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prettytoxix · 2 years

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Part Three: Book store 📚

Steve Harrington x Reader

Part one Part Two

A/n: this is part of a series but you don’t necessarily have to have read the parts prior to understand what’s going on. It’s more helpful to just understand the dynamic between these two characters because they’re just kinda awkward around each other.

Summary: Steve remembers you work at a book store so he comes to visit you and asks for your favorite book.

Word count: 1355

I’m working my usual shift at the bookstore. An am to pm shift, 7-3. It’s always been so nice because the bookshop is so slow. This town is filled with people who have nothing better to do than watch movies all day or listen to music.

Don’t get me wrong. I love movies and I love music but you can’t always rely on those two things to entertain yourself. I love reading and drawing, things that require time and effort. I’m the type of person that would spend all of my time studying and working after school. Not playing or watching TV.

Maybe it’s because I have a different mindset for myself. I have to prove myself strong, capable, and independent. But when all is said and all is done, is that really what I want?

We got a new shipment of books so I get started placing them on their correct shelves. I get halfway through the first box before the bells chime on the door indicating someone entered the shop. I put the book I have in my hand in its place before I walk out into the open. There he is standing in my bookstore. Steve Harrington.

“Hey! What are you doing here?” A giant smile plagues my face and I can’t help but blush.

“I remembered you said you worked at a bookstore and I figured ‘I should get a book recommendation.’”

“well, you’re just in luck because selling books is my passion.” I joke. “what kind of book are you looking for?”

“I actually wanted to know what your favorite book was…I want to read it, get inside your head, and try to see it from your perspective.” This was really sweet coming from Steve. I know he isn’t the type to sit around reading a book. He’d always been the type of guy to go to parties and hang out with friends. Not that I’m complaining. I think it’s just really cute and thoughtful of him.

“Hmm, well if you really want to get inside of my head I have my annotated copy of my favorite book. It’s actually at the counter, let me grab it for you.”

“Are you sure? I would absolutely love to take you up on that offer but I would hate to deprive you of your prized possession.”

“How about this. How about you get your own copy and you annotate it your own way and then when you’re done we can compare annotations?”

“Let’s get me a copy then! Show me the way!”

I lead Steve to the section of the store where my favorite book is held. It’s not exactly out in the open, it’s like a book that you would have to be looking for, not one you would stumble upon. I grab the book and hand it to Steve.

“The Catcher in the Rye..?” reading the cover.

“Yes! best book I have ever read! I know, it’s cheesy and you’ve probably already had to read it before for an English class or something. But I promise you this book has so much depth… and so many symbols and metaphors, and now I’m just rambling.” I laugh to diffuse the awkward silence.

“No, it’s cute. It’s really cute to see you get passionate about something.”

The bells on the front door chime again. I peer out of the shelves to see just another resident looking for a book. It was someone I recognized and never really got to know. I wouldn’t be able to name them but I know they were friends with that Will Byers kid who went missing several years ago.

Steve peers out just after me to see who it is. He quickly takes note of who entered my store.

“Henderson?”

“Harrington, what are you doing here? I didn’t know you could read!” A light bulb clicks in his brain before he makes his next statement. “Oh wait…is this the girl?” he redirects his attention towards me. “Are you the girl?”

I look back at Steve as if to confirm if I am indeed the girl or not.

“I hope I’m the girl.” I chuckle.

“Tell me, in this bookstore do you have any books regarding science fiction?”

“What kind of question is that? Of course we have science fiction, it’ll be located to your right and the very back wall of that aisle.”

Henderson leaves to go search the isle for whatever book it is he’s looking for. I turn towards Steve and retreat back into the aisle where Catcher in the Rye was.

“Was that Dustin?” I whispered, intrigued by what was going on.

“That was him alright.” He replies laughing quietly. He changes the subject, “so what’s this book about anyways?”

“It’s basically about this kid who gets kicked out of his prep school and he’s going back home to New York early for Christmas.” I tell him. “It spans over two days as he meets new people and things like that.”

“Sounds…interesting.”

And just like that, the customer service bell is ringing over and over and over again. “I’m ready to pay! Or are you too busy making ou back there?” I look back at Steve with a fake annoyed expression before returning to the cash register at the front.

“Did you find everything you were looking for?” I take the book and input the price from the front cover into the register.

“Yeah, I found everything alright, thank you.” Dustin leans in and urges me to do the same. When I lean in, Dustin begins to whisper low. “Don’t. Hurt. Steve. Please.” He pulls away and I can tell that he genuinely cares about Steve. That he wants the best for him.

Dustin leaves, but not before completing his handshake with Harrington. Once Dustin leaves, Steve takes his place at the counter.

“I love that kid but sometimes he’s a little much.” He admits.

His sight catches my sketchbook that I like up draw in when it gets slow.

“Do you draw?” He says, pointing out this mysterious object behind me.

“Yeah, I’ve been known to do the occasional drawing.” I start to ring up his book and remind him that he’ll need a couple of things to annotate his copy.

“what am I going to need exactly?”

“Just some sticky notes and a pen. There are some sticky notes behind you if you want to grab some now and you can just have one of my pens.” I grab one of my pens and hand it to him when he returns with a pack of sticky notes. I continue to ringing up the items placed in front of me.

“Can I look through it?” He asks dazed.

“what?”

“your sketchbook? Can I look through your sketchbook?”

“oh yeah, knock yourself out.” I hand him my sketchbook and finish checking him out. “your total is $8.75”

He hands me $10 with his attention still set on my drawings. It’s like he’s analyzing it for any part of me but can’t seem to look beyond the graphite.

“y/n, these are really good! you’re really talented!” He’s shocked by this discovery.

“Oh, thank you. It’s just a way to pass the time.” I hand his change back to him as he holds his hand out.

“Do you think I could pay you to draw something for me?”

“pay me? No. I’ll do it for a date though.” I say slyly.

“How does tomorrow work for you?”

“I’m free all day practically.” I beam at his request.

“Let’s switch it up, how about we go out to breakfast? I can pick you up at 7:30?”

“Breakfast sounds good, but let's make it 8.”

“Deal.”

I hand him his new book and sticky pads and he’s out the door, I have another date with Steve Harrington.

#stranger things fic #stranger things imagines #stranger things 4 #stranger things blurb #steve harrington blurb #stranger things steve #steve harrington x reader #steve harrington fic #steve harrington imagine #steve harrington x you #steve stranger things #steve harrington #joe keery #dating Steve harrington

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citychicken-prod · 7 months

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Album Thoughts : Pawprint Panic

I wanna start listening to more music without lyrics to try and think/learn more about how music is constructed. So I'm gonna document my thoughts in posts! It's kind of like an art study except I've never been taught how to properly study music like I have illustrations

I recently found this cool album by Napcast on YouTube, you can listen here or you can go buy it off their Bandcamp here. I have full intentions of buying this eventually, I want to get more music off bandcamp and make a playlist that ISN'T on YouTube for plane rides.

ANYWAYS, into the music! This album has 9 tracks, is that long or short for an album? I've never really listened to a lot of them, but I like this one a lot.

Me talking about this may not be the most in-depth since i'm not super knowledgeable! That's the point, is to learn!

Track 1: Pawprint Panic!

The titular title track! It feels simply constructed, but all of these tracks are styled after SNES era game music so that's not entirely suprising, those are meant to be catchy and communicate feel right? It's got these two tracks that establish a nice sense of rhythm for most of the song and it uses everything else around it to add variation! I think this track is very fun.

Track 2: Record Scratch

Builds up similarly to the first track, with the instruments establishing the beat coming in before everything else. I think this track pulls a way from that a bit more than the other one, though. I like the synth piano very much, it's fun hearing where the song adds to and pulls away layers to give depth.

Track 3: CD Collecting

Oh man these horns and the guitar are really fun! I hadn't thought about harmonizing with instruments but I think I'm hearing that with some parts of the piano? I think I want to try that! It sounds really cool!!

Track 4: Signals

This was done in some of the other tracks I think, but I like hearing where a beat is established and it then switches to a difficult instrument to recontextualize it! Also I have no idea what the main instruments is, but I like it a lot! That's such a dreamy sound! I can't tell if it's some sort of horn or piano, it's edited pretty heavily so I don't know what the original sample may have been (if there was one to begin with).

Track 5: Red Sky at Morning

Oh I love the way the piano and the bass line work together, that's very,,,ear catching? It got my attention really quick! Listening to this, I feel like I can draw a clear shape in my mind to represent how the song progresses, sort of like those plot line graphs you'd see in school. I think I like that a lot! Listening to a song and it being easy to imagine in a more visual way helps me learn a lot, I want to try putting that into practice now that it's started to click.

Track 6: Snowcap Myriads

I think the opening on this one is very striking too! The pacing on this song feels different compared to the others towards the end? I like it! Playing with length and timing and less drawn-out endings sounds very fun!

Track 7: Seaside Summer

A lot more of the instruments come in at once in this track compared to some others on the album! I think I like the sound of this, but I think having them come in slowly feels easier to comprehend as a beginner trying to make stuff? Handling those layers one at a time feels much more manageable. Though, with that said I still struggle knowing how to build up layers that sound nice together!

Track 8: Lead Me to Paradise

I think the melodies on this one are interesting, it really does feel like a video game character singing an emotional ballad. I also really like what I think is some kind of drum beat? The way it pulls back to simple piano notes in the end with little to no accompaniment feels very memorable.

Track 9: Aftercircus

Oh I LOVE these horns! The way the songs speeds up gradually to build tension and slows back down to release it feels clever, I wonder if that portion is in a different BPM or if it's all the same and slower moments just have notes spread further out? I don't know how to have a track with a different BPM in certain sections in the app I use but I think I want to try and figure out how to recreate something like that eventually

#music #napcast #album review #well more like a ramble than a review but thats alright

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majiburger · 8 months

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knb s2 rewatch

in s1, the characters were trying to fit into their new status quos, get along with their new teams and playing styles. however, s2 seems to be all about the past - and trying your best to make peace with it

obviously, our two new teams are yosen and rakuzan, with yosen holding special focus for kagami because he's reunited with himuro, his "brother." meanwhile, the ominous akashi foreshadowing begins more heavily here than it did in season 1. there's an implication that the generation of miracles were more than just a team that played a sport sometimes. they were also soldiers following a commander, chess pieces pawned around by their master. it's probably unfair to give akashi that much credit since he was a child, just like the rest of them, but the season does establish that under akashi, all the others played like they were under his spell - and that spell, to some extent, still has a hold on them.

speaking of which, when i was making my first season rewatch post, i wanted to have a separate section to actually talk about the generation of miracles, but we hadn't met murasakibara or akashi yet so i saved it for this one!

i've said this before, but murasakibara sometimes feels like a gimmicky character compared to kise, midorima and aomine, who, even with their eccentricities, seemed like believable characters with enough depth to keep you interested. as a standalone character, murasakibara falls a little short compared to the other miracles, but when you put them all together, his writing works for the most part. i like the idea of a group that was so talented, so above-the-ground, such a class apart from everyone else (and treated as such) that they're a little weird and stand out from everyone else. everyone likes to joke about the rainbow hair, but it works as an apt visual metaphor to really represent what a different breed they are. this gets played up a lot throughout the season, and i love it. the generation of miracles' appeal as a group isn't just that they were untouchable at basketball, but also that they were a clique with their own bizarre rules and roles. these guys are very out of touch with how kids their own age are supposed to be, and watching them take a stab at normalcy with their new teams is interesting. look at what furihata says here:

talk about hype! this is the first time we've seen them all together since middle school and it is goosebump-worthy (the music in this scene is phenomenal BTW). it's times like these where i understand why last game was made in the first place, but that understanding isn't enough for me to actually sympathize with the fact that the movie undoes all the development and messaging of the core series. oh well. not sure how other fans feel, but that last, touching scene with kuroko and kagami more than made up for it i guess (for me at least)

coming back to season 2 - while i think there are some parts of this season that drag it down a little (like the awful fanservice bits and the way the show sometimes overdoes the 'riko's dad is a creep' gag), i think the games in this season still keep you on your toes the way they did in season 1! it's hard to keep raising the stakes in a believable way and (so far), i think the series does a good job at doing that! not sure if i'll be saying the same thing when season 3 comes around, though, but for now i have no complaints! i'd even argue that we get some of our best, most memorable games throughout the show in this season, with the stand out obviously being seirin vs touou 2.0. any match with kagami, aomine and kuroko works because of how much of our attention aomine demands as an antagonist, and it's a little sad to say goodbye to him as we move on to the bigger (and final) antagonist – akashi.

as a parting note, i do want to talk about kagami and kuroko, who both show tremendous growth this season as characters. when we left them last season, they were still struggling to figure out what they could do for their team, and they seem to be getting there now. kagami is calmer, less reckless, willing to even be benched if it benefits the team at large. kuroko, on the other hand, has abandoned his comfort zone in the shadows and begun making independent plays. he even shoots baskets now, and seven out of ten times they actually go in! in sports, the guys who give up last are the ones that end up stealing your heart – regardless of victory or loss – and kuroko is just that guy. i'll save my full thoughts on kuroko as a character for my s3 post, but for now i'd love to reiterate that him, kagami and aomine really make the series what it is for me!

and lest we forget: some incredible things happened with the other miracles this season too. midorima smiles now, aomine looks forward to matches and murasakibara went into the zone. things are changing – and for the better! though kise didn't have a lot to do this season, the next one will have some great moments for him, and of course, we'll finally get to meet akashi on the court and answer some big questions like what actually happened at teiko and why kuroko quit after the championship game. it's going to be one big season of flashbacks and big reveals and idk! i'm excited!

#bee rewatches knb #kuroko no basket #god this season was so fun but i'm already excited for the next: shutoku vs rakuzan and kise vs haizaki #and obviously......the infamous and undefeated teiko arc😤#can't wait!

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kamikazia · 1 year

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Puss in Boots 2 - Spoiler Warning!

Okay, I saw Puss in Boots 2 on a whim the other day. I initially thought “Oh, Guillermo del Toro’s Pinocchio would be the best animated feature win this year” until I saw THE MASTERPIECE that is Puss in Boots: The Last Wish. That said, there’s one single scene I want to break down.

So, let me give you a bit of context- I have an ESA for anxiety. Her name is Luci. She is a cat, and she is stinky and I love her.

In Puss in Boots 2, there’s a scene where Puss is running like hell through this desolate forest, trying to escape from one of the most terrifying villains ever put into an animated movie. He hides against a tree to catch his breath, and the music stops. All you hear is the rapid beating of his heart. It’s terrifying, it’s stressful.

Then comes the Dog with No Name. For those who haven’t seen the movie, the Dog’s an ugly mutt who wants to be a therapy dog. (NOTE: I specifically refer to them like this to avoid further spoilers.) Little buddy goes to Puss, who’s in the middle of the most realistic anxiety attack I’ve ever seen on film, and within the scene you can see this little mutt go through so many emotions- concern, fear, and finally? He rests his head on Puss’ stomache, and the rapid beating of his heart slowly dies down to a normal pulse.

The scene continues with Puss confiding in the Dog about his concerns, how he worries about losing his last life, and how he worries whether he’ll be able to be the hero people expect from him. Is this some throwaway scene meant to give some depth to a silly movie? NO! This is actually part of his character development, a moment that allows him to improve as a perso- err, cat. Not only that, it shows the incredible virtue of what was seemingly a gag character, the ugly therapy dog, who performs an incredible service to the movie.

I’m a 20 y/o woman, and I nearly started crying in the theater. It was such a complex scene that really shows that there was an incredible amount of heart put into a sequel for a movie from over 10 years ago. Compare it with a lot of other sequels that just feel like they were made for profit, and this film’s one of the few that surpasses the original.

Now ask yourself, if Puss in Boots 2 can do it, why can’t other sequels? There must’ve been someone who poured their heart into this movie, and it shows. I don’t intend to criticize other film-makers who’ve worked on less-than-stellar movies, moreso I just want to bring credit to the genuine soul this movie has.

#Also #there's a subplot about Goldilocks that's also incredible #I'm so pissed that this movie was great

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sprnklersplashes · 5 months

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metalshootingstar

Im very curious to know on your opinion of the video SarahZ made about it now.

ohhh I was very annoyed about that when it came out lol. I think I watched half of it but it was making me too worked up so I stopped halfway through. and I actually used to be a big sarah z fan but I actually stopped following them after that video. nothing personal I'd just remember it exists and get very, very angry.

one of the main things I remember thinking about it was that she says, "it's not like in heathers they just say 'oh this is heather c and she's a bitch'" (paraphrasing) and that sticks out to me because... they do do that in heathers. there is a line in heathers where veronica says "heather chandler, the almighty, she is a mythic bitch". heathers very much did do the thing you're saying it did not do.

from what i can remember, and this may just be my bais showing here, but it felt like a lot of their ciriticisms were in very bad faith. which is ironic because I admired sarah specifically for how they had moved away from bad faith nit-picking content. I remember they had made a criticism about cady being (I think) one dimensional and not having depth and "she just shows up and does stuff" which... is not true? like I can name several characteristics of cady. she's brave and optimistic. she's socially awkward and naive. she's competitive, she's ruthless, at the beginning of the show she prioritises having friends over her morals, something that sets her up perfectly for the arc that follows. like, the entire plot of this musical hinges on the fact that cady grows and changes as a character.

(side note: I feel like the characters in MG are actually quite underrated and the musical mines more depth out of them than the movie does)

I also feel like a lot of the video is Sarah comparing Mean Girls to Heathers and like... we have to accept the fact that while MG and Heathers are similar they are not the same and MG does not have to be a carbon copy of Heathers and this is from someone who likes Heathers more than MG!

and finally I think some of their criticism of the lyrics could've been avoided if they either did what I said in the original post and accepted MG for what it is but also thought about it for more than two seconds. for example, why does janis rhyme cake with cake? is it lazy writing or a subtle way of showing us that janis doesn't actually know what would be at a teenager's party because she has spent so long isolated from her peers with only damian for company? is sexy sexualising teenage girls or poking fun at the oversexulisation of teenage girls? I could make comment about how she claims the lyrics are too 'on the nose' and then proceeds to miss so many points of the lyrics.

but yeah this is all with the note that my bias could definitely be showing because mean girls helped me through such a difficult time. and that I did actually start distancing myself from sarah z's content after that video because yes, I am that petty.

(and obvious disclaimer that I have nothing against sarah as a person which should be obvious but tumblr's going to tumblr)

#replies #metalshootingstar #wow apparently I have a lot of opinions lol

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llycaons · 2 years

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I know the show won't finish until july but before I forget here are my overall impressions

it's not a genre I particularly enjoy and the visual dullness of watching middle aged lawyers in business suits argue really started to wear on me. were it not for the fact that I knew these characters beforehand I wouldn't have watched it. I need some PANACHE

I found many of the plots quite boring and the agonizingly slow progression of many of the scenes were unbearable. things I had zero interest in from brba (like where the lab came from) got far more attention than I wanted. yeah I know I'm a shallow consumer with a poor attention span but I like to watch tv for fun and it wasn;t doing it for me

that being said, it's a well written and compelling narrative that stands independent from brba. the original characters that didn't appear in brba such as lalo and kim were very strong and worth watching the show for. and the ocassional thrill of exciting lawyer scenes really are pretty fun and novel for me

some of the manipulations in s6 actually reminded me of death note moves

I think there were too many montages set to dramatic classical music and I got sick of them. I also thought, like brba, there were too many weird angles and bits that went on for way too long. like that ant scene? didn't love it

I've seen a lot of people say that they find saul a tragic and much more complex character compared to his silly guy persona in brba, which I do agree with, but I don't like him enough to really be invested. he has strong good points and I do like watching him in action but he's too much of a scumbag consistently for me to actually like him. also I found him very whiny and immature 😭 plus his ambition and individualized american-dream esque idea of suceess just put a bad taste in my mouth. I KNOW the show was criticizing it I know but I have very little patience for those characters given how often I see it unironically in real life

and it's such a pet peeve of mine when people infantalize or woobify (white) adult men like him who freely make bad choices so I can't relate to people genuinely feeling heartbroken for him....like he wasn't a great person, he did some good things, but he made terrible choices with full understandong of what could happen out of greed and for fun. like. he's getting what's coming to him

kim I like a lot and I've enjoyed her descent into scamming and con artistry. she and jimmy have a unique relationship that I've never seen the likes of before and I look forward to seeing where their stories end up. I've loved seeing her strike out on her own and act with such strong self-assurance and agency

since gustavo is acting against characters I actually like, the depths of his callousness and cruelty are really coming to light. this is a little upsetting since I really liked gus in brba...I thought he was funny and I like seeing him thwart ww. but the way he used nacho...man

I loved nacho as a character and I think his arc was well-written but I don't think I could watch this show again knowing what happens to him. this was a real tragedy! I really liked him! and it was frustrating for me watching jimmy run around whining about respect and ambition and money and his inferiority complex and his brother when a much more sympathetic character with fewer choices was being harassed and tortured and threatened for almost the whole show. like saul is this dumb immature greedy little man too short-sighted to see that his involvement with the cartel WILL kill people. again sorry for having boring taste (not sorry)

in a similar vein, the writing for mike's backstory was a refreshing surprise but the way the other characters in his little arc were written was such a disappointment. I know there's too many characters to give everyone's satellites depth - papa vargas didn't have much - but stacy and kaylee literally exist as plot devices and it came off so generic and predictable and 'oh strong masculine man solving problems' I just got sick of it in s1 and it never progressed. mike had some great scenes in bcs, especially early on, but his willing involvement with gus makes him look worse too

on the bright side, it's really fun to see characters like huell and francesca get their start with saul, and flashes of what's to come, like the vet's little black book that saul presumably buys, and explanations for things like hector being in a wheelchair

special shoutout to lalo salamanca, who's played brilliantly and with so much charm and energy. I thought the salamancas were so typecasted and dehumanized in brba and it's good to see more nuanced depcitions of characters of color, for one, and of a salamanca specifically. lalo is a cold-blooded killer, but he's always in control, charming and friendly, and clearly loved the people who shared his home, as well as his uncle. when in Mexico he treats his neighbors well. he's a worthy villain and a real person, not a boogeyman

I mean he's also literally so sexy and I'm obsessed with him winking all the time and the white streak in his hair and his entire presence and body language is electrifying and he has a raw charisma BUT that's not relevent! I'm interested in where he lands too because saul thinks he's alive in brba and...if he is, why didn't he ever show when the shit went down? so I think he's probably dead and saul doesn't know

uhh the stuff with howard sucks but I didn't really like him so I'm not losing sleep over it

I know the Themes were super deep and meaningful but I don't really care about the messages

also I didn't like chuck but it was still horrifying what they did to him like damn

lastly - and this is petty - I did not like seeing odenkirk's bare ass. I didn't

#I never was obsessed with a problematic murderboy before so it's okay I get a pass #im not saying hes a good person or he shouldn't face consequences or whatever Im just saying hes hot #bcs lb

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professorhayforbreath · 3 years

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me, watching the movie for the millionth time: i acknowledge that he is supposed to be percy but something about it doesn’t click. it doesn’t quite feel like the character

me, listening to good kid for the first time, sobbing: THAT’S HIM. THAT’S MY SON

#the lightning thief musical #time to write an analysis no one cares about here we go #logan didn't really play percy #he was playing a Main Character Boy archetype #he had all the basics of percy's character type without actually going into the details and intricacies of the character #none of which is his fault #it's the people behind the scenes that should've done their research into the source material #in fact every character in the movie is a 2 dimensional archetype #annabeth? Love Interest™#grover? Black Best Friend™#there's no depth #and as a result none of them FEEL like their book counterparts #there are a few short moments or lines that some of them say where they feel like their character but those moments are flukes #if they had just condensed the quest a little more and not made the pearls such a big deal #they could've included some really meaningful character development moments #and focused more on themes #but nooooooo #compare that to musical where they said oh character depth? not a problem we can do that :)#i could rant about the movie vs the musical literally all day my analytical brain just finds it so fascinating ahsfgksadjfj #pjo #percy jackson

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iceicewifey · 2 years

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@saiyajima Love your character! So what piece of music or musician is she inspired by, and what's her stand. Is she an Egyptian God stand user or a unique user like Nilla there? Oh! And what's her Stands powers?!

from this post ♡

i hope you don't mind me making a post response because i have way too much to say in the replies 👉👈 okay but first off, thank you for the questions!! i love talking about shay but i tend to ramble so forgive me in advance if this post is a bit long i’m in the middle of writing a new bio post for both shay and her stand so i won’t go tooo in depth, but i’ll do my best to make sure my explanations make sense ;w;

“So what piece of music or musician is she inspired by?”

it’s a bit cheesy, but her reference actually ties in with vanilla’s — she’s named after dj deshay, vanilla ice’s dj in the 90’s

i couldn’t think of a name for her for the life of me, i mean i had a few that i liked but they didn’t really fit, but then i heard this line in “ice ice baby” and it hit me, i couldn’t stop myself hxjdjdk

“Is she an Egyptian God stand user or a unique user like Nilla there?”

she’s just a regular old stand user, or unique like you said as her stand isn’t an egyptian god or a tarot card. it’s actual name is “quiet riot” since it fits with the special ability, but because i named it “coolio” when i first designed her stand and it kind of stuck, so now i have a running joke that shay would try to rename her stand

basically if you see me say coolio, i’m talking about quiet riot

“Oh! And what's her Stands powers?!”

so her stand is basically semi-sentient meaning it can talk to shay (it chooses to only talk to shay however), but it can’t act on her own, hope that makes sense 🥺

i tried to stay with a "basic" abilitiy since part 3 is where we first see stands, so i'll admit it may be a lil lack luster compared to some of the other stands from later parts, but anyway! her stand's ability is sound based; it can silence people, animals, objects, etc. - just about anything except for shay herself with a touch of it’s hand. it can only silence one thing at a time tho, an example being if two people are talking, coolio can only silence one of them without undoing the affect on the other person. the muting also can't transfer from one object to another, an example of this is if coolio was to silence a car, the car itself wouldn't make a sound, but if the car was moving down a dirt road, you'd still hear the rocks and dirt displaced as it moved down the road, just not the engine. it's a bit confusing so i really hope this makes sense 🥺

it can also either mute something completely or so that only shay can hear it — coolio itself is a short range stand, capped a a 10m range, however it’s special ability has a range of 45m - only after it’s touched the item tho.

i'm working on redrawing it now but i have this very rough colored sketch and a pitter patter pop edit to give you an idea of it’s appearance 👉👈

#asks #← technically #jojo oc #oc d. shay #fan stand quiet riot #fan stand coolio #i really hope the stand explanation makes sense #i cannot give an eta on when i’ll finish that sketch but it will probably be some time next year

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ranboo5 · 3 years

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Dropping the Ranboo mixtape

Anyway at time of starting to write this post I had two likes and two affirmative replies, which is Good Enough For Me, so here I am :D I was gonna link the YT but on second thought my YT channel is a mess so this is gonna be one of the annoying ones that doesn’t link to one you can actually listen to but

This is also a running list and currently organized roughly by increasingly hotter takes and it’s under a cut bc it’s 13 songs and I justified all of them

Everybody Likes You (Lemon Demon) - LISTEN THE ANIMATION MEMES WEREN’T LYING THAT EVERYBODY LIKES YOU CAN RANBOOCORE. The increasingly distorted, incredibly bright repetition of EVERYBODY LIKES YOU EVERYBODY LIKES YOU EVERYBODY LIKES YOU until you can hear it morphing in and out of EVERYBODY LIED TO YOU? Tell Me That’s Not Him In The Spiral Depths

Tall (Naps the Block on YT) - This is a) literally a theme for the End, b) sounds stumbling and anxious/high-strung, and c) echoes the Pigstep melody in the middle while still very much doing its own thing this is self explanatory

Dance of Thorns/Old Secret mashup (Tensei and James Roach respectively, feat. woodfur00 on YT) (yes this is Homestuck music) - It’s just the vibes. The energy. The way the elegance of the violin lines of Dance of Thorns sounds almost nervous especially against the almost noir mystery vibes of Old Secret, and the guitar lines of Dance of Thorns add like. Initiative/urgency especially when they underlay the other music it’s so good I don’t think either song alone is Ranboo vibes but this remix definitely is. Just the mix of perseverance and desperation and melancholy and mystery and Class

Touch-Tone Telephone (Lemon Demon) - This one is old news but tbh it just works. Man decides he’s the correct one in this situation and he’s losing his entire mind that no one is listening to him because he just is not

2012 (Will Wood) - This one isn’t really clever it’s just about memory loss, derealization, identity, and often self-hatred (“A miserable fuck, but a loud Tao mystical” is a lot). “Did you lose yourself?/It’s always in the last place that you check” sounds so mocking in ways internal monologues like Droice have been and “I might find myself/By retracing my steps” is literally just Ranboo dealing with the Enderwalk; “And not until lobotomy abolished my monotony/Did I applaud autonomy, and modify a lot of me!” works so much for him Dealing With Himself generally, and also “I heard the world would turn to hell/Compared to that, I’m doing well!” is a Him sentiment

Hand Me My Shovel, I’m Going In! (Will Wood) - Jokes about the three hour mining/grinding streams aside. Not only is the chorus so heavily a spiral/self-evaluation mood, but literally consider his thought processes abt the things he’s done/allegedly done and then consider “My dreams were shattered like a stained-glass window/Jesus in pieces! I believe I through a brick right through Him/But my memory could not be saved!/It just seems unlikely that it’s me who was to blame/So I bookmark my DSM, ‘cause I need to remember my place.” And now with the advent of the “experiments” the second verse’s “Take the road on higher ground, and tell me ‘don’t look down! You’ll fall and break your back’/But that just reminds me how there’s more to be found beneath the black!” is more relevant than ever

Friends With You (The Scary Jokes) - Oh my god. Oh my fucking god man. This could be on here for “I put myself to bed just halfway through the party/I love all my friends, but I hate when their eyes are on me” alone but the general almost empty saccharine vibe of the song is immensely his vibe; the humorlessly-smiling vocal fry on “don’t know” in “Why do you pretend/You don’t know who’s to blame?” is probably responsible for 80% of this read. Not to mention the first lyrics are literally “How long do I have to wait/’Til my lonely days are over?” which is really the. The waiting it out man the So When Do I Get To Be Okay of it all. Shoutouts also to “And the crumbling infrastructure no one else can see,” the self hatred of “I miss being friends with you/But what can I do/What can I do/But leave you alone?” and to “And I can tell you really love me/Can you tell I’m really sorry?” Just. The mix of hope+affection and dejected cynicism and self-hatred in the lyrics

Saline Solution (none other than Mr Wilbur Soot) - Remember what I said about waiting it out until you get to be okay? Anyway that’s crystallized in “If I could just break one more night/Maybe I could wake up and feel alright” and also this is literally a song about catastrophizing and self-evaluation just,, in general and I will not be highlighting all the lyrics about this but I will highlight the fact that he literally calls himself pragmatic and also the lyric “blurring the facts and the fiction.” Also, the sheer desperate anger-concealing-breakdown vibes of “I think I’ve made my choice” to “I think I’ve found my voice” deserves a mention, as does the culminating end of “saline solution to all your problems” with the tears+now splash water motifs of it all with Ranboo I am going to die

Funny (The Scary Jokes) - This is actually a softer take but not only does it literally start with the singer pleading with the addressee to look away, it continues with “I went up in the middle of the night and I climbed right onto the stage/And I raged/And I cried/Oh, what a funny joke am I” disregarding everything as performance, reemphasizes the opening demand with the qualifier “it’s not that I hate you, it’s just that I’m funny these days,” and then kills you with the last couple lines which. Yeah he does care and it does,,, just,,,,, a

Chemical Overreaction (Will Wood) - This is where the mood VIOLENTLY whiplashes because this is where we get unhinged. Anyway “I won’t stop to drop to draw a line in the sand/’Cause I’ll be picked apart to pieces by coyotes!” is LITERALLY the whole “I don’t do well with ‘peer pressure’” thing. “Where the sentimental value of the city around ya/Is deleted obsolete, but still completely will stun ya” is the single most L’Manberg lyric I’ve ever heard, especially from the perspective of a character whom I will repeatedly insist is narratively in the role of someone who’s shown up and seen the status quo as an outsider after it’s been established (hence the eternal New Kid vibes). Chorus very much has vibes of Ranboo Is Seized By The Urge To Do Something, and like. The entire dramatic end part. The last two lines especially (be very careful if you look up the vieo for this by the way it is NOT pretty; cws in the video for flashing, blood, suicide imagery)

A Mannequin Adrift (The Scary Jokes) - The Bitterness. This song is just fully The Bitterness at the environment he’s stuck in; the saccharine comes back as does the “peer pressure” thematic and just the Having An Awful Time; the sarcastic saccharine comes back too, which is always good I love passive aggression. Honestly the first verse is just everything like just listen to it it immediately makes sense

Poison Ivy Grows (The Scary Jokes) - This is overall a song about having bad brain and not knowing what the hell to do about it; it’s so faintly bitter and distant and melancholy and also so zoned out. Also, it’s not the only lyric that matters here but it is enough to be a full argument on its own: “I used to spend so much time/Wandering around outside/Now I’ve got too much on my mind/Now I’ve got too much on my mind”

Spring Haze (Tori Amos) - Listen. Do I know what Spring Haze is about? No. Is that gonna stop me from saying it’s about Ranboo? Also no. I just think “You say we’ll never make it there/So all we do is circle it” is so much, the fact that the bridge at the end is just “Why does it always end up like this?” repeated, and that it just feels so much like overall the song feels like a desperate attempt to figure Something out, and the chorus is just inexplicably him? It might be partially influenced by the fact that “Uh-oh, let go, off on my way” and, to a lesser extent, “Uh-oh, way to go” is not only in accordance with character vibes but also vaguely evocative of Ranboo’s speech pattern

#this also has a couple songs pending addition #this post is just That Enderman Is Deeply Troubled. Listen To Scary Jokes

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ordinaryschmuck · 3 years

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Starkid Musicals Ranked from Worst to Best

Salutations to you, random people on the internet who most certainly won’t read this. I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

Welp. I finally did it. I've watched the entire Starkid musical library, and I must say, most of these plays fit my writing style perfectly:

Humor that is cynical yet random

Leaning in with comedy while sprinkling in some well-executed drama

An understanding that any type of story works as long as the cast of varying personalities of characters is dynamic enough to result in some phenomenal chemistry.

This is in almost all of their plays, excelled through fantastic writing and stellar performances driving the overall quality. And it inspired me not only to review each musical, but also ranking them all from worst to best. Or, more accurately, least good to most good. Because even at their "worst," Starkid still provides a funny, enjoyable experience that will keep you laughing with its comedy and your toes tapping with its catchy music. So strap in as I go in-depth into how Starkid proves how they are the masters of humor and melody.

(I'll also provide links to each musical, which is all for free on YouTube, so you can check them out yourselves. Just know that their early work is impossible to enjoy without subtitles, so you might want to have Closed Captions on when watching.)

#12-Holy Musical B@man-Everything about this play makes it seem like it's the weakest to me. The jokes, songs, and characters in Holy Musical B@tman just don't hit as hard as Starkid's other plays. It's still good, but compared to their best, the cracks show a lot more. That is, except for the ending. Not only is there a great speech that shows what makes superheroes so beloved, but "Super Friends" might just be my favorite finale song Starkid has ever put out. Holy Musical B@tman may not be the best, but it's at least worth the time.

#11-Firebringer-This was stupid. Really stupid. Funny as f**k, but still pretty stupid. Although I will give credit to one of the central pairings being LGBTQA+...Even though it makes little to no sense based on the characters' previous interactions. But in fairness, Starkid really sucks at writing good romantic relationships, so at least Firebringer has the benefit of being gay. And as we all know: The gayer, the better. The play is still stupid, though.

#10-Me and My Dick-The world in this musical makes little to no sense. Penises and vaginas are sentient and can communicate with their humans. And yet the penises and vaginas can also talk with each other, form relationships, leave their humans, and reinsert themselves into others--Yeah, it makes no sense...But, DAMN, is it funny! Every joke and innuendo Me and My Dick has about human anatomy works, and I could not stop laughing at each of them. Especially the names that were given to the vaginas, which are just...I mean, I'm laughing just by thinking about them. That should tell you how funny they are. This play might be illogical in every way, but if you turn your brain off and watch it for the humor, you'll definitely be in for something fun.

#9-ANI: A Parody-What's weird about ANI is that its best qualities are also weaknesses. A good chunk of the jokes are hilarious and expertly delivered. The issue is that most of them are about taking potshots at the Star Wars prequels, which might be the laziest jokes to make in a Star Wars parody. Then there's the soundtrack, having several songs that are a bop to listen to. The problem is that ANI suffers from the same issues as Tarzan and Brother Bear: Yes, technically, it is a musical, but it's one where none of the characters sing, and some people in the background do all the singing instead. It's all an odd balancing act of quality content made through questionable choices. ANI is still an entertaining play, but the force isn't as strong with this one.

#8-Black Friday-This might be the least funny play that Starkid has ever put out. Not just because it leans extra hard into drama, which was pretty effective during certain scenes. It's just when there are jokes in Black Friday, they tend to fall flatter more here than they did in other plays. Also, the plot of Black Friday might not be the best one to play straight. The serious moments work best when focusing on the characters and their personal struggles, but through the big bad that's supposed to be threatening? Not so much. Even if it was meant to be funny, well, I wasn't laughing. And believe it or not, I consider that to be the best judge of whether or not something is funny. That being said, while Black Friday isn't the most humorous Starkid musical, it's still pretty good. The characters are excellent, the songs are awesome, and the story is somewhat easy to follow. I would have appreciated a few more laughs, but I can respect these talented people wanting to challenge their strengths.

#7-Starship-This play feels very...Disney. It follows a familiar formula we've seen several times: The main character wants more than what he has in his crappy life, miraculously gets the exact thing he wants, falls in love with a girl in a short amount of time, faces off against a campy/over the top villain, realizes the hand he's been dealt isn't so bad, and in the end, gets what he wants anyway. Starship is still pretty entertaining through its jokes, characters, and songs, but it also feels weird that Starkid leans into these tropes when they would eventually make a much better play by making fun of them. The end result is not bad in the slightest, but it's also nowhere near their best.

#6-A Very Potter Musical-Starkid's first production, and boy, what a start to something wonderful. Every one of their gimmicks and motifs is present in A Very Potter Musical. The use of parody to playfully mock characters and stories they love, making songs that are as funny as they are emotional, and creating characters that work because of their lines and the actors' performances. Oh, and also, it's funny. And it’s not just through a parody angle, like making Cedric be a perfect boy who's always smiling. It's also funny through its jokes that work, even if you ignore the fact that it’s a parody altogether. Case in point, there are these two bits, one involving Voldemort and Beatrix with the other involving Ron and Hermoine, that are written and delivered so well that I was in tears much more than with any other Starkid play. When watching A Very Potter Musical, you'll not only understand how parody works, but you'll also gain an understanding of why Starkid turned out as successful as they did.

#5-The Trail to Oregon-What can I say? I'm a sucker for comedic dysfunctional families. And seeing a family of idiots make their way to Oregon via The Oregon Trail parody? Yeah, that's a win for me. The play may be another family road trip narrative, which some people might get sick of at this point. But because the dynamics and comedic chemistry everyone has with each other are on point, the end result proves that you don't need an original story to tell an entertaining one. Although I will say that out of all of Starkid's productions, The Trail to Oregon has by far the worst ending. Without giving anything away, the play spends way too much time on this one stupid joke that any of the characters could make. Comedy is defined by personalities, as are most things, so making the joke work for anyone is a bad move when this one, in particular, doesn't fit as well for some characters as it would for others. Plus, the finale song "Naked in a Lake" is a really poor choice to cap off this musical. It's catchy, but to me, a finale song should encapsulate everything about the story, characters, and themes. Not paying off a joke that I honestly wouldn't want the payoff for. So while the ending could have used a lot more polish, that doesn't change how The Trail to Oregon is a pretty funny play that I won't mind revisiting when I have the chance.

#4-A Very Potter Sequel-Hey, sometimes a sequel is better than the original. Sure some jokes don't land, and some story beats aren't as impactful as they thought they were (Serious Black's introduction, for example), but there are far more improvements to this play than the last one. The performances are stronger, the jokes are funnier, the music is catchier, and the characters are much more entertaining in this play than in A Very Potter Musical. Especially new additions like Lupin and Lucious Malfoy, who provide great comedy and sublime drama at times. And Umbridge. Sweet Mother of all that is holy, Umbridge. While A Very Potter Sequel never made me laugh to tears as the first play did, twice, Professor Umbridge carries the comedy so well that she surpasses all of that. Plus, on top of it all, this play nails its ending through a bittersweet note that really captures what makes Hogwarts so special to these characters. I always feel like Starkid's plays tend to lose steam during the last few minutes, but A Very Potter Sequel is one of the few instances that it just builds and builds to a perfect ending. A Very Potter Sequel might not always hit the right marks, but the results are just magical when it does get it right.

#3-The Guy Who Didn’t Like Musicals-This one is pretty clever. The Guy Who Didn't Like Musicals is one of those stories that manages to be explicitly hilarious yet implicitly disturbing. For instance, people suddenly bursting into perfectly choreographed musical numbers in a world where songs are exclusively diegetic is pretty funny (especially through the characters' reactions to it). However, knowing what happens to these people and why they sing and dance so expertly helps make the whole situation pretty dire. It's an excellent balancing act that not many stories can accomplish. And while The Guy Who Didn't Like Musicals leans one way or the other at times, it's still all handled really well. Oh, and also, you know how most people say the villain song is the best one in any musical? Well, technically speaking, nearly every song in The Guy Who Didn't Like Musicals is the villain song. Including the finale, which is just too brilliant for me not to give a round of applause. If you're a person who unfortunately doesn't like musicals either, I'd say be more than willing to give this one a chance. It's funny, catchy, and if you think of the implications, pretty damn disturbing.

#2-A Very Potter Senior Year-...You know how Avengers: Endgame is a bit of a mess, yet people still love it for how much of a perfect (sort of) finale it is? It's the same regard with A Very Potter Senior Year in my eyes. It's far from a masterpiece, but the many, many solid scenes that cap off this series help make me willing to overlook the mistakes. The characters, callbacks, and overall message about how things end was done so expertly well that I physically can’t hate this one. I can understand how it's more of an ok play when compared to the rest of Starkid's productions, but sometimes, ok is wonderful.

#1-Twisted: An Untold Story of a Royal Vizier-...It's Twisted. Everyone loves Twisted! And how could they not? Everything about this play just screams Starkid at their best. The comedy is uproarious, added with the fantastic delivery of the actors and the characters' personalities. Everyone feels as though they have one step in reality and the other in insanity. This, to me, seems like the best type of character work when going for the parody angle. Parody is about giving slight yet snide remarks toward the work you're mocking, which I feel works best when characters drop the suspension of disbelief audiences have when enjoying such a story. And Twisted definitely nails its satire in not only poking fun at Aladdin but also making jokes towards Disney as a brand. From their movies to their inside jokes to their formulas to even their corporate dealings with Pixar, nothing about Disney is sacred in Twisted. But on top of being funny, Twisted might just be the most successful Starkid has been with telling some really compelling drama. The jokes allow themselves to take a back seat to let serious moments play out, and even comedy is added, it provides more for the experience rather than taking anything away. You see this not only through the actors giving it their all but even through some really gorgeous and heart wrenching musical numbers. Oh, and also, Twisted has the best Starkid soundtrack, featuring songs that are epic, funny, and, as I said, heartbreaking. You cannot get better than this and, if you want to get a friend interested in Starkid as a whole, this might be the play for them. Scheherazade may have a thousand tales, but his one is a tale I wouldn't mind hearing for a thousand nights.

And that's about how I feel about Starkid and each and every one of their plays. Odds are your ranking would be much different from mine, and I'm all for that differing opinions. Feel free to make your own ranking if you want because I'm honestly curious where fans would place these plays above or below others. I'm relatively new to enjoying their work, so I have no idea what the consensus is. I do know one thing, though: If Starkid can still be incredibly entertaining through over ten years of content, then I am excited to see what they can accomplish next in another ten years.

#starkid #holy musical b@man #firebringer #me and my dick #ani: a parody #black friday #a very potter trilogy #the trail to oregon #the guy who didn't like musicals #twisted: the untold story of a royal vizier

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thejakeformerlyknownasprince · 5 years

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Hi! As someone who’s literary opinion I really trust, I was surprised that you’re a twilight fan? I know almost nothing except commen knowledge things about that series, and I always assumed it was actually bad/un-feminist. What is it that you like so much that others seem to miss? I’m just genuinely curious about your take on the hate it always seems to get vs. it’s actual quality. I’m not gonna judge bc animorphs is also one of those books where you see it and assume it’s bad.

In over 14 years of loving this series, I’m not sure anyone has ever asked me why I enjoy it instead of simply trying to convince me that I’m wrong to do so. So thank you for that.

First and foremost, I love the Twilight saga because of the vivid detail in Stephenie Meyer’s writing style. The descriptions are so lush and dense with sensory information that you can practically bite down on them as you read. Bella and Jacob aren’t just sitting on the beach; they’re sitting on a gnarled log of driftwood, worn smooth at the top from where so many Quileute teens have sat upon it during bonfires but still uneven enough to rock on its branches when Bella suddenly stands to rage at her own mortality. Meyer describes that log in Twilight, so tangibly and with such economy of detail, that we recognize it immediately when Bella and Jacob return to that spot in Eclipse. I’ve always disliked the movies, because I’ve always felt that the best part of Meyer’s writing simply did not translate well to the screen.

Secondly, I love the feminism.

Okay, let’s take a quick pause to let everyone gasp and clutch their pearls over me calling Twilight a feminist work. I will address the criticisms later. For now, please just hear me out.

Twilight strikes me as a premier example of what Hélène Cixous means when she calls for “women’s writing,” or writing for women, about women, by women, with a strong focus on the concerns and strengths and desires of womanhood. This is a series about building and maintaining close relationships, both romantic and platonic. It celebrates beauty, and love, and care. Bella moves to Forks because she recognizes that her dad is lonely while her mom is quite the opposite, torn between family priorities. She doesn’t simply subsume her interests to those of other people, but instead actively chooses how and when and where to express her love for her birth family and her found families. Most of the other major decisions throughout the story — Alice “adopting” Bella, Carlisle moving the family to Alaska, Jacob becoming werewolf beta, the Cullens going up against the Volturi, etc. — are motivated by care and devotion for one’s family and friends. Even the selfish or morally ambiguous character choices are shown to be motivated by love. Rosalie tells Edward that Bella died because she genuinely thinks it’ll help him move on. Victoria creates an army that nearly destroys Forks because she’s avenging James. Alice abandons Bella and the others before the final battle because if she can’t save her entire family, then she’ll settle for saving her lover before letting him die in vain.

Not only is there a striking concern with love and care, but there’s also a strong commitment to avoiding violence. Bella’s eventual vamp-superpower proves to be preventing violence and protecting others, an awesome character decision that I’d argue gets set up as early as the first book. She lives in a violent world — this is a YA SF story, after all — but she has the power to suppress violence and create peace, both in herself and others. I was already sick of “power = ability to inflict damage” in YA stories well before I knew the word “patriarchy.” Twilight was one of the first books to convey to me that power could be refusing to do harm in spite of hunger or anger, that power could be shielding ones’ family, that power could be about building enough friendships and alliances to have an army at one’s back when facing an enemy too strong to take on alone.

Closely connected to all of that love and care, I love how much Twilight is about navigating teenage girlhood. Is it empowering, intersectional, or all-inclusive? Hell no. Does it still dare to suggest that a completely ordinary teenage girl could have valid concerns about the world? Yep. The main conflict of the story, as Stephen King so derisively explained, is about the romantic entanglements of a teenage girl, and the book therefore has no literary merit. (To quote my dad’s response: “Bold words from the guy who inflicted Firestarter on the world.”)

There is, indeed, a lot of romance in Twilight. There are a lot of clothes. Alice and Rosalie especially spend a lot of time on makeup, and hair, and choosing the prettiest cars and houses. Twilight embraces all the stereotypically “girly” concerns of adolescence, and makes no effort to apologize for or condemn them. Bella isn’t particularly good at performing them — she likes but doesn’t excel at shopping, fiercely defends her ugly car as ugly, hobbles through prom on crutches — but she can still enjoy the feeling of being pretty in a sparkly dress while dancing with her sparkly boyfriend. And Twilight, like Animorphs with Cassie, takes the daring step of treating that feeling as valid.

Speaking of sparkles, I love the commitment to the fantasy concept in Twilight, including the myriad mundanities that Meyer brings with that commitment. If you have super-speed, why not use it to play extreme baseball? If you’re a mindreader with a clairvoyant sister, why wouldn’t you two play mental chess games? I couldn’t tell you, after seven seasons of Buffy or eight of Vampire Diaries, what Spike or Damien or Angel or Stefan does all day when not brooding or lurking in the bushes to creep on human women. I can tell you what the Cullens get up to. Emmett and Rosalie work on their cars, usually by holding them overhead one-handed. Carlisle and Alice read plays, and sometimes talk the whole family into home Shakespeare productions. Edward and Carlisle debate theology, Emmett and Jasper have dumb athletic competitions, Edward and Esme play music, Alice manipulates stock markets, the twins go shopping online, etcetera. The Cullens feel real, feel like the vampires next door, in a way that Louis and Lestat simply do not.

To get to the elephant in the room — I just described Twilight as a feminist text! — let’s talk about the other thing the Cullens do for fun: they have sex. Weird sex. Kinky furniture-breaking sex. Sex that Emmett (who would know) compares to bear-wrestling. These books suck with regards to queer representation, but they are sex-positive. They feature an old-school Anglican protagonist offering his daughter-in-law a medical abortion. They treat Edward’s desire for sex only within marriage and Alice’s desire for sex outside of marriage as both being valid. Like I said, not groundbreaking, even by the standards of 2005, but still more than most teen novels do even today.

There’s a passage from Breaking Dawn that people love to pull out of context as “everything wrong with Twilight in two paragraphs” because it describes Bella waking up the morning after sex with bruises on her arms. That moment is shocking out of context, to be sure — but in context, it’s the end result of an in-depth consent negotiation that lasts four books. Bella says that she’d like to become a vampire. Edward says okay, but only if she spends a few more years living as a human and considering that choice. Bella says okay, but only if Edward, not Carlisle, becomes the one to turn her. Edward says they can use his venom, but that Carlisle, who’s an MD, really needs to supervise the process. Bella doesn’t love the idea of Edward’s stepdad cockblocking what’s supposed to be an intimate moment, and so agrees only on the grounds that she gets to have sex with Edward as a human first. Edward’s hella Catholic, so he requests that they get married first. Bella’s super horny, so she demands that the wedding happen within six months. Edward says that he might hurt her during sex, and Bella says that she wants a little hurt during sex. They marry. They bang. During the banging, Edward makes every effort to be controlled and courteous and gentile, while Bella goes wild and crazy. The next morning, she has bruises and he does not. Edward apologizes, but Bella’s actually really into it. She spends a while admiring her sexy vamp-marked self in the mirror, touches the bruises many times, and reminds us yet again that Bella Swan’s whole M.O. is being a monsterfucker. Her kink is not my kink, and that’s okay.

To be clear, I think there are other aspects of the romance that get criticized for good reason. Edward does not negotiate with Bella before sneaking into her room to watch her sleep, and he does make unacceptable use of their power differences when he thinks she’s in danger of being mauled by werewolves. The text condemns Jacob’s��“don’t wanna die a virgin” ploy to manipulate a kiss out of Bella, but not the wider conceit of all the male characters as possessing uncontrollable urges. Bella’s struggles to adjust to a new town feel very feminine and realistic; her amused tolerance of Jacob’s and Mike’s sexual harassment as the price for their friendship does not. Werewolf imprinting might be mostly platonic, but that doesn’t make it okay for Meyer to depict it as a form of soulmate bonding that happens with child characters. Those are good points, all around. I just wish that most of them didn’t come up in the context of post-hoc rationalizations for loathing the femininity of a feminine text.

I’m not calling Twilight an unproblematic series. I’m saying that it gets (rightly!) criticized for appropriating Quileute culture, while Buffy’s total absence of main characters of color and blatant anti-Romani racism are (wrongly!) not remarked upon. I'm saying that I’ve been told I’m a misogynist for liking Twilight but not for liking James Bond. I’m saying that there’s a reason people tend to go “oh, that makes so much sense!” when I let them in on the fact that reactive hatred for “Twitards” started and spread on 4Chan, later home of Gamergate and incel culture. I’m saying that Twilight depicts problematic relationship dynamics as sexy — but then so do Vampire Academy, Blue Bloods, Supernatural, Vladimir Tod, and Vampire Diaries. All of which take the time to stop and thumb their noses at Twilight, smug in the superiority of having vampires that fly rather than vampires that sparkle, and for thoroughly condemning teenage girls for being girly while continuing to show men inflicting violence on them.

After all, as Erin May Kelly puts it: “we live in a world taught to hate everything to do with little girls. We hate the books they read and the bands they like. Is there anything the world makes fun of more than One Direction and Twilight?” No one has ever called me a misogynist for liking the MCU, in spite of less than a third of its movies even managing to clear the low-low bar of the Bechdel test. Because people are still allowed to like Harry Potter in spite of its racism, or Lord of the Rings despite its imperialism. Because hatred for Twilight was never about its very real sexism, or the genuinely silly sparkle-vampires, until it had to justify itself as something other than hate for everything that teenage girls have ever dared openly love.

I enjoy the novels, and I enjoy the fan fiction that tries to fix some of the problems with the novels. I appreciate the extent to which Meyer has elevated fan culture, and made an effort to acknowledge her own past mistakes. I would love to be able to talk about my love for the series as a flawed but beautiful work of literature, but for now I’ll settle for asking that the world just let me enjoy it in peace.

#twilight #the twilight saga #breaking dawn #eclipse #new moon #stephenie meyer #fandom #nothing to do with animorphs #misogyny #ableist language #sexist language #long post #sexism #romance #anonymous #asks

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punz4lyfe · 3 years

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Pokemon Journeys Episode 45. Let’s review:

1. How are the news reporters not dead yet in that flimsy helicopter in the middle of this apocalyptic event?

2. The fact that Team Rocket were able to reach out to Gigantamax Meowth to have him control himself and try to take on Eternatus absolutely speaks grand possibilities for both funny and awesome Team Rocket moments in the future in the Galar region! That, and Meowth’s knowledge of G-Max Gold Rush, too! Hopefully, the writers won’t miss out on these blatant opportunities.

3. I swear Leon and Charizard cheated death like 4 to 5 times in this episode.

4. The Ash vs. Chairman Rose fight was really done, with Ash using Pikachu and Riolu’s speed to take advantage of Ferrothorn and Copperajah’s bulk and put them against each other. In addition to that, Rose shows how much of a villain he is by smiling throughout the beginning of the fight with sadistic intent, even going as so far to command his mons to attack Ash and Pikachu and crush Riolu. Great display of character, writers! And, of course, as we’ve all been waiting for, Riolu’s evolution into Lucario. Absolutely done well, with Riolu showing his strong friendship with Ash and Pikachu by defending them against Rose’s mons, despite all odds being against his favor due to the sheer size and weight difference. Absolutely perfect. And then Lucario used his aura to tell Ash “Screw Vacuum Wave, I got the Poke-Hadouken, now!”, which was a sweet callback to Ash and Riolu’s aura bond in the latter’s debut appearance. And once the battle was over, Rose showed concern for his Pokemon and not for his failing plans, showing that he’s still human on the inside and is really just in a lot of turmoil due to the trauma he experienced as a child at the mines. So yeah, great moment of the episode all around! On the other hand though..... ugh.....

5. Goh vs. Oleana. Like I said in my last review, I was not looking forward to how this would turn out due to Goh’s win being obvious, and.... yeah, there are some problems. Compared to Ash and Rose’s battle, the action in this one was a lot less impressive. At the start, it was mostly just Raboot using Ember, only to get countered and splooshed by Water Pulse every time. When it actually picked up with Goh using the environment, leading to Raboot’s own evolution into Cinderace to finish Milotic off with Pyro Ball, it was still not done well, as Milotic was knocked out by Pyro Ball and a few consecutive Embers beforehand, which should NOT be enough to make it faint. Look, when Ash fought Rose, it took Pikachu and Riolu a good number of hits to push back Ferrothorn and Copperajah before both were finished off by Aura Sphere, a super-effective move. In this case, Milotic was taken out solely by A FEW attacks its strong against. That shouldn’t have done it in, especially with how untrained Raboot is compared to Ash’s mons. Not to mention, it also kinda digs further a little problem there is with Goh and Cinderace almost always winning/achieving every little thing they do that I’ll go further in-depth with my future blog over them. And while I’m happy Cinderace is back to his enthusiastic self (with some of Raboot’s coolness still left in) and the moment where Goh communicated with Raboot to use the environment for his preferred Ember attack was a good character moment between the two, the cons of this part of the episode kinda outweigh the pros. Moving on, however.

6. Sonia x Raihan? That’s.... kinda cute honestly.

7. Seeing Ash run around with a Lucario at his side is probably bringing a lot of fanfics to life. That, or Lucario and the Mystery of Mew flashbacks. Man, that was a good movie, wasn’t it?

8. Ahh, look at those five dorks gawk over each other and fist bump. It’s stuff like this that makes 2020 better.

9. Remember that part in the original Final Fantasy VII where Sephiroth attacked the whole gang with shockwaves before the fight against Bizzaro Sephiroth? The scene with Eternatus escaping Leon’s Ultra Ball gave me flashbacks to that. And I don’t even know why lol.

10. Oh my Arceus! The up-close shot of Eternamax Eternatus was honestly a little frightening!

11. Chairman Rose...pl-please get away from the helicopter windshield.... That’s just.... creepy.

12. Eternatus’ onslaught of Screw-U laser beams. At this point, it’s natural for Ash and Pikachu to take this kind of stuff in the face everyday.

13. Becoming the Sword and Shield legend? Yeah, that was expected. Look, when it comes to stuff like this in the anime, it’s about as obvious and cliche as it can get to the point it’s really no longer a bother to long-standing anipoke fans. And Leon? Please, my boi, stand down. You just want all the credit to yourself. (I’m only joking please don’t attack me fellow Leon fans)

14. The whole final battle between the good guys and Eternatus was alright. It was really cool seeing the Sword and Shield doggos’ signature attacks in the anime, though, it would’ve been cool for Ash and Goh to actually command them a little just like in the games. (and Ash’s whole thing with Nebby should prove that you don’t necessarily have to own a Legendary to command it in a crisis) It also nice for Pikachu, Lucario, and Cinderace to give Eternatus another three-way combo so that the doggos could have their opening. How it ultimately ended though.... well....

15. GOH’s REGULAR Pokeball caught Eternatus. I repeat, a REGULAR Pokeball from GOH caught Eternatus. Yeah......

16. Legendaries doggos, come back! I wanna see our dorks scratch behind your ears! Ah well, it’s more than likely they’ll return in the anime, given usual tropes and cliches.

17. Chairman Rose and Oleana are also definitely gonna make a return someday, no doubt about that. We still gotta wrap up Rose’s whole character with his childhood and father!

18. PROFESSOR SONIA!!!!! I STAN THIS SO FREAKING MUCH!!!!!!

19. Oh, Goh. You and your love for catching. Unfortunately, as the whole thing with Eternatus kinda proved, the anime is willing to have you able to capture Legendaries. With a plain Pokeball no less. You’re lucky I love you, my boy.

At with that, we’re done with the Darkest Day Arc! Pretty dope arc, ngl! While there were some things I felt were missed out, like Pikachu Gigantamaxing or Goh using mons other then Raboot/Cinderace, given how the episode ended, I feel there will be more of that kind of stuff in future Galar episodes. So that’s worth looking forward to you!

For the overall episode alone.... it was okay. Again, there were some things that kinda made it avoid being perfect (which sadly all involved Goh), but what we got was still great. The visuals and music were all amazing, there were a ton of great character moments, and for the most part, the action was intense and awesome! I’d give this episode an 8/10!

Now, to end things off, who else is excited for Mewtwo next week?!?!

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vanveronicango · 4 years

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if you don't mind me asking, what aspects of s2 did you dislike? bc for me, although i liked it a lot better than s1 (mainly for the increased focus on sibling dynamic scenes). i also kind of realized that it had kind of a Lot going on, that although i appreciated, didn't get enough equal attention? idk

i agree that the dynamic scenes this season were pretty great. we got some great interactions between characters that didn’t have much last season (personal fave being klaus/allison/vanya and every individual combo in that trio).

i personally love reading other peoples’ opinions on shows/movies, even if they don’t match my own, because a lot of the time they open my eyes to some stuff i haven’t seen, and i love to see work affecting others the same way it does me, even if it has a different outcome.

so, i know i said i wouldn’t, but since you asked, under the cut i’m going list out some of the stuff i wasn’t a huge fan of, and some of the stuff i really liked.

(edit warning: this shit is LONG. but please don’t take this as me absolutely hating the season - I didn’t. there was some genuinely enjoyable stuff. but, in my opinion, it didn’t have the spark and intent that s1 did. it wasn’t the caliber of the season i fell in love with. i think it’s still rewatchable though, unlike a certain godawful season of a certain hit netflix show...... coughstrangerthings3cough)

WHAT I DIDN’T LIKE

1. not enough characterization/development in most of the characters (this will be the longest point, so I’ll get it out of the way first) - for one, the siblings - save maybe vanya & allison - really... did not develop much this season, and weren’t explored as heavily as in the first season. hell, even in vanya and allison’s cases, i still think s1 did a better job at delving into their characters and psyche, even though they still had a bit of it in s2. but especially in the other siblings cases, i feel like SO MUCH of this season leaned into trivial things the fans liked, that it either (at least) took time away from or (at worst) was an active detriment to the characters’ development and plots. they said oh you like banter? we’ll give you unnecessary arguing and jokes that go on for 20 minutes too long when we could be delving deeper into these interesting situations we saw on the surface. here’s some fart jokes and forgettable music when we could be seeing more of how these characters are coping with the literal end of the world/being sent back in time/facing the prospect of never seeing their families again.

in s1, we got luther’s immense internal struggles in living up to his “name” and only existing to please his father... diego finding his relationships through his jaded nature towards his siblings and himself, and grappling with feelings of inferiority... allison’s coping with the effects her powers have had on her life, and trying to become someone without rumoring everything into existence, which is a new feeling altogether that she isn’t quite sure how to cope with... klaus going through intense development as a simultaneously self-obsessed and self-destructive drug addict that gets thrown into a gruesome war for a year, only to watch the person he loves most die, grappling with his ptsd from war & his abusive childhood, and discovering new powers... five coming back home after decades of solitude and then being used as a weapon, trying to reestablish himself within the group while dealing with an eating feeling that he doesn’t belong in his body or in this group.... vanya, oh vanya, with her depression, anxiety, feelings of loneliness and betrayal, feeling invisible and utterly ordinary, gripping to whoever makes her feel special (and dealing with that fallout) before suddenly being slammed with unbelievably powerful abilities that she can’t control.

in s2... yes, we get lesbian!vanya who becomes truer to herself, and - through intense struggle - finds a way to harness her abilities so she isn’t so out of control and can finally feel extraordinary herself. but much of the latter was given up for a vast majority of the season bc she literally didn’t know who she was (there was a positive in that though, which i’ll list in my positives list), and so we lost a LOT of potential coping and learning time, which easily could have mingled with her sissy storyline! allison’s storyline i actually dug, i don’t have too much gripe with it except that i wish her throat injury didn’t just kind of magically heal, and they could’ve addressed it more. the end of ben’s story was interesting, but still lacked depth imo. as for the other siblings.... it all just felt like a TON of jokes that were funny at first, but quickly became stale and had me wishing they would take the story a bit deeper. that said, a lot of the gags, jokes, and quips were great, but they could’ve been incorporated WAY more intelligently, and allowed for characterization at the same time. loads and loads of banter, not being balanced with poignancy like s1 did very well.

we could have seen luther’s descent into the criminal underworld, and why he felt the draw and obligation to go that route. a more detailed look at klaus’ beginnings and relationship with the cult, his motivations (which s2 kept super shallow), more of diego’s life inside the asylum and even beforehand. but no, we got five and old five farting.

2. the music - man, the s1 soundtrack was iconic, was it not? effortlessly cool scene/music combos, countless iconic music moments, brilliantly and thoughtfully done. this season felt like they said “music? oh ok throw music EVERYWHERE” and it was just. not. good. instead of music that intertwined with each scene like it was a character itself, amplifying the tone and adding a new layer (like in s1), the music this season was mostly just distracting, forgettable, and felt like they were this close to just making a bunch of music videos. i even found myself hating a couple of their choices (the rest i just kinda... forgot). i did like the vanya/allison/klaus dance scene, but other than that.... eugh.

3. the handler - I HATE. HATE HATE HATE. when shows/movie franchises do shit like make a big deal of killing off a villain or lead and then just being like “hehe jk uwu” and bringing them back with some totally bs reason that they lived. a metal plate? really? and she magically awoke... how long after? not to mention how unbelievably lazy and lame it is. they could’ve done so much more with carmichael and the swedes, but they had to bring back... the villain we already had? don’t get me wrong, i LOVEEE kate walsh, but come on. it’s season 2. give us something fresh.

4. the swedes - in s1, cha cha and hazel had personalities, wants, desires that were all explored. we knew their motivations, their doubts, their fears. we liked to watch them. then the writers threw in the swedes... who were completely devoid of any and all characterization (they could’ve gone in my #1 point too heyo), personality, backstory, anything. it was so painful that when each one died, it was clear that we were supposed to feel something for the others, but did any of you really feel anything? no. because we didn’t know these characters at all. they were walking guns, pretty much. nothing substantial.

5. ben & klaus - being someone who loves these two characters so, so much (hellloooo, my old url?), this one breaks my heart. i was so unbelievably disappointed with them this season. all either of them were was horrible to the other. in klaus’ case, he just decided to keep ben’s presence a secret, not even telling the group ben loved them, or that he was there. he called him his ghost bitch, he used him as a personal pet, he lacked sympathy or compassion. we saw a glimmer of hope when he allowed ben to possess him, but that’s where ben’s issues start. seriously, possessing your brother past his breaking point, fighting him out of his own bodily autonomy, until he is in a state of complete exhaution? then saying he “regrets nothing”? and then the show playing it off as ~comedy~ bc that’s almost all they cared about this season... no... there was nothing in their relationship this season that compared to last’s. no moments of tough brotherly love, where ben tries to help klaus through his drug/alcohol desires or ptsd flashbacks, no moments of teamwork (besides the brief moments of consenting possession before that was ruined), no tender moments between brothers in general. all just REALLY FUCKING LOUD “comedy”, anger, resentment, bickering, and cruelty, all played for laughs. not about it son

6. “we’re not blood related!” - and, once again, getting played for laughs... for a show that became uncomfortably self-aware with trivial fan desires (but not the deeper stuff...), they sure do lack a lot of common sense of realizing what we don’t want

7. hazel (& agnes) - they went through the trouble of saving hazel and agnes just to have agnes die off-screen before the season started, and for hazel to die five minutes into his only appearance? lame. lame lame lame.

8. plot pace - i don’t really recall any moments in s1 that i thought “this scene doesn’t need to be here”, “this is moving so slowly”, or “this is being really rushed”. there was plenty of all three of those in s2. s1 was constant, everything was either towards the main goal or was filled with private and fascinating character moments. i love just watching characters live and do their thing if it’s done properly... but those scenes this season really weren’t very entertaining (save one or two), didn’t really seem to serve a purpose or hold weight, and didn’t give us any character insight.

9. klaus - the reason he’s listed specifically even after i mentioned him in the first point, was because of how personally saddened i was by his “arc”, if you could call it that. i know, him being my favorite (along with vanya) in s1 isn’t an original thought. but the writers, directors, and robert created a character so entertaining, charming, layered, and multi-faceted that it was hard not to fall in love with him. for all his goofiness, he then got a shit ton of characterization and development in the war, in dave, in his ptsd and discovering his power. his poignant moments were so powerful because of how different it was from his typical outward appearance. and fuck if he didn’t develop! this season, klaus felt... shallow. the cult stuff had no depth, no real reason to be there at all (the show really wouldn’t be much different without it, besides it being how five and allison found klaus), and it was kind of a throwaway point anyway, just another tool to get - shocker - more laughs. those touching, serious klaus scenes were completely absent in s2... he was just the ~quirky~ and/or ~high/drunk~ guy. there was literally no depth to his character at all this season. yeah, he crawled from behind the desk in e9.... and what else? nothing. robert did all he could this season, but something tells me even he was probably disappointed by just how one-dimensional klaus was. he was really no different at the end than he was at the beginning of the season, which is a no-no.

10. klave - this is kind of an expansion of #9, but i was so disappointed by it that it needed its own spot. the only stuff that was supposed to be serious in klaus’ story - the klaus/dave stuff - was really not good. the moment the shopkeeper said “david?” in the store, i literally gasped bc i was so excited... but that was the last of any excitement i felt for the two, which, if you know me, is BONKERS considering how much i adore s1 klave. but this new young actor had ZERO chemistry with robert (fuck if rob wasn’t trying, though. it looked painful for him, but this guy really was just not well casted) (cody and rob were phenomenal together and had a fraction of the screentime this new actor had), and klaus being 30 and this actor/character being a kid was just... weird to watch. plus... so many white actors look the same, they really couldn’t find someone who looked like cody ray thompson? c’mon now ...... also, was there any point to it? at all? dave just wound up going anyway and there was literally no differences made in that situation. i think the writers thought they were catering to the audience by adding dave, but you need actors with chemistry (cody! cody!!!) and a good plot to do so.

11. s1 fallout - there really was none. that’s it. you’d think there’d be more after the explosions in the relationships of these siblings, but everything was just kind of glossed over.

12. sparrow academy - mostly here because... does this mean 7 more characters? meaning MORE time taken away from our og siblings, who already (mostly) didn’t develop well this season? i’m not gonna lie, i’m worried/

WHAT I LIKED

1. the chestnuts - i absolutely loved ray, loved allison, and loved their and their group’s work this season. the issue of race is so important all the time, but in the 60′s the tensions were so high and it would’ve been a joke if the show hadn’t addressed it or just kind of went with little racist remarks. these two had some of the most touching scenes of the season, and the sit-in scenes/every police scene had me incredibly anxious. that was well done, imo. which is proof that they still know how to do a good storyline, which makes me even more upset that the show was overall lacking that this season. i’m also so glad they didn’t go the “oh sry ray i still love luther’ route bc i literally don’t know if i would’ve kept watching. ANYWAYS im gonna miss ray sm :(

2. vanya & sissy - lesbian!vanya is all i want and more. vanya/sissy was all i want and more. these two, much like the chestnuts, breathed so much life into an often-dull season. so in love!!! vanya connecting with harlan even in just the most human ways!!! sissy finally standing up to carl (and carl d*ing god bless).... little found family oh my GOD!!! super devastated that sissy didn’t come back to the future with vanya, but because of harlan’s ending, something tells me we haven’t seen the last of them. oh and i am so conflicted about vanya’s amnesia, bc while i think so much more development could’ve happened without it, i also don’t think a lot of what happened with her and sissy could have happened, at least as quickly, if vanya was bogged down by guilt, anger, and lingering feelings of self-hatred and anxiety.

3. sibling dynamics - okay, this one is a contradiction, kinda sorta. i know i said the ben/klaus relationship was horrid. and i didn’t dig absolutely everything with all the siblings.... but they had some REALLY strong stuff this season. i know i’ve already mentioned it multiple times, but vanya/allison/klaus was everything to me this season. i knew i wanted klaus/vanya stuff happening, but adding allison to the mix gave it a whole new layer and they all just worked SO. DAMN. WELL. i just kind of wish it was vanya with her memories getting that bonding time, because i feel like the trio really could’ve gone in with how they all related to each other, their struggles, etc. but still, just some Happy Time was much appreciated. in addition to them, i really did dig a lot of almost every sibling dynamic this season. not every relationship got the attention it deserved, but it wasn’t too bad, it would be really hard to get all of that into 10 eps. plus, the fact that almost all of them grew so much closer was everyyyything. it’s odd, because good dynamics usually come with good development but uh..... nvm im keepin this section positive

4. the humor - another kind of contradiction, maybe. for some of the humor, i thought it went too long, was extremely heavy-handed, often took away from the plot, and some of it even degraded certain characters and situations (see examples throughout my points above). however, the stuff that didn’t fall into these categories was so, so good. some favorites: olga foroga, “think of batman, then aim lower”, “you look like antonio banderas with that hair” “thanks man”, i’m t h e d a d d y h e r e, “not everyone here likes you” “sounds ridiculous but go on”, klaus’ little pop culture quips to his cult, “being smart doesn’t make you interesting” “neither does that beard”, klaus calling ben to manifest and ben being like ”...nah”... there are plenty more, but these were the first i could think of in 60 seconds off the top of my head. some of it really was laugh out loud funny, which can be hard to do, especially consistently. if only they didn’t lean into it so damn hard, and put in WAY too much heavy-handed humor that it dampened the experience

5. old five - although i don’t love all of the stuff in the five/old five scenes, old five’s actor was fantastic! he got aidan’s mannerisms down really, really well. it’s always cool to see actors do that kind of thing when they play a character at a different age, or a character’s sibling, etc.

6. time period bigotry - i’m really, really glad they didn’t gloss over the intense racism and homophobia of the era. it was mostly brought up with allison, vanya, and klaus, and all three actors did a great job in their respective roles when expressing their reactions to the hatred. the scenes were really hard to watch, but well done.

7. pogo/grace/reggie - don’t get me wrong, i still hate reggie with a burning passion. but i actually found his scenes with these two really interesting, and it gave us great insight as to why pogo was always so loyal to reggie, and how grace was more than just a face on a robot to hargreeves. (which actually makes lack of development in our mains even more infuriating... they clearly knew to put some in there, where is it for the rest of the sibs who got nothing this season!!!)

alright, i’m gonna stop here. i’m sure i can think of more for each section, but i’ve been thinking this out and typing for an hour (holy shit) and it’s 2am and i need sleep xoxo

#anon #ask #tua2 #this is the most i've really sat and analyzed the season since it came out #feels good

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benisasoftboi · 3 years

Text

Unorganised thoughts on Trails of Cold Steel IV:

WHY ARE THEY CALLED CLASS VII?

WHO ARE CLASS VI?

Anyway - I started playing Trails in August, and I’ve finally, finally caught up (yes I know Hajimari I can’t read Japanese) and like... what do I do now?

It’s a fantastic series and I’m so, so glad I picked up Trails in the Sky on a whim last summer

This game was long. Is it longer than the other ones? It felt that way

The best part was the first chapter because Rean wasn’t in it and yeah I still don’t like him!!! But seriously, it was astonishing how much more I was enjoying things without him

I audibly groaned when goddamn bonding points returned in the second chapter

Actually that was a lie, the best part was Any Time My Angel Estelle Was On Screen

I missed her so much

I let her get the final hit of the game against the boss because she’s the best

Speaking of angels I caught three Wazy cameos!!!

Also Gilbert came back and if there had been a camera on me... I quite literally teared up a little I was so thrilled

I hate the curse it is dumb and rips all the nuance out of the characters. People do not need a goddamn evil curse to be swayed to extremes by overzealous nationalism. Trails I know you are better than this, I played Sky and Crossbell

Fav new location was Milsante (liked Alster too, though). I really like going to tiny little outposts and villages in JRPGs, they make the world feel more real

What the hell was up with the Osgiliath Basin? As in, Giliath Osborne??? Is this going to be a Hajimari thing?

Oh yeah, HOT TAKE, Alan Richard >>> Giliath Osborne. I was reading an LP of Sky FC while playing the game, and Richard’s motivation is clearer and less over-complex, more sympathetic, and he’s just generally a far more human character

Alan Richard best political antagonist in the series fight me (Rufus Albarea distant second)

For best supernatural/cult-y antagonist I’m stuck between Weissmann and Joachim. Or maybe Campanella lol

Oh uh speaking of characters named Georg I will never not hate everything about the George and Angie subplot. Angie should have died and George should have stayed evil, or it shouldn’t have happened at all. As it is, it was a complete waste of time - you could take it all out and NOTHING would change

Angie would have been the perfect character to sacrifice as well, she’s just important enough that it would feel like ‘oh shit’s getting real’ but not so important that it’s unbelievable

(like Olivier. I could not fully believe they’d actually kill him, and the moment Laura told me ‘they never found the bodies’ I was like, oh, so they’re definitely all still alive, cool)

I mean, it would be a Bury Your Gays, but honestly... there are things I like about Angie, but is anyone really looking to her as a lesbian role model? I hope not. Yikes

So yeah I guess I hate George now for getting my hopes up and then being boring. Shame

I did the Towa romantic ending, of course. I genuinely think she’s the best match for Rean, of all his love interests

Chaaaracters

Rean: Still the least interesting person. Not a good sign when I’m sadder about the robot dying than the main protagonist yeeting himself into the sun (side note, the two endings thing? Unnecessary and dumb). There is no reason girls would like him this much, blah blah I’ve said it all before. Liked his new hair. Honestly would have respected it if they’d had the balls to kill him off. I basically never even used him in battle lol, Juna became my new team leader

Juna: Honourary protagonist imo. I’ve changed my mind since CS3, she’s my fav new Class VII without a doubt. She’s just really good and full of personality and depth and OH GOD WHY IS SHE CRUSHING ON REAN WHY FALCOM WHY

Kurt: pls falcom don’t try to force this aroace king into a nonsense ship with Sully I liked her but what are you doing, anyway Kurt is great and he got cool new swords and he got to hang out with Mueller, who I adore, I love Kurt

Altina: I also love this little bunny. Her relationship with Millium is so lovely and seeing her grow and become her own person made me so happy and OH GOD WHY IS SHE CRUSHING ON REAN WHY FALCOM I LITERALLY SAID SHE HAS THE BEST RELATIONSHIP WITH REAN OF ALL THE GIRLS BECAUSE SHE DOESN’T DO THAT IN THE LAST GAME WHY DO YOU HATE ME????

Musse: Yeah I’m still not sold on Musse but I liked her better this time! I like a smart, confident girl! Just stop being weird about your teacher and we’d be golden!

Ash: Good boy. Sweet boy. Ash and Joshua game now Falcom

Alisa: Still cannot believe she’s presented as the deuteragonist by the marketing - but you know what? Solid arc, she got some closure with her parents, maybe she and Jusis can get together for tea and complain about their messed up families. She’s never going to be a character I like all that much, but I don’t dislike her. I just wish she hadn’t clearly been written as ‘Rean’s love interest’ before anything else

Elliot: I love Elliot, I really do. I mean, I wish he hadn’t been flanderised to the point of speaking in music puns half the time, but he’s a solid, consistently pleasant character

Laura: Goddamnit Falcom please give Laura anything resembling an emotion regarding her dad dying. Also you tell me she’s kind of oblivious and stuff but we never see it. I like Laura but she really could have been more

Machias: I love Machias, fight me fan base. He’s so funny to me. It feels like, at this point, all he really wants is a nice office job, near a nice coffee shop, where he files papers and sometimes gets to yell at corrupt rich people, but NO, he has to run about in dungeons and fight monsters, and are you FUCKING kidding me, ANOTHER crazy snake cultist!?!? It’s great, he’s the only one who’s just done with it all and love it

I low key headcanon that he and Jusis are kinda dating at this point, but we don’t see anything because the games are from Rean’s POV and they don’t want to tell him because they know he’d be weird about it

Jusis: I still really like Jusis! He’s interesting, and his surrogate brother-sister relationship with Millium is so sweet (yes, I saw that bouquet catch, Falcom, and I hate it, stop it, gross). Awesome to see him confront his brother, obviously I let him have the final blow. Rufus was a great antagonist. Jusis has some of the best development over the games, and is also really fun to use in battle (apparently I am the only one who feels this way though :/ ah well)

Fie: I was surprised by how much I liked Fie’s confession scene, seeing as I don’t like Rean/Fie at ALL. Fie finally gets to have feelings about her dad, and we see her working with Zin at the end! Very happy for Fie, best girl

Emma: Ahhh I still find Emma kinda dull and exposition heavy, but she also had a nice arc, I liked her relationship with Rose, all good

Rose beat me at Vantage Masters for 40 minutes lol

Gaius: It’s still extremely funny to me that Gaius became one of the most important people on the continent *off screen*. And he still doesn’t really do anything. He has his own airship now, I guess. Justice for Gaius

Sara: Kind of faded from relevance after CS1, but I do really like her all the same. And I loved her speech at the end

Crow: At the end his hair got darker and everyone was like ‘you’re back to normal!’ and I literally did not realise he was meant to have been looking different

But anyway Crow is a really good character and I literally never didn’t enjoy him. I love the bit where Jusis and Machias team up to call him a cringy edgelord, because they are right. Crow is fantastic

Towa: Towa has never done anything wrong in her life and all of Erebonia should pay for her therapy

Patrick: I cannot believe how much I love Patrick now, compared to CS1. He’s just such a sweetie. Good boy

Elise: Take her to the sun with you, Rean. Pointless character

Alfin: Is she the heir now? I hope so. She’s such a funny character, not my fav, but I enjoyed her

Angie and George: Should have died, moving on

Celine: I love her, but did she really need a human form? No, no she did not. Great character though

Tita: Special mention, because you know what? I do not like this version of Tita! Like I said, I was reading FC recently and she was so much better there! Now a third of her lines are just her saying ‘Agate’ in various different tones. And it feels like she’s lost a lot of her confidence, where’s the little girl who followed us up Carnelia Tower? I would have preferred them to just not bring her back at all

Duvalie: Haha I love Duvalie she’s great. Stop implying that she’s crushing on Rean. Literally WHY would she. Ugh

Rose: Everything about Rose is great, I would play a full game about her backstory. More Rose

Ships!

Obviously I like Machias/Jusis because I am BASIC

I didn’t like Olivier/Schera back in Sky, but you know what? They sold me. It’s cute (even if I feel Schera’s character was neglected in favour of Being A Love Interest, sigh). Though I’m not sure when Olivier made the switch from ‘Schera is one of many people I flirt with’ to ‘Schera is my one and only’?

But am I the only person who’s kinda on the Oliver/Schera/Mueller train? I’m not normally into OT3s, but Olivier and Mueller have one of the best dynamics in the series, and Schera and Mueller would probably get along great if they were ever allowed to properly interact. And you know Olivier would be down

Like I say, I do not like Jusis/Millium at all, it’s not a ‘I like another ship better’ thing, it just massively skeeves me out because of the maturity difference

Ash/Tatiana was unexpected but adorable

Patrick/Elise, because I want Patrick to be happy and Rean to be mad

Also Elise/Alfin, sorry Patrick

I hope Anton and Sharon really do get together. Sharon deserves unconditional love and Anton deserves a happy ending

Sharon also deserves to hook up with Sara like once

I also sort of feel like Sara/Claire would be fun

I’ve actually like Gaius/Linde from CS1, I’m happy it’s kind of a thing now!

If Lila/Maybelle is the LET’S GO LESBIANS Trails ship, then Emily/Theresia is LET’S GO BABY LESBIANS

Vincent/Margarita. They’re both horrible people. At least this way no one else has to deal with them

Joining my Kloe/Josette in the ‘crack ships I love that have very, very little canon basis’ is Fritz/Kairi, based on their interactions in that one mission and then that they’re eating together at Mishelam. It’s pretty much just a height differences thing, lol

Miles/Elnan. I have literally no justification for this

Other stuff There was this one scene where Gaius says how nice it is that Mueller cares about Olivier and Mueller just snaps his head round and the scene ends, and I don’t think it was meant to be funny but I laughed for like a full minute

The intro to the music at Mishelam is extremely creepy to me

I love the Pom Party mini game a whole lot

There were... a lot of typos in the second half of the script. It’s massive, so I’m not mad, but I hope there’s a patch at some point

BERYL BERYL BERYL BERYL BERYL I love her

Uh if we’re still doing romance next arc please give us a gay option, no Crow did not count

I hate divine knight battles! I really do! That last one against Ishmelga was really hard and not in a fun way! In a ‘this is bullshit fake difficulty’ way. Please don’t bring them back!

The true final battle, though? FANTASTIC, now THAT is a final boss! One of the best in the series, like that’s such a fun gimmick!

I got it trapped in break state and spammed Heaven’s Kiss/Quick Star, because I’m a strategic gamer

I am embarrassed by how long it took me to recognise Lucy

KLOE CAMEO!!!

Oh and I assume Kaela is going to be important next arc, since it’s in Calvard?

I love Thomas??? And Rosine???

Why was the grandmaster reveal hidden behind watching the ending twice, why do that? Great scene, though

My theory is that she is Aidios, I will cling to this for as long as possible

I probably have like a million other things to say that I’m just not remembering right now. Look forward to random shouts into the void about it in upcoming weeks, followers

I really enjoyed this overall, despite the problems I mentioned above. It was just fun, I like the cast, the gameplay is great... just a solid game

Trails is a really fantastic franchise - not perfect, but what is? I’ve had such a fun time with it over the past half-year, and I cannot wait to see what happens next. Thank you, Falcom, the localisation team, the VAs - stellar job all around

This is normally where I’d end on a joke but like. Nah, I’m just happy. Cue ‘The Whereabouts of Light’

#long post #cold steel #cold steel 4 #trails of cold steel 4 #cs4 #cs4 spoilers #cold steel 4 spoilers #trails of cold steel #kiseki #kiseki series #trails series #:)

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plounce · 4 years

Text

my Concepts for aj2

so these are my thoughts and ideas about the game that would follow aa4 in a timeline where we got a coherent apollo trilogy rather than aa5 and aa6. as such, i am discarding aa5 and aa6′s apollo backstories because i find them incoherent as an arc and only slapped onto him for the plots of the games. etc etc. theorizing on squandered potential is me-bait. trucy and klavier get to have THEIR place in the narrative as important characters!! (sorry athena. you will get your own trilogy with good writing and a better design in this timeline too)

this is very stream of consciousness and while i think it’s fairly coherent it is also not chronologically organized as i build on ideas. i am genuinely sorry if the read more doesn’t work on mobile because this thing is stupid long.

containing:

apollo, trucy, and klavier being a firm Trio and getting character development and growing closer :)

themes about found family, letting yourself love/be loved, performance and persona, love giving you strength to do good, you being the one to determine your identity

exploration of the trio’s backstories and the development of their skills

prosecutor franziska chipping away at the corruption within the legal system

klavier being the assistant for a case

kristoph continuing to be a corrupt bastard

buildup to the sibling reveal & canon klapollo in the conclusion of the trilogy

- apollo is the main character

- phoenix is absent for like the entire game besides maybe a couple tiny flashbacks, later revealed to be working with edgeworth on anti-corruption stuff (which is also tied to kristoph & kristoph’s ties within the legal system, “old boys club” etc)

- trucy is assistant for first half of the game

- klavier is assistant for second half of the game. his hair is in a little bun or ponytail :) no drill hair for THIS individual person

- klavier is prosecutor for trucy assistant cases. in the 3rd case klavier was supposed to prosecute against apollo but things keep getting fishier and fishier and things keep reminding them of kristoph. klavier is ordered off the case from on high. mysterious replacement. klavier is too invested in seeing truth & justice come to light so he helps apollo

- franziska prosecutes cases 3 & 4. she has short hair and it’s super sexy and hot.

- kristoph set things up so that klavier is implicated in things. dig into how klavier and apollo feel unable to escape kristoph’s influence - “he’s too foundational”

- 4th case klavier is on trial. oh maybe 3 isn’t about kristoph but it’s just background stuff about the rampup to the 4th case - klavier is put on probation while things are investigated but he doesn’t know WHY, but he’s still committed to his ideals

- trucy is pursuing her magic career, klavier still loves music - has been releasing solo stuff maybe, just some EPs for free/charity, but isn’t touring. focusing on law

- case 4 has a family friend (NOT A WOMAN FOR THE LOVE OF GOD... A MALE DAMSEL PLEASE) get accidentally poisoned through something klavier gave them. that’s the trial itself. kristoph was the source. klavier is arrested. it’s more complicated that this but it gets to this point. day 2 of the trial is when klavier is implicated and he gets yanked into cuffs from the defense bench

- one of case 4′s pillars is a memory from the gavin brothers’ childhood. discuss how kristoph was as a child. klavier has been realizing how... odd certain things were, and trying to pass it off as like “haha yeah kristoph would dissect dead birds and convince our parents that every mess was my fault. i guess that makes sense considering how he ended up haha? I Don’t Feel Strongly About This I Just Think It’s Funny :)”

- apollo’s perceive abilities expanding to be able to perceive general emotional states as well - along with learning to practice more empathy, being considerate. No Klavier And Trucy, You Are Not Fine. this is kind of like athena’s thing actually huh

- trucy, meanwhile, is learning to be more like. emotionally... independent? no. emotionally... self-caring. both independent in that she’s a young adult and also caring in that she is trying not to force herself to take care of everyone all the time and show her less pretty emotions to apollo. take care of herself

- case 1 has to do with something happening at trucy’s show/her career/her school etc. she’s still a real person etc. trucy’s friends mostly being adults, her feeling isolated at school. nah wait this is a slightly absurd world she’s not overly weird for her classmates necessarily. yeah ok it’s about magic

- case 2 has to do with klavier being a rockstar, the pressure of celebrity and public fascination with his persona. stalker fans, music industry, talk shows, etc. someone trying to convince him to come back to music. klavier has to arrest someone he’s fond of again. no big stadium performance in this game

- the trio all dealing with themes of hiding and trying not to feel “bad” emotions: apollo going “im fine” and suppressing his problems & just trying to do his job so he can cope with how overwhelmed & stressed he feels constantly etc etc + trucy hiding the secrets of her magic which is sort of representative of her hiding a lot of her sad/”ugly” feelings because she thinks she needs to because she thinks phoenix depends on her being cheerful all the time + klavier dealing with having a public persona and the pressures of being Himself, trying to be the person others see him as/want him to be, who is klavier when he is not performing? who are all of them when they are not performing? who are they performing for?

- yes i am a “woman” yes i am obsessed with the idea of performance

- trio all dealing with/feeling lonely wrt family: apollo learning more about jove (possibly during the music industry case - someone knew his dad, who refused a big contract), who he was & one of the cases involving someone from his past in the foster system - maybe it’s even clay! - but in general feeling very disconnected from “family” in general esp compared to trucy&klavier’s family troubles being so immediate and raw for them + trucy feeling lonely and kind of abandoned as phoenix is increasingly gone in this game and seeming very distant from her, similar to how zak abandoned her, and also the pains of growing up + klavier’s parents either are dead or are somewhat estranged after he got kristoph imprisoned, klavier feeling very lonely in general after his pursuit of truth&justice has snipped many of his connections from him

- yes i am gay yes i am obsessed with found family

- franziska having a moment of “i get how it is and it sucks” with klavier about Complicated Feelings About Family

- she eventually does realize during case 4 that klavier is guilty but has to hide it in order to push one of kristoph’s allies out into the open. sorry kid uh... what do you like. i will buy you. an ice cream? or something. look do you want a gift card i’ll buy you a gift card

- kristoph’s lawyer shows up near the start of the game to give things to apollo which he is deeply suspicious of but ema tests them and they come up clean. guy shows up here and there throughout the game. maybe tries to bribe apollo or something. apollo gets invited to a Fancy Lunch because he’s the one that bested kristoph gavin and that shows Promise. in a sense. or something. apollo being manipulated by people who refused to hire him when he got kristoph convicted etc

- themes about being young in a world full of secrets and webs of alliance that you feel barred from because you have ideals and won’t compromise them and also either come from nothing or burned all your bridges. just aa protag things <3

- oh maybe there’s a new judge who is also In On Nefarious Plots

- catching these people doesn’t fix everything but - it’s something. they got a couple shitheads

- trucy continues developing her gramarye abilities. more emotional depth. more exploration on complex feelings wrt phoenix and her childhood and her adolescence and how she’s fairly well-adjusted as one can be but also... the shit still hits yk... she’s like 16 years old so she’s maturing

- ema is there. she and apollo get along a bit better. asks after phoenix. provides evidence against klavier, and then evidence for.

- followup on apollo-edgeworth klavier-phoenix parallels - who is the one bringing them further into the light, chaser/chased, the one who wants more/the one who pushes away, etc etc

- follow through on implied gramarye mafia connections

- klavier isn’t super in the first case besides the courtroom and maybe one appearance, but he is like. worried about trucy if there is cause to be worried about her. set up their dynamic beyond trucy just liking the gavinners

- trucy&apollo and klavier&kristoph compares&contrast

- franziska is(/appears to be) very doubting/dismissive of apollo’s belief in klavier bc it’s like... are you pursuing the truth? or trying to shield your friend?

- apollo does end up almost very close believing klavier was in kahoots with kristoph/kristoph’s friends because it just looks. really bad. like it genuinely looks VERY BAD. and he’s like “i have to find truth like prosecutor von karma said”. yknow how with a lot of aa cases it starts out “oh no it looks open and shut” and then is like “NO WAY THEY COULD HAVE DONE IT... BUT HUH”. this one is reverse. and then straightens back out again. dig the hole then climb back out

- yeah the theme is like. “are you trying to find truth or do you want to protect your loved ones. what is your duty as a person, your job or your loved ones.” this carries through on klavier’s thread from aa4 where he has to work against his loved ones. meanwhile apollo, who is a bit more cool-tempered irritable grump, is the one going “oh god, am i biased towards my friends?” so it sort of flips. what kind of stories will you weave to clear your friends of blame? kristoph’s boys club.

- echo back to “evidence is everything” - this line of thinking (in a certain way) is what saves klavier when kristoph is trying to punish him for his betrayal

- since phoenix is away, the gramarye siblings aren’t revealed yet. but more info is dropped to compensate - stuff about jove and apollo’s childhood in the foster system and how that’s shaped him into someone who keeps people at arm’s length to keep himself safe; trucy and apollo getting closer despite that, trucy busting down those barriers because she needs his support and he’s like “oh my god i have to support her.” older sibling stuff.

- maybe the trucy case involves like. a mafia guy trying to collect on debts or smth and tries to ruin trucy, and threatens apollo. there’s a hint that is very obvious to the audience but is like “wow apollo he thought you were my brother!” like the mafia guy calls apollo “the other child” and apollo is like “hey, i’m 24!” which is humorous but also the audience is like Oh My God I Know What That Means

- there isn’t a deliberate withholding of information from phoenix - he literally is not there to withhold it. but there is still tension and stakes and weight to their relation - apollo keenly feeling his absence of family and trucy feeling sort of abandoned by phoenix

- phoenix is like “ok trucy you’re almost an adult so i’m trusting you to stay safe and responsible while i’m away. apollo will technically be in charge but i’m still trusting you” and privately to apollo is like “If Anything Bad Happens To Her. Your Head Is On The Line.” so it is just them making it on their own

- klavier drops the line “watching you two is like what kristoph and i should have had” and then there’s a couple “...” dialogue boxes as the audience is like I KNOW WHAT HE MEANS and then apollo is like “... are you for real comparing me to kristoph.” haha funny but also THERE IT IS

- very carefully walked tightrope. acknowledged enough that there is still tension/suspense around it but not too much as to be slightly infuriating

- before the last case trucy gets mad at apollo for something - trucy is allowed by the narrative to be angry for real. stand up for herself. trucy and apollo come back together to defend klavier. they see each other in the detention center when theyre still mad at each other - trucy was visiting klavier (he wasn’t there for the fight). “you made fraulein trucy very mad, hm?” then during the trial trucy busts in dramatically with important help when things look very bad for klavier

- aj3 has emotional revelations/high points of the trio - siblings reveal and klapollo canon. aj2 is a lot of building of these connections and building suspense and tension. more more more of these relationships before they emerge fully formed in aj3

- the last trial echoes the “im the only one who can save prosecutor gavin” or whatever gay thing apollo says in the last trial of aa4 because he literally is. just a lot of hinting and them getting along. case 3 is very important because that’s when it’s just them and it’s “oh! we work well together! we’re complementary!”

- implement the dual investigation mechanic from dgs so it does feel collaborative

- just build on the fact that klavier is the first friendly, helpful, cooperative prosecutor. he wants to help you. make that a very positive, very important feeling while still making it extremely enjoyable

- resolves in “you can have truth AND the ones you love”. or smth like that but more nuanced. it’s very inspirational and sentimental etc

- you get to meet vongole and it’s a Pet The Dog moment for klavier. look! how nice he is. he truly loves this insanely sweet and lovable dog. trucy is enamored with vongole as well. “it’s strange that she was kristoph’s dog, hm? with how affectionate she is.” “well, i guess being owned by kristoph doesn’t means she’s an equally bad dog ... ER i mean--” “hm, you always struck me as a cat person, herr forehead?” “uh - well yeah, you’re right. but... that doesn’t mean i don’t think vongole is a pretty great dog.” IMPLICATIONS. SUBTEXT. TASTE IT IN THE AIR

- oh there’s definitely a moment in case 2 when you get to examine klavier’s apartment and you can look at a couple albums and for a gavinners album apollo is like “ugh” but then you get one of his solo eps and apollo is like “trucy made me listen to this. it... was okay. not as bad as the gavinners stuff. sounds more honest. or something like that.”

- oh also when you examine the guitar klavier offers to teach apollo some basics. hee hee (BUT ALSO... JOVE!!)

- maybe for case 2 The Industry Suits want klavier to stop releasing his eps for free/total charity so it’s a whole coordinated scheme. his manager, a devoted fan who hates to see him going his own way and being happier for it, etc. “we want you to be the person you were. the one we could possess.” be more like gavinners klavier instead of honest relaxed current klavier. be who we want you to be so we can make you dance like a puppet. music industry kristoph parallels.

- “i’m sick and tired of being a plaything for other people!” >:( face moments

- a fan broke into his house and defaced the solo stuff etc. >:( face.

- who determines who “you” are? what role do your loved ones have in your life? those who truly love you can save you and make you better. loving and being loved sincerely and genuinely and truly have positive effects on your life. letting people love you and letting yourself love them is good.

- ugh but this kind of contrasts with the “the old boys club is controlling and using/shaping the institution of law to amass wealth and power for themselves while throwing others under the bus.” well actually wait

- lunch with apollo = they don’t actually care about each other, would throw each other under the bus for their own benefit

- contrast between sacrificing the weak to protect the strong and protecting the weak to depower the evil strong

- love and bonds can motivate/enable you to chip away at the system and can help you make a difference. les mis etc etc etc

- the old boys club are all putting up fronts of appearing strong and tough and above everything and in control. real love and friendship let you show vulnerability and weakness and help you & your bond come out stronger for it. (tumblr voice) the mortifying ordeal

- additional stakes of “if you are found aiding this criminal and hiding evidence etc etc we will disbar you” or smth. stakes for sticking with klavier, for winning the trial, for demonstrating care. franziska is kind of like “... apologies. but you had nothing to worry about so don’t worry about it.”

- klavier and apollo damned by association with kristoph, especially as a kristoph scheme was just found to happen, and it depended on kristoph being in jail, so maybe they were the ones to enable that part of the plan... it’s a long con...

- it feels like there should be another legal reform here to make aa4′s jury implementation but maybe this one is more about how reform is often very gradual and like chipping away at a mountain

- in aj3 the death penalty gets reformed. (tension there about kristoph being on death row and this game piles on a lot more GOD KRISTOPH SUCKS but then it’s like. no. we have to fight for True Justice and the legal system is extremely imperfect (how many of our clients narrowly avoided a wrongful guilty verdict!) so we have to prioritize protection over punishment)

- “it’s like chopping heads off the hydra. it feels like we’ll never actually change anything.” “yes, but hercules didn’t defeat it by himself. he had a partner that burned the stumps after he sliced off the heads. ... one person to hold the sword, one person to hold the torch.” NARUMITSU KLAPOLLO PARALLELS. HI

- okay i had some really good discussions on twitter w @henriettamarias about this and here’s a couple more things

- trucy’s case involves her inheriting the gramarye secrets and the legacy. the weight of tradition and the burden of what has happened in her family. trucy’s estranged grandmother shows up - it’s kind of similar to the feys kind of. the grandmother is a complex maternal figure who doesn’t know trucy and trucy doesn’t know her and it’s sort of the idea of... even if your “new” family is related by blood, you still have to choose them. and trucy’s like !!! because she’s openhearted but the grandmother disappears - doesn’t choose trucy. it’s not a Villainous Action it’s just... it’s complicated. maybe it’s to protect trucy or something. it wasn’t done to hurt trucy is what i’m getting at, but it still hurts

- one of the music industry people in klavier’s case is a gavin uncle/aunt/cousin who is pressuring him to go back to being an Extremely Profitable Rockstar. and klavier has to deal with more disappointment from a family that values extreme success and is sort of cold (this contrasts with the warmth of the WAA found family). they liked klavier when he was very successful and famous on two fronts but now he’s opened the door and invited in shame on their family’s name so everyone’s kind of mad at him. trucy and apollo get to be really defensive of him

- apollo’s case is one i’m still thinking on what it’ll be about because i’m deeply uninterested in his aa5+aa6 backstories but there’s not A Concept to go deeper into like trucy magic and klavier music... it does involve his past from being the foster system. i think maybe there’s a teen who he was kind of the older brother of for a while before the kid got adopted who contacts him for help defending himself.

- while trucy and klavier’s stories are about rejection from their blood family, apollo’s is about warmth with a boy who he met and made a familial bond with

- at the end of this case there’s some piece of evidence that mentions kristoph and this is never resolved within that case but it sort of leads into the next kristoph-focused case

- trucy doesn’t get angry at apollo over being like jealous there’s something else that happens in this case... it doesn’t end super satisfyingly and tidily wrapped up in a neat bow. there are a lot of lingering questions and it makes everyone uneasy

- in case 3 apollo gets injured and is feeling really defensive and kind of scared and trucy is upset with him for putting himself in harm’s way to save her and they have a fight and they’re both kind of hiding their true feelings with anger to cover up how scared they were (gramarye secrets) and it just. boils over. klavier tries to mediate but it’s... a lot. they both say some things they don’t mean. :(

- oh my god. the person who got poisoned in case 4 was apollo’s foster brother from case 3. and it HURTS because we’ve spent a whole case getting to know him and working so hard to save him from a guilty verdict and it’s like :D yay he’s ok! and then he just. dies. and it’s so fucking sad

- he got poisoned because kristoph looked through papers and found that him and apollo were close so he’s like “oh i can use that ^_^” because he’s a bastard. but klavier was the one in constant contact with him recently so it’s like UH OH! UH OH! plus other aa level complications etc

- the tightrope of trucy being mad at apollo and the tragedy of apollo’s foster brother dying is one that will have to be very carefully walked bc we don’t want trucy to look like an asshole because above all she does love apollo

- i guess it’s also apollo pushing her away because I’M FINE. STOP TRYING TO MAKE ME CONFRONT MY TRAUMA. IF I THINK ABOUT MY PROBLEMS I WILL GO INSANE. yeah that works

- OH and also she’s mad at him for not telling them about the lunch with kristoph’s lawyer friends. klavier is kind of mad about that too so apollo is like STOP GANGING UP ON ME

- so the setup of case 4 is: day 1: apollo and klavier investigating, in court klavier is implicated and is put in detention, day 2: apollo investigating by himself and missing his friends :(, franziska being like “where is your sister” and apollo being like “ok first she’s not my sister. second IM FINE I CAN BE ALONE, I CAN’T TRUST ANYBODY ANYWAY” and franziska is like “... yeah being betrayed sucks, i get it, but like. are you sure about that. fine whatever you idiot be a fool”, but then in court trucy busts in at a dramatic moment and narrowly saves klavier from getting a guilty verdict, day 3: trucy and apollo investigating and Saving The Day!!!!!

- for franziska in case 4 there’s this tension between her belief that klavier is guilty (because shit looks BAD and also kristoph sort of sent shockwaves through things etc) and franziska being older (she has short hair and it’s hot) and more emotionally mature and being like “baby lawyer. it’s okay to chill. it’s fine. you’ll be okay”. but also being extremely wary and hating the corruption and collusion within the law community because MvF dealt with a lot of that and she will be BETTER than that, she has to work hard to erase the harm that her father did. she’s kind of a superhero in terms of tackling a lot of corrupt-lawyer/cop cases - it’s her specialty now. god she is hot

- aw in case 4 ema is like. kind of reluctant to help implicate klavier. because while she thinks he’s annoying she doesn’t think he’s a bad guy. she feels really conflicted :( like she blusters to cover it up but she does say to apollo at one point “hey... you better do your job right. don’t slack. defend your client.” awww she care him

- kristoph gets brought out from prison as a witness in case 4. this really negatively affects klavier (and apollo too kind of but less so), but the strength of Found Family helps him be strong :) yay

- there’s mention made of kristoph having Secrets, but since apollo doesn’t have a magatama and phoenix isn’t there, the black psyche-locks aren’t explored. it gets revealed in aj3

- apollo does have a conundrum similar to the aa5 stuff where his perceive ability is going haywire at klavier’s entire emotional state because BOY is it screwy (suppressed memories from childhood??) so he just has to rely on plain old logic

- (cw animal death) god what if one of those childhood memories is kristoph poisoning klavier’s pet - experimenting, doing trials. klavier realizes that during the trial. jesus christ. evil bastard kristoph i hate his guts. at least klavier gets to go home and pet vongole so so much

- OH on a happier note we get to meet mikeko... mikeko loves trucy and klavier so much. it’s like a big gooey hint that LOOK APOLLO LOVES THESE PEOPLE - HIS CAT IS PURRING AND CUDDLING ALL OVER THEM :) Express Your Feelings, Apollo

- i think for aj3 it’s apollo & co having their own schemes and plans sort of. bc in this setup, klavier and apollo (and trucy too) are being yanked around by the machinations and plots of the older generation like in aa4. i think in aj3 is when they finally get a leg up and have control over things for once. good for them! good for them

- oh also in aj3, it’s revealed that thalassa has been held hostage by some bad guys, which is why she didn’t come back after some time away to figure herself out to tell them. and then apollo and trucy get to know they’re siblings :)

- okay that’s it. maybe i’ll add more if i think of more. hope u enjoyed :~)

#ace attorney #apollo justice #aj2 #klapollo #trucy wright #klavier gavin #i had a lot of fun writing this post :)#chirps #aa #aa4

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