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howlingmod · 1 year

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Are you bored yet?

summary ; human/actors au again ... reader is a local clay worker that Wally may or may not like just a teeny bit. meetcute coric ..

notes ; they/them used for reader , not proof read and just a teeeny tiny bit rushed (i am sleepy) . glass breaks but there is no violence or anything ..

wc - 2k

He really should’ve been more careful, looking back on it now.

Yes, it’d been a while since he’d gotten that vase and set it down, but, really, for walking past it every single day, he should’ve realized how precariously it sat on the table. He should’ve realized that sooner or later, he was going to be too tired to remember to give it some space when he walked back into his apartment. Unfortunately, however, he did not in fact realize that in time. And so, he is tragically faced with the terrible fate of going and buying a new vase. Perhaps this time, he will not place it so precariously. Perhaps this time he will buy a thicker one that has less chances of shattering into one-thousand tiny pieces in the dark at around 10pm on a Thursday. He had much to think about in his journey of replacement.

Luckily, for as long as he’d had the vase, he could still vaguely recall where he’d gotten it from. It was some pottery store he’d randomly passed by once just outside of the city, curiousity (and fatigue, if he remembers right, it’d been an eventful day and he was still too jittery to lay down quite yet) getting the better of him when he’d noticed it. The owners were nice enough, an older couple who he could recall telling him long-winded stories about anything tangentially related to what he’d been looking at. Plates with flowers painted on them prompted a story about some unidentified, gorgeous plants one of them had seen around a river long ago. A cup with an oceanic color-scheme had prompted a tale of a seagull one of their previous coworkers would feed bits and pieces of bread to on their break. So on, so forth. Long winded for anyone passing through, but pleasant for someone just tired enough to want white noise and easy, one-sided conversation.

Getting into his car, he wondered if they’d have any stories to tell him this time. He would likely be better conversation this time, now that he was less exhausted from being around other people for a long, exciting period of time and more tired from waking up at some time before 11am on a rare free day. He found himself gathering excitment somewhere in his chest, bubbling up in fondness at the idea of this little trip. Sure, it was just a silly little thing to be excited over, but it was nice to have a break from monotony, wasn’t it?

It was a nice day out, too. The breeze forgiving and the sun sociable in the sky, bright rays easily negotiated to peace with sunglasses. It’d been a while since he’d ventured out of the city. Sure, it’s not as though he lived in the heart of it, but it was still different to see the buildings like miniatures from afar. It was a nice break from the towering skyscrapers and heavy traffic. Especially the traffic, actually. He’d never been good with handling bad drivers.

There wasn’t anyone else in the parking lot, only one or two other cars there, likely the owner’s or someone in a closeby building’s. There were a few other businesses dotted around in the area, some strip mall closeby and a park on the way there. He was likely just early, there probably aren’t many people stopping to buy pottery at 9am.

The inside of the store was quiet enough, music playing softly enough you had to pay attention to the murmurs to pick up on it. The lights shone on everything, not blindingly as much as it was in gentle awareness of everything. As his eyes refocused, he could’ve sworn he seen a vague shape duck into a doorway near the back of the store. Before he could properly investigate his suspicions, his attention was drawn away.

“Well, I was wondering when the resident celebrity was coming back!”

He couldn’t help but chuckle a bit, turning to face his company. “I hope I’m not intruding, it seems I’m rather early this time.”

The older woman he recognized from his previous visit smiled and shook her head, “Much earlier, I’m glad to see the cold night didn’t drag you in this time.”

He returned the smile, pushing his hands into his pants pockets as he replied, “Oh no, I was actually coming to look and see if you had any new vases in.”

She’d lit up at his words, straightening up with intent to lead him off, “Of course! We’ve got plenty of new ones in since last time, I’m sure we can find one to your liking.”

“-turns out, that hammering I thought I’d heard from the neighbors had just been a big woodpecker all along!”

He’d smiled fondly, “Ah! You don’t see many of those around here, do you?” He was careful to keep a good grip on the vase in his hands, decorated in an intricate scene of a forest dotted with various birds. From the minute details on every pine needle and carved indents on certain elements, he could only imagine how long it’d taken to make.

“No, no you don’t,” she’d laughed, shaking her head as she looked back to the shelf filled to the brim with other, equally eye-catching vases. He’d studied the one in his hands a moment longer, carefully tracing over the carving of texture in a tree before perking up at a new sound.

A soft ‘clink’ had snapped him out of his thoughts. Initially, he’d figured the old woman had picked up a new piece to show him, but found she was still studying the selection herself. He’d turned around quickly, curious to see if anyone else had stopped in, but the store was empty. That was when his eyes caught that doorway again, vaguely making out the shape of shelving in the darkened hall. On that shelving sat one vase, darkness obscuring the pattern of it.

“Why put that one piece there?”

The woman had snapped out of her own thoughts, looking back at him momentarily before following his gaze to the pot patiently sitting in the shade. Upon noticing the object of his attention, she’d smiled once more and turned back to him, “Our resident potter puts their finished work there so we can price it and set it out.”

That had caught his attention. “Resident?”

“Oh yes! While we do get a fair amount from other sources, just as fair an amount is homemade,” she hummed, “Would you like to meet them?”

He’d readjusted his hold on the vase again, not wanting to risk another work in his excitement, “If that wouldn’t be a bother.”

She shook her head, “I’m sure it’ll be quite alright, chances are they would appreciate the conversation, artist-to-artist.”

Before he could offer any sort of further fret, she’d started off towards the hall, leaving him to stand awkwardly with the glassware on his lonesome. He’d glanced at the large cardinal on the surface of the piece one final time before hurriedly (and carefully) placing it back on the shelf, jumping to catch up.

It was far darker back here than it had been in the main area of the store. Combined with the noticable increase in temperature, however, it was more comfortable than you would’ve imagined. Through the shade he could pick out calenders, notes and other miscellanious papers littered along walls and desks. Half-dirtied rags were scattered on shelves, various bottles standing not far from them nor the different tools lying about. Before he could even try and dissect what their uses would be by simple observing and guessing, the woman spoke up again.

“I hope you don’t mind some company, (Name),” she chimed, speaking just a tad louder to properly catch attention in all the visual noise.

With that, he’d finally noticed the figure standing in front of a tall table near the middle of the room, turning their head to look towards her. Their eyes flicked to him momentarily in what he could only assume was surprise. They’d straightened up from their hunched over position, wiping their hands off on a dirtied apron as they walked around the table and towards the pair.

Oh no.

They’d opened their mouth to start talking to her, but he couldn’t pick up on any of it. He wasn’t entirely sure what he was focusing on, he just knew that he was particularly distracted by the person in front of him and it wasn’t exactly getting any better the more and more he zoned out. He couldn’t make out every detail perfectly in the low-lighting, but it was enough that he could very, very easily tell this person was very, very attractive.

“-so you’re that one guy on tv?”

“Yes!” He flinched as he snapped out of his thoughts, “Wally Darling, but just Wally is more than fine.”

You’d smiled and for a brief moment he had to hope and pray his wasn’t too dopey and the low light hid the heat in his face as you stuck your hand out. There was a brief moment your smile faltered, as though suddenly realizing something, but it wasn’t a fast enough reaction as he’d snatched up your hand. Your hands were, similarly to the rest of the room, noticably warmer. They were also noticably sticky with clay, some already drying out on your skin as the rest, inevitably, would likely dry to his.

“And could I have the pleasure of knowing your name?” You looked like you were stuck between apologizing for getting the blood of your work on him and introducing yourself, glancing between him and your hands for a few moments. He vaguely realized this was probably a bit long for a handshake. Eventually, you managed a weak smile, righting your grip on his hand, “(Name).”

“That’s a very lovely name,” he stated plainly, hoping you could pick up on the sincerity in his flatter tone, “How long have you been working with ceramics, if you don’t mind my asking?”

You’d perked up at that, seemingly completely forgetting about the handshake (that was still yet to properly break apart, this was definitely not a proper one, anymore) with the topic of your work. “Well, that’s a bit of a difficult question. I’ve been working with clay for a long, long time, but I really only picked it up career wise a year or two ago.”

“Ah! That figures, your work is all very professional looking, it’s very impressive,” he complimented. Sure, he might’ve been laying it on a little thick, but it seemed as though he’d suddenly lost the ability to control his words, them tumbling out before he could even really think about it.

Luckily, you didn’t seem to mind, instead reaching up a hand to rub at the back of your neck. “Well, I don’t think my work is that stellar, but I really appreciate it. It uh- it definitely takes some time, it’s nice to see it goes to good use.”

“It’s nothing, really. If you don’t mind, could I watch for a bit? It’s completely fine if not, I really am just curious to see how you go about it.” Yes, he was definitely pushing his luck a little bit. In his defense, however, he was genuinely curious about how you managed to get all your vases so smooth and pack so many details onto such a small, unconventional canvas. It was just an added bonus that he’d possibly get to find out more about you, that was all! He can’t help the mysterious potter he hadn’t even known existed was not only nice on the eyes but, so far, was nothing short of pleasant.

You’d thought on it a moment, moving the hand at the back of your neck to hang at your jaw absentmindedly, “I suppose that would be fine by me, I can’t promise it’ll be too entertaining though.”

He smiled and shook his head, “Not a problem at all! I’m sure I can find enough entertainment for the both of us, I am an entertainer myself, after all.”

You returned his smile, finally letting go of his hand and breaking off your entirely-professional handshake to turn and head back to your workstation, “Well, make yourself comfortable, then.”

"Oh, trust me, that won't be any problem at all."

#wally darling x reader #welcome home x reader #mod writes #i dont actually know anythign about ceramics i just thought of this While Doing ceramics . sorry to all the clay fans out there ..

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hopeswriting · 2 years

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The favourite Arcobaleno headcanon I have ever made is HCing Reborn as literally any nationality that is not Italian. I do not care for where, but I imagine this man wants to pretend to be the epitome of Italian Mafioso- born and raised praise the sweet motherland. But he has literally not stepped foot in the country before he was an adult, and it is his most deeply embarassing, closely guarded secret. He is very smart, well-researched and skilled with acting; he is literally the world's best, so he would be able to keep up a ruse. But I always imagine that Luce will know the moment they meet, and he could not face her for it for a while. (As a bonus, he grabbed/gaslit Colonnello-the-childhood-bff to futher his story lol).

It is immensely funny to me, and also canon does not strictly contest it as we do not know any acro's backgorund extensively.

nonny this is the funniest ask i've ever received and YOURE SO RIGHT!!! about everything but especially about how this COULD be very much canon because we never learn shit about the arco. and not only that but it’s literally so in character for reborn i’m crying.

okay but i don’t think he’d be embarrassed about it, even tho i love the idea of him being such a fanboy about his perfect idea of what a mafioso should be (italian, apparently zedfcvhdx), he’s like, just so disappointed in himself for daring to have been born not italian, and of course can’t ever let anyone else know lol. and i mean, if people do end up seeing through his ruse, then they’re the ones who’d be embarrassed the most about it for having been tricked to begin with, right?

so i feel like reborn’s just doing it for fun, or maybe to stick it up to people who actually put being an italian mafioso on a pedestal in a “what, like it’s hard?” way. or maybe someone mistook him for being italian once and he went like “yeah, sure, i can be italian for a bit”. but whatever the reason i really feel like it all boils down to him waking up one day and going “wait, wouldn’t that be hilarious?”, and then he made it a challenge to himself to see how many people he could fool and for how long lol.

i DO agree that luce knowing would embarrass him tho!! because like, this is perfectly normal and logical behavior to him, but then suddenly he has to confront the reaction of actual normal people, which is probably something like “what even the hell?? why would you do that for literal years for no reasons???” lmao.

AND NOT HIM GASLIGHTING COLONNELLO TO BE PART OF HIS RUSE LMFAO NONNY YOURE FUCKING KILLING ME HERE!!! 😭😭😂 but also i like the idea that colonnello eventually does consciously get in on the ruse, and just goes “alright you sicko, sure, why not”, but also pulls a uno reverse card on him and goes “but we’re going to become actual friends tho, and i’m not asking”.

ALSO i think we should just throw skull in the mix here too. skull who’s more stuntman than he’ll ever be an actor, sure, but also who’s been just often enough an actor and around other actors he instantly goes “oh damn, that’s some crazy good acting here, but why tho?” upon seeing reborn. and then he confronts him the second they’re alone, going like “so, what’s up with the acting, what are you trying to hide?” and reborn just dismisses him casually, saying “i don’t know what you’re talking about”, but he’s sweating BULLETS inwardly, and meanwhile skull literally was just asking because he noticed and why not, but he doesn’t actually give a single shit about it lmao.

but THEN reborn’s all dodgy about it so of course he actually becomes curious about it, and they end up in this cat and mouse dynamic where reborn unfortunately can’t kill him to make him stop until they’re done working together at the very least. and his only reprieve is that the other arco don’t give a shit about it (and luce keeps quiet about it) even if skull wastes no time sharing his suspicions with them, and just, you know, don’t believe him, and i’m thinking of viper specifically here who’d go “i’ve literally found with extreme difficulty multiple documents proving he is italian and was born in italy and lived his whole life in italy”, and they’re all forged of course, but they don’t know that.

and then reborn eventually DIES, and they want to be considerate and nice and bury him in his hometown or whatever, but then reborn’s “will” which he made sure they’d find just goes something like “i’ve literally never been italian a day in my life you fucking losers, here’s where i want to be buried instead, get it right”, and the arco just go “?????????” while skull goes “i KNEW it!!!!”, but also goes “???????” because THIS is what that was about??? wtf?????

and i’m sorry i fucking ran with your hc nonny but this is really cracking me up so hard zesdxhg. 😂😂😂 but on another note i actually don’t think reborn’s italian either tbh! i can see it and write him as one because it’s easier lol, but yeah, i don’t think he is italian either.

thank you for the ask nonny!

#katekyo hitman reborn #khr #khr headcanons #khr reborn #khr arcobaleno #khr asks #Anonymous

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glacierruler · 1 year

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Okay, so this idea comes from @prince-rowan-of-the-forest royal anaroceit au and the fact that I got new DnD books, but I'm doing a story of the sides basically DnD inspired!

Here's a description of Virgil and the stats for his character sheet, which I did make!(I didn't feel like drawing it out sorry!) All the characters are starting out on level 2. This is more like a background but hey, it's fun to write this so...

Also I rolled all his stats. I will try to get

Ships for the whole story are: anaroceit and intrulogical, but no ships as of right now(well there are some pre-established but that will come when I actually start writing this lol)

Taglist: @hyperfixated-homo @cutebisexualmess

Please tell me if you'd like to be added to the taglist!

CWs: Death, murder, fantasy racism,

Virgil Storme is a changeling, they are genderfluid and use any pronouns. She's also a rogue. Abandoned on the streets when he was just 7 years old, because his parents, who were astounding actors, were murdered by the guards. All because it was found out that they were changelings. While he wanted to get vengeance for a while, he gave up on that, realizing that if he dwells on it that's what his life would become. Not wanting that, fae decided to learn how to survive on their own. Thankfully the Shadow Guild, an underground guild in the city of Clendertin picked him up and taught him all he needed in order to survive. While he doesn't fully trust anyone after the murder of his parents, xey do thank that guild for taking dem in and in return Virgil does favors for them from time to time. Like right now, where they are to steal the Crown Prince's crown and the Royal Guard's bow. Also she has a pet mouse named Glindor who has surprisingly lived for a long time. Longer than a mouse really should, but hey, Virgil's not complaining. Glindor is cute and has brought Virgil a lot of comfort in trying times, and honestly raven would rather die than let any harm come to Glindor at all.

Whenever Virgil isn't stealing from random people in the streets he's trying to help the other orphans and urchins living down there, after all no one should have to go through the pain that void went through just to survive.

Virgil is small, just 4'8, and has an unusual name for a changeling. As most changeling's true names are one syllable. He theorizes his parents named her the way they did to throw suspicion off them being changelings. In faer true form their skin is white as snow, with white eyes to go with it. Her hair is just one purplish tint away from being as white as the rest of them.

While Virgil has multiple disguises, her favorite is that of a halfling usually with a light tan-ish skin, jet black hair, and one purple and one green eye.

The trait that always stays the same whenever they change how they look is the color of raven's eyes. The left one is always emerald green and the right one is always a bright purple. To keep from being caught as a changeling he always has one eye covered by her hair.

Virgil has a patchwork cloak that fae keep in their bag, except when they're on heists(it's very good at concealing them surprisingly). It was his father's gift from her mother, who had sewn on the patches herself.

Strength: 13

Dexterity: 19

Constitution: 14

Intelligence: 16

Wisdom: 15

Charisma: 11

Janus / Patton / Logan / Roman / Remus

Masterpost

#virgil #ts virgil #sanders sides #i am excited for this #virgil sanders #fanfiction #sanders sides fanfiction #virgil is in fact the shortest bc i hc them as such #anyways i have to work on schoolwork now #but i will work on janus's character sheet next #i'm going from shortest to tallest in terms of my hcs

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mysteriouslybluepirate · 1 year

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Vengeance Is Mine- Day 3 of watching Con's Filmography

I'm live posting my reaction cause I don't think this one will be as thought-provoking to need an essay as Telstar.

Love to hear your thoughts down below!

If you have any Con recommendations, I'd love to hear them. I've watched Telstar, Uncle, OFMD, Chornobyl, and Blood Brothers. Planning to watch Cucumber, though I've heard mixed things.

Content Warning for car crashes, suicidal imagery, suicidal ideation, gun violence, murder, explicitly shown drug use, wounds, and overdosing.

the effects are what they are. Keep expectations low; we're here for Sad Con, not anything else, really.

LOVE the DIY suicide chair. It's definitely not how I, or anyone, would do it. Was the plan to bleed out? He'd stumble over the legs, then fall onto the ground. There's a good chance the tape wouldn't hold.

I know he hates himself, but that church has to be freezing cold. My guy, throw on a hoodie and some sweats.

If only you could go to therapy or a support group. Like the one, you watched creepily. Probably couldn't afford it.

You know, that getting-hit-by-a-car effect wasn't as bad as I expected.

I like that since he doesn't talk to people when he talks, it's all cracked and unused.

WHY WOULD YOU GET IN THE CAR OF CRIMINALS. I know this guy you're following was an accomplice to a hit-and-run, and you have no self-preservation. BUT HOLY SHIT, MAN.

Con is too good at playing depressed dissociation.

Imagine being a criminal, and you aren't hunted down by cops but by a guy whose family you accidentally murdered 5 years ago.

Most sturdy switchblade to ever be invented.

GUN TIME, BABY. Does he know how to use, shoot, or take care of it? Who knows? The idea that British people know how to use a gun based on American media and general pop culture is odd.

You probably aren't meant to eat the decoy sandwich. That's to hide suspicion. Not for eating.

GET IT CON! I can't do a single pushup, so this is enough of a training montage for me(I don't think we learn his name, so Con it is. If we were supposed to learn it with the letters in the beginning, I've already forgotten it)

Love the candle imagery/ holding your hand close to a candle for no reason. This makes 2 characters of his that do this shit. why is he doing this? Does the fire make him stronger?

I know this is the first kill, but babe, anyone could grab that gun out of your hand. Wandering around with it out isn't smart either. LOVE THE SHAKING.

OW. That looked like it fucking hurt. Also, the camera angle makes it look like he gets stabbed anywhere from the arm, chest, neck and eye. Which is great. I think he gets it in the shoulder.

"That's my pen." Priorities

I love that Con looks as messed up about murdering a guy as the guy getting murdered

"Just like we killed those bitches" Well, that sealed the deal

I don't know why he's standing up to clean his wounds like that. He could sit, or lie down. STOP EATING THE FUCKING SANDWICHES.

Love interest? Okay, I'll roll with it. Maybe the best time to hit on her isn't when she's talking about her dead husband.

Love the hoodie, chest half out look con.

She immediately went for the tits in the make-out session, a wise option.

Good to know Con-the actor does the whole mouth staring thing to indicate interest. Putting that in my back pocket.

"Still Married?" "Separated." BITCH she literally told you her husband was dead. BOND. make a single friend. I know it's probably just in case so his crimes can't be returned to him, but Jesus Christ.

"Do you know what they (the French) call an orgasm?" WTF. Why are you like this? I will have that line in my brain now. It's definitely going into a fic.

Murder Con vibing to pop music on his way to a kill is just funny.

Say what you will; I'm impressed they got so many locations to film this.

You are in a grassy field, in a dark black winter coat and baseball cap. You should have been spotted ages ago.

CHARGE!

Well, he's got maybe half of them so far. Screwed the pooch a bit on that one. Please deal with your knife wounds. New gun acquired.

If only shotguns worked like that.

GO TO A FUCKING HOSPITAL AND SAY YOU WERE MUGGED

Okay. So in the pharmacy, I think he wanted the controlled substances to kill himself? Maybe? I don't know why else he'd want them.

OH, GOOD. A pharmacist shouldn't do that. Unless Pharmacists in the UK are so much different. Also, he's going to get addicted to morphine, isn't he?

"I'm getting old." MAM, you are WRONG. Not a single gray hair or wrinkle, or crows foot, what are you on.

Also, Sans Undertale Con look.

HARRY. Love the name. Love that they were polite enough for her to leave the room to threaten him.

FROM THE 2nd STORY ONTO A TABLE. RUN. RUN MY MAN.

"He fucking bit me" ICON

I don't know what he's doing, but he's doing it, and he's about to get himself killed. (He's just running through a field wounded for some fucking reason)

Oh no, half-naked wounded Con, whatever will I do.

I like that British people always seem to offer cookies. It's very lovely. In a Paddington sort of way.

WHY DOES HE OWN HORSES. Oh, he left this life to go become a church person for the past 5 years. Funny that he passed out, got rescued, and then insists to be housed and left alone.

WHAT IS THIS WHIMSICAL MUSIC. It's legit from a Breath Of The Wild soundtrack to visit his family's graves.

GET SUITED UP FOR MURDER BITCH.

That definitely isn't how you hold a shotgun, but it looks fucking badass, and he has a shit arm, so I'm cool with it.

Well, the deeds have been done, is he going to kill himself or move on....

HE'S SMILING YEY!

Nvm. Morphine overdose on their graves. Damn. Thought he'd move on once they were all dead. Damn.

Wait

Love interest on the beach?

He joins her?

Is he imagining this before he dies? Is that her dead husband?

Music: 8/10. Not a big action piece that covers the acting. Besides the music at the end everything fit really well. I think they should have swapped the end song at the graves with the first grave song.

Film overall besides Con: 6-7/10. Very self-contained story. Shame he wasn't able to make a new life, but at least he found peace in the end. Con is the only real standout just because it's so short and mainly focused on Harry.

Effects: 6-7/10 This had a budget, but the only stuff that really took me out was the gun stuff and the opening gun fight.

Con:8 maybe even a 9/10. Even with a script where he doesn't talk, he radiates the vibe. He's sad, and not afraid to have those 'ugly/embarrassing faces' I love so much about his work. He knows he's breathing with his mouth open, grunting, and looking half dead and rocks it. He can do so much with just his face. It's impressive. It lets the audience not see him as an actor but as a character in a shitty situation. Loved the scenes between him and the love interest. Loved that he kept up how injured he was throughout the film. When he's stabbed in the arm early on Con makes sure to keep it braced, it's a good touch.

At first I gave him a 8 until I remembered I've watched blood brothers then Telstar then this. Then I remembered the OFMD pannel video I remembered that he is genuinely a fun and happy person, which bumped the rating up higher. He just seems so fucking sad in all his roles.

Movie Overall: 7/10. Would watch again, and wished he got to live a happier life after.

I'd love to see everyone's interpretation of that ending.

#Vengeance Is Mine (2021)#con o'neill #Watching all of Con's stuff cause I'm bored #and genuinely want to see all his work #con oneill #Vengeance Is Mine #Con's Conography #Harry Kane

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my-mt-heart · 2 years

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I am curious as to why some people really believe Norman Reedus can do no wrong, even though his own negligence? He doesn't strike me as a malicious type, but he is in Hollywood. He knows as an older man, really only known for this show, he has to play his cards a certain way in order to stay relevant/stay in the game. It's clear he prioritizes himself, which isn't a bad thing, but acting the way he has is shows me he is shallow and only afraid of those in power. If someone else comes on board who loves Caryl and gives them their own show, Norman Reedus will take to Twitter and Instagram with pictures of him and Melissa, Daryl and Carol, etc. I am sad that one of my favorite characters of all time is played by someone so immature, self involved, and weak-willed. Regardless of who he has to answer to, I doubt someone is really telling him to treat Melissa McBride as if she doesn't exist by playing dumb. I am sad that the people who make it big and have money are so corrupt inside. Melissa McBride clearly doesn't want to be a household name. She just loves Carol and Daryl. But she isn't willing to give up her life for Hollywood. Norman has no problem playing it up to the camera, just to portray how great everything is in his life. It annoys me to no end.

But I just wanted to say that in case anyone else looks at this the way I do. I don't hate Norman Reedus but I would be lying if I said I liked him right now, too. I am not asking you to gossip, but I was curious as to your own feelings on his behavior? I have read that your focus are more on the people behind the scenes who call the shots and I totally agree with that. But people see Norman, not really any of the executive department.

I realize I'm probably opening up a can of worms again here, but you brought up a couple of things I want to address and *hopefully* it'll clear up any confusion people still seem to have about where I stand. Or it won't and I'll wake up to a dozen anons who want to take my head off. Anyhow, yes, you're right that people only see Norman and in the age of SM, it is especially easy to assume everything he says or does is of his own volition. The reality is there's a team of people behind him. I'm not just talking about AMC, I'm talking about publicists, agents, etc. who are there to help him navigate what he says or does that could affect his livelihood because guess what? It affects their livelihood too. Hence the break narrative. Hence whatever else we've heard (or didn't hear) in interviews that I think we can all safely agree were not the best way to go.

It sounds like I'm saying actors shouldn't be held accountable for their actions, doesn't it? Well, no. That's absolutely not what I'm saying. The knee-jerk (?) reaction to (the well-meaning) fans on Twitter is not lost on me, in fact it really bothers me to see the dynamic become so contentious to the point of alienation. I have suspicions of where it all might be coming from, but it isn't my place to publicly psycho-analyze someone I don't know, so I won't. It also doesn't sit well with me to launch a personal attack on another human being pretty much ever, but especially without any hard proof of what did or didn't happen.

What I guess I'm getting at is consciously choosing to focus my efforts where I think it counts the most and understanding the power dynamics at play is a far cry from idol worship or naivety.

#caryl #darylneedscarol #melissa mcbride

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denimbex1986 · 3 months

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'Andrew Scott finds it best not to analyze why writer-director Steven Zaillian thought he would be perfect to play Tom Ripley, one of pop culture’s most infamous con artists. “It’s always weird finding out what people see in you, particularly when it’s a character like Ripley,” Scott tells Vanity Fair with a laugh.

“I was very determined not to diagnose him with anything,” the actor, best known for his performances in Fleabag and All of Us Strangers, explains. “I think what happens with these famous characters is that people have real strong ideas of who they are. I didn’t want to drown him in any preconceived ideas. Words like sociopath or psychopath or pseudo-sexual killer, all those things are just unhelpful to me. Even though he’s not necessarily always a reliable hero, he’s certainly the hero of the story.”

Nearly seven decades after Patricia Highsmith’s novel first introduced the world to walking red flag Tom Ripley, his grift is still going. The story, which previously inspired the 1999 film starring Matt Damon, Gwyneth Paltrow, and Jude Law, as well as Emerald Fennell’s Saltburn, will next be tackled in the Netflix series Ripley. The eight-episode project, which premieres April 4, casts Emma’s Johnny Flynn as Dickie Greenleaf—the vagabond heir to a wealthy Manhattan dynasty with whom Ripley becomes obsessed—and Dakota Fanning as Marge Sherwood, the woman preventing the eponymous fraudster from preserving his place next to her boyfriend.

All three actors spoke to VF about inhabiting the twisted trio in a complex production that spanned nearly a year, from the summer of 2021 to the spring of 2022. “The three of us really picked each other up at different times during the process,” says Fanning. Scott was “the complete antithesis of the character” in real life, she adds: “open and warm and fun.”

There isn’t a trace of their jovial dynamic to be found in the series. Marge and Dickie’s patrician background helps them hide their true feelings about Scott’s interloper. “Their body language, their energy, and the intention is sometimes the complete opposite of what’s coming out of their mouth,” Fanning says. “You can say, ‘Nice to meet you,’ but like, you hate somebody, and the person will feel that. So it was playing with that a lot as Marge: What cards do you give away? When do you give them away?”

Scott, who earned his first screen-producing credit with Ripley, says he was less focused on what separates Marge and Tom than the traits they share. “Marge has allied herself with somebody that he admires and almost wants to be, and that’s a complex feeling to have. He feels like, ‘Well, what has she got that I haven’t got?’” says the actor. “Also, she’s perhaps not the glamorous, secure international figure that he might think. They have a lot in common. His dismissal of her is not because he dislikes her, but because she scrutinizes him in a way that other people don’t. So there’s admiration as well as suspicion.”

If Marge becomes Ripley’s mirror, Dickie is his motive. Flynn, who says via email that working with Scott was a major draw for him, describes the “intense psychological connection” between their characters. “There’s almost a blurred line in terms of their connection, whether it’s romantic or just a friendship with admiration, passing back and forth. But I think there’s more than a normal friendship on both parts, a yearning.”

Adds Scott, “For me, it’s never about playing the disconnection between those people. It’s about playing the attempt at connection. He feels very connected to Dickie, and I think he feels disillusioned by him, ultimately.”

At least one core belief bound all three actors: a strict no-contact policy with anyone who had or would soon play versions of their characters. “Absolutely not,” Scott says firmly. “No, I don’t think that’s a wise thing to do. I played a couple of quite famous literary characters before, and I think the big challenge is to be respectful, but not overly reverent. When I was doing Hamlet or playing Moriarty in Sherlock, it would be very dangerous [to look to other performances] because you want to put your own stamp on it. You’d only just be intimidated by what other people have done, and done brilliantly.”

Flynn, who like his costars consulted the novel throughout production, felt a similar desire to stay in his lane. “It wasn’t going to be useful for me to look at Jude’s performance or to think of the tone of that film, because we were trying to do something quite different,” he says.

Ripley stands apart from previous adaptations thanks to its episodic format, as well as its single-minded character study of the title character—going “as deep as anyone could go,” says Fanning. It’s also shot in stunning black and white by cinematographer Robert Elswit (who won an Oscar for There Will Be Blood). That choice, Fanning says, “lends itself to the mood and the inherent darkness of Andrew’s character,” adding, “I can’t imagine it in color.”

Flynn says the series was pitched by Zaillian as “a mid-century noir thriller,” in the vein of films like Federico Fellini’s La Dolce Vita. The 1999 movie, he explains, “feels very sunny and like a modern film, whereas Steve’s referencing some of the stuff that was being made in the period that the story is set in.”

The series was shot between New York City and Europe, “a tour of the best, most beautiful places in the world,” says Flynn—including the Amalfi Coast, Capri, Rome, and Venice. “Literally everything on screen is there for a reason, and you can feel that,” says Fanning. “It all plays a role—the sets, locations, the way it’s shot. All of the Italian actors are so brilliant. People who have one line are as brilliant as anyone.”

“I promise I’m telling you the truth when I say that I just thought they were the best, most gripping, most extraordinarily well-written scripts I’d ever read, really,” Scott says when asked his initial response to all eight episodes of Ripley.

It’s a sentiment earnestly echoed by both Fanning and Flynn—and a testament to the persistent allure of a good old-fashioned con. “I lean toward [the idea] that people are good, people want to be trusting,” says Fanning. “So when you see a story of somebody preying on somebody’s openness or kindness, that’s frustrating. And juicy.”

Viewers also find various ways to excuse Ripley’s treachery, says Flynn. “I suppose that’s the brilliant thing about a scammer story like this—you’re rooting for somebody who’s committing crimes. Which is [an] amazing kind of feat for a writer to pull off, to trick the audience into cheering on the person who society would deem as evil.”

Not to mention the eat-the-rich mentality that’s always made figures like Ripley feel relatable. “I feel like he’s not somebody who has ever been exposed to great beauty in the same way the Greenleafs are. Having a little bit of money and status means people get access to the things that actually should belong to everybody—great works of art, being able to travel the world, to taste extraordinary food,” Scott says. “I find that side of him really beautiful, that side that’s able to just drown himself in the beauty of the world. He’s a real ace thief in that sense.”

And if, by the series’s end, the audience feels complicit in Ripley’s crimes, that was always part of the con. “He’s got enormous smarts about him. To be able to watch somebody thinking on their feet is always a real treat for audiences,” says Scott. “He’s deeply talented, and talent is very attractive. And the fact that the only people who really know how brilliant he is, is the audience, makes it a real bond.”'

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yhhhkisses · 7 months

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The New York Times Magazine / September 9, 2001

//There is something banally obvious about beauty, which is why the camera loves it so much. The way all babies can look the same and the way all happy families are happy in the same way, beauty can be utterly boring. Thus the Hollywood fantasy of the beautiful-boring girl being aced by the witty-plain girl. But given the choice, would most people choose a beauty pill or an intelligence pill? Has anyone done a study?

Many great photographers are uncomfortable shooting beauties; others revel in the suspicion that a world with beautiful people is a better place.

The problems of beautiful people are another big Hollywood fantasy, probably because Hollywood is full of beautiful people trying to convince themselves that their beauty is a burden. There have been times when some of the most beautiful Hollywood people have worn eyeglasses without prescriptions, to make their faces project something besides mere aston-Thing loveliness. Most recently, "Legally Blonde" fearlessly explored the intellectual prejudices at Harvard Law School against the beautiful.

But the truth is, it's not bad being beautiful, even if most beautiful people won't admit it. Sara Ziff, the 19-year-old New Yorker whom Jennifer Starr found for us, will admit it. Her beauty gets her tables in hot restaurants without a reservation. It gets off-duty cabs to stop for her. It gets her past the long lines at nightclubs and into VI.P rooms. It gets her discounts on clothes. More important, it got her a modeling agent and a Hollywood agent. While other struggling actors sit at home, it gets her auditions. And recently, it got Sara her first major national modeling campaign.

But beauty does not solve all her problems. It isn't enough to get her a discount on her rent, though she asks for one. When she goes for an audi-tion, it isn't enough to make the guy at the front desk let her use the phone

-even though she's wearing a bikini. (There were a lot of beautiful girls there in bikinis, after all, and only one phone.) And it makes her boyfriend jealous. But one way or another, her beauty affects every transaction, every interaction, every action, not just because of other people's awareness of it, but because of her own. And her willingness to let her beauty work for her.

"It's sort of unchartered territory, talking about it," she says, weighing the pluses and minuses. "This topic sounds so big-headed to discuss. I don't want to come across as arrogant, but it is a reality of my life.

One restaurant offers a 75 percent discount to models from her agency, but only if they eat their meals at the restaurant. In the window. "What the hell, if I get 75 percent off, I'll sit in the window and eat it," she says.

Ziff also gets a lot of unwanted attention, catcalls and gropes and wince-inducing suggestions. Her mother, a lawyer, thinks she should wear a big jacket so she won't be harassed. Her father, a professor, has pronounced himself horrified that she deferred her college education to pursue her career - which "won't get any easier," her agent has warned.

"I've gone in for parts and been told I was too pretty,"

"she says. "But

when it comes down to it, I can't complain. It has worked more in my favor than against me. I wouldn't be seeing any of these casting directors if I didn't look a certain way.

"Doing this acting work is really important to me," she adds. Even if she's already tired of the character descriptions: "Every script says beautiful sexy blonde seductress' or something.//

#archive #pretty privilege #hmmmm idkkkk #early 2000s #archive fashion

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angryschnauzer · 3 years

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Distraction

Summary: As a junior CIA agent you are added to a mission to help with scientific analysis, but when half the team are hospitalised you have to suddenly become a hands on field agent, alongside August Walker and Will Shaw. When the final part of the mission at a tropical plant glass house has an unexpected side affect, you have to work as a team to survive the night.

Pairing: August Walker x Female Reader x Will Shaw Fandoms: Mission Impossible: Fallout (Movie), The Cold Light of Day (Movie), Henry Cavill - Actor.

Warnings: NSFW, 18+, Sex Pollen, Threesome, Oral Sex, Unprotected Sex, Vaginal Sex, Blowjob, Cum Play, Double Penetration, Anal Sex.

A/N: This is my first time writing the Sex Pollen trope, so i hope you like it. Fic is unbeta’d; only the finest free range organic typos for me. I do not run a tag list, but if you follow @angryschnauzerwrites and put that blog onto notifications, you will then get an alert when i post something new.

Back catalogue can be found on AO3 Link Here, or you can follow my facebook page HERE.

Distraction

If there had been someone narrating a movie of this mission, the first line would have been ‘it was a simple mission’. However, they would have been lying. The mission was far from simple, it was convoluted, complicated, and the team fucking hated each other.

The team were scheduled to arrive via two flights, from opposite directions of the globe as not to arouse suspicions that a large team would do if anyone was picked up on facial recognition. You had been brought on board because of your scientific and tech background, and as the team were tasked with retrieving the formula for the most dangerous biological weapon in the world, you were the one that would check they had the right thumb drive before the mission was able to be called a success. There would be multiple extraction points, numerous undercover assignments that would all lead to the final extraction at the gala dinner.

That was the plan. What actually happened was the half of the team coming in from Dallas ended up with severe food poisoning and were currently being hospitalised in a local treatment facility. That left just your half of the team, and the senior agent now in charge was none too happy about it;

“I’ve got a fucking chemistry nerd and a number cruncher for a hands on mission that requires multiple scenes where infiltration and distraction are needed, and neither of you have any fucking field work!”

August Walker hated everyone and made sure he did everything he could so that everyone hated him in return. The other member of the team quietly ground his teeth, Walker never once let him forget that he came into this agency completely by accident following a rogue faction and a situation that started with the death of his CIA Agent father, and resulted in smashing up half of Madrid’s traffic in a 24 hour long series of car chases;

“I was a stockbroker, and i didn’t hear anyone complaining when i discovered the currency discrepancies that found us the targets insider trading”

Will Shaw was so similar yet so different to Walker it was startling, you even thought they looked similar enough to be long lost brothers, but never dared to mention it.

The hotel suite had all the facilities you needed to set up a small command post, with enough counter space to set up the laptops and work-stations, whilst not getting under each other's feet. However it was still small enough for the two men to continually bicker and make snide remarks at each other, and you had to push the earpiece of your surveillance equipment closer to your ear to hear, finally you heard what you needed to, holding your hand up and clicking your fingers at the two men who immediately silenced and crossed the room;

“They’re going to be at the MMA Gym in thirty minutes”

“Okay” Walker huffed; “We need to extract the codes from his device that will give us access for the holding location. You and Shaw take the gym and cause the distraction, i’ll get the codes”

Will shook his head;

“Not gonna work”

“It's not?” you were surprised

“The gym is men only, the only women are administration and janitorial”

“That’s fucking antiquated” August spat out in disgust.

You had to hide the smirk that tugged at the corner of your mouth, that August Walker of all people would be an advocate for equal rights, but nonetheless started to prepare for the first distraction.

Walker and Shaw had entered the building separately but within 5 minutes of each other, signing in under false names and keeping it simple and silent as they started training on the weights and cardio machines in the gym. You had already entered through the basement deliveries door which you’d been able to pick the lock of, finding a staff uniform t-shirt in the storeroom and pulling it on over your top. You could hear both men through their hidden comms, and within a couple of minutes pretending to sort out a cleaning kart that you knew the morning crew had finished with, you heard the code word that the target had entered the weights room.

Seconds later you were tentatively pushing the door to the locker room open, calling out;

“Housekeeping!”

You had no idea if they called themselves housekeeping or janitorial staff or whatever, but when you didn’t get a reply you quickly entered the room and did what needed to be done.

Through your ear piece you could hear the first stage of the distraction starting, with your two fellow agents starting to challenge the other to out lift each other, and from the muffled background noise you could tell that they were drawing a crowd of onlookers.

Tapping your comms you alerted Walker and Shaw that you’d been successful, and that it was time for them to leave. But as you got no response you quickly made your way out of the locker room through the other exit, only to find yourself in a glass walled corridor, the gym on the other side of the glass. What surprised you however was that there was now a huge crowd of spectators as they watched your two agents try to pull out more reps on the bicep curl machine. Scowling you grabbed a cloth and bottle of spray cleaner and squirted the glass, glaring at the two of them before they finally saw you;

“Its time to go, dumbasses. Finish the contest. I’ll be in the car in the street behind the building”

Pushing through the door of the hotel suite you scrunched your nose as Will pushed past you, August not far behind;

“You two need a shower… did you really need to get that sweaty?”

“Well… you wanted the distraction to look convincing, didn’t you?” Will shot back, stripping his t-shirt off, already halfway to the bathroom.

A quiet cough behind you drew your attention away from Will’s sculpted back muscles;

“When you’re done staring at Shaw…”

“I...I wasn’t stare…”

“Whatever sweetheart, either way; you two need to change”

Looking down at your outfit you pulled at the gym t-shirt;

“Yeah, i can just find a utility shirt or something…”

“No, you’re front of house with me. Will’s taking the extraction of the thumb drive”

“But...I didn’t bring an outfit…”

August nodded to a pile of bags in the corner of the room from the agents that hadn’t made it to the mission but their luggage had;

“So check Marianne’s, she is about the same size as you. Either way its you and me sweetheart, now get dolled up, you can’t go to a gala looking like that”

Twenty minutes later you took a deep breath; you’d found Marianne’s bag and had found that although she was a similar size to you, it was one size smaller. She also had a completely different taste and style to makeup and you were now way out of your comfort zone. The red lipstick however seemed to work, a touch of gold bronzing powder across your shoulders and chest made the red silk dress really work for you. Adjusting the straps so they sat over the top of your bra, the pretty floral pattern hopefully not too noticeably jarring against the sultry silk. Taking a deep breath you stepped out of the small dressing room and came face to face with Will;

“Oh hey” he looked you up and down before clearing his throat; “Looks good”

“Yeah?” you smoothed the dress down over your stomach

“I mean… the bra kinda takes away from the look… but yeah, it looks really good”

“I...I didn’t have anything suitable for a gala, this is Marianne’s… from her bag…”

Will stood in front of you, reaching his hand around your back and with a quick snap of his fingers he’d unfastened your bra;

“It really will look better without the bra… trust me…”

Without another word he turned and crossed the room, pulling his tie from his bag, fastening it as August emerged from the other room;

“Agent. Bra off, now”

Shimmying the offending garment down your arms you pulled it out of your dress as he crossed the room;

“I don’t see why…”

“Because the people at this gala have got so much money they flaunt what they’ve got. You’ve got to fit in” He held his finger out and you hooked it over the protruding digit.

“We’d better get going… the gala is about to start”

With a nod August grabbed the keys to the BMW you’d been assigned and tossed them to Will; he was taking on the role of Driver and Bodyguard to your’s and August’s ‘couple’, the three of you filed out of the room and into the elevator.

The ride down the highrise hotel was slow, and you could feel both men’s eyes on you as they stood behind you, before the doors finally opened to the basement parking. You struggled to keep up with them as they strode out with their long legs, the heels of your stiletto sandals clicking on the cement. Finally as you reached the car you were surprised as August opened the door for you, not uttering a word as he watched you climb in before he rounded the car and slid into the back seat beside you.

You’d barely had time to fasten your seatbelt before Will was peeling out of the hotel parking with a squeal of tyres and you were heading to your destination.

“Panties, off” August’s words surprised you

“W-WHAT?!”

“Panties. Take them off”

“Agent Walker…”

“They dig into the meat of your hips and take the attention away from the sexiness of the dress. You need to fit in tonight”

“B-b-but…” you attempted to stall, but without another word August pulled your knees towards him and slid his hands beneath your dress. He grasped the thin elastic straps that ran over your hips and pulled hard, snapping the fragile pieces of fabric and pulling the now ruined undergarments. Glancing at Will he had a brief smirk on his face but quickly looked away, concentrating on the road ahead.

The gala was amazing, and it was hard not to get absorbed into the evening as if you were a real guest. You could hear everything through the hidden comms units in your ears, and apart from the occasional grunt as Will silently passed the guards as he made his way further into the underground chambers that ran below the massive glasshouse the gala was in, it seemed to all be going exactly to plan. The host had announced for everyone to celebrate, and you had found yourselves being swept onto the dancefloor, and suddenly you were in August’s arms as he held you close, the music thankfully loud enough to drown out your conversation from the ears of others;

“Do you think he’s getting on ok?”

“He’d say if he wasn’t” August assured you as he moved in time to the music, his hand on your lower back pulling you closer to his body. At that very moment you both heard a guttural cry through the comms, your eyes wide in panic as he grabbed your hand and you quickly made your way through the crowd;

“Shaw, come in… are you ok?”

You heard gurgling on the comms and watched as August pulled out his phone and activated the trackers that you all wore, the two of you coming up together on screen, but the third - Will’s - showing as on the level below and not moving.

The stairs had been hell in your heels, eventually you’d kicked them off and had run barefoot behind August, chasing him around corners and along corridors, before he’d finally come to a halt in front of a sealed door, his phone showing that Will was in the room behind it.

“Stand back”

You took a couple of steps back and watched as August kicked the door, the deafening bang as it broke from its hinges and splintered in was immediately forgotten as a sudden rush of air came out of the room, covering him in a dusting of strange grey-pinkish powder. He fell to the floor coughing and you rushed to his side;

“Check on Shaw! I’m fine!”

Quickly entering the room you looked around, finally seeing Will laying on the floor, he too was covered in the powder. Kneeling at his side you checked his pulse, relieved to find one as he opened his eyes and groaned.

“What happened? Are you ok?”

“Stop fussing, i’m fine… we gotta get out of here. Security will be on their way…”

At that moment August appeared at your side;

“Did you get it?”

“Yeah, i got it”

Will held out the thumb drive and pushed it into your hand as August pulled him to his feet, and they attempted to dust themselves off as the three of you staggered down the hallway and out of the fire exit.

Pushing into the hotel room, both Will and August had already shed the majority of their clothing, now dressed in just their smart dress pants and under shirts, still coughing from the dust cloud that lingered in their airways. You’d run the briefest of tests with the tiny blood monitor that you’d kept in the car to ensure it wasn’t a known nerve agent or poison before you’d even left the extraction point, thankfully the results being negative, but both men needed to wash off whatever it was as soon as possible. But first, you needed a proper sample;

“Agent Shaw, i need to take some blood, hair and saliva, run it through the test software, to see if whatever it was has synthesised into your bloodstream” you nodded to the small scientific station you’d set up at the end of the table, the case having contained tiny gadgets that amounted to a microscope, a mass spectrometer, and other testing equipment… the whole point of why you in particular had been placed on this mission.

A minute later you’d collected the samples, trying hard not to get flustered as Will had stood in front of you bare chested and in just his underwear, heat radiating from his body;

“So what do you think it is?”

“I have no idea”

“Well i’m burning up, i need to take a shower”

Quickly loading the samples into the rapid mass spectrometer you turned to Agent Walker to check his vitals and let out a tiny squeak of surprise when you saw him sitting on the edge of the bed in just his underwear. His chest was flushed and he had a sheen of sweat over his entire body;

“I guess i’m next?”

Pressing your hand to his forehead you could feel he was burning up;

“I’m going to check your temperature first”

Quickly using the thermal reader you could see that his core temp was heading towards fever;

“I’m going to take the samples then as soon as Will is out of the shower you need to get in there”

“Yes Ma’am” he chuckled, closing his eyes as you pushed your fingers through his hair to pluck a sample strand. The powder had caught in the strands and it was only as you combed your fingers through the dark locks did you realise he had soft curls. As you tried to separate them he let out a groan as you stroked his scalp. He swayed a little even though he was sitting down, and before you could do anything his hands were on your hips to steady himself, the heat almost searing through the silk of your dress.

Finally having got all the samples you needed you reluctantly pulled away, not saying a word as he simply flopped back onto the bed with a smirk on his face. You busied yourself preparing the test samples from Agent Walker, the machine finishing with Shaw’s. You were vaguely aware of the shower being turned off and the men moving around the room, before the shower was on again and you presumed it was August in there.

Peering at the saliva samples through the microscope you frowned, the particles present completely organic and very familiar.

“So what is the diagnosis Doc?”

Will’s voice surprised you, and as you jumped and turned your eyes went wide when you saw he was in just a towel, tied low on his waist as he drank from a bottle of water.

“Y-You don’t want to put some clothes on?”

He looked down at himself, almost surprised to find he was only wearing a towel and shrugged;

“No point, the way i’m burning up i’ll be naked soon” he nodded to the screen; “So?”

Turning your attention back to the screen you swallowed hard, your throat suddenly dry;

“Well… it seems organic, spores of some kind. Its hard to tell what they are from, but their chemical make-up is unique. The only time i’ve seen anything similar is in isolated microclimates that are cut off from the rest of nature… there was this one… in a volcano… a pollen from a plant that grew in tropical climates…” you trailed off as you sensed another presence now flanking your other side, glancing away from the microscope, taking in the sight of August in an identical outfit to Will, his broad expanse of chest at eye level as he bent down to look into the microscope.

“Hmmn… so, how’s it gonna affect us? The gala was in a fucking giant greenhouse; you saw the plants they were growing there, some of them were 20ft tall and looked like they’d come from another planet. Do we need to pop an antihistamine or something, what’s it gonna do?”

Standing you quickly slid out from between the two barely dressed men, checking the mass spectrometer and frowning;

“It seems to be elevating your testosterone levels…” you peered at the saliva results; “...and pheromones… your bodies are heating up where your body is fighting against the pollen, its affecting all your hormones...”

“Pheromones…” Will mused; “... that’s the sex hormones, right?”

“Urrr…” you faltered, looking up at the two men who were now looking at you like hungry wolves.

August stepped closer;

“Sweetheart, i think you’d better get yourself tested too…” he paused, his finger hooking beneath the thin strap of your dress, making you acutely aware you were completely naked beneath it; “... cos’ i could smell you from across the room… and you smell so sweet right now…”

You went to take a step back, only to bump into the hard expanse of Will’s naked chest, his hand curling around your arm;

“C’mon, lets get you tested…”

You were suddenly putty in their hands, your head swimming and it was only then that you realised you were burning up. It felt like you had a core of lava within you, and the only thing you could liken it to was a hot flash, your body flushed with heat. You recalled the time you’d overheard a much older agent talking to her friends, unaware you had been in the room and she’d spilled the beans on how she would recover from an episode and calm her hormones down... with the help of her husband.

As your head had been swirling, Will had taken your blood sample and had loaded it into the mass spectrometer, having watched as you’d shown him before the mission. But you could barely concentrate;

“I...I know how to counteract the affects of the pollen…” you panted out, unsteady on your feet as you swayed and August caught you in his arms

“Oh yes?”

“En… Endorphins… they counteract… they burn off the pheromones…”

You felt hot breath on the back of your neck as Will pressed against you;

“I’m not a scientist, but i know how to create endorphins…”

His lips made contact with your neck and you turned to jelly, your head resting against his shoulder and your eyelids drooping, barely open, yet you had enough of your senses to be aware of August in front of you, pulling the straps of your dress down your arms, you pliable in his hands as he stripped you of your only remaining garment, pressing his lips to your over heated skin as went as the silk pooled at your feet;

“So beautiful…”

“Absolutely” Will agreed from behind, his lips grazing over your jawline as his arms reached around you and cupped your tender breasts; “We need to work as a team to get through this… what are the hazards of hot flashes then Doc?”

“Y-Y-You can over heat your brain… your heart could give out…”

“Uh-huh… and endorphins will help stop this?” August enquired, his breath hot on your naked chest

“Y-yeah…”

That was the last word spoken for a very long time. From that point on the only sounds in the room were hums of pleasure combined with the carnal soundtrack of three bodies moving towards the inevitable. By the time you got to the bed both men had lost their towels, hard naked bodies pressed against your soft curves, sculpted hard muscle available everywhere you touched, and oh did you touch… and caress and stroke, the second you’d reciprocated their affections they had softened to your touch, sighs of pleasure as your fingertips gave them just the slightest relief.

You found yourself sandwiched between the two men on the soft covers of the king-size bed, each taking turns to capture your lips for searing kisses, each having their own unique talent and style with their tongues. When you were deep in August’s embrace you felt Will move down the bed, his hands pulling your legs apart before he pressed kisses up your inner thighs and his mouth made contact with your soaked folds. The cry of pleasure that erupted from your mouth broke the kiss, yet August didn’t seem to mind as your hand had found its way to being wrapped around his weeping shaft, tugging him sloppily as you struggled to concentrate;

“That’s it Sweetheart, you don’t need to be gentle… i like it rough…”

You tried to answer, but Will’s tongue had found your soaked entrance as his hand curled around your thigh and sought out your clit, the pleasure he was giving you was too intense to allow you to form coherent words. August claimed your lips again for another searing kiss, humming his appreciation as you worked your hand over his heated flesh.

Before you knew it you were coming hard, your orgasm tearing through your body as you ground your core against Will’s face, his eyes sparkling from between your thighs, and as you were floating on the high of the afterglow you could feel the two men moving you, adjusting you to suit their needs.

On all fours on the bed you were faced with August’s dick, opening your mouth instinctively to take him deep, the heavy weight on your tongue a welcome feeling. Saliva spilled from the corners of your mouth as you struggled to stretch around his girth. At the same time you felt Will’s powerful thighs pressing against the back of your own, the velvet touch of his bulbous crown pressing to your still trembling hole before with a grunt he thrust into your soft body.

There were only grunts and gasps of pleasure, the two men rocking your body between them as they defiled you in the basest of ways, but that you were eager to participate in, the mixing of pheromones in the room removing your inhibitions, knowing that it was an act of survival. You could feel your body climbing again, your orgasm imminent. You felt the first salty tang of August’s seed on your tongue, the tensing of his muscles as his body prepared to release into the welcome warmth of your mouth. His massive hand cupped your chin and pulled your head up to look him in the eye as he finally reached his peak, grunting curses as he pumped thick ropes over your tongue, raining praise upon you as you swallowed everything he gave you.

August fell back onto the pillows, but before you could let gravity take hold of you too Will wrapped his arms around your torso, pulling you upright until you were pressed against his chest, his hips thrusting as he filled you so deliciously from behind. Through lust soaked gaze you watched August watching the pair of you as you fucked in front of him, his eyes travelling down your heated body until he was watching where your bodies were joined, how Will’s thick cock stretched you out so well.

“Get your finger on her clit Shaw, i wanna watch you make her come undone”

Doing as the senior agent instructed, Will snaked a hand down your stomach, rubbing tight firm circles against your sensitive bud as he continued to fill you, until you were shaking, hanging onto the precipice of pleasure and that final flick of his finger was enough to set off another orgasm.

The vice-like grip of your velvet walls was the final trigger for Will, and with a sin filled groan he pushed in one last time and you could feel him spilling deep inside you.

Finally he pulled out, carefully setting you down onto the soft bedcovers. Your eyelids felt heavy, but the burning deep in your body seemed to be sated. You felt the men moving around the bed, a large hand cupping the back of your neck before lifting you from the bed a little;

“Drink…”

Opening your eyes, you watched as August lifted a water bottle to your lips, making sure you gulped down the chilled water before pulling away;

“How… how are you guys feeling?”

He turned and sat on the bed beside you, his finger trailing down your neck and between your breasts, and only then could you see the sheen as his skin glistened with sweat, a droplet running down his abdomen to where his cock stood hard and proud from a thatch of dark curls;

“Not… not quite done yet…”

Gently pushing you back down onto the bed he tossed the empty bottle aside before crawling atop of you, capturing your mouth with his as you felt the nudge of his hardened dick breach your body, his wide expanse of chest pressing you to the bed. He didn’t start out gentle and it only got rougher, ploughing into your body as he sought to relieve the effects of the pollen coursing through his veins like fire, burning within him until all that was left was red hot embers of passion. Your body writhed beneath him, begging for more, eagerly taking whatever he could give.

He hit spots you didn’t know existed, your back arching with pleasure as he filled you, your hardened nipples almost too sensitive from his chest hair roughly rubbing against them, the stimulation almost too much until the levy broke and you came hard, your fingers digging into his back to leave dark welts, the pain his trigger for the final thrust as he pumped you full of his seed.

Finally he rolled off you, laying at your side as your chests heaved, struggling to catch your breath when you felt another hand grasp at your wrist;

“Babe… please… i need you…”

Looking to Will you saw a pained look on his face as he sat partially propped up against the pillows, his chest soaked and his dick standing hard and proud;

“Please…” he begged.

Somehow you found the energy to move, your body still shaking but yet you straddled his lap, pushing his sweat soaked curls from his face;

“It’s going to be ok Will, i’ll take care of you… its ok…”

You sank down onto his waiting body, taking him where August had been only a minute before, the comingled seed lubricating you as this new angle found yet more pleasure points that had remained undiscovered until then. Wills hands moved to your hips, his grip tight as he gritted his teeth and moved you on his lap, rocking you to ride him like a rodeo stallion. Sweat dripped down your body, rivulets running between your breasts as you threw your head back and basked in the flood of pleasure chemicals soaking your brain. The haze of lust clouding time and space as you came to another orgasm, Will filling you with another load of his thick cum, your cries of pleasure finally ebbing away as you collapsed on his heaving chest, his hands stroking your back whilst your bodies stayed joined.

A pair of strong arms lifted you off of Will and set you down on the mattress, August’s dark smile haunting over you as he parted your legs and kissed down your thigh, before with a smirk he bit the soft flesh. It wasn’t enough to break the skin but the pleasure pain receptors in your mind were immediately set off again, and you knew that even if you couldn’t see the mark you’d feel it for days to come. He lifted your legs and parted them, his face at your centre, yet where his tongue ended up you let out a squeak of surprise as he circled your back entrance.

“Oh, OH… August…”

“Mmmnnfff” was all that could be heard as he pushed his tongue at your asshole, his thumb pressing against your clit as he worked you open, your body deceiving you as a fierce orgasm washed over you almost immediately. When he pulled away he had a smug look on his face;

“Thought as much… hold tight…”

He quickly disappeared to the bathroom, before returning with a small bottle in his hand. Pouring some of the liquid contained within on his fingers, he worked the oil over your skin before pushing his thick finger into your ass, eagerly praising you as he worked your body until you were ready.

“Walker… hurry up and fuck her… i’m burning up here, i need another round…” Will gasped out as August moved you.

“C’mere then Shaw, we’re never gonna get this out of our systems if we have to wait to take turns…”

Even through the haze of the pollen Will immediately got what August was saying, the pair of them pulling you from the bed before Will took you into his arms;

“Jump…”

With a surprising amount of strength Will pulled you up, your legs hooked over his forearms as he angled his hips to push his dick back into your cum soaked cunt, letting gravity help as he sank deep. Just as you thought you were about to overbalance a hard chest pressed against your back, August stooping behind you as he took his iron hard dick in hand and sought out purchase on your ass;

“Gonna take this as slow as i can Sweetheart…”

Slow didn’t seem slow enough, and you cursed Newton and the laws of physics as the same forces that had pulled you down onto Will did the same with August, leaving you gasping for air as you were filled in both holes. The boys held you up, in place and still whilst they resisted ravaging your body, fighting against the pollen until they could no longer hold back and they unleashed their raw power upon your body. Fucking you in tandem with the thinnest of walls separating themselves inside you, they defiled your body as you begged for more; harder, deeper, faster. It was never enough.

The night ebbed away into the mists of time, each sex act more depraved than the last, the three of you driving the deadly force of the pollen from your bodies in an endless battle of lust.

The last thing you recalled was the sun rising as the two men stood before your kneeling body, spraying your face and breasts with a final load before sleep finally claimed your sated body.

Bright light streamed in the window and you winced as your head pounded. A deep voice could be heard but you weren’t listening. A warm body beside you shifted and a large warm hand pressed to your aching abdomen, soothing the overworked muscles. A soft pair of lips pressed a kiss to your shoulder, and the lack of moustache told you it was Will that was spooning you.

“C’mon Agents, rise and shine” August barked from the bathroom doorway, packing his things; “Got a flight to catch in two hours, debriefing in twelve”

Closing the file you nodded at your superiors, their approval of a good job done ringing praises in your ears as the debriefing ended, people pushing their chairs out and making small talk as they were dismissed for the weekend and a well deserved rest.

Walking to the elevator you didn’t make eye contact, trying hard not to wince as your thighs rubbed together and you felt the bite that August had given you, wanting to avoid any probing questions. You’d skimmed over a lot in your report, mainly the sex-pollen induced orgy that had taken place, but as the thumb drive with the vital data on had been recovered no-one was concentrating on the part between the retrieval and the debriefing.

The elevator dinged as the doors opened, and absentmindedly you stepped in, looking out of the glass windows as you were only partially aware of just a few other passengers. It was only when you realised you were flanked on both sides did you look up and see that August and Will were either side of you.

With a smirk August handed you a file;

“This wasn’t needed for the debriefing”

You flicked it open and saw that it was the mobile test data from the hotel room;

“Yes, probably for the best” you agreed, your throat dry.

As you held the pages Will pointed to a trio of lines towards the bottom. For a moment you stared at the numbers before you recognised what they meant;

“That’s our results…”

You felt August’s breath hot on your ear as he whispered;

“Look at yours…”

You saw the readings of Will and August’s blood count, of the pheromone saturation… then you saw yours;

“But… but that can’t be right…”

“You know that equipment better than anyone else… when has it ever been wrong?”

The elevator reached the Lobby and everyone filed out, August and Will stopping and nodding to the bar across the street;

“We’ll be catching a drink or two… you’re welcome to join us once you’ve taken in the test data…”

You nodded, speechless, staring at the data in black and white. It couldn’t be wrong; it was never wrong. It was clear as day.

You hadn’t been infected by the pollen.

#august walker x reader #will shaw x reader #august walker fanfic #will shaw fanfic #henry cavill

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rishi-eel · 3 years

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thinking (yet again!) about the differences between the bad batch story reels and the season seven arc and like... some changes just blow my mind because all it did, really, was make the bad batch less likable.

lets star with the whole “reg” thing. if i remember correctly, in the originals “regs” is said twice. the first instance is by crosshair when taunting jesse in the LAAT. the second is said by hunter: he tells tech (who’s hacking into the cyber center) that he and wrecker are going to “go get the regs” (i.e. rex and jesse). that is, hunter only used it among his squad when the others were not present (much like how cody informs that the bad batch are defective clones out of earshot. these words are descriptors, but there’s also an offense associated to being referred to by them). the idea that hunter has restraint referring to regular clones this way in their faces connects, i think, to how hunter was a tad more apologetic to jesse in the original script. “he means regular clones. don’t take it personal. it’s just that we don’t always follow protocol” carried an actual sense of hunter trying to convince jesse that it’s nothing to do with him.

it’s interesting, i think, that in a context where you have clones and defective clones, that the bad batch (as defective clones) would find a way to talk about other clones in reference to themselves in a way that normalizes their own existence. it also introduces the idea that the bad batch experience a level of disconnect, and even animosity, in regards to other clones. all that can be conveyed by only using the word twice. the season seven episodes added three more instances, and in all of them the bad batch members comfortably throw the word around the clones who “are regs.” the sense of separateness (which, again, was already established/achieved by using it just two times) is only made stronger (thus more needs to be done to portray a sense of reconciliation or coming together. the reels succeed this to an extent because that barrier wasn’t built up as high).

so yeah in the original... wrecker didn’t say “we always get shot down when we travel with regs,” he kept quiet as he helped people out of the wrecked gunship (in fact, wrecker lost a lot of subtlety going from the reels to the final eps, which i’ll get back to). hunter didn’t fake-compliment rex with a “not bad, for a reg”! and oh boy crosshair’s comment implying that echo is worthless and expendable because he’s a “reg”... yeah that was not in the reels either. in fact, not only does crosshair not call echo a reg, the meaning of his original dialogue was completely different.

in the original, after hunter voices his suspicions echo might be dead, crosshair suggests that if alive echo could be cooperating with the enemy, making him a traitor. rex takes this as an attack on echo’s character and crosshair explains that no, he’s not intending to insult echo, by saying: “oh i don’t blame him, if i were left for dead, i wouldn’t be so loyal.” and like!!!!! that’s such a radically different line of dialogue because crosshair seems to blame rex for having left echo behind, actually. if you betrayed the republic to survive, or even out of spite, i don’t blame you even if you now present a threat to myself and my family, is such an interesting, empathetic sentiment. and that contrasts with the lack of regard given to rex, making it read like he’s condemning rex for leaving someone behind. crosshair doesn’t seem to understand, as an experimental commando clone, the pressures rex as a legion captain is under, because he’s seen a less expandable (they’re a specially trained four man team, if one dies that’s 25% of the unit gone. is there a replacement for that member? you get the idea). so you’ve got a clash between different povs, but also crosshair being shown as having a set of morals, chief among them being that you do not leave anyone behind. so remember when rex says to move out and crosshair goes “commander cody is in no position to move” yeah i’d say that’s crosshair making sure cody isn’t being left behind. when crosshair saves anakin? that’s because he saw anakin go off on his own and followed him. because you don’t leave people behind. and like... the idea that yeah crosshair is an asshole. he’s unpleasant and that’s deliberate. he doesn’t care if people like him and he’s not trying to be liked. but that he values the lives of other people and looks out for them? that makes an interesting, flawed and multifaceted character. that got lost in the dialogue change because its no longer suggested that crosshair holds these values.

as for what i said earlier about wrecker: he lost subtle, nonverbal moments through the addition of lines that are either anticlimactic or only serve to make him seem loud or ditzy in an exaggerated fashion. he didn’t laugh when the LAAT came down. he was quiet as he helped people out of the downed gunship (no comment about regs!). he didn’t say “boom” when the ship exploded in the background after he flipped it over (the difference? a character moment that’s actually cool and impressive vs something that’s corny). when wrecker comes to crosshair’s aid by picking rex off of him, there was no quippy one liner. there was no need for anything to be said for it to be understood that wrecker is acting as a barrier and it trying to intimidate rex. when he’s afraid to get onto the elevator? that’s conveyed visually through camera angles and through hunter picking up on the fact that he’s scared. he doesn’t scream (if you can call a comical “aah what is that thing oh no its going to get me” a scream) when the organic decimator almost gets him. when they walk across the pipe? wrecker doesn’t whimper or talk to himself for comfort. he is scared of heights, that’s already been established, but he’s also a grown man and a soldier like he’s keeping that to himself? like we see wrecker hesitating to walk on the ledge but doing it anyway because he has to. in a piece of dialogue that was cut, tech said “does anyone want to know the odds of us making it across alive?” to which wrecker (who’s you know already having a bad time) interrupts with “don’t even think about it, tech” (if ur curious, this exchange was replaced with: wrecker: “keep walking tech!” tech: “that’s fine, but if you fall don’t take me with you” which???? uuh weird exchange). also, the fact that wrecker was mostly dealing with his fear silently means that when hunter tells wrecker to hold on because they’re almost there... that’s because hunter knows he’s scared and is checking up on him. basically... any kind of serious moment was cheapened by having wrecker talk in them. now i don’t want to say that DBB is a bad voice actor, but his expertise is making animal noises. he’s not able to do a realistic, deep voice, meaning that whenever wrecker talks he kind of sounds like a joke. it’s fine when wrecker is actual being lighthearted and jokey, but otherwise? the emotion just does not come across as genuine, which breaks the stakes or weakens credibility.

and god the whole plot point about the bad batch being suspicious of echo was nonexistent in the reels. the “don’t worry, echo says he’s got a plan”/”that makes me feel so much better” exchange between rex and tech is in the original, but tech’s sarcasm isn’t from doubting echo’s allegiance, it’s because they’re planning to land on admiral trench’s ship and echo having a plan (that he himself doesn’t know) doesn’t exactly soothe his anxieties. rex acts like tech’s being a big joker and playfully shoves him, telling him to get on board. which is an interesting interaction because these characters are kind of starting to bond?? as for tech and echo, they kinda become nerdy friends really quick. like when tech warns echo not to send the signal right away because he first needs to make it look like it’s coming from skako minor, echo’s like “oh yeah good thinking tech.” and when echo figures out a way to shut down all the droids at once tech is impressed and lightly shoves his shoulder. again there is none of that “oooh maybe echo’s a traitor maybe he’s with the techno union” shit. like i understand that the writers wanted to up the stakes but it falls flat because the idea of echo being a traitor isn’t credible. it does not seem like an actual risk or possibility. so all it did was make the bad batch seem like assholes, cutting away at some very nice character moments.

ok this is a long post and you might ask yourself “but tumblr user rishi-eel, why do you care so much about the story reels, this stuff isn’t canon now” and there are a couple reasons, first, i think it managed to tell a better story overall. so the question is: why is that? because you would expect that writers reworking the plot would add improvements and not downgrades. and to be fair, the s7 episodes had a bunch of upgrades, but not when it came to the characterization of the bad batch. another thing to consider is that changes were made in the context of setting the bad batch up as future protagonists of their own spinoff series (something the original arc was not intended to do because there were no plans for a bad batch series). were the characters made flatter and more archetypal to add to marketability? was the reg/defective clone rivalry (and dichotomy, even) amplified because this separateness serves a narrative in which the bad batch are heroes and the other clones villains?

#long post #clone force 99 #the bad batch #it's late and i haven't proof read so there might be typos and stuff but. here are my thoughts #rishi-outposts.txt

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annie-mit-ie · 3 years

Text

Glimpses: Part 16 (Kathryn Hahn x Fem!Reader)

Part 1 // previous chapter <<< >>> next chapter

Summary: A lot is happening.

Word count: 2.8k

A/N: hello again! I was away on a family vacation over the weekend and am sitting in a car on the way home. This is, one again, entirely written and edited on the phone so pls be kind 🥰

Moreover, I can’t believe how many people loved and reacted to the last part. Good confidence boost! Hope y’all will enjoy this lighter chapter as well - a new rollercoaster is already awaiting around the corner ;)

Tag List: @danvers97 @zafirosreverie @srtamercurio @wanatag @pulledbythestars17 @plantowl @spacehahn @sarahp-stan @agentbrownierso @our-blood-is-our-ink @fruityhahn @emril-osvigne

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“You told her WHAT?” Jennifer looks at Kathryn in disbelief.

Kathryn, who is sitting on the couch, tea in hand and a wide smile on her face, looks at her manager. “That I think I am in love with her. Yup. I did that,“ she takes another sip. „Because, you know, I think I am.“

She smiles to herself and looks at her tea before she continues talking. „I can’t stop thinking about her. I want her around. Preferably at all times. I know I haven’t talked to her or anyone about it, but really… the whole thing with Jeffrey really made me realize… I couldn’t touch that man. At all. I couldn’t even bring myself to think about it. Because of her. I really do think this is it, Jen.”

Jennifer looks at Kathryn and for a moment both woman fall silent. “I just… I don’t think it’s a good idea. You might be at the height of your career right now. I just have a gut feeling.”

“Eh,” Kathryn waves the remark off with one hand. “You’re wrong.”

Not giving it another thought, she sips her tea and sits in silence, as Jennifer shakes her head and leaves the room, running into Agnes who is just about to enter. Agnes reminds Kathryn that she had to leave for today’s set in a couple of minutes and collects whatever she needs with her.

Agnes seems to be in a very good mood and occasionally checks her phone to stay on track as she leads Kathryn out of the room towards the car she had called for her. The women slip into the backseat and Kathryn immediately lets her head fall back and closed her eyes.

Lately, whenever she does, she can see your face. She doesn’t mind that you didn’t say anything back after she confessed to you. After all, it was her fault for calling right after work where people usually still need her. Right after she poured her heart out, someone came running towards her and told her to meet the director for an urgent arrangement. Obviously, Kathryn had to hang up right away as the project is top secret and the actors are not allowed to have their phones on set at all to keep it that way.

Seeing the tears on her face, the crew member didn’t say anything about the rule and never planned to report her for using a device in the first place. You saw him on you screen for just a second and realized Kathryn had to leave immediately. Both of you smiled and it felt wrong but at the same time the way her eyes looked made up for it and her apologetic good bye forced your heart to skip yet another beat.

Back in reality, Kathryn opens her eyes again and smiles at Agnes who is placing her hand on Kathryn’s. “You okay, K?”

Kathryn nods. “Better than ever before. I just wish she was here, you know?”

Agnes knows.

Today’s shooting is long and Kathryn’s body aches as she falls into bed that night. Tomorrow will be just as long, especially since the crew has to leave the area for a 2-day-shoot in the mountains. She sighs as she leans up against the headrest to type out a message telling you about it all. This week, time is tight and she hasn’t had enough of it to properly talk to you again. Especially with Jennifer following her every step to make sure she takes care of herself.

Preparing for the long shoot, Kathryn puts herself in a kind of trance, especially since her scenes will be mentally and physically demanding. Two days later, she snaps out of it as Agnes and her sit in a car on their way back to the hotel. Weirdly enough, she is full of energy and beams as her team wants to go have dinner tonight to celebrate the end of the week.

She immediately strips and hops into the shower before getting ready for dinner. Thinking about how it’s only gonna be her and the team, she ditches an extensive make up and is just about to just put mascara on as it knocks on her door.

Expecting Agnes or Jennifer to pick her up, Kathryn wants to just ask for them to let themselves in. But something holds her back, so she gets up and opens the door herself.

It’s you. You, in all your beauty. Your hair the way she likes it best, some make up, an outfit that tells her you know she is on her way to dinner. Kathryn is not able to form any words and just continues staring at you as you fiddle with your hands and shoot her a shy smile.

For a moment, neither of you speak or move, until you take a sharp breath. “I am in love with you, too”, you hear yourself say, before you launch forward, cup her face with both hands and capture her lips with yours.

The kiss is long, but sweet and she holds you close after it ends. “Y/N… you are here… you are real…”

There are tears in her eyes as she reaches up to move a loose strand of hair behind your ear. “I’ve missed you so much. Oh god.” She sighs into your ear as she wraps you up in a tight hug while the door falls shot behind you.

A few seconds pass before she lets go and finally faces you. Realizing she isn’t in a position to talk, you take the lead, “I heard you’re going out for dinner?” She nods and cups your face to kiss you again. Hard. Wanting.

“Hold on!” You stop her. “We gotta get going, hm?”

Once again, she nods but you also feel your self slowly being pushed towards the wall behind you. Eventually, your back meets it with a thud, blowing some air out of your lungs. Looking at her, your chore burns and you bite down hard on your lower lip because you can feel yourself spiraling, wanting her, slowly giving in.

“Kathryn…”, you say her name, nearly moan her name. Teasing her with it, you want to see what effect it has on her as you let it roll on your lips. You are finally just about to give in as it knocks on the door again.

Realizing what had just happened, you jump back and remove yourself from Kathryn by ducking under her arms that are resting to your side. She takes a breath and flattens her shirt before running her hand through her hair as she opens the door. It’s Agnes.

“Boss? I’m - oh! HEY Y/N! Nice to see you found each other.” There is a short moment of silence in which she takes in the situation and realizes how out of breath Kathryn, highlighted by the cheeky smile you’re spotting in the background.

She coughs. “The limo is waiting. I’m here to pick you up, the others want to leave.”

Apologetic, she nods once and closes the door behind her again. Kathryn shoots you a short smile, grabs her blazer and your hand and leads you out of the room, following her right away.

The trip is nice. The whole team is there and you recognize Ben, the hairdresser, who is standing with Agnes and Jennifer, right away. As always, the manager acts professional and polite but keeps her distance while Ben wraps you up in a tight hug as he tells you he missed you. There is also a young blonde, whose name you don’t quite understand - Agnes introduced her as the set’s make up artist - and another assistant, who is responsible for all things regarding the project Kathryn is still working on. She seems very busy and organizes something after welcoming Kathryn shortly.

Quickly, you realize that Kathryn invites everyone out for a nice evening as a thank you for their work. She is one of the few people who realize that it takes a team to bring life into a character and it just makes you fall for her more. She shoots you a smile and lets her hand run over your arm before getting into the car where she sinks into the soft limo-seats.

Within the group, you look like you belong. No one would raise any suspicion asking who you are, especially since Kathryn’s set assistant, who is a local, organized a table at a restaurant far away from where the paparazzi would assume an actress would go out to.

The groups time at dinner is great. Once again, Kathryn takes the time to thank everyone and ask about their time and if anyone needed anything that she could provide. Occasionally, she would touch and squeeze your leg under the table and look directly into your eyes as you talk. You love when she puts her arm around the back of your chair to completely face you and take in every word you say. Sometimes, she would even run her index finger over her lip and bits down on it - a common thing she does that makes you forget every thought you’ve ever had. Other than Kathryn, everyone else also seems to be very interested into the stories you tell and they all make you feel like you are right at home, which is a welcomed change to how ex-partners treated you. Not that you and Kathryn are an actual thing.

When dinner comes to an end, everyone is high of laughter and slightly tipsy you are the last person to slip into the car. Kathryn is already sitting in the back of the long couch that fills out the limo. Sitting down, you move a little too fast, prompting her to use your momentum to pull you closer and plant a short kiss on your lips.

Immediately, you pull back and look at the others in shock as you realize you guys weren’t exactly open about it all, but no one seems to think about it any further. Jennifer types on her phone as the make up and hair artists discuss next week’s looks. Only Agnes really realizes and shoots you a wide smile as your eyes meet. Softly, you smile back and, having gained new confidence, lean into Kathryn’s touch who is playing with your hair and place another kiss on her lips before she wraps an arm around you and you just lean against her side.

Back in her hotel room, you sit down on her couch as you are unsure what to do with yourself. Agnes, who organized the whole surprise with you, organized a separate room for you where you put all your stuff this afternoon which is why you seem a little lost right now. She is an angel. Right after Kathryn’s confession, you called Peter who gave you his number just in case you ever needed him. He not only connected you with Agnes - he also offered to take you to the airport. With their help, you managed to get to the woman of your dreams within a couple of days.

Kathryn’s head pops out of the bathroom. “Make yourself at home, honey! It’s all yours as well.”

She shoots you a small smile before she pops back into the room. Sitting there by yourself for a minute, you try to take in everything that is happening tonight and are just starting to wonder where you’re gonna sleep as Kathryn walks back into the bedroom. Locking eyes with you, she walks straight towards you before plopping down next to you on the other side of the couch you are currently sitting on.

A soft smile plays along her lips and her eyes glisten in the bright moonlight that’s coming in through the open window. A light breeze is ruffling through her hair and the whole scene is soaked in dark blue light as the night makes your eyes heavy and you sink into the cushions.

For a moment, you sit in silence as she lets her head fall back with closed eyes and her hand rests on your ankle, slowly caressing it with her thumb. She smiles.

Suddenly, she straightens her back and sits up again, facing you. “Hey.”

“Hey.” You say back with the softest voice you have in you.

“I am so happy you are here. I feel like I can finally breathe again.” Her face lightens up, elevated by the moonlight.

You need a moment to comprehend what she has said before you respond. “I feel like there is no other place I’m supposed to be at.”

Fully focusing on you, she nods as she takes in your every thought while her smile widens. Another breeze comes in through the window and you realize one again how incredibly beautiful you think she is.

Actually,” she takes, “I really don’t want to change that. I would like to have you here.”

For a moment, your brain wonders if she wants to offer you a job - which, absolutely is dumb - but you remember to listen to her as she continues speaking: “If you want to… you can stay. Here. I would love that.”

You feel honored but at the same time you feel like this situation of not talking things out will continue if you don’t take the chance and step up.

You move a little closer to her, rest your elbow on the back of the couch and place your hand (that has been propping up your head) on her cheek, fingertips softly touching her hair. For a blink, you sit there and take in the moment of intimacy before you move a strand of hair behind her air and place your palm against the back of her neck, caressing her slowly.

“Kathryn…. I wanna be with you.” You decide to rip the bandaid off. “I want to hold your hand, kiss you, I want to spend any possible moment with you and just… be.”

Once again, she nods. “I want that, too.”

You both smile. Moving forward, you cross your legs as you take a seat right next to her to take her hands into yours. Her eyes shoot up and she looks at you in anticipation.

You take in a deep breath and collect your confidence to ask a question that makes your heart rate go up so far Kathryn would probably be mad at you for. Right as you open your mouth to talk, the brunette blurts out what is lying on your tongue. “Please be my girlfriend!”

You stare at her in disbelief. It’s what you wanted, but hearing her suggest it is a completely different story. “Please,” she repeats, “I know this isn’t gonna be the easiest ride but… in the short time we’ve been… together… I just.. I want to be with you. REALLY be with you.”

It’s time, it’s time and you can’t hold onto you anymore. You launch forward and pin her down on the couch. Her hands fall over her head and disappear in her wild mane. She looks at you with open eyes and widened pupils as a cheeky grin finds its place on your face.

“Yes! Let’s do it!”, you say before finding her lips and kissing her until both of you can’t breath anymore.

It’s not the romantic situation you’ve always imagined. It’s not the grown-up situation of being with someone older you expected. But somehow, it’s perfect. You remember the countless times she drove you mad. The times you had to hold back. The dreams you’ve had about her and somehow it just seems fitting that this is how she becomes yours. Breathless, on the other side of the world, on a spontaneous surprise after blurting out sweet confessions. After all, you are head over heels for each other which put you in the position you’re in in the first place.

Remembering all the hot longing glimpses she’d thrown your way tonight, you go in for another kiss and deepen it quickly, becoming one with her under the calming moon light.

#kathryn hahn #kathryn hahn fanfiction #kathryn hahn x you #kathryn hahn fan fiction #kathryn hahn x reader #groupie #groupie Au #glimpses

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letterboxd · 3 years

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In Focus: The Mummy

Dominic Corry responds on behalf of Letterboxd to an impassioned plea to bump up the average rating of the 1999 version of The Mummy—and asks: where is the next great action adventure coming from?

We recently received the following email regarding the Stephen Sommers blockbuster The Mummy:

To whom it may concern,

I am writing to you on behalf of the nation, if not the entire globe, who frankly deserve better than this after months of suffering with the Covid pandemic.

I was recently made aware that the rating of The Mummy on your platform only stands at 3.3 stars out of five. … This, as I’m sure you’re aware, is simply unacceptable. The Mummy is, as a statement of fact, the greatest film ever made. It is simply fallacious that anyone should claim otherwise, or that the rating should fail to reflect this. This oversight cannot be allowed to stand.

I have my suspicions that this rating has been falsely allocated due to people with personal axes to grind against The Mummy, most likely other directors who are simply jealous that their own artistic oeuvres will never attain the zenith of perfection, nor indeed come close to approaching the quality or the cultural influence of The Mummy. There is, quite frankly, no other explanation. The Mummy is, objectively speaking, a five-star film (… I would argue that it in fact transcends the rating sytem used by us mere mortals). It would only be proper, as a matter of urgency, to remove all fake ratings (i.e. any ratings [below] five stars) and allow The Mummy’s rating to stand, as it should, at five stars, or perhaps to replace the rating altogether with a simple banner which reads “the greatest film of all time, objectively speaking”. I look forward to this grievous error being remedied.

Best, Anwen

Which of course: no, we would never do that. But the vigor Anwen expresses in her letter impressed us (we checked: she’s real, though is mostly a Letterboxd lurker due to a busy day-job in television production, “so finding time to watch anything that isn’t The Mummy is, frankly, impossible… not that there’s ever any need to watch anything else, of course.”).

So Letterboxd put me, Stephen Sommers fan, on the job of paying homage to the last great old-school action-adventure blockbuster, a film that straddles the end of one cinematic era and the beginning of the next one. And also to ask: where’s the next great action adventure coming from?

Brendan Fraser, Rachel Weisz and John Hannah in ‘The Mummy’ (1999).

When you delve into the Letterboxd reviews of The Mummy, it quickly becomes clear how widely beloved the film is, 3.3 average notwithstanding. Of more concern to the less youthful among us is how quaintly it is perceived, as if it harkens back to the dawn of cinema or something. “God, I miss good old-fashioned adventure movies,” bemoans Holly-Beth. “I have so many fond memories of watching this on TV with my family countless times growing up,” recalls Jess. “A childhood classic,” notes Simon.

As alarming as it is to see such wistful nostalgia for what was a cutting-edge, special-effects-laden contemporary popcorn hit, it has been twenty-one years since the film was released, so anyone currently in their early 30s would’ve encountered the film at just the right age for it to imprint deeply in their hearts. This has helped make it a Raiders of the Lost Ark for a specific Letterboxd demographic.

Sommers took plenty of inspiration from the Indiana Jones series for his take on The Mummy (the original 1932 film, also with a 3.3 average, is famously sedate), but for ten-year-olds in 1999, it may have been their only exposure to such pulpy derring-do. And when you consider that popcorn cinema would soon be taken over by interconnected on-screen universes populated by spandex-clad superheroes, the idea that The Mummy is an old-fashioned movie is easier to comprehend.

However, for all its throwbackiness, beholding The Mummy from the perspective of 2020 reveals it to have more to say about the future of cinema than the past. 1999 was a big year for movies, often considered one of the all-time best, but the legacy of The Mummy ties it most directly to two of that year’s other biggest hits: Star Wars: Episode One—The Phantom Menace and The Matrix. These three blockbusters represented a turning point for the biggest technological advancement to hit the cinematic art-form since the introduction of sound: computer-generated imagery, aka CGI. The technique had been widely used from 1989’s The Abyss onwards, and took significant leaps forward with movies such as Terminator 2: Judgment Day (1991), Jurassic Park (1993) and Starship Troopers (1997), but the three 1999 films mentioned above signified a move into the era when blockbusters began to be defined by their CGI.

A year before The Mummy, Sommers had creatively utilised CGI in his criminally underrated sci-fi action thriller Deep Rising (another film that deserves a higher average Letterboxd rating, just sayin’), and he took this approach to the next level with The Mummy. While some of the CGI in The Mummy doesn’t hold up as well as the technopunk visuals presented in The Matrix, The Mummy showed how effective the technique could be in an historical setting—the expansiveness of ancient Egypt depicted in the movie is magnificent, and the iconic rendering of Imhotep’s face in the sand storm proved to be an enduringly creepy image. Not to mention those scuttling scarab beetles.

George Lucas wanted to test the boundaries of the technique with his insanely anticipated new Star Wars film after dipping his toe in the digital water with the special editions of the original trilogy. Beyond set expansions and environments, a bunch of big creatures and cool spaceships, his biggest gambit was Jar Jar Binks, a major character rendered entirely through CGI. And we all know how that turned out.

A CGI-enhanced Arnold Vosloo as Imhotep.

Sommers arguably presented a much more effective CGI character in the slowly regenerating resurrected Imhotep. Jar Jar’s design was “bigger” than the actor playing him on set, Ahmed Best. Which is to say, Jar Jar took up more space on screen than Best. But with the zombie-ish Imhotep, Sommers (ably assisted by Industrial Light & Magic, who also worked on the Star Wars films) used CGI to create negative space, an effect impossible to achieve with practical make-up—large parts of the character were missing. It was an indelible visual concept that has been recreated many times since, but Sommers pioneered its usage here, and it contributed greatly to the popcorn horror threat posed by the character.

Sommers, generally an unfairly overlooked master of fun popcorn spectacle (G.I. Joe: The Rise of Cobra is good, guys), deserves more credit for how he creatively utilized CGI to elevate the storytelling in The Mummy. But CGI isn’t the main reason the film works—it’s a spry, light-on-its-feet adventure that presents an iconic horror property in an entertaining and adventurous new light. And it happens to feature a ridiculously attractive cast all captured just as their pulchritudinous powers were peaking.

Meme-worthy: “My sexual orientation is the cast of ‘The Mummy’ (1999).”

A rising star at the time, Brendan Fraser was mostly known for comedic performances, and although he’d proven himself very capable with his shirt off in George of the Jungle (1997), he wasn’t necessarily at the top of anyone’s list for action-hero roles. But he is superlatively charming as dashing American adventurer Rick O’Connell. His fizzy chemistry with Weisz, playing the brilliant-but-clumsy Egyptologist Evie Carnahan, makes the film a legitimate romantic caper. The role proved to be a breakout for Weisz, then perhaps best known for playing opposite Keanu Reeves in the trouble-plagued action flop Chain Reaction, or for her supporting role in the Liv Tyler vehicle Stealing Beauty.

“90s Brendan Fraser is what Chris Pratt wishes he was,” argues Holly-Beth. “Please come back to us, Brendaddy. We need you.” begs Joshhh. “I’d like to thank Rachel Weisz for playing an integral role in my sexual awakening,” offers Sree.

Then there’s Oded Fehr as Ardeth Bey, a member of the Medjai, a sect dedicated to preventing Imhotep’s tomb from being discovered, and Patricia Velásquez as Anck-su-namun, Imhotep’s cursed lover. Both stupidly good-looking. Heck, Imhotep himself (South African Arnold Vosloo, coming across as Billy Zane’s more rugged brother), is one of the hottest horror villains in the history of cinema.

“Remember when studio movies were sexy?” laments Colin McLaughlin. We do Colin, we do.

Sommers directed a somewhat bloated sequel, The Mummy Returns, in 2001, which featured the cinematic debut of one Dwayne Johnson. His character got a spin-off movie the following year (The Scorpion King), which generated a bunch of DTV sequels of its own, and is now the subject of a Johnson-produced reboot. Brendan Fraser came back for a third film in 2008, the Rob Cohen-directed The Mummy: Tomb of the Dragon Emperor. Weisz declined to participate, and was replaced by Maria Bello.

Despite all the follow-ups, and the enduring love for the first Sommers film, there has been a sadly significant dearth of movies along these lines in the two decades since it was released. The less said about 2017 reboot The Mummy (which was supposed to kick-off a new Universal Monster shared cinematic universe, and took a contemporary, action-heavy approach to the property), the better.

The Rock in ‘The Mummy Returns’ (2001).

For a long time, adventure films were Hollywood’s bread and butter, but they’re surprisingly thin on the ground these days. So it makes a certain amount of sense that nostalgia for the 1999 The Mummy continues to grow. You could argue that many of the superhero films that dominate multiplexes count as adventure movies, but nobody really sees them that way—they are their own genre.

There are, however, a couple of films on the horizon that could help bring back old-school cinematic adventure. One is the long-planned—and finally actually shot—adaptation of the Uncharted video-game franchise, starring Tom Holland. The games borrow a lot from the Indiana Jones films, and it’ll be interesting to see how much that manifests in the adaptation.

Then there’s Letterboxd favorite David Lowery’s forever-upcoming medieval adventure drama The Green Knight, starring Dev Patel and Alicia Vikander (who herself recently rebooted another video-game icon, Lara Croft). Plus they are still threatening to make another Indiana Jones movie, even if it no longer looks like Steven Spielberg will direct it.

While these are all exciting projects—and notwithstanding the current crisis in the multiplexes—it can’t help but feel like we may never again get a movie quite like The Mummy, with its unlikely combination of eye-popping CGI, old-fashioned adventure tropes and a once-in-a-lifetime ensemble of overflowing hotness. Long may love for it reign on Letterboxd—let’s see if we can’t get that average rating up, the old fashioned way. For Anwen.