So because I've seen it compared to Worm, I started reading The Boys by Garth Ennis. It's bad! Like really bad! It feels like what would happen if you let an edgy anti-feminist atheist youtuber from 2015 write a comic book. I finished the first volume of the omnibus in large part because it was a train wreck I couldn't look away from, and am debating starting the second since I hate myself. The most interesting parts are actually the little forewords. Through them I learned both that it was supposed to be a comedy, and also a critique of the military industrial complex/police (or at least that people read it as one). This was surprising to me since it is neither funny nor incisive. Anyway, now I want to ramble incoherently about my problems with it because this goddamn comic broke my brain.
Okay, so one of the most common ways it shows you which characters you aren't supposed to like is by having them do comically "gross" sex stuff. Notable examples include cocaine fueled orgies, mentions of shitting during sex, bestiality, masturbating in public to the sight of disabled people, and a little person using sex toys. One that shows up repeatedly in this context is characters being bisexual or gay. Now, I don't wanna get controversial, but I think any claims that your work is a critique of capitalism, police, the military, or whatever are rendered moot when your villains are a group of secret hedonistic sex-freaks. Like we can't pretend that doesn't sound a lot like regressives and their obsession with "degeneracy". Sexual assaults, misogyny, and slurs also appear pretty often, mostly as the punch line for jokes. Victims are rendered down into objects and denied any sense of interiority so we can instead focus on what really matters (gore porn, and middle school 4chan posters' sense of humor). Never once does Ennis deign to explore the actual impact and trauma of these things, or ask why he views these things as material for jokes.
That incuriosity is I think the real problem with The Boys. There is no actual coherent thought about why things are bad. Superheroes hurt people and are wrong because of their personal moral failings as selfish perverts, not because their whole job is to violently enforce the will of the state. It's like if someone agreed that all cops are bastards, but only because all cops just so happened to be "bad apples". The main characters literally work for the fucking CIA, and yes, I know the titular Boys are at best meant to be anti-heroes a la the Punisher. My issue here isn't that they're hypocrites who are frequently also horrible. It's that this premise for is absolute nonsense if you think for half a second. Superheroes do not function without the legitimacy granted to them by the state and it's monopoly on violence, so why would the CIA need these 5 randos with zero oversight working to take out the supers? Is the force Homelander and the others can bring to bear so great that even the apparatus of that state can't deal with them? If so, why does this group of assholes change that? Normally I'd be willing to give the story a lot more of a pass when it comes to questions like this, except I'm being told that this story has things to say about systemic problems involving the government and corporations! So I have to ask, where? Where is the commentary? What does it actually have to say about the state of the world circa 2006-2012? The only answer I can come up with is "not a whole lot". It's a story which dares to ask the tough questions like "what if the world was made of pudding" and then ignore answering those questions so it can instead recite Ellis' favorite slurs in alphabetical order while showing you a woman's tits.
On a lighter note, it's also just not very good. The plot (as mentioned) falls apart under any amount of scrutiny, pacing is bizarre in a bad way, the characters aren't compelling, themes remains stubbornly unexplored, and Ellis is allergic to doing anything interesting or creative with the premise he's decided to base a whole comic around. I genuinely do not know what people enjoy(ed) about this comic.
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It's "the Stark sisters have complementary skillsets" until someone points out that Arya is good at math and Sansa isn't. Then suddenly Arya is an unreliable narrator, Sansa is just being humble, and she'll magically have that skill if/when it becomes relevant
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Haven't seen anyone mention these on here so:
From the Nickelodeon UK instagram account btw.
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i'm not really on here anymore, or any virtual platform for that matter. The past few months have been tumultous and I have changed, fundamentally, intensely, a deliberate effort to rebuild and reshape the clay of the earth.
I've reached a greater level of mathematical maturity through ego reduction, I've found an undocumented life to be better, for me. Above all, I've decided the self is a network, it's always moving. Who I am cannot be reduced, it cannot be simplified, it is what I do and what I do is all encompasing and ever changing.
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Whatever skills or knowledge you think is "universal" absolutely isn't, and when you understand this, you can understand deeper how people experience the world. There are so many things that are deemed "common knowledge" that just aren't to some people.
Maybe you think it's common knowledge to know how to eat, for example. But it isn't common knowledge for me; I don't know how to eat because of my disabilities and because of my history. I can physically eat, yes, but the knowledge of how and when is something I never learned. I can absolutely learn, sure, but it is a time and energy investment, which is why I hadn't done so before.
What would help me more: being belittled and demeaned because I don't "know" something like a normal person would or being educated in an understanding way? Now, apply this to other people who struggle with things you think are "fool-proof," and you will start to understand how people operate when they aren't "normal"
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speaking of "they wouldn't do that/talk like that," I read a fic once where Lucille put on blue glitter eyeshadow to welcome Thomas home from a trip
it was not a modern AU
I. why.
(like I don't expect people to know everything about history- I sure as hell don't, and the source movie leaves out a presidential assassination that happened smack-dab in the middle of the first act's timeline, in the same city. but. Blue. Glitter. Eyeshadow.)
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Between commissions I finally managed to finish this OC set of parent characters! If the looks aren't enough to show you who their kid is, the background colors match them ^_^ but of course more details below!
Name: Thuban
Name origin: The former pole star, before the north star (Polaris), it's name means "Large snake" and is referred to as the “Dragon's tail”
Pronouns: He/him
Age: N/A
Relation: Raised Polaris, though they're not related by blood and have a somewhat distant relationship, until he suddenly went MIA
Weapon: Spear (Same as Polaris's)
Ethos (Power): N/A
Flaw power is based on: N/A
Notes: Make no phallic jokes about the large snake thing and you'll be rewarded
Name: Ananke
Name origin: A moon of Jupiter, named for the mythological spirit of necessity, inevitably, and compulsion
Pronouns: She/her
Age: -
Relation: Bella's mother, she raised her to be a warrior
Weapon: Bardiche
Ethos (Power): Indomination (The ability to freeze the movement of objects and people, and lock them in place)
Flaw power is based on: Her strict enforcement of obedience through authoritarianism, and a lack of concern for the wishes of others
Notes: She believes in tough love. It's better in the long run to give your kid strength rather than affection.
Name: Rhea
Name origin: A moon of Saturn named after the Titan known as the mother of the gods
Pronouns: She/her
Age: 38
Relation: Saiph's mother, though she gave him up to the guild when he was very young
Weapon: None
Ethos (Power): None
Flaw power is based on: N/A
Notes: Was unable to take care of a baby at the time, and gave Saiph to the guild. She wishes she'd visited beyond that but it's probably too late now...
Name: Arche
Name origin: One of Jupiter's moons, it's name comes from the muse of new beginnings and is associated with springtime
Pronouns: He/him
Age: 7
Relation: Saiph's half-brother. Neither currently knows the other exists
Weapon: None
Ethos (Power): None
Flaw power is based on: N/A
Notes: He's just a little guy. He likes flowers and playing with toys. He wants to be a cool hero like his dad
Name: Poerava
Name origin: A star in Tucana, the Maori word for a black pearl of mystical beauty and perfection
Pronouns: She/her
Age: -
Relation: Al's mom. She mostly raised him on her own while her husband was with the knights.
Weapon: None
Ethos (Power): None
Flaw power is based on: N/A
Notes: Probably the best parent of the bunch if we're being real.
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call the quilt I'm making for my brother the Indominus rex because it's bigger than expected
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Asuka is a tragic figure, a figure of mystery, a wild card, all because the only thing she wants in life is peace and quiet for herself and to feel in control- yet her secret heritage that may be hidden from her for her own protection and the reality that life is unpredictable and will go on with or without you keep ruining that delusion, that vision of how the world is meant to work to her, and she suffers regardless of what she wants, what she does, and how little she understands anything
She was born into a family preaching peace and balance and order while being a creature of violence, and puts a dozen mental locks and excuses over this truth to justify giving into her impulse for fighting by pretending she's justice when she does it
She keeps trying to build a place of safety but she's using sand and life is a wave that destroys, yet she stubbornly persists rather than give up, not drowned to the point of self centered suicidal loathing like Jin- there's contrast, where Jin is cloaked in death Asuka stubbornly clings to life and humanity as a normal person in a terrifying world
She's not a fucking narrative clone for Jun's own purpose, Asuka's purpose must be determined by Asuka herself
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The way Mike does not have love songs for El on his playlist. The closest he gets is season 1's "She Blinded Me With Science". He has songs that are promising like "I love her-" and you're like cute stop there and then he doesn't and says "-so I guess I'll force myself to date her" CHILD NO
Meanwhile Will...gets described as "tempting, can't get enough, like religion" in his first love song and eventually as explicit as "I was falling in love I was falling in love Falling in love Falling in love Falling in love". He even gets thirsted over at thirteen. (still on that. was not expecting it but hormones yk that's fine)
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why is the first trashman male lead i write after my nice good boy spree so....lacklustre? bitch doesn't even have enough trauma for a freudian excuse, nor does he have any real beef to explain his behaviour. he's literally a lukewarm mess for no reason other than vibes
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made myself emotional thinking about how smart sora actually is and how little credit he gets for it just because he struggles with stuff like math
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mentioned this in my last post under the cut but you have no idea how much it irked me as a physicist to read about how gege consulted a FUCKING ENGINEER about limitless. an engineer. an ENGINGEERRRRRR. i just. not even a mathematician? engineers don't work with theoretical physics. engineers hardly even work with nonreal math! you're out here designing a guy whose powers involve imaginary mass and divergent series and you DON'T even go to like the two fields that actually work with those things on a semi regular basis...an engineer.......what's he telling you....how to build a bridge?????????????
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I'm having a normal one about wanting to get out of highschool btw
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this is the most meaningless OC drabble but after working on transient for like 2+ years it just occurred to me that Sulu is an alien. like for whatever reason that thought never processed, I can wholeheartedly accept it for everyone else, Splish, Alpha, Felis, all of the little motes? oh yeah, theyre aliens 100%. lil dudes in space. Function is kind of a grey area but i could still buy that he's an alien. but its like.... Sulu is non-human, he lives in space, he has a space-alien aesthetic, he checks all of the boxes to be an alien, but im still sitting here like HUH
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Some stats about my large crochet project:
I've gone through 264 yards (241 meters, 0.15 miles) of yarn. The pattern calls for 1,261 yards for a completed project (1,153 meters, 0.716 miles) in the size I am making now.
It would take 29,565.6 Dinoponera gigantea ants to equal the length of a completed project, and I am at 6,189.78 currently.
Without further delay, this is what 6,189.78 Dinoponera gigantea ants look like. If you even care.
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