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#but also I think I am getting better at drawing them I just don't use a lot of refs when I draw other stuff
egophiliac · 18 hours
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Hi there! I really love your comics and how expressive they are. How do you go about making the characters in your comic so expressive?
thank you! 💚💜💚 I am REALLY bad at explaining things, so my apologies if this doesn't make a lot of sense, but maybe there's something helpful in here somewhere. :')
1. warm up! drawing is a physical activity, after all! so if I'm planning on sitting down and drawing for a while, I usually start off by taking a couple of minutes to doodle a bunch of circles and lines and random shapes, just to get my drawing arm goin' again and get back into the physical groove. just stuff like this:
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and just do that for however long you feel like! you can kind of feel when your arm starts to loosen up and your strokes get more confident. it makes it a lot easier to get those swoopy big lines and gestures!
2. play around with how you use your lines! paying attention to the shapes that they're making will change a lot about how much force and life your drawing feels like it has. (no way is better than another, it just depends on what effect you're going for and how it looks as part of the larger whole.)
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and you can also use lines against each other to get different vibes:
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it's not really a matter of "you need to make sure all your lines are always doing this all the time", it's more like...being aware of it, and getting that into the general thrust of a pose, if that makes sense? like a lot of smaller lines of action, beyond the big one that goes through the spine.
(just gonna use my own art as examples, apologies)
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if you have a good foundation of tension, then all of the little bumps and contours of a character's details won't get in the way of it, and it'll still come through.
and don't forget about negative space either! the spaces between things have their own interesting shapes too!
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I don't mean this to come off as, like, all these extra things that you need to be constantly thinking about and stressing over. more like...just try different stuff and then see how it works and how it changes the feeling! if you find a good shape, see if you can exaggerate it and make it more interesting, and how that affects things! angles and shapes are a LOT of fun to experiment and mess around with, especially when you're going more cartoony. :D
3. acting!
just...spending a little time to think about what the characters are actually doing! (aka the "figuring out what everyone is doing with their hands" bit.) this is more a personal preference, but especially in multi-panel comics, I like to have them be in the middle of doing stuff. not just big actions, but smaller things -- like even just how they're sitting or standing -- so that it feels like we're looking in on the middle of a scene, instead of a couple of characters just standing around neutrally and staring straight ahead while talking at each other.
this probably sounds really obvious, but it is one of the most fun parts for me! I love trying to find some little action or something that they can be involved in, especially if it's relevant to their character or adds an extra joke. (for some reason this usually involves me being mean to Sebek) (I'm sorry)
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it doesn't need to be everyone Always! Doing! Something! all the time, especially if starts becoming distracting (sometimes they do actually need to just be standing around neutrally and staring straight ahead, especially if there's a bigger action going on that you want the audience to focus on instead). but even just figuring out some kind of non-neutral pose for them to be in can add a lot and make it feel less generic!
3. thumbnailing!
this is, again, very much a personal preference; unfortunately, every artist really is different, and we all have different processes that work better for us. so I can only speak to my personal experience! but I find what helps is to start REALLY rough -- not so much as in messy, as in not trying to start right into actually drawing everything out. like, literally just starting with stick figures and :O faces.
it probably doesn't sound relevant when talking about Drawing Expressively, but I find it's really, really helpful to have already figured out what everyone should be doing (acting!) and what the overall general layout and flow of things should be, before getting into the actual meat of drawing the characters. like having a sketch for the sketch!
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(good compositional flow is something I struggle with, and text layout especially, so this stage also helps a LOT with making sure things are fitting where I want them and staying consistent/not breaking screen direction/etc.)
then after that, I can go ahead and focus on getting those Shapes and Lines and Angles and all that, without having to think too much about the layout or where things should go!
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(of course, the downside of that is that my thumbnails are usually way better than my actual drawings, alas alas.)
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4. this is more philosophical, but...give yourself some slack. the stress of Making Things Look Good is, ironically, often the biggest problem. (see: thumbnails looking better than the actual drawings.) so...let yourself draw shittier and without regards to accuracy. make things just for yourself without thinking about posting or showing them to anyone else. draw stupid faces and wrong proportions because they feel better that way. focus on what's fun and not on getting a perfect end result. "draw expressively, not well", as they say -- you can always tighten up things like proportions and details later, if you really want to.
that's all WAY easier said than done -- god knows I haven't really managed it -- but even just aiming for that attitude really, REALLY helps. if your lines are confident, they'll look a lot more alive and expressive than lines that are exactly technically precise but have no rhythm in them. (this is why tracing photographs tends to look so weirdly stiff and unrealistic, by the way -- even if you're drawing realistically, you usually need to exaggerate and stylize a little bit so it doesn't look lifeless.) it's a balance between caring about what you draw, but also being willing to let things go a little bit.
↑ I hope some of this helps! I don't know if any of this was actually what you had in mind, let alone much of it actually made sense outside of my head. :') but hopefully you (or other people) will be able to get something out of it!
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lemonyinks · 5 months
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For the Artist Ask thing! (o•ᴗ•o)ノ♡
(5. What’s your favourite thing to draw?
(18. What are you currently trying to improve on?
(21. Do you like to challenge yourself?
YAAAY hi ily
5. Right now its Imra Ardeen from legion of superheroes. I love the way my design for her looks, and it is so, so much fun to draw. SO pink.
18. Currently I'm just trying to get good at digital art in general. I have never been very good at it and now i'm just trying to figure out how everything works. Its so different from the traditional art i am used to. More specifically though, I'm trying to improve on shading skin.
21. I love to challenge myself. It's honestly the only way I improve
x
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sophiamcdougall · 4 months
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You're a reasonably informed person on the internet. You've experienced things like no longer being able to get files off an old storage device, media you've downloaded suddenly going poof, sites and forums with troves full of people's thoughts and ideas vanishing forever. You've heard of cybercrime. You've read articles about lost media. You have at least a basic understanding that digital data is vulnerable, is what I'm saying. I'm guessing that you're also aware that history is, you know... important? And that it's an ongoing study, requiring ... data about how people live? And that it's not just about stanning celebrities that happen to be dead? Congratulations, you are significantly better-informed than the British government! So they're currently like "Oh hai can we destroy all these historical documents pls? To save money? Because we'll digitise them first so it's fine! That'll be easy, cheap and reliable -- right? These wills from the 1850s will totally be fine for another 170 years as a PNG or whatever, yeah? We didn't need to do an impact assesment about this because it's clearly win-win! We'd keep the physical wills of Famous People™ though because Famous People™ actually matter, unlike you plebs. We don't think there are any equalities implications about this, either! Also the only examples of Famous People™ we can think of are all white and rich, only one is a woman and she got famous because of the guy she married. Kisses!"
Yes, this is the same Government that's like "Oh no removing a statue of slave trader is erasing history :(" You have, however, until 23 February 2024 to politely inquire of them what the fuck they are smoking. And they will have to publish a summary of the responses they receive. And it will look kind of bad if the feedback is well-argued, informative and overwhelmingly negative and they go ahead and do it anyway. I currently edit documents including responses to consultations like (but significantly less insane) than this one. Responses do actually matter. I would particularly encourage British people/people based in the UK to do this, but as far as I can see it doesn't say you have to be either. If you are, say, a historian or an archivist, or someone who specialises in digital data do say so and draw on your expertise in your answers. This isn't a question of filling out a form. You have to manually compose an email answering the 12 questions in the consultation paper at the link above. I'll put my own answers under the fold. Note -- I never know if I'm being too rude in these sorts of things. You probably shouldn't be ruder than I have been.
Please do not copy and paste any of this: that would defeat the purpose. This isn't a petition, they need to see a range of individual responses. But it may give you a jumping-off point.
Question 1: Should the current law providing for the inspection of wills be preserved?
Yes. Our ability to understand our shared past is a fundamental aspect of our heritage. It is not possible for any authority to know in advance what future insights they are supporting or impeding by their treatment of material evidence. Safeguarding the historical record for future generations should be considered an extremely important duty.
Question 2: Are there any reforms you would suggest to the current law enabling wills to be inspected?
No.
Question 3: Are there any reasons why the High Court should store original paper will documents on a permanent basis, as opposed to just retaining a digitised copy of that material?
Yes. I am amazed that the recent cyber attack on the British Library, which has effectively paralysed it completely, not been sufficient to answer this question for you.  I also refer you to the fate of the Domesday Project. Digital storage is useful and can help more people access information; however, it is also inherently fragile. Malice, accident, or eventual inevitable obsolescence not merely might occur, but absolutely should be expected. It is ludicrously naive and reflects a truly unpardonable ignorance to assume that information preserved only in digital form is somehow inviolable and safe, or that a physical document once digitised, never need be digitised again..At absolute minimum, it should be understood as certain that at least some of any digital-only archive will eventually be permanently lost. It is not remotely implausible that all of it would be. Preserving the physical documents provides a crucial failsafe. It also allows any errors in reproduction -- also inevitable-- to be, eventually, seen and corrected. Note that maintaining, upgrading and replacing digital infrastructure is not free, easy or reliable. Over the long term, risks to the data concerned can only accumulate.
"Unlike the methods for preserving analog documents that have been honed over millennia, there is no deep precedence to look to regarding the management of digital records. As such, the processing, long-term storage, and distribution potential of archival digital data are highly unresolved issues. [..] the more digital data is migrated, translated, and re-compressed into new formats, the more room there is for information to be lost, be it at the microbit-level of preservation. Any failure to contend with the instability of digital storage mediums, hardware obsolescence, and software obsolescence thus meets a terminal end—the definitive loss of information. The common belief that digital data is safe so long as it is backed up according to the 3-2-1 rule (3 copies on 2 different formats with 1 copy saved off site) belies the fact that it is fundamentally unclear how long digital information can or will remain intact. What is certain is that its unique vulnerabilities do become more pertinent with age."  -- James Boyda, On Loss in the 21st Century: Digital Decay and the Archive, Introduction.
Question 4: Do you agree that after a certain time original paper documents (from 1858 onwards) may be destroyed (other than for famous individuals)? Are there any alternatives, involving the public or private sector, you can suggest to their being destroyed?
Absolutely not. And I would have hoped we were past the "great man" theory of history. Firstly, you do not know which figures will still be considered "famous" in the future and which currently obscure individuals may deserve and eventually receive greater attention. I note that of the three figures you mention here as notable enough to have their wills preserved, all are white, the majority are male (the one woman having achieved fame through marriage) and all were wealthy at the time of their death. Any such approach will certainly cull evidence of the lives of women, people of colour and the poor from the historical record, and send a clear message about whose lives you consider worth remembering.
Secondly, the famous and successsful are only a small part of our history. Understanding the realities that shaped our past and continue to mould our present requires evidence of the lives of so-called "ordinary people"!
Did you even speak to any historians before coming up with this idea?
Entrusting the documents to the private sector would be similarly disastrous. What happens when a private company goes bust or decides that preserving this material is no longer profitable? What reasonable person, confronted with our crumbling privatised water infrastructure, would willingly consign any part of our heritage to a similar fate?
Question 5: Do you agree that there is equivalence between paper and digital copies of wills so that the ECA 2000 can be used?
No. And it raises serious questions about the skill and knowledge base within HMCTS and the government that the very basic concepts of data loss and the digital dark age appear to be unknown to you. I also refer you to the Domesday Project.
Question 6: Are there any other matters directly related to the retention of digital or paper wills that are not covered by the proposed exercise of the powers in the ECA 2000 that you consider are necessary?
Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.
Question 7: If the Government pursues preserving permanently only a digital copy of a will document, should it seek to reform the primary legislation by introducing a Bill or do so under the ECA 2000?
Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.
Question 8: If the Government moves to digital only copies of original will documents, what do you think the retention period for the original paper wills should be? Please give reasons and state what you believe the minimum retention period should be and whether you consider the Government’s suggestion of 25 years to be reasonable.
There is no good version of this plan. The physical documents should be preserved.
Question 9: Do you agree with the principle that wills of famous people should be preserved in the original paper form for historic interest?
This question betrays deep ignorance of what "historic interest" actually is. The study of history is not simply glorified celebrity gossip. If anything, the physical wills of currently famous people could be considered more expendable as it is likely that their contents are so widely diffused as to be relatively "safe", whereas the wills of so-called "ordinary people" will, especially in aggregate, provide insights that have not yet been explored.
Question 10: Do you have any initial suggestions on the criteria which should be adopted for identifying famous/historic figures whose original paper will document should be preserved permanently?
Abandon this entire lamentable plan. As previously discussed, you do not and cannot know who will be considered "famous" in the future, and fame is a profoundly flawed criterion of historical significance.
Question 11: Do you agree that the Probate Registries should only permanently retain wills and codicils from the documents submitted in support of a probate application? Please explain, if setting out the case for retention of any other documents.
No, all the documents should be preserved indefinitely.
Question 12: Do you agree that we have correctly identified the range and extent of the equalities impacts under each of these proposals set out in this consultation? Please give reasons and supply evidence of further equalities impacts as appropriate.
No. You appear to have neglected equalities impacts entirely. As discussed, in your drive to prioritise "famous people", your plan will certainly prioritise the white, wealthy and mostly the male, as your "Charles Dickens, Charles Darwin and Princess Diana" examples amply indicate. This plan will create a two-tier system where evidence of the lives of the privileged is carefully preserved while information regarding people of colour, women, the working class and other disadvantaged groups is disproportionately abandoned to digital decay and eventual loss. Current and future historians from, or specialising in the history of minority groups will be especially impoverished by this.  
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wombywoo · 6 months
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Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~
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Please enjoy this little step-by-step 💁‍♀️
First things first--references!
Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃
As such, your web browser should look like this at any given point:
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Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅
Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️
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(I will end up not using half of these, alas :'D)
Another reference search for background material, and getting to showcase our models of choice for this occasion~
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When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:
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Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️
Now that we've spent countless hours googling, it's time to start with a rough sketch:
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It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.
The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.
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Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.
It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️
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Next step is just blocking in the figures. Standard. No fuss 👍
Now onto the background!
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It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙
I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️
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Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..
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Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.
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Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏
And now--rendering!
I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪
I've decided to show a brief process of rendering our dear Johnny's face here:
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Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.
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This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪
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A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️
I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~
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Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚
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They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can
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Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~
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The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍
And the final step is adjusting the color and adding some text:
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Tada!! It's done!
All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️
I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~
As a bonus, here is a cute (cursed) image of Johnny without his mustache:
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A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭
Anyway! peace out ✌️
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kimhargreeves · 8 months
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A Flashy Act-Buggy x Reader (One Piece Live Action)
Summary: You and Luffy find yourself with new members for your small pirate crew, quickly after stealing the map to the grand line, you're all kidnapped by a crew of pirates.
(Based on the One Piece Live Action!! since no one has written about Buggy which has surprised me. Enjoy this one shot Buggy fans!! You guys can decide if you want part 2 to include smut or not😩 next part will be written depending on how well people like this🤡)
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"You know I'm gonna be king of the pirates. It's the first time I've had a ship like this." Luffy excitedly told the ginger haired girl.
"I know you've told me that many times already. Can you please be silent for once?" She asked getting annoyed by Luffy's constant talking.
"You be quiet. The kid's just excited." The green man known as Zoro told Nami.
Nami was trying to open the lock which was protecting the map inside.
Both of them unexpectedly helped us, when Luffy and I broke inside to find the map to the grand line, with a bit of help from Koby who had been kidnapped by Alvida. Thankfully Luffy saved him, the young boy said he wanted to join the Marines.
Luffy and I had entered and quickly met Nami and Zoro. Zoro was tied up with Nami dressed as a Marine trying to also have the map Luffy and I were after.
I have been by Luffy's side since many years now. Since he was a small boy, I am only just a couple of years older but I was the second person who raised him. The first being my older brother,l Shanks.
Just earlier the four of us were fighting a couple of Marine soldiers with Axe Hand Morgan trying to stop us, and almost did. If it weren't for Zoro and Luffy's help then we might've already been executed.
"He's just being enthusiastic about all of this. There's no need to be so mean." I said glaring at Nami and she glared back as well.
I decided to not say anything else to her so I walked over to where Luffy was holding onto his straw hat.
He had a smile on his face when he turned to look back at me. "Can you believe this, (Y/N). We finally have have a crew. I can only imagine the look on his face if he were to see me."
"I know he'll be proud. You're slowly becoming a true pirate." I nudge his shoulder and saw him smiling as he stared at the dark skies.
"I think we all make a pretty good team."
"Why do you even protect that hat so much. It looks like to fished it out of the trash."
"One man's trash is another man's treasure." Luffy replied to Nami when she spotted him holding onto the hat.
We all looked back and saw Nami has successfully managed to open the lock. "You did it!" Nami picked the map and unrolled it. With the four of us standing close looking down at it.
Luffy didn't get it or understood where the Grand Line is, so Nami began drawing it for him so he could understand it better. Rogers treasure is hidden somewhere in there.
A loud sort of bomb was heard with the sky now turning red. We all ran out of the ship and saw something explode in the sky. Zoro was the first to fall to the floor and Nami began to cough before she collapsed.
Oh shit. I tried to cover my mouth and nose but to was too late and I also fell to the floor and collapsed.
"Shhh (Y/N)."
I jumped up a bit and opened my eyes to see Luffy a bit too close to me. I rubbed my eyes and tried to stand up but saw that the four of us were inside of a wooden box.
"What..how did we get here?"
"It wasn't the Marines work. Before we all collapsed, I saw a ship heading towards us." Luffy said with Zoro quickly replying to him.
"It'll be easy then. Marines have training. Pirates don't."
We all were quickly met with circus music when the top of the box was removed along with the rest of the box. What the hell?
Zoro, Nami and I looked at each other weirdly when we looked at our surroundings. We were inside of a huge circus tent.
Red and white colored stripes with lights decorating the place, weird looking people and a crowd that were seated but we're tied by their ankles.
The crowd continued to clap with Luffy doing the same but Nami and I stopped him.
"No no no. Stop clapping! It's all wrong"
The four of us looked over at where the voice was coming from and we all looked to our left, and saw a tall man come through dressed entirely as a clown.
Long coat, bright blue long hair with exaggerated makeup and a red clown nose.
"The spotlight was late, it missed my entrance. And where oh where is the lion?" He said standing close to a man with white bear ears?
"Heyy. I know you." Luffy said which made me look back at him wishing he hadn't spoken.The man with blue hair turned to look at us. Wait..Luffy is right, we've seen him before.
"I saw your Wanted poster at Shell's town. You're the clown guy..umm..uhh. Binky, right?" He asked.
I nudged Luffy's shoulder. "Shut up, Luffy. That's Buggy." I muttered seeing that the clown kept his eyes on us.
"Buggy." The pirate corrected and grinned. "Buggy the Clown. Buggy, the Flashy Fool. Buggy, the Genius Jester." He said when no one spoke, seems like no one here knows about him.
"That one beside you seems to be the only one who's heard about me." I felt nervous when his blue eyes landed on me and he smiled.
I had only heard of him, and saw him on the Wanted poster. But I swear I must've at least since him once before…
He's creepy..but weirdly find him attractive. Maybe it's just my brain distracting myself from danger, who knows.
Luffy seemed impressed, "Wow. You have a lot of names."
I nodded my head and looked at Luffy, "He does. Everyone in the East Blue knows who he is."
"What did you just say?" His expression changed when I suddenly said that. Which made me confused.
"That everyone knows who you are?"
"Nose?!" I was paralyzed when Buggy came over and was now holding onto my face.
"Are you making fun of my nose?" He said a bit too close to me.
"I swear I wasn't! But..now that you mention it, is that thing real?" I asked genuinely wanting to know.
Buggy tilted his head as he stared at me, "You're kinda cute." He hummed and grinned
I saw Luffy's hand slowly started to try and tough the clowns nose until he smacked his hand away. The clown grinned looking down at me and stepped back letting go of me.
"You think you're so clever… What's real is I've been scheming for months to steal that map from old Axe Hand Moron. Only to find out that I was upstaged by four little nobodies, who stole it from right under my no-…No!! It's in my head now."
"Hey! I'm not a nobody. I'm Monkey D. Luffy. And I will be king of the pirates." My best friend said making Buggy laugh.
"Oh! Now that's funny. My bounty poster graces the marquee of every Marine Outpost for miles. And my menagerie of outcasts and freaks is the most dreaded pirate crew the East blue has ever known. I am destined to find One Piece. And when I do. I will be King."
"No, you won't. 'Cause I'm gonna find it first." Luffy told him.
Zoro stepped between us and looked at the other clowns behind Buggy. "I am Roronoa Zoro. Drop your weapons now and I may let you live."
This made Buggy laugh while looking at the green haired stoic man.
"Ladies and Gentlemen, we have a celebrity in our midst. Too bad I hate sharing the spotlight. Now, maybe we should skip right to the finale."
Buffy retrieve a set of blades and smiled at us.
"My freaks put quite a bit of a rehearsal time into this little abduction. And if I can reward them with that map.. I suppose I'll have to offer them a pound of flesh instead."
Nami stepped between Luffy and I now, now looking at Buggy. "Wait. What if I have something else to offer you? Something more valuable than the map? What if I give you a new freak for your crew?"
"A rare talent. The most spectacular act in all the East Blue. Besides you, of course."
Nami glanced back at me and I glared back. Nami has grabbed Luffy's straw hat and tossed it up, just when Luffy showed his devil fruit powers, Nami left running.
"That little bitch." I whispered glaring at where she left.
It wasn't long at all when they brought her back and she revealed that Buggy's crew had destroyed the entire town.
He shrugged his shoulders as he stared at her. "Not everything. I let 'em keep their hands."
The sign for "clap" was lifted again, making the poor towns people begin to clap.
All the lights were suddenly focused on Buggy again. "I know one of you has my map, and I'm going to get it back." He said in a serious voice now.
"What was it you said, Rubber boy? That ir was in a safe place. Don't look so surprised. I got eyes and ears everywhere."
"I know where it is." I spoke up making all eyes turn to look at me.
I began to laugh as I showed the clowns and Buffy my middle finger. "You can all suck it or shove it up your asses.
Buffy clapped and at the people surrounding him. "Okay! Let's make our guests uncomfortable in the green room." A few clowns came to grab Nami and Zoro.
While another pair came to grab Luffy, Buggy stood behind me grabbed my neck and grinned looking at Luffy and looking back down at me.
"And I am gonna have a chat with our new pals.."
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alllgator-blood · 18 days
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I s2g if you add the layers of these comic pages together, it's over 350 layers. THIS is why I don't do full color for my comics lmaooo- ANYWAY EVERYONE HERE HAS AN AU APPARENTLY, SO THIS IS A BRIEF GLIMPSE INTO MINE. I don't know what to call it yet but I'm thinking of calling it "famous prophets" because 1. I like that car seat headrest song, 2. it's about shamura who is prophetic, 3. it's about trying to outrun fate with the Power of Love (and failing. Like the song!!!). It takes place when all the bishops were teens/kids during the age of hundreds of gods at war, and were trying to survive as a family.
I'm really excited to work on stuff for it but it's all gonna be drawn out of order. Maybe I'll write a full explanation of what it's gonna be about when I have a better idea...I want to channel my eldest sibling angst in a productive way, and maybe establish a QPP between shamura and a completely random npc everyone forgets about <3 also kallamar is trans too cause I said so. I'll do a comic about it eventually. Instead of an absence of gender he has TOO much gender. It simply cannot be contained.
I like that nonbinary genders are normalized in cult of the lamb to the point where nobody singles anyone out for being a they/them, it's not like "THIS IS MY SIBLING SHAMURA. THEY ARE NONBINARY AND USE THEY/THEM. ALRIGHT BACK TO KILLING YOU", it's just like "don't you fucking dare make my poor sibling wake up from their nap to kick your ass. Cause they deserve better than this."
But at the same time I like having the freedom to be more specific, and say "shamura is voidpunk and their gender is best described as the feeling that overtakes you during the first snow of the year, when everything outside is deathly quiet". This comic is actually derived from the time I was walking through a forest that's been torn down for a few years, and came out to my little sister as trans. I must've been like 13 or 14 and she didn't really get it as a 10 year old, but it was better than my mom FREAKING OUT about me coming out. So it was a nice little bonding moment between just the two of us. I don't have a good memory so I don't recall how it went unfortunately...
Now, the climate is a little different. My sis tried out transmasculinity for maybe 5-6 years before feeling happier as a woman, my mom is trying to be Based and flaunt her Woke trans children, and my dad remembered "oh yeah trans natives have existed before colonization. Maybe me being transphobic is a product of my culture being erased" and has gotten better about calling me the right thing. I have a mustache (thanks pcos!!) and wear skirts and am not a repressed "tomboy" teenager anymore. But I can't help but wonder what would've happened if I could've been like shamura and just...been nonbinary without people being fucking weird about it. Or been born as a badass war god who will tear you to shreds before you can perceive my birth sex. I know they're fictional but they are my ultimate gender envy GRRRRR BARK BARK BARK
Here is the secret image for this post- I listen to mostly EDM when I draw cause it keeps the energy up, but as I was finishing up shamura's poetry part, I was like THESE ARE JUST KMFDM LYRICS so I made this
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adams-angels · 3 months
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I want to see my man in pain, Adam break down after reader said they want to break up (fluff in the end pls) 😞
I reaaaally enjoyed writing this
I love pain 🥹
💖 Please send me requests! Send me your own headcanons! I will draw! I'm obsessed rn!💖
Used
Adam POV
It was a normal night. Out talking to some babes. Tellin' them how great I am. Because, well, I AM! HA! I'm the first fucking man! These bitches swarm me. Who am I to deny them. I check my phone a see y/n has text me. "Ugh, what do you want now you needy fuckin'" I can't believe what I'm reading.
"we're done."
My heart sinks. Why is it sinking. I don't care. I'm fucking ADAM!! Adam stands, pushing away the crowd of angels surrounding him and tries calling you. "Come on.. come on, pick up, you dumb bitch." No answer. NO FUCKING ANSWER. His head spins. Panic sets in as. This isn't happening. Not again.
You think you're better than me?! You're nothing! I'm Adam!! I can get ANYONE I FUCKING WANT YOU THINK I NEED YOU?!
I'VE GOT TONS OF BITCHES WAITING FOR ME!
I DONT NEED YOU I NEVER NEEDED YOU!
He tries calling you again. No answer. "FUCK!" He expands his wings and shoots up, smashing through the skylight. He continues to text and call as he makes his away to your apartment. "FUCKING ANSWER ME!" He screams into his phone. By the time he arrives at your apartment he calms himself down, "I can get them back." He thinks to himself as he lands on your balcony. "They didn't mean it. They couldn't of."
As he reaches for the handle of the sliding door his hand shakes. "No, no, no, no." He grips onto his wrist stepping back from the door, being stopped my the railing. He slides down to the floor. "No, no, no...." His voice cracks, fear, sadness, anger. He never let himself get close. At least that's what he told himself. After the second wife also betrayed him he swore he'd never care so he would never hurt. But somewhere along the way, he fell for you. Although he denied himself.
He rushed to remove his mask, feeling like he can't breathe. Once he got it off he threw it aside. Clutching at his chest as tears escaped from his eyes. "No, no, no.." he whimpered. He sat on the floor for an hour. Thinking about you. What he did wrong. If he did something terrible. Why you're ending it. There wasn't even anything to end and yet his world felt like it was crashing around him.
Once he calmed down he leaned forward and sighed. Wiping his cheeks as he stood up and put his mask back on. He reached for the handle, hesitating before opening the sliding door. He sees you in your bed, asleep. He closed the door quietly and just watched you. For about half an hour before he realised how much a creep he's being. He walked into your livingroom. He's been here plenty times before. He memorized the layout.
He walks over to one of your succulents. You loved them. Once he came over and accidentally knocked one on the floor. You were so upset. He didn't see the big deal but he still went out of his way to buy you a new pot for it and a new succulent altogether. Just something to say he was sorry without actually saying sorry. He smiled as he remembered your joy. He sat on the couch and waited.
A couple hours later he heard rustling in your room. He shot up from the couch and heading to your bedroom, freezing at the doorway as he sees you wake. You scream in surprise, falling off your bed. He noticed your phone falling off the nightstand with you. His chest tightens. Your phone. Those horrible texts. "Adam?! What the hell are you doing in my apartment?!" You yell at him, snapping him out of his thoughts.
He stands there, feeling awkward. "You want to leave me?" He asked, trying hard to not break his voice. You tut, he watches at you stand, wanting to help but to afraid to move. "You say that like you cared." You snap, picking your phone up from the floor. "Don't look at that." He took a step towards you, reaching out but you recoiled. "Why? You next me nasty shit? Telling me I'm worthless? That I was lucky to -" he interrupted, "y/n, I'm sorry. I just want to know what I did wrong."
Adam braces himself. For you to yell. For you to scream. For you to tell him you love someone else. "I just... I can't... I don't want to be a place holder for you." His shoulders slump down he hesitantly steps closer to you "What are you talking about?" He carefully slides his hand under yours "I don't want to be someone you just use until you find someone better." His fingers interlace with your as his other hand brushes your hair from you face. His breath catches seeing your red, watery eyes "I just want to be... I don't know, Adam."
His hand cups your face. He looks into your eyes and for the first time in eons he chose to be vulnerable. "Be mine?" He watches you shrug. Rightfully assuming you've misunderstood his request he clarifies "no, I'm asking. Be mine." The way you look at him makes his chest tighten in fear. "What?" He recoiled. "I mean, maybe we could start again? Like.. properly?"
"You mean like.. date? What happened to "I don't date. I'm the first man. I have the first penis ever bla bla!"" He glares at you. Of course you'd remember that. "I don't sound like that." "You do." Adam brow furrows in in frustration. "Whatever, y/n, please. I can't lose you. I don't want to lose you. Please don't leave me." He felt pathetic. He was pathetic. "I'll have to think about it." His chest tightened. His heart beating a million miles a minute. You'd see how pale he would be if he wasn't wearing the mask. "H-how long will that take?" He asked, desperation leaking out of him.
"I don't know, Adam." You shrug. The air was thick. He was struggling to breath and needed to get out of there. "I really care about you, y/n. You have to believe me, babe." He kisses your hand before releasing it. "Just.. uh... Delete those texts. I didn't mean any of it." He heads to the sliding door he entered from, opening it and expanding his wings as he jumps off. He looks behind to see if you watched leave like you've done so maybe times before. But you're not there.
It's been a month. A whole month. It should feel like nothing to him considering how long he's been in existence yet it feels like a years. He sees you about. With your friends. Getting groceries. Whenever his eyes catch on to you he freezes. No matter what he's doing.
He can't keep this up. He didn't want to pressure you. Make you feel like you had to choose him. But fuck he needed you to choose him. He was in his office. But he couldn't focus. He was so tired, not being able to sleep well without you. Even if he didn't sleep the whole night it was always nice knowing you were there no matter what. At least that's what he used to think.
He checked his phone to see nothing from you. It was too much. He was alone. You were never coming back. No one ever comes back. Lilith left him. Eve left him. Now you. "Fuck. FUCK!" He picks up his coffee and punts it at the wall. He can't stay here. He needs to find you. He needs you back.
He swung the door open and there you were. He couldn't believe it. He thought you'd at least text him. Not show up at his office! His feathers were literally ruffled, his office looks like a bombs hit it. "Y/n?" He said softly, it was like time stopped for a minute. He wish it did. Then he could scoop you in his arms and never let you leave. He snapped back into reality changing his expression quickly, not want anyone to see a softer side to him. "Come in." He stands aside letting you in to his office. He hates that you didn't text. He would of cleaned up there were documents everywhere, a smashed mug on the floor and coffee stains on the wall. He hated it was such a mess for you. "Bad day?" You commented he grumbled in response. "There are no bad days in heaven." He mumbled as he slumps down on his office chair.
Resting his chin on the back of his hand as he watches you walk over to his office window, opening it. The musky smell almost dissipating immediately "So... I thought about it." He perks up, sitting straight, watching you like a hawk. "And?"
"and I'm willing to start again. Properly." He immediately bolts from his chair, wrapping his arms around you. "Fuck, thank fucking Christ. Don't do that to me again. Please." His voice breaks, wings surrounded the both of you. "Please, I'm sorry. I'll treat you so much better." "Promise?" "Yes, promise."
~⁠♡✧⁠。 I really hope you enjoyed! I'm not a writer by any means but I appreciate any support I receive so thank you for reading! 。✧⁠♡~⁠
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all444miles · 10 months
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can you do miles with and earthy black girl! Like I can see him wanting her nose rings, and accessories but don’t get me started on how he SIMPS for her waist beads. He loves seeing her at school with her hair wrap and locs and her lavender and coco sent, she’s a calm person to!
thank you so much for your AMAZING work God bless❤️❤️❤️❤️
— DOWN TO EARTH
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— pairing: both miles' x black!earthy!fem!reader — genre: fluff — summary: what its like for both miles' to date an earthy girl ‹3 — a/n: quick note, the reader calls 1610 miles "bambi" as a nickname becuase he reminds her of a baby deer ‹3 (credits to my pookie for that !!) — a/n 2: I didn't know which miles you meant, so i just did both 😭 also pretend that brooklyn visions academy doesnt have a uniform.. i was tired writing this so im rlly rlly RLLLY sorry if this is bad but, i hope you like this, and enjoy !! ‹3
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E-42 MILES
Miles loves being in your room. the smell of burning coconut incense, the look of your fairy lights, the small plants, it felt so chill, so peaceful. he liked that.
he always knows which incense you've used, and will pick up if you've changed them. He'll buy you some if you need any more.
"You got rid of the coconut incense? Mami, that one was my favorite." "Baby, I only have one pack left." "Oh? Aight, i'll buy you some tomorrow."
he'll never tell you, but if he misses you, he'll listen to your favorite songs that you'd always hum to yourself when you two are alone.
does he like Erykah Badu? Yes, yes he does. he'll listen to Green Eyes on his missions with his uncle whenever he gets the chance.
his uncle caught him once; one of the most embarrassing moments of his life.
"Kid, you listenin' Erykah Badu? Ian know you into allat." "Yo chill, it's only cuz my girl like her." "Mhm. You sure you my nephew or am I trippin?" "Tio, let's just roll."
he's loves to cuddle with you, especially cause you always smell like lavender. he won't let you go either.
"Miles, I gotta get some food." "Nuh, in a minute." "Hun, you done said that 2 minutes ago." "Exactly, in a minute. I like being here."
absolutely in love with your waist beads. he loves the jewllery you were (you both have matching necklaces), but your waist beads? goes absolutely crazy whenever you wearing a crop top and you have them on.
one time you two were at a beach and you wore them with your bikini, he might as well have fell in love with you all over again. bro has his hands on your waist the whoooleee time.
"Princesa, never take off your waist beads." "Why? You like 'em?" "¿Gustarme? Chica, Dios mío, estoy enamorada de ellos." (Like them? Girl, my god, i'm in love with them.) "Miles!" "What? I'm just appreciating my queen n her style, ion see no problem."
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E-1610 MILES
Miles is obsessed, like, obsessed, with your style.
if you two live close, he'll style your locs and do your head wrap for you before school.
if not, he'll come to school excited to see your ootd. that is, as if you don't send them to him everyday before school.
"You look gorgeous in your outfit, amor." "Thank you Miles. You do know i already showed you it before school, right?" "So? It's always better to see my wife's outfits in person." "Bambi, you so corny."
he draws you, all the time. look through his sketchbook and you'll find drawings of his friends from the spider society, his uncle, and thousands of you.
Instead of doing what his twin does, when he misses you, he'll draw you. He misses you a lot.
"Baby, can I see your sketchbook?" "..Uhm, yeah! Sure." "You draw me? Awwe, that's so cute."
he loves how calm you are, he actually thinks of you as an angel the way you're so peaceful.
he thinks your nose rings are so gorgeous. if you let him pick which nose ring, he'll be so honored.
adores the fact you smell like lavender. he'll always lay his head into the crook of your neck because he loves your scent sm.
like his counterpart, he's so fascinated to your waist beads. like, he just thinks you look so beautiful with em. One time, you put his hands on your waist, he honestly didn't know what to do with himself.
"Mami, did you know I love your waist beads?" "Yes, bambi, i know." "Nah, but I loooovvveeeee them!" "Baby, i know!" "Like, I looooooooooooovvvvvvvveeeeee them!" "Love, please."
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© all444miles 2023. do not plagerize, copy, or repost my work in any way shape or form, without my permission.
likes, reblogs, comments and asks are always appreciated !
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tocomplainfriend · 4 months
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I am mad
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Yup!
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Bro shut up, she is white - being Latina is not a race, is an not the same as color skin. And she is a second generation immigrant too. So like... this isn't like a Salvadorian person doing a cartoon, is a daughter of Salvadorians... That grew in the USA. Being Latino doesn't mean you aren't white, you can be any race and Latino. Still wouldn't make up for the lack of representation or the existing racism. In the piece of media that's "diverse".
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Salvadorian is not a race, LMAO. That's crazy- you think someone from Argentina who is white, is not white cause of their nationality??? Being Latino and having that culture does not equal a race. It's in itself a racist thing. This Latino = Race is terrible, It also comes from the idea of the "You are not Latino because you are not brown", assuming all people from Latino America are brown by default. You know how much has that happen to me? -AND MANY OTHER PEOPLE.
(I'm Latino btw)
I already have an older post about it, but - you can really see the lack of diversity in the show a lot. (Will talk about it even more other day).
Again the main thing you get is MEN, hypersexual skinny queer men (cis). You won't get to see female characters being well written, thought all the season 1 and all the episodes we got rn of season 2. All characters are skinny and similar body types and repetitive design choices. Funny enough, shows that lack of human characters still have better race-coding that helluva. (and well in hazbin you'll get POC characters that are gray, lack all ethic features... even when they are humanoid. So that is great.)
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Bro you could, you imagine a character being black and having different textured hair, and you go to hell... AND EVEN THO YOU ARE HUMANOID- your hair became straight and spiky, and you are now a light gray? If you build a world like that... it just seems like the perfect racist excuse to delete ethic features out a POC character because you don't want to draw them. "Not going to a single hint of their race/culture unless it revolves on their death"... If the character became a fucking coin with dot eyes, maybe (not really, shows with no human/humanoid characters still are capable to race-code their characters). But all of these characters are humanoid- why do none of them have their different characteristics? Also, this is about a real person in the real world choosing how to design a character.
This tweet also implies that a black character when they were a life they had ethic features, but lose them when they go to hell. Which is even more fucking stupid.
If a white person with straight hair goes to hell, and their hair remains straight (assuming it has nothing to do with their death), why wouldn't there be black people with textured hair? This is dumb. This goes back to the fucking thing of "No black people in fantasy media", In the same way, it's stupid for fantasy stories to revolve around white people characteristics in fictional species and people in that world- not including all the rest of diverse human characteristics POC people have it's crazy. The biggest problem here is why the fuck all Viv's sinners characters (main characters designed by her) that are supposed to black (or mixed like Alastor) have 0 characteristic. THEY ARE HUMANOID, THEY AREN'T EVEN ABSTRACT OR AN ANIMAL OR ANYTHING LIKE THAT. She didn't want to draw that nor change designs, and wanted to justify the whole concept of Alastor even using Voodou.
HOW ARE ALL THE ANGELS THAT VIV WANTS TO BE BLACK (black voice actors specified, or are race specified) HAVE NOTHING??? LIKE HELLO THE 'I'm such a nice angel character girl' HAS SPIKY STRAIGHT HAIR??? SHE IS AN ANGEL AND BLACK, WHY DIDN'T YOU DID HER HAIR TO BE CLOUDS- It's THE EASIEST SHIT YOU COULD’VE DONE.
BOOM! A FUCKING TROLL FROM A KIDS MOVIE WITH DIFFERENT HAIR. BOOM! THE FUNK TROLLS ARE SO EXPLICITLY BLACK CODED.
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Bro, you know this whole thing of people with textured hair have to forcefully straighten their hair or wear wogs to a job... because people consider it ""Unprofessional"" cause racism? The erasure and discrimination of POC people and their features is a problem. That's why it is important to people represent all of those things:
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(Marvel's Moon Girl and Devil Dinosaur)
The only reason of why Alas tor is even mixed is purely cause Viv used the Voodou symbols because she thought they were creepy and edgy. It's sucks that all the angels and sinners that are supposed to be black have nothing.
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lendeah · 4 months
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Thank you very much, Gale. Goodnight.
Pairing: Gale x Fem!Reader/Tav
Summary:
Upon reaching the Last Light Inn, your party is informed about the room arrangements: you will have to share rooms in pairs. Fate has it that you find yourself paired with a particularly charming wizard. To add a twist, there's only one bed. or Gale and Tav relive the "there was only one bed" trope.
Tags: Fluff and smut. They are so cute.
Word count: 3.5k
Warnings: NSFW (minors dni), thighs, frottage, heavy petting, mutual masturbation, touch starved Gale.
Note: This was going to be a prompt but it got out of hand. Anyway, a small gift for the Gale girlies (me, I am the Gale girlies). Also, not proofread and english isn't my first language, so be gentle!🫶🏻
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"You will have to share rooms in pairs" Yaheira had deadpanned. After our long journey, we finally reached the Last Light Inn. We were hoping for a comfortable bed and some privacy, but our hopes were crushed.
Yaheira didn't seem fazed by our reactions, her expression remaining stoic.
"After all the blood, sweat and tears we poured into saving you lot back there this is the beautiful appreciation we get in return?" Astarion exclaimed dramatically, his tone laced with sarcasm.
Yaheira's cold stare silenced him. "Many soldiers are residing here, sacrificing their own comfort for our cause. Four of them have given up their bedchambers for your stay. You should be grateful," she reprimanded sharply.
The creaky wooden floors and musty smell hinted at the age of the building, but it was a small price to pay for a warm bed and shelter from the danger of the shadows outside. The group stood in a huddle, debating their next move. Wyll's voice rang out confidently "I propose we stay at the camp like we have been doing.".
Karlach's response was immediate and determined: "What, and die in the shadows? No, thank you."
You let out a frustrated sigh, feeling about to faint from weariness. "Guys, we're all exhausted. We should just accept the offer and get some rest. We practically sleep on top of each other every other day anyway."
"Yeah, but not on the same bed." Shadowheart chimed, giving Lae'zel a sly side glance. "And how would we determine who sleeps with whom, anyway?"
Gale, the ever-practical one, interjected: "Perhaps we could employ a method of chance, such as drawing straws, in order to make a resolution?"
So that's how Gale and you end up entering the old dusty and messy bedroom from the last Light Inn. The single bed in the middle seems to be laughing at us.
Gale sighs. "I knew sharing rooms wasn't a good idea. I should just crawl under the bed." He scans the room, eyes coming to rest on the window, with the dark sky looming outside. "I could sleep out there too." He pauses. "The prospect of such a cozy rest is indeed quite alluring. The brisk gusts brushing against my face, as I gaze upwards towards the unobstructed expanse of the starry heavens. Delightful, wouldn't you agree?"
He moves to get out of the door, but you grab his arm, your voice pleading, tinged with desperation from the exhaustion. "Please, Gale, I know it's uncomfortable, but can we just please do this tonight and figure out a better plan tomorrow?"
He swallows, glancing down at your fingers wrapped around his arms. "I-I don't think you realize just how difficult it'll be for me. This bed's too small, and it's too close, and—I can't."
I look at him with my eyes narrowed "If you don't get on the bed in the next five minutes, I am going to use my maze on you. And let me tell you, it hurts"
He looks at me dumbfounded ."...You wouldn't?" You give him a pointed stare. Of course, you don't mean to hurt him, but you are too tired to fight or move for that matter.
He swallows, looking you up and down again. Then he nods and turns toward the bed. "Uh, fine. I guess I'll, uh, get on the bed. However, I cannot guarantee that any peculiar occurrences will not transpire. I mean, not that I expect anything weird to happen. Just, you know, putting it out there. Okay, I'll stop talking now."
Your roll your eyes fondly at his rambling. As Gale awkwardly settles onto the edge of the bed, you quickly change into your undergarments and crawl into the other side. The bed creaks under both of your weight, making Gale flinch. The space feels narrow, forcing you close together. There's barely an inch in between, and any movement sends you brushing up against him. You can feel his body heat radiating off him, a little toasty.
"The dimensions of this bed are rather diminutive," he whispers, staring up at the ceiling under the blanket, unable to make eye contact with you.
"Aren't you sharp" you whisper teasingly.
"It's... it's tiny! How do you expect two fully-grown individuals to successfully sleep in this thing?" He says in an exasperated whisper. It is small, though. Feels like I'm being wrapped in a blanket... Except the blanket is another person.
I sigh in exhasperation, "Gale I am trying to sleep for god's sake!"
Gale shifts uncomfortably, trying to make himself as small as possible on the narrow bed. "I apologize, I didn't mean to disturb your slumber. I just...I can't get comfortable in such confined space."
You let out another sigh, feeling a little bad for him. "I'm sorry. This isn't your fault, but is it possible that we exchange our positions? I don't mean to inconvenience you, but I feel like I can't relax like this. I can sleep on the edge of the bed, and you can sleep in the middle."
You look at him, one second away from grabbing your maze for real. "Gale, there is no middle, every part of this damned bed is the edge!"
Gale, is still fidgeting on his side.
"This is ridiculous," you mutter under your breath.
"I know," he responds quietly. "I'm sorry." He bites his lip, looking up at the ceiling again. "It seems as though you are now stuck with me as your blanket," he says, turning his head in your direction. "I hope this arrangement does not cause any discomfort for you... I would not want to impede upon your sleep."
At that, you can’t help but smile fondly back at him "It could be worse," you remark softly. "I could be stuck with Halsin and his incessant snores."
"Halsin snores?" He blinks in genuine surprise. "I never would have guessed. Is it disruptive? Like a storm tearing through the night?"
You roll your eyes. "You wouldn't know, you sleep like a rock all night." Your words are playful, as you nudge him lightly with your elbow.
"I do not! I am an extremely light sleeper, in fact, the slightest noise can jolt me from my slumber. It's quite a remarkable feat, really." His brow furrows. "Wait, does this imply that you have observed me in my sleep?" He blurts out. He is now on his side too, both of us facing each other.
A soft chuckle escapes from your lips, banishing all thoughts of sleep. "Yeah," you remarked with a playful smile, "I must say, you look really cute when you're sleeping."
The moonlight streaming in through the window cast a gentle glow on Gale's face, making your heart swell with affection. His tousled hair and big brown eyes look even softer in this ambience.
His mouth drops open, his eyebrows now shooting up to his hairline. "I do not look cute while I sleep!"
"So cute, with your cheeks all puffed," you say, reaching out to pinch his cheek playfully.
Gale's face flushes a bright red and he turns away, trying to hide his embarrassment.
"I—I'm not cute when I sleep," he whispers." I am powerful! A talented wizard, a master of magic. I do not need to be "cute". And I'm not!" But as he protests, you can't help but notice the way his cheeks flush and how his hair sticks up in all directions, making him look endearingly disheveled. You can't resist the temptation and reach over to tickle his middle. "Cutie!"
"I am not!" he protests, giggling as you tickle him. "Stop it! You're making me... gahahaha!" His laughter bubbles out of him despite his attempts to hold it in.
You laugh too, enjoying the sound of his laughter. "See? Cute."
"I'm not cute!" he gasps out between laughs. "I'm... hahaha... I'm powerful!" He tries to sit up, but you pin him down with your hand on his chest. "You are cute, Gale. And you're adorable when you laugh," you say, looking into his eyes. He looks at you, his cheeks still flushed with laughter and embarrassment. For a moment, the two of you just stare at each other before Gale clears his throat and lays on his side again.
"Gale?" I call out softly, hoping to break the silence.
"Yes...?"His voice is barely audible.
Smirking mischievously, you decide to push his buttons a little more.
"You know, I have trouble falling asleep unless I'm cuddled up next to someone." you whisper
He flinches. It takes a moment for your request to fully register, and he stares at you with a mixture of shock and confusion.
"...Are you serious? You want me to cuddle you?"
You nod eagerly, a hopeful smile playing on your lips. "Usually it would be Shadowheart offering, but she's not here right now."
"You want—me, to wrap my arms around you, to..."
His eyes narrow. "Am I hearing you right? You're asking me, to hold you?"
You roll my eyes "Yes Gale, that is usually how cuddling works."
Gale looks at you, taken aback by your request. His face flushes with embarrassment as he considers your words. "Um...I-I'm not entirely certain if that would be a prudent course of action," he stammers out, looking away from you.
"Forget it," Frustration wells up inside of you and you let out a low grunt before turning away to face the opposite side of the room.
"Er- I mean, wait, that wasn't a rejection... " He scoots closer, careful not to touch you. You turn yourself, so you are looking at him again. He looks down at you with a nervous expression. "So if I were to, hypothetically speaking, encircle my arms around your form, you wouldn't object?"
For some reason, your heart skips a beat at the thought of his arms around you.
"Well," you respond playfully. "I would probably say something along the lines of 'thank you very much Gale, goodnight'."
He hesitates for a moment before finally inching closer, his arm hovering uncertainly in the air. With a deep breath, he takes the plunge and wraps his arm around you, pulling you gently against his chest. You let out a surprised gasp, not expecting him to actually cuddle you, but the warmth and comfort that radiate from him are welcome in the cold room. You nestle into his embrace, feeling the steady beat of his heart against your ear and inhaling the intoxicating combination of an old book's musty pages and his rich cologne, laced with a subtle hint of sweat. You wrap your arms tighter around his soft body, savoring the feeling of being held in his strong embrace.
"Thank you, Gale" you whisper, intertwining your fingers behind his back. "Goodnight."
As the exhaustion of your journey settles over you, you feel the familiar pull of sleep in your body. However, the moment is disturbed by the feeling of something hard poking your stomach. Your eyes snap open and meet Gale's, who stands there frozen with shock and embarrassment.
"I... I'm sorry," he stammers out, mortified. "I didn't mean for that to happen. It's just been so long and you are so close and..."
Your bodies are still pressend, and you try to make sense of everything. Finally, you laugh softly and pat his arm reassuringly. "It's okay, Gale. There's nothing to be embarrassed about." you say reassuringly, though you can feel a blush creeping up your cheeks.
"But... but I didn't mean for this to happen," he repeats, still clearly flustered.
"It's natural," you say calmly, trying to put him at ease. "It happens sometimes when people get close like this."
Gale nods slowly, still looking a little uncertain. He shifts slightly so that the bulge isn't pressing against your body as much anymore. "Thank you for understanding," he says quietly. Your heart swells with affection as you watch him; there is something endearing about his vulnerability in this moment. You have an overwhelming urge to pull him close, to shield him from any harm and take care of him.
A twinge of guilt tugs at your conscience as you watch the flush rise in his cheeks, a direct result of your teasing. You chew on your lip for a moment before an idea strikes you. "Do you... want me to lend a hand?" You offer tentatively, gazing up at him with soft eyes and a gentle tone. His big brown orbs widen in surprise at your unexpected offer. You are also taken aback by your own words, but don't take them back.
He opens his mouth to speak, but no words come out. You can see the struggle in his expression as he tries to process what you just said.
"I mean, it's completely up to you," you quickly add, not wanting to pressure him into anything. "I just thought maybe it would help alleviate some of your... discomfort."
He takes a deep breath and looks away from you, clearly embarrassed. Gale hesitates for a moment before nodding slowly. "Okay," his voice barely above a whisper.
Your heart races at his acceptance. You were not expecting him to actually agree to your offer, but you are weirdly glad he did. "Okay," you repeat softly, moving your hand down to his waist and pulling him closer. You slowly reach down between both your bodies, gently taking hold of his erection through his pants. Gale gasps softly as your fingers brush against him, sending shivers down his spine. You can feel his breath hitch in anticipation as you start to move your hand up and down. As you gaze up at him, his arms still holding your body, a deep stirring awakens within you. The wizard before you, with his eyes squeezed shut in pleasure, is more attractive than you had ever realized. His tanned skin is like velvet against your fingertips, and his long hair falls over his face in gentle waves. Each reaction to your caress, every soft moan that escapes his lips, only adds fuel to the fire growing inside of you. Looking so eager for your touch.
Without hesitation, you lean forward and capture his lips in a gentle kiss. To your surprise, he responds enthusiastically, his hands moving to rest on your face as he pulls you closer to him. You deepen the kiss, your heart racing at the feeling of his warm lips against yours and the subtle tickle of his beard on your cheeks. As you continue to kiss, your hands never stops the gentle strokes on his erection. Gale's moans are becoming louder and more urgent. You can feel his need growing as he grinds against your hand, seeking more friction.
"L-let me touch you" he says between ragged breaths.
You smile at him, feeling a sense of satisfaction at the effect you're having.
"I have a better idea," you say softly, moving your hand away from his erection. You take off your panties, and move on your side in front of him again. Gale lets out a small gasp as you straddle him, feeling the heat of his arousal pressed against your bare thighs.
"What are you doing?" he asks, his voice thick with both curiosity and lust.
A mischievous grin plays on your lips. "I'm going to give you something even better than my hand to relieve yourself," you purr, swaying your hips in demonstration in a slow, enticing rhythm, that elicits a delicious friction between his cock and the warm heat of your thighs and cunt.
You take one of his hands and guide it to your breast, letting him feel its softness and moaning quietly at the touch. Gale's eyes widen in surprise, gently squeezing it but with his eyes fixed on yours.
"You're so beautiful," he whispers, reaching up to touch your face with his free hand.
"Thank you, so are you," you reply, leaning down to capture his lips in another tender kiss. He seems to find your praise very arousing, as his breathing quickens and he thrusts his hips upward, seeking more contact with your body. In response, you arch your back and press your chest against him, savoring the feel of his erection against your core and thighs.
"I want you so much," he murmurs, his voice rough with desire. "I've been dreaming of this moment for so long but I never- I didn’t think-“ he gasps at a particularly good thrust.
You're not sure how to answer, so instead you keep whispering sweet nothings in his ear. "You're an amazing kisser, Gale," you say, "you touch me so good..."
He moans in your mouth, gripping your hips harder as he keeps pounding erratically. Your hands move to his hair, pulling from the strands and eliciting a small whine from his throat. You can feel the hardness of his erection brushing against your wet folds with every movement, and it sends shivers of pleasure down your spine. You let out a moan into his lips as his fingers find their way to your clit, rubbing small circles that send sparks of pleasure throughout your body. Feeling his arousal growing even more, you know he won't last much longer, so you move your hips in a faster rhythm, grinding against his cock with more urgency.
Gale lets out a low growl, his hands gripping your hips tightly as he matches your movements. The friction between your bodies is almost unbearable, but in the most delicious way possible. As you continue to move together, your breaths growing heavier and more ragged, you can feel the familiar sensation of your orgasm building within you too. Gale seems to be close as well, as he begins to thrust deeper and harder into your thighs, his breath hot and ragged against your neck. You can hear the slap of skin and the squelching sound of your now wet thighs.
"Oh, gods," he gasps out, feeling himself getting closer and closer to the edge. "I'm gonna..."
His body suddenly tenses up as he comes undone, his hips bucking wildly as he spills himself into the soft skin. For several moments, Gale lies there panting and gasping for breath.
"Oh, gods," he gasps out. "That was...amazing."
You lean and press a gentle kiss to his lips, smiling at him as you do.
"I'm glad it brought you pleasure," you whisper softly, running your fingers through his hair.
Suddenly, his skilled fingers find their way back to your core. He seems to sense that you didn't reach climax with him earlier and now he's determined to make sure you do. His touch is intense as he circles and rubs against your clit, sending waves of pleasure coursing through your body. You let out a moan, arching your back and grinding against his hand. He watches you with intense desire in his eyes as he continues to pleasure you.
"Gods, you're so beautiful," he murmurs, his voice husky with lust. "I am not going to be able to forget this."
His words only fuel your desire even more, and you can feel yourself getting closer to the edge once again. Your nails dig into his shoulders as you ride the waves of pleasure, your hips moving in sync with his fingers.
"I want to make you feel good," Gale says breathlessly, kissing along your neck and collarbone. "Tell me what feels good."
You guide his hand lower, signaling for him to enter you with his fingers. He complies eagerly, sliding two fingers inside of you and curling them just right to hit that perfect spot. You cry out in pleasure, your walls clenching around him. You know you are not going to last long, still sensitive from the previous ministrations.
"Thank the heavens and hells," Gale groans, looking at me like I am a work of art. Setting a steady pace with his fingers, he kisses down your chest and takes one nipple into his mouth. The combination of sensations has you teetering on the edge once again.
"I-I'm close," you manage to say between gasps.
"Come for me," Gale whispers against your skin, increasing the speed and pressure of his movements.
With a final thrust of his fingers and a flick of his tongue against your hardened nipple, you come undone in a powerful climax that leaves you panting and shaking in Gale's arms. He holds onto you tightly as he continues to pleasure you through the aftershocks.
"That was incredible," he murmurs against your skin as he peppers kisses all over your face.
"Yes it was," you reply dreamily, still basking in the afterglow.
Gale pulls out from between your thighs and settles down next to you, his strong arms enveloping you in a warm embrace. As you press your body closer to his, you feel a subtle shift, an unspoken understanding passing between the two of you. Instead of voicing it out loud, you turn to him and whisper,
"Thank you very much, Gale. Goodnight"
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ferretrix · 5 months
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hey, long time admirer of your stuff! ive just been wondering, though, how exactly do you do your eyes? like.. obviously they're different from character to character, but how do you usually form them and whatnot?
thank you ! - 💥
heya thank you :) it's been a while since i answered one of these in depth but for you good anon i will try my best..... Here's the simple answer:
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Here is some more thought-process/behind the scenes stuff:
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Obviously head angle determines many things about drawing eyes; I've been trying harder to keep it in mind when I'm putting lines down, and it'll generally make them look more grounded/offer better depth. The main takeaway from head angle is how are the eye sockets oriented. Doing drawovers of photographs is a cheap+easy way to get a feel for this, but I wouldn't worry about 100% anatomical accuracy; what I'm trying to get a feel for is the placement of eyes versus the brow/nose bridges.
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The amount of detail I put into eyes is wildly inconsistent haha it rly depends on the piece and art style, but the (for lack of a better word) "definition lines" and spots of black in deep shadow make up most of the detailed stuff. I'm still not great at drawing massively distinctive eye shapes but I try to maintain a general sense of one for different faces (ex. Rectangular, narrow, round, angled up or down). I'll also be the first to admit it takes a lot of conscious thought to reproduce the same line variation/angles in someone's eyes each time you draw them, but if you're looking for advice on consistency those are examples of traits I'd keep in mind.
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That's it for the most part.... I don't think the way I draw eyes is particularly unique lol so here are a few things that have gotten me where I am:
other people's art, a lot of which is manga. when I say naruto taught me to draw im only half joking hwheeze. my art tastes lean towards manga/comic stylization so none of this is hugely realistic overall....
that being said, I do like the more realistic side of manga/comic art so photo studies/anatomy tips have still been useful to me
this tutorial by sinix is one of my favorite things ever, because it explicitly discusses both anatomical knowledge AND how to translate that into shorthand
thanks for the ask!
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kozachenko · 2 months
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[Click image for better quality]
I FIGURED OUT A WAY TO FUCKING MAKE THE IMAGE SMALLER FOR POSTING ON TUMBLR WITHOUT SACRIFICING THE ACTUAL QUALITY OF THE IMAGE OH MY GOD
Ok so, what I did is go into the clip studio paint file, make a new file, copy and paste the group in the original file, merge everything, get rid of the extra stuff outside of the canvas, and then make the flattened image smaller and crop the canvas. Once you have that, export it and you're done. This helps maintain the actual quality of the image and also helps shrink the file size down to something actually postable (if anyone has a better way of doing this please tell me)
[Edit]: Ok I guess posting something to Tumblr just naturally compresses the image a bit more somehow because I'm looking at it now and zooming in too much makes it a bit blurry so I'm still gonna have to futz around with image quality for future pieces oof
Artist's Note:
I'm so glad I figured out a way to do this because I like working on a big canvas so I can get as much detail in as I possibly can. Only problems are how laggy it gets while drawing lol.
I had an idea for a drawing with Reimu and Zanmu because I really like thinking about their potential dynamic a lot. I also wanted an excuse to draw Zanmu again but in my normal rendering style because last time I drew her she was in my more sketchy style with generally flat colours so I wanted to draw her again. Speaking of, looking at the sketch for this is a jumpscare that I never enjoy seeing, like, man am I glad I didn't use those for my final piece.
Also about her spear. I was originally gonna make it like the ones she had in game, but it kinda threw off the whole piece. It was too big, too blue, and too flat, so I just went "fuck it" and gave her a different one instead. My headcanon justifying this is that the ones she uses in game are for danmaku battles whereas in any other fight she just uses a proper yari, or she still uses the yari and just makes it all glowy to power it up, maybe both lol. I pulled as much inspiration as I could from Sengoku era spears, and even put in some blue into the decorative part of the spear and also added a little skull to pay tribute to the original spear. Also, in my research I saw some art of izanami and izanagi making japan and saw that the yari izanagi has had a little decorative tassley thingy on it so I took some inspo from that and just made it one of Zanmu's tassles (Idk when that art was from or if the spear was still accurate to Sengoku period Japan but hey, probably the same reasons Eirin puts little bow ties on her arrows, it's just for personalization purposes).
I love rendering hair and clothes so much omg, while I like the super curly hair Zanmu, the longer, wavier hair suits her better for this drawing (I imagine it only does that like how Ghibli characters hair moves when they feel angry lol). I love making Zanmu's hair all messy and crazy, as well as giving her grey hairs, this woman has aged like a fine wine. Also, if the hem on the ends of her sleeves, top of her shirt, and her pants look like gold to you, that's because it is! It's fairly light so she's not collapsing under the weight, but it's gold! (I don't care how impractical it is, it's just cool). Not the undershirt though, it's made of a gold fabric. I had a cute idea with Reimu's hair to make it have a red shine to it. I also changed up Reimu's outfit so it isn't just a blob of red. I like it a lot when Reimu's skirt and outfit is segmented into different layers, so I wanted to incorporate that.
I tried to draw their hands differently as well, but IDK how noticeable that is. Also, I am super happy with how the side profiles for the two of them turned out, I used to struggle a lot with how to make the side profile of a character actually look like the character, so I'm really happy that they actually look like themselves.
Also added in the tree and rocks in the background as an homage to Zanmu's character art in Touhou 19, just because I was getting kinda stumped on what to do with the background lol.
In terms of a story idea with Reimu and Zanmu, idk why but the potential plotline of Zanmu wanting to ascend to godhood is so fascinating to me. Like, it is very possible that if she just convinced everyone she was a god (which would be very easy for her to do), she would become one in a heartbeat. Also, if she were to become a god, with her ability to return stuff to nothing, could she hypothetically get similar abilities to (Jojo Part 5 spoiler btw) GER? Like, idk about the death timeloop stuff, but the concept has been haunting me every night as I have been trying to find loopholes in GER's ability for a while now ( for no reason in particular). Back to the main topic, I imagine that she would probably tell Reimu that if she were to become a god she would take over the Hakurei shrine since the god there might as well be dead, and Reimu just says to her, "Over my dead body bitch." Like, I have no idea how to summarize their dynamic but like, it's the type of hero-villain dynamic where the phrase "We're not so different, you and I" would definitely be a phrase said during a fight. I think that if another IN style game were to release, Reimu and Zanmu would be in a team together. They could also have an interesting mentor and pupil kind of dynamic. Can you tell that Zanmu has been charging my mind rent these part few months? Like, instead of living in my head rent free, she kinda just uno reversed the whole situation and now she's the one charging me rent. What happens if I get evicted from my own brain? Actually, scratch that, I don't think I wanna know.
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pien-art · 7 months
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-FAQ-
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Hello! I've gained a whole bunch of followers lately and I've been getting a lot of questions about what my setup is, what brushes I use, what my process is like, etc, so I thought I'd make a post about it to answer everyone's questions at once !
Putting them under the cut <3
How long have I been doing digital art:
I've been drawing digitally for about 5 years now i think? But before that I've been drawing and painting traditionally literally since the moment I could pick up a pencil.
Set-up:
It's just me and my ipad and apple pencil laying on my bed. I wouldn't even know where to begin for those whole multi-monitor/screen setups ;-; I draw only with Procreate
Brushes:
I've put the ones I use most in the first image! I tend to play with different brushes from time to time to get different textures, but generally i use the same few for most of my drawings/styles. My favorite one is the Peppermint Brush, for sketching. I use it in every drawing i make! I always sketch with it, and often do the line-art with it as well! And it makes for a nice textured brush for rendering as well! (i used it for a lot of rendering of the armor in this drawing)
The brushes in the image above are:
medieval style: inking - Ink Bleed (for line-art) artistic - Quoll (for coloring)
general style: calligraphy - Chalk (coloring/rendering) sketching - Peppermint (line-art/sketching)
realism: calligraphy - Shale Brush (full rendering) Also using the shale brush for smudging and erasing when drawing realistic
How/why do you choose a base color:
I tend to look at a few different things when deciding on a base color/color palette.
the overall color of the reference pic
the color i associate with who or what i am drawing
the feeling/vibe i want to give off with that drawing
color has a BIG impact on the vibe of a drawing, so it is something i keep in mind when im drawing.
Using a color as a base to start, helps a lot with my drawing process. It helps me pick out other colors so they match better. It helps me get light/dark values right. And the chalk brush i use, has gaps between the strokes, so the base color will always come through a little. Having the same color come through in the entire drawing, helps pull all the colors together if that makes sense? I always start with a solid base color when i am painting traditionally as well!
Advice:
PRACTICE!!! just keep drawing and practice. I know this is such generic advice but truly practice is The Way. Learn from other artists but don't compare yourself to them. Everyone's artistic journey is different and there's no "good" or "bad". And most importantly make sure that you have fun when you're making stuff :3
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wombywoo · 11 days
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Hello!!
I wanted to ask if you would be willing to share how you go about finding the references for the injuries you depict in your work? Your pieces where the CoD boys are sporting injuries, fresh and old, are always so lifelike and to my untrained eye seem entirely medically correct.
I have been trying my hand at drawing the boys retired and resting as well, but I’m finding it difficult to decide what work injuries to add and how to find the respective references.
How do you decide what injuries to portray? And how do you go about finding the reference material?
Your huge fan, amustikas
Oooh ok ok! I'm gonna post my answer publically because I think others would find this interesting too!
To preface, I am definitely NOT a medical professional, and as such, a lot of the stuff I choose to depict in my art is not so much..ah, medically accurate as it is....aesthetically pleasing 🤭
I'll start with scars, as a lot of us enjoy slashing up Simon's face with them, lol. Generally, I'll do a cursory google image search for the type of scar I'm looking for (be warned, these can be graphic) with searches like 'burn scar' 'surgery scar' etc. But I find that for things like cuts and lacerations, real-life scars are a bit innocuous and lame 🤷‍♀️ Unfortunately not everyone's skin wants to retain that perfect slash look™️😔
So what I usually end up referencing are costume prosthetic scars ✨
As you can see, they're pretty gnarly:
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And you definitely don't have to go this intense, but I find that the dramatic, carved-like appearance of these translate better to art than a realistically healed wound 🤙
The other thing to consider is the prevalence of injuries in the military. From what I've gathered, the most common will be back/shoulder/limb injuries, just a general fucking up of the whole musculoskeletal system in general due to constant overuse 🤕 Hearing loss, shrapnel/blast/burn injuries are also common, as well as all the negative psychological effects :') goooood times (not)
I think it's neat to look up real-life examples of these things, but it can get a bit intense if you're squeamish...
SafeSearch is OFF, the horrors are REal 😳
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So yeah...I tend to tone things down, all things considered...😅
For this particular piece:
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I researched broken humerus injuries and treatment 👍 Poor boy 🥺(Yes, I am aware that I consumed entire articles and did a shit ton of research about this just to go ahead and put a female's x-ray in this fucking picture sdfghjkl rip💀😭)
But here you can see the actual process for applying the brace for this particular injury:
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Neat, eh?
When I draw Johnny with a knee brace, it's usually a real authentic one you can buy on amazon:
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Product placement blast!!!💥✨ Bezos, where is my cut?? 🫰
As for ones like this:
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I tend to just...scatter some wounds around and patch them up accordingly, lol. Bruising around the eyes is common with any head injury, and surgical stitching will offer a nice puckered skin effect mmm 👌 (I swear I'm normal abt this)
I'm sure the medical malpractice lawsuits are stacking up for me now, but again--it's usually more about the ✨visuals✨
My parting advice would be--go nuts! Feel free to maim and mutilate and mangle to your heart's content 🥰
Thank you for the question, Amustikas! I love your art as well 💗🫶
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erosmutt · 17 days
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☆ thinkin' bout . . .
. . . just arguing with husband!anakin.
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𖦹 cheating, make up/hate sex, anal, doggy, asshole anakin, anakin refers to reader as 'bitch' once, specifically season 7 clone wars anakin (i won't be taking questions)
𖦹 accompanied by All I Need ⋆ Lloyd
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"here we go," anakin mutters. you two had been at each other's throats for who knows how long, yelling like you'd lost your damn minds.
you glare at him from across the room, arms crossed over your chest. "yeah here we go anakin," you begin pacing again. "you aren't even listening to a goddamned word i'm saying, anyway!"
anakin, also with his arms crossed, shifts his weight from foot to foot, eyes narrowed. "you're acting out for no reason and you know it. you always want something to fucking complain about. always mouthing off. i could barely get in the house before you were bitching at me." well, that was true. you were waiting, itching to see him come through that door so you could lay into him.
about what? his infidelity. you knew while he was 'at war', he was fucking girls left and right. the smell of perfume you most definitely didn't own would cling to the fabric of his robes when he got home, and his bitchass didn't even try and hide it. he had no reason to, because he knew even if you did stand up for yourself and stop taking his shit, you'd come crawling back. because no one could fuck you like he can.
"am i wrong, anakin?! am i wrong for wanting to confront my husband about his little wartime adventures?" you yell, making him roll his eyes. "you're delusional, you know that? delusional!" when he says that, you immediately get in his face. "delusional, anakin? so i'm just imagining the stench of another woman's tacky perfume on you?" he chuckles and shrugs. he puts his hands on his hips. "might be. you're always cooped up in the house, probably starting to hear things."
"oh fuck you," you turn away. "those girls can have you. see if they put up with your shit like i do." he just smirks as he watches you, head tilted as his gaze fixes onto your hips and ass. "they don't," he begins in a murmur. "i don't stay long enough to give them a chance to."
he was so fucking cocky it made you want to bash your head into a wall. or his.
"is that your poor attempt at reassuring me?" you scoff. "spare me. just go away." anakin walks up to you and puts a hand on your shoulder. "come on baby, don't be like that." he caresses your shoulder, moving his hand down your bicep, to your elbow, pulling your arm back. "i'll stop, i promise." you knew better than to believe him, but he had a way of reeling you back in. no matter what you did, no matter how far away you went, you always ended up back on his dick.
he uses his gloved hand to move your hair out of the way and leans down, his soft lips pressing against the nape of your neck. "anakin, i know you-" he exhales softly. "you don't wanna give me a chance baby?" you feel him smile against your skin. you place your hands flat on the counter in front of you, voice wavering, "anakin,"
"ah-ah," he chuckles, a low vibration that draws a shudder from you that most definitely isn't lost on anakin. "i don't wanna hear anything from you." his hands end up at your hips, thumbs hooking into the waistband of your pants. "don't you think you've done enough talking?"
getting the hint, you go quiet, but still try to resist. after all, he did just come home after bending over who knows how many girls. with a heavy sigh, he pulls away from you. "so you're really gonna play it like this, huh?" anakin laughs quietly to himself. "you're such a bitch, no wonder i'm the only man who'll put up with your stubborn ass. i do so much for you, and you can't even give me the time of day?" he scoffs. "seems like every goddamned time i come home," he once again hooks his fingers into the waistband of your pants, and snatches them down. "always giving me a problem," he mutters under his breath.
"maybe if you didn't give me any reason to, i wouldn't have to sleep around." was he really pinning this on you?! "you act like you don't run me away. it's like i have no other choice but to find comfort in another woman." he was removing his glove, discarding it on the counter along with his belt. his mechanical hand was cold as always as he grabbed your asscheek, artificial fingers digging into your flesh.
"anakin," you try again, but he doesn't let you get a word in. "yeah, anakin anakin anakin, you don't know what else to do with yourself besides bitch and whine." he spits down onto his flesh hand, then lubes up his cock. he smacks it onto your lower back, then spreads your ass to see your puckered asshole. "never letting me get a word in."
as his tip prods at your tiny hole, you gasp. "anakin, 's not gonna- aughh..." your words get caught in your throat as he tries to push in, and he can't help but smirk as he's met with resistance. "maybe you're right, but that's nothing a little force can't help. is it?" you swallow down a moan, and shake your head. "no, no, it can't," you let out a strangled moan as anakin pushes his round tip into you. you felt like you were already stretched to the brim, but his tip wasn't anywhere near the thickest part of his cock.
he leans over you and smiles, then presses a soft kiss just below your earlobe. "now let's try that again."
ᝰ.ᐟ @102hannah
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thank u @ckducky for drawing funny art of charlie's silly spear jealously and making THIS mental image pop into my head XD
Vaggie: "Thanks for doing this for us again, Ms. Rosie."
Rosie: "Oh my dear you know I'm just TICKLED PINK to help!"
Vaggie: "Well we really need it."
Charlie: "No we don't. I'm acting completely normally for this situation. I am being Totally Rational."
Vaggie: "Sweetie-
Charlie: "TOTALLY. RATIONAL."
Vaggie: "Charlie, you promised you'd be open minded about this...."
Charlie: "I am open! I just also know Rosie is going to AGREE with me on this!!"
Rosie: "Ohoho I suppose we'll see about that, won't we~?"
Rosie: "Now, why don't we put that spear away, hmm? And then the three of us can settling in for a nice long chat while you tell auntie Rosie all abut it!"
Vaggie: "Uh, actually. The spear has to stay."
Rosie: "Oh?"
Vaggie: "I'm kinda just dropping it off?"
Charlie: "Dropping IT off? Oh thanks Vaggie for coming alllllll this way- for the SPEAR."
Vaggie: "Them. I'm dropping THEM off."
Rosie: "... I'm afraid I don't quite follow? You came here for relationship advice, yes?"
Vaggie: "Right. Charlie's having relationships issues."
Charlie: "IT'S NOT AN ISSUE."
Rosie: "You mean, you and Charlie are having issues?"
Charlie: "THIS IS A NORMAL LEVEL OF FRUSTRATION!"
Vaggie: "No."
Charlie: "I'VE BEEN DEALING THIS THIS FOR Y E A R S AND HONESTLY I THINK I DESERVE A MEDAL FOR IT AT THIS POINT!!"
Rosie: "Charlie and... the spear?"
Charlie: "THAT BITCH!"
Vaggie: "Yeah."
Rosie: "I feel as though I understand even less. Isn't your spear-"
Vaggie: "Inanimate, yeah."
Charlie: "Oh don't let it fool you. It knows EXACTLY what it's doing-"
Charlie: "-SEE? SEE!! Look at it GLEAMING all SMUG in the sunlight, all nice and cozy where Vaggie so very CAREFULLY snuggled it into it's own chair-"
Vaggie: "Anyway thanks again Rosie for helping I gotta get back to the hotel."
Rosie: "I.... darling, I'm not sure this quite my...."
Vaggie: (ignores her) "I'll pick th- I'll pick CHARLIE up in an hour."
Rosie: "Wait-"
Vaggie: (smooching charlie's cheek) "Try to talk things out a bit, okay?"
Charlie: "Hmph! There's nothing TO talk about!"
Vaggie: "Okay. But venting to smeone might make you feel better?"
Charlie: "...maybe."
Vaggie: "Good. That's all I care about."
Charlie: (melting) "Yeah?"
Vaggie: "Yep~"
Charlie: "All you care about huh..." (sulking) "What about the spear."
Vaggie: "Literally just a spear, babe." (smooches her again) "Have fun with this, Rosie!"
Vaggie: (leaves)
Rosie: "......"
Charlie: "......"
The spear: (is a spear)
Rosie: "....right then! For this I think, tea will NOT be precisely what we need!" (pulls out a bottle) "One shot, or two?"
Charlie: "Did you know she RUBS that thing with OIL every night?"
Roise: (smiling and nodding) "Five shots it is then~"
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