#anyones open to using these | Explore Tumblr Posts and Blogs

bixels · 8 months

Text

What's K.O. CRISIS?

Hey all. Over the past couple months, I've gotten a lot of followers who probably don't know about my OCs and portfolio projects that I'm also working on, so I'm making a quick master-post for it!

K.O. CRISIS is a series of artwork––character designs, illustrations, sketches, and animations––inspired by late-90s/early-2000s anime and Y2K culture.

Set in an alternate-history Los Angeles in the year 2001, the story follows disabled Taiwanese-American Ashley Tang as she fights her way to the top of the bracket in the national augmented boxing championship.

As the youngest female fighter in the championship, she'll have to fight tooth-and-nail to defend her place amongst the heavy-weights. While her rare dual arm prosthetics help even the playing fields, it'll take more than brute strength to prove her worth.

But this isn't a story about an underdog triumphing against all odds. Throughout the story, Ashley will push herself to the limit for the sake of validating her existence under the grinding heel of the sports media machine, in a world that values disabled bodies more than their lives. As the championship rages on, one question seems to linger through the roar: Is Ash strong enough to win, or is she brave enough to quit?

Through the project, I'm hoping to explore representations of prosthetic-users in pop culture as "enhanced superheroes," as well as discussions of trans-humanism under medical capitalism, the fetishization of new technology, and the commodification of disabled people as entertainment.

Accompanying her journey include characters like Noora Balakrishnan, a local transfem prosthetics engineer who doubles as Ashley's ringside mechanical cutwoman.

The project is still in its early stages, especially since I sorta rebooted it earlier this year (meaning I'm no longer using past, outdated art for the project). If you enjoy it, you can find more artwork for the project under the #ko crisis tag!

#long post #not art #ramblings #ko crisis #i'm not physically disabled myself so i implore anyone who is to share their thoughts and feedback if they feel so inclined.#if you feel that i show know something/if anything in this project makes you uncomfortable my dms are open #it's funny how half my followers are following me for historical 1920s cottage core art #when my main thing is sci-fi cyberpunk shit #also fun how this project's a live timeline of my art improvement #i was about to use noora's portrait when i went “wait... why are her shoulders so small. thats not right”#thats improvement babey

2K notes · View notes

axolotlclown · 2 months

Text

We need to remember that Shubble stated that Wilbur would manipulate and gaslight friends and family. With this, we must be patient with streamers that were close to Wilbur. This was likely surprising and shocking for them. They may need time to come to terms with what has happened.

I have been vocal about how important it is for men to be critical about abusive behaviors. However, Wilbur had many close friends—some would even consider him family—and now they may feel they hardly knew him at all.

There is a deep stress felt by viewers. It is difficult to think we have given any amount of time or money to an abuser. Could you imagine a close friend right now? The pain and betrayal must sear. They need time to understand what has happened and come to terms with it. Many of them may not be live in the coming days (weeks even).

That being said, as time passes, criticism may be necessary. Complacency is not an option. Men that are willing to ignore abuse to protect an abuser are just as pathetic as the abusers themselves.

Let's give this situation time to breathe. I ask that we give patience and courtesy to those close to Wilbur at this time. But please do not forget that this happened. There may be a few streamers hoping to lay low and then drop a collab in a few months. Do not let them. This is too important.

#for now #the best thing we can do is spread awareness about abuse and offer support to domestic violence victims #i also want to add #that any previous art made about him was made with pure intentions #obviously its up to each individual to decide where the line is #but maybe lets not support him monetarily moving forward #that seems to be the move #anyway #please be kind to each other and give each other space #especially domestic violence survivors that may be here with us #and those who may have realized they were/are abused from shubbles story #i want to offer her and everyone around as much support as i can #if any domestic violence survivers have any stories they want to share #my dms and askbox are open #if anyone suspects that someone in their life may be abusing someone #this offer is open to you too #we need to talk about this #thoughts of dante #wilbur soot #shubble #im tagging this under shubble even though the post isnt really about her but i want the tags of this post to reach #whoever needs to read them

874 notes · View notes

chalkrub · 10 days

Text

been doodling some bri'ish wildlife - love seeing these guys. because they are the classics aren't they?

#my art #animal art #illustration #''love seeing these guys'' has only ever seen 6 of them #as if the elusive dormouse would ever grace my presence. and i still doubt the existence of snakes in england #drew the fox and pheasant because they're symbolic for two of my silly ocs then was like why not make a whole page of these suckers #lots of fun! if anyone's interested i'm gonna open up some slots to draw animals like this on kofi or something soon #can be pets etc. ocs too maybe but they'll be more expensive. not sure how much i'll charge for them but we shall see #lots of art to come...........i swear on it...........i'm about to go for a walk and maybe i will finally see a grass snake #(it's raining so this will not happen)#animals: ring necked pheasant. grass snake. european badger. red fox. barbastelle bat. mole. red squirrel. hazel dormouse. and hedgehawg #i had to compress this to hell it's so large #i need to take like a base photoshop class to learn how to actually use it cause the size of my files is actualy getting ridiculous #if i didn't compress this it would be 30 mb. this cannot be normal

473 notes · View notes

minty364 · 3 months

Text

DPXDC Prompt#128 Part 4

Danny could tell Jason was getting upset over the things he was telling him. He wanted to open up and tell him more about the past but it was painful. Eventually Danny might tell him the full story about how he died but for now focusing on what they needed to do from now would take priority.

Jason took a moment to calm himself down before speaking and Danny was a little afraid of breaking the silence, “alright, here’s what we’re going to do.” Danny stayed silent waiting for Jason to continue, “I don’t like that belt, we’re getting rid of it, and then, I’m taking you somewhere safe.”

Danny felt a little confused; it felt like Jason really cared about him even if they just met. The belt only shocked ghosts so he figured his soulmate would have little problems taking the belt off of him so he nodded his head. He was tired and even if he didn’t 100% trust Jason yet, if they were truly soulmates, Jason wouldn’t let anything bad happen to him.

Jason reached out and gently touched the belt. It gave him a little shock and he tossed it away as soon as it was off Danny, who felt his strength finally returning. He took a few deep calming breaths, it's been quite a while since he was able to just exist without something terrible happening. He had forgotten what it felt like to have full access to his powers and ectoplasm again that the feeling felt amazing no matter what pain he was in. He could finally tap into his powers such as accelerated healing, which was already working on the damage on his chest. He was trapped within that facility for only a few months but the damage was already done. Being forced under the knife for days at a time where they treated him more like a dead body than a person had really done a number on his psyche.

“Damn, I hated that fucking belt… Thank you” Danny finally said, Jason was silent the whole time just watching his hand where the belt had slightly shocked him.

Jason took a few moments to process everything that happened and then sighed, “Why’d it shock me? You said it was set to shock you right?”

Danny glanced away and took a moment to think of what exactly to say next, “I’m not 100% sure actually. The belt shouldn’t shock a normal person.”

“The fuck are you then?” Jason’s sudden harsh words shocked Danny and he knew he let something slip, “... I accidentally touched it when I was you. That wasn’t a light shock like I just got.” Jason was still looking at his hands but when he looked up to see how terrified Danny was his face softened a little.

Jason took a shaky breath before speaking again, “You’ve been through enough, I… know I can be… intense, I’m just trying to figure out what the fuck is going on.” When Danny stayed silent he continued, “You mentioned ghosts earlier.” Jason paused again waiting for Danny to respond.

Danny wanted too but he felt himself a little too scared to respond. Jason’s raised tone reminded him too much of how the GIW agents would berate him over everything.

Jason sighed deeply and leaned back on the sofa, “alright, I won’t pry, but I think I know why it shocked me… I’m just trying to figure out why it shocks you so badly.”

Danny could tell Jason was just worried about him so even though he didn’t want too he spoke up a little, “I know the reason it shocks me…” Danny said slowly and softly, “and I want to tell you, but I’m honestly a little scared. I haven’t had to tell someone this before and it honestly isn’t a pretty story.” Danny’s words were genuine, he really didn’t know how to even begin to explain to someone. It felt like something he shouldn’t say, not that he didn’t want too but if felt wrong down to his core.

Jason nodded his head, “I get it, I’ll be honest, my backstory ain’t too pretty itself.”

Honestly Danny didn’t know how he felt about that, knowing he wasn’t alone in hardships was both alarming and comforting.

Jason nodded again, “Alright, I get it’s a touchy subject, you can talk about it when you’re ready.”

———

Jason was a little peeved but he got it, he doubted if he could keep his cool when talking about his own death and revival. He was wondering if maybe being thrown into the pits might have something to do with how he got shocked by that damn belt. Danny didn’t seem to want to talk about that and Jason wanted to know but he also didn’t want to pressure him into talking about something he didn’t want to. He was a little pissed at himself for how he scared his soulmate.

Jason was also pissed this was how they met, he wanted to be the one to pull that trigger and even though he thought it was kind of hot that his soulmate finished the job, he was also jealous he didn’t get to pull the trigger himself. Danny said he had a fear of clowns and he was determined to keep him safe.

Jason was a little bit of a romantic and he wished he had a proper meeting like most soulmates got but instead he got whatever the fuck bullshit life Danny had.

Jason took a deep breath after realizing his thoughts were spiraling out of control. He still had to figure out what exactly was after his soulmate, romance could come after he knew how to keep him safe.

Master Post:

#dp x dc prompt #dp x dc #dc x dp #danny fenton #danny phantom #poor danny #Jason didn’t mean to yell he’s just really on edge #Danny’s going to have some trauma to work through #I’m not sure where I should take this so if anyone has any ideas let me know #That goes for any of my prompts I could honestly use the help #Writing can be difficult and I’m not used to writing #all my prompts are free to use #my asks are open #I’ll go through and fix all of the links today I’m too lazy to do it right this second though

463 notes · View notes

berlingotesque · 9 months

Text

Having an intense brainrot on this guy again.

Also, with the upcoming release of DCTL's graphic novel (which will most likely do irreparable damage to the already weak health of the fandom), I decided to draw a few sketches of our favorite music director based on references of the one I believe to be the irl Sammy Lawrence : Mr. Jude Law in Gattaca, 1997 !

I don’t really know how to express it but his features SCREAMS Sammy to me : the scowl, the delicate yet virile face, the cold beauty marked by an underlying anger... IT’S LITERALLY HIM.

#not used to doing semi-realism but well that’s what studies are for !#also if you like Sammy watch Gattaca you’ll thank me later #I swear every time Law is on screen all I can see is Sammy #if anyone needs further proof my dms are open #batim #batdr #bendy and the ink machine #bendy and the dark revival #sammy lawrence #gattaca #jude law #also the quote’s from Kafka ! Such a funny lad #Sammy is insane and I love him for that

739 notes · View notes

trustymikh · 7 months

Text

I don't think Maximilien's openable 'mouth' is a common omnic feature so the first time Ramattra sees it is like seeing someone unhinge their jaw like a snake

#i think that thing in his mouth is a pump that can synthesize small amounts of alcohol into fuel #so he can 'drink' a little #Max uses it purely to look cool sipping his whiskey #for anyone unaware Max opens his jaw in he masquerade comic #mik draws #maximilien #ramattra #rammax #overwatch 2 #overwatch fanart #fanart #digital art #drawing #digital drawing

514 notes · View notes

angelsdean · 5 months

Text

I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.

So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?

Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.

Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.

Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.

So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)

And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."

So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)

And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."

But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.

Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)

So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.

Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.

Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.

Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.

#long post #LONG-ass post #but it needed to be said!#i'm sorry if you think every creative involved with spn was a braindead asshole but the thing is.#even the most mediocre of writers understands a thing or two abt symbolism and writers working in TV are plagued by S&P #countless writers have talked abt the S&P bullshit and having to tweak and edit down their work to get past censors #it's a reality of writing for television #and the people who understand all this and understand the context of making TV in the early 2000s (to present tbh!) aren't 'delusional'#i'm sorry but it's naive to think that queer stories and queer characters are free to be told even nowadays. it's still a constant battle #times have changed but unfortunately not as much as you'd think #the confession !!!!! the confession still struggled to air and what we got was so obviously hacked down to bits!!!!!!#how can anyone think getting destiel content into the show was ever easy?#how can anyone think the pro-destiel writers weren't constantly having to be careful and underhanded in their writing?#there's a reason queercoding and subtext exist and it's this!!! it's censorship from TPTB #anyways. people much older than me have been talking abt this for ages. younger fans who are used to more open queer rep need to understand #it hasn't always been that easy and even nowadays SO many networks are still not willing to take a risk on queer stories #so creators do what they can #vic.txt

314 notes · View notes