'll find a lot to love about these characters, no matter how things play out. If you're amused by these two men who aren't cut out for parenting at all, that would make me very happy as a director.
Interviewer: Finally, please give a message to everyone who is anticipating this series.
Asai: Miri is going to get even cuter going forward. As the story progresses, there'll be more of Kazuki and Rei and Miri acting as a trio, but there are still some mysteries about Miri, so please watch how she gets Kazuki and Rei wrapped around her finger from now on. I hope you'll enjoy seeing how our one and only heroine, Miri, manifests her cuteness.
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dantomasik · 6 days
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What Makes the BTAS Joker Different (Better?) Than Other Versions
Definitely not the first one to take a crack at this, but had a little revelation this morning that cracked what makes the Joker we know from Batman: The Animated Series (also Justice League, Justice League: Unlimited, and Batman Beyond) different from other versions of the Joker. Furthermore, I think this might be what makes him so many people's favorite version of the Joker, because I don't know any other versions that do this with him.
The Joker can't take a joke.
We all saw in Batman Beyond: Return of the Joker that Terry tore the clown apart when he started laughing at him, but it goes further than that. In the original animated series, we had episodes where the Joker, on the receiving end of a joke, not only can't play along, but often gets unequivocably furious. One episode featured a nervous, anxiety-ridden guy named Charlie who accidentally rear-ends the Joker, and ends up being coerced into helping with his next crime. The episode ends with Charlie threatening to blow both himself AND the Joker up, letting his legacy be death to a nobody. Joker fully panics and runs to Batman for help, only for Charlie to reveal it was a prank. Batman laughs, the Joker gets grumbly like someone's pissy grandpa at a progressive comedy show. In a crossover episode with Static Shock, after being defeated by the duo, the Joker plays possum and pulls out his Ol' Joy Buzzer gag, thinking he's gotten the Dark Knight for one last prank. Then comes the priceless moment when he realizes he's holding Static's electrified hand, who responds, "That was fun. Let me try!" That is one of the few times we've seen the Joker in a cold sweat as he gets a taste of his own medicine. That expression fully conveys a person discovering their joke isn't as funny as they thought.
However, probably the biggest red flag for this behavior comes to us in the form of Harley Quinn. Harley is devoted to the Joker, always happy to play along with his pranks & schemes, but when she tries going off-script, he never laughs. When Harley tries doing schemes of her own, or when she helps fix one of the Joker's schemes, that is when we see the ugly side of him. That is when we see the Joker not as some gifted comedic performer, but as a controlling & extremely insecure @$$hole who not only has to get the last laugh, but the only laughs. The Joker sees Harley not as his co-star, she is his supporting act. Like an egotistical diva, Joker always has to be the center of attention, his jokes have to be the ones that land, and he loses his sh*t when other people step in his spotlight.
The fact that this aspect of the character only seems to appear in the animated series might have something to do with the fact the show was aimed for kids. In most of the comics and live action films (and even a large portion of grown-up animated films), the Joker always has to be more serious, more sociopathic, more disturbing and deranged. He has to feel like a real threat, a real murdering killer, not just a prankster with a twisted sense of humor. The stakes always have to feel important, and thus resolving them with a laugh feels inappropriate. Furthermore, Batman usually also has to be considerably more serious, much less likely to crack jokes, and almost certainly never settling for defeating the Joker by playing his own game. The Joker always laughs because it always leaves an opening for a surprising return or one last prank later on down the line. He's always gotta be a madman in control. Even when he dies, he usually dies laughing, or at the very least smiling, because that's how he wins. He takes all of the consequences for his mayhem with a toothy grin like he's laughing at a joke only he gets.
That's why his death in Batman Beyond: Return of the Joker felt so final (even as we'd already seen him back in action). Regardless of version, the Joker didn't die with a smile or a laugh. He was caught off-guard, and in keeping with his established character, once things went off-script he couldn't improvise a funny line to save his life. His last words were simply: "That's not funny. That's not…." It's also why Terry's climactic takedown of him is so iconic. He finally realizes what no one else never took advantage of; the Joker can dish it out, but he can't take it. There's a meme that went around the web about how the Joker could never beat Spiderman because he'd do exactly what Terry did to him. Still, it took me this long to realize that the heart of that confrontation was never about Terry belittling the Joker for not understanding that Bruce just doesn't have a sense of humor. Terry figured out that, like many egomaniacs, the Joker was hiding a ridiculous amount of insecurity behind smiles, laughs, and stupid pranks. When you're the only comedy villain act in town, it gives this sense of standing atop the mountain, even if it's only in your head. The moment someone calls you out for standing on top of a cardboard mountain, you're nothing. The Joker may call himself the "Clown Prince of Crime", but he would never acknowledge a "Clown King of Crime", or even a "Clown Squire of Crime". As much as the Joker tells everyone they should laugh more, what he really means is they should laugh when he wants them to, and only then.
Adding that aspect to the character makes him stand out among all the various versions & iterations that have been made. Others have tried upping the gore factor, shocking us with more disturbing acts of violence, or cranking up the trauma factor of his deeds to 11. But none of those really make us feel like we know the Joker better. If anything, they just make him more alien. He stops being a character and just becomes a plot device for inflicting maximum psychological damage. Showing us hints at the insecurity inside make him so much more interesting, because we finally get to see what it looks like when someone gets under his skin.
And truthfully, what could be a better twist for a comedy villain than being unable to laugh at themselves?
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epickiya722 · 5 months
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I gotta say, Kenny and Takaba actually made a very entertaining comedy duo. Like, the skits were legitimately funny. And the fact that it actually worked as a distraction so Okotsu could get close enough to strike him was just the icing. For real one of my favorite "fights" from jjk.
I, too, enjoyed the chapters with Kenjaku and Takaba. I know, they were "silly", but in my opinion, they worked in the story.
The reveal that Takaba was just distracting Kenjaku for Yuuta to come in with an attack felt that Akatumi was distracting the readers by throwing us through a loop with all those comedic chapters before hitting us with the end of 243.
That's just me! That's just how I saw it.
And also, again, I did like those chapters given they gave me a laugh (while I currently suffer with the anime). If I had to choose a but I liked, I don't think I could choose just one. 😆
Like, so much was going on and yet I still enjoyed it! Plus, there was that backstory for Takaba!
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majorbaby · 1 year
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re: the clairvoyant corporal
first and foremost it’s a running gag that henry and radar, as a seamless comedic duo, get a ton of mileage out of. i know that, but whatever: 
radar isn’t psychic, he’s just got his finger on the pulse of the war. his finger was nailed into place there by the united states army. he’s knows the ins and the outs of the 4077th, its various schedules, its needs, strengths and weaknesses. he could run it with his eyes closed. he’s not psychic, but he can read the war’s mind, like you and your best friend can communicate telepathically. 
he adjusts well to the 4077th because he’s good at adjusting. he’s a farm boy, so he’s accustomed to being in an environment that needs to run on a strict schedule. he’s from a rural america, so he’s accustomed to being stepped on and underestimated by enlightened middle class urbanites. sometimes he follows their example, falling into the trap of mistreating others he perceives as being beneath him. 
he’s versatile. he’s scrappy. he’s a good kid. sometimes he’s a bad kid. he’s a kid. 
he’s susceptible to being taken advantage of by people he cares about or looks up to. sometimes he has to trust that they won’t take it too far. he’s not stupid. he’s not a doctor, but he can do a lot of things the doctors can’t. administrative personnel are pillars of our society to this day. he’s a kid.
he organizes the enlisted men. he knows the fastest way to get under hawkeye’s skin is to treat him and trapper like officers. hawkeye disagrees in theory that the o-club should be closed to enlisted men, but radar forces his hand and makes hawkeye put it into practice. he knows the people in his unit. he knows the war. 
he puts too much weight on hawkeye’s shoulders. he’s not alone in that, he’s just the only one with an episode about it. he’s too old for hero-worship, but he’s younger than the rest. they all could stand to do better by hawkeye. 
maybe he is a little psychic, in the fantastical sense of the word. maybe he stills when he senses approaching choppers the way bugs and animals still when they sense approaching storms. when they (bugs, animals, people) realize what comes after the stillness, everyone scrambles into place. 
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rebelsofshield · 2 months
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Updated Canon Star Wars Shows Ranking
The Bad Batch's third and final season begins tomorrow! What better time to take stock of how the series is currently stacking up against the nine other canon series' in the Star Wars sag.
(As always, please feel free to sound off in the replies or reblogs with how wrong I am. I love hearing your thoughts.)
10. Star Wars: The Book of Boba Fett
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Oscillating between dull and distracted, the original iconic bucket headed bounty hunter’s show displays Star Wars at its most shallow and routine. Despite claiming to be a Godfather-esque crime saga, The Book of Boba Fett feels oddly toothless and impersonal. In the process, the series does the ultimate disservice of making its title character less interesting at its conclusion than its outset. A great leading duo in Temuera Morrison and Ming-na Wen can’t really save a series that rarely if ever rises above being passable.
9. Star Wars Resistance
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A fun, atypical series that aims for a younger audience with a lighter, more comedic tone. Some fans may not gel with its sometimes zany energy, but it boasts some impressively nuanced character arcs and standout aerial combat set pieces. It ends though on an awkward rushed note that may be as much a fault of the shambling structure of the sequel trilogy as the show itself.
8. Star Wars: Obi-Wan Kenobi
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Ewan McGregor’s big return to the role of Obi-Wan Kenobi somehow feels like less than the sum of its parts. McGregor is wonderful as the title character and there are some truly emotional moments to be found in watching this old Jedi Master find his purpose and make peace with the trauma that came with the end of the Clone Wars, but overall Kenobi rarely manages to hit the highs it should. Messy production design and some clunky mid-season narrative choices end up cutting the series down in moments when the drama should be at its highest. For a series that may have been the most demanded Star Wars project of the last decade, Obi-Wan Kenobi never manages to fully reach the hype of its fanbase or the potential of its character.
7. Star Wars The Mandalorian
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After an uneven but mostly promising first season, The Mandalorian has had trouble finding its footing. Despite being the flagship series for not only Star Wars live action television but also the Disney+ streaming platform, Jon Favreau and Dave Filoni’s space western has seemed unsure of itself after two seasons that pushed back its main characters in favor of a parade of cameos and clunky franchise focused world building. Luckily, it still has an eye for spectacle and flash. The Mandalorian looks like a blockbuster action-adventure movie and even when the story fails to live up to its potential, you can still count on the series’ consistently strong directing talent to deliver on some fantastic moments of Star Wars spectacle and creatively designed characters and locales.
6. Star Wars Ahsoka
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One of the most ambitious and complicated offerings from Star Wars’ live action television offerings, Ahsoka is the culmination of not only fifteen years of storytelling but an important evolution of both its central character and her creator, Dave Filoni. Unfortunately, it does frequently buckle under the weight of its own mythology and continuity. Trying to create a coherent identity out of a show that functionally serves as a spin off to three separate series, two of which are animated, often proves difficult and clunky. There are, however, moments of wonder and grandeur when Ahsoka really does shine. Whether its in the phenomenal performance of Ray Stevenson as the series’ enigmatic villain, Baylan Skoll, or how enthusiastically Ahsoka embraces the franchise’s more fantastical and weird story elements, Dave Filoni demonstrates that he does still have a sense for how to tell worthy stories in this galaxy.
5. Star Wars: Tales of the Jedi
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Recently confirmed to be more than a one-time special set of animated short films, Tales of the Jedi now looks to be a regular animated anthology that fleshes out the unexplored angles of some of the most famous members of the Order. While the three installments focusing on Ahsoka offer little more than a reunion for fans of The Clone Wars, the miniature trilogy that Tales of the Jedi tells about the fall of Count Dooku to the Dark Side are masterfully written and directed editions to the animated Star Wars canon. Not only do they finally add emotional and philosophical clarity to one of the most famous villains from the Prequel Trilogy, but they provide a murky exploration into some of the Jedi Order’s failings and why exactly members of its ranks would be tempted to leave it behind.
4. Star Wars: The Bad Batch
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While it suffers from some of the same pacing issues that abound in almost all Star Wars television, The Bad Batch has evolved into a fun ensemble action series with some truly stellar character moments scattered throughout. In particular, this Clone Wars spinoff excels in diving into the uncertain fate of the Grand Army of the Republic. At its core is the question of what happens to a people bred for wartime when that wartime ends? The results are often tragic and occasionally disturbing, but almost always make for standout television. Throw in some gripping action set pieces and you have a more than worthy follow up to one of the most beloved pieces of Star Wars canon.
3. Star Wars: The Clone Wars
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A very rough start and scattered snooze worthy story arcs aside, The Clone Wars is an ambitious as hell show that pretty much launched Star Wars as we currently know it. Its anthology style format allowed for its creators to tell a wide variety of stories that not only deepened a previously maligned era of the series but also played tribute to many of George Lucas’s creative influences. Great swing for the fences storytelling risks and gorgeous animation elevate this series into blockbuster level entertainment that balances incredible spectacle with powerful moments of character development and franchise redefining mythology.
2. Star Wars Rebels
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A wonderful achievement in character and inventive storytelling, Star Wars Rebels reaches heights that are among the best moments the franchise has ever produced. Through its endearing and refreshingly complex ensemble cast and a tight four-season arc, Rebels feels like a complete, unique package that isn’t afraid to take risks and knows when and how to challenge its audience. Even occasional filler episodes aren’t enough to detract from what is overall a charming, suspenseful, and ultimately moving series of family and the fight against tyranny.
1. Star Wars Andor
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Star Wars at its most human and political, Andor is thoughtful and meticulously crafted drama about the early days of a rebellion. Taking its title character from the ashes of Rogue One and spinning off into the story of a complicated man living in the shadow of fascism, Andor offers up intrigue, emotion, and a stirring critique of systems of oppression whether they be from the galaxy far, far away or own humble little world. Even outside of its heady political allegory, Andor is simply fantastically directed and acted television scattering a marathon of all-time-classic Star Wars moments throughout its first season. It’s that rare gem that only seems to come around only once or twice a decade: Star Wars that is not only great within the context of its universe but a truly essential work of pop cultural art.
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itz-prizz · 3 months
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Sanji
On of my top character from one piece. People don't give him much credit that he deserves. I remember starting one piece and from his very appearance in Baratie arc, I fell in love with him. He is much more than the other strawhats. Like he's not easily predictable - you see, in a situation, most of the times you can guess how the other characs would react. Luffy will be exicted, Usoop would be excited and joining in Luffy's goofiness and a few second later would be scared (aah i love him sm). Chopper would be following their steps too. Nami would be shouting on them to keep it down or Nami and Usoop's duo would be doing their thing. (bahaha people don't talk about it but nami and usoop's duo is a banger). Zoro would be all calm. other characs etc etc yk right?. - However, Sanji displays the widest range of characteristics among the group. Sometimes he is calm and cool, sometimes he joins in the merrymaking with the goofier strawhats,(remember alabasta arc when they left vivi, how they were all lying around and expressing how they miss vivi and then having a go on zoro) or:
.<-------read this way
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aah i love this man sm
sometimes he is love obsessed, sometimes he is a bit of a trickster, sometimes he is stoic and serious, sometimes he can go into a rage, sometimes you can see he is genuinely emotionally hit by dramatic incidents, etc.
Let's not talk about the master mind he is; "Mr. Prince" (man i am still not over it. he was cool af aah..ik i'm down bad).
Despite all of this people just look at him as a comedic relief and a lovesick fool. He's not just the classical nose-bleeder, he has a depth to him. His lines on never hurting women are epic. (remember when in drum kingdom, chopper's island nami fell sick and they were to leave the ship, zoro and he were to stay back but he went. he carried nami all the way. and when they had to climb the mountain to the kingdom and luffy insisted on going alone, lets be real he could've done that alone but sanji still went)
Now lets not just talk about Nami or the Females. Remember when he kicked Luffy for starting to tell Usopp to leave.
He is one of the smartest characters of the crew, he has astonishing tactical abilities, he is one of the strongest despite fighting not even being his official role in the crew - when does he find the time to train? He, like Zoro, has displayed a true will to self-sacrifice and now that we know more about him, he has just overcome so much. He wasn't even talented at fighting when he was little, so he must've really given body and soul to it to be where he is now and we can assume he did for Zeff's sake. Not a part of him is egoistical, not even noble-egotistical.
In a world with stretchy arms, swords, weather stuff and giant reindeer, just seeing a guy light his leg on fire and go to town is great.
HE IS JUST SO GOOD!
um..well the anime watchers you should see the manga Sanji. he's a walking thirst trap. man oda has drawn him like the prince he is.
lets not talk about his fashion sense. man that button down shirt and him in a suit?? damn!
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TBB s3 ep4 Thoughts!!!
Oooohh starting off strong
Omega immediately wanting to go back because “it’s right”
Crosshair wanting to keep moving, not because he’s scared of going back but because he understands that he can’t help anyone if he’s dead
Ah there he is. The bitch. The Hemcock.
I wanna say Nala Sa deserves to be in prison but idk I’m starting to feel for her
Pretty sure she won’t survive the season though
IM SORRY THAT SHOT WHERE THE COAT IS HANGING OVER THAT POWER LINE???
is that,,,, a reference to yanno,,, shoes hanging from a power line?
hahahahahahah poncho stormtroopers
“You’re the one who wanted to bring… the hound.”
HAHAHAHAHHAHAHAHAH
YOUR HONOUR I LOVE THEM
best duo this show has given us
If Hunter was the hesitant but willing dad, Crosshair is the exasperated older brother that was forced to bring his younger sister to the party he was invited to an now has to spent all night watching her
Ey not cool Omega. Someone was using that jacket to advertise their business
“See, isn’t this better?” “No.” “Ugh.”
HAHAHAHAHAHHAAHAHHA
“I could take out half of them before they even know what happened” 😳😳
Yeah, I believe you sir
Damn fuck how many more clone crushes will I have to be burdened with
Jesus Christ
“That went well” “Stow it”
THEM
YOUR HONOUR
THEM!!!
Scottish Robot ahhahahahahaha
Say what you will about Crosshair, when that dude sat down across from Omega he was ready for a FIGHT
big ol’ softie <3
“You or your dad”
Glad Hunter wasn’t there to hear that
Or Crosshair for that matter
Both would’ve blown their cover
Tbh Crosshair makes a fair point about leaving while they can. The planet is filled with Empirials and they are running out of time
But he also hasn’t been part of a team in a while and maybe he’s forgotten some of what that entails too
Either way, loving how “selfless” and “selfish” are meeting in this ep
“I’ll do it your way BUT I WOULD LIKE THE RECORD TO REFECT THAT I DONT WIKE IT!”
Crosshair giving Omega a boost to get over the wall I’m crying
“Shouldn’t we free the other animals too?” “Don’t push it.”
HE IS MY SOULMATE (based on sarcasm. I am vegetarian and I would free those animal friendos in a heartbeat)
The extra head shake and eye roll at that question too, he is already so done I can’t hahahahahahahah
“I hope your take-offs are better than your landings” “we’re about to find out”
Aaaaaaand that just reminded me that Tech was the one who taught her to fly
🥲🥲🥲🥲
That fucking shriek when the stormtrooper got blasted by the engine hahahahahaha
Ohohoh altered batch theme after take off? Okayokayokay I see you👀
Jesus Christ, Crosshair trying to prepare Omega for the very real possibility that Hunter and Wrecker are dead?
Like I know it seems cruel and defeatist but it’s actually kind in a way
Managing expectations in order to save her from a worse fall out
FUCK I THOUGHT I’D HAVE TO WAIT TILL NEXT EPISODE FOR THEM REUNION
JESUS
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AAAAAAHHHHH
“We crossed the galaxy four times looking for you”
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SIR
I AM QUACKING
why did Hunter’s appearance suddenly piss me off
Like Wrecker had a cute line and Hunter had to walk up like
“Um, five actually”
Like idk it felt like he was taking over the moment (which makes sense because he’s her dad but still it just sounded awkward)
EXCUSE ME??? I BEG YOUR BIGGEST PARDON??
Omega just explained that she only got off that planet AND survived so far thanks to Crosshair and all they can do is look all bitchy butt-hurt
Like I expected this from Hunter but why isn’t Wrecker hugging him?
Bc they went looking for Cross before, I thought we were past the straight up hate?
Love how stoically Cross is taking it though
I have to admit, so far this is one of my all time favourites. The comedic timing, the very real story line, the confrontation of previously opposed characters? Wonderful. But the pièce de résistance? Crosshair’s character description rings true again. “Severe and unyielding” Tech had said. I’ve rambled about this a lot recently, but the boiled down version is that when Crosshair commits to something, he commits all the way. Like how he committed to the Empire so hard that he hunted down his brothers. Or when he finally decided the Empire was a bunch of shitbags and shot officer shitbag (I forget his name) in the face. He has now decided to commit to Omega, for whatever reason. And it shows. Because even when she tells him to go, he’s literally only a minute behind her. He lets her employ her own strategies despite his preference and experience. He’s ready to beat up Captain Dickhead (did they even give him a name?) for sitting down across from her. He tells her to get into the ship first while he lays down cover fire.
Crosshair’s next “severe and unyielding” decision is Omega’s safety. And I couldn’t be more excited to see where it goes!
AND I cannot believe how much I suddenly like his character. I was so disinterested in him for like s1 and maybe 90% of s2 but now I am more interested in what becomes of him than I am in what the deal is with Omega’s M-count.
I’m saying it now. These seasons hyper focuses are: Rex, Echo and Crosshair (in that order) (for now, we’ll see)
Thanks to everyone who sat through that, have a good day/night/whatever, friend!
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amusingmusie · 5 days
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On the note of Nel burning soup (Girl how 😭) are there any skills that Nel has/absolutely does not have that haven't come up yet? Hobbies, too. She can read, shoot, and banter like nobody's business -- but does she have any weird or secret skills lol? Ones that make people think "How and why do you know how to do that?"
Or are there any critical role failures? Such an abysmal lack of skill at something that she could get banned from a place for even making an attempt (cooking in the kitchen, singing karaoke, shopping at Walmart, etc.).
And finally, Al might not be a pet person, but what about Nel and Grace? Do they like animals? Any in particular (cats, dogs, a secret third option)?
Sorry for all the questions. I absolutely love Yours Truly! Your writing is amazing, and the character dynamics are immaculate! Nel has so much personality to her, and I love both Grace and Marie with all my heart. Shout out to the stinky deer loser, too, of course.
Oooooo this is FUN!
Secret or unusual talents? Let’s see…I’d say writing. It’s not unusual but it is a little secret since she doesn’t dabble in it much. Nel reads a fair amount and grew up with her nose in a book when she wasn’t battling swamp creatures (now she battles a different kind of swamp creature as an adult lmao), so she’s had years to absorb literature. Specifically, she’d be baller at writing overly flowery and romantic poetry. Will she do it? Only in private and she’d never willingly show anyone.
Critical failures? Intentional comedy 100%. Nel is hilarious when she doesn’t mean to be. She is the reluctant straight man of her and Alastor’s weird little comedic duo. The second she attempts to be funny it falls abysmally flat, like Dee’s standup comedy routine in IASIP levels of bad. Don’t ask her to tell you a joke. Please don’t do it.
Animals! Both of the girls like animals. Grace especially LOVES cats and her dream is to get a Persian kitty. Nel enjoys most animals casually but I think she’d be a really cool bird mom. Her curly ass hair is perfect for a parakeet or dove to sit in while she works. The reason they don’t have any pets is because their father was very anti-pet. He was a hardass that didn’t want to worry about animals in such a shitty economy. Even though he’s been gone for several years, his memory still weighs pretty heavily on both of the Sheridan girls so they haven’t gotten around to getting a pet. Maybe one day.
That got dark at the end. Oopsie!
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Dr. Jumba Jookiba & Agent Wendy Pleakley from Lilo & Stitch (2002)
Do Not Separate: Though not together by choice in their source material, the two end up bonding as time goes on and are essentially always depicted as a duo within marketing and extended canon, allowing them to be read as a couple.
Wait, You Were Joking?: Within the film, despite being referred to with masculine pronouns, Pleakley disguises himself in women's clothing to blend in, which is intended to be comedic. This becomes a running gag in the extended canon.
VS
Ethan Clade from Strange World (2022)
It's Canon: Ethan is considered to be the first openly gay main character in an animated Disney film. He is also in an on-screen relationship with another male character within the film.
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bingoboingobongo · 1 year
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task force 141 + favorite christmas movies
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Characters: Simon “Ghost” Riley, John “Soap” MacTavish, Kyle “Gaz” Garrick, John Price, Alejandro Vargas, Rodolfo “Rudy” Parra
Warnings: none
A/N: sorta did this already with ghost but now it’s time for the entire team
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john "soap" mactavish:
what can i say soap is a home alone kinda guy
he fell in love with them as a kid and he just never fell out of love
it's that sorta violent but still comedic and overly dramatized kind of humor that soap likes
plus he's a sucker for montages and you know home alone has a bunch of them
he's a fan of the whole series too
but the first one is definitely his favorite, just because it's classic
definitely gets freaked out by the bird lady in the second one (i think it's the second one)
and yes he's always wanted a home alone situation whenever he was a kid
he would literally pray for a duo of goofy robbers to try and break in whenever his parents weren't home
of course it never worked
but you know
a man can dream
he also knows all the home alone lore
and he freaked out when he found out macaulay culkin was married to brenda song
kyle "gaz" garrick:
so this goes hand in hand with my christmas songs headcanon
but gaz's favorite christmas movie is the grinch (2018)
bc 1. it has a fire soundtrack
2. it's got great animation
and 3. beneficiary cumberbun as the grinch was unprecedentedly good
he also doesn't like the live action grinch
he watched it when he was younger and it really scared him
like im talking it really scared him
he saw it in a hotel while his family was visiting new york for christmas
and then he refused to sleep on the wall side of the bed because he was scared the grinch was gonna come from under the bed in that sorta shadowy area between the bed and the wall and steal him
and yes he still sleeps on the lamp side whenever he stays at hotels now
even though he's a grown man
so yeah the grinch (2018) was a very welcome change to that
i mean the animation is so bright and cheery
what's not to love
plus he really likes how fluffy the grinch looks
and yes he watched it in theatres with his family so there's a lot of good memories associated with that as well
simon "ghost" riley:
so kinda similar to gaz
but ghost's favorite christmas movie is actually how the grinch stole christmas (1966)
for those of y'all who aren't up to date on the grinch movie release timeline that's the cartoon one
gaz doesn't like that one because that smile the grinch does in the beginning (you know what i mean, it's the one where his cheeks literally like migrate to his ears) freaked him out
but ghost actually enjoys that scene
he says it scratches an itch
he also likes the 1966 grinch because it brings him back to simpler times
he first watched it in school right before winter break
and then he went home and made his mom watch it with him over and over and over again
and so now whenever he has the chance he'll watch during the holiday season
it does make him a little sad though
you know since his mom's dead
anyways
john price:
price's favorite movie is charlie brown's christmas
he's actually a pretty big fan of the peanuts
is that what they're called? idk
so it's only a no brainer that the charlie brown christmas special brings him a special kind of joy
before he used to watch it on cable on christmas day
and then he got apple tv+ so now he watches it to get in the mood
guys this isn't an ad for apple i swear
he likes to cozy up with a blanket, some nice socks (he's a sock guy what can i say), a cup of tea or hot cocoa, and some biscuits
sometimes he falls asleep before the end tho
but it's not like he's never seen it before so it's fine
yet despite his love for the peanuts he does not have a charlie brown christmas tree
no his tree is always freshly cut down and usually pretty hefty
rodolfo "rudy" parra:
alright so this one also goes with my christmas music headcanons
but rudy's favorite christmas movie is the frozen franchise
and yes it's a holiday movie
he will fight you on that
in his mind snow + fire soundtrack = christmas movie
so yes goncharov would technically be a christmas movie by rudy's criteria
and yes he will fight you if you bring that up
he also really hates claymation
like really really hates it
it's too uncanny valley for him
like for it to be enjoyable it better be super duper obvious that the characters are clay
but even then it still catches him off guard
he also really likes christmas specials for like a bunch of shows
so after he's done with his frozen marathon he'll turn on his favorite shows and just watch the christmas episodes
and yes he does that for every holiday that has specials
alejandro vargas:
okay so potentially controversial opinion
but alejandro really enjoys hallmark movies
like it doesn't matter which one it is as long as it's a christmas hallmark movie he's down to watch it
he doesn't even know why like he's aware of how cheesy they are
but they've really mastered that feel good formula
even if each movie is riddled with plot holes
but even then that's also part of the fun too
like he enjoys inviting rudy or even the others over so they can poke fun at all the logistical impossibilities of the movie
and really that's what he likes when he watches the movies
the good memories he makes
ig it's true guys
the real lesson was the friends we made on the way
or whatever the saying is idk
he also likes the cheesy romance of it all
and also he doesn't tell anyone that he secretly enjoys the hallmark movies
with everyone else he pretends that it sucks
but he eats it up every time
and yes he always checks to see if the kiss happens at the same time
and so far it has almost every single time
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