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#damn it if only I could write

randomsufff · 6 months

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I’m back Michie girlies and this has been on the dome for a while but I’ve been seeing people mention it and at least one fic has executed this idea (“I once was his tutor” I salute you 🫡) but I need to just present this idea anyways because it has COOKED for a while-

I think it would be absolutely fucking hilarious if Max had started treating Richie the way he did Grace. Like the whole, dumb himbo act where he laughs real hard at non-jokes and tries to rizz Richie up as he’s going to class.

In my head- this is connected to the “Richie tutors Max” universe, so in my mind- Richies been helping him out and he’s been getting to know the guy, Max either: 1) eventually realizes how much of a capital P Prude Grace is OR (the funnier option I think) 2) Grace, in her want to get thoughts of Max Jäegerman out of her head, goes so far in the opposite direction that she somehow accidentally sleeps with a woman and is no longer “forbidden fruit” as Max puts it. (Insert side story of Grace battling internalized homophobia as she developed a friends-with-benefits turned maybe actual relationship with…. idk Deb or Alice or someone.) Cue Max looking at Richie and being like “I can totally seduce this nerd, my skills aren’t lacking just because I couldn’t get Grace.. this is 100% not me subconsciously really liking the dude and wanting to genuinely date him and knowing no other way to outwardly express this”

ANYWAYS- point is I need Max to try to flirt with Richie in that himbo way that he did with Grace-and I need Richie “This projects on thermodynamics… what the fuck are you talking about???” Lipshitz to just be constantly confused on what’s happening to him.

AND THEN when he finally realizes that Max is trying to get with him, I need Mr. Richie “has definitely never been with or slept with anyone and is just as unhinged and horny as Ruth (need I remind you she said Stephanie was the object of both their sexual fantasies)” Lipshitz to look at Max, really debate over it, before going “I may not have standards but I, unfortunately, have morals” and that he couldn’t do anything with Max since he was… well…his and his friends bully for years.

Boom, kick start the redemption arc that starts with Max just wanting to sleep with Richie but shifts to genuinely wanting to date him and trying to open up/clean up his act.

(Also- to add to that ‘“Dirty Girl Soup” Richie version’ concept that I’ve seen somewhere- I think it would be so fucking funny if Max’s equivalent to this, scandalous, forbidden, sexual fantasy was just Richie being the most supportive, understanding and healthiest boyfriend ever. Just accidentally fantasizing them in the most domestic situation ever (you know, because it goes against his Literal Monster persona). Like Richie’s, i don’t fucking know, holding his hand as they get coffee together and is just so understanding and calming when Max attempts to bully this fantasy Richie, and Max-who is just swimming in toxic masculinity (but is super ok in knowing he’s bi. As people say- he’s an actual asshole but he will bully you using your correct pronouns damnit)- is just like “NO, what are these feelings??? Why do I feel like this??? This is so wrong… but why does this feel… actually nice???” Yeah… funny shit)

#michie #max jagerman x richie lipschitz #max jagerman #richie lipschitz #damn it if only I could write #maybe one of these days I’ll just start writing shit #I’ve always wanted to write fics-#I love that this tag and this ship is just an echo chamber of ideas #we really do be feeding each others huh #nerdy prudes must die #starkid

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theriverdraws · 5 months

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I know this movie is recent-ish, but the lack of an Encanto series is still crazy to me.

Like, it doesn't even need crazy magical lore, it can be episodic, it's so simple:

Family dynamics not seen in the movie

Why doesn't Mirabel have a gift (theory of her being the next matriarch being the most obvious one)

Seeing the other rooms

Bruno's new interactions with the townspeople and the family

FERAL ISABELA!!!

Dolores and Mariano

Unexplored trauma with Dolores and Camilo, GET THEM THEIR SOLO SONGS!!!!

The dads' sides of the family

Abuela Alma trying to do better

Childhoods of the triplets

On that same note, how the couples met each other.

More on Alma and Pedro. Etc

And if you wanted new stuff, HAVE THEM OPEN THE ENCANTO TO LET MORE PEOPLE IN, new technology that Encanto doesn't have access to, new ideas and cultures - it can even bring drama if the new people try to do bad things and the family goes all x-men on them.

It's so many possibilities that if they never do it it's a damn shame.

#THAT'S ONLY WHAT I COULD NAME AT THE TOP OF MY HEAD #LIKE DAMN LET ME WRITE IT. I NEED THIS #jokes jokes #encanto #encanto disney #mirabel madrigal #abuela alma #alma madrigal #bruno madrigal #camilo madrigal #isabela madrigal #dolores madrigal #luisa madrigal #antonio madrigal #julieta madrigal #agustin madrigal #felix madrigal #pepa madrigal #disney

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jennrypan · 1 year

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Everyone always goes on about how Adrien and Mylene aren't assholes despite experiencing trauma

But

Surprise, surprise!! People react differently to trauma!

YOU may wanna be a better person, YOU may never wanna be mean.

But not everyone comes out of trauma all nice and kind.

Obviously, and I can't stress this enough cuz sometimes people CANT FUCKING READ. This doesn't mean be a bully, this isn't excusing Chloe. She's a fucking bully and an asshole. We KNOW that.

But holy shit. Not everyone wants to be a good person, sometimes when you feel shitty you wanna lash out and take it out on everyone. Is it right? FUCK NO. But it happens.

It doesn't make then evil, (especially when you're fucking 14 and you get compared to a literal grown terrorist, bffr)

Also. Marinette told Chloe in order for her shitty mom to love her she had to act like her..no ones gonna talk about that stupid ass evidence?? Just. God damn.

Also. Mylenes mom abandoning her shouldn't be compared to Chloes mom abandoning her to have a whole other child and leaving Chloe with a spineless, useless father who gave her EVERYTHING she wanted and never taught her how to act cuz he sucks.

Adrien was conditioned to act properly and do everything he's told or he'll get his freedom or anything he loves takin away, and despite that he still sees the good in people, that's great!!

Chloe was raised being handing everything with no consequences. They can't be comparable!

Chloe definitely deserves to be called out for bullying but she's not worst than all the shitty parents or terrorists in this show idc

#ml writing salt #j.p speaks #miraculous ladybug #im seeing #some opinions and i had to give my own #chloe burgeois #chloe bourgeois #which is it damn #adrien agreste #mylene haprele #stop comparing them like not everyone wants to be a good nice person #i WISH i could get akumatized and break cars and buildings tf #i dont wanna be nice #the only reason im not throwing water bottles at cars is cuz OF THE LAW. THATS IT.

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possamble · 13 days

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What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

#asks #she could easily be interpreted as distant or neglectful after Donato's death too #with how little involvement she has in Marcille's life/the fact that Marcille doesn't even mention her when talking about her life prospect #and that's fair! I will argue to hell and back that she was a loving parent when Donato was alive #but there's nothing that suggests she remained a loving parent afterwards #I just think that like... parental relationships are so complicated in dungeon meshi #you cannot deny that the toudens' mother loved them dearly but that she failed them both miserably as a parent #and i think it'd be more compelling if Marcille's mother was a little like that too #not a totally and easily dismissable deadbeat #but someone who truly loves her daughter but was only human herself and couldn't be what Marcille needed at a crucial moment #and regrets it deeply #and that the distance between them is mutually self-imposed by complicated feelings of guilt and fear #and a little resentment from Marcille's side that she hasn't really properly processed #I don't know if I'll ever get around to writing it but i had this idea where Marcille does finally spill the beans to her mom and she just #immediately arrives in Melini #and its awkward for a bit but they do finally have a heart to heart and air it all out #and marcille starts freaking out that her marriage is rocky rn bc her new husband wants her to distance herself from marcille #on account of the crimes and all #marcille's like no you can't blow up your marriage for me and her mother just shuts that shit down #'you didn't choose to be born. i was the one who made that choice for you'#'i brought you into this world and i'll be damned if i don't take responsibility for that the entire way'#'you are entitled to *nothing less* than my unconditional love.'#and obviously that's not a sentiment that's exactly healthy as a universal statement about parenthood #but i think its what her mother would believe and what marcille needs to hear #and dungeon meshi does such a fantastic job at just... letting imperfect things just *be* without having to justify it immediately #it expects the audience to do their own critical thinking #and know that its not trying to make sweeping universal statements in every instance #marcilleposting #marcille donato

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februarys-wednesday · 8 months

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never understanding y'all who hate shakespeare or studying shakespeare because ONE shakespeare fucks very hard and TWO if you are in like middle school high school it is the easiest shit to study i mean the EASIEST if you don't like to read shakespeare you can go to YOUTUBE DOT COM and type in ANY OF SHAKESPEARES WORKS and you will find a FULL PRODUCTION OF IT for FREE you SHOULD follow along with your book but you don't HAVE TO because you're experiencing shakespeare in the WAY IT WAS MEANT TO BE EXPERIENCED and you will ENJOY YOURSELF and you will LEARN SOMETHING and this is the ONE OPPORTUNITY YOU'LL EVER HAVE IN LIT/ENGLISH/WHATEVER TO WATCH THE "MOVIE" VERSION OF THE BOOK I CANNOT BELIEVE PEOPLE BITCH AND MOAN ABOUT HOW BORING AND DIFFICULT SHAKESPEARE IS!!!

#insufferable theatre freak nonsense #i fucking LOVE shakespeare #as literature but first and foremost as THEATRE AS IT WAS MEANT TO BE EXPERIENCED!!!!!!!!!#and it's the easiest shit to study #like hello it is pretty much word for word translated onto the stage #these writings are so sacred that people won't fuck with any characters lines or plot points #it's way better to study shakespeare watching in tandem with reading you will understand it so much better #i could go on forever #hate hate hate how schools teach shakespeare because he fucks heavily and is way cooler than the way we're taught it #it is a DAMN SHAME that i was the only person in most of my classes who actually enjoyed studying shakespeare #because i was already into theatre and i actually understood it #you have to be able to UNDERSTAND it to ENJOY it and the way we teach it doesn't teach understanding!!!!!#i'm being 100% fucking serious if ur studying shakespeare rn cause you have to for school look up a production on youtube and read along #you will actually understand what they're saying because it's being ACTEEEEDDDDDDDD #LIKE IT IS SUPPOSED TO BE!!!!!#okay anyways #theatreposting #shakespeare

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catsafari25 · 5 months

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A/N: Hello again, and with this I think (?) I may have succeeded in writing enough bionicle fic to get it out of my system (unless another plot bunny hits me like a cannonball, but... eh, we'll see) and thus, here is the companion piece to the Vakama & Roodaka oneshot.

This time, exploring the scene where Vakama entered the Great Temple, from his side of things! This was also partially inspired by the scene in Challenge of the Hordika where Nokama is almost physically repulsed in trying to enter the Great Temple :)

In the tunnels beneath the temple, Vakama must stoop.

At first he shuffles, mutated arm tucked against him and his sole hand brushing only briefly along the floor to steady himself, but the passages are dark and deep and lined with creatures which seek out the weak. The eyes that watch him are not hungry. They keep their bellies too full for that.

In the end, it is easier quicker to drop to all fours, to share the weight between claw and tool that feet alone cannot. His altered form folds into the new stance with frightening familiarity. It's comfortable.

Natural.

The crown of his mask grazes the tunnel's ceiling, but only in passing. His gait is sure. Well. Surer than the ungainly slouch it had been before.

It was said – back when Matoran were awake to say such things – that even the strongest swimmers of Ga-Metru would hesitate before plunging into the depths of the protodermis sea. Not because the creatures there had any fondness for the taste of Matoran. In truth, it was thought that the rahi actively disliked the flavour. No, it was because the way Matoran swam was indistinguishable from the rahi's usual prey. Only when they had sunk tooth and jaw into their meal would they realise their mistake.

It was an annoying, if harmless mistake for the rahi.

Matoran couldn't say the same.

Vakama's early crawl through the passage had been like that of a Matoran swimmer: functional, but slow and indiscernible from wounded prey. Creatures drag themselves down into these depths to die, in hopes that they will be devoured only when they are too far gone to feel it. The eyes are patient. They will wait to see if this newcomer is similarly inclined.

And so when Vakama drops to his haunches, the eyes blink. Reassess. He moves less like the hunted and more like the hunter now, more predator than prey, and the eyes – and teeth – keep their distance after that.

The path Vakama stalks through was once a protodermis pipe, made obsolete even before the cataclysm. Newer conduits had been built, more efficient, more resilient, and this one had been disconnected but never dismantled. When he reaches its origin, it takes some effort – and his blazer claw – to break the seal across the hatchway, but when he does, one of the temple's protodermis purification chambers looms above him.

The room beyond is quiet.

Unmarked.

He doesn't realise he's stopped until the chittering of his audience draws closer. The snarl he throws back echoes off the pipe's walls, and the eyes retreat, but do not leave.

Vakama curls his hand around the lip of the hatch, and then falters.

Something is wrong.

It's not a pain, because the feeling does not hurt as it ought, but something is undeniably, fundamentally wrong. It causes his breath to catch, his hand to flinch, and it would be so easy, so easy, to turn and walk away, only...

Only he came here for a reason.

The wrongness flares, amplified for a moment, and then he pulls himself up. The eyes watch, but do not follow. Do they feel it too? Can even such base creatures sense the innate malice the temple exudes?

He clambers out of the purification chamber – empty and abandoned now – and stumbles upon his landing. He catches himself, but does not rise back to his feet.

Wrong.

This is wrong.

And at the edge of the wrongness there is a strange sort of terror. It dreads the same way the fire fears the sea, the same way the prey fears the predator; it is the meeting of two primally antithetical forces where only one can survive. It whispers turn back through his mind.

He moves into the next room.

It's one he knows well. Light filters down from the rot-stained windows, centering – as it had the day he'd first seen it – on the suva, and casting long sentinel shadows of the columns standing to attention around it. A crack mars the suva, its stone dome now split cleanly in two from the quakes, and – drawn by some desire he cannot identify (instinct, curiosity... nostalgia?) – he approaches.

It seems so small now. Even bowed and altered in his Hordika form, he looms over the Ta-Metru symbol he'd once had to stretch to reach.

Unbidden, his hand moves to the niche where once he'd placed a Toa Stone – where once he had though himself chosen, duty-bound, destiny-gifted – and falters a breath from the stone.

The wrongness spikes.

Screams.

And with a twist of something he will not call horror, he understands it is not originating from himself.

But from the temple.

It is repulsion. It's alienation. It's recognising him, but as other, as rahi.

It's disgust that a monster would dare enter its sanctuary.

In the Ta-Metru carving, stone once polished to the point of fragmented reflection, he sees a glimmer of his own face. Neither Toa nor Matoran. Nothing blessed by Mata Nui.

Vakama recoils.

And then a wave of his own disgust, propelled by that fury that runs so close to the surface now, rolls through him. If you didn't want us as the Toa, you should've stopped Makuta from choosing us, he thinks, and digs his claws into the stonework.

The wrongness sings.

But he knows it for what it is now, and his morphed, clawed hand gorges scars through the carving. The stone is soft. Its makers had never imagined someone would take a blade to it.

There comes a tapping from across the room, echoing brazenly off the ancient stone walls, and Vakama retreats instinctively into the shadows. A Rahaga enters.

Norik?

No, this Rahaga's armour is more akin to a Po-Matoran than a Ta-Matoran's, the colour of dust and stone. Vakama tries to recall the Rahaga's name – and then dismisses the attempt.

It won't matter, in the end.

The Rahaga walks as he always has, stooped and slow, but clearly unhindered by the temple. He passes by the suva and runs one gnarled hand across the stonework, his movements marred by curiosity rather than reverence.

The rage arrives a fully-formed creation. It drowns out the wrongness, floods the apprehension, and he is moving before he's decided that this is the path he wants.

It is not pain, for it does not hurt as it ought.

But it does still hurt.

Whatever the Rahaga might once have been, they are old and weak now. Four are captured before Vakama's rage has a chance to cool, but the ire is no less dangerous when it does.

(That's the thing about Ta-Metru; it's not a place of fire so much as it is of magma. And magma doesn't extinguish with the cold; it sets. It moors itself into place, an unmovable, burning force.)

The rage settles, solidifies around his heart and lungs and carves a home between his breaths.

(Magma is not fire. It does not leap blindly from one source to the next. Instead it advances. Slowly. Steadily. It finds a channel, a destination, and it engulfs all in its path until it reaches it.)

He finds the last two remaining Rahaga, pathetically ignorant to their brothers' fates and still scavenging the temple for answers. He hears the way Norik appraises his sister's translation, relief clear in his voice that they are one step further on this wild rahi chase. Relief, surely, that the Rahaga are one step closer to regaining their Toa form.

(And Vakama's anger has found its destination.)

He does not descend on the Rahaga's leader the way he has the others. No. Norik will know what's coming for him first. He gets to fear. Vakama waits until Gaaki has gone, until Norik is alone, and then he circles. The wrongness thrums in his veins, weighing him down and labouring his breaths. It doesn't matter. Let Norik hear his approach.

Norik doesn't try to run. Vakama will give him that much. (A wise choice. Vakama intends for this encounter to last, but if Norik runs, Vakama cannot be sure he won't chase.) Instead, the malformed once-Toa calls out and actually tries to approach him. Stupid. Doesn't he know that he won't win any fight, transformed as he is? As both of them are? No, instead, he tries to talk. As if they are equals, as if Norik has done anything to deserve his respect rather than his scorn. As if he has earned the temple's forgiveness for his trespassing.

Even when Vakama raises the fate of Norik's fellow Rahaga, Norik attempts to sway him with the illusion of reason, talking of duty and unity, as if he's not using the other Toa Hordika to chase after a rahi myth for his own desires. As if their roles are in any way comparable, both Toa of Fire once, both leaders, it's true, but Vakama hasn't forgone his duty to chase after selfish needs.

And it stops now.

Vakama circles closer, and Norik is still talking, unease in his voice, but not fear. Still searching for the right words to turn Vakama to his bidding as he has the other Toa Hordika. Ever the voice of two-faced logic.

Why won't he just shut up?

Does Norik think him to be as gullible as the others? As quick to desert his duty as them?

And Vakama knows he wants – needs – to shake that assurance, that arrogance out of Norik. Needs to see that facade of self-righteous wisdom crumble into the terror of his situation.

The growl begins deep in his chest and, unleashed, it becomes a roar. He rears out of the darkness, into the weak sphere of light surrounding Norik – and there, there he finally sees true fear fill the old fool's eyes.

Something slams into Vakama and he reels, his roar cut short. His hand reaches automatically, defensively, to his mask. He finds only water there. It clings to him, imbued with some sort of power – he can feel something other in it – but otherwise impotent.

"Leave my brother alone," Gaaki snarls. She stands in the doorway, small and hopelessly overpowered, but her shoulders are tensed with a stubborness Vakama recognises. Already, her spinner is powering up for another shot.

Well. Two can play at that game.

Vakama's rhotuka fires into motion, but the water has seeped into the mechanism, and dowses the fire before it has a chance to catch. He gives it a withering look, before turning the expression onto Gaaki. "Very clever."

Another water spinner hits him, but this time he is braced for it and all it does is wash harmlessly off him.

"Is that all you have?" he asks. His blazer claw splutters, but the claws on his hand flex. After all, there's more than one way to defang a muaka...

Gaaki steps back. Good. She knows she's outmatched. "It's a devastating attack underwater," she offers, and her words are strong but there is a cracked edge to them.

"Then you'd better start finding a puddle," Vakama growls, "before my claws find you," and he drops into a run, feet pounding and fangs bared and that ever-present wrongness humming about him.

She doesn't flee. Just like Norik, she stands her ground, gnarled fingers wrapped tight around her staff. Her eyes are hard, but he sees the way her hands shake.

How long will her resolve last, Vakama wonders. Before or after the claws find their mark?

He never finds out.

He's knocked off his feet before he reaches her, and when he hits the ground, ropes of energy pin him to the earth, like a water-bound rahi caught in a net.

What–

Norik.

He'd forgotten Norik.

He thrashes against the restraints, but they hold strong – for now. His blazer claw splutters again, but it does nothing to the energy that binds him.

He stills as he hears footsteps approach.

The two Rahaga hobble into his line of sight. Gaaki is breathing hard, as if only now is she allowing herself to feel the fear. "You left that late, Norik," she says, and even the breath that follows sounds more like a shaken wheeze than a nervous laugh. "Almost too late."

"I only had the one shot. I couldn't afford to miss," Norik replies. "He's got our brothers. Gaaki, go find–"

"I'm not leaving you alone with him," she retorts. "I only went for a moment before, and look what would have happened if I hadn't returned."

Vakama tilts his head as well as the energy net will allow. He grins at the Rahaga, anger curdling it into a sneer. "Yes, Gaaki, you're very good bait, congratulations." He shifts his gaze to Norik. "But you've always been so good at getting others to do your dirty work, haven't you, Norik?"

Norik doesn't even have the decency of guilt. Instead, he simply looks tired. "Whatever you think you know–"

"I know the truth! You don't care about the Matoran, you only care about yourselves!" He strains against the ropes, and although they do not break, there's a little more give in them than before. He slumps back to the ground, breathing hard. "You might have the other Toa fooled. You might even have the temple fooled, but not me," he growls, and the temple's hatred presses down on him, straining his last words.

Gaaki places a frail hand on her brother's arm. "Norik," she says, and there is such unbearable sorrow in her voice. "He looks in pain."

"It's not my doing," Norik assures her softly. "My snare spinner only binds."

Vakama snarls. "I don't need pity from the likes of you. I know what you are."

"We're allies, Vakama," Norik says, in that insufferably reasonable way of his. "Friends."

"You're frauds," Vakama snaps. He twists against his restraints. They slacken, just a touch. "Liars. You don't deserve to walk these floors."

And the Rahaga stand there, unburdened by the temple's hate, strangers to this land, to Metru Nui, and yet it is Vakama the temple repulses? After everything he has forgone, the life he's abandoned, the friendships he's lost, Mata Nui punishes him?

His rhotuka fires off a fire spinner, and it goes wide, cracks a wall. Norik and Gaaki stumble back, Norik preparing another snare shot, but the energy net holding Vakama snaps. Vakama lurches forward, suddenly free, and slams into Norik.

The snare spinner wraps itself around a column. It lights up the room with crackling energy.

A blast of water grazes past his shoulder, too shy of hitting Norik to commit to taking the easy shot, and Vakama reels towards Gaaki. He fires with a snarl, but hears the snare spinner coming again and ducks at the last moment.

Again his own attack misses and the shot cleaves clean through a wall. Something on the other side begins to smoulder.

Then it begins to rumble.

It's a low sound at first, as deep as the earth and just as vast. Almost like a distant growl. But then the cracks begin to spiral out across the roof, along the columns, and the room buckles.

The light flickers. The frames of the high windows above collapse.

The world becomes fragmented, filled with flickering images. Falling masonry and toppling pillars and dust – but the sounds never relent. Even in the depths of the passing darkness, the thunder continues.

And when the dust settles, so does an awful silence.

Vakama straightens, or does his best approximation of it. Fragments of cracked protodermis fall from his shoulders, his head, his back. He withdraws the hand which has somehow found itself raised above Gaaki, knocking aside the stone slab caught against his arm.

Where's Norik?

Both Hordika and Rahaga stand side by side, that quietness disturbed only by the skittering of stone shards settling. There is wrongness in his breath, his head, and it's impossible to separate where the temple's ends and his begins. But any moment now, Norik will reappear from the wreckage, bearing that ever-same holier-than-thou look, and the anger will rise anew in Vakama.

Any.

Moment.

Now.

"You've killed him," Gaaki says, and her voice breaks that terrible stillness. She draws in a half-breath that cracks into a sob. "You've... oh, Norik..."

No.

No, it was an accident. He hadn't meant to– Norik had simply been in the wrong place. It wasn't as if he'd taken a blazer claw to Norik, or hit him directly with a fire spinner. He'd only meant to... what? What had he only meant to do?

Something swings towards him and he grabs the staff before he even registers what it is.

"He's not dead," Vakama says, and maybe if he says it, he might even believe it. He snaps his gaze to Gaaki, as if her grief is bringing it to pass. "He's not. He's not as easy to kill as that. When the others– when the Toa find him, he'll be fine. Fools like him always find a way to survive."

Gaaki attempts to pull her staff free, but her strength is no match for Vakama's. He wretches it out of her grasp and tosses it aside.

"Stop that."

She doesn't listen to him, only steps back and charges up her rhotuka. The grief in her eyes fogs into hatred.

The water spinner hits him but does little more than rock him.

"Stop."

Gaaki screams, a sound of rage and anguish, and releases a volley of spinners as ineffectual as the first.

Vakama's patience – or whatever had held him in place until now – snaps. He lunges forward. His claws close around the joints of Gaaki's rhotuka and pins the mechanisms harmlessly into place, in the same manner one might pick up a baby ussal crab by the widest edge of its shell. She thrashes, but Vakama's grip holds.

"I said, stop," he snarls.

She's breathing hard, her gasps sharp-edged with agony. "You killed him," she says, voice hoarse and hateful.

His insides twist, and – Gaaki hauled by his side – he starts the ascent to where the rest of the Rahaga are trapped. He doesn't look back to the rubble. Doesn't glance for one last glimpse of Norik's resting place.

He's not dead. He's not dead he's not dead he's not

The wrongness, the hatred, has woven so deep into him, it's almost a part of him now.

Toa don't kill. Vakama can't remember who taught him that (he recalls, briefly, the flash of a gold mask, but it comes with pain – grief – and he pushes it aside before it can take root) but it gnaws at him like a trapped stone rat. Toa don't kill.

But he was never meant to be one.

And if the Great Temple – if Mata Nui – thinks a mistake was made in Vakama's destiny....

Well. That's somebody else's problem.

The Hordika that returns to Roodaka is different from the one she sent out. There's something new in his eyes... or perhaps something lost.

"How was the temple, Vakama?" she asks when it's just the two of them.

He looks to her. Beneath the anger, beneath the rahi, there's almost a haunted look to those eyes. It vanishes a moment later, but Roodaka never doubts her own eyes.

"Unwelcoming," he replies, and Roodaka smiles. She could have suggested Vakama pick the Rahaga off one by one in the chaos of Metru Nui, outside where her Visorak could have been an aid... but the temple had been too good an opportunity to miss.

"Good." She sets a hand on his shoulder. "You owe no loyalty to Mata Nui, Vakama. Not anymore."

He rolls his shoulder, but not sharp enough to dislodge Roodaka's hand.

"One thing I do not understand," she says. "What happened to the sixth Rahaga?"

The Toa growls. It is a gutteral sound, rooted deep in the chest and at home in a way it wasn't before. "You wanted a message left for the other Toa. I needed a messenger."

"Alive?"

Vakama shrugs his shoulder again, and this time she lets him roll her hand loose. "Does it matter, so long as they understand?" he growls.

No, Roodaka concedes as she surveys the remains of the Toa before her. She supposes not.

#bionicle #cat writes #lego bionicle #do i have a weakness for the hordika arc? you'll never know #(yes. look i was a well behaved 12year old kid who loved plots about characters going feral. i ate the hordika plotline up)#(and two decades later or there abouts i still have nostalgic fondness for it)#heya so how do we feel about vakama returning to the temple and finding it is repulsed by him?#a discovery that might not only confirm he wasnt chosen by mata nui but has been forsaken #and yeah this was the fic i technically titled 'damned'#but also casually thought of it as 'god called to let you know he hates you personally'#because that's definitely a normal thing to name a fic #also yes i like the idea that roodaka pushed vakama to enter the temple knowing he would feel abandoned by mata nui #and thus helps sever the 'destiny' part of the three virtues #i like the idea that just like matau had to invoke the three virtues to get vakama back #roodaka worked on severing vakamas ties to the three virtues to get him to turn his back on the others #and while she succeeded with unity and destiny #duty she could only derail or corrupt rather than sever entirely #and that (esp since duty is vakamas whole shtick) is why matau reminding him of his duty finally worked #i'll probably add this and the stasis tube au to ao3 in time #but for now it goes here

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bam-stroker · 7 months

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I finished the first draft of dragon romance novel enough that I can finally FINALLY write the smut pieces I've wanted of these two for so long

Dragon sacrifice and Knight/Dragon Roleplay let'ssss gooooo!

#the smut required a lot of context #that could only be achieved by finishing the damn thing #now i am free #these might just be stand alone smut things #or part of bigger things #tbd #but i must write them because they have plagued my mind #for MONTHS #suggestive #dragon romance #royal rogue #monster fucker #spooky rambles

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obessivedork · 29 days

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I love writing a Sole Survivor who was a rural farm kid before moving to Sanctuary with their spouse. Yes they're mechanically inclined, yes they know how to shoot and harvest an entire radstag properly, yes they know how to build a campfire and a shelter for the night, yes they are very knowledgeable about crops and well-digging. Miss Lawyer and Mister Soldierboy are both catching cholera their first DAY out of the vault but this Farm kid is GOING to find and destroy the Institute no problem

#I picked Alberta as their home province because of its current declining once booming oil industry #Also just 'cause it's funny to write my OC saying ''oh yeah bud?''#(I'm from western Canada I can make fun of us)#IDGAF if the military in this prewar side to side match up where there's only one clear winner gave soldierboy survival training #still doesn't have a damn THING on someone who has been doing this shit since they could sit up #something something social class commentary something something (they were a resistance fighter so they also have SOME combat experience)#fallout #fallout 4 #fo4 #kat writing

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