Love yourself, love your child
I'm going to add the quotes later, and this is SO rambley it probably belongs in @shallowtakes where it can be properly hidden away, but I LOVE my three un-wise men (king, god, and death) as parents and I adore where they go wrong with Jack Kline, because they're all in such in varied states of arrested development due to growing up as child soldiers.
I have a lot of SPN parenting takes like this, so it's a bit of me saying what I always say, but boy is it fun to think about! When I see other posts talking about this, I have to revisit it. I love #spn parenting and I trouble myself with it so often.
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Because, I mean, Cas didn't protect Jack, not at the end. No one did. He let him eat angel hearts and went along with Death's plan, for starters, using Jack as the primary weapon against God. Cas did that, and Dean was actually a little wary / disapproving of the eating-hearts at first, remember? This is because Cas has a toxic, angelic relationship to destiny, fate, and the cause. He's spinning it like overcoming God is a beautiful, good thing. (And who knows? Maybe it is?) But the point is that, while Cas is not motivated by revenge, per se, the end result IS the same. That's how angels do. They're righteous.
That's Cas in a nutshell, dressing the authoritarian good-king-fallacy-mission up in lovely words and declarations of goodness, but what he's really doing is imposing a new child king onto the holy throne and calling it, "good for the world." Ultimately, that's too much to put on yourself, or anyone, especially your kid. Chuck had similar expectations of Lucifer, remember? With Amara and the mark. It's heavily implied that he thought Lucifer was bright and good enough to withstand that burden!
<Insert Cas and Dean conversation about defeating Chuck, but one is motivated by destiny and the other by revenge; both result in doing terrible things to win the fight>
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But what does Jack want? He wants:
14x07 (Unhuman Nature), Dean and Jack discuss his dying wished
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Cas partially comes to his senses when Jack tells him the depth of Billie's plan, but the devastating truth remains that Cas was marshalling him as super-soldier in the first place. It's not until after Jack explodes via rib-bomb that Cas more completely comes to his senses. That is, he gives the wonderful, "we love you for being you," speech, but, like Dean's fretting and care in 15x19, it's technically too late for it. (But wait! The overarching point of SPN is it's never too late. You can start being good any time.)
Anyway, Cas loves Jack dearly, and he tries his best, but he is completely shaped by being an angel, and Jack absorbs the self-hating parts of being an angel, too, I'm sure. Cas woobies humanity and puts it up on a pedestal because of the nature of the devastating moral injuries and disillusionment Cas suffered as Heaven's solder. Cas becomes the dreaded blue-collar soldier loyal to family instead. Still, power and the use of it is this awful phantom specter embedded within Cas and Jack's relationship. "This child must be born with his full power."
<Insert Cas quote about Jack being okay as-is from 15x18>
Cas, like Sam, is genuinely horrified when he finds out about Jack's suicide, and indeed, he goes off to look for another way. But the fact is, prior to being faced with Jack's suicidal plan, he wholly submitted to Jack's BIG DESTINY the same way Dean submitted to REVENGE and Sam propped up INDEPENDENCE.
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By the eleventh hour, Jack has wholly absorbed the toxic heroism and penance-making of all three of them. There's also quite a lot of self-hatred that goes unsaid, especially after he regains his soul, because he loved Mary. (Mary called Jack Sweetheart. She loved Jack.) But she is heavily implied to choose to use him as weapon in Game Night.
<Game Night quote about Mary choosing to use Jack to defeat Nick, despite the danger, "even if she knew...she'd still do it">
This is due to all of them being shaped by constant, neverending war their entire lives. :(
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While Sam verbally disagrees with Jack wanting to sacrifice himself, Sam values INDEPENDENCE so much that he doesn't fully step in to block the move, until it's too late and Jack is already in countdown mode. He won't override Jack's autonomy to protect him (even though arguably, THIS is a lot of what parenting and family support is: trying to walk that line of independence vs safety).
<Sam quote from 15x17 about sacrificing yourself being wrong>
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Season 15 is beautiful in some ways because it showcases all of their individual neuroses wrapped into one. They all over-prioritize the mission, and heartbreakingly, maybe they have to in order to stay alive / on-the-air. (Audience are the monsters demanding sacrifice, perhaps.)
Dean treats Jack like Dean often treats himself, as a weapon to complete revenge. He allows Jack to go off and be a bomb (Amara-callback; no one stopped Dean then; he brutally dissociates Jack from the concept of family in order to do it because unlike Sam and Cas, Dean can't as easily allow familial sacrifice; so, Jack becomes weapon).
Cas wants Jack to rise up and meet his destiny and become the new God (that bit's implied, but wrapped in pretty "good-for-the-world" language). Cas has said of himself, "I overestimated my own (military) importance" and he does the same to Jack. Jack is going to be the merciful, purely-good human-angel-god that Cas could never be. Jack can withstand the corrupting forces of power because he's good.
Sam is overall a very safe role model, even if he at times expects to "mold" Jack (13x01) and laments that "Jack is who he is, not who Sam wants him to be" (14x20). Sam also falls prey to the "I and I alone can fix this," mistake that is somewhat penultimate to SPN, except that he applies it to Jack, with "You're the only one who can (defeat Chuck)." Ultimately, in 14x17, Sam over-prioritizes independence at the expense of safety, verbally disagreeing but ultimately allowing Jack to do the heroic sacrifice; Sam is thus also treating Jack like he treats himself.
THESIS: The tragedy of it all is...they love their son as they love themselves; that is, HOW they love Jack reflects their individual FAILURE to love themselves as they are.
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the mighty nein - critical role
this is a place where i don't feel alone.
this is a place where i feel at home.
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Thinking about how when Shadybug and Claw Noir are evil, they can be redeemed since they're traumatized kids being manipulated by an adult taking advantage of them. When Lila and Chloe are evil, they're irredeemable monsters who know exactly what they're doing and deserve what's coming to them.
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Okay, why the hell is Charlie, the MAIN character of Hazbin Hotel, being treated as more of a secondary character in her own show???
She gets a lot of focus in the first episode, but from episodes two to four, she's essentially placed on the back burner. She'll get five minutes of screen time before it focuses on the secondary and side characters. Given her status as Princess of Hell, you think she would be more involved in things such as attending meetings with all the overlords about the upcoming extermination. And if not that, then at least take more time to explore her dynamic more in-depth with the residents of the hotel along with her trying to figure out how to best help everyone.
Side note, it's weird that she's even still trying to make the hotel work since it's not like the Angels ever agreed to her proposal. So what is she expecting to happen exactly?
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you will NEVER see anyone writing paragraphs after paragraphs hating on keefe like they do with sophie.
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AU where Loki doesn’t interfere with Thor’s banishment at all and it takes Thor years to prove himself worthy and when he returns to Asgard everything is just. The same. Nothing seems to have changed at all and everyone greets him like his absence was a minor obstacle that didn’t fundamentally change Thor and the worst part is Loki stepped down from the place as regent without any delay and Thor can’t help but feel there’s something underlaying the way his brother looks at him now and won’t let him touch him and Thor doesn’t know what he could have missed because he doesn’t think he would have found anything wrong with the things around him and how everyone behaves if he hadn’t spent time on Earth reflecting.
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So, your Clear Sky post is absolutely horrifying, but it was very needed, so thank you. What are your general thoughts on tackling his abuse for the AU? Like you've said, pretending he's a good guy is not the way to go, but are you planning on toning down *some* of the situations, just to give some of the cats a break? Clear Sky is a very realistic depiction of abusers, but that seems to come across even without victim number 25, yknow? I'm very curious about how you'd like to go about this.
My most recent big change was bringing Slash back into the fold, because I realized that it was actually a disservice to not address where DOTC's themes dip into Colonialism. It's a hard topic, and I'm still trying to work out the details, but I realized it was important.
With how BB!DOTC is such a MASSIVE overhaul, to properly address abuse and the ways it impacts you, ableism and its violence, and xenophobia broadly, a huge reworking of Slash belonged here too. He's one of the greatest examples of how badly WC demonizes non-Clanborn cats. I shouldn't dance around it.
That's what I need to do with Skystar.
MANY of his victims have happier endings than canon, though. Bumble is one of the most famous, bumped up into a major character and directly responsible for the formation of ThunderClan. Bright Storm is taking most of Gray Wing's roles. Birch and Alder are getting examined, with either a father who wants his kids back or Milkweed as the mate of Misty.
A lot of people will die because of him, even more will be hurt, but I see BB!DOTC as a story about victims and survivors.
Others might grab POVs here and there, but as a response to canon which I feel is Clear Sky's story told in many parts, I center this rewrite around Thunder Storm. The path of kindness he marches down, with love and with anger, and the people he helps.
So BB!Star Flower...
Previously I was playing her as ENTIRELY just manipulating Clear Sky. She was loyal to One Eye and trying to get at Skystar to bleed him dry for 8 lives to sacrifice; but connected to Thunderstar over recognizing him as a victim who deserves her idea of justice. So, she offers Thunderstar the final kill, so her father will be grateful to him and he'll get power AND the death of his abuser.
(When Thunderstar looks upon Skystar, pathetic and neutralized down to one life, he thinks about the collateral damage that will descend upon the forest if he accepts the deal. He decides that he has found the line between Justice and Justification. Of course he wants the power to make his enemies cower, protect his people, and eliminate Clear Sky so he never threatens them again; that's not the problem.
He can still do these things. He wouldn't NEED the power of a war god to do so.
But if One Eye returns, he will be endlessly hungry, ruthlessly dedicated to revenge, and set out to devour the whole forest. Everything would get worse, and even more people he loves would die. It's where his desire to destroy a monster would lead to him BECOMING one.)
Even on its face, it was previously missing an element. There's a step between "Starf decides to bring One Eye back" and "Starf offers Thunderstar the final kill" that was bare. This is the piece that was missing-- That she, herself, is trying to reach out to the only person who's ever really understood her.
But more importantly... I do feel this topic belongs here, in BB!DOTC. Abuse is a MAJOR theme. SKYSTAR is a monster already. He's harmed two wives in BB (Bright Storm and Falling Cry) and played toxic games with all three kits (Thunder Storm, Pale Sky, Tiger Sky).
And I'd avoid Star Flower being abused... why? Because it's uncomfortable to confront the pattern that Clear Sky displays? That in-canon, he tries to cut all his victims into the same ideal shape, from Storm to Thunder to Star Flower? ...it should be uncomfortable. Everything that I described in Clear Sky Is A Monster is rooted in the same desire for control, power, and punishment most abusive people share, he just happens to be a severe example.
Yes. That includes how he treats his child and romantic partners. The parallels that are drawn between Starf and Thunder are there because he wants power in the form of obedience. Starf replaces the son as a narrative award for his "growth" of not killing random people anymore for a while.
A cookie cutter is an effective tool because IT ONLY MAKES ONE SHAPE.
You know what's more uncomfortable? Reading canon!DOTC and seeing someone who hurt you reflected almost perfectly in the character the writers think did nothing wrong. Because of "good intentions" that were not there.
I will say though, just to be clear; I don't see a purpose in being more than PG-13 about serious topics for this project. I promise none of my intentions have changed. Nothing will be more graphic or gorey than canon WC-- just more intentional.
I'm keeping the sacrifice because it's dope. No one is taking this from me. Girl Moment: Killed her awful husband 8 times to count as 8 sacrifices and offered the last life to her buddy as a show of good will. How else do you make friends outside of high school
But I know now that Star Flower NEEDS to keep the canon fact she has very little agency, UNTIL that moment she snaps.
She's sacrificing one abuser to try and bring back a bigger, badder one, because in spite of everything, her father One Eye always made her feel safe. Even though he promised her off to Skystar, and expected her to be willing to die for him. She's followed every command, every order, past the death of his mortal vessel.
The first, and only, selfish choice she's ever made was in reaching out to Thunderstar to offer him the power of her father.
Thunderstar's Justice is a story about a Thunder Storm at the pinnacle of his arc, how the survivors of his Clan are settling into the new normal after the carnage of The First Battle, how Skystar's arrogance brings a violent god to the Forest... and the connection Thunderstar makes with the daughter of a monster.
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my least favourite thing from the watcher discourse has been people saying “WE never asked for higher quality” or “your most popular shows are where you just sit around and talk!!” - babes its likely not what THEY want to do for the rest of eternity lol. they’re allowed to want to grow as creatives and make things they are proud of?
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The thing about Trafalgar is that he is determined to be the angsty emo in a series which is, unfortunately, a found family comedy
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I think that my main takeaway from this is that while the miscommunication is one thing, and there was obviously a barrier there that wasn’t sorted out, I don’t appreciate the way the admin went about talking about it. I think that tossing tubbo into the hot seat and talking about his lore on another persons stream (who is not connected to the lore) was unprofessional and they should have reached out with a private message first to get some clarity or ensure Tubbo was done with the lore before assuming he was.
My biggest problem is how the fandom treated tubbo afterwards. They used both his dyslexia and known forgetfulness to make fun of and blame him for a situation he had only half fault in at worst. The fandom gaslight him into doubting his own abilities and did so to a point that is triggering to those suffering with derealization or disassociation (which Tubbo has mentioned he had episodes with in the past or something similar). The absolute worst part of it all is that we all read and interpreted the book the exact same as Tubbo did and instead of taking accountability, people blamed tubbo for being “too dyslexic”, “too forgetful”, or “too dumb” to interpret the book correctly.
It’s genuinely horrific how people think that he’s too dumb for his own lore (because he’s nd perhaps?) and that he’s entirely at fault for a simple miscommunication error. I hope he continues with his lore the way he wants because this is all such bs
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We're gonna go invisible. And then I'm gonna keep running.
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one day we’ll talk about how extremely xenophobic the atla fandom is in how they justify the original cast’s horrible writing in the (more western 😃) sequel series by demeaning and degrading the cultures that they’re based on
starting with: aang being a bad dad makes sense because he grew up with monks and didn’t have a biological father
how utterly disgusting and weird. but honestly i just feel bad that so many of you have been brainwashed so effectively
meanwhile zuko is, according to the fandom, a good father and that makes sense despite his biological father being abusive for his entire childhood
but watch they will bring up iroh as if aang didn’t have gyatso
watch how they will complain about toph being a cop despite her last canon appearance being a 12 year old just like aang
watch how they will criticize katara and sokka’s (lack of) character development while claim that aang was written perfectly.
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free my complex female character, she did the same thing as complex male characters but the fandom takes Any analysis of her actions/choices/motivations that doesn’t strip her of all of her agency in bad faith and claims that only misogynists would dare to critique the things that they’ve noticed in her character because she’s a woman, completely ignoring the over-presence of discourse about similarly traited male characters in their fandom.
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The art is lovely and now I'm gonna ramble because that's what I do when I care about something.
For the love of women, please PLEASE can fan artists remember to add muscle to their Shadowhunter ladies? I'll commend Bowater for cleverly giving James that sculpted and lean look without making him a beefcake (nothing against beefcakes, I'd love to hug them), but Cordelia is once again suffering from Arms And Shoulders Too Slender It's Hard To Even Imagine Her Picking Up A Sword. There is some there, yes, but artists shouldn't be afraid of giving particularly Female Main Characters weight and toned muscle. Cordelia is supposed to be nearly the same height as James as far as I can remember, and she's curvy, and full, and she wields a sword like it's second nature to her. Please explain why she looks so tiny in James' lap.
Also I'm pretty sure marriage runes are supposed to go over the heart whenever possible (thinking about Will's parabatai rune being over his heart instead -- he didn't get Tessa to draw over the scar, did he??) and... either I'm looking at the picture wrong or James' rune is not over where his heart should be.
For the matter, where are their other runes and scars?? James' Voyance rune isn't even on his hand. And I'm pretty sure he's right handed. I could have that wrong though.
Another thing: no one can ever decide what Cordelia's hair looks like and it's the funniest thing to me. This is what happens when all you do is vaguely say the colour is like fire but also like rose petals but also a flowing river of those things but also is Red (probably for redhead, but then from there I never understand where the rose petal analogy comes from considering the typical rose is a deep bloody colour -- I do acknowledge the existence of those light orange varieties though which might more closely resemble red hair). In the end, I'm glad readers can infer what they want and imagine the characters how they like.
Anyone else think James looks like he's built like a tennis player? Oddly specific, maybe, but it was a thought I had. Mostly the arms and somewhat narrow body.
James' hair is nice, his eyes are an interesting take on gold in the shadows. Bowater managed to also make him look closely related to his father, so bravo for that.
In the end, the focus is obviously on the marriage runes and not other physical aspects outside of it being clear that this is James and Cordelia. Bowater's style is very beautiful and elegant. Love the way fabric and lighting is done too. I'll add also that it is possible to be a smaller person who is slender but still strong so I mean Cordelia's not necessarily done wrong, I just interpret her appearance differently. Obviously, they're both hot and they're both attractive and I have my qualms with the series, chronicles, and author -- the fandom I am so-so on, though I'm still here, aren't I? And I'm taking the time to ramble about my thoughts on a piece of fanart -- but this is good. Gorgeous, even. Both James and Cordelia are beautiful.
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I know there have been many Takes about Laudna and Orym after latest episode. Yours saying that this is not a bad development for Orym is interesting to me because my knee-jerk reaction while watching was being horrified he went so cold about Bor’Dor’s death. But after some time, I guess him finally choosing to be pragmatic after days torn by his own idealism would be a much healthier route for him in the long run.
I want to know what you think about Ashton, though. Some people are saying, they “let” Laudna kill Bor’Dor because they thought it’s what she needed. That sits wrong with me because Laudna made that decision and she’s not a child, but Ashton is my favorite character and I can’t help think I am biased lol.
Please excuse my badly structured sentences, I’m not native speaker.
Hi anon! Your English is great!
I think this is a revealing question in that, in fandom, I think a lot of people lead with "well, obviously, my favorite character is clearly morally in the right, or, failing that, the character I don't like is morally in the wrong" rather than considering the situation, the context, the genre norms, what makes for the most interesting story, etc. So recognizing that Ashton's your favorite and that might be coloring your opinion puts you ahead of a lot of people.
Anyway: I think it can be true both that Laudna made her own decision and that Ashton could, had they wanted, chosen to make an effort to stop her and they didn't. I don't think that means Ashton is responsible for what Laudna did per se, but I also don't personally think he had a moral imperative to save Bor'Dor. I think someone who thinks he did have that moral imperative might disagree, but they should also be blaming Laudna just as much in that case.
Someone else remarked to me that based on the discourse you'd think Orym - the only person who did not attack or restrain Bor'Dor - executed him in cold blood. Just to recap the fight: we only really had one round during which Orym gave Prism a potion to heal her up and did bait and switch to protect her; Ashton hit, with non-lethal intent; Deni$e restrained Bor'Dor; Laudna cast Hunger of the Shadow, knocking Bor'Dor unconscious; and Prism punched him. The following round was technically not run as combat in initiative order, and had it been, Bor'Dor could theoretically have died of a failed death save before Laudna's turn, but Orym and Deni$e made no attacks and Ashton chose to lead away Prism. Probably any of the three martial class characters could, had they wanted to, stopped Laudna. None of them did.
Which I think goes back to the second paragraph: In the end? I think most people are making their judgments of whether or not they think Bor'Dor should die, and even further back to whether or not the Ruby Vanguard is a cultish, terrorist organization, deciding on whether his death was justified or not, and then, if they think it was not, pinning blame on the character they like least. You can argue for any, though frankly, I think Orym is the weakest argument: Laudna is the one who literally killed him, both knocking him unconscious and taking the final death save. Prism took the most death saves with her punch. Ashton dealt a significant amount of damage and did not intervene when Laudna had an unconscious Bor'Dor at her mercy. Deni$e is the one who initially brought up her suspicions, forcing Bor'Dor's hand, and similarly made no physical effort to stop anyone. Orym indicated his approval to Laudna and did not try to stop her.
I think that had Bor'Dor not attacked the party, and had instead simply run away, tracking him down and killing him would have been excessive, but on the other hand, he had a lot of information that could have been extremely dangerous to Bells Hells, so at the very least I think they needed to take him prisoner; but he's not wanted by any specific legal system, so I think he'd just be their hostage, dragged along, indefinitely, as they attacked his friends over and over again. There isn't a nice, neat solution where everyone is happy. Deradicalization is an admirable goal, but it requires a massive amount of effort and resources that I don't think Bells Hells have, and no one should be expected to deradicalize someone who is actively committing violence against them. Once Bor'Dor attacked, to me, this became self-defense and an admission that he was lost: that he'd spent several days with them during which they were kind to him, but because of their ideologies, he attempted to kill them anyway. At that point, I don't fault any of the characters present for killing him/letting him be killed in response.
I guess the last point I'll make is that while, in terms of empathy, there is obviously a huge difference between killing someone regretfully, and killing someone and relishing it, they are, in the end, dead either way. I don't interpret Orym's behavior as cold, but rather merely calm acceptance that he can no longer avoid the inevitable war - and I do think that acting as though Orym's subjectivity in this situation is problematic while ignoring that Prism and Laudna were in no way objective either is an incredibly poorly considered argument, and deeply unfair- but in the end, whether Orym is stoic or whether he breaks down crying, Bor'Dor is still dead. I am not going to fault a character for having an outward emotional reaction that doesn't match what I think it should be when I think their motivations were reasonable.
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tbh ok... I've been trying to wrangle my thoughts into line about this and have not talked about this anywhere but. I didn't vibe with yennefer's character in s3 as much (with some notable exceptions). the choice to make her appear extra powerful, heroic, in charge, etc were... not good for her character.
like geralt in s2, she didn't have much of a character arc. her character moments that challenged her had all happened in s2 and she seemed to exist in s3 purely to directly drive the plot forward. idk if that was wholly due to the book changes that put her more centrally in the thanned conclave and coup and lodge setup but. those choices sure didn't help.
(the notable exceptions for me were the fight at the silver heron where we see her struggle to keep it together more distinctly and also several vulnerable scenes with tissaia)
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