Tumgik
#can i say that about my own stuff
noahreids · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Schitt’s Creek Season 4 | Special Features: Daniel Directing
339 notes · View notes
sergle · 7 months
Text
I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question. and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost. Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half." All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon
#there is actually nothing morally wrong with running an account that just reuploads ppl's artwork or their jokes or their cosplays#if you just put a VISIBLE LINK in the description of your post with proper credit then it would be beneficial for everyone#because you can get your little clout or whatever it is you want by putting a bunch of same-category content on a page#but nobody's getting fucked over because if your post blows up then people just get FUNNELED to the source#because it's placed so plainly where everyone can see it#and yeah it's better to retweet or reblog but#on the rare occasion that I see my shit reuploaded on tumblr WHICH IS WEIRD BC I MAKE MY OWN POSTS HERE but anyway#someone making their own post where they upload my stuff. and it's always the floral self portraits so let's say it's a post with all those#if I scroll to the bottom and it says like. Artwork by Serglesinner on Twitter <-- clickable link [Sergle's Prints] <-- clickable link#to my etsy#I'm like oh okay and all the anger leaves my body and I'm like ah I see. and I toss the rock aside#like oh okay so you actually care that a person made these pieces. Instead of posting the caption ''women <3'' or smth#like you've GOTTA die if you do that. but if you just link back#or if you go to the effort of writing like a description with a BLURB? like it's a damn museum. like a light paragraph of info#about what the art is and who made it and their links#I am literally sucking you in a strange and peculiar manner. that is extremely helpful#and maybe other artists don't want this AT ALL and they'd rather people not reupload even if it is credited#but I feeeeeeeeel. like 99% of the time this would solve the issue#reposters could genuinely be helping ppl. sometimes the repost gets more traction than the real thing#as long as it credits the creator then that's an okay thing to happen!#that can land somebody a sale! a commission order! a new fan! A JOB#A JOB!!!!!!!!!!#sergle.txt#I didn't write this eloquently AT ALL what the fuck ever barkbarkbarkbark
791 notes · View notes
twinstxrs · 3 months
Text
the gorgug-porter conversation is interesting to me because like. yea for the overwhelming majority of the conversation porter’s being shitty & trying to fit gorgug into a box that gorgug just does not fit into by trying to make gorgug’s relationship with his rage more focused on the aggression aspect of it. but then there’s also this specific thing that brennan brought up again in the ap, which is that gorgug’s relationship with his rage is wholly “this is a tool i use to protect my friends.” which isn’t a bad thing! but that’s his Whole relationship with it, & gorgug seems to place next to no value on his rage in relationship to himself. which is problematic, because it’s first & foremost his rage.
being raised in a household with a sort of toxic positivity largely meant that, whether or not it was his parents’ intention, gorgug internalized the message that more traditionally “negative” emotions such as anger are the wrong response to something. part of the reason he prioritizes his artificing is probably because it’s “fixing” things. in comparison to being a barbarian, which gorgug associates with “breaking” things. good vs. bad behavior, in his eyes.
it’s a totally unacceptable bar to measure a 16 y/o by, but i do think part of porter’s reasoning for not letting gorgug multiclass is him recognizing that gorgug generally does not value anger as a valid emotional response to something, at the very least for himself. & that directly conflicts with what being a barbarian is, because whether you like it or not, that rage is what fuels you. but again, barring a kid from pursuing something they deeply care about in part (not entirely, porter has a lot of more bullshit reasons) because of their fundamental values & world outlook is crazy.
so yes, 98% of porter’s reasoning is pretty shitty, immature, rife with a toxic view that there’s only one proper way to access rage, & generally not a good thing to do as a teacher, but also within that reasoning is the 2% of ‘there is a fundamental part of yourself that you only value if you can use it to take care of other people & you need to accept that as something that can take care of you, too.’ but that’s something to discuss with a therapist or a guidance counselor, not something that should hugely impact gorgug’s academic future.
#gorgug thistlespring#fantasy high#dimension 20#fhjy#fhjy spoilers#btw these r just my personal opinions u r 100% free to disagree#gorgug & his rage interest me so deeply because of how deeply that rage existing seems to be against gorgug’s own will#like mechanically classes are choices & you can switch stuff around any time. but gorgug as a barbarian always felt like an unwilling choice#like that 14 y/o kid did not want to have rage. & that really interests me.#i’ve seen people before be like ‘what if gorgug dropped barbarian & went full srtificer’ but i feel like that simply can’t happen??#mechanically yea sure but it always felt like a core part of gorgug that the rage will always be there & it’s a matter of how you channel it#idk. dnd classes narratively being treated as ‘you can not lose this part of you’ even though you technically can#gorgug could be lvl 19 artificer & he’d still have 1 level of barbarian. because that is part of who he is.#btw i don’t think porter truly cares about gorgug valuing his rage only as a way to be a human shield#i think porter just sees that as ‘wrong’ but like. not as in ‘you need to take care of yourself’ & more ‘you aren’t conforming’#he thinks it’s wrong for the wrong reasons. the nastier ‘this is how you should be’ reasons#ppl being like ‘we r being too hard on porter. it’s an 150% courseload gorgug will be overwhelmed’ i think r missing the point bc like.#that is 100% a valid reason to not approve gorgug for multiclassing! but that’s also 100% not the reason porter rejected him.#that whole interaction was basically porter shoving his percieved version of conformity down gorgug’s throat. was v neurodivergent kid coded#no hate to anyone saying that last point btw these r all just opinions#thinking about last ep wilma & digby being like ‘you’re a great barbarian. you’re so great at it. but look at what you made!!!’ like.#they would never mean it like that. but when you only understand half of your son he is going to prioritize the half you do.
179 notes · View notes
Text
Tumblr media
[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]
saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.
#jrwi fanart#jrwi show#jrwi riptide#gillion tidestrider#GONNA START FORMATTING MY COMICS BETTER. W THE PROPER 'PREV' 'NEXT' LINKS#REALLY DIDNT EXPECT TO CONTINUE THIS SERIES BUT AAAUUUHH MY BRRAAAIN MY BRAIN IS SO IDEASSS. I HAVE 3 OTHER PAGES SKETCHED OUT#NO PROMISES ILL FINISH EM ANY TIME SOON OR EVER. MY WHIMS ARE THEIR OWN BEAST AND I ONLY DRAW ON MY WHIMS#THAT BEING SAID IF U COMMISSIONED ME ILL GEEETT TO YOUUU IM SORRYYYY. ART IS AN EMOTIONAL RELEASE FOR ME N BABY I HAVE EMOTIONS.#ESPECIALLY ABOUT GILLION TIDESTRIDER CHAMPION OF THE UNDERSEA HERO OF THE DEEP.for the desc here i put smth that i typed up in the tags of#another thing i made. i gotta make a proper Baby Gillion tag or smth. eventually.. eventually...I LOVE DRAWIN THIS LIL BABY GUY..#i also LOVE depicting the teachers as just being so fuckin mean. ofc theres variation in that. just like in all things.like the teacher her#idk if itll be mentioned but the octo lady is named Ms Octburn.an octopus pun based off the name of an actual councilor i had#when i was in elementary school i got bullied alot but teachers never did anything. i hated adults and didnt trust them.#but this councilor o mine was so genuinely sweet. i remember spending alot of time w her. she doesnt work there anymore.#but that one school adult that actually earns ur trust and is there for you when they can be.its SO important for a child i think#i hope she knows how much she helped me.youll see in the next page that ms octburn isnt perfect either.but she tries. they all try.somehow.#ALL these comics are gonna be inspired by somesorta experience o mine in the school system. school is so fucked up u ever thing abt that#AND GILLIOOOOONNN IN THE MOST FUCKED UP LITTLE SCHOOL OF ALL. MAINTAINED BY A CULT. CENTERED AROUND HIM. OUR CHOSEN ONE#I IMAGINE ALOT BANKS ON HIS SUCCESS. THIS IS THE WORLD. THE WHOLE WORLD. THE PROPHECY IS GOING TO COME TRUE N UR TELLIN ME#THAT ITS THIS LITTLE IDIOT THATS GONNA BE SAVING US? WHAT IF HE FAILS. IF HE CANT GET THIS RIGHT THEN HE WILL FAIL AND WE WILL DIE#WE NEED TO TRAIN HIM. WE NEED HIM TO LEARN. AND TO SUCCEED. OR ELSE WE'RE DEAD. WE'RE ALL FUCKING DEAD. I IMAGINE THAT MUST BE STRESSFUL#in other news i hope ppl actually giggle when they read these. they ARE intended to be comical. dark humor or whatever. like its also sad#this is intended to be a sad comic series. but a funny one too. does that make sense? god i hope so.saw some1 say they had flashbacks-#-reading this. like YES!! THE INTENDED EFFECT!! YOU GET ME!! i love seeing ppl get upset on this lil baby boys behalf. i LOVE seeing ppl-#-wail n weep n cry in the comments. i LOOOVE seeing ppl RELATE to baby gillion. and i love letting u all know that this wont be a happycomi#gillion gets his happiness arc in the actual show. this series is one of unfortunate events. teehehehe. do u guys remember that show#i keep listening to the lil songs from A Series of Unfortunate Events for inspiration. GOOD STUFF!!#anyway uuhh uhh thats all i got in my brain. for now. feed me ur comments give me ur input i NNEEEEEDD THHEEEMMMM
121 notes · View notes
fiery-emblems · 11 months
Text
Tumblr media
Like a lot of people I sometimes ponder what my favorite characters might look like if they were allowed to grow older. I've been seeing a lot of good designs for older Soren specifically so of course I got to thinkin' about my own take!
Some notes on design process under the cut cause I think we should all share our thought process once in a while:
So, for this I didn't want to just want to go with "Soren, exactly the same but older". My thought was "if I was actually in charge of designing for a fire emblem game, one that takes place in a future Tellius perhaps and featuring this character as a guest (a la Tiki or the Awakening trio, which they should keep doing BTW) how would I go about doing that".
Tumblr media
You have to think of course, about what the character is actually doing and what their role is. It seems pretty likely that after RD Soren is either traveling the world with Ike or wandering around (probably the former) so "traveler" was the theme. As far as the overall shape and the outer layer especially it seemed obvious to reference the dragons, who are also travelers:
Tumblr media
I don't want to just straight up copy the look of the robes though for a couple of reasons. 1) that's boring and the idea here is for an updated visual style 2) I wanted to combine different elements to evoke a feeling of mixing cultures. I figure if this scenario takes place say, 80 years in the future or something, fashions will have moved forward and perhaps you would see elements of beorc and laguz fashions mixed together. Especially for Soren given what he is. So I went with an inner layer that looks more Victorian puffy sleeves (which you don't actually see a lot of in PoR or RD since the characters favor more stiff looking tunics, but they are there and I figured its the future and maybe Crimea has entered its puffy shirt era) with the outer layer looking more like what the dragons wear. 3) Staying with robes seems kind of stagnant. I imagine that a much older Soren who's lived a good life along side his love has probably chilled out a little bit. A little bit. 4) I think having more leg visible gives a more adult silhouette.
Tumblr media
The other consideration is the hairstyle. As much as I love Soren being a carbon copy of Rajaion, it wouldn't be the most interesting design choice if I was the character designer of a game to just copy a past design 1 for 1. So I decided to just lengthen his hair a little bit and give it a look like its been blown around in the wind. Soren is the windy guy and I'm assuming he would be more chill here so why not let it be loose and free? This also helps avoid him just looking like Sephiran cause I see that a lot too lol.
Yes I also changed the shape of his brand. I've always been fascinated by the fact that it changed shape between games. I know it was likely just a design oversight but what if it changed because he isn't an adult yet and it changes more as he ages?
Lastly there's the why. Why would your fav show up as a guest character? What would he even do?? Well I think Soren could be really fun actually if we assume he went with Ike and that Ike kept Ragnell with him. I'm picturing a situation where Ike has lived out his natural life and died, leaving Soren to return to Tellius alone in order to tell Mist's family what happened (cause Ike just left without telling anyone anything lol), and to return Ragnell to them. Instead some conflict breaks out, you know how it is, and the more chilled out Soren is convinced to bestow the sword onto the new starry-eyed lord who reminds him of his beloved.
Tumblr media
Oh yeah. I can see it now.
Tumblr media
430 notes · View notes
mintypsii · 7 months
Text
watched usopp's little arc with defeating sugar and wow it took A LOT for him to turn back after running away to fight them again. but then later he finds out that she's awake and thinks about how he'll lose his memories of Luffy if he doesn't take care of her again, and IMMEDIATELY makes up his mind to shoot her from SO FAR AWAY?
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
167 notes · View notes
bongo-clash · 2 years
Text
Peacock Au Part 2
Okay so!!! Part two of this post about the DPxDC eldritch Danny fic that I'm now calling the peacock au lmao!!!!
(Chapter two of the fic under the cut) (Edit: You can now find part 3 Here!!!)
-
When the feeling of being just slightly dispersed settles onto the outer layer of his skin while he’s lying in bed, Danny knows what’s about to happen.
The thing is, he’s in his pyjamas. Sure, he could just stay in his human form for the summoning- because he’s done it before and it went fine- but he never knows who it’s going to be, and being spirited away to some college students’ dorm in his pyjamas is embarrassing. And sure, having something appear in the circle in the first place is probably enough that they’re not paying attention to what he’s wearing either way, but he refuses to bank on that. So, with a sigh, he allows himself the transformation, his human appearance falling easily away. 
It always feels more natural to be a ghost during rituals, probably because they’re summoning a ghost and not a human, but still, it’s different. He feels that little bit looser, maybe even a little more himself, though he guesses being a bit more glow-y is just nice generally, and the space decals that tend pop up as part of his whole light-show-summons are a homely touch. On the other hand, it does make it harder to take stock of his surroundings when he finally fades into view wherever he is. He can make out vague grey walls and floors, but that’s about it. 
Well, that and the man in front of him. Blond, taller than him if he wasn’t in the air, somewhere past his forties, wearing a beige trenchcoat and looking oddly terrified. Danny can see his hands shaking just a little. Does he know this guy from somewhere?
“Uh, dude?” Danny calls, going for something light. It’s annoying being dragged from the comfort of his own home, definitely, but this guy doesn’t look like some cult member, and if he’s alone and this scared it might mean he really needs the help. Danny can sympathise with doing stupid things in stupid situations. “You good? You’re not looking too hot there.”
He knows he’s using ghost speak, but it feels weird to use English in a summoning like this, and fortunately, Danny spies a translation sigil wrapped around the inner centre of the circle, so he knows it should be translating right back to the guy in front of him. Very handy for language barriers, he’ll admit- and it’s working, too, if the reply is any indication. 
“I was told you could- you could help with the pits?”
His voice is gravelly, and he can’t tell if it’s because he’s nervous, doesn’t speak much, a smoker, or all three. Either way, probably not Danny’s business, and right now he’s just curious about what the man’s talking about. “Pits? That’s kinda vague, man. What pits?”
“The Lazarus pits to, uh, to be specific. There’s a huge one cropping up under Gotham that’s not supposed to be there, and the local- I mean, the locals are getting antsy about it. I… heard you could take care of ‘em.”
Lazarus Pits. He’s heard of those, Clockwork’s mentioned them a couple of times. They’re natural portals that open when enough energy is built up, and end up stabilising into the ground instead of collapsing to help seep ambient ectoplasm into the air. They don’t work as actual portals after that, but it’s vital to keep at least a few around no matter how corrupted they can get through human interference, because it keeps the balance of both realms steady. Having too many around isn’t a good thing, though, and especially not in populated areas. It can cause ecto-contamination, which is a lot more dangerous when you haven’t been around it since birth (or if you aren’t from Amity). 
Speaking of which, it certainly is stinking up the place, now that he’s aware of it. Or maybe that’s just Gotham, he’s heard a lot about-
Hang on. Gotham. Weird potentially magic dude. He knew he recognised him! That’s John Constantine! Danny’s heard of John Constantine! Sam’s got her fingers in enough credible occult spaces that they’re at least vaguely aware of some of his endeavours, but if he’s in Gotham then that probably means he’s doing something for the Batman and, wow, Danny totally would’ve tried to go more professional for this if he knew this was going to be his first encounter with the Justice League,of all things. 
Well, he guesses it’s too late now. At least the guy’s not being too weird about it or anything. “Man, yeah, I’ve totally got the smell stuck up my nose now that you mention it. Do you get that as well? Since, y’know, you’ve probably dealt with a couple ghosts.”
“Uh… no, I don’t think so. But can you fix it?”
Dang, the guy seems stressed about this. Maybe he just doesn’t like being in Gotham territory? He’s pretty sure he’s heard of Batman having a thing about magic. “Sure I can.”
“…Will you fix it?”
Danny figures that if they already know about his status through his Zone maintenance duties, and he’s going to be helping the Justice League, he might as well show off a little bit. Assenting with a hum and trying not to grin, he puts his hands to the floor, and lets his ectoplasm reach out to the source of the smell, sending a flash of light across the ground as it goes through. When it twinges back a response, he closes his eyes, and his energy curls around it, threading through like needles to seams, and pushes it shut with a gentle nudge. Luckily, it hadn’t been around for too long- barely fully formed and not even corrupted by human contact yet- it would’ve be a lot more difficult if it had. 
He lets his hands rise up again after a long moment, looking to Constantine for a reaction. He can’t quite gauge what the man is thinking. “Alrighty, that should’ve done it.”
“Uh… cheers?”
He’s about to say something along the lines of ‘no problem’ or ‘you’re welcome’, but then he remembers he should probably warn him about the aftermath so he doesn’t freak. “The pit shouldn’t come back again, but just as like, a PSA: you might see more shades than usual hovering around for the next while. It shouldn’t be too big a deal so long as you leave ‘em alone, though, so don’t worry about it.”
For all that Danny’s trying to be considerate here, Constantine doesn’t look very considerated. “Can I- uh, yeah, great advice. ‘Appreciate it. But, can I ask just, y’know, what you are? Or not.”
“…Dude, what d’you think I am?”He replies, thoroughly bemused. Isn’t this guy supposed to be one of the League’s paranormal experts or something? He really should be able to recognise a ghost by now. “I keep your Lazarus Pits in check. You know, the pits of the dead?”
Okay, maybe a little rude on his side, but he thinks Constantine’s expression is a bit of an overreaction; he can see the sheen of sweat across the man’s forehead reflecting the light of the sigils. “Fair enough! Forget I asked- cheers for sorting out that pit, though. Uh, don’t suppose you’ll just let me go on my way or anything now.”
“Well, I mean, this was a favour for Batman, right?” He asks blithely, pointedly not paying attention to the way the man’s face keeps contorting. He swears Sam said he was more stoic than this. “I’m gonna go- ‘cause I’ve got things to do- but I guess if something comes up I’ll come to you? Or Batman, since this is his city and all. Don’t worry, I’ll let you know.”
Figuring there’s nothing left to be said, Danny lets the return sigil on the edge of the circle activate and punt him back home, wheezing a half-sigh and arching his back once the wispy image of wherever they’d been recedes. He probably looks exhausted after all that- no matter how recently formed the pit was, it still takes a little strain, and he’d just been about to sleep before he got summoned- but looking in the mirror on his wall for confirmation, he doesn’t find his usual face. Something twinges against where his spine should be, confirming its own previously unnoticed presence in the mortal plane. 
…He didn’t go ghost when Constantine summoned him, he used his true form. That must be why he looked so nervous that whole time! And, man, ghostspeak never translates over quite right in this form, either- the Ancients use a different dialect to original ghostspeak- the man probably wasn’t hearing what Danny thought he was at all. What if the only reason he wasn’t attacking was because he was terrified? What must Constantine have thought of him? 
Crap. He has to fix this. How is he going to find him?
1K notes · View notes
rmbunnie · 11 days
Text
Red Hood Characterization
This is really long so I'm putting a cut here, I've been thinking about Jason Todd's character motivations and the question of whether or not his actions are based in a Moral Code (I don't think so, not to say he's without any morality) and I talk about that in more depth here.
I saw someone say on here that Titans: Beast World: Gotham City was some of the best Jason Todd internal writing they'd seen in a while, and I've been a Red Hood fan for 8 years or so now? pretty much since I read comics for the first time, so I went and checked out and I thought it was good! The way the person I saw talking about it as if it was rare and unusual made me wonder though, because as well-written as i thought his stances on crime were, there wasn't really anything in it that went against the way I conceptualize Jason?
This kinda plays into a larger question I've been thinking about for a while with Jason though, which is that, do people think that the killing is part of a fundamental worldview that motivates him a la batman, and that worldview is the reason he does the things he does?? Because 8 years ago i was a middle schooler engaging with fiction on the level that a middle schooler does, so I simply did not put much thought into it beyond "poor guy :(" but ever since I actually started trying to understand consistent characterization, I don't really see Jason as someone who's motivated by a moral code in his actions the way batman or superman is!
tbh my personal read is that he's a very socially-motivated guy, his actions from resurrection to his Joker-Batman ultimatum in utrh always seemed to me like every choice made leading up to his identity reveal was either a. to give him the leverage and skill necessary to pull off his identity reveal successfully, or b. to twist the knife that little bit more when he does let Bruce find out who he is. Like iirc there's a Judd Winick tweet like "yeah tldr he chose Red Hood as his identity because it's the lowest blow he could think of." And I think that's awesome, I think character motivations rooted so deeply in character's relationships and emotions are really fun to read! I also think it's where the stagnation/flatness of his character comes from in certain comics, because if his main motivation is one event in one relationship that passes, and he is not particularly attached to anything in his life or the world by the time that comes to pass, it's a little harder to come up with a direction to go with the character after that, because there isn't much of a direction that aligns with something the character would reasonably want? But I do think solving this by saying "all of the morally-off emotionally driven cruelty he did on his way to spite Batman was actually reflective of his own version of Batman's stance that's exactly the same except he thinks it's GOOD to kill people" isn't ideal. To be fully honest, it seems to me like he never particularly cared one way or the other about killing people to "clean Gotham of crime," he just did everything he could to get the power necessary to pull off his personal plans, and took out any particularly heinous people he encountered along the way (like in Lost Days.) Not to say I think the fact he killed people keeps him up at night anymore than everything else in his life events, I just never really thought he was out there wholeheartedly kneecapping some dude selling weed or random guy robbing a tv store for justice.
Looping wayyy back to my question, Is this (^) contradictory to the way he's written/the overall average perception of the character? Because like I enjoyed his writing in Beast World i have zero significant issue with anything there, I just didn't believe it would be a hot take, like yeah, that is Jason. It's been a while since I've read utrh and lost days, but I don't think my takeaway directly contradicts either of those too bad iirc. Idk all this to say I think Jason killing and being alright with killing is an obvious and objective fact, but i guess i've always seen it as more of a practical tactic than a moral belief, and I think taking the actions made during the lowest points of a character's life where he is obsessively focused on this ONEEEE thing and trying to apply it as a Motivating Stance to everything he's done after that, doesn't really follow logically for me.
#edit: i am so so open to discussion and disagreement on this but please try to have something substantial to say. god bless!#like ofc jason kills but to me it was less “everyone I've ever killed deserves death objectively”#and more “when people are dead they stop doing things like heinous atrocities and trying to kill me"#i don't even think he wanted the joker dead (only) because he thinks he objectively morally deserves death#although the joker is one of the most extreme cases possible and he if does think that he's VERY justified#i really do think it was just about bruce#and wanting bruce to avenge him to show he loved him and he mattered and wanting his dad to give him security#all the killing was about the clown and everything with the clown was about bruce#i've NEVER forgotten the bit in lost days where he has the joker tied up at gunpoint and doesn't kill him#i think if it was only about a moral greater good situation he would have taken him out then and there#if you disagree i'd love to hear why provided you can be civil and not an jerk#also if you disagree PLEASE PLEASE put screenshots and comic issues if possible#i'd love to check them out and form my own stance on them#just know that if you say like. battle for the cowl. or the Tom King batman annual or something i probably won't care too much#comic characterization is ever-changing and inconsistent i truly believe that the best thing to do is just read the important stuff#and try to form your own stances from there#because there's never gonna be 100% of comics involving a character that align with each other perfectly and that's just a given#jason todd#red hood#dc comics
40 notes · View notes
duck-noises · 5 months
Text
in honour of the dlc dropping today
Tumblr media
click image for better quality
93 notes · View notes
omg-ame-chan · 9 days
Text
while the topic is still trending can we please talk about how parasocial some of the people in this fandom are?
i'm seeing way too many people talking about how "shane and ryan are being held hostage!!" "ryan sounded so uncomfortable during the announcement, he had to be forced into this!" "there's no way shane would ever support this! he got voted 2 against 1 into accepting this decision!" "i bet shane is thinking 'i told you so' right now with the way he looks in the video!" and becoming body language experts and so on both in the comment sections of the apology and the original announcement.
THESE ARE GROWN MEN. shane and ryan are not uwu innocent little babies being held captive by the big bad evil steven lim or whatever. they are both co-owners of a business. they are businessmen. nobody got voted out 2 against 1. nobody got forced into supporting this. shane and ryan took a part in making this decision come to life just as much as steven did, and they have to take accountability for it, whether you like that or not.
it's okay to admit that your favorite youtubers are not innocent and made a horrible business decision without putting much thought into it, which was a huge mistake that blew up in their faces. it's okay to be critical about the stuff you like, you don't need to delude yourself into thinking shane madej is blinking out "HELP" in morse code in the announcement video or something to free him from any sort of blame.
51 notes · View notes
ducktracy · 7 days
Text
reminder that if you're not watching Crayon Shin-chan then you are living a hollow and empty life. this is not edited. this ripped straight from the movie (Movie 8: Jungle That Invites the Storm, highly recommend for fellow Masaaki Yuasa lovers)
if you need further convincing: these monkeys run an animation sweatshop
Tumblr media Tumblr media Tumblr media
#i've made this disclaimer on another post but will again since i've seen a lot more of the movies now#the movies are VERY good and very enjoyable but unfortunately the first handful are bogged down by transphobic/homophobic/okama stereotypes#they kind of vary in their severity. Movie 5 i think is the biggest catalyst because it features the stereotyped characters the most#prominently. Movie 3 doesnt really have caricatures per se but saves a very backhanded reveal for the end#Movies 1 and 4 are a bit more tolerable if my memory is correct. Movie 2 i think is kind of comparable to Movie 5 with its caricatures#in that the characters have similar roles in both movies#i admittedly can't remember what caricatures there were in Movie 6 or 7. 7 i think barely had anything#RAMBLE RAMBLE BASICALLY: these jokes are within the first 7 movies or so 5 being the zenith then reducing down and down. by movie 8 it's sa#e#i give these disclaimers because these movies are all very enjoyable and i would not recommend them if i didnt think there wasnt any merit#o them. they are all very much worth watching. Movie 5 still has a lot of very enjoyable stuff in it (there's a showdown in a supermarket!!#but i just want to make sure that is clear and established since transparency is good to have and i dont want anyone's viewing experience t#be ruined because they weren't given the proper warning#if it's any consolation it's my understanding that even the directors hated doing the jokes#iirc Keiichi Hara really didn't like doing the jokes and i think had a talk with the mangaka Yoshito Usui and was like 'uh dude this is#gonna age horribly can we maybe not'#ironically Hara's first film is Movie 5. which is again the biggest offender#BUT! that is my spiel. my understanding is that it's contained to those 6 or 7 first movies and i think is strictly just a movie thing#so please do give these films a watch but just be mindful at the same time#if anyone needs recommendations my favorites have been movies 4 and 9 but i genuinely really enjoyed every one that i have seen#i've seen the first 11 and a half movies (need to finish 12) and movie 22. the worst i've felt about one is 'oh that was pretty good!'#each film has its own merit and is very very very much worth watching#22 was the first Shin-chan anything i watched and all my Shin-chan expert friends say 4 is a good introductory piece#in case that influences anything/makes it easier to break in#so. thus concludes my spiel#csc#vid
36 notes · View notes
up-in-flames-writing · 4 months
Text
In lieu of Stuff Your Kindle day, can we talk about the issue of how the m/m genre of books, romance or not, is almost entirely dominated by women? Can we talk about how the most recognisable gay couples in media are written by women? Can we talk about how queer men can't even write about ourselves, how we are only allowed to exist when it's from the point of view of a straight woman sexualising us?
Can we talk about that? Or am I going to get called misogynistic for pointing out the disparity between who gets the writing deals, & who gets their books turned into movies, & whose shit gets popular versus whose doesn't? Can we talk about how m/m fiction is only allowed when it appeals to a cishet gaze, or is that too much for tumblr to take?
Can we also talk about how trans queer men are even more hated by publishing? Can we talk about how we get shit from both sides? Can we talk about how books about the experiences of being a queer man, written by queer men, never get the same recognition as books written by women on this subject (barring academia which has its own problems)?
Can we talk about that? Can we?
#booker speaks#no bloody clue how to tag this#this is for the tags only but#people would get up in arms if the f/f book scene was dominated by cismen only#why are we not extending this same energy to ciswomen writers of m/m?#why did we forget about the original meaning of own voices?#why are queer men pushed out of publishing in the way that we are?#& im not just talking about romance here#like there are fantasy & scifi & contemporary novels about men loving men that are written by ciswomen who have a very narrow view of what#m/m relationships are like. & this extends towards stuff like manga too but im not gonna get into that cause i dont read mangs/comics#can we talk about how hard it is to find queer masc authors nowadays?#saying this both as a reader & as a writer#can we also talk about how lists of queer & especially trans novels almost always forget to include anything by transmascs & gay transmascs#or if they do include us its 1 transmasc book to 1 enby book to 8 transfem books or books about the 'trans experience' in nebulous terms#can we stop reccing detransition baby & start reccing the spirit bares its teeth?#can we look at works written by queer masc people that arent just red white royal blue & stone butch blues?#go read cemetary boys#read alexis hall & max turner#read bloom if you like comics. or nimona#read my shit too!#im gonna be focusing on my writing blog way more this year#& im working on some projects that may or may not end up being published in physical form#read more queer masc stories by queer masc authors!
64 notes · View notes
purpleshadow-star · 5 months
Text
Here's a reminder that ANDREW DOES HEAL AND LEARN TO FEEL. Nora never said that Andrew never heals or that he doesn't get less apathetic. She said the opposite, actually. If you don't like the extra content, that's fine, but please actually read it before deciding to spread the incorrect assumptions people have made up about it. Just because Andrew never gets to the point where he smiles and laughs all the time doesn't mean he doesn't heal.
(Also, Nora never said Andrew never smiles, just that it's hard to imagine, and if he did, it'd be with only Neil around)
60 notes · View notes
nemmet · 8 months
Text
thinking about be cool scooby doo fred on this delightful evening. he's afraid of widths. he gets emotional over a drumkit. he knows how to apply eyeliner perfectly. he's a sleep deprived, paranoid, manic danger to himself and others. he becomes enemies with a goat. his shoulders are so tense that they can break a chair. he goes to jail twice. where on earth did he get the funds to give the mystery machine all those high-tech upgrades. he hired a guy to make his epiphanies look more dramatic. the exterior of his house is an affront to god. he cannot take care of himself to save his life. he is a middle aged dad stuck in the body of an eighteen year old. he has childhood trauma related to halloween. he accidentally parked his van on a space shuttle. he is consistently aggravated by daphne’s commitment to the bit. he really needs to let go of those tiny red shorts. he's a court jester. he represents the order to his criminal father's chaos. he has control issues stemming from this but tries to overcome them for the sake of the gang and always apologises when he goes too far and knows that even when they wind him up it isn't a threat because he loves and trusts them so much and they care about him in turn even before he fully opens up to them about his childhood and—
131 notes · View notes
masezace · 8 months
Text
little off topic for my blog, but i started watching a new show since a friend mentioned it was good and i'd heard positive things about it, so i just wanted to talk about it a little bit (probably never again after this since this isn't a fandom blog, but it's the only one i have rn so idc it's going here)
the show is Jurassic World Camp Cretaceous, and just going on looks alone, despite my love for dinosaurs and the Jurassic Park franchise i never would have considered it. it appears to be very much for kids, and as i'm in my late twenties now i'm not particularly interested in especially kiddy media. however a friend my age enjoyed it and mentioned it has a canon lgbtq+ couple in it among the main characters, so of course i just had to watch it. i had already been hearing that despite its initial appearance and premise, it was surprisingly good for a kids' show, so i had already been curious, but i was even more keen after knowing there were queer characters, and not even the adults, the kids themselves (in a kid's show?!! what a time to be alive), so i finally sat down and watched it.
[spoiler warning, both minor and major, for the rest of this post btw, so continue reading at your own risk if you haven't seen it yet/are still watching]
the show overall
okay so firstly, i am coming at all of this from the perspective of a writer, so my observations are from a technical standpoint more so than just as a fan of the show. and honestly, it really is a well-written show as a whole. is it geared towards kids? definitely. there are plenty of jokes/gags in it that just don't appeal to me as an adult, but beyond that, there was plenty to appreciate as an adult.
the writing is actually phenomenal? there were several points in the series where i just sat back and mulled over the way a scene went, what the thought process behind writing it was like, how well it was executed, and how important it was to the characters and overall plot.
the suspense is spot on, nothing gets dragged out too long, and i will admit there have been a few scenes throughout that actually got me; i jumped! it's actually scarier than i expected a kid show to be, but i'm so glad they went where they did because it really elevated the experience.
the pacing overall is very good, adequately engaging for kids' short attention spans (and us adhd adults 🥲) but not too short either to a point where things felt abrupt or unfinished. plot arcs are well developed and tied up nicely. also, as a bit of a dinosaur nerd, the array of dinosaurs in the show is super broad and satisfying! very fun stuff.
character element
imo the real gem of this show is the character development. honestly it's just *chefs kiss*
the characters grow and change so much and so realistically over the course of the show, it's honestly so much better and more satisfying than the character growth in most adult fiction/media recently.
the growth in ben (who btw was def my favorite character by the end of s1) and kenji in particular were my favorites and, in my personal opinion, the most interesting. the way ben started out anxious, cowardly, and rule abiding to a fault, then grew into a brave, confident, adventurous little pyromaniac gremlin, then had that stint later in the series where he regressed a bit-questioning himself-until eventually ultimately striking a great balance and really coming into himself was just... peak character writing.
kenji started out overconfident, lazy, and overly concerned with money/status. but that arrogant overconfidence and laziness slowly turned into responsibility, and a desire to protect his found family, and the realization that it's the people in your life that really matter most.
honestly what i mentioned only scratches the surface in terms of those two characters, there's certainly more that can be said about them (as well as all the others) but i'm not really in the mood for a deep dive character analysis atm. just trust me tho when i say these characters are so well done and each one of them have arcs that are super satisfying to watch play out.
queer representation
and as for the queer couple? yasmina and sammy are PERFECT. it was so beautiful watching their relationship grow from one-sided to mutual friendship, to loyal devotion, then to love. they were set up incredibly well and incredibly naturally. i have like, no complaints when it comes to them. i don't even know if there's anything i can say that would add to things, they were just a really awesome couple to watch become canon, they're the beautiful and painfully needed representation we all beg for in tv and movies.
shipping, chemistry, and intent
but oh goodness... probably my only real complaint about the entire show would be how benji (ben x kenji) and kenji x brooklyn (kenlyn? brookji? idk and idrc) were handled. because for all that this show did SO much beautifully right, they really screwed the pooch here, sadly.
i'm gonna start by saying that the writing in this show, as with most, is deliberate. what i mean by this is that despite having no clue who it would be because my friend thankfully did not even spoil me as far as the genders of the queer couple, i clocked yas and sammy as the would-be queer couple as early as season one (actually it was between them and benji, but more on that later). i could already see the chemistry, because it was deliberately written in.
shipping is subjective. anyone can ship any character, and in most cases it's pretty easy to see how there could be (romantic) chemistry between fan pairings based on their personalities, their arcs, etc. and that's okay! ships don't even have to have any canon support to be valid, because shipping is for the fandom, and it's for fun (i have a few rarepairs and crack ships across different media that i just love).
but onscreen/written romantic chemistry is a lot less subjective (to clarify, it is subjective whether or not the chemistry is good, but it's not subjective about whether or not it exists). there are literally scenes written with the sole purpose of building the romantic tension and/or chemistry between planned couples (some of which even have absolutely zero plot relevance, which usually is not advised tbh, and most of which are the cliches/tropes you see in literally any romance ever written, some are just disguised a little better than others. but make no mistake, it's all the same set of cliches. there is nothing new under the sun), as well as intentional, key moments within scenes that have other purposes. they are essential to establish romantic pairings.
and typically, the foundations for these couples are laid VERY early on. always within the first or second season (well, at least they are when the writer actually knows what they're doing and has at least a rough plan/outline for the entire series & characters. this is usually a large part of what separates the good chemistry from the poor chemistry. an author who knows who the couples are going to be and has a plan from the beginning to build them up is going to be more successful in creating a believable relationship with good chemistry. one who does not plan, or makes last minute plans will almost certainly fail, and the couple is just going to suck). when the set of characters you're working with are going to stay the same for most or all of the story, you start immediately.
i don't mean to toot my own horn, because i think it's because i'm a writer so i just pick up on narrative patterns very easily, and pretty much always clock the planned couples within the first few episodes of any series, and by the end i am right like 9 times out of 10.
that being said, do you know whose deliberately written chemistry i also clocked in jwcc? ben and kenji's.
kenji and... brooklyn?
no offense to people who like/enjoy kenji and brooklyn, you are free to love them, but the way their romance was written is... quite possibly the weakest point of the show. it felt like they were just trying to appease the upsetto heteros in charge, because there was definitely another het pairing that had a lot more potential than kenji and brooklyn (hello darius x brooklyn aka darilyn, you would have actually made sense because your relationship had amazing buildup and multiple standout scenes from s1 on. dgmw, i love that we got a m/f strong, supportive, purely platonic friendship out of them, i live for those and we really need more of them. but we could have had that with kenji and brooklyn, or darius and sammy, or ben and yas, literally any other pair instead).
kenji and brooklyn as a couple came out of absolutely nowhere. i honestly think they decided to shove them together last minute, and had no actual plan for them until they were working on s4. because their development barely started at the VERY end of s3 (the abruptness of him caring about her being held hostage so much more than literally anyone else in their group despite them having like zero buildup to that point gave me whiplash), but honestly didn't really even become "meaningful" development until s4, over halfway through the series. the two spend the first 3 seasons basically not particularly gaf about each other individually, only as part of the whole group and on an equal level with everyone else. they otherwise have no deliberate narrative foundation. it just starts in s4 with no prior hinting. which makes their development rocky and difficult to believe. the funny thing is their characters literally have dialogue (in s4) trying to draw comparisons/parallels between them to say that they especially have a lot in common and like??? no? they really don't? not any more so than any other two kids in the group. their relationship just, really falls flat.
it was disappointing to see it take such a massive spotlight in the series for almost all of seasons 4 and 5, overshadowing the friendships that have been the focus of the show and should have remained so, to the point where at times it just felt like i was watching some stereotypical het highschool romance. genuinely, it made s4 & 5 more of a drag to get through. yasammy and ben and yas' growing bond (which by the way was so sweet, it had the strongest queer solidarity vibes good lord, i sure wonder why yas chose ben out of everyone to come out to first, hmmm) were some of the few things that kept me invested, otherwise i would have dropped it if it had leaned much farther into becoming the kenlyn show than it already was. especially when it was that pair so much of the focus was given to, even though we had so readily and perfectly available, the pair that could have, should have been: benji. which finally brings me to:
ben and kenji
benji's foundation was laid in s1. their interactions, the situations they found themselves in, were deliberate (on the writers' part). i'm even gonna go out on a limb here and say the pairings were fully established in s1e3, even with parallels between yasammy and benji (sammy clinging to yas and ben clinging to kenji throughout the episode), and darilyn gets the beginning of their development too.
even though they bicker a lot in the beginning, they clearly care about each other? kenji protects/helps ben multiple times, and there are definitely some looks ben gives kenji at times. at the end of s1, the one who seems the most deeply effected over ben's "death," other than darius (understandably since he's the one who failed to save him), was kenji! immediately after it happens, we get two close up shots, darius and brooklyn then yasmina and sammy. after which, we go back to the whole group with kenji in center frame, the focus is intentionally on him. it is only kenji who drops to his knees at the loss, and then we get a close up of just kenji. he was saved for last, and he was alone in frame (tbf bumpy was in frame too, but i'm talking humans here), which implies his feelings are especially important in this moment. that is the reason for solo close ups.
after ben's "death," kenji takes to always wearing ben's fanny pack, and up until bumpy--who ben cares VERY much about--got separated from them, kenji was the one who (however briefly) took over her care, ensuring she got off the monorail with them, and he's extremely distraught, more than pretty much all of them, when they can't find her, and he's last to leave when they decide to accept that ben's gone. even when they do leave, he's distant and distracted and his mind is clearly still on ben.
other than darius, kenji is the only one (if i'm remembering correctly) to mention ben/say his name after they lost him, upset because he was actually trying not to think about him. he has clearly thought about ben, probably a lot, because it's hard not to be reminded constantly when you wear something that belonged to a deceased loved one. and frankly, he appears to be the only one who dwells on him that much.
when ben reappears alive (which btw he found the group again because of kenji's butter knife, hello), the frames literally purposely focus on kenji's reaction. he's the one in the foreground every time they show him and brooklyn in that scene. he is the first one to say ben's name, the first one to go to him and hug him, and the scene takes special care to highlight kenji's strong emotions at ben's reappearance, lingering on his teary face as the focus for a bit even after brooklyn enters the frame to hug ben (because she is not at all an important element in the scene at that moment). just like when ben "died," the way this scene is written and shot HEAVILY suggests that ben holds significant importance to kenji, specifically. because again, the focus here is on kenji and ben almost exclusively, with brooklyn as only an afterthought lol. and quite frankly literally everyone else's reaction to him being alive was pretty lackluster compared to the special attention they gave to kenji on this.
and then in s3 we have the infamous hat scene, where darius and ben are in the limo and ben sees and mentions kenji's sailor hat, looking sad and sounding like... longing?? then directly after we switch to kenji realizing he forgot his hat?? the scene has no real significance tbh other than to draw a connection between ben and kenji. like, it acts as a transition to switch to the pov of the group on the boat, but it was entirely unnecessary? why not just have darius say something about the others and then show them on the boat? if there were no special relationship between ben and kenji, it would have made far more sense if they really wanted it to be ben to say something, that he sees the hat, and sadly says something along the lines of "i hope the others are okay/doing better than we are right now/etc" which implies that the hat made him think of everyone, their whole group. rather than what we got... which very much implies that he was mostly just thinking about kenji 💀 and then kenji thinking about the hat at the same time ben's looking at it and thinking of kenji. like, this is.... a very blatant connection being made by the writing/directing here.
all of that. so many deliberate connections made between ben and kenji, they had a very solid foundation laid for a romance to develop, and by all intents and purposes one already WAS developing according to the show's own subtext. which was why up until s4 obliterated the idea, i was positive the queer couple in the show was either going to be yasammy or benji. it was extremely obvious imo. but as soon we started getting the typical, loud, cliche "we are going to pair off these characters" scenes for kenji and brooklyn, i knew we were getting yasammy and not benji (to be clear, i'm not at all upset about yasammy, they're beautiful and i love how their relationship was done, i wouldn't have had it end any other way for them. but i do personally prefer benji, i just like their personalities and dynamic more. and i feel they had so much potential that got wasted to make way for a far less interesting pairing between kenji and brooklyn. why can't we have 2 queer couples, huh? and if we really needed a minimum of one hetero pairing to appease whoever needed appeasing, darilyn was right there).
but then??? their like entire bond just gets dropped (honestly ben himself gets pretty heavily sidelined for almost all of the last two seasons, which is criminal imo). mostly so that a rushed kenji x brooklyn can be established. like there are still a few small moments here and there in early s4, and one episode in s5 (ep 10), but from early s4 till pretty much the end of the series we hardly see them have any meaningful conversations or interactions, meanwhile literally every other combo in the group does.
it's so weird? why build up benji so deliberately over the course of multiple seasons just to like, fully discard it for a pairing with far less chemistry, even after the chemistry-building scenes they shared, some of which literally had no other purpose than to affirm their connection? even though they were very sparse, the moments benji had were just so blatant (kenji leaps into the rock crevice right onto the back of a saber tooth to save ben?!!?? like he literally was just willing to exchange his life for him like that?? he basically says that he wasn't really thinking, he just did it. so he moved out of what, emotional instinct, that's what we're meant to intuit from that series of events? implying that he specifically has strong emotion and doesn't think things through when it comes to ben? because he doesn't do that kinda stuff for any of the others in the group! even better, this parallels when sammy jumped on the nothosaurus to save yasmina. and then the way benji look at each other after it's over??? hello??? and then how kenji pulls both brooklyn and ben in for that hug a couple minutes later... side eyeing the writers for that choice. they knew what they were doing there and they were evil for it). i just can't see any reason to have dropped them like they were, after all the development they shared for 3 seasons. confounding. biggest disappointment of the series.
i know this probably reads to some as just "wahh, my ship didn't become canon" nonsense. but that's not why i'm bugged. this wasn't just a ship i liked and wanted canon despite no actual narrative support, as most ships tend to be. this ship did have narrative support. there was intent behind many of their scenes together, lingering looks and little things that matter narratively and are always used to signify a stronger/special connection. and it led nowhere, for no good reason. that bothers me. writing that implies and promises something, but never delivers on it. like a person who never finishes their sentences (think Dr McPhee from Night at the Museum). ultimately it's not a HUGE deal or anything, at the end of the day it's just a ship and just a kids' show. but as a writer, it's just irritating to see something like that be done. what can i say 🤷
conclusion
even despite the wasted potential between certain pairings, and even though i do think the first three seasons were superior to the last two, overall i really enjoyed the show, and for what it was, it was really well-made. the overarching focus was of course on found family and friendship before anything else, which i absolutely love, and it was masterfully done. out of 6 kids, all of them had at least one or two meaningful bonding moments one-on-one with another in the group, so every possible combination had their moment to build strong, believable friendships with each other. i'm just so surprised by how good it was as a whole honestly, good enough to binge over the course of a week. i will happily recommend jwcc to anyone willing to give it a watch regardless of age, because i definitely think there's no age limit for a good story, no matter the medium it's told in. :)
88 notes · View notes
uncanny-tranny · 1 year
Text
In discussions about mental health, I am so tired of the only voices mattering being other people or other people who do not deal with a condition/disorder or a specific situation.
"Here's how I deal with loved ones with [x] condition!"
"If you do [y] because of [x mental health reason], you're selfish and everybody who loves you is having their lives made harder by you!"
"If your symptoms are [z], you're gross, and you deserve no sympathy for struggling"
I understand to an extent why people do this, but holy hell, as somebody who struggles and struggles often, the last thing any of us need to be told is that we're a burden that others have to carry. And it's terrible how everybody else's feelings but ours matter - even if we are the ones most affected by our condition or situation.
If you are dealing with issues surrounding your mental health and well-being, know that everything above isn't true; you are worthy of patience, understanding, kindness, and love. You are worthy of being listened to without judgment. You don't have to apologize or "make up" for who you are or what you struggle with.
#mental health#mental health advocacy#sanism#sanism tw#ableism#ableism tw#since when do we just go 'you're sick? well I'M more affected by YOUR illness than YOU are so my voice matters MORE'#i'm actually genuinely angry that people think saying stuff like that is appropriate#and when i say 'deal with' i mean when people treat those they say they love like a burden#simultaneously discussions about mental health have gotten better and have stay horrific and lack compassion or nuance#like people have more words to describe mental health but they cling to their disgust for us ~insanes~ like it's a lifeline#TW FOR MENTIONS OF SUIDIDE AFTER THIS TAG#when i actively wanted to take my life being told that i was selfish did NOT help. it made the desires STRONGER#because i had something ELSE to use to justify why my death was imperative. if i was selfish then why do i deserve others?#do you see why these discussions are harmful at *best* and can be the final factor in a decision like that?#sure. maybe those discussions alone won't be what pushes somebody to pass like that.#but it will have contributed to the demonization of mentally ill people#those discussions aren't going to save us from suicidality or something equally seen as drastic#videos like abigail thorn's cosmonaut video were actually way *more* helpful because she was compassionate#she provided compassion and empathy and was vulnerable enough to share her *own* experiences#i think i'm going to re-watch it for the....... 500th time#i'm so glad she kept her old videos up. this one is one of my favourites#heavy watch but i forever will be grateful to her and the others who helped me out of that pit
153 notes · View notes