(Carrying on from this post. Note that I'm really just sharing my own thoughts here.)
Ed is as fully steeped in toxic masculinity as Izzy, but his reaction to it is different. The pirate life is destroying him slowly, and it's destroying him from the moment we meet him. Stede offers him an alternative; Stede is outlandish for a pirate, but Ed doesn't see this as an inherent weakness. It's something that he finds immediately fascinating. The longer he's around Stede, the more exciting he finds Stede's world and its expression of masculinity. He does "fancy a fine fabric," and he likes the things that Stede shows him - both for themselves and, increasingly, because Stede loves them. He fully indulges in Stede's games and stories - his own crew remark on how happy and open he is. To Izzy, this appears a further descent into unacceptable masculinity.
It should be noted that Izzy has been angry at Ed for moving outside of the Blackbeard persona before we even meet them. Izzy remarks that Ed has been getting gradually crazier and crazier, and that Izzy himself has been protecting him. We don't see much of that immediate past, but this is a case where we can extrapolate from what we do see and what we learn about the characters. Ed is having a breakdown. He's bored, he's tired, and he's contemplating death as the final great adventure. He tells Stede that nothing is fun anymore; he barely has to do anything. Being Blackbeard is exhausting and isolating.
Izzy sees this too, but he draws the wrong conclusions - he thinks Ed needs to simply "man up." He remarks on the struggle it takes to "manage your increasingly erratic moods" without apparently understanding the reason behind them (which Ed offers up pretty clearly, both to Izzy and then to Stede). Stede and Ed's relationship represents an even further "descent" as far as Izzy is concerned.
The conversation in "Discomfort" and in "Wherever You Go" are clearly mirrored. In the first, Ed is finding light at the end of the tunnel in the form of Stede and Izzy is desperately trying to push him back to where Blackbeard lurks. In "Wherever You Go," Izzy further pushes Ed back into the toxic masculinity box, his prescribed masculine role, by directly insulting his manhood and insinuating that his expression of grief is emasculating.
Again, this is not an issue of Ed being affected by Stede's absence, necessarily, but how he expresses it. Izzy's homophobia is very much about outward expression and what is and is not acceptable to be thought "a man." Ed is expressing grief in what Izzy sees as an effeminate "namby-pamby" way - wearing Stede's clothing, crying, eating marmalade, writing songs, and trying, in his own imperfect way, to replicate the things that he loved about being on the Revenge with Stede.
But the only acceptable emotion, for men, is anger. Not for nothing is Izzy's main emotional expression in Season 1 rage; Wee John even refers to him as "that little angry fecker," and we rarely see him genuinely smile, laugh, or cry. Ed can be heartbroken, that's something Izzy cannot control, but he cannot show it like that. He must be furious. He must be angry. He must be violent. He must want to kill Stede for inflicting pain on him. He must be Blackbeard.
Izzy expresses near joy when Ed tries to strangle him - "There he is" - and threatens him if he doesn't go back into the correct persona.
Ed and Izzy do come from the same world, and they have shared experiences. But Ed's fall into the Kraken"Blackbeard persona takes all the internalized grief and pain and expresses it using the only emotion he's now permitted - anger. The result is horrific, to the extent that Izzy himself is dismayed at how far things have gone. But Ed's reaction is a natural progression - if this is what men are, then he's going to be everything that a man is supposed to be. That the result is monstrous is very deliberate, on the part of Ed and on the part of the show.
Izzy attempts, too late, to bring back Stede's ethos by invoking the "talk it through as a crew" line. He and the crew are genuinely worried about what has happened to Ed, but it is clear that Izzy himself does not understand his culpability. Ed said at the start that the only thing left for him was death; having been stripped of all the things that were joyful or soft, and therefore unmasculine, all he has left is death. His only mode of outward expression is anger and violence. There is no "talking it through."
None of this is to say that Izzy deserves to be shot, simply that this is the natural thematic outcome of everything that has been developing since we first see them together in Season 1. "Kraken" is indeed Ed's fault; he chooses to push Lucius off the ship, discarding first the "fine thing" that represented his connection to Stede, to softness, and to all the gentler forms of masculinity that he's now going to destroy. Ed's behavior belongs to Ed and Izzy's to Izzy.
It is not for nothing that Ed only cries in private. The viewer sees the grief and sorrow lurking beneath the surface, the fantasies about marrying Stede, the sobbing at night. But on the surface, Blackbeard must remain Blackbeard, and the only acceptable emotion is anger.
This descent on the part of Ed turns itself around on Izzy, too. The invocation of Ed's angry masculinity then becomes violence inflicted on Izzy himself. Izzy very much becomes the focal point of Ed's rage, beginning with the loss of his toes and leading to the loss of his leg.
Once more, Izzy's perception is unreliable. He says that it is Ed's feelings for Stede that have resulted in the toxic atmosphere on the ship. But it is Izzy himself who has told Ed that his earlier emotional expression is wrong, even subhuman - a "thing" he's become. It is the warping of grief and pain into anger that has resulted in Ed's madness and suicidal depression, and Ed's anger with Izzy is not misplaced. In a lot of ways, Izzy has shot himself in the foot.
The darker elements of this show indicate how deeply and horribly warping toxic masculinity is, but also that there is hope in the depths, not just for Ed...but for Izzy.
(Gonna carry on with the queer joy part of this later, because we should really remember that this show is very much about not living in darkness, even if darkness is a part of us.)
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thinkin about how hangman is seen by the dagger cohort as unpredictable/unreliable/a wildcard in the air but he is always perfectly in control of himself. throwing darts blind, changing the song on the jukebox to flirt with rattle rooster, swallowing his disappointment when mav doesn’t pick him to run the mission.
thinkin about how rooster is seen as mr reliable/always has your back in the air but time and time again we see that he’s nowhere near in control of himself. the corkscrew cobra bs with mav, attempting to kick hangman’s ass in front of the whole assignment, refusing to fly the sim any way other than his way to prove a spiteful point.
they’re both told they need what the other has but the truth is they’re mirrors, reflecting the faults and flaws they try to ignore back to one another over and over again. it’s not that hangman’s got to rein in his impulsivity - he has to cede a bit of control and trust the team. it’s not that rooster needs to ‘don’t think just do’ - he’s got to stop letting his emotions dictate his flying, make a plan, and execute it without any shadow of a doubt that he can get it done.
i just *curls fist softly* fuckin love character foils.
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"ENGAGEMENT RING" WAS NOT SOME WAYWARD TRANSLATION BUT AN ACTUAL LINE IN THE JP MANGA?????? I always thought the reason some translations said, "engagement (ring)," where others used, "prenup," for Illumi and Hisoka's contract was because it was one translator's whim to cause chaos???? Like. It could be read as either of those, but was not necessarily the whole definition.
(x)
But no, I've input the kanji into every translator I could find and they all said roughly the same thing—prenuptial contract. Meanwhile, the furigana (AKA the reading aid consisting of smaller kana printed either above or next to kanji or other characters to indicate their pronunciation), spelled out engagement ring.
I know this might be old news to some but I was today years old when I found out it was so literal????? Togashi really spelled it out in a way ensures we can't misunderstand yet somehow the implications still fly over a few people's heads???????
Idk about y'all but if I was an assassin born and raised on the ideology that an assassin does not need friends and some powerful magician mf just dallies around, telling every person he fights that he's my friend—I'd have killed him by now. I wouldn't trust him with my family secrets. I wouldn't do him any favors.
Or if I was a power-hungry fighter always striving to grow stronger, who grew up in the literal slums and betrays people left and right, I wouldn't put my trust on this pretty assassin either. Even if it's all just manipulations in the end, I wouldn't have any reason to call him, and only him, a friend. I wouldn't give him many, if not all, of my earthly possessions if I were to pass away—even if he isn't the one to kill me.
That's the thing about the contract too, Illumi gets his, "engagement ring," regardless of who kills Hisoka. Illumi's insured, whatever the outcome of this fight may be, so long as Hisoka dies. The funny thing about prenups is it could also be treated as a will of sorts—should one person die, I think it's more commonplace for prenups to include that all valuable assets be given to the widow by default??
Hisoka really did not need to do that, in order to hire Illumi???? Does this mean Hisoka knows and accepts the inevitability of his death on the Black Whale??? Or did his touch with death after fighting Chrollo open his eyes to the fact that he still needed a beneficiary, someone to take his belongings when he dies???? Either way, it's telling that he chose Illumi, of all people, to uphold this extremely important contract...
Anyways. Whether you wanna acknowledge it or not, Hisoka and Illumi have grown to become a pair in the Hunter X Hunter universe, have become the most unlikely, if not terrifying, friends and while the, "engagement ring," or the, "prenup," may not be explicitly romantic, the connotations and the possibilities are still there.
In conclusion, these insane mfs are gay and married, good for them!! 🏳️🌈🏳️🌈
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Thinking about Evan Buckley. The boy who was born as spare parts. Evan Buckley who tried soooo hard to get his parents attention to the point of self-harm. Evan Buckley who, as a child, got all of his attention from his sister, who was eventually pulled away by her abusive boyfriend, leaving him alone. Evan Buckley who upon realizing he doesn't know who he is tried every job he could to figure it out. Evan Buckley who acted out and flirted and had women on a string because he seeks attention because he's never had attention joining the 118 to be the hero. To have people look at him and be like wow, he's cool, only to find a group of people who become his family. Evan Buckley who slowly realizes he doesn't have to act out and flirt with every woman to get attention, he can just be himself. Evan Buckley, who upon meeting Eddie Diaz, was frightened that this family he has formed would replace him. That now that this cooler guy is in the group, he won't be needed. Evan Buckley who realized that's not true, that there's room for both of them, and now his family is even bigger. Evan Buckley who felt like he lost all of this when he was removed from his duties at the 118 due to his injuries, and was once again scared that they'd no longer have time for him, that he'd be back to how it was when he was vying for his parents' attention. Like how he had Maddie's attention when he was a child, but she left, now his found family is leaving him too. Evan Buckley who realized that's not true because this family isn't built on something so simple as being co-workers. This is his family for life.
To Evan Buckley who, despite realizing these things, is stuck on the hamster wheel. Evan Buckley who doesn't understand why all of his relationships fail. Evan Buckley who doesn't know what it is he is doing wrong. Evan Buckley who, despite all the strides he has made in seven years, still doesn't feel whole. Evan Buckley who sees Tommy and thinks wow, that's a cool guy, which is what he wanted people to think when they saw him. Evan Buckley who, like he did so long ago, is vying for the attention of someone. Evan Buckley who sees this cool guy and his best friend so seamlessly hit it off and is once again left attentionless from two people he's craving attention from. Evan Buckley whose jealousy causes him to hurt his best friend and he feels horrible and what is it that he's doing exactly? Why does he want this attention so badly?
Evan Buckley who stands across from Tommy and admits aloud to him that he was jealous and he's wanted his attention and slowly... slowly the wheels are turning in his head. The light bulbs are coming on. His heart is beating. And that puzzle piece he's been missing for his entire life is being slotted into place.
Oh. He's bisexual. And he's never felt like enough because he never felt like a whole person. Because he tried so desperately to fill that whole with other people's attention and this is what's been missing. This is who he is. And now he can breathe. Now he can explore. Now he can be himself.
I'm thinking a lot about that Evan Buckley.
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