learning that self deprecation isnt cool and just makes the people around you uncomfortable unironically improved my mental health a lot. like if you just stop saying negative shit about yourself you will genuinely like yourself more and other people wont be repulsed by your attitude and you will have more friends. it's true.
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liushennnn in my attendant sy au (read right to left)
notes on this au:
sy transmigrates into a new body when sqq fights the system trying to force him out of his body. sqq is livid and decides to take sy as his retainer/secretary/assistant, forcing him to do most of the accounting & administrative work on qing jing peak and work for sqq for free while also helping sqq avoid his tragic fate by telling him spoilers and secrets about the world that sy remembers. sy has no golden core and no cultivation, and cant wield a spiritual sword or fight. sy has no documents, no money, and no prospects. sqq basically provides everything for him & can also take it away. sy moves into the other room in the bamboo house and cleans and organizes as well, although his own room is a mess. sqq never makes it clear what sy's position on the peak is, so all of the disciples follow his orders in fear of disobeying sqq. sy is basically 2nd to sqq, although he doesnt see it that way; he sees himself as sqq's overworked servant. he resents sqq for his control over sy's life, but he's terrified of being kicked out.
sqq takes sy to the peak lord meetings as well, using sy to carry documents, serve tea, and to give him information about anything that might be useful to sqq if it comes up during the meeting. sy also often acts as a messenger for sqq between peaks. he doesnt get much interaction outside of senior disciples and the other peak lords.
since sy's hands are usually full with documents, accounting books, talisman paper, & anything else sqq wants him to carry, sy can't use his fan to hide his face as much. instead he uses his hair & his glasses. his skin is sallow & he often misses meals from running around doing sqq's errands, so he always seems tired. clothes he wears are simple & loose, either slip on or buttoned up. he dislikes loud & bright patterns bc he doesn't want to stand out, but sometimes has no choice bc sqq buys his clothes. sqq will often make him wear more extravagant patterns, even when it makes sy nervous about attracting attention.
since sy seemed to appear out of nowhere to the other sect members, sy is very worried about acting too suspicious and getting kicked out. he copies sqq as much as possible to acclimate to the world and seem unphased & elegant.
sy is very interested in the other peak lords since he interacts with them often, especially liu qingge. liu qingge often catches him staring, but sy tries not to interact with anyone more than he has to. liu qingge usually sees him hiding behind sqq as a buffer. if sy does speak, he does it low & quiet, & if behind his fan if possible.
sy looks like his old body & has long black hair, similarly styled to sqq by his insistence. sy dislikes this.
sqq calls sy "a-yuan" bc sy doesnt like it. sy doesnt like telling people his name though bc it makes ppl think theyre related, which he also doesnt like, so he doesnt stop sqq from indroducing sy as "a-yuan". this makes it very difficult for other ppl to know what to call sy in fear of being too familiar
sy does meet sqh earlier in this au, and he helps him as much as he can get away with behind sqq's back. since sy is less bound by the system than sqh is, sqh sometimes "sponsors" sy to do things he himself cant do.
sy calls sqq the equivalent of "sir".
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Y’know. I don’t remember the last time I’ve seen a big-budget parody in theaters. Do y’all remember when parodies were a thing? Like Spaceballs and Austin Powers? I don’t think I’ve seen one since Vampires Suck in 2010. Why did that genre of movie just totally disappear? In the age of endless nostalgia bait and remakes and sequels and giving every Glup Shitto their own series, why aren’t we capitalizing on making fun of stuff? Especially given the absolute shit quality of cinema recently. In a better timeline there would be a film studio dedicated solely to making parodies of Marvel movies.
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I've recently been watching these very interesting Star Wars video essays on YouTube (yeah I know, a rare breed) and it brings up these comments Lucas has made about how he views Star Wars as almost like a silent film in terms of how important the visuals are to him in comparison to the dialogue. But this essay also points out how important Lucas finds all of the "rhyming" moments in his trilogies and the way he utilizes them to remind you of something else for emotional or thematic reasons. And there's so many of them, both in visuals and in dialogue, and it's interesting to consider how important this is to him, the repetition for a purpose as well as the storytelling through visuals above everything else and then to look at Star Wars since the Prequels came out and realize how little has really been able to match up to those ideals since then.
The ONLY thing that's come out since the Prequels that I think really hits these two things the same way is, in fact, Andor. One of the things I noticed about the way people discussed Andor as it was airing in a way I haven't really seen for any of the other shows or films was the visual SYMBOLOGY. So many times I saw people noticing the Imperial cog everywhere, from the aerial shot of Narkina 5 as the prisoners escape to the architecture of Mon Mothma's house. There were people picking up on the use of items in Luthen's shop that are familiar from other things to give this idea that Luthen is from another time, he's attempting to preserve this world he lost, that if you're not looking closely enough you won't notice what he's really saying or doing with this shop. The color choices for the different locations and people got analyzed because the people involved spoke about how they intentionally utilized color to SEND A MESSAGE about the characters and the world. We know that the people who made the costumes and sets really worked hard to treat Star Wars almost like a period drama and study the history of the franchise as if it were a real place so that the things they came up with felt like they belonged in this world everyone knows so well even if it's completely new. And of course there were all of the myriad references to things from Rogue One, the constant repetition of "climb", the sunset on the beach, etc.
Nearly EVERY SHOT in this show was created with so much intention behind it in order to say something meaningful about the characters, the world, this specific story they're in, and the overall saga of Star Wars itself. It's insane how much greater impact this show was able to achieve through the incredibly careful usage of visual symbols and thematic repetitions, much like Lucas did before them. It feels like they didn't just study the history of the galaxy far far away, but they studied the history of STAR WARS and what Lucas was trying to do and say with this story. They peeled back his onion a bit more and were able to create something that really has that same visual feel even when it's not created for a child audience. It also is experimenting with its narrative style through its structure and through Cassian's character being allowed to be somewhat more reactive than proactive, and while that didn't work for everyone, it does feel like it's following in Lucas's footsteps of experimentation through Star Wars. Push the boundaries of what Star Wars is and can be and what you can say with it.
But this only works because they peeled the onion back enough to TRULY understand all of the messages Lucas was sending with it. They got the heart of Star Wars and despite its lack of space wizards, despite the lack of most major characters in the Saga, this was a show that honestly got the message more than just about anything else Star Wars has put out since the Prequels. The choices between selflessness and selfishness, the themes about how you always HAVE to make a choice even when it feels like you don't have any (sometimes ESPECIALLY when it feels like you don't have any), and how important it is to make sure to choose the path of compassion above everything else. The themes of connection to others, the symbiotic circle and the impact even the smallest person can have on world around them, it's RIGHT THERE and it's CENTRAL to Andor's storyline.
So yes, it experiments a little with narrative structure, but it's possibly the most Star Wars thing to exist Revenge of the Sith because it honestly truly GETS what Star Wars was about, both in its themes and in its filmmaking. A lot of people said that Andor didn't feel like Star Wars to them, usually because of the lack of space wizards and the fact that it's not a story aimed at children. But to me, Andor is EXACTLY what Star Wars is and has always been. They're stretching the boundaries of what Star Wars can be, but it's saying the exact same things Star Wars has always said, it's just saying it slightly differently. This doesn't feel like fanfiction to me, not really. Unlike things like the Mandoverse or the books, Andor isn't just taking some of the toys out of the sandbox and going to play with them somewhere else. Andor is IN that sandbox. It's building a slightly different sandcastle, but it's still within the sandbox, using the same sand that Lucas did.
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Sometimes I remember that if you play Surana or Amell in Origins the origin (hehe) of the conflict that ultimately leads to the death of the Archdemon is... the First Enchanter of one of the most "liberally run" Circles in southern Thedas leaving out a bunch of books on blood magic with the explicit hope that young apprentices will pick them up and become blood mages so that they can be handed over to the Templars as maleficars. With your best friend falling for this trick explicitly because he's terrified that the Circle is going to magically lobotomize him against his will just because he's not particularly good at magic so he feels his only hope is to run away whatever the cost. That's the starting point for your character. And again, Kinloch Hold is supposed to be one of the most liberally run Circles. This is one of the good Circles. And then in Awakening we learn that Anders was kept in solitary confinement for a year just because he wanted to live outside the Circle, and you can comment that he's lucky they didn't just kill him outright. And I know I've said this twice already this post, but this is supposed to be a good Circle. This is nice. The mages at places like the Gallows would probably kill to be at Kinloch Hold. And your introduction to it is first you, a young adult (or possibly in your late teens; you are mentioned to be young for a Harrowing, and Harrowings generally seem to be done when the mage is quite young to begin with), being thrown to demons without warning as a standard test, and then when you wake up you learn that your best and possibly only friend is likely to be magically lobotomized for not being great at magic unless you help him escape. And between those things and during the latter you'll hear about fun things like apprentices disappearing into thin air (with no one questioning it because it's that normal) and the Templars watching the female apprentices bathe! And when you return it's to find out that when things went tits up the Templars, who are supposedly there for your protection, locked every surviving mage in Kinloch Hold in the demon infested part of the tower and are waiting for permission to murder everyone inside down to the youngest child. Ten bucks says that the Templars also in there would've been allowed to live.
I think it hits a lot harder just because you don't learn that Kinloch Hold is considered a liberal Circle until after it leaves the series, apparently for good, with the Templars planning to hang out outside the door until they get legal cover for murdering everyone inside. Like, you see all that and then after that you learn that that? That was the best a Circle mage could hope for. Just a few life-threatening tests you're not allowed to prepare for. Just a bit of entrapment by the person who's supposed to stand between you and the Templars. Only rumours that the Templars will watch you while you bathe rather than confirmed fact. And only a small chance that they'll murder you the moment they're given the opportunity. That's a good life for a Circle mage.
And then in DAI they genuinely expected us to buy that actually the Circles weren't that bad and the Circle mages are just so whiny for not knowing how to survive outside the cage they've been trapped in their whole lives and also wanting to kill a lot of their jailors. It's like the writers forgot that we've seen that even the best the Circles offered was still absolutely fucking horrific. And that that was a lot of players' first introduction to the series.
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