#but anyway my point was. this is Everything to them. but its. not at all the same for raphael and gabriel.

[ganjas-shit]

Oh, You’re Breaking My Heart

Warnings: sexual thoughts, angst, mentions of ptsd, Neil Hargrove, mentions of loneliness and isolation.

Pairings: main pairing Billy x reader, some slight Steve x reader

Summary: Your longing for an exciting romance finally comes true when Billy Hargrove becomes your next-door neighbor. But is love everything you thought it would be?

Authors note: hi everyone! I’m most likely going to be turning this into a series (don’t know how long yet) but I’m so very excited because this has been sitting in my drafts for about a year already and I’ve finally decided to just finish it. There will be eventual smut for this soooooooooooo yea tee hee anyways hope you guys like it! Btw the timeline I’m using is not the same as the one in the show.

⋆˚☆˖°☾ ⋆˚☆˖°☾ ⋆˚☆˖°☾ ⋆˚☆˖°☾ ⋆˚☆˖°☾ ⋆˚☆˖°☾ ⋆˚☆˖°☾ ⋆˚☆˖°☾ ⋆˚☆˖°☾ ⋆˚

Love was something you deeply craved, something you longed for. As ridiculous as it sounds, you thought about it almost every day.

Having that one partner in crime; someone you can be reckless, wild, and free with. Someone who makes you forget about reality; someone who would do anything for you. Someone who knows the deepest, darkest parts of you.

For a while it became something you obsessed over.

Intimate, passionate, crazy love—blamed for the constant loneliness you felt. Your obsession with fictional romance failed to alleviate it. No amount of reading or watching could fill the cavity in your heart, that horrible feeling of emptiness in your chest.

Then Billy Hargrove became your next-door neighbor.

It all happened so fast.

Your belly erupted with a swarm of butterflies the moment his ocean-blue eyes met yours, as if the world paused just for that brief moment.

His dirty blonde curls and tan skin ignited something deep inside you. Soon enough, the emptiness in your chest was replaced by the fierce pounding of your heart.

Pretty boys came with a lot of attention, though, meaning Billy Hargrove came with a lot of attention.

Every girl threw themselves at him the moment he set foot in Hawkins High. And who could blame them? With a face like his, he was downright gorgeous. If you had the courage, you'd throw yourself at him too.

But for now, simply admiring him from a distance would suffice.

You took pride in that though. Who else can say they had a perfect view of Billy Hargrove almost every night through their window?

You spent countless nights watching him smoke cigarettes outside on the hood of his Camaro, admiring the way the moonlight hit his face as he was in deep thought about God knows what.

It was pretty hard not to look at Billy other than those nights through your window though...

In Mrs. Clarke's biology class, you'd often catch yourself staring at him. He'd sense your gaze and once smirked back at you, letting you know he felt your eyes on him.

And God, he would never forget the look on your face—wide-eyed and embarrassed as hell.

He thought it was the funniest thing in the world and he found it quite entertaining.

He found you quite entertaining.

Billy was so accustomed to girls throwing themselves at him; it was something he had gotten used to since he hit puberty. And although he enjoyed all the flirtatious looks and comments girls threw at him, he eventually grew bored of it.

However, you and Billy shared a common craving. Whether it was for love, excitement, intimacy, or entertainment, both of you yearned for something more.

.

“Shit guys, we totally forgot to hang up banners in the gym for tomorrow's basketball game!” You screamed like a madwoman startling the entire student council.

With just two minutes left until dismissal, exhaustion hung heavy in the air. The entire week had been a relentless blur of preparation for the school's stupid pep rally and its accompanying activities. By this point, everyone, including you, was over it.

As the bell rang, everyone dashed out of the classroom as if their lives depended on it. They gave you apologetic looks, patted your shoulder, and mumbled every excuse imaginable to avoid putting up those banners in the school gym.

“So fuck me huh?!” you yelled after them, throwing both your arms up in frustration before dropping them in defeat.

As head of the student council, you couldn't afford to procrastinate. The principal had emphasized that those banners had to be up and ready for tomorrow's game, or there would be consequences. That prick didn't intimidate you in the slightest, but, you had a reputation to maintain, and everything had to be flawless.

You huffed and grumbled as you entered the gym, your arms hugging a variety of large banners needing to be hung up. Your frustration completely blinded you to the sight of the gym full of shirtless basketball players.

Suddenly, a basketball collided with your shoulder at full speed, knocking the banners out of your arms.

The gym erupted in laughter.

“This isn't the student council club you do know that right kooks?” Tommy H. yelled from the court, laughing, trying so hard to impress his dickhead teammates.

Kooks.

They had given you that nickname after the scene you caused at Tina's Halloween party last year. It's the reason you no longer associate yourself with that crowd.

You remember it like it was yesterday.

You arrived at Tina's party with Tommy and Carol by your side, just one week after your harrowing experience of getting stuck in the Upside Down. It probably wasn't the wisest decision to be out, and you knew it. You had been home, cutting class, and ignoring their calls, and they had noticed a change in you. You were easily irritable and on edge. Carol even made a snide comment about how you'd probably been hanging out with Munson, snorting too much Special K.

According to them, you were a real drag to be around. So, they dragged you out of the house, urging you to let loose and forget about whatever it was you were dealing with. And so you did. You drank until you couldn't feel anymore, indulging in anything and everything that was being passed around.

Carol was never truly your friend; she was someone you grew up with and were kind of forced to know. She never really cared for you, so it was no surprise when you overheard her snickering with a few girls from the cheer squad.

They all eyed you up and down as you drunkenly swayed to the music.

“Wonder what hell she's been living; she's out of fucking control,” Carol remarked, smacking her gum as she laughed with the girls next to her, rolling her eyes at you.

Your ears perked up at her words, and they echoed in your head on a relentless loop, amplified by the effects of alcohol and marijuana.

Hell. Hell. Hell.

Images from that fateful night flooded your mind—the frantic sprint through the woods, the desperate attempt to escape the unknown terror pursuing you. You ran until your lungs burned and your legs gave out, only to find yourself in a place that resembled home but felt like a nightmare. It was as though you had fallen into a pit and landed in a realm you could only describe as hell. Darkness enveloped everything, the air thick with swirling black particles, and a monstrous creature hunted you down as if you were its final prey.

Tears welled up at the memory, and you couldn't hold back any longer. You had been bottling up your emotions, feeling isolated because what you had experienced sounded utterly unbelievable.

You charged at Carol and shoved her into the wall, causing picture frames of Tina's seemingly perfect family to crash to the floor.

Like the breaking picture frames, the smiles masking their true essence shattered that night, much like your own exterior, revealing the turmoil within.

You started to laugh manically, tears spilling out of your eyes.

“Oh, Carol, you haven't seen hell,” you chuckled, leaning in to whisper in her ear. “It's right beneath this town, and it's anything but pretty. It's downright awful.”

Carol was frightened tears threatening to spill from her eyes, she felt powerless in this position.

“Hey! What the hell is your problem, Y/L/N? Get off of her!”Tommy yelled, rushing towards you and Carol, pulling you away from her.

You pushed him back. “Don't you dare put your fucking hands on me!” you yelled, your words laced with venom. He backed away, refocusing his attention on Carol, attempting to comfort her throbbing head.

The images flashed in your head: your screams, the Demogorgon, the overwhelming sense of isolation. You turned to face the party, and all eyes were on you as the music came to a sudden stop.

“How can you all just sit here and party,”you screamed, your voice growing louder, more terrifying with each word. Nobody dared to approach you or even attempt to calm you down. It was clear you were experiencing a psychotic break.

You hadn't spoken to Steve in months, ever since he started distancing himself from you, Tommy, and Carol. But you couldn't forget the moment when he threw you over his shoulder, with Nancy by his side, and dragged you out of that party.

That night, you cried until you fell asleep, finding comfort in the presence of Nancy Wheeler and your old friend Steve Harrington. When you woke up the next day, you found yourself in Nancy's bed, and they bombarded you with all sorts of questions. You ended up sharing the horrifying experiences you had down there, and for the first time in a long while, you didn't feel alone. Now, you were stuck with a new nickname and a family bonded by the traumas of the Upside Down.

You laughed at the memory but the anger you felt in the moment snapped you back to reality.

The basketball rolled to the side, catching your attention. With all eyes on you, including Billy's intrigued gaze, you felt an itch for release. Without a second thought, you picked up the ball and with one swift motion, threw it at full speed. It struck the side of Tommy's head, catching him completely by surprise as he was too preoccupied trying to make his teammates laugh.

“You do realize there's a basketball game tomorrow, right? Maybe you should practice your passes a little more, you fucking prick!” you shot back, mimicking his tone with a hint of venom.

The laughter in the gym was quickly replaced by a chorus of “oooh's,” and Tommy was visibly seething with anger, clutching the side of his head where the basketball had struck him.

“You're so lucky you're a girl, freak!” Tommy yelled, pointing his finger at you in frustration.

You smiled and flipped him the bird.

Your reaction sparked something in Billy's gut, a mix of amusement and something else. He couldn't help but burst into laughter, though you might not have noticed being too preoccupied with picking the banners up.

Before he even realized it, Billy found himself inexplicably drawn towards you, as if some invisible force was guiding his steps.

Like his legs had minds of their own.

“That was quite a throw,” a deep, angelic voice sounded from behind you. Shit, you had totally forgotten he was here.

“Those throws are especially reserved for dickheads,” you retorted without turning around, your face turning as red as a tomato.

Billy's chuckle caught you off guard, something you never thought you'd hear up close. As you started to walk off to finish what you came here for, you heard him clear his throat, stopping you in your tracks.

“Aren't you forgetting something?” he questioned, giving you no choice but to turn around and see what he was referring to.

And god all mighty

There he was, shirtless. His tan skin glistened with sweat, revealing defined abs and muscular arms. Geez, you could've passed out right then and there.

He wore a proud smirk, revealing a perfect set of teeth as he held out the tape you needed for the banners. You almost drooled at the sight of him, feeling your core heat up and your cheeks flush.

“Oh, uh—thanks” you nervously said, quickly grabbing the tape from his hand. Surprisingly, you still maintained eye contact. God, he loved the effect he had on you.

“You need any help with those?” he chuckled once again. That's twice now; one more and you might just jump on him.

“Don’t you have to get ready for tomorrow’s game?” You asked timidly.

Jesus, why did you care?

“They can’t overwork their star player sweetheart.” He winked, once again flashing his pearly whites

You died and went to heaven at this point.

Sweetheart? That wink?

Your mouth hung open and he left you speechless, like a crazed fan girl. You started to wonder how he’d look at you if you were on your knees taking all of him.

How he’d talk to you..

“Look at you taking all of me sweetheart.”

God you really needed to get your shit together.

“Come on sweetheart don’t leave me hanging,” he said as he waved his hand in your face, trying to bring you back to reality.

He really needed to stop calling you that.

“Um, yeah, I guess I could use a little help,” you said, swallowing harshly. Your gaze shifted from the banners in your hands to his lips.

You really hated how flustered you got around him but a small part of you loved these new feelings.

“Great.” he responded with a cheeky grin.

You found yourself not being much help; he took charge and handled the banner hanging almost entirely by himself. He insisted on doing it, claiming it was the gentlemanly thing to do.

Tommy looked over at the two of you, confused. Billy Hargrove being a gentleman, especially to the psycho? Hell must've frozen over, he thought.

With Billy taking on the work, you had no choice but to stand there, looking all pretty, as you ripped pieces of tape with your mouth and passed them to him. You guided him on how to position the banners into place.

You couldn't help but notice the way his back muscles flexed when he reached up to position the banner, sending a flutter through your stomach.

You’d never been this close to him.

It also didn’t help that he brushed his fingers against yours every time he went to grab a piece of tape from you. And with him on the stool, towering above you, looking down at you, there was plenty of room for imagination for you both.

You were convinced he was trying to fucking kill you. Was he aware of the effect he had on you?

Every touch from him sent every single nerve in your body into a frenzy.

And those were just your fingers; you could only imagine what would happen if his fingers touched the spot you longed for him the most.

In the past few weeks, Billy had noticed that he was always running into you one way or another. So, he decided he might as well make it fun.

You were different from the girls he usually pursued, and he liked that. It made things all the more exciting. Billy had learned a few things about you: you were timid but had a backbone, responsible (an assumption he made because you were the student council president), and not too worried about your appearance, which didn't really matter because you were already breathtakingly beautiful.

“LADIES, HUDDLE UP! HARGROVE, GET YOUR ASS OVER HERE!” Coach Williams's voice rang out, snapping both you and Billy out of your thoughts.

Billy climbed off the step stool and leaned in towards your ear, catching you completely by surprise. He whispered, "Glad I can be of help, sweetheart. If you need help with anything else, I'm only one house away." With a smirk, he pulled back and left to return to his team captain duties.

The hot of this breath made your body shiver.

The look on your face was embarrassing, with your cheeks hot and your mouth slightly hanging open. Billy would never forget it; in fact, the mere sight of your mouth hanging open made him twitch in his pants as his imagination ran wild once again.

Your thoughts wouldn't allow you peace of mind as you finished tidying up the banners into place. Lost in thought, you hadn't even noticed that everyone had already left the gym, leaving you alone in the empty space.

The sound of the door gym doors opening startled you, snapping you back to reality.

You smiled at the sight of the tall brunette.

“Ah if it isn’t King Steve” you say teasingly, “or should I say EX King Steve who has been dethroned by the new California hottie.” You tease poking at his face

“Ha. Ha. Ha.” Steve replied dryly swatting your fingers away, taking fake offense to your comment.

Steve could care less about his so called “throne” he had new priorities, which consisted of ooking after you and his newfound family of children.

“Very funny y/n,” he said sarcastically.

Steve couldn't help but wonder if you and Billy had been hanging out. He had noticed how fond you had grown of him ever since he stepped into town. Lately, he had observed a change in your demeanor, how excited you were to get home, and how your face lit up at the sound of Billy's name. Steve could practically feel the butterflies radiating off of you.

“Hanging around is pushing it, Steve. We're just neighbors,” you reply, with a slight blush on your face that doesn’t go unnoticed by Steve.

“Yeah, I don't blush when someone mentions Agatha, my next-door neighbor,” he scoffs, shivering at the thought of his creepy stalker neighbor.

You roll your eyes at him, though it's quickly replaced with a smirk. “Well, Billy isn't a creepy stalker,”you say, though you wouldn't mind if he was. “Plus, he's kinda hot,”you finish, nudging his shoulder as you two make your way out of the gym.

“Yeah, gross,” Steve dramatically gags, though he also cringes at the slight twinge of jealousy he keeps feeling in his stomach.

You and Steve never hooked up. However, you two did develop some weird feelings for each other, but it was probably because you were so close to dying together.

You frown at the memory you thought was going to be the last.

Vines from the Upside Down began to wrap around your neck and body. Steve was right next to you, suffering the same fate. He looked at you, his heart breaking at the fear in your eyes. Trying to bring you some comfort, he gathered as much strength as he could and reached his hand out for yours, interlocking them together.

Thankfully, Eddie and Dustin saved you and everyone who thought it would be a bright idea to fight off Vecna. Ever since that day, though, Steve has been attached to your hip, making sure you get home safely after school and always ensuring you aren't alone.

Sometimes he'd find himself gazing at your lips or absentmindedly brushing away strands of hair that danced across your face on a windy day.

Steve didn’t know where you two stood. Neither of you had made a move, and he was too afraid to make one and face rejection.

You weren't sure how you felt about Steve, but you knew how you felt about Billy, and that feeling was becoming increasingly difficult to brush off.

“Coach still benching you for tomorrow's game?” you ask, changing the subject immediately. You regret it the moment you see the disappointment on Steve's face.

Basketball was his first love and ever since Billy got to town he’s slowly been losing the love he once held for the game.

He ran a hand through his messy head of hair and sighed.

“Yeah, thanks to your boy toy over there,” Steve says, glaring at the blonde who was a car away from Steve's. You wrap your arms around him as you two reach his burgundy BMW.

“You're a great player, Steve,” you state matter of factly, squeezing him a little tighter. “I think everything that's been going on—the Upside Down, us fighting interdimensional monsters, and almost dying—has taken a toll on you.” You reassure him and then let go to look into his eyes.

“It's normal to have a little setback; it's understandable. Plus, you've saved the world multiple times!” you said, slapping his chest lightly. “That beats being a starter on the stupid Hawkins High basketball team any day.”You finished, smiling at him.

Steve’s eyes softened at your words and smiled.

Christ, this is exactly why his feelings were a mess for you.

Steve brought you in for a tight hug because words couldn’t express how grateful he was for you.

From the next car down, Billy observed the two of you and couldn't shake the thought: had you and Harrington ever been a thing? The idea unsettled him because Billy Hargrove didn’t want to share you.

.

Steve dropped you off at home, as he usually did. He would usually stay for a bit and keep you company, but tonight he promised Dustin he’d take him to Mike’s for their D&D campaign.

You walked into the house, which was eerily quiet and empty, as it always was. Switching on the kitchen light, you noticed a note attached to the fridge.

Be back in the morning. Love you. -Dad

You sighed as a your traced your finger up down the note.

Your father traveled for work most of the time as a tech service representative for a variety of chemical companies. He'd often be gone for days, sometimes even weeks, so being alone was something you had grown accustomed to.

Your relationship with your father was also very complicated. You would even say it was nonexistent, given that he was always gone, and when he was around, he'd sleep the days away.

You pretended like it didn’t bother you but deep down it was something that made the cavity in your heart unbearable.

You weren't completely alone, though. Steve and you bonded over your shared loneliness, as both of his parents were also always away on business trips, calling only once a week, if he was lucky.

He'd often spend the night at your place, or you'd spend the night at his, rewatching ‘The Breakfast Club’ or ‘Sixteen Candles,’ his personal favorite, although he wouldn't admit that to anyone.

The bond between you two wasn't solely fueled by loneliness; fear played a significant role as well. It was the fear of that night—the night your friends almost died—that kept you together.

You felt goosebumps travel throughout your body at the thought of it. You instantly shook it off and decided to wash your feelings away with a warm, hot shower. You dreaded the night to come because of the insomnia you developed this past year of living in this small town. But thankfully, you had a couple of your favorite romance novels on deck to keep you occupied throughout the night.

You slipped into one of Eddie’s well-worn Metallica tees, its length reaching down to your knees. It was a keepsake from the day you and the gang had spent the night at his trailer, after an exciting evening of sneaking into the Hawkins community pool.

It was one of your favorite memories you’ve made in this shit town.

After slipping on the tee, you put on some black laced panties you pulled from you drawer.

You glanced over to your window, partially covered by your curtains, and wondered what the dirty blonde was up to. Curious, you walked over and took a peek, wondering where he was because he was usually out at this time, either smoking a cigarette or sitting in his car, or doing both at once.

Like clockwork, he slammed his front door, grabbing the red lighter he always kept in his back pocket and reaching it to the cigarette hanging out of his pink lips.

He cupped the cigarette out of habit and lit it, inhaling the silent killer.

He then hopped onto the hood of his car and reclined, still smoking the cigarette as he gazed at the starlit sky, lost in deep thought.

You wanted to join him, eager to learn more about the California boy, even if he didn't show interest in you. Something inside you just needed to know who Billy Hargrove was.

You also wanted to try to settle the intense feelings coursing through your body.

You stared at him for what felt like a lifetime, admiring his chiseled jawline, how his pretty blue eyes looked in the moonlight, and the rhythmic pattern of his inhaling and exhaling cigarette smoke.

Fuck you cigarette.

You envied his cigarettes.

You wanted to be inhaled and exhaled like that, and you didn’t even care if you were disregarded like them when he was done.

Billy felt your gaze through the window, and as he smirked, you couldn't help but notice. Despite being caught, you couldn't suppress a smile of your own.

Billy sat up and looked directly into your window. Your face grew flustered as you two made eye contact, but you held it, unable to look away.

You pushed yourself to do something you found so uncomfortable and you ignored the negative thoughts running through your head.

Billy tossed his cigarette to the ground and he was about to pick up a new one.

That being you.

You quickly threw on some discarded sweats from the floor and made your way to the front door. As you wrapped your hand around the doorknob, you hesitated for a minute. Nervousness gripped you, but you were determined to make things different this year. You wanted to push yourself beyond your comfort zone. No longer content with just fantasizing about romance, you wanted to live it, even if it meant risking a broken heart in the process. After all, at least you'd have a story to tell.

The cool night breeze kissed your face, sending shivers down your spine as you stepped out of your door. Closing it behind you, you were wrapped in darkness, illuminated only by the soft glow of the streetlights. Your heart raced as you descended off the few steps of your front porch.

As you turned the corner, you were met with Billy Hargrove's infuriating smirk. It would've been irritating if you didn't harbor this crush for him. With determination, you walked in front of his car, mere inches away from where he sat. Your heart threatened to beat out of your chest.

“Hi,” you spoke up slightly out of breath. Billy knew it was nervousness that caused you to sound that way.

You think back to the conversation you had earlier in the day.

“If you ever need help with anything, I’m only one house away.”

You wanted something. You knew what you wanted, and you knew what him meant by it, but you didn’t want to jump his bones immediately. You wanted to get to know him, and maybe that was foolish of you given his reputation, but you didn’t care. You knew you couldn't judge someone based on rumors.

“Hi, Y/N,” Billy greeted with a chuckle, his eyes roaming over your figure. He noticed your shirt and furrowed his eyebrows in confusion.

“You listen to Metallica?” Billy questioned, his gaze shifting to Eddie's worn-out black tee. "Oh, this?" you said, grabbing onto the thin material of your shirt. “No, it's a friend's. He let me borrow it,” you partially explained, letting out a shaky laugh.

“Hmm, didn't peg Harrington for the metal type either,” Billy remarked, assumingly lighting yet another cigarette.

"You think Steve's my only male friend?" you asked, raising an eyebrow. "You have more than one?" Billy questioned back, the movement of lighting his cigarette coming to a short pause, his eyes widening momentarily. Billy could take Harrington, but any other male suitors would be a problem for him.“Is that a problem, Hargrove?” you questioned, once again amused by his reaction. Was he jealous?

He laughed and took a drag from his cigarette. He looked so beautiful like this, the view from your window couldn’t compare to the view you had right now. Despite the chill outside, you felt a warmth spreading through you.

“Not that I can’t compete with Harrington and?” He asked waiting for you to provide the name of said friend.

Compete?

“Eddie,” you said filling in the blank for him. “Ah, Munson, the freak,” he chuckled, taking yet another drag from his cigarette.

“You do know you’re talking to right? You remark, raising an eyebrow at him hinting that you fell into the same category as Eddie.

“Never said I had a problem with ‘freaks’,” he said smiling, as he looked down at your lips before meeting your gaze. “If I’m being honest they’re my favorite types of people.” He added licking his lips.

You gulped as his intense gaze met yours. He was undeniably gorgeous. The ache between your legs begged for relief, and you couldn’t help but wonder if he noticed, especially when he then asked,

“Come sit,” he said, making space for you on the hood of his car. You obliged, sitting on the cool surface, crossing your legs, relieving some type of pressure. “You smoke?” he asked, handing you the lit cigarette. You took the cigarette, his warm fingers slightly touching your cold ones.

“Nope, but there's a first time for everything, right?” you smiled, taking a drag of the cigarette. The sensation immediately made you almost cough out a lung and you hadn’t even inhaled it completely. Billy laughed once again and slid his hand onto your back, lightly patting it attempting to ease your coughing fit.

You handed the cigarette back to him and laughed, the coughing fit dying down. “Yeah, first and last time doing that. God, that is nothing like weed,” you remarked.

Billy removed his hand from your back, and you couldn't help but groan slightly at the loss of touch. He looked at you with an amused smile. "I could only imagine how you reacted to hitting a joint," he said with a grin.

“Oh, trust me, it was nothing like that. I almost died just now,”you said as you wiped the tears that formed in your eyes from coughing.

You leaned back on his car like he did on countless nights and looked up at the starlit sky. Billy did the same after putting out his cigarette. "The only good thing about this shit town is how pretty the sky looks at night," you said. He looked up at the sky and thought the same. There were so many stars, each one representing hope.

"And the rain," he added, which surprised you. “But you're from California, it’s all sun over there!” You exclaimed, giggling a bit.

“Yeah, I know,” he smiled at your excitement. “It hardly rains over there, but I loved it when it did,” he said, reminiscing about his life in California.

“I liked sitting in my car and listening to the rain; it brings me some sort of peace of mind. Especially here, it's stronger and louder, drowns out the thoughts,” he added, tapping his head in a playful manner.

You smiled at his explanation.

“It makes me feel like a kid again,” you added, your voice soft with nostalgia. "Running around, no jacket, laughing, feeling the water down your face and drenching your clothes. Sometimes I sit outside and look up at the sky, enjoying the way it feels on my face," you said, still smiling at the sky above.

Billy turned his head to look at you now, and you were oblivious to it for the first time. He felt his heart skip a beat at your explanation and the way you smiled at the sky full of stars. From that moment on, Billy was determined to know more about you.

You two continued talking, giggling, sneaking glances at each other, but it all came to a halt when you both heard a loud slam from the door of his house. A man in his mid-40s descended down the stairs of Billy’s front porch and made his way towards you both. Billy straightened up immediately at the sight of this man.

“It’s late,” the man spat, keeping his eyes on Billy, completely ignoring your presence. “Get inside; you need to take Maxine and yourself to school tomorrow.”

“Hi, sir,”you timidly intervened. “I'm Y/N. I live next door. I'm sorry for keeping Billy out so late. We were just talking about class, and I lost track of time.” You finished

Billy looked at you in shock as if you said something out of turn.

He looked you up and down with a deadpanned look before giving you a tight-lipped smile and nodded. Then, he gave Billy a warning glance before leaving. Odd. You thought.

You noticed the shift in Billy’s demeanor he was noticeably uncomfortable and even seemed scared. Billy took a deep breath after his father left and ran a hand over his face, visibly tense.

“You okay?” You carefully asked not wanting to overstep any boundaries.

“Yeah, I will be,”he exhaled, mustering up a small smile. “Thank you for tonight. I'll see you around, Y/N.” With that, he left. You waited until he made it inside and you returned home yourself.

As you stepped into the house, the loneliness of it consumed you once again. But you disregarded it, shaking it off, because a bigger part of you felt content and happy.

.

Billy grew accustomed to loneliness; sometimes, he even preferred it. But when he saw how present his friends' parents were in their lives, the loneliness spread and often consumed him. His mother was gone, her whereabouts unknown, leaving him abandoned and stuck with his monstrous father. He had the shell of a parental figure, but in reality, his father was a bully, a coward. This left Billy feeling trapped and hopeless, like a prisoner in his own home, with no one to relate to, no one to vent to, nothing.

When Billy made it inside his house he had already prepared himself for the worst. His father was seated on the sofa waiting for him to come in.

“I'm sorry, sir, I lost track of—“ Neil raised his hand to stop him from explaining, and like a trained soldier, Billy shut his mouth immediately. Neil stood up, making his way towards him. Billy flinched as Neil raised his hand, and to Billy’s surprise, he patted his shoulder. Billy furrowed his brows in confusion; he hated his father's touch. “Nice girl,” Neil remarked before walking past him and heading to his room.

What the fuck?

Anger coursed through Billy’s veins, his heart beating furiously in his chest. Why you? What the hell was so special about you that had Neil Hargrove's fatherly approval? Billy scoffed. He didn’t care if he'd get beatings for what he had planned or about your feelings at the moment, but he was going to royally piss his father off. Fuck his approval. He didn’t want it nor did he care for or it.

Billy disregarded his strong feelings for you and decided to be the dick he knew himself to be.

Tags:

#eddie munson #stranger things #billy hargrove #dacre montgomery #billy hargrove x reader #steve harrington #steve x reader #nancy wheeler #billy hargrove smut #steve x billy #billyhargroveseries #Steve x female reader #billy hargrove x female reader

[thefourchimes]

okay, just gonna say this now before i start this post: i have absolutely no problems with alternate universes, go ham with them, go wild, you can have fun, etcetc, they're called alternate universes for a reason, after all

however. HOWEVER.

i have a problem when people say something should have happened in canon, when canon itself disproves or goes against whatever these people want

the reason why im bringing this up?

the whole thing with how some people keep saying mirabel should have [insert the usual things people say here, hate, slap, punch, left, get revenge, etc, take your pick, there's unfortunately a lot to choose from] the family. in the canon movie.

again, i have no problem with alternate universes and seeing them in fanfics or whatever, you do you, could be interesting to see even

but when you start saying this should have happened in canon, its just. no. no.

god, it just frustrates me so much whenever i see these posts and comments, the ones that said she should have gone evil or villain or hate the family and all that stuff

because mirabel herself loves her family. she literally said it outright in the movie!!! its not in her personality and character to just go against them and hate them and want revenge. there will be hurt and hesitance and some resentment after everything she'd gone through, yes, but outright hate to the point where she'll hurt them?? absolutely not.

not with her character, her love and empathy and understanding, the traits we see her show in the movie.

like my friend once said: mirabel "he loved this family. i love this family. we all love this family" would NEVER hurt her family

say it louder for the people at the back!!

and thats not all i want to rant about tbh...the real kicker on this one?

whenever this statement is added on top of it all: "if i were mirabel—"

well, news flash people who keep saying these things, mirabel isnt you. mirabel is her own character who has her own experiences and her own feelings. maybe you'll be able to relate to her, especially with similar experiences, but that doesn't mean you can just copy and paste your own feelings onto her and say this is what she should have done in canon because thats what i would have done!!

we all project onto our favorite characters in various ways, which is completely fine, go at it and definitely not surprising for a story about family issues, but when you start to project so much that you throw away the character's actual personality and characterization in favor of said projection? yeah...no.

thats not mirabel madrigal anymore, that's a completely new character...or dare i say, a self-insert for some people... 💀:////

yeah, im just so frustrated with this AAAAAAA 😭

but anyway yes.

thats it, really. again, AUs are absolutely fine but if someone starts yapping about how canon should have [insert whatever those people keep saying here] instead while disregarding actual canon and proper characters and personalities, im going to become violent

anywho...thats my thoughts on this, went on a bit of a tangent but

yeah

anyway bye—

#encanto #mirabel madrigal #kept going through some comments and posts in the past and i felt violent #and decided to rant #uhhhh hope this makes sense #and that im not being insane or something #but yeah #whoop— #overthinking and doubting again but #i will prevail aaaaaaaaaaaaa #but anyway yes #this is all for the people who had comments on how “canon should have ended like this!!!” #im so done with them pls

[ruershrimo]

take me back (take me with you) | f. megumi x fem! reader | chapter 6: beginning

ao3 link for additional author’s notes | playlist | prev

chapter synopsis:

'“Why else do you think I am the way I am? I may be shy and scatterbrained, or a horrible woman with a muddled sense of morality or what I think should and should not happen, when in reality it’s just what I want to happen. But this is why I’m so resolute, and so stubborn. This is why I love you so fiercely. All mothers are like that to some degree, even if my own would never let me bear witness to it.”

You haven’t told her you love her too in years.'

'And Itadori seems… like a good person. I think it’s good, that… you were able to find a friend like that.”

“It was. He’s a really, really good guy.”

“You love him a lot,” Megumi says.

---

You and Megumi set out to prevent an emergency involving Yuuji and a cursed object. Unfortunately, that doesn't happen. But at least everyone is fine in the end, even if it means you'll have to walk away from almost everything (or maybe it's the other way around).

You're going to be all on your own. Still, now it seems like this will hurt less now.

word count: ~8k; tws: none for now :)

17-6-2018 

The two of you walk down the lane. It’s midnight. There’s a loitering silence in the air, no words exchanged between you and him, and it twists your heart in brief moments of hurt when you’re not trying to keep your mind occupied with other things. Your legs move subconsciously without you caring to think of them, the route to the hospital ingrained in your mind as if intrinsically there. 

At some point, you think your hand with its sweat and its grip is going to leave imprints like a marring on his skin, but it’s of your own selfishness that you choose to hold onto his wrist anyway. 

There’s a million things you could say to him right now, things you’ll forcefully push to the very back of your throat, things you’ll keep under lock and key in a mangled mix of quiet anticipation and sombre anxieties. Right now you’re holding his wrist and that’s enough for you, to have him walking behind you if not beside, to be two people near each other— not together— in silence since any conversation is not an option; any conversation could lead to the last spark needed to be fanned into the flame for it to erupt bigger and brighter than ever before. 

If you asked about Tsumiki right now, or why either of them never bothered to speak to you since 2016, it could break you apart, of that you’re sure. And even without words it threatens to do so to you like a chandelier of melting wax candles hanging above you being suspended precariously from the ceiling or light lightning soon to be thrown down mercilessly from the sky. 

“The turning to Sendai Hospital is on the right.” 

“I know the routes better,” you let out, and rather disappointingly it sounds brasher and more derogatory aloud instead of the unobtrusive tone you were aiming for— you hope it doesn’t hurt him but then wonder why you still even cared that much about how he felt about what you said or did anyway, “I got myself accustomed to taking the one on the left that leads you through. Quick shortcut and all.” 

You’re not looking back, but the light pull of his hand from the hold of your wrist seems to suggest his slight reeling back in a small sense of surprise and an equal amount of shock, as if suddenly remembering the fact you were your own person, that you had your own autonomy as one, because somehow everyone thought you weren’t. 

It’s strange to look back at how you were before: meek, timid. Too shy to speak up. Too innocent to be angered by anything. Always dreaming, mind bleary as if on a cloud in blurred skies, hiding behind the backs of others like a petrified forest critter. 

And now you’re this— this person who frowns and disagrees and retorts at every little thing, and as much as you have to, as much as it was nearly inevitable the way you turned out, all you can think you share with the person you were when you first met Megumi and Tsumiki was your need to be useful— and even that has been exacerbated by how you’ve grown, how you’ve become this person you grew into. And a part of you— no, just you as a whole— doesn’t like yourself at all. 

Your father was right. That little girl was hopeful, obedient, kind, caring— you don’t know why even then you were dissatisfied with the way you were, or why your dissatisfaction would matter because at that time you’d cared so little about everything besides caring for people and having fun with the pair of siblings that you were so rarely bothered by it, that it was still just a slight whisper from the back of your head that could be shushed or tuned out with library visits and nights in front of the TV and the glow of old cartoons. Your father was right and this is proved even more by the fact that the whole situation just infuriates you on the surface, and just makes you feel like an empty, hollow shell left behind when you reach deeper into yourself. 

That little girl had potential, potential to be useful but kind, obedient and close to the people who raised her even if it meant abandoning her own ideals. But you’d been so devoted to them, you think, that she was killed and destroyed in the world she grew up in, and now there’s a space for her that’s left vacant due to the way she wasted away. You miss her, the girl you once were, you miss being her, how easy and lighthearted everything was and how all of you felt so content in every sense of the word. But you don’t want her back. Now that’s just what makes you miserable sometimes. 

Self-reflection just made you feel revolted by yourself. You keep your eyes on the road. 

“It’s here,” you state, pointing at the building in front of you. 

Sendai General Hospital is an institution made out of bare concrete. Its walls are yellowed and close in on its wards like a prison, coloured using old paint that hasn’t been repainted over and is as pallid-looking as the skin of the people sitting on the beds it is inhabited by. Just being in it feels like a hit to the body and the brain and the senses, too. There are old-fashioned tiles on its floors, their pale beige hue muted yet the blinding shine on them harshly mopped clean. Inside it reeks of an imminent presence of sickness or death or illnesses and conditions never to be able to be defeated and sterile sanitisers. Looking at the latex-blue curtains in it feels like a blindfold unwantedly, forcefully pulled over both your vision and your ears. 

“You and that Itadori seem close.” 

“We are,” you say, then you add, not really knowing why, “He’s my best friend.” Maybe you’re trying to make him jealous, rile him up a bit. But even then you wouldn’t want him to be riled up, nor would you be satisfied if he were to keep silent. Maybe you just wanted to hurt him, to hurt him back or something, if only for something small, even if you’d already resolved not to do so. 

You’ll make sure not to do that again, though. 

Instead he does something else, takes another route instead. “Then it seems you visit his grandfather often.” 

“Uh-huh,” you nod as the two of you enter the hospital, and you have to blink a few times as always in order to adjust yourself to the light and how it reflects off the detachedly clean floor. “My mother’s here, too.” 

“Oh, I’m sorry— is she alright?” 

“She’s okay, I… think. She… she got sick a while back and stays here now,” you explain, “Let’s not talk about that…—I mean, I… don’t really want to.” 

“I’m sorry.” 

“You don’t have to keep saying that.” It just makes people feel worse. 

He doesn’t push further and you suppose that’s okay. Your chest hurts a bit, like phantom pain on a wound that’s still there. There’s not really a way to explain it but almost everything makes you feel that way these days. Everything makes you feel horrible to some degree. Maybe it’s being a girl, maybe it’s being a teenager, but it’s not quite either, you guess. 

“He won’t be here for a while,” you say, “He’s either still in the room where his grandfather is or he’s buying flowers for him.” 

“Then I’ll just contact them and let them know the whole situation first.” 

Who’s ‘them’? 

“Okay.” You turn your back on him, “—wait.” 

“What?” 

“Do you have any emergency contact or something? Like, a trusted adult who could help you with any of this? In case things go really bad?” 

“...why would you need one?” he questions. 

You roll your eyes, “Just give it to me, damn it… if there’s anything I have nowadays, it’s probably foresight for stuff like this. For emergencies.” 

He gives you the number, albeit a bit begrudgingly. Why’d he have to be so pissy about anything and everything? 

“Okay, thanks. I’m going to visit my mother now.” 

The air and the colour from it seems distant as always, the ward she was basically imprisoned in smelling of the indistinguishable mix of sanitiser and sickness. There her body chains her to her bed, and there is little she can do besides rely on and weakly cling to the nurses who assist her, a frail shadow of what she once was. 

“Hi, Mummy.” 

She turns to you, and your chest constricts. Her hair, once much longer, the type that you dreamed to have as it billowed in the wind, the type that invited you caressively to bury yourself in and take in that heady scent of roses that emanated from it— that hair is now replaced with a cloth wrapped around her head. Radiation. Chemotherapy. 

The wrinkles on her face make the difference between her now and her years ago all the more stark. Every visit you come back here, you’ve forced yourself to be acclimated to this new reality, one where she isn’t waiting at home no matter how tedious the fights get or how exhausting it was eating with someone who remained silent, someone who chose to continue suffering if it meant she could hurt and turn her daughter to guilt (as if that would change anything). At least she was there. 

Cancer is a terminal illness, especially the type your mother is facing— regardless of how much chemotherapy she would struggle through and how much you didn’t want to acknowledge a truth so plain and conspicuously bare, she would be confined to this bed until her final days, her illness like gyves tying her limbs and forcing her earthbound; the bed a cage she could never be liberated from. 

Sometimes she made it a point to you that she didn’t want to liberate herself from it anyway, and you’d never been so depressed yet irked by anything else. (You’d regret everything— not spending time with her, not appreciating her nearly enough— except for your decision to be involved in the Jujutsu world, if not as a sorcerer then as a doctor. That was, and is— your ultimatum. Your end all be all of this whole situation.” 

“Hello. Where’s that Itadori boy?” 

“Not here today, he’s still with his grandfather— maybe later.” You swing your bag over your shoulder, rummaging through it a while before pulling it out. “I’ve something for you, by the way.” 

“Oh! These,” she exclaims, and she smiles faintly, bits of colour rushing back to her face like watercolour dots on moistened paper. “I used to make them for you, sometimes. They used to be your favourite when you were really little.” 

“I know,” you explain, “That’s why I made them. I don’t like them anymore, but… I can’t remember your favourite food or if I ever asked, and I know you don’t like the food they give you here as much as… I don’t know. Your own cooking, I guess.” 

“It’s not my favourite,” she states, matter-of-factly, bluntly, “But thank you for the effort. My favourite will always be my own mother’s cooking.” 

Silence. 

“Now that I look back at everything, there are so many things I regret. Things I should have done but never did out of fear; things I should not have done and never apologised for out of pride. I’d like it if you could be different. Your grandmother went out the same way. At least, even if you had the same illnesses as we did, which I hope the genes for which have been curbed by your father’s— at least you would not leave the world with regret,” she looks down at her hands, staring down at them solemnly like a shadow, an excluded figure. “But it was a good life.” 

“...then maybe you can tell me more. While you— while we still have time. What was your childhood like? What was your mother like?” It feels strange, imposturous, maybe— to be referring to someone basically a stranger as “grandmother”, to name someone so far away from you so intimate, even if the only generation between you, tying the two of you together, was your mother’s. If you had a daughter it would be the same for her, most likely. There’s a part of you that would find honour in becoming your mother once you’d grown, but there’s a part of you that would think being such would accost you horribly, for all time. 

She sighs, “I’ll tell you later. There would be so much to say, like compressing all my words into one tiny paper. The stories have weight in them the same way letters and words in handwriting can be firm and large. But if I were to start,” she begins, “I’ll say that I was born as the daughter of two very powerful sorcerers. Now, I know how much this would sound like some nonsense spouted by your mother, but I think you should listen anyway. 

“My parents loved each other a lot, but my mother had come from an obscure clan whose name I can’t remember, but who had high hopes in them having a child with a powerful cursed technique as their last resort, since, if I recall correctly, there had been a crisis within the clan for it to keep surviving. 

“I still remember when they found out I had no cursed technique and how terrified they were. In me I had a bit more than the relatively normal amount of cursed energy most people have, and so I was expected to have techniques as powerful as they did. They loved me and treated me preciously, like a fragile object, so long as I was quiet and demure— and I guess to some extent I still was and still am today. They wondered what they could do to run from the clan, as if they didn’t have enough power when they were supposed to protect me despite my father’s bullheaded industry and my mother’s patience-formed strength. They lacked grit to grapple against them, and only in this did they lack it, I think; only against my mother’s family did they not have the ability to resolve things whether peacefully or violently. And eventually they just gave up and thought they would just… surrender me over when I entered my adolescent years. I was their daughter. I… suppose they didn’t love me enough. I know it sounds awful— thinking that they should have always protected me, through and through—” 

“No, it wasn’t.” 

“—when it could have been the clan itself that would have been mostly to blame.” 

“But they were still supposed to protect you! They were your parents—” 

“Why else do you think I am the way I am? I may be a shy and scatterbrained or a horrible woman with a muddled sense of morality or what I think should and should not happen when in reality it’s just what I want to happen, but this is why I’m so resolute, and so stubborn. This is why I love you so fiercely. All mothers are like that to some degree, even if my own would never let me bear witness to it.” You haven’t told her you love her too in years. 

“But then when I was an adult I met your father, who was a bit like a country bumpkin, but a formidable sorcerer and a kind, honest person, and I couldn’t help but fall in love with the person he was both inside and out. And for the next few years we struggled to have a child until I found out I was pregnant with you,” she continues, “Even though by that time I was well into my late thirties, we were overjoyed and decided to keep you.” 

Suddenly you wish there had been more time before things were ruined. Time for you to know her better, the beginning of your existence. You would have begged her for old photos, stories, mementos of her and your father. 

“And now the clan’s faded into obscurity, finally. The younger members left and the older ones passed away peacefully. Happy story, right?” 

“...yeah.” It all ended well, but you don’t know if you can say the same for your mother’s. At least, you hope, when she goes away, it can be swift and peaceful like the way her relatives did. 

Then suddenly there’s a buzz in your pocket. An inconvenient one, out of the blue. 

“You should go get that first,” she says. 

“...okay.” 

You lift it up to your face and feel like crushing the damn thing. Old number. Stupid number. Number you haven’t called in months because you’d given up on that bastard— oh. The two of you were working together now. 

You turn away from your mother, creeping to the edge of the room. “What’s wrong?” 

“I just talked to him, but I think it would be easier if you came back and was there with him too since you know him better than I do. And he… doesn’t seem like the brightest. He may think that it’s not important enough to hand over unless you ask him to or something.” 

You muffle your voice with your hand and whisper, “Hey, you shut up, you know nothing about him. He’s way smarter than people give him credit for. But I’m— I’m with my mother right now. Wait for a second. Just ask him to wait for me first; he wouldn’t need any of my help for all of this yet. Make a friend or get a life or something.” 

“...fine. But you’ll have to join us later. He’s bound to ask about you.” 

“Then just tell him I’m with my mother!” you snap, still whispering. 

“I’ll see what I can do.” 

“Wh— you little— oh, don’t you hang up now—” 

Weird thing is, he probably wasn’t even being so infuriating on purpose. And you wouldn’t have burst out at someone for being that way anyway. It was only because it was him, specifically. 

You’d sworn to put that past you. 

Your immaturity strikes once again. 

“If you have to go now,” your mother says, “You should. Just come back again next time. I can tell you the rest. Thank you again for the food, [Name].” She doesn’t call you ‘darling’ anymore, doesn’t she? Just your name. 

“Okay. Sorry.” 

You swing the bag back over your shoulder, wearing it this time instead of taking it off, easing your way out of the room. 

“It’s okay,” she assures you, “Goodbye. I love you.” 

“...I love you, too,” you say, but it’ll mingle with all the other sounds in the hospital, and it’ll be drowned out like a ship in the middle of nowhere, your voice soft and thoroughly soused by the cacophony of bleak noises like telephone rings and beeps from electrocardiographs outside of her deafeningly quiet hospital room. 

“Hi, Yuuji,” you greet them in the dimly lit waiting area, “...and Megumi. Sorry to keep the two of you guys waiting for so long.” 

“Oh, hey; it’s okay!” he goes, although in his voice it seems that there’s been some of his usual energy seeping away from him. “Didn’t know the two of you knew each other until just now or that you were a part of some magic curse society. Are you guys childhood friends who met because of all that cursed stuff or something?” 

“Something like that,” Megumi explains. 

“It’s a long story,” you say, not exactly denying him nor conceding his words anyway. Once again, there’s a trace of anger despite your promise to be untethered to your puerility like this. “Anyway, are you okay, Yuuji? How’s your grandfather?” 

He pauses. “Oh, about that… he just passed away.” 

“Oh, I’m so sorry, Yuuji…” you hold the fabric of his jacket (sometimes it still feels wrong to try and hold his hand— it just makes your heart ache again like a scab being clawed at) and pull him into a brief caress, patting his back as gently as you can manage. 

“It’s okay, I’ll be fine,” he smiles as you pull yourself away, “Grandpa wouldn’t want me to be crying right now anyway. So don’t worry.” 

“Okay, I won’t. But if you’re sad, just know you can always talk to me.” 

He laughs, softer than the boisterous manner he usually does so in, “Yeah, I know.” 

Megumi clears his throat, pointedly trying to make a sound, “Anyway. Itadori Yuuji—” 

“Just call him Itadori. You don’t have to be so uptight.” 

“Nah, [Name], I’m fine—” 

Megumi sighs. “Anyway, we need you to give the cursed object now.” 

“Oh, yeah, that,” you start, “So, Yuuji, do you have the thing that Megumi would have explained to you? The cursed object? We need it for everyone to be safe, and all.” 

“Yeah! Hold on, let me get it. I told you I didn’t have it already, but here’s the box,” he says, tossing it over to Megumi. 

He retrieves the box. It’s ancient and wooden, the craftsmanship behind it elite and adroit, and the paper on it has the words for a buddhist sutra written on it like an inscription. You’ve heard of it before, the kind of curse it was meant to seal, but it definitely couldn’t be— 

He opens the box. 

Holy shit. 

“Where is it?” 

“It’s empty…” Megumi panics, “Wait— hold on!” 

Things are bad— as in, they couldn’t get any worse— not only was the school doomed by the loss of its cursed object, the cursed object was Sukuna Ryomen’s finger itself. 

You blame your inadequacy, your inability to have stopped everything sooner— if not for that nobody would have gotten hurt. If not for that there wouldn’t even be a risk of anything happening anyway. You should’ve tried harder to sense it, and you should’ve focused more on it to keep the student body safe and sound. 

It was your fault. No one else was to blame but your useless self, and even if that were wrong, you’d still have the most to be blamed for. 

Megumi has a hand on Yuuji’s shoulder, keeping the other boy from moving, his breathing erratic and his eyes wide in frantic shock. 

“...well, they were saying, ‘let’s open it up to see what’s inside it tonight’,” Yuuji clarifies, standing a few centimetres away from the door, “Why? Is that bad?” 

Sasaki and Iguchi? 

The air in the hospital feels particularly chilly tonight, gooseflesh terrorising your skin all over, and for all the kinds of reasons that would cause anything like such. 

“It’s way worse than bad,” Megumi declared, fear and grim so thick in his voice they were tangible enough to be cut through with a knife. “Your friends are going to die.” 

“We’ve got to go,” you rush, “Now! Quick!” 

It passes by like a blur, as if you’re in that moment and out of it simultaneously. Your mind has been bombarded with and pressed so thoroughly onto the moment, like tissue on a wet surface, that it seems it’s being blanked out, while your legs continue to run despite your mind nearly forgetting, at this point, why you’re running— as if your legs moving so frantically to help them was something intrinsic, something you didn’t need your mind for. 

Sasaki and Iguchi are in danger. Sasaki and Iguchi are in danger. 

You didn’t know them all too well, really— just through Yuuji, and Yuuji himself wasn’t as close to the two of them, being their junior and all. And although a part of you was doing this just because you could, like the way you did when you first discovered your cursed technique, you knew that another was doing this for Yuuji. If in any way they were hurt or could not survive, he would blame himself to no end. He possessed such a kindness within him, so much that it hit the depths of your soul sometimes; shattered your heart so gently a million times over or heated it in the kindly way mothers heated pans on stoves despite the heat of it being greater than that of blue flame. If anything happened to them, no matter how much or how little he knew of them, he wouldn’t be able to live after that. 

The two of them are near the barrier separating the school from the street before you (you struggle with catching up to them— one’s a star athlete and another has been training for much longer than you, you’re sure), the gates tall and enveloped in darkness. You didn’t think much of school except for when it came to your grades and being with Yuuji, thinking of these gates— the ones that you and Yuuji use when you’re running super late— in particular as just a shortcut entrance you paid little attention to, just something treated with indifference as you passed through them whenever you were late. Yet now they echoed denial, refusal, and slim chances— it was unlikely that they’d be alright, especially since this cursed object in particular was the finger of Sukuna Ryomen. 

“Is that the building?” Megumi questions, “Where are they?” 

“Fourth floor— guh!” Yuuji seems to come to an abrupt halt, nearly slamming into what seems to be an invisible wall. A veil. 

“Yuuji!” 

“I’ll handle this,” Megumi declares, hopping onto the metal wires, more directed to Yuuji than you. So even he can tell how selfless Yuuji is, even after only having just met him. 

“I may not know those two that well, but—” Yuuji starts, “But they’re friends! I have to help!” 

“You’re staying here,” Megumi commands, “[Name], if you could— get your father or any sorcerers you know to come here and help.” 

He climbs over the gate. 

He’s going away from you again. Slipping away from your grasp. And now, all you can do is watch. There’s nothing else— nothing else you can do, at all. If you went inside now, you wouldn’t be able to help except— what?— tend to their injuries? Manipulate your own cells into weapons? The former wasn’t possible with how much you’d strained yourself from running so quickly earlier, and the latter was too dangerous: you hadn’t even started with the basics of that yet, on your father’s obstinate insistence that even if he’d let you play doctor he wouldn’t let you manipulate any of the cells in your body into any kind of usable weapon. Any simple wrong move could make things turn south in the most drastically terrifying of ways. If you went in there, you’d just die, and there’d be more casualties, more trouble, more problems caused by you and you alone. 

You can’t even call your father, either. That would always be your last resort— because even if you fought, you still needed him to rest. You didn’t want him overexerting himself by using his cursed technique at all. 

(You were selfish. You didn’t want to lose your father. You didn’t want to have to visit not one but two parents lying sick and tired and grey in matching hospital beds.) 

“Yuuji?” you start, turning to him. “You’re…deathly quiet. Are you okay?” 

His lips quiver slightly, a faint whimpering noise coming out of him. Is he crying? 

“Yuuji, look at me. Are you okay?” you ask, as gently and softly as you can right now, despite your ragged, unsteady, unathletic-addled breaths. You place a hand on his shoulder, slowly rubbing up and down from his shoulder and crook of his neck to his back. “It’s okay. …Megumi’s a good and… capable, strong person and jujutsu sorcerer. He’ll be okay, and they’ll be okay too. Just… just put your trust in him, okay?” 

“I’m sorry, [Name], but I’ve got to go,” he tells you, “You stay here, and call for help or something. I’m sorry, but I’ve just really got to do it!” 

He hugs you, quickly, deftly. And then he crosses the gate, leaving you all alone like Megumi did. You wish he’d hug you longer, that you could take care of him for a little longer— it was your last way to be useful now. 

Still, there’s someone you could call, now that you remember him.

The emergency contact. 

You snatch your phone out, resolute. 

“Hello! Gojo Satoru speaking,” the voice on the other line says. 

You’ve heard it plenty before by accident. 

When Gojo and Megumi are back, Yuuji’s in the form of a figure slung over Gojo’s shoulders like he’s been reply entrenched into slumber, his body seemingly limp and his torso completely bare. There’s barely an ounce of movement in him, except for slow exhales and inhales you can see on his chest. Sasaki and Iguchi are both nearly the same, the former covered in bruises and in a deep, panicked haze, and the latter as asleep as Yuuji seemed to be while harbouring injuries he may never recover from. 

The only non-roughed up one here is Gojo, it seems; Megumi has a stream of blood running from the top of his head in rivulets, staining his sweaty, scraped forehead. 

“Wh— you two, what happened? Why are they all asleep? What happened to Yuuji? Are they okay? What—” 

“Calm down, kid,” Gojo says, “They’ll be fine. I mean, there’s a 100% chance that your friend can be executed, but…” 

“Executed?” you almost scream, “What the hell happened? You said things would be okay!” 

“Uh-uh, again, calm down. I mean, we don’t even know when they’re gonna make him kick the bucket! He ate Sukuna’s finger, by the way.” He holds his arms up in faux surrender. 

“Gojo you ignorant slut! Don’t you fucking dare tell me to ‘calm down!’ He ate Sukuna’s finger? Why weren’t you able to stop anything? What’s going to happen to him now? You know what— give him to me!” 

“You know, it’s not like I’m scared of being hunted down by your father if you use your cursed technique— I mean, I’m leagues stronger than him— but the stuff was too strong. It’s not like you’ll be able to get rid of the finger in your little boyfriend.” 

“He’s not her boyfriend!” Megumi interjects.

“Thank you, Megumi!” Your face is going hot like a campfire fanned by the wind. 

“Oh?” Gojo adds, a teasing lilt in his voice. “Anyway, we’re going to get him to a place where we can cover everything with talismans to surround him.” 

They’re going to execute him at Jujutsu High after.  

“I’m coming with you.” 

“You sure?” Gojo asks, “Your father isn’t going to like you travelling so far away without telling him.” 

Megumi shifts, a little sombre. “[Name], you don’t have to.” 

“...I’m doing this for Yuuji, not for you.” 

“You okay?” Gojo asks while the three of you are back in the hospital. (You hate this building so much.) Iguchi’s been transferred to a ward, Sasaki having woken up and insisting on staying with him. “I’ve got kikufuku if you want some. You must be really tired since it’s so late, huh?” 

The whole situation is so incredulous you’re unsure of whether you want to burst out laughing or dismember someone. 

“...nothing. Wait, let me see Yuuji again.” 

Everyone is asleep, it seems— all except for you and Gojo. Yuuji’s been knocked out, and Megumi’s stuck in the world of his dreams. 

You can’t sleep. There’s just nothing to put your mind at rest. 

At least if there’s one thing you can do it’s this. 

Gojo picks him up by the sides of his torso (now temporarily clothed with a spare white shirt) like a child with a heavy book. “Woah— he’s pretty heavy for a fifteen year old kid.” 

You lay Yuuji face-up on the line of hospital chairs. There are thin scarlet marks right under his eyes— Sukuna’s eyelids, you’ve been told. 

You should’ve done more to protect him. 

Slowly, reticently, you kneel by the side of the chairs. You press your fingertips onto that pair of thin tiny lines. 

Nothing happens. You can’t picture his cells being able to grow back. It’s as if there’s been a slit on his face and its outline has been replaced with brand-new skin. His cells don’t budge. 

“Why don’t you help Megumi? I bet he’s got plenty of healable injuries.” 

“…I don’t think I’ll be able to help much. I could faint if I try helping him now. It’s better to leave it to Dr Ieiri or something.” 

“Pft,” he scoffs, “Shoko? She’s definitely not going to heal all of him. It’ll just be a waste of her time. You can just help him with the tiny scrapes and bruises first. And I’ll even tell her that you did it. She’s really fond of you, you know.” 

You give him a shy, modest smile. “Thanks, then.”

It’s time to get to work. 

Megumi’s skin is smooth like a baby’s just like the last time you felt it, though the frown on his face, ever-present, is bound to cause wrinkles there in less than a few decades’ time. You place your hands on him, bruised and bloody, watching in your mind and directing his cells as they work. 

Once the smaller injuries have been dealt with, you stop. “I can’t really work on the one on his head, since then you’d get another fainted person to carry around, but he should be fine with some bandages and patching-up there, because I’ve already kind of catalysed the start of that area’s healing process a little. Other than that, he should be completely fine. I’ll give it, say… two weeks or so for it to get better completely.” 

“Good work!” he smiles, the outline of his cheeks visible on his blindfold. 

“By the way, Mr Gojo…” 

“You know, I appreciate the respect you’re giving me now, but just Gojo is fine.” 

“Okay, Gojo. Do you think Yuuji will be okay?” 

“I mean, I’m pretty sure. And I’m going to ask them to suspend his sentence. I’ll just see whether he wants that or not once he wakes up.” 

“That’s the thing. I’m not sure if he even will.” 

Gojo laughs. “Don’t worry. He was really strong, and able to switch between being possessed by Sukuna and being himself at will. We haven't seen that kind of talent in a millennia! I’m sure they’ll listen to me, anyway.” 

“Thank you,” you sigh. Thank goodness. “If you need any type of payment, um… teleport to my house whenever you get inconvenient little cuts like bruises and stuff. I can help.” 

“Nah, reverse cursed technique’s got me covered.” 

“Oh, wait— I forgot about that— um… I can…”

“Just leave it to me! No payment required,” he exclaims, holding both thumbs up. “And for the record, the one who wanted to save Yuuji was actually Megumi.” 

You wouldn’t have imagined that would happen. Megumi— pragmatic, serious, unkind when he needs to be (no matter how kind of a person he actually is— no, was— at heart), different from Tsumiki in so many ways. There was no way he would have been the one vouching for Yuuji, someone he’d only just met, to be spared. 

“Really?” you ask, “I… wouldn’t have thought he was the one who would do it. I thought, maybe, you were just… really kind tonight or something…”

“Well, maybe it was because he saw how much you cared about Itadori and did it for you, or maybe he had met Itadori, liked him, and just wanted to save a good person,” Gojo suspects, “But if there’s one thing for sure it’s that your old friend saved your new one.” 

“...oh.” 

You’ll have to bring it up with him next time— maybe, if he’s still there tomorrow…

“I know you’re mad at him, but a lot has happened,” Gojo states, voice lower, softer like a schoolteacher’s, “Still, I won’t tell you that you have to give him a chance or any of that. If you don’t want to, you don’t have to thank him or anything. I’m sure he did it out of his own volition without expecting anything from you. He knew he probably didn’t deserve to if it were you.” 

You pause. “No, it’s just… I’ll talk to him again the next time I see him. Alone, most likely. And I can figure something out. I think that would be the best way to go around things. Thank you, Gojo.” 

18-6-2018 

The aftershocks are still there, although you’ve come out unscathed. 

Last night was a mingled mess, a blur. You’d tried your best to help Iguchi by the time Yuuji was placed in the room of talismans and you could come back to the hospital and visit, but in the end he still needed better help than that. His injuries were too large of scale for how you were at that moment, already tired after healing some of the numbers done on Megumi. 

(You were useless. You couldn’t help anyone. You couldn’t prevent Yuuji from being hit with such soul-striking guilt., couldn’t help Sasaki from being traumatised, couldn’t help Iguchi enough for him to be back at school soon—) 

Sasaki’s injuries were limited to bruises and scrapes, but though you could help her physically, there was nothing you could do to assist her emotionally. 

You stayed with them for a few hours in the ICU and then one of the hospital wards (a floor under your mother’s), your father calling you once the sun had risen. 

“Gojo Satoru told me about everything that happened.” 

“Yeah. I know you’ll scold me, but… not now. I’m sorry, I’m just really tired.” You hang up. 

For all you spoke of wanting to be useful, the night when your powers were needed the most was when you were at your most useless— you couldn’t help them, you couldn’t help attack the cursed spirits, and the only thing you could do was call for an adult’s help like a little, scared and helpless girl. 

You needed to train, and train harder than you had been doing for the past few years. 

There’s a knock on the door, a dot-dot-dot-dot-dot. dot dot. It’s Yuuji, you know it is. How ever could you not? 

Timidly, movements quiet like the room itself, you pull the door knob, seeing him there, relatively unscathed. You sigh in relief, a moment’s respite before you return to the panic you had been living in before since you deserve the respite less than other people do— no, you don’t deserve such a break at all, you’re absolutely sure of that, not after what you pulled, how horribly and utterly useless you were, you’ll remind yourself of that again and again and again— the heart-piercing guilt and the worry and the constant need to care for the people around you, almost like a mother, maybe, but you don’t like that thought as much as you think you should. Maybe if your own mother knew, she’d disagree— maybe she’d tell you that you should be a mother, maybe she’d ignore that you were also a child at certain times— the most convenient ones, probably. When she thinks it good that you, a child, were someone’s caretaker because women should take pride in and appreciate that, she would encourage you to be one; when she thinks it bad that as a caretaker and a so-called ‘adult’ you can have your own autonomy, agency and opinions, then maybe she’d remind you that in her eyes you knew nothing of the world. But maybe, just maybe, there was also a chance that she wouldn’t be like that in any way. 

But you wouldn’t put it past her. 

“Yuuji, are you okay?” There are questions about to spill out of you, tears about to fall like gushing rivers, but you’re just happy he’s alive at this point. 

“Yeah.” His voice is soft. Your chest twinges; it hurts like an awful, intransigent little bruise. “Hi, [Name].” It feels so unignorable, the way it’s filled with such sorrow and worry that it weighs his usually loud and boisterous voice down. 

“I thought that—” you start, lips trembling, “I thought there was a chance I couldn’t lose you. The only thing I could do was—” you sniffle, “Hope that they could delay it or something.” 

“Yeah. I’ll explain it later,” he says, his voice sincere. 

You squeeze the wrist of his sleeve. “Don’t do things like that ever again,” you plead, “Promise me that at least.” 

“I promise.” 

“And keep your promises.”

“I will.” 

“...want to come inside?” 

He walks inside, and you step back to make way for him. 

“Sorry I came so late,” he says to you and Sasaki, who shakes her head in reassurance. “Hello, Sasaki,” he greets, “Is Iguchi okay?” 

They speak for a while— you don’t feel like it’s much of your right to join their conversation, since you did nearly nothing at all when they were most in danger, so you leave them be for a while. It would be better not to bother them right now, anyway. They’ve both been traumatised until it reached beneath their bones within the past twenty-four hours. 

When you leave the hospital, Sasaki tells you that she’s going to stay. You tell her to take care, squeezing her hand one final time. 

You let her, patting her on the back. You’ll call them later— she’d given you her contact— just to check on the two of them. 

“Where’s Megumi?” you ask Yuuji. 

“Oh, Fushiguro? I’m not too sure, but that Gojo guy said he’ll be there soon.” 

“Where, though?”

Sheepishly, in peak Yuuji fashion, he scratches the back of his neck. “Actually, another reason why I came here was also because… I mean, I know you and him weren’t close, but I’m going to the place where they’ll keep Grandpa’s ashes, and I think… you know, you could come with me. I… I don’t think I’d be able to do it really well alone, even though he had definitely made it clear he seriously didn’t want me moping around after his death and all. Gojo and Megumi will probably be there, but I thought it would be better if you were there because I know you better than those two, and you’re my friend. So… could you come with me? I know that he never really showed it, but I think he had always liked you a lot. Like, he was happy we were friends and stuff.” 

“...mhm. I’ll always be happy about that,” you tell him, before pulling him into a hug. The guy must need one right now. You’ve never hugged him before. Your heart hurts. 

The air is hot and humid with the breath of summer, bundles of mosquitoes bound to be breeding new ones these next few weeks. Up in the sky is the sun, bold and bright, glaring down harshly at the two of you. 

“Before he passed away, Grandpa actually said something. He… kind of cursed me, if I’m being honest,” Yuuji starts. “He said I was a strong kid, so I should help people. And I’m going to do that. So that was why when Gojo asked if I wanted to be executed immediately or just eat all the fingers before dying, I chose the second option. I… I think I want to help people that way.” 

‘You’ve already helped people enough. You helped me,’ you almost tell him. 

You frown, because that’s the only thing you can do right now. You search for words to say the same way you do looking for dog books in libraries chock-full with those of other genres. “I’m… disappointed, I— I know I should be grateful, grateful that you’re still going to be alive and all, but… you’re still going to be in danger, and you’re still going to be executed one day. I mean, again, I know I should be happy you’re going to have more time alive and that I can still see you, but what if things don’t go as planned? What if you lose control of yourself once you reach, like, the fifth finger or something?” 

You’re selfish like that. In a way, you’re just the way your mother is. You should’ve always known— you were her beloved daughter after all, and the people you know would be loved the same way she did you since the day she knew of your existence, and maybe even before that. 

“Don’t worry,” he grins, wide as always. Even in an over-enveloping darkness he still manages to be the light. “I’ll be just fine. I’m a strong kid, after all. And we’ll always be friends!” 

Gojo asks if he and Yuuji can talk in private for a while. You wonder if this was how your mother felt as she had to give the person she loved most away (but you will have to go away, one day), because you can briefly tell what Gojo is going to ask. You wonder if she felt this twice. 

Yuuji can’t stay with you forever. In the same way you can’t remain by your mother and father’s sides for all eternity. 

This won’t be the last time you’re here, you think. For a place of death, it’s quite a bit beautiful how there’s such large masses of grass and plants surrounding it. 

Megumi nearly walks past you, his eyes on the old photographs of the deceased all around him. 

“Megumi.” 

He turns around. 

“I just wanted to thank you for wanting to save my friend, even if you may not have wanted to do it for me, specifically… um… I didn’t expect that you’d still be here. Are your injuries okay?” 

“I’m okay,” he answers you. “And also, I…” he hesitates, the first time he’s talked to you for something actually related to the two of you in a long time— nearly two years if you’re counting correctly, but the thoughts in your head are a bit too jumbled to count at the moment. “I didn’t really do it for you, though. It… it was for Tsumiki.” 

“Oh.”

“Wait! I’m sorry, that didn’t… come out right. But I should also apologise for something else. You wouldn’t have been thrown into this world anyway if not for my own demon dogs years ago.” 

“No, no, it wasn’t your fault. And I would have wanted to be in it anyway. There’s not many who can heal other people and all, so I just thought… even if I can’t do as much yet, since I don’t have reversed cursed technique and the drawbacks that come from mine are really bad, I can still help people sometimes if they’re dealing with relatively minor injuries. I can, um… make things easier for people. I can be useful like that. I’d keep to it anyway, because I’m stubborn, but… yeah. It wasn’t your fault, really.” 

“Okay. That’s good to hear.” 

“Yeah. Anyway, I’m happy to know that Tsumiki is okay.” 

Silence again for a while. The air turns a little more sombre, and a lot more awkward. 

“She is. And Itadori seems… like a good person. I think it’s good, that… you were able to find a friend like that.” 

“It was. He’s a really, really good guy.” 

“You love him a lot,” Megumi says. 

“I do. He’s a really good friend. If there’s something I’ll always know I know that, at least.” 

“I can see that. It doesn’t seem like he loves you back in the same way, though.” 

“...wow. Way to be blunt, Megumi. And yes, I do know that, too.” 

“Let’s just… change the subject.” 

“You’re the one who introduced it in the first place.” 

“Okay. How… how are you?” 

“I’m good. Wait, I think you should… go back to them. Maybe they’ll need you there right about now. He’s probably going to have to go to Jujutsu High, right?” 

He pauses. “Yeah. I’m sorry, [Name].” 

“No, no. That’s okay. I expected it. It’s just that I’ll miss him a lot,” you tell him, “He took care of me, kind of. You know I’ve always been a bit of an awkward or shy person, but he still approached me since I was new and we ended up hitting off as friends, kind of. We did a lot of stuff together.” 

Sounds pretty familiar, huh. 

“If you want I can make sure he’s safe for you.” 

“...you should be able to do that regardless of whether it’s my wish for you to do so or not…” you state, “But that would help, I guess. And I’m sorry for my attitude towards you for the past few hours or so. Thank you again.” 

“...I’m sorry I never spoke to you for so long, by the way,” he says abruptly. ‘By the way’? Classic Megumi… 

“I could tell you were. It’s… it’s okay. The two of you kind of have a habit of doing that.” 

All your rage, your loneliness, your feelings of abandonment— and this is all you can do. This is all you can say. You can only just let it go, in the end. 

“I’ll explain it all one day.” 

“You don’t have to if it’s hard.” 

He stays. “No, I will. I promise. And I promise I’ll start to talk to you again, as well. I was just… scared of a few things, maybe.” 

“That’s okay.” 

The two of you aren’t quite friends again yet, but it’ll happen soon. Maybe. And even if it doesn’t, you’re finally able to say, with an open, honest heart, that that doesn’t matter as much anymore. 

“I guess this is goodbye again, then.” 

“Not really.” 

“Oh, right— promise to keep in touch, okay? My patience is running thin with you,” you chuckle at that last part, attempting to joke and make things lighter again. 

“Promise.” 

“I’m going to go home now, by the way. Please tell Yuuji that I wish him the best and I’ll visit when I have my own money to visit Tokyo and all.” 

“I will.” 

“And help me say goodbye to him for me,” you add, “Hope that’s not too much for you to do. Sorry for the trouble. It’s just that I’d actually just about cry if I had to do it in real time right in front of him. Be good to him and be good friends, okay? Keep that promise, at the very least. That’s the one thing that I wish for the most.” 

“Bye, Megumi.” You turn back in the direction opposite of his. 

“Wait—!” 

His hand is on your wrist. Now you’re in front of him, like yesterday, and he’s holding your wrist, albeit a bit gentler than the way he used to pull it a whole eight years ago. 

His eyes are cast away from you, slightly avoidantly and in a way that’s a bit abashed. “I’ll miss you, [Name].” 

“It won’t even feel like I’m not there,” you say. Though his grip is slightly tight, he loosens it as soon as you try to slide it up, as if he’d let you be free of it if you want him to. 

You squeeze his hand instead, turning to face him. It feels warm. It feels like there’s blood coursing through you, the sensation more tender and tangible than it’s ever been. 

“Goodbye.” 

“Goodbye, [Name]. I’ll… I’ll call.” 

“Thank you.” 

Now you’re the one slipping away from his grasp. You move your hand away and walk back. The door slides open. 

2010. Springs, summers, autumns, winters. Hands on wrists, a back faced to your eyes, wide with innocence. Warmth and laughter and happiness and love. Days coloured with vibrant hues and time spent with dog books and in libraries. Frowns were greeted with smiles. Hesitance was non-existent. You didn’t feel a need to compensate for your uselessness. You were a child. You didn’t feel useless at all. You just felt this: a constant leaping in your heart, the corners of your mouth twisting up into a juvenile grin, braiding someone’s beautiful brown hair and tying it with a pretty cherry hair tie. 

You want to cry as you walk back home. 

You’re pretty sure you do. 

taglist:

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#ohhh my goodness i'm so sorry this took so long #aaa but life's going to get very busy quite soon #so i just decided to post the next two chapters on tumblr first because writing chapter 8 and posting it on ao3 will take a while.... #take me back (take me with you) #jjk megumi #jjk x reader #jujutsu kaisen x reader #jujutsu kaisen #jjk #megumi fushiguro #megumi #fushiguro megumi #megumi fluff #megumi angst #fushiguro megumi x reader #megumi fushiguro x reader #jjk x fem!reader #fem!reader #ruer writes #megumi x reader #jjk x you #jjk x y/n #jujutsu kaisen x you #jujutsu kaisen x y/n #megumi imagine #adding more tags this time hope it works out #fanfiction #jjk fanfiction

[aloneinthehellfire]

Chapter Seventeen: Don't Forget Me

Gates Of Hell

Word Count: 9.2k

Warnings: mentions of death, violence, claustrophobia, lotsssssss of angst - i am the real monster, gun use,

steve is adorable as usual and y/n is... she needs help, my girl is going through it

[A/N: It's 3am and I thought it was a great time to rewrite the ending so if it's bad, that's why. In all seriousness, I am so thankful to everyone who has an insane amount of patience. I am currently on my last few months of uni so it's been hectic but I do still love writing this fic, I just haven't had time :( I hope the weeks of waiting were worth it?

To sum up this chapter... I have officially decided I am incapable of happiness... anyways, enjoy!]

Don't Forget Me

The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me.

Ever since those words slipped from your mouth, the realisation was striking the remaining tethers to your sanity.

The radio had cut out a while ago, leaving a long strand of frustrating static in the air. You couldn’t find yourself to care about that right now. Something wants you here. Why?

As it turns out, you weren’t the only one wondering.

“This monster is running around making gates, and following you? Why you?” Steve had attempted to reclaim the radio signal once it had blared incomprehensible static, but he had no such luck. Instead, he turned back to you, feeling sick at the haunted look on your face.

“I don’t know.” You say quietly, staring down at the damp map lying on the rocky floor in front of you.

“It doesn’t make sense.” Steve states, squinting at the small building your finger currently rested on.

“I’m aware of that.” You sigh, rubbing your temple.

“But you still think you’re the pattern we can’t quite figure out?”

“I don’t know, Steve!” You suddenly snap before the colour drains from your face. You didn't mean to do that. “Sorry. It’s just… it’s too specific to only be a coincidence. I just don’t know why.”

Steve slowly nods, cautious of the way you were tucking your hands into your sleeves, obviously trying to hide their uncontrollable shaking.

“Is it to do with the virus?” He asks, the question tasting like poison on his tongue.

The virus is almost covering you now, creeping up your jaw. You couldn’t hide it if you tried, and Steve had already seen it. Already the venom was influencing you more than you had expected.

“I don’t think so.” You shake your head, mindlessly flexing your fingers.

“Then what’s different?” He looks at you with a soft frown, a look you’ve seen more in the past few days. “If not the virus, what else could it possibly want with you?”

You start to shrug, conditioned to feel like you were in the dark. Since finding the others in the lab, it had become increasingly clear that you were an outsider to their heroic group. You weren’t there when El was first discovered, completely unaware that the small girl adopted into your family was a superhero in her own right. You didn’t fight a demogorgon, or protect the kids from danger, and you especially didn’t save the world.

But this wasn’t about them anymore. This was about you. Your connection. And with all you’ve been through in the last month, you’re the only one who could solve this mystery.

Your breath catches in your throat and Steve finds your eyes, questioning.

“The dust…”

The giant shadow of a monster you had seen before was looming over what used to be the police station. It didn’t have eyes, nor even a face, but you knew it was looking directly at you.

And you felt paralysed.

You watched as it held out an arm… or was it a leg? Whichever, it pointed at you, something fluttered around its shape. Some kind of dust. Black dust.

Everything in you told you to run, but you couldn’t move even if you wanted to. The dust approached closer, slithering along the ground like vines. And you stared, heart jumping into your throat…

Wisps of wind trailed past your ears, unheard from the heartbeat thrumming against your eardrums until it became louder. It wasn’t just wind… it was voices. Incomprehensible murmurs swirling around you.

Until it wasn’t so incomprehensible any more.

“Tell her”

“Dust?” Steve frowns, tensing his shoulders. “You mean the Mind Flayer?”

“That night the shapeshifter separated us.” You start nodding, absent-mindedly moving closer to him. “I remember escaping the arcade and then…”

“Then?” He prompts, a hushed tone to both of your voices despite the privacy of the rocky ledge.

“I saw the Mind Flayer.” You say and he feels a chill run down his spine. “It- I couldn’t move. And these, like, scary images were in my head before I had this really intense nightmare. The next thing I knew, you were there and I wasn’t stuck anymore.”

“You were in some kind of trance. It took me a while to get you out of it.” He recalls, nodding slowly. Even the memory made his stomach clench. “What did you see? The images?”

“Hawkins.” You lower your eyes, slumping back against the hard rock, “It was… it was like it was on fire. Nothing looked the same. There was this giant gap and-and so many monsters. People… bodies.”

“An apocalypse.” Steve finishes for you and you nod your head, eyes squeezed shut.

“If we don't stop whatever it is opening these gates, Hawkins is going to burn.”

Your words struck a chill down his spine, the fear in your eyes evident even as you try and avoid looking towards him. There was a scared determination in the way you started down at the map. It was almost as if Steve could feel the waves in your brain radiating with an idea.

That's cute, Steve thought as you bit your lip in concentration. Adoring you felt better than the dread of an apocalypse.

“I'm going to the motel.”

Steve’s head almost snapped off his neck in the miniscule amount of time it took him to react, staring at you like you were crazy. You are crazy.

“Are you crazy?!”

He expected some sort of retort, or an ounce of an amused grin on your lips. But you only nodded.

“We know this thing is there. If I can catch it, kill it, whatever, I can save whoever is left. This is my chance to stop it.”

You were being reasonable, offering a calm take on the situation with a decision you were ready to face. Steve, on the other hand, took your proclamation as an act of war.

“If you think for one second I’m gonna let you get yourself killed, you’re outta your mind.” He says with a stern face, prompting your brows to scrunch together.

“Funny, I don’t remember asking for your opinion.” You shot back and he shakes head in disbelief.

“Y/n, this isn’t just some fun little holiday where you can do whatever you want. You’re gonna walk into a literal death trap!” He didn’t mean to raise his voice, but the panic was already settling in and taking control.

“There is something there that’s been following me, following us! Don’t you want to figure it out? End all of this?!”

“Whatever it is has been managing to rip a gap between worlds with its mind! It’s mind, Y/n!” He stressed, expressing himself with his hands, “I don’t want to be on the receiving end of that and neither do you!”

“What does it matter? I’m dead either way!”

You can see him pale in front of you, sucking in a breath.

“Don’t say that.” He whispers out, a quiver in his bottom lip and you hate yourself. Why did you have to hurt the people you loved?

“It’s true, Steve. I’m already out of time.” You tilt your head, a clash of lightning above illuminating the veins that slithered along your jaw. “I want to find whatever it is poisoning our town and I want to destroy it before…”

“Before what? It spreads to other towns?” He frowns, running a hand through his hair. “It’s made it pretty clear it only wants Hawkins-”

“Before it gets you.” You finish, staring up at him. If you looked in his eyes any longer, you would see your reflection, a reminder of what he was scared to lose, but that you were willing to sacrifice.

“We know there’s a pattern. And now we know it’s me. And… and I don’t know why, but it wants me. This virus is barely hours away from reaching my brain and honestly now is the perfect time to finally figure all this shit out and face it.”

“And if you get killed?” His voice cracks and you bite your lip, pretending like you didn’t know the answer when all you could think about for the past three weeks was the inevitable.

“Like I said,” You gulp, forcing yourself to hold eye contact. “I’m already out of time.”

“What about your dad? Robin? All of those little shitheads who clearly adore you-”

“They don’t need me, Steve.”

“I do.”

“No you don’t.” You shake your head, tears pooling in your eyes. “You’ve been doing this shit long before I was ever in the picture. If anything, I’ve just ruined it-”

“Why do you do that?” He cuts you off, flickering between your eyes with a look of concern. “Act like you aren’t someone important, when you most definitely are.”

“Steve-”

“No, I wouldn’t have survived this thing without you here. Neither of us would have survived...”

When his voice trails off, you watch him scrunch his face and take a deep breath. He walks away from you, running a hand through his hair. He was thinking, struggling to make a decision. But he always did, and it was always the right one.

“You’re not going to listen to a word I say, are you?” He asks, glancing over his shoulder. You silently shake your head, seeing no reason to prolong this fight. “Fine.”

“Fine?” You repeat, unsure you heard him right.

“I can’t stop you.” He shrugs, sniffing back the emotions lingering at the back of his throat. If he couldn’t convince you, he would just have to make sure you knew you weren’t alone. “But I can help.”

“Wait, no-”

“What? You want me to just sit around on this rock wondering if my girlfriend’s gonna make it back alive or if that’s the last time I’ll ever see her?” Steve lets out a breathy laugh, clicking his tongue. “No, I’m going with you. We do this together or there’s no point doing it at all.”

A flash of surprise hits your face as Steve breathes heavy, not giving you another second to try and convince him to let you go. You had to understand that he couldn’t. He couldn’t let you go. No matter how many times he lived through that scenario in his head, replaying the scene as if you disappearing would leave his heart intact, he just couldn’t do it. Steve knew it was foolish to expect a different ending, but surely he was allowed to have hope.

Was it hope?

Or was it something he refused to see for what it truly was?

A delusion.

“If this thing is really opening the gates, why don’t we, like, make it open another one?”

Steve’s question hangs in the air when he shakes the thought away, realising the obvious answer before the last word even left his lips.

The ground coughed out a soft crunch beneath your footsteps, trailing beside Steve through the twisted crops of Merril’s farm. Even in the Upside Down, the field didn’t differ visually from the real thing. You remember when the crops started to degrade, Merrill grumbling about his neighbour poisoning them. The dispute had been entertaining to you. But now you knew the truth, it didn’t seem so funny anymore.

“Shit.” You curse under your breath as you trip over a vine, managing to regain your balance.

“What’s wrong?” Steve is by your side at an instant, brown eyes laced with worry scanning you.

“Nothing, just tripped.” You dismiss, frowning at the vine behind you. A shudder rolls down your back when you think you can see it moving, but the clash of lightning above was probably playing tricks with the light.

As you go to take another step, your vision blurs. You try and blink it away, rubbing at your eyes. There’s an unsettling rush of heat beneath your skin, scorching your nerves. It should be cause for panic. But you’ve been through this before. Your only fear was knowing you weren’t hiding it anymore.

“Woah, woah, woah.” Steve quickly grabs onto your shoulders and you blink as he catches you before gravity took you victim. You didn’t even realise you were falling. “Hey, you okay?”

No. Steve already knew that. How could you possibly be okay when the virus was slowly closing in on you?

“Just… give me a minute.” You catch your breath, trying every technique to stabilise your heart rate as you fall into a squatted position. You hated that this thing was slowing you down, and you hated being out in the open like this, knowing that because of you, the both of you were going to be in more danger than necessary.

Steve stands by your side, slowly sliding the bag from his shoulder to fish out his bat, hand wavering over the metal weapon resting below. No. That was for emergencies. This was just his paranoia setting in.

“Nice day, huh?” Steve offers when the silence became unbearable, making you laugh. He smiles. He loved making you laugh.

“I’ve seen worse.” You reply, standing back up and taking another breath, slow and easy. “Okay, I think I’m good.”

“You sure?”

“M-hm.” You nod, a small smile gracing your face as you adjusted your bag and found rhythm between your footsteps once again.

It was getting scarier, the time between your virus lapses decreasing more and more. You weren’t ready to turn into one of those things. No one could be.

How would I stop myself from killing?

Your eyes drift over to the boy next to you, his admirable determination guiding you both through the farm like it was his life’s mission.

What if you took his life?

You snap your head away, focusing on your breaths. One breath in. Hold. One breath out.

Will I have to watch myself murder innocent people?

One breath in. One breath out. One breath in-

“Y/n?”

Sometimes the dim light of the Upside Down was a blessing. The low exposure shielded you from seeing the way he looked at you; with concern, sadness, pity. You found it hard to be so vulnerable like this. You didn’t want anyone’s sympathy. You barely allowed yourself to be perceived unless it was for all the wrong reasons.

It was a stupid stupid habit to bear such hatred towards yourself for feeling. But this is how you been for years now. You weren’t sure how to be any other way.

“You’re suspiciously quiet.” Steve comments, attempting to lighten the dreary mood. “Not that I’m complaining. Finally, some peace.”

“Rude.” You reply almost instantly, unable to resist the smile pulling at your lips.

Steve hated how dark it was in the Upside Down. Without much light, he was unable to study your features in times like this, to watch the joy return to your eyes after weeks of torment.

But even in the dark, he knew exactly how much hurt you were hiding beneath that worn-out mask of yours.

“Seriously. What’s on your mind?” Steve asks you as he scrunches his face in disgust as the tip of his shoe brushes against the pile of inedible black mush that once was a pumpkin.

“Other than monsters, the apocalypse, and my general state of being?” You smirk at him, but he already sensed your hesitancy.

“Yeah, the important stuff.” He shrugs with a chuckle.

I’m scared if you don’t run away, I might hurt you.

You shake your head free of intruding thoughts, focusing on the ones that sparked unusual butterflies in your stomach.

“What? You want me to just sit around on this rock wondering if my girlfriend’s gonna make it back alive or if that’s the last time I’ll ever see her?” Steve lets out a breathy laugh, clicking his tongue. “No, I’m going with you. We do this together or there’s no point doing it at all.”

“Um, you said something earlier. Back at the quarry.” You force yourself to keep walking, trying to hide the smile in your voice.

“Like what?” He blinks innocently. A jolt of anxiety rushes through your brain.

Oh god, what if he didn’t mean it? He could have just gotten confused, or caught up in the intensity of it all and you were about to embarrass yourself for ever thinking differently.

As painful as it is, that option was probably the best one. Maybe then it’ll make it easier when the virus destroys you.

“You, um… you called me your… girlfriend.” You almost cringe trying to finish what you started.

Steve almost trips, looking like a deer in headlights.

“Oh. That.” Steve lets out a nervous laugh, running a hand through his hair. “I, uh… you know, it was just, uh…”

“Heat of the moment?” You offer quietly and he clears his throat.

“Yeah, right. Heat of the moment.”

“Yeah, of course. That’s- that’s what I thought it was.” You shake your head, wanting to move on from this subject as quickly as you could. “Just wanted to be sure.”

“Would it… would it be so bad if it wasn’t just the, uh, heat of the moment?” Steve suddenly asks.

You go quiet. Too quiet. And Steve clicks his tongue.

“Oh.”

“No, I didn’t mean-” You scrunch your eyes shut, footsteps slowing to a complete stop. “It just doesn’t feel right to say it.”

“Doesn’t it?”

Of course it does. Nothing has ever felt more right in my entire life, you want to scream, seal it in stained ink. But you had to look at the reality. You were going to die. You just wanted to make it as emotionally painless as you could.

“We’re not… we aren’t meant to be together, Steve.” You lie straight through your teeth, avoiding his eyes.

Steve scoffs, a hand on his hips as he looks at you in disbelief. “Yes, we are.”

“No. We’re not.” You say with a little more conviction, shaking your head. “This. Us. It’s not… how do we even know it’s real?”

When you avoided his eyes for a little too long, his hands find your face, cupping your cheeks to gently tilt your head to look at him. You just softly take them away, but he never lets go of your hands.

“If the gates hadn’t opened that day in detention… we never would have even looked at each other again.” You say, sadness coating your voice.

“But it did happen. And I’m looking at you right now. We got through it. Together.”

“We survived together. We- we relied on each other because we literally had no one else to.” You frown, shrugging it away as if your own words weren’t hurting you. “We went through literal hell and that’s what we bonded over. We don’t- How can you say this is real when we’ve been faking it all since day one? Let’s just be honest, it’s not gonna go any further so let’s save us both some time-”

“You’re doing it again.” He interrupts, his gaze on you unwavering.

“I’m not doing anything-”

“You’re pretending like you don’t care.”

You don’t respond.

“I care. A lot. Probably too much for it to just be a- a survival bond or whatever you said. And it’s definitely not fake.” He lets out a soft laugh, heart racing faster. “Actually… I’m pretty sure I’ve never felt something so real with someone before. It’s like- like breathing. You know? I can’t breathe without your stupid cute little face in my head or your annoying voice making me feel calm, or-or even this right here, your delusional belief that someone can’t possibly be in love with you which makes me want to just shake it out of you because it’s true, Y/n. It’s real. I’m in love with you, okay?”

Your mouth parts in silence, just looking at him, stunned. You were only trying to convince some excuses, to try and make it easier when it all inevitably ends. But you hadn’t really taken into account how much you both felt. And now everything was going to be so much harder.

“So, uh, yeah.” He clears his throat, releasing you from his hold and shrugging. “Just accept it.”

You both stand there for a moment, reliving his words. I’m in love with you. Steve doesn’t regret it, but he starts to feel nervous the longer you don’t say something.

“Can you… can you promise me something?”

Steve holds his breath. He knows what you’re going to ask. And he knows that no matter how many times he runs through that scenario in his head, he never pulls the trigger. He won’t take your-

“Don’t forget me.”

It wasn’t the promise he was expecting, brows furrowing with the intention of your words. He just wants to hold you, yell at you until you understood he couldn’t leave you behind, he wouldn’t let the virus take you. He’d find a cure, make one if he had to.

But he didn’t have time to figure out where to start because he was suddenly very aware you were both out in the open. And something was rustling the leaves, watching.

He quickly raises his bat, eyes focused. He can just make out a shadow, making him squint. Probably just another demodog, nothing he hadn’t dealt with before.

Except it’s taller. Almost… human?

And then he sees the glowing eyes, the gaping mouth. It was the screaming monster from the Radio Shack.

“Steve?” You frown once you catch it too, looking at him, waiting for his call.

“Once it screams, we run. Every monster and their mother is gonna hear it, and we need to get out of the open, fast.” He hisses between his teeth as he watches the creature weave its way through the trees, drawing closer.

“And lead them all straight to the motel?” You whisper back at him, and his face pales. There goes that plan.

“Shit.”

“What about that house?” You suddenly ask, tilting your head to your left. “The huge one on that hill? It’s the opposite direction from the motel and the closest thing-”

“Oh, god, no.” Steve breathes out, shaking his head with determination. “Remember what Robin called it? You do not enter a house called the murder house. Especially when you’re being chased by murderous flesh-eating monsters!”

“It’s pretty much our only choice right now.” You stress, the small hairs on your arm prickling the closer the creature gets. “We run through, slip out the back, and tail it to the motel before it’s-”

If Steve had any objections, you never heard them. All you heard was the terrifying scream rippling from the unhinged jaw of a ghostly woman.

“Run, run!” You yell, already feeling the effects of an ear-splitting pitch.

Steve immediately grabs your hand and you run, blindly trusting the boy you had assumed your enemy for 4 years of your life.

He wasn’t sure if you’d both be able to get inside in time, fully away of the hoard of monsters emerging from the shadows and chasing you down. It was a risky bet, this house. But you were right. It was the only option.

If Steve wasn’t so adamant on moving fast, he might have felt the soft tug of your arm as your body struggles to keep up, the stretch of the hill proving the laws of physics were never your friend. As long as your hand was in his, you were going to be fine.

The harsh creak of rotten floorboards as Steve barrelled into the room echoed menacingly in his ear. He quickly dropped your hand, pulling you behind him and making haste of tugging a tall and heavy cabinet down so it blocked the entrance. It wouldn’t hold forever, but it would give you both enough time to slip out unnoticed.

“That should keep them back, we gotta-”

Steve expected to find your hand as he reached back for you, but the space was bare. He spins around, stomach lurching when he finds you’re already sat against the wall, looking worse every second.

“No.” He drops to his knees and cups your head in his hands when you struggle to keep it up, swallowing his anxiety, “No, hey, sweetheart, hey. Look at me.”

Your weary eyes meet his and his breath hitches. The black veins were now creeping up your cheeks, spreading quicker in the past few hours than they ever had before.

A sudden chorus of thumping snapped his attention, the barricade against the front door almost shattering under the weight of its attackers. It wouldn’t hold much longer. He knew you weren’t in any state to run to the motel, and he had to think fast.

Steve loops his arm around you and pulls you to your feet, muttering a string of apologies as you wince. His eyes catch the bleeding moonlight from above, enticing an idea.

It felt like your whole body was on fire, any movement contracting your muscles to pain until you could nearly faint. But you had to try, you had to move. For him.

He could sense your determination as he moved you both up the staircase, your legs wobbling but making it to the top in a timely fashion. His admiration would have to come later. Right now, he needed you both safe.

The hallway was long and dusty, Steve’s eyes barely adjusting to the darkness. He’s unsure where to go next, a lengthy display of doors scattered either side of him as he helps you walk further into the house. Maybe there was another-

A giant crash echoed out in splintered waves, dread flooding his body.

They were here.

Picking the closest door, he drags you both inside and takes care to shut it as quietly as possible, knowing one loud sound could be the end. His nerves were on high alert, struggling to make the life-saving decisions his friends usually expected from him. But the stakes were different this time. There was no one to bail him out if he makes the wrong move, no Nancy or Jonathan to come save the day. It was just him, protecting you.

The door had apparently led to a bedroom, his eyes scanning for a chair or a dresser to block- No. No. That would just make more noise- But what if they got in?

Hide. You need to hide.

Pulling you close to him, he spots a large closet on the other side of the bedroom. That would have to do.

It omitted a soft creak, making him grimace. He carefully lowers you down, noting how you were forcing yourself to breathe in even intervals. You were fighting it as best as you could, and that was all he could ask for.

As he joins you, he manoeuvres you so you were situated between his legs, knowing this would be the only way to ensure you both fit in the small space. His bat is digging into his side as his arms are wrapped around you, his back pressed against the side of the closet as he watches the bedroom door through the crack of light, holding his breath.

He couldn’t hear anything, but that was the scary part. He had hoped to hear the creatures crash through the ground floor and somehow be tricked back outside, relieving his mind with the knowledge he made the right decision.

The space was becoming all too small, even with the door cracked open. And that’s when the fear came creeping in.

What if a demogorgon found you?

What if it tracks your scent, follows the trail up the staircase, opens the third door on the left?

What if it stalks into the room and starts listening closely, hearing his quickened breaths of panic?

What if the last thing Steve saw was the thing ripping open the closet doors, a set of giant claws caging you in, knowing there was no escape?

What if you both died in here?

He exhales a long breath, fading back into reality when he feels something gently squeeze his hand. Your hand. You had intertwined your fingers with his, head laying back against hisshoulder, sensing his anxiety.

Steve had known he was claustrophobic for a while now. As a little kid, he remembers when he and his friends would play in the woods, a hollowed tree trunk on the ground marking the final destination of their adventure. That was the first time he felt fear, he thinks, curled up halfway through the tight space as his shirt was caught on protruding bark. He remembers his friends laughing and leaving to go find his parents when it became all too serious, assuming they had abandoned him there.

The tunnels were far worse than his 7 year old self’s nightmares. When the demodogs came barrelling towards them, his sudden realisation that he would be dragged back into those tunnels and left for dead, he had never felt so hopeless. He couldn’t even fight, not really. He could only attempt to shield Dustin with his body, and pray they made his death quick.

He never really knew how to get himself out of these situations. His parents had enticed him out with harsh words and false promises, eventually dragging him out by his arms when his mind couldn’t stop imagining the tree collapsing in on him. The demodogs hadn’t attacked in the end, sparing them with pure luck and giving him no time to reflect on his darker thoughts, the kids needing him more than he needed closure from himself.

But one single touch of your hand changed everything. No words, no rush. Just a reminder he was still here. And you were here with him.

He felt your body tense the moment the floorboards out on the hallway creak, just quiet enough to let him know the creature was trying to be silent. Something was looking for you.

The virus had taken its toll on you, the past few minutes of your life flashing by in a blur. You don’t even remember climbing into the closet, waiting in suspenseful agony for a sign that the coast was clear. But all of a sudden, you had finally returned to reality, feeling Steve’s erratic heartbeat on your back.

You almost flinched when you heard something bang against the bedroom door. It was sudden, ricocheting an echo of vibration through the floor. And then it was complete and utter silence.

You must have been shaking because Steve holds you closer, forcing you to take a few quiet breaths. You’d be okay. It will be okay.

Another sharp crash blares out, but it’s further this time. Whatever it was outside of that door was leaving, finally. But that didn’t stop you both from sitting there for a little while longer, afraid to move from the safety of the wooden walls.

It was you who made the first move to leave, shifting in his arms and pointing to the door. You had caught your breath now, shaking away the virus’ side effects with strength Steve could only respect.

Steve pushes the closet door open and you are finally back on your feet, offering a hand to pull him up with you.

“That was close.” He breathes out with a nervous chuckle, running a hand through his hair. He retrieves his bat from the wardrobe and turns around to see you’re stood still with a guilty expression on your face.

“I’m so sorry.” You whisper out, shaking your head. “We could’ve- it’s my fault.”

“What? No.” He crosses the room and pulls you into a hug, one you definitely needed. “No, it’s not your fault. None of this is.”

After a moment, he pulls away, sucking in a breath. “Now let’s get the hell out of here because this place is giving me the creeps.”

You nodded to his words, shivering as you observed the room you stood in. It looked like a master bedroom, possibly decorated for a couple to reside in. Everything was either covered in dust or cobwebs, a pang of sadness hitting your chest.

You knew the rumours of this place; a man going crazy and killing his entire family, their ghosts now haunting the place ready to collect more victims. But right now, you didn’t feel haunted.

A family had died here, the home clearly decorated with care and love from the people who never got a chance to live in it. And it has just been left like this, to wither and rot away.

Steve poked his head out of the door and listened out, making sure you weren’t just walking into a trap. He did the same as he leaned over the banister, clocking the wide open front door, now adorned in malicious claw marks.

“Fastest route?” He asks as you join him at the back of the house, squinting into the horizon.

There were only two options; along the road and out in the open, or through the woods with little to no light. You tried to think back to when you originally thought of the plan, retracing your steps.

“I’m thinking, uh…” Your voice suddenly cuts off and you turn to stare at him, a hint of a smirk on your lips. Steve frowns. “Do I remember you calling me sweetheart earlier?”

Heat rushes to Steve’s cheeks. “What? No. That would be weird. I don’t have a pet name for you. Or any name, actually. Other than your actual name. Maybe ‘asshole’. Not- not sweetheart- right, we’re cutting through the woods this way.”

He marches off before he becomes any more of a mess than he already is, hearing your laughter as it trails behind him.

“So… where the hell is this mysterious gate maker gonna be?”

You were both stood in the parking lot of Motel 6, eyes scanning each room as if a source of light would illuminate the monster you were hunting. If your theory was right, and it was all originating from here… how long has it been right under your noses?

“Maybe it’s like the gates.” You offer, shrugging. “What did Dustin say? In the heart, or something. The middle.”

“I hope not.” Steve states and you turn to where he was suggesting.

The heart of the hotel wouldn’t be one of the rooms, nor the office. And you had a suspicion Steve had thought correctly.

The basement.

Staring down at those two daunting metal doors, you feel your skin prickle. You take a glance over your shoulder, frowning.

In all three weeks you’ve been down here, you’ve never encountered a single monster at the motel. It had been a last minute resort for safety, ensuring you weren’t followed, picking room 303 as if it mattered. You were pretty good at sneaking around the place, but you never realised how truly odd it was that no monster ever followed you.

Maybe that answer was waiting for you behind those basement doors.

“Wait,” Steve gently places a hand on your waist as you move towards it, staring down with brown eyes of deep concern. “Are we sure we really wanna do this?”

“There isn’t another choice.” You say, yet you were still hesitant as you walked up to the doors, forcing each step you took.

No locks, no obstacles. Just a pair of metallic blocks on hinges. That felt worse somehow.

“If I had a nickel for every time I had to go down into a cellar to look for a monster…” Steve sighs to himself, catching your curious look. “Uh, I’d only have, like, two. But still. That’s two more than I should have.”

You can only nod in agreement, your breath caught in your throat.

Are we sure we really wanna do this?

The unsatisfying creak of metal echoes across the parking lot, Steve letting out a low whistle as he stares down into darkness.

“I’m sure this won’t be creepy at all.” He comments, taking the first step down before you had the chance. You’ve noticed that about him, always the first to enter an unknown room. A protector.

Light bleeds through a small window on the other side of the cellar. There was more space than you were expecting, but the strangest part was the fact there was nothing in here. Like it had never been used to store anything.

“It’s empty.” You announce, stood dumbfounded in the middle of the room.

“Maybe the landlord kicked it out.” Steve shrugs, silently relieved. He catches your fallen expression and places a hand on your shoulder. “Look, we’ll find another way.”

And then the basement doors swing shut, the sound rattling through the dark cellar at an alarming pitch.

“Shit!”

Steve drops his bat and rushes back up the steps to push against the metal doors. Nothing. He drives his shoulder into it. It doesn’t budge.

“How is it locked?!” He grunts, giving it one last try before backing away, shaking his head. “There wasn’t any lock on it!”

Your stomach drops.

You both freeze, turning once again to the singular door at the end of the hallway, a snarl vibrating through the wood of it.

The door you had walked through swung itself closed with a loud bang.

Spinning around with no intention of being here any longer, you reach out and pull the handle towards you.

It didn’t budge.

You grab the other handle in your spare hand and pull harder, the doors rattling under your force, but never opening.

“Billy!” You yell, but he’s already pushing against the doors, eyes wide. “It’s locked! How is it locked?!”

“Shit!” He hisses, turning to ram his shoulder against it for extra strength, but he couldn’t keep it up forever.

It was all happening again.

You had just walked into another trap.

“It’s here.”

As soon as the words leave your mouth, Steve is on high alert, frantically looking around the basement. But it’s still empty.

“Nothing is here, Y/n.” He frowns.

“Not on this side.” You gasp when something suddenly echoes in your ear. You look at Steve, startled, but he doesn’t share the same expression.

“What?���

“You didn’t hear that?”

“Hear what?”

You start moving around, trying to find a spot to make the incomprehensible whispers clearer. Steve’s heart is pounding louder.

“It’s that voice again.” You mutter to yourself.

“Voice? Y/n, you’re scaring me.” Steve manages to catch you for a split second, and you meet his eyes. His face drops.

The veins were creeping up your face, laying just beneath your eyes. He places a hand on your forehead. You’re burning up.

“Y/n, you don’t look so good.”

“It has to be here.” You shake your head out of his hold, stepping back. “The map- it has to be here!”

And then you hear it again, the voice. Except, this time, it’s so much clearer.

“Tell her”

You suddenly stop, letting out a gasp and Steve’s anxiety is sky-rocketing. You were both trapped inside this basement with something he couldn’t see.

He tries the doors again, thumping his fist against it like it would dislodge something. Nothing. Glancing over his shoulder, he clocks the window. Maybe…

Steve sprints over, dropping the bag off his shoulder and onto the floor beside him as he fumbles around for some kind of latch. Something rattles and he smiles. Bingo.

“Hey, we can get out through the window. Wasn’t rocket science, but I’m still a genius.”

He turns back to look at you over his shoulder, smiling. You’re currently near the far corner, your back facing him. You don’t seem to have heard him, breathing in odd intervals as you stare down at your hands.

“Y/n.” He tries again, louder. Your head twitches. Steve releases the latch on the window, fear flooding his entire body.

That same familiar feeling starts twisting in his gut, the same he always had when something is really really wrong. He never ignored it, never wanted to, because it was always right. But he didn’t want to believe it this time.

He slowly steps away from the window, his eyes permanently glued to the back of your head, feeling like he couldn’t breathe.

Trying again, his voice cracks under the pressure of speaking your name like it would warp the vicious reality he was living in.

“Y/n?”

You snap your head to him, and the colour drains from his face.

“No…”

He lost you.

The world bled to grey as tears start trailing from his eyes, staring into yours. Except, they weren’t yours. They were darker, soulless. Black blood was dripping from your chin, staining your lips.

Lips he had once kissed.

Lips he would never kiss again.

“Don’t do this.” He begs, unable to find the force to speak louder than a whisper. “Y/n, please. It’s not- I can’t hurt you. You know I can’t hurt you. Y/n...”

You snarled at him this time, your mannerisms unnerving. It wasn’t you anymore.

His eyes slowly drift to his bat, making him clench his jaw. It was closer to you than it was to him. He wouldn’t be able to reach it in time.

But he knew he wasn’t completely defenceless. He just wasn’t sure if he had the strength to use it.

You suddenly lunge at him and he instinctively dives for his bag, rolling away from your attack in the last second. He unzips it, staring down. He couldn’t do this.

Snarls and hisses spit from your mouth as you scramble up from the floor, blinking rapidly as you search in the dark.

Click.

Your whole body snaps to him in one sharp movement.

With a shaking hand, he stares directly into your eyes.

“Y/n, please.” He sobs, “Please, you have to be in there.”

Not even the mournful pressure against his chest felt as heavy as the gun in his hand, tears rolling down his face.

It was your idea to take a pistol from the cabin, knowing you couldn’t use it unless it was in moments of emergency, afraid the rippling sound of the bullet would alert every monster in the town. You both swore you’d never have to use it.

And here he was, pointing it directly at your head.

“Steve?” Your small voice prickles his hearing and he moves his gaze from your hands to your eyes, darting between the pupils in silent study. “If I… if it-”

“No.” He immediately shakes his head and you could almost sob. For what felt like days, you’ve been trying to have this conversation with him, but he always shuts it down, pretending like it wasn’t needed.

“You need to listen-”

“I am not killing you.” He says with conviction, and he feels your fingers slip out of his reach. “That’s not happening, Y/n, you can’t expect me to-”

“And what then?” You cry, standing taller, making his head crane to look up at you as you wrap your arms around your torso. “You’re just gonna watch me turn into a monster and let me stay that way?!”

“This isn’t just some sort of favour you’re asking for!” He frowns, shaking his head. “You want me to kill you. To end your life!”

He knew this was coming. You knew this was coming. You’ve been trying to warn him for weeks now, pleading to him. And he never listened. He never wanted to.

Three weeks ago, Steve would have shot you in that school hallway if you had turned after the bite, the memory bitter but his heart still intact.

Three weeks later, Steve would rather shoot himself then live with the memory of putting a bullet between the eyes of the girl he was in love with.

It can’t end like this. It can’t.

“It’s me.” He tries again, hoping his voice could break you free from the virus. “It’s me. Steve. Remember?”

He should have known hope was never his friend.

A voice completely alien to you rips out a screech from your throat, and hell comes to bludgeon him with the worst it had to offer.

Steve watches in horror as the skin starts peeling from your face, tearing it into pieces like a flower and its petals.

Like a demogorgon.

It was too late. You weren’t coming back to him.

You run at him, sharp teeth bared, mind forever gone.

Steve’s eyes shut…

… and he pulls the trigger.

“STEVE!”

Your throat was sore from relentless screaming, sobbing with your entire chest.

Steve had rushed over to the window just after you heard that voice. You had turned your back on him, distracted by what you thought was a shadow hiding in the walls.

You heard him call your name. But when you turned around…

His eyes were rolled back, stood deathly still.

“Steve! Wake up!” You keep trying to shake him out of his trance, watching as a trail of red bleeds from his nose. “No! No, wake up! Steve!”

More and more whispers echo around you, building up until all you heard were the same repeated words.

“What do you want?!” You scream into the dark, cheeks stained with relentless tears. Steve was dying, and you couldn’t do anything about it.

In a desperate attempt for help, you crouch down by the window and start rifling through his bag, batting the gun to the side to grab the radio.

“Hello?! Is anyone there?! Please!!”

You cry out in frustration when all that responds is the piercing static.

“That won’t help you.”

The radio slips from your hand in shock, clattering against the concrete as your wide eyes fixate on the image in the corner.

Something was forming from the shadows, pulling together pieces of the dark like it was dust. Your body floods with ice. The basement had never been dark. You were just surrounded by the same black dust that haunted every single nightmare.

Your shaking hands swipe the bat from the ground and grip it tight, shielding Steve’s body with your own. You hear his breaths become shallower.

“You were never meant to find me.” It spoke in a dark voice, fading in and out like a weak connection.

A gasp slips from your mouth when the particles build its final form. A silhouette of a man, featureless yet distinctive. Of all the creations you had envisioned, you didn’t expect the monster to be so… human.

A man.

“What do you want?!” You yell at it, raising the bat like it would scare it away.

“I tried time and time again to get you to understand.” He spoke, drifting closer to you. “I gave you the future. Visions. A simple task.”

Something like a sob escapes Steve’s lips and you whip your head to him, feeling completely and utterly helpless. You weren’t going to defeat the monster like you said you would. And now you were going to watch him die, knowing you were the only reason he was down here with you.

“It was the only way to make sure you listened.”

You turn back to the monster, a scowl twisting onto your face.

“Let him go.” You warn, but you knew your threat was meaningless.

“You have no power here.” He states, and you could almost feel the shadow smiling at you with malicious intent. “I make the rules.”

Goosebumps return to their path along your skin, trailing up your arms and prickling at your neck, making you shiver.

“I will let him go… Once you carry out one important task.” He nods, closer once again. You shift your body protectively in front of Steve, holding your breath.

“What…” You blink away tears, feeling suffocated by his presence.

You understood why the other monsters were so afraid of the dark.

Your arms didn’t feel attached to your body when they suddenly start to lower themselves, a shadowed hand reaching for your face.

“Bring me the girl.”

You frown, shaking your head. Girl?

As if he heard your thoughts, he leans close to you, speaking one word.

“Eleven.”

“El?” You gasp, and he steps away from you, observing. “Why- what do you want with her?”

“Bring her to me, and I will let him go.” The figure doesn’t answer your question, tilting its head. “Once you leave this place, you’ll find her, and you’ll bring her to me. That is all I want.”

“And if I don’t?” You raise your chin, regaining the feeling in your arms.

He slowly raises his hand, pointing it to the boy behind you. At first, nothing happened. And then you watch in despair as Steve’s body starts to slowly lift from the ground, a strained yell of pain.

“Stop!” You beg, and the shadow obeys, Steve’s feet touching the ground.

One little action and it was so simple it was terrifying. If you don’t bring El to him, he’ll kill Steve.

This monster knew you. It had been following you around since the dust you encountered, observing the things that made you tick, the things you loved, hated, needed. He knew exactly what would make you listen to him.

He was the Voice that had been haunting you for weeks.

You look back at Steve, almost crying out when you notice he’s lost more blood in the time you’ve taken to decide. You couldn’t do that to El.

But you also couldn’t watch Steve die.

“Fine.” You sob, nodding. “Just let him go.”

“You’ll know where to find me”

And then the shadow is thrown back into the darkness, hitting a wall and sinking back into it, dispersing the dust in scattered patterns on the surface.

Steve gasps behind you, and you spin around to catch him as he stumbles forward.

“Steve!” You cry in relief, wrapping your arms around him as he struggles to catch his breath.

“Y/n?” He sounds surprised, almost sad, observing every little detail of you as if he couldn’t decide if you were real. “Wait, you’re… what happened?”

“I-”

You try to reply when a loud hum starts building behind you, your attention needed elsewhere.

The middle of the wall starts to burn away, splitting apart and blackening at the edges. The humming only became louder, a dark red hue casting your shadows.

The Voice was creating a gate. For you. To pawn your sister’s life for Steve’s. Once you stepped through it, you’d be signing a death warrant.

If you stepped through it.

“What the fuck is happening…” Steve blinks at the gate, aware of the tightened grip your hand had on his.

In his vision, he had shot you. He had committed the most unspeakable act he had time and time again refused. The worst part of it, was he thought it was real. He made that decision.

But it was all a lie, and you were here, holding his hand with a look on your face he couldn’t decipher.

“You have to go.” You say to him, your words hazy to his ears. He still wasn’t entirely sure he was back in reality, struggling to make sense of the walls around him. “Steve, listen to me. You have to go.”

“No.” He shakes his head, trying to focus. “What about… what about you?”

A booming chorus of thumps against metal suddenly arose from the basement doors. Your stomach dropped.

The creatures weren’t afraid of the dark anymore.

When the gate had spread into a human-sized portal, you start pushing Steve towards it. His sneakers were just touching the edge before he realised what was happening.

“Hey, hey! No!” He stops, and you’re not strong enough to overpower him.

“Steve, you have to go! They’re gonna break through any minute!” You cry, watching the ever-growing dents in the metal above the staircase. “Please, you have to go!”

“I’m not leaving you, Y/n!”

“It’s already too late.” You sob, wiping away your tears. Tears that felt hot, burning against your skin.

The skin littered with black veins.

“I’m gonna turn any minute now.” You place your hands on his cheeks, making sure he was listening to your every word. “And I don’t want my last memory to be crossing back into our home knowing I won’t make it 5 steps before the virus kills me. Okay? So, you’re gonna go through the gate and you’re not ever gonna look back. Please. Don’t come back for me.”

“I can’t-” He cries and you bring his forehead down to rest on yours, nodding.

“I know.” You whisper, leaning forward to leave a feather-light kiss on his lips.

His eyes are still closed when you pull back, studying him one last time.

“Which is why I’m sorry.”

Steve’s eyes snap open just in time to watch your hands find his chest and shove him as hard as you can, his body ripping through the gate faster than he can experience.

His back hits solid concrete, making him groan. It takes a second for him to blink away the dots in his vision, slowly sitting up. He can see your figure clearly, your sad eyes, the smile gracing your lips.

And then the gate starts to sew itself shut.

Steve scrambles to his feet, tugging at the dangling pieces of membrane to try and stop the process.

“Y/n!” He yells at you, the unwelcome fear striking his nerves when he hears a loud crash from the other side.

Judging by the look on your face, it was exactly what he thought it was.

“No! No! Y/n!”

The gate is getting smaller, but his screams are only getting louder, fingers desperately trying to pry it open like a set of doors. But it was useless.

He can just make out a rush of silhouettes, your retreating form.

And then he was clawing at a concrete wall, body shaking with the intensity of his tears.

“No, no, no, no!” He yells in rage, his fingers scraped and bloodied.

For the last three weeks, all he wanted was to be on the other side. And now he was here, without you, it felt worse than hell.

He barely heard the creak of metal doors open behind him, or even saw his shadow suddenly cast onto the space he lost you forever.

Steve didn’t notice anything until a voice calls out behind him, causing him to turn and squint against the beaming light.

“Steve?” Hopper frowns, squinting. “Steve.”

He rushes down those steps and drops the flashlight, both hands on the boy’s shoulders.

“Hey, kid, you alright?” He asks, but Steve can barely speak. “Kid, look at me.”

Steve looked at him, a torn and broken version of the boy Hopper had seen last. He can feel Hopper’s hands tighten, a look of horror clouding his eyes.

“Where’s Y/n?”

Don’t forget me, you had said to him. A bittersweet promise of a memory.

Steve wasn’t ready to make you a memory.

“She’s still back there.” He finally said, swallowing the bitter lie that was about to coat his tongue. “We got separated.”

He lowered his eyes, unable to look at him, trying to ignore the guilt eating away at his chest. It was cruel, to lie to a father so desperate to get his daughter back. But he was afraid the truth would show you were like your father in more ways than one.

Steve needed to do this. No matter the consequences.

“She wants us to find her.” He finally says, nodding. “She wants us to bring her back.”

To be continued...

[A/N: GOH will return for yet another installment! I'm separating the story into parts so I can trick my stupid brain that only gives me writers block into thinking it's only a short story. I honestly plan for this to last forever. Or at least until I run out of ideas lmao.]

taglist:

@toomanyfandomsimfanvergent . @sheisjoeschateau . @kthomps914 . @curled-hair-red-lips . @nix-rose .

@palmtreesx3 . @kryztalglear . @sattlersquarry . @hey-barnes-stole-a-jeep . @sadslasher13 .

@iliveonteaandbooks . @innercreationflower . @newyorkangelbaby . @totally-bogus-timelady

#stranger things #stranger things x reader #fanfic #steve harrington #steve harrington x reader #steve harrington x fem reader #steve harrington imagine #steve harrington fanfic #steve harrington fanfiction #steve harrington x you #apocalypse au

[msfcatlover]

I have been thinking so much about Jean-Paul Valley in my Reverse!Robins AU. Specifically, how he’d react to Steph’s return.

Because, listen: here is a man who had his autonomy stripped from him. Had his identity stripped from him. By the cult his father secretly raised him to serve, while letting Jean-Paul think he was having a normal childhood (and he did. That is one of the things I like about JPV as a character; in the original “Azrael: Fallen Angel” & “Knightfall” stories, he had a perfectly normal childhood… aside from the hypnotic brainwashing implanted while he slept.) This guy who was tricked into murdering several people, when he never, ever wanted that.

He gets saved by the Bats. And they help him. They really, genuinely help him, and sure, Duke & Damian are still teenagers (JPV’s like… 20-22 at this point in my mind,) but they’re also his anchors to reality. Damian, who also was raised to be a weapon by someone he should’ve been able to trust. Damian, who has experience with cults & rebuilding your identity after losing everything. Damian, who’s basically JPV’s “Brainwashed Cult Assassins Anonymous” sponsor. Duke, who also had a normal childhood. Duke, who knows Gotham like only a kid who was raised in its heart can. Duke, who agrees that this whole situation is certifiably fucked, but never hesitates to help Jean-Paul potentially recover a lost memory or find a new one, because it’s not just about who Jean-Paul was before the cult of St Dumas got their hands on him, it’s about remembering that he’s a living human being right now.

They take him in. They save him. They help him save himself. Bruce offers to pay for him to go back to college, for fuck’s sake!

They gave him his life back.

Jean-Paul can never, ever repay them. They tell him they don’t need it, but he wants to and he can’t. He feels so selfish to take & take without giving back, but how do you pay someone back for all that?

So his couch is always open to them, whenever they want. He’ll be their ally, their friend, their confessor, their confidant, their homework editor if need be. And when newer batkids join, well, Jean-Paul would’ve done his best anyway, but the fact he’s entrusted with Duke & Damian’s apprentices is just. It’s something else. And it’s hardly a hardship—the kids are a delight. Obnoxious, sure, and messy, and pushy, and constantly interrupting, and sometimes they break his stuff, and always they eat all his food, but Jean-Paul has more civilian friends now, and they tell him that’s just what kids are like.

What matters is that he loves them. He loves them because Duke & Damian love them, and then he loves them for being them.

And then. Stephanie. Dies. (Because Jean-Paul is broken, he’s a sinner, he can never make up for what he’s done, what he is, and he can never have nice things. Because Steph was sunshine & rage & stubbornness, because she joked that “We blondes have to stick together!” Because no one was there for her when it mattered most. This has to be punishment, right? He got too close, and Steph paid the price.) (His therapist says he’s being irrational again, but it doesn’t feel irrational. They say they need to adjust his medications. Jean-Paul knows better than to trust himself, but he can trust in Bruce to make sure the therapist is safe, so Jean-Paul doesn’t fight it. He’s not happy, but he doesn’t fight it. Because if he starts hallucinating again, he knows it won’t just be his father hovering over him, demanding to know why Azrael refused to avenge them. So yeah, sure, adjust the meds if you think it’s needed—he doesn’t miss Steph that badly. Yet.)

And then. Steph. Comes. Back.

She’s not dead. She’s not dead, but she’s different, she’s so very, very different. Damian says she fights like she spent time with the LoA, that same cult that raised Damian which he’s told Jean-Paul so much about over the years. Training like that takes time, but it’s been 6yrs, and she’s back, risen & gifted back to them! And she’s killing, but Jean-Paul’s killed before, and he’s been kidnapped by a cult before, and he thinks he knows how this goes. Death Mask isn’t Azrael, but he thinks it’s close enough.

And. And. And. He can save her. Because he knows what to do now, after nearly a decade in recovery. He can make up for his sins, he can bring her home again, and maybe, finally, he’ll have finally managed to pay them all back! He can give Steph her self back to make up for—(“You didn’t kill Stephanie,” his therapist reminds him, “you never laid a finger on her. Remember? You didn’t hurt her. It’s not your fault.” But it feels like it is, it feels like it, he can’t shake the idea that he did)—and he can give the Bats their sister back to make up for all that they’ve given him over all this time! A life for a life, and yes! This feels right!

He cooks up scenarios, imagines Steph reaching out in a moment of lucidity, or showing up injured on his doorstep guided by muscle memory, or running into her on the street or in a cafe and the look of alarm & recognition in her eyes as she—like he did, still does occasionally—knows that she knows him but can’t remember. He imagines the conversations they could have, all the different variations, and knows that it will take time, but patience is a virtue and Jean-Paul’s gotten rather good at it. He can be her anchor.

He just needs to figure out how to start.

(And meanwhile, Steph’s on the other side of Gotham like, “Why are my ears burning, and why do I feel like I’m staring down a tsunami-level wave of second-hand embarrassment right now?”)

#red hood steph #red hood!steph #red hood stephanie brown #red hood!stephanie brown #Villain Stephanie brown #Antihero Stephanie brown #jean paul valley #jean Paul valley #jeanpaul valley #azbats #dc azrael #Dc azreal #Reverse!robins #reverse robins au #reverse robins #reverse order robins #Reverse order betkids #Reverse batkids #reverse batfam #reverse batfamily #Batfamily #batfam #batkids #stephanie brown #batman #my writing #mine #// #I actually like him a whole lot—just not in any comic I’ve read so far. #JPV you are so fun & interesting on a conceptual level! Sure hope the DC writers do something fun & interesting with you at some point!

[understandableparadox]

Bottom of the barrel isekai reviews:

Todays title: Welcome to demon school iruma

hi, im back, tell a friend.

Anyways we will be looking over something populer, and only a few images this time. I want this to be a nice slide back into the mix while I get ready to boil myself alive by reading shitty isekais.

"b-b-b-b-but dox!" you say, your form emaciated and ghoulish from months of little to no attention "how is it an isekai?"

Normally an isekai requires some form of passage into another world through death, but again, we are going to consider any and all portal fantasies to be on-par with isekais. as death and jumping through a funky portal are really kinda the same thing if you think about it.

so! plot synopsis, we open on the titular character iruma! they are being sold to a demon, don't worry this action will be the literal best thing that has ever happened to them. Also, added treat, slavery is not a running theme in this manga! HURRAY! WE HAVE FOUND OVERCOME THE BARE FUCKING MINIMUM! HUZZAH FOR MEDIOCRITY! MY DESIRE TO RUN MY HEAD THROUGH A ARC OF GONGS UNTIL THE SOUND WAVES LIQUIDATE MY BRAIN MATTER HAS LESSENED!

anyways we get to know some important plot points between the buyer and the product! (our mc)

iruma is a 14 year old yes man. They say yes to everything, even yes to the idea of breaking child labor laws! as their parents are frivolous unimportant freaks that spend way too much money then bolt, leaving him to work off the debt. Anyways, that's how this happened. they wanted dosh, and our buyer, we will call him grandpa!

Why is he so interested in buying a child? simple! He is rich and wants to have a grandson, unfortunately, he does not have a dick due to war injuries... ok thats a lie, he just wants a grand kid.

Anyways this is a very interesting title in the fact that it is still in a way, a power fantasy, but the power in that fantasy is separated towards other things.

It is a story in which you have the power to be helped. The adults in this manga are actual competent adults, they are there for the protection of the children, they are there to guide, nurture, train and help them grow. Despite differences or annoyances some may have, those are secondary to the ferocity they show when it comes to ensuring the protection of their students.

Iruma does have a lot of “i am the chosen one” but it is not something that automatically aids him in most situations, in fact it is the triad of facts of “I am a human”, “I want to help”, “I am determined” that allow him to rise both in power and social standing. The might makes right idealism of the underworld forced to reckon with people that stop to drag someone across the finish line. 

As for the plot, it goes along a few separate arcs; there is a very clear progression of time as Iruma gets older. Mostly split into two parts. Irumas social life, in which we get to see him become better and better friends with the students and faculty at this school. Showing both the give and take as they both show how far they are willing to go for each other. 

The second half is the mystery and political intrigue of the demonic society at large. The idea of a demon king has gone missing, disciples of which are eager to try and resurrect him as they see no one who is more suitable for the role, opposing forces trying to groom the top students at various schools into the role of king in a contest of disciples. 

I think you should give it a read, its cute, the designs are fun and the power system while simple is still enough to give the action that is there a lot of meat. It's also satisfying thing to read if you just got done with a shounen and you are wondering “where the fuck are the adults? Why are these children doing everything?”

Draw backs. Not a lot but some of the students are essentially drawn as adults and there are parts where you will feel slightly skived out by.

#anime #bottom of the barral #isekai #mairimashita! iruma kun

[lazuliquetzal]

Whee Fight Scenes! (This Is A Seirei no Moribito Advertisement)

For the past couple of years I have been almost exclusively writing fanfiction for action-fantasy video games which has led to me developing opinions on writing fight scenes. I used to hate writing them because what even happen fight, really, like what the hell??? But now I’ve learned to tolerate them! Sometimes I even enjoy writing them! So now I will share my wisdom with you. 

(Disclaimer: This post was written so I could avoid writing a fight scene.)

My credentials: I occasionally write fight scenes in my action-fantasy video game fanfictions, and I have seen Seirei no Moribito the anime several times. I do not claim to be an expert on fight scenes, but I do claim to love Seirei no Moribito to bits.

Part 1. The Set Up

There’s this excellent anime about a mercenary on a life-long quest for redemption who ends up taking a cursed prince under her protection. It’s about unraveling propaganda and colonialism, and also about kicking ass. The first time I watched this anime, when I got to the episode 3 rice field fight, I thought, “holy shit, I see now that a good fight scene requires not only a kick-ass fight, but also narrative/emotional build up in order to give the scene weight and tension.”

Like, lots of anime have excellent and extremely iconic fights, but this was the show that really made the writing aspect of it stick in my brain. Seirei no Moribito is also an adaptation of a book, which might why this stood out to me: the way its fight scenes are constructed are not as reliant on the actual visuals so much as they are on everything else (the animation for the fight is gorgeous, too, like, just watch this show please it’s so good). That said, I haven’t actually read the book. But I have seen this show several times and the rice field fight gets me so hype.

(And also every other fight scene. I’m never over episode 13. If you have to watch only one (1) episode of Seirei no Moribito, watch episode 13. But also, don’t do that. Watch the entire thing you coward.)

Anyway. What’s going on in Seirei no Moribito episode 3?

Part 1a. The Narrative Stage

Ep3 is early on in the series. The rice field fight is not the first action scene, but it is the first fight scene. This is what we know going in:

Balsa, our main character, is a formidable mercenary with a practical mind and a strong sense of honor. She has sworn to protect Chagum, the prince of the Empire. Her goal is to keep Chagum alive at all costs, because saving his life is crucial to her personal goal of redemption.

The Emperor (Chagum’s father) has dispatched his elite warriors to kill the prince, as they believe that he is possessed by an evil water spirit. Their goal is to kill the prince because the evil water spirit is a bad omen for the empire, and they believe that killing the prince will save the kingdom.

Balsa’s spear is damaged, and she is outnumbered. She has the disadvantage.

We are, of course, rooting for Balsa and Chagum at this point in the story. Balsa’s our main character, she’s super cool, and child assassination is a bad look. We know that Balsa is strong: we’ve seen her do athletic stunts, and it’s been alluded to that she is extremely skilled with the spear. This fight is the first time we get to see her use it, so it’s very exciting to the viewer. We want to see her in action.

Part 1b. The Emotional Stage

Chagum doesn’t have much of a personality at this point: we know he’s a child prince, and we know his dad wants to kill him. So we don’t know him well, but he’s already sympathetic due to circumstance.

When Balsa and Chagum get to the rice fields, they are almost home-free. They’ve spent a lot of effort trying to redirect the emperor’s warriors and the plan almost worked. We are extremely close to safety, so the fact that this is when the emperor’s elite catch up is very tense and frustrating.

All this puts the audience in the mindset of: oh man, they’re so close, I really need Balsa to win! I don’t want the kid die! You can taste the safety, you are almost there—it’s the type of tension that gets you invested in the outcome of the fight.

Part 1c. The Physical Stage

The first half, and the faster-paced portion of the fight takes place in a rice field at night (a classic). Wide open, with water to splash in, and nowhere to hide. It’s right on the edge of the thick forest, which gives Balsa and Chagum an immediate goal: get to the denser terrain so that they might break line of sight of their pursuers.

The second half of the fight is less of a fight and more of a close-up, emotional moment of action. It takes place in a clearing by the edge of the forest.

The physical location of the fight ties in with the short-term goals of the characters: the open field forces Balsa into direct confrontation even though she wants to run, and the clearing by the edge of the forest gives Jin (one of the emperor’s warriors) the illusion of privacy when he tries to kill Chagum, and it gives Balsa cover to hide until she can intervene.

Part 1 – TL;DR

Even before you get to the actual fight, the setup of the fight has inherent tension and intrigue. One can reasonably assume that Balsa and Chagum will survive, because this is episode 3 of a 26 episode anime. But you don’t know if her damaged spear will hold out. You don’t know why the emperor wants Chagum dead. You don’t know if Balsa will kill the emperor’s guards, or if she’ll be able to make a clean getaway with the prince. All these uncertainties create mystery, which creates tension. And tension is what makes the fight fun.

Part 2. The Purpose

I mentioned earlier that this is the first actual fight in the show.

It’s the payoff for a bunch of little questions that have cropped up so far. How strong is Balsa? Is she good enough to win, even when outnumbered? What does her fighting style look like?

A lot of action stories have big fight early on, and that’s because a well-done fight scene squeezes in a massive amount of characterization. In this fight, we learn a lot about Balsa, and we learn a lot about the Emperor and the difference between the Emperor and the people who work for him.

Some questions that get explored: How do they think under pressure? What kind of fighting do they do? Are they strategic? Reactive? Brute force or trickster? How do they solve problems? How far are these people willing to go to achieve their goals?

There’s a moment in this fight when Balsa is wounded, and the emperor’s warriors retrieve Prince Chagum. Balsa ends up retreating into the forest. Jin says something along the lines of: she’s a mercenary, she works for money and she’s already been paid; she won’t risk her life to come back and get the prince.

But she does. Even though she’s been wounded, and even though she had the perfect opportunity to walk away, she comes back and saves Prince Chagum at the expense of her own health. Balsa keeps her promises; Balsa’s personal quest for redemption is more important to her than her life. We know her, now!

Fight scenes are great for characterization because it’s a deviation from status quo. A person’s default state is not “battle,” and stories thrive on extraordinary circumstances. “How does this character change/act/perform under pressure?” is a really great characterization question, and a fight scene is the opportunity to show the answer rather than tell it.

Fight scenes are also great for thematic debate. You get the opportunity to literalize the conflict between different philosophies via characters fighting each other. EZ story moment. You know that one Howard Ashman quote about how, in musicals, the characters sing when they’re too emotional to speak? That’s what fight scenes are to me. The characters fight when they can’t talk to each other.

And then, of course, a fight scene is also moving the plot along. The conflict is happening, information is being exchanged/discovered/buried. Some characters life, some characters get hurt, some characters die. A fight scene is a way to physically bring characters to the state they need to be in for the story to progress (in the right emotional state, the right physical state, the right location, etc). Lots of things going on, which is good—you want all of your scenes to be purposeful.

Part 3. The Details

All of that had to do with the zoomed-out, overall story view of the fight (how the fight fits into the overall story). I am now going to continue to gush about the episode 3 rice field fight up close (how does the fight scene work in isolation). Because Seirei no Moribito rocks.

Part 3a. The Setting

I already mentioned the open rice field/dense forest dichotomy and how that affects the characters’ short-term goals. It’s also a great choice to establish Balsa’s superior technical ability with her spear. The rice field is wide open and relatively flat—no obstructions or distractions, with everyone on equal ground. There are no tricks to pull, no environmental quirks to exploit: this is a clean fight between Balsa and the emperor’s warriors. When she comes out on top, it’s because she’s better than them.

Depending on the character, it might be better to change the terrain. Have the stealthy warrior fight in a forest, where they can appear and reappear and use their sneakiness to their advantage. Put a trickster in a situation where they can improvise traps. There is an aspect of your character that you want to show off, so set the stage so that they can show off. It’ll be totally badass and fun.

Part 3b. The Short-Term Goals

When you read a story, you can reasonably assume that the protagonist will stay alive (especially if you are not near the end of the story). Knowing the outcome can make a story stale if you're not careful. You can lose tension if there’s no risk. Some stories try to create a world/tone/atmosphere so that anyone can die. A lot don’t because that’s a little depressing.

My friend @yellowocaballero has an excellent post on this regarding OP protagonists, but to summarize: if you know the protagonist is always going to win the physical fight, you have to make the win condition not about that. Balsa isn’t OP, but giving characters goals beyond “win the fight” can make a fight so much more interesting.

In the rice field fight, Balsa does not have to defeat the emperor's warriors: she has to get Chagum and herself away alive. Her goal is to make a clean getaway. When the warriors show up, she makes the decision to confront them, and her goal is not just to win, but to win so decisively that they won’t be able to follow her. When Chagum gets caught, she changes her goal to ‘keep him safe at all costs, no matter the harm done to myself’, and she gets seriously wounded. She can succeed in some goals, but fail in others, and the story reacts and keeps changing. It’s the same principle behind why rolling a nat 1 is so entertaining in D&D. The more you fail, the more creative you have to get. 

Part 3c. Monkey Brain

There is just something so cool and so satisfying and so fun about seeing a character kick ass. There is also something very cool and very satisfying about seeing a character get beat up. The rice field fight has it all: Balsa kicking ass, and also getting beat up. It’s fun! Fight scenes that know exactly why they are cool are just so good. Hell yeah, overindulge and use every single weapon despite how impractical they are. Yes please show someone pulling off an unrealistic move for the coolness factor. Absolutely include the explosion-that-would-definitely-kill-but-doesn’t. 

Part 3 — TL;DR 

If you want the fight to be cool, make it cool! Set it in a cool place! Give your characters opportunities to show off! Make it interesting by changing the win conditions! Conflicting goals forces characters to prioritize and it makes scenes fun!

Part 4. Words???

Unfortunately, as mentioned, Seirei no Moribito is an anime and I haven’t read the book so I cannot analyze and gush about its prose in this section. Otherwise, the advertisement would continue. You’re safe for the moment.

Re: prose, there’s probably a post out there that goes over the language of fight scenes better than I ever could. I write with the diction of a middle-grade author because I read PJatO too much as a child and it rewrote my DNA. This is not a bad thing, this is just a fact. So I’m just gonna fire off fight scene writing advice I heard from around:

Filter words — if you want a more immersive reading experience, you want to avoid filtering the action through the narration. So use sentences like: “Her arm hurt” as opposed to “she felt her arm hurt”. But if you’re trying to distance the reader, like recreating the feeling of shock/dissociation, then filter words would help achieve that effect.

Make the rhythm of your prose match the energy of the fight. Short and choppy feels fast in the brain. Long and wordy feels overwhelming. Fragmented sentences and run-ons are chaotic. Customize the vibes.

Establish the important details of the setting beforehand so that you don’t have to stop the action to describe the specific placement of a relevant tree stump. I think I heard this one from Brandon Sanderson on a podcast somewhere, but I think about it a lot when I write because blocking is hard enough and it's even harder when you have to stop and attempt to translate the movie in your head into words. I can’t tell you how to block a fight scene. We need to find someone else who is smarter that can tell us.

Part 5. The Point

Fight Scenes are Fun, actually. They can be really effective if you set them up properly! If you know what you want to do with them, you can arrange it to be as cool as possible! You don’t have to be in a visual medium to make fights fun. You just have to figure out how to translate the cool bits into prose, which I think is mostly done through giving your fight cool shit on both the macro story level scale and the micro scene level scale. 

Also, watch Seirei no Moribito.

#i got a comment somewhere that was complimenting my fight scenes which. thank you! fight scenes stress me the FUCK out #but i do think i've gotten a lot better at them since i've started writing so i figured i'd write something about what i learned #and by what i learned i mean. gush about #seirei no moribito #tav this is not a response to your one post about fight scenes earlier that was a coincidence #lazuli talks #writing

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

#this was much longer i had to cut it down for legibility #but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion #that is because it deserves its own post with a completely different tone #i am an environmental educator #so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering #that people are going through #without doing my research and providing real ways to help #this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning #to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering #unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this #and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this #and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity #(complaining) #and it's like - this is the individual versus the industry problem again right because im blaming myself #for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion #i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out #rather than being like. yeah so actually the fault here lies with the billion dollar industries actually. #my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free #is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY. #anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i #which is more than their CEOs can say

[turtleblogatlast]

[ cw: violence mention / death mention / ]

Will never stop thinking about how Leo, all alone in an endless void and being beaten again and again and again by the only other living thing around, still finds comfort in that space. The situation he was in was completely hopeless, and in any other circumstances he would not have escaped, at least not fast enough to save him from permanent (or even fatal) damage, be it physical or mental.

And yet, despite the bleakness of his situation, despite the agony and helplessness, all he needs is one glance at a crumbled photograph, one glance to remember his family, and that’s enough of a reason for him to smile.

Maybe that’s why his powers center around manipulating space - because no matter how much space is between them, no matter how dire his own situation may be, just the thought of his family, alive and okay, is enough to give Leo hope.

#rottmnt #rise of the teenage mutant ninja turtles #rottmnt leo #rise leo #the prison dimension is horrifying on its own #add in a monstrous being that towers over you and has vowed to ensure your suffering? #god I can’t imagine how scary that is #Mikey opening the portal was a miracle because if he hadn’t managed it there #it’s really up in the air what could have become of Leo #personally I subscribe by the theory that you straight up can’t die in the prison dimension #so it’s a prison in all ways #but the thought of a Leo who manages anyway who adapts and continues to have hope despite it all… #Leo saying he’s nothing without his family is a double edged sword really #because the thought of his family alone is all he needs to live. to hope. #to smile #nothing without them…but they’re EVERYTHING to him #and maybe he doesn’t realize it but…the feeling is mutual #one thing too is that hope that comforts Leo so much is not just that #should he think his family needs help - that hope can turn into determination #I’m unwell about this family #actually on my point of their powers - I truly do think the abilities tie in not only to their personalities #but to their relationship to family and love in general #kinda like love languages in a way #Mikey with his chains and time abilities values being around his family the most - he wants them to experience living in the moment togethe #Donnie is someone who is 100% a gift giver to show his love - his constructs are exactly that aren’t they? gifts of his mind #Raph is someone who willingly bears the weight of the shield - he protects his family like the best big brother possible #and Leo - he goes off on his own a lot but his mind is constantly on his family anyway #like a sailor at sea no matter how far he travels the compass always point in one direction - and for him that compass points home #even if he can’t make it back - it’s still there #and that’s enough

[13eyond13]

love it when a character that's hard to read intuitively for you has like a dedicated fandom interpreter who can just glance at their blank face in a panel and then give you a 3k word essay on their innermost thoughts & desires & fears and neatly tie it back into the themes & whatnot as if it's the most obvious thing in the world

#im talking about griffith btw #guts i feel i get intuitively - maybe because i have some personality traits in common with him #and we get more about his life concretely told to us in canon. so he is a bit easier to pin down as a character and feel attached to for me #but whenever i was reading the manga i just kept wanting more insight about griffith's actions and feelings #like ok yeah its fun to have mysterious antagonists and suspense /tension etc but its also fun to feel like you deeply understand them too #and i felt like that was a bit missing from him for me in canon #so reading about him in analysis and fics is the most fun for me rn #he always felt kinda half unreal to me- which maybe was the point of him - but i wanted a bit more about his childhood or something? #and wished we had more stuff explicitly from his pov in the story to read or explanation about his transformation or wtv #and now he's so much more closed off to me even than he was in the golden age. i keep waiting for him to explain stuff and he does not #ANYWAYS all this rambling to say some people out there are very good at interpreting him and making his like. insecurities #more obvious to me bc i didnt really get that side of him from canon intuitively well #also im really enjoying reading the first few berserk fics ive read #there may not be a ton of them out there but there is def writing talent in the fandom #i'll share some recs once i'm done sifting through most of what's out there to read #also (not to tie everything back to death note but it IS my home fandom after all) #i feel griffith is obvs the more light-like character here and L maybe a bit guts-like? but unlike berserk in death note #light is the one you get to know best and L is the mysterious / unreal one you don't get a lot of concrete insight into #and in the DN fandom I can read the more mysterious character intuitively but had to warm up to the less mysterious one instead #and the mystery of L makes sense to me and doesnt bug me as much due to like - he HAS to hide a lot about himself or else he will die lol #so some similarities there but also some opposite feels as well #berserk spoilers #p

[can-of-slorgs]

caw 🦅

#neopets #neotag #neoart #eyrie #mutant #vin doods #I can't beat the allegations that i doodle dnd creatures on a daily with this one huh #god i love mutants eyries so much i'm sorry i gavehim more draconic features but uGH; #what great colours lmao #I also gave inverted knees to the hooves cause i aint doing whatever neos doing #can you tell i have a thing for dnd and dragons in general im so sorry JAKLSDF #also in topic i've been so wanting to make a neo player's manual for so stupidly long its insane #might actually do it at one point #i had species and proficiencies and everything at one point i think its all gone lol #also for a fact that i'd be a me-thing for the most part #like i'd be the only one wanting it or playing according to it #my other friends none like neopets so yeah #god do i want to dm a neopian adventure i have tons planned lmao #but oh well #i'm super greatful for all positive commenta ad every like and reblog you guys ave given meeeee #i sound like a broken record but i swear i try to not leave this blog for long but i always read your tags and crack up to them sajhas #i know i've left a couple of you on read that actually wanted to know about my characters BUT IM SO SORRYYYY #my master's taking so long and everytime there's something new and have to rewrite and replan everthing everyday i hate it here #but i will do it #i know i will #both the lore writting and my thesis HASJKHASJS #anyways if you're still reading dont be afraid to shoot up a couple of messages! It might make this blog less dead

[raccoonnutella13]

why are ppl always so mean about taz :(

#every time theres a new arc everyone who only liked balance is like 'oh if u dropped off after balance u have to listen to THIS arc bc its #JUST LIKE BALANCE' #every damn time. #it happened with ethersea a bit but especially w steeplechase and vs dracula #and u get ppl in the notes of these posts saying 'oh yeah i fucking hated everything after balance sooo glad theyre finally doing exactly #what i want them to!!' #like. its ok to have personal preference but dont be mean about it :( #and comparing every campaign to balance is rlly annoying sry #let them be their own thing #stop being so blinded by nostalgia ig #like not to be rude but. i think ppl think balance is the most Perfect Thing Ever but its rlly...not #all the campaigns have flaws but i aint canceling them for that #like what happened with grad #idk its like if balance came later ppl would probably be much more mean about it #bc they wouldnt be blinded by nostalgia as much or smthn #anyways #at the end of the day the mcelroys shouldnt be expected to make a replica of balance every campaign #and thats not what theyre trying to do. theyre doing what THEY personally want to do. like they clearly dont care abt what others think lol #theyre experimenting and having fun #its like. a free podcast with a bunch of silly dudes playing for funsies. they shouldnt have such high expectations or be demonized #in any way #my point being. if i see anyone being mean abt taz u get blocked #>:( #coon speaks #not tagging taz. i dont wanna see nasty ppl in my notifs ty

[puppyeared]

When you backread through a fun conversation you had with someone for hours an angel gets its wings

#I was talking to my brother about Norman doors and I had fun in my UX class and he was telling me about demon cores and the trolley problem #in his class. AND I remembered to take my meds today so I can feel every cell in my body. i can feel the neurons rubbing together #and yesterday I infodumped about the specialists bullseye chart to crow and how it ties with witch hat atelier #WHICH I MANAGED TOGET THEM TK READ IM SO HAPPY. I MAKE SQUEALING GUINEA PIG NOISES EVERY TIME THEY TELL ME WHAT THEYVE READ SO FAR. AHH #i might not even be scratching the surface with witch hat there are so many themes i could not possibly fathom or go over my heasd #and thats what makes it so exciting there are so many spaces in between that you can fill with your thoughts and i. i #waves my hands around manically #for anyone interested in my insane ramblings. the bullseye chart is from are we all scientific experts now by harry collins #in my own words its basically saying everything we know about anything is a game of broken telephone #and it discusses how information gets lost in translation between experts and laymen including things that arent in control #one of the main points was how things that happen between experts are complicated including debates and findings #that you can only really understand thru research and experience in that field and cant be smoothly shared without it being reworded #and risking some of those key points. or even concepts that are hard to understand that cant be shared at all #like if you tried to tell me about how DNA works using words scientists are familiar with but i am NOT- i risk missing concepts that i need #to understand to know how it works on the level you understand. or i risk having it reworded and understanding it but not on that level #AND IT DOES TIE TO WITCH HAT THE WITCH AND NORMAL FOLK COMMUNITIES I PROMISE. ITS SO INTERESTING #anyway i spent hours reading back thru that conversation and i might as well admit it goes for almost every fun conversation i have #and it might be the 20mg of adderall in my body but i am in such a state of peace and love i have to verbalize it. ahh #yapping

[demigod-of-the-agni]

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first three are written in Hindi. The fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Tamil there, much less any other South Indian language. Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

#long post + more tags that kinda spiral away BUT expand on the points above AND kinda puts everything together concisely #BROS THIS IS AN HONEST TO GOD ESSAY #THAT HAS BEEN COOKING IN MY HEART FOR A WHILE NOW. SIMMERING FOR MONTHS BEFORE FINALLY BOILING OVER IN THE LAST WEEK #genuinely hope you read MOST of it because yes it has Quite A Lot Of Exposition but it all matters nonetheless #put in a lot of thought into this so i expect you to do your part and challenge your thoughts as well #you see how i'm not asking for you to listen to me. but to actually Think. i want you to cook your thoughts and add some spice and flavour #and give it a good mix so you can come out of this a little more wiser than before #because!!! yeah!!!! spider man india is just that!! he's indian!!!!! we don't need to collectively agree on where he comes from #bc it gets rid of that relatability factor of spider man. at the most basic level #think of it as a schrodinger's. he is every single culture and none of them at the same time. therefore none of us are wrong!! sick!!!! #pavitr's first priority is making sure HIS PEOPLE are safe. that's probably as far as we can go that relates him back to peter parker spide #he loves his people and working in the name of justice to FIGHT for HIS PEOPLE is just the duty/responsibility he takes up #it makes sense that he loves everyone and every culture he engages with bc that's the nature of spider man i suppose #if peter parker spidey acts as the guardian for the regular folk.. then in my mind pavitr spidey stands as the bridge uniting the people #because society as its core is very fragmented. and having pavitr act as a connection to other folks.... mmmmm beautiful #that's what i'm talking abouttttt !!! #anyways guys this is literally 3001 words on my document EXCLUDING THE TITLE. THAT'S 7 PAGES AT 11pt FONT. i'm literally cryingggg wtf #pavitr prabhakar #spider man #spider man india #desi #desiblr #atsv #across the spiderverse #atsv pavitr #indian culture #india #desi tumblr #what the fuck do i tag this as #agnirambles

[uncanny-tranny]

Part of why I think it's important to pick up a skill that requires challenge or skill is not only that it can be a great experience to have, but it teaches you so many things you never expected.

I've realized the reason I feel ancient crocheting is that this is a skill humans have been doing for thousands of years: textiling, cloth-making, and creating. Technology is amazing, don't get me wrong, but I think many people take for granted what technology has done for us, and we forget sometimes that these skills take work and effort, and continuous effort!

It doesn't matter what you pick up as a skill or craft, and you absolutely should do it in a way that accommodates you, but finding a skill or craft and doing it will teach you things you never considered.

#art #crafting #i think this is partially why you have dingheads saying 'ooh but how can ANCIENT people making BEAUTIFUL and COMPLEX art/buildings!' #watched somebody like 'oh but this cathedral is so beautiful and huge; why do we believe that these people built it without technology HMMM' #like. this is a fine craft we all over the globe have been doing for millenia. why CAN'T people 700-1000+ years before us do that? #why do you look at people through the lens of 'inherently inadequate unless i deem them 'sufficient' enough'? #picking up a textile art has really helped change my perspective personally #because i live in this world where you aren't... required to think about textiles like a textile artist or maker would #and when you DO think about it it tends to be how capitalism fucking destroys everything in its vicinity (eg fast fashion) #anyway just a point i don't think people tend to consider #i think i just like feeling ancient; like my bones yearn for the earth's gentle embrace surrounded by artifacts

[inkybinkyboink]

urinetown headcanons (under the cut) while i wait for my headphones to charge >:)

there are. so many.

hope is a total plant mom

her place is like. decked OUT in plants. they are her pride and joy

just like. assume that they all have water. for now.

bobby does not get it. at all. but he's so supportive

bobby and hope get a puppy together and the puppy is scared of loud noises but so is bobby so when hope vacuums they hide in the broom closet together

officer lockstock watches drag race like an olympic sport. it's his version of like a laker's game or a yankees game or whatever

avid bianca del rio stan and i will die on that hill

no sorry i just gotta take a second to like.

lockstock 100% lives in like. your grandparents house. it's decorated the same way. blankets over chairs and couches, plants, LOTS of books, antiques, that sort of thing. vintage but like. humble?

officer barrel collects coins

you're gonna look at this man and tell me he doesnt collect coins?

you're lying

ms. pennywise is a tea fanatic

lesbian hot blades harry

little sally's favorite movie is Coraline

and she definitely takes apart toys and puts them back together to make little frankensteinian creatures like sid in toy story

lockstock would make a hella cool university english professor

tiny tom believes that the moon landing was faked

hope sews

ms pennywise's favorite book is definitely like wuthering heights or something

personally. i think. as someone who's played barrel. that were he given the opportunity to come to terms with his own identity, he would go and sincerely apologize to everyone he's hurt over the years.

like he probably wouldn't be forgiven, and i don't know if he deserves to be, but i think he would at least recognize the severity of his actions

lockstock taught little sally how to roller skate

little sally has an ant farm kit

caldwell b. cladwell has an eerie amount of world war 1 and 2 books.

mcqueen and millenium marathon euphoria together

fipp collects rocks and minerals

barrel lowkey knows how to cook a good ass meal

little becky two shoes is the type of person who you run into leaning against a wall smoking a cigarette while it's pouring rain and if you talk to her you're getting unskippable lore

kinda like your wine aunt but on drugs

little sally made lockstock a friendship bracelet once

idk i kinda feel like lockstock had a kid once and then they like. passed away or something. i just feel like lockstock has a tragic backstory but i dont know what it is

ma strong gets migraines and it got passed down to bobby

*chants* sick fics sick fics sick fics

ok i have a theory that the amenity numbers correspond with street numbers. so it's called amenity number nine because it's on ninth avenue. that way the numbers also still correspond to the quality of the toilets.

so the cops would have jurisdiction based on where the amenities are. that way it makes sense that they're the only two cops, because they only have jurisdiction in that particular area.

ok im done :)

#urinetown #k literally. i have upstairs neighbours and they are. so loud. all of the time. and me and my roommates have done everything we can to get #them to quiet down and they literally wont like its fucking sadistic man #anyways #my point is #i had earplugs and headphones on last night so i could sleep #and then my headphones died bc i had them on all night #and i realized that i left the charging cable at home which is like an hour drive away so i cant just go get it #and i need to clean my place and i cant do that without my headphones #so i had to go get a mfing charger from the store #and THATS why i had to wait for my headphones to charge :)