Tumgik
#deaf history month
filiasyth · 1 year
Link
Happy Deaf History month!!!  (April)
There are a few important hallmark dates celebrated every year by Deaf communities in April.
National ASL Day
Celebrated on April 15, the day in history when American School for the Deaf was founded in Hartford, Connecticut in 1817.
learn more about ASD here:  American School for the Deaf
Here are some great presenters briefly explaining different aspects of ASL. (with closed captions for non-signers)
youtube
Deaf LGBTQ+ week
Celebrated in the second and third weeks of April, usually alternating dates, with many events and celebrations to highlight the rich heritage of Deaf queer people everywhere. (has closed captions for non-signers)
youtube
Also, April 8 is noted, as it is the day in 1864 when Gallaudet University, the only university in the world specifically for deaf and hard-of-hearing students, was chartered.
Lastly, I should say that even though this is not (NOT) a post for sharing resources to learn ASL, I did want to add one final part which specifically relates to Deaf culture, & how to interact respectfully with deaf and hard-of-hearing people. It’s by Chrissy from The Essential Sign:
youtube
(and yes, you guessed it, does have CC for non-signers. 😉)
Happy Deaf History month!
54 notes · View notes
Text
Happy National Deaf history month 😊
14 notes · View notes
historybizarre · 2 years
Link
In Victorian England, Deaf people were often stigmatized as childlike and incapable of basic activities like working a job or raising children. For Jane Groom, a middle-class Deaf woman, this was clearly incorrect, not just in regard to herself, but for other Deaf people as well. So, as historian Esmé Cleall writes, Groom created a plan to send Deaf colonists to Canada, where they could work together, away from the pressures of the cities, to show just how capable they were.
Groom was born in 1839, when deafness was a highly stigmatized condition. She attended and later taught at educational institutions for the Deaf. Her career allowed her to network with hearing philanthropists interested in helping the Deaf while also being part of growing Deaf communities that took shape at schools, boarding houses, and missions.
17 notes · View notes
frombehindthepen · 1 year
Text
Poetry, Pastries, & Pies: The Signs of Poetry Podcast
Poetry, Pastries, & Pies: The Signs of Poetry Podcast #ASL #SignLanguage #DeafCommunity #PodcastCommunity #DeafCulture #Poetry #PoetryCommunity
Image Credit: Kym Gordon Moore What is it like to watch mouths move as conversations abound with emotion that only facial expressions and hand gestures can reveal? Can we still speak when we cannot hear or utter a word? Of course, we can. Communication is universal regardless of what language you speak or what form of engagement you use. National Deaf History Month runs annually from March 13 to…
Tumblr media
View On WordPress
2 notes · View notes
ozlices · 7 days
Text
another super insulting part of the watcher situation i haven't rly seen ppl addressing much
ryan deadass saying smth like "nobody else on youtube has made tv quality content"
like... i really feel like it's important to highlight that bc not only do they obviously have no respect for their audience, but that statement shows they have no respect for their peers in the industry, either.
not to mention it is a shining example of bleeding arrogance to such a high degree, you will straight up fucking lie bc you're truly convinced you're that special when you're anything but.
there's been NUMEROUS online creators who were recognized by entertainment industry workers BECAUSE they made tv quality content & even full stop blockbuster quality content.
bo burnham started on youtube & is now one of the most wellknown & loved standup comedians of our generation, with numerous netflix specials & even a movie he wrote & directed under his belt.
the try guys, fellow ex-buzzfeed employees, had their own tv specials on food network (based off their youtube shows, btw) & a documentary made about them as well
rosanna pansino has also been on numerous food network shows both as a host & a judge
quinta brunsun, another fellow ex-buzzfeed employee, went on to create her own whole ass sitcom that has been highly praised
matpat cameo'd in the fnaf movie because of his theories & multiple other fnaf creators had small cameos through the employee of the month board easter egg
markiplier made multiple high-quality shows on youtube & is now working on a highly anticipated movie (he was also planned to cameo in the fnaf movie but couldn't due to conflicting schedules with his own movie)
hot ones got their own tv gameshow due to their popularity & they are still one of the most wellknown, beloved & respected internet shows
many short films made on youtube went on to premiere at film festivals & even in theaters
the hit horror film "talk to me" was created by youtubers rackaracka
webseries of actual fucking tv shows have also existed for literal decades
the list goes on.
to seriously think that overproduced bullshit is all you need to make "tv quality content" is not only tone-deaf, but shows they do not even know what they're talking about. many tv shows & huge blockbuster movies are made with absolutely microscopic budgets & small teams, & they still get praised & awarded for the passion, dedication, & creativity that shined brightly under those restrictions.
the blair witch project is probably the most wellknown & highly praised example of this, but it is far from the Only example
it is a whole other slap in the face, again ESPECIALLY when puppet history is one of their most popular shows, to spit in the face of internet history. to see the success of their predecessors, even ppl they fucking worked with at buzzfeed, & deny them of all their success & efforts to get where they ended up.
no, y'all are not the first people to make "tv quality content" on the internet. FAR from it. because your crap isn't even genuine "tv quality".
but you are the first ones to ever disrespect not only your audience, but your own fucking industry & your peers on this level.
& you are the first & i sorely hope the only fuckwads dumb enough to pull a stunt this fucking stupid, out of touch & utterly tone deaf.
4K notes · View notes
randimyles2go · 1 year
Text
On The 1st Day of Black History Month School Vendor Changes Menu To Chicken, Waffles & Watermelon
People need to learn how to read the room. #IJS
On the first day of Black History Month, the planned hot lunch menu was changed by the food vendor, without notice. Instead of the Philly cheese steak, broccoli and fresh fruit that was originally on the menu, the students at a New York middle school were offered chicken and waffles, with watermelon as the dessert. Nyack Middle School’s principal said that “We are extremely disappointed by this…
Tumblr media
View On WordPress
0 notes
waitingonher · 4 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
ELECTRIC TOUCH — [jason grace dating headcanons]
author's note: i need 2024 to be THE year. 2023 did me soooo dirty. im praying
Tumblr media Tumblr media
dating JASON GRACE would be like dating someone from a regency era romance novel…he’s just SUCH a hopeless romantic but he would rather die than admit it.
in the initial first few weeks of dating, jason was sosososooooo shy about pda/physical touch. it’s not that he was uncomfortable, he LOVES physical touch, but he had just gone so long without it that he wasn’t used to it. but eventually, he warms up to it…and now he can’t go without having at least one part of him touching you 😭 
when it came to things like hugs, kisses, handholding, etc. jason would always wait for you to initiate it because he was so anxious about making you uncomfortable ?? fjsldfjs 
but when you communicated that he didn’t need to ask/wait for you all the time, jason started initiating things more. even still, he occasionally gets nervous to even hold your hand? like wdym you’ve been dating for over six months and you still get nervous doing simple couple things 😭 it’s very endearing though 
chivalry is NOT dead,, and it’s because of jason LMAO. he’s the type to swap shoes with you even though you’re wearing heels that are 3x too small for him, but hey, at least your feet don’t hurt anymore!
jason’s also hellbent on carrying things for you, opening doors for you, pulling out/pushing in chairs for you, etc… GOD HE’S SO CUTE. 
since dating him, you don’t think you’ve ever touched a single door or car handle when he’s with you. 
jason is NOT afraid to advocate or stand up for you, especially if you’re more on the quiet & non-confrontational side. if you’re in a group setting and someone interrupts you, he’s making sure you get your chance to say what you wanted to say. and he doesn’t do it in a way that leaves you embarrassed, he’s very very classy with it! 
if you’re a big music person, jason will literally learn your favorite artist’s entire discography so you guys have another thing to talk about. 
you guys also have a shared playlist of “your songs” and he’s so serious about it 😭 if jason hears a song that even remotely reminds him of you, he’s going to the ends of the earth to figure out what it’s called. 
rip to anyone around him if shazam doesn’t work! he’s gonna send voice messages to your big group chat humming the tune, but he’s so tone deaf that no one knows the song…and his search history is just variations of “song that goes du du ooh du ooh du du ooh” a for effort though babes…
jason’s love languages are definitely acts of service and quality time. over the years and throughout the many battles he’s fought, he’s come to realize that all he wants to do when he comes home is just spend time with his loved ones. 
after a busy day, you’ll come home to find your laundry folded, bed sheets washed & freshly made, along with a sweet little note from jason <3 
your guys’ thing are writing notes to each other. considering his and your busy schedule, you’ll write and leave tiny notes around the house for each other to find. it’s one of the many reasons why jason gets up in the morning. 
he loves coming home to you after a long day to simply melt in your arms. there’s just something so soothing about cuddling with you after a busy day. 
it does not matter where you are, you guys could literally be cleaning the camp toilets and he’d still be able to find the fun in it. you’re his home, and he’d follow you wherever you go. 
if you play sports, you already know he’s showing up to ALL your games. it doesn’t matter if it’s pouring rain or if it’s hours away, he’s absolutely determined to show his support. jason even makes posters with your jersey number and when you have big tournaments he’ll show up with posters of your face 😭 the refs are SO tired of jason help
i feel like if he really tried, jason would be a good cook. 
one day you sent him a recipe you saw online saying you wanted to make it with him, but then he decided to make it himself to surprise you. and it was actually so good??? 
JASON IN A “KISS THE COOK” APRON OMFG. that’s what you got him for his birthday and every single time without fail, he’ll wear it when he’s cooking. 
one of his hidden talents is that he’s super good at origami. he originally picked it up because he heard it was a good stress reliever, but now he also does it for you <3 
he loves your reaction when he gives you little paper rings or an origami version of your favorite animal! 
this guy DREAMS of domesticity. he’s always been the type to date to marry, and that’s just what he intends to do with you! even though you guys are still young, he’s been planning your proposal sfjfls
tell me why he already knows what kind of ring he wants to get you… omg. 
he really wants to just settle down with you in new rome. but honestly, he’s willing to do anything as long as you’re at his side. 
expect flowers from jason at least once a month! he even keeps one flower so he knows when it’s time to get you a new bouquet. and if he’s away, he’ll get one of his friends to deliver it! 
i have this headcanon that the aphrodite cabin teams up with the hephaestus cabin to throw a really elaborate party, essentially like prom. anyways, jason would go all out for your promposal jfdsls i feel like he would either do a super funny poster/proposal like y’know that one guy who did that medieval promposal 😭 yeah well jason would do something like that but like...more roman... LMFAO him pulling up to your place in a chariot 
or he would do something super super intricate and planned out…like a fancy picnic and then he’d have the fauns arrange fireflies to spell out “prom?” when it’s dark out. 
ugh! jason grace the man that you are… <3 best bf ever,, i can confirm btw
Tumblr media Tumblr media
993 notes · View notes
fizzyvitals · 26 days
Text
Greetings, happy April which means happy autism awareness & acceptance month.
As we state every year, Autism Speaks isn’t the “autism advocacy” support group you think it is. Autism Speaks is full of ableism (and 🧩). Autism Speaks is primarily focused on autistic CHILDREN, they refuse to acknowledge that autistic children turn into autistic adults. So please, don’t go buying that AS (BS) merch at Walmart.
What’s wrong with 🧩?
Puzzle pieces say that there is something wrong with autistic people, therefore “there is a missing piece” or that we need a cure for our autism.
What can I use instead of 🧩?
The infinity symbol. ♾️ After all, the infinity symbol signifies unity.
What organizations can I support instead of Autism Speaks?
There’s organizations like Autistic Women & Non-binary Network (AWN) and Yellow Ladybugs who both support autistic women & gender diverse individuals.
And as always, we need acceptance AND awareness, not one or the other. Let’s also acknowledge the whole spectrum of autism, not just bits and pieces.
This is just a short piece I wanted to write up. Let’s also acknowledge that April is also for sexual assault awareness and deaf history.
Ciao,
Azhtynn E. Myllo 🏳️‍🌈
484 notes · View notes
fangirl-dot-com · 6 months
Text
Chapter 2 - Where do I sign?
The ride to the hotel was nice and quiet. The sleek sports car practically purred beneath as it wound through the streets. You had said goodbye to Arthur almost 30 minutes ago, but even then felt like a lifetime away. You were now an F2 champion, with nowhere to go. You had brought up the topic of the next step with your manager, but even that fell on deaf ears. You knew what it had meant though. 
There was no room for a woman in Formula 1. 
But that’s ok. Maybe IndyCar might be more open. There’s at least Katherine Legge. She retired and returned. That’s a foot in the door. 
Scrolling through social media on your phone, articles of Checo’s retiring are all you can see. What was once orange, is now taken over by the familiar logo of the energy drink racing team. A seat at Red Bull is now up for grabs. This is the dream for every reserve driver. 
You lean over to Stella, who had decided to take the ride with you, “I guess Liam Lawson is one happy camper right now.” Your screen is tilted so she can have a look. 
“I guess so,” she says, a smirk displayed on her face. You give her a questioning look, before deciding to leave it. The car pulled to a stop and the giant building of the hotel was now right in front. 
“I’ll see you tomorrow right? I think I’m schedule to head back to the office to talk to someone. You’ll be on the plane?” 
“I’ll be on the plane. Have a good night Y/n.” You also say goodbye, before turning to head up to your hotel room. 
It was nice, roomy, and most importantly, empty and silent. You could have, or should have, taken a shower first, but the bed looked too inviting. Placing your backpack on the floor, you quickly faceplant into the clean sheets. Someone must have changed them while you were away making history. 
It was nice, but it wasn’t your little apartment back in Nice. Close enough to where you could get to Dams in a timely fashion, but far enough away where you could get a break. The beaches were nice. Maybe you could spend Christmas Day on the beach. It wasn’t like you needed to celebrate with someone. 
Or perhaps, Arthur would finally convince you to spend Christmas with his family. He’s offered the invitation ever since he became your teammate. But, you never felt right with accepting it. 
The urge to take get your phone out became too much as you found yourself waiting for the face ID to recognize yourself. Half the time it didn’t even work, so what was the point. The thumb print worked 100 times better. But, you needed a good phone, not an “outdated” one. 
You had four unread text messages. One from your team principal Yannick. One from your manager with the flight information for tomorrow. One from Arthur, multiple memes of you from earlier today with your trophy. 
And then finally one from an unknown number. 
You muttered, “Scammers probably,” and went to swipe it away. But, something tells you to just look at it, just in case. 
The words on the screen confuse you. 
“We are excited to meet with you tomorrow concerning your future in Formula 1. Have a nice flight. CH” 
Your brows furrowed as you quickly swiped out of the iMessages and to the phone app. Your manager’s name was the contact you pressed. 
The phone didn’t even get to ring once, before the familiar voice of Vito answered. 
“What’s up kid?” 
“Who did you give my phone number to?” you questioned. 
“And what are you meaning by this?” 
“There was a message. Said something about my future in Formula 1 and a meeting tomorrow. But as far as I’m concerned, I’m heading back to Dams tomorrow for some testing.” By now you were pacing the floor. 
There was a slight chuckle on the other end of the line. 
“You worry me kid. Do some math.” 
Your mind raced. CH. Who the hell would that be? 
CH? C. H.? Cee Ach. 
CH. 
“Christian Horner?” 
“Bingo kid. He reached out almost a month ago.” You sighed and sat down on your bed, hunched over. It felt like the wind had been knocked out of you. 
“But isn’t he like…not for women?” You bit your lip. You didn’t want to plainly say it out loud, but he was known for making comments. 
Again, there was a laugh. “Well kid, if he was, I don’t think he would have reached out. Don’t worry about it. All you gotta do is show up tomorrow, we’ll talk, and then see where it leads us.” 
That’s what scared you. The talking, showing up hopeful, being knocked down and denied once again. Sure, it was looking good for you, but wouldn’t it make sense for their reserve driver to be bumped up? Liam is a great driver. He knows how to drive. He knows how to compete. 
You…you hadn’t even stepped foot in an F1 car, other than a sim once or twice. 
And what would the people think? It’s not that you’re taking a seat from a good driver, but also a man. People wish for women to be involved, but the moment they are, hate flies their way. You wouldn’t wish that upon anyone else. 
“Kid. I know your mind must be running around at about 1000 miles an hour. But just listen. You are one of the best drivers I have ever seen. You’ve pulled ahead and have won races by over 20 seconds. Twenty! Do you know how incredible that is? I’m not saying that this meeting will get you an automatic seat, but it also might. Things in F1 work in weird ways.” 
You nodded you head silently along with him. It really did. Drivers went from having a good standing, to being left without a seat, to taking someone else’s spot. 
“So, I want you to get some good sleep, and I will see you tomorrow. Alright?” 
“Alright. Good night Vito.” 
“Night kid.” 
You pressed the red button and fell back onto the comforter once again. You really needed to shower. 
Sleep was not long enough. Or maybe it was your fault for staying up late to watch whatever was on the hotel tv. 
Stella had met you at the airport. She was able to get places in a nicer lounge area, one with fewer people. Your headphones were at full blast for the remainder of the waiting period, and on the flight. You had almost missed the snacks and drinks, but Stella tapped your shoulder just in time. You could kiss her if you wanted to. 
Snacks always made things better, especially if they were free. 
The flight to London wasn’t too bad. Definitely a much longer flight than Paris, but you had slept most of the way. 
Getting off the plane was a small issue. Some fans had spotted you and had asked for you to sign something. Wanting to be discrete as possible, you quickly signed the items and moved on. However, there were a few flashes that had caught your attention. 
The drive to the hotel wasn’t anything fantastic, but again, wasn’t too terrible. It was mostly quiet, the way you liked it. Although it gave you more time to think; the thoughts weren’t the best. Bouts of self-doubt entered and exited your mind swiftly, but it still happened. You couldn’t help it. 
You barely had any time to freshen up at the hotel room before it was time to head to the RB headquarters in Milton Keynes. Vito was meeting you there. This time, there was no Stella with you in the car. 
If you were to move to Red Bull, she would no longer be your strategist. But she would still continue to be your friend, and that would have to be enough. You were certain that you’d be given new everything. New PR Manager, new engineer, new strategist, new team principal. You, however, would fight to keep Vito as your manager, since he was on his own payroll from you. 
At your arrival, there were no cameras and no journalists. That, you were thankful for. You slid out of the car, looking up at the impressive building. 
You were pulled out of your reverie as someone put their hand on your shoulder and gestured for you to move forward. 
The back entrance was nice. Posters of their “golden boy” seemed to hang from every corner. A few historical ones littered the blank spaces along with Checo. Would you be up there one day? 
Maybe you’d be the one with multiple posters. 
Or, you’d be the one forgotten in the sea of experience and fame. 
You tried to shake those kinds of thoughts out of your head. You were now coming to what looked like a conference room. Taking a deep breath, you put your hand on the doorknob. 
Alright, no turning back now. 
You were thankful that the door wasn’t squeaky, but that didn’t stop the various eyes in the room turn on your figure. 
You wanted to shrink into yourself. Maybe turn back time so that you had gotten on a plane to Paris instead. Vito was the first to stand, and you were grateful. 
“Hey kid,” he almost whispered as he brought you into a hug. 
“Hi,” you shyly said, eyes looking onto the others in the room as you returned the hug. You ended up making eye contact with a certain team principal, who offered a small smile. Breaking the hug with Vito, you swiftly walked over to where Christian was standing. 
“It’s an honor to meet you, sir,” you said, offering your hand out for him to shake. His hand met yours in a nice, comforting shake. 
He nodded. “Nice to finally meet you as well. Do you want anything before we start?”
You thought for a minute before eventually saying no. Vito, however, took the offer and asked for an espresso. You rolled his eyes at his antics and sat down in the open seat. 
Directly across from you was Christian, with various men and women around him. You guess they might be lawyers or something. 
Christian cleared his throat to gain everyone’s attention. “Now, I’m guessing that you already have an idea of why we wanted to talk to you today.” 
Nodding your head, you answered, “I’m guessing it’s for a position for a reserve driver. Seeing as though Liam Lawson is probably going to fill Mr. Perez’s spot for the 2024 season.” 
Christian had a smirk on his face before looking at Vito. “You didn’t tell her, did you?”  
Your brows creased, something that you found yourself doing a lot these days. You shot a side eye to your manager. 
“No, he didn’t tell me anything.” You looked back at Christian. 
“We want you to be our second driver for the 2024 season.”
Everything became silent at once. Your face remained still, but your mind was in shambles.
What happened to wishful thinking? 
A man to Christian’s left spoke up first, breaking the silence. “We do understand that you haven’t had the chance to test out an F1 car. However, there is still a week and a half until Vegas. You will spend most of your time here using the sim and the practice cars before flying out. There, you will drive for Checo during free practice one. But only if you agree to this.” 
You were still processing everything. But, one thought dominated every inch of your brain. You look over to your right and give Vito a quick smile, before you turn to Christian. 
“Where do I sign?” Chuckles fill the air from the people around you. Your cheeks heat up and you know they are bright red.  
Vito gives you a comforting hand on your shoulder that almost had you tearing up. But you obviously couldn’t cry in front of your new team principal.   
Christian speaks up, “I’m glad that you’re on board. Now there are contracts to discuss before we can let you go today. But I think by the end of this, we can start setting up appointments for suit sizing and that sort of things. But introductions first.” 
He points to the man who spoke up earlier, “This is James Riggs, your new PR manager. He will also deal with a lot of the legal sides of things such as contracts and such.” The man, Riggs as you think you’d like to call him, sends you a quick smile. You know he’s going to be a strict but nice person. At least he’ll be able to fend off any unwanted media attention. 
“And this is Lacy,” he gestures to a good-looking middle-aged woman. “She has decided to be one of your main sponsors. She is here to guide you and help you make most decisions. She is also James’s wife. They will both accompany you into the paddock and such.” 
Lacy sends you a comforting smile. 
Well, you now have a stand in mother and father duo. I’m set for life now. 
Christian then goes over the names of other people, more-so contract writers and witnesses. 
The rest of the meeting is a whirlwind and your hand is cramped by the time that everything is done and signed. When everyone stands to leave, Christian makes one more announcement. 
“Now we won’t put out an official statement until next Wednesday. So, try not to really post anything until then that might release the news early. Sure, you can post some things, but try not to make it obvious. We’ll let you post something this coming Tuesday and we will follow with our statement.” 
“Yes sir. Thank you so much for this opportunity. You won’t regret it.” You lean to shake his hand again. 
“I’m sure we won’t.” With that, he grabbed his tablet and left with the others. 
It was just you and Vito. You didn’t know if you wanted to hug him or hit him first. 
So, you did both. 
You quickly grabbed his shoulders, hit them, and brought him into a hug. The tears from earlier finally escaped their prison and found freedom on your cheeks. 
“Thank you. Thank you. Thank you,” you whispered over and over again. 
You’re pretty sure you heard a sniff, but didn’t point it out. 
“You did this all on your own kid. This is all you,” he whispered back. 
Tumblr media
Tag List: @awekbachira @lightdragonrayne
Let me know if you want to be added to the tag list :)
775 notes · View notes
shallyouobeyme · 7 months
Note
For the “spicy” prompt im imagining Platonic Yandere Batfam discovering your internet history, and having a confrontation about how you’re far too young for such things (reader is a full adult, not that the Batfam sees it that way).
I sadly already have something written out for today, but I really love this idea so I decided that I'd just go into the concept a bit as well - I mean I make the rules to this so I might as well use that power.
Okay, so I don't really write smut as of now because I don't read it and I do have not a lot of real-life experience so I figure it might just be a lot of cringy blabbering. But let's go with the 'spicey' meaning that horny adolescents will probably think of when reading the word in the context of fanfiction.
Now you're probably somewhere in the span of 16-20 in this scenario, old enough to live independently on your own, but young enough that the batfam can somehow justify it in their mind to treat you like a precious, fragile, little toddler. Sure, some of them logically know that you're basically a grown-up, but with how much effed-up shit they see every day they don't really wanna admit that to themselves and rather chose to act all 'I do not see'. And while that's all fine and dandy for them to do, it doesn't change the logical facts. Fact number one: You grew out of binkies and blankies like a decade ago, for god's sake Dick stop trying to make me take ten naps a day with them. Fact number two: Like I said, you're kind of (definitely) an adult and assuming that you have not always been the coddled little Wayne-baby that the Batfam wants to see you as you've probably been exposed to adult things before and aren't sensitive with seeing them. Like, guys, I was reading the news daily before you crazy people kidnapped me - stop talking about international crises as if the countries are people who have minor disagreements, okay? Fact number three: there comes a time in an adult's life when they might be craving a somewhat more intimate partner in their life - and no, Damian, I don't mean the bestest friend in the whole world forever, I mean a guy or a gal or a nonbinary pal who can rock your shit, if you get my drift (never dare say that to Damian out loud tho, you will be having your mouth washed out with soap). So while it might be a giant oversight on your part to not realize that all your precious internet time is completely monitored, you still probably haven't expected to be sat down by Bruce, Dick, Jason and Alfred and get a lecture on how you're way too little to look up these kinds of things (you looked up TikTok videos and happened to watch a few with TikTokers dancing in slightly less covered clothing) and how your mind is too undeveloped to grasp these big things you searched for (you looked up a statistic on the rate of kidnapping victims to get killed) and how you should keep playing your safe games instead of these violent ones (you looked at a game trailer for Cyberpunk 2077).
All your arguing falls on deaf ears. They just don't wanna hear that you're not their little, innocent baby. The only good thing is that they don't think you have enough logical thinking skills yet to properly grasp the situation so you'll be punished very lightly (a month without internet privileges). Once you're allowed to go online again though, you'll have to make do with the special kiddy-pad they got you with all the safety features and parental controls installed. So yeah, might wanna get used to being without the internet from now on...
506 notes · View notes
cryptidghostgirl · 1 month
Note
Oooo part 2 of Aka Till Death Do Us Part (Alastor x Mad Scientist!Reader) was interesting
Loved it a lot 😭
Just imagining how reader would meet Lucifer (yes I'mma add some short king love) for the first time, whether this the ep where everyone meets him for the first time or he's just visiting is undecided.
Anyways she's a smart gal, she creates viruses, diseases, etc.. in order to destroy the human race (now demon and angel race), so she tries to befriend Lucifer
He's powerful, he could be her ticket out of the deal she was tricked into. Plus Alastor hates him so even better.
Whether the wife collector is befriending her from his hatred for Alastor (aka trying to steal his ex wife) or because he actually likes her or not is also undecided
But they become buddies, keeping her little secret while playing Alastor as this horrid creature that coerced her into a deal
She might not understand how deals function, but just like Alastor she'll find a way out of it. She won't let him interrupt her work for years again.
Another bonus of befriending Lucifer is she can try and coerce him into giving her some samples (blood, hair, skin, etc..) It'll help with the virus she's creating, along with seeing if there's any cell differences between fallen angels and normal ones.
A/N I literally love this idea. It is so on brand for her if she was tuned in with the world around her enough to realize her hanging with Lucifer even made Alastor mad. Also, not you calling Lucifer 'the wife collector,' that made me cackle.
Till Death Do Us Part pt. 3 (Alastor x Mad Scientist!Reader)
Pairing: Alastor x Reader x maybe also Lucifer a little bit if you squint
Previous Parts:
Till Death Do Us Part (Alastor x Mad Scientist!Reader)
Till Death Do Us Part pt. 2
Warnings: I am not a woman nor am I in stem (but an enby in history) so pls be kind about the fact that I don't understand science. Angst, abusive/unhealthy relationship, possessive Alastor. It's not love but its certainly something.
Word Count: 2,176
Master Lists:
Master Lists 
Hazbin Hotel Master List 
Alastor Master List 
Click here and leave a comment if you want to be added to any taglists or send me an ask about it.
Tumblr media
Idle hands are the devil's playthings, wasn't that how the expression went?
It had been a month since that fateful day Y/n had struck a deal with Alastor, tying her to his side once again. She railed against it, fought valiantly, but there was no escaping the constraints of the contract. Never allowed a moment to herself, Y/n's life became a series of involvement in group activities she hated and chastisements from Alastor. She sat at his feet, the collar hanging heavy around her neck as a sort of twisted crown in his eyes. The Radio Demon and his wife, his queen, his prisoner.
She was never allowed out of his sight, Alastor even forcing her to stay in the same room as him, to sleep in the same bed. It was nothing Y/n had any sort of frame of reference for. He had never been like this in life, she had never experienced this sort of metaphorical suffocation. Y/n was adrift, the world a confusing blur around her. Every time she tried to make sense of it, thought she had figured out some small aspect, he changed it all again and left her in a lurch that sent her mind spiraling into unformed chaos.
Even when she managed somehow to stole a spare moment, was able to sneak away to her lab of a room, Alastor found her and dragged her out again. Y/n's continual protests and pleas to be allowed to continue her work, for him to hold up his end of the bargain and deliver her an angel, fell on deaf ears or were merely met with a solitary, fragile 'soon.' For all this time, Y/n had thought Hell to be misrepresented. She had found a true Heaven in Pentagram City, a safe haven, a salve. Now, she knew the true meaning of suffering.
It was different than she had expected. To suffer had always been something physical in her eyes. It had been her victims writhing in pain, it had been the sharp oppression of a world filled with human life. Never had she thought being trapped in her own mind like this could be a curse, rather than a blessed moment of reprieve.
Idle hands are the devil's playthings, wasn't that how the expression went? Y/n's hands were most certainly idle, all she needed was the devil to play with them.
It was just her luck when Lucifer showed up at the hotel, intent on visiting his daughter. Y/n was never the most observant but, since being tricked into selling her soul to Alastor, had become quite wary and watchful of him. It did not escape her notice the way his stance tightened and his eye twitched the minute the King of Hell threw himself through the hotel's double doors and into Charlie's arms.
Y/n watched the interaction carefully from where she sat lazily on the table beside Angel Dust and Sir Pentious. There were exactly three thoughts in her mind. The first was that it was useful to know Alastor hated the man. The second was that Lucifer was standing right before her eyes. He was powerful, maybe powerful enough to get her out of the sticky situation she currently found herself to be in. Not only that, but he was once an angel. This was the most important of the three thoughts, completely eclipsing the other two as soon as they reared their heads. Not quite the real deal but, potentially useful none the less. Getting close to him could mean getting one step closer to her goals. Silently, she slipped down from the table and began to approach the grouping of demons.
With a carful step, she sidled up behind them. Softly, she raised a hand to the back of Lucifer's head, to where his hair peaked out from beneath the edges of his hat. The excitement that rose in her chest was quickly stifled as Lucifer spun around.
"Charlie!" he exclaimed, "Why don't you introduce me to some of your other fr- oh!"
Y/n froze, her hand still raised. She opened her mouth to speak but the words caught in her throat once she caught the glare Alastor was sending her way. Letting out a nervous chuckle, Y/n's hands fell to her sides, clasping behind her back.
"Uh..." Lucifer turned to his daughter, his eyebrows raised.
"Oh, don't mind Y/n," Charlie awkwardly tittered, stepping forward, "she is always a bit... odd but, she is actually our newest guest!"
"Uh-huh." Lucifer nodded, his eyes moving back to Y/n and examining her features carefully, "Well, it is nice to be meeting you."
Lucifer stuck out his hand for Y/n to shake but the demon just eyed it warily. The furtive glance she shot Alastor behind his back, and the subtle nod he gave in return, did not escape Lucifer's notice. With another distasteful glance towards his hand, Y/n raised part of her hair up and took it, shaking it firmly.
Lucifer's confusion only seemed to grow as he looked down towards the point of connection.
"Um... okay, then." he hummed in thought as she released his hand.
It was when Alastor went out to solve the problem Mimzy had caused that Lucifer took his chance. All the while, as Mimzy had blathered on to Y/n about the 'good old days' and the shared aspects of their pasts, as soon as the tour of the hotel had ended, she had watched him. Observance was not, however, in her nature. It completely had escaped her notice that, all the while, Lucifer had been watching her as well.
The demon herself was nothing of import. She was strange and unrefined and, to be honest, deeply disconcerting to him in a number of ways. It was the thing lurking beneath it all that caught his attention. There was something going on between that girl and the Radio Demon and Lucifer didn't trust either of them. He may have thought Charlie's dreams to be in vain, known from his own experience how fruitless her project would turn out to be, but that didn't stop him from doing what it took to keep his little girl safe.
Lucifer sidled up beside the girl where she stood, watching the carnage Alastor wreaked with a vague sense of disinterest.
"So, you have a deal with the Radio Demon."
It was a statement, not a question. It was an accusation. Y/n shot into the air in surprise, not having noticed his presence beside her. With wide, analytical eyes, she turned to face him.
"With Alastor?"
"Yep."
"How could you tell?" she asked, leaning forward in curiosity.
"What are you two planning."
Another subtle command that went right over Y/n's head. She sighed, crossing her arms.
"I'm planning world destruction. He wants me to be his wife again and tricked me into this whole..." she waved her hands wildly through the air, "situation."
Lucifer didn't know whether to laugh or to take her out right there. Instead, he shook his head, opting to state in mild shock:
"Married? Again?"
"Yeah. I forced him to when we were alive so people would leave me alone and I'd have some human test subjects for my work. Let me tell you: not my favorite experiment I have ever conducted."
"I..." Lucifer was flabbergasted, struck into silence.
"So he tricked me into a deal. I was hiding from him for decades down here. One little slip up was all it took." she playfully used her hair to hit the side of her head, "Stupid Y/n."
"Where does the again part fit in?"
Y/n raised her eyebrows.
"Really? Why is that the part I have to explain to everyone. I mean, logically, it just doesn't make sense. That should be the question on the bottom of someones list. It shouldn't even be a question."
"Did you get a divorce?"
"In 1930? No. Even I knew that wasn't really an option. I married him to stop people talking, not start it. Besides, he wasn't this much of a bother when we were alive."
"So..." Lucifer prompted after a moment.
"Till death do us part?"
"Ah."
He really did laugh now. Just a light chuckle. Y/n smiled in appreciation.
"There you go. Now, how did you know? About the deal, I mean. Also, why do you guys hate each other so much? I thought you had never met before? And oh! Ohohoh! Also, can I have some of your hair."
Lucifer scoffed, his arms falling loosely from where he had crossed them over his chest to his sides. Charlie had been right, Y/n certainly was odd.
"My hair?"
Y/n nodded her head eagerly. When he gave no response, a concentrated and slightly confused expression flitted across her face. As if struck by a sudden inspiration, she regained her composure once again.
"Oh, yeah. I'm supposed to say 'please' when I ask for stuff. Al always said it was proper manners but I think its just a waste of time to be perfectly honest. It's still the same request, the same outcome. Doesn't really change anything. Why would one word make someone give a totally different answer? I mean, it's just foolish really. Anyway," she cleared her throat, "can I please have some of your hair?"
"I..." Lucifer raised a hand to his forehead, rubbing his temples, "why?"
"Because you're a fallen angel?" Y/n replied as if it was the most obvious thing in the world, "And I want to see what that means?"
Before Lucifer could reply, Alastor stepped back into the lobby, straightening his jacket.
"What a show!" Angel exclaimed, applauding dramatically.
Alastor tipped his head to the side in recognition, his eyes surveying the room. When they fell on Lucifer and Y/n in the corner, his gaze hardened. Y/n payed the commotion no mind. Lucifer, on the other hand, grinned.
"I have a proposal." he hummed, turning back to Y/n.
She narrowed her eyes in sudden doubt.
"You don't like Alastor very much, do you?"
"No...? Of course I don't!" Y/n replied in exasperation, "All he does is keep me from doing my work and drag me around by that stupid chain like a dog. It hurts my neck and..." her voice grew softer and she looked away, fixing her eyes on her interlaced fingers, "and I feel like he's trying to force me into the shape of something I'm not. It's... it's like wearing shoes that are four sizes two small on a twenty mile hike."
Lucifer laughed.
"Well, that certainly is... descriptive. How about we make a deal?"
Her head shot up, her narrowed eyes meeting his once again.
"You're not going to just take my soul like he did, are you?"
"No, of course not my dear. Only lesser demons like him need to do that in order to feel strong, to maintain some sort of power, to get what they want." Lucfier enunciated the last four words sharply, the syllables like needles, "I'm simply offering an exchange."
"That's what he said too."
Lucifer raised his hands to show he meant no harm.
"Look, we don't even have to shake on it. I will give you some of... some of my hair or... whatever... and you will help me get on his nerves, take him down a notch. Who the Hell knows, that might even help you too."
Y/n was silent in thought for a moment. She did want the hair and messing with Alastor seemed all too appealing. Still, there was something eating away at her.
"Would you..." she lifted herself up to Lucifer's eye level with her hair.
Y/n wasn't that much shorter than the king of Hell, just a couple inches. Those couple inches certainly made a difference. Lucifer could have sworn there was a literally electrical spark in the darkness of her eyes.
"You're powerful, yes? King of Hell and all?"
Lucifer nodded.
"Would you be able to help me figure out a way out of this mess?"
It was Lucifer's turn to think now as he mulled the idea over in his mind. Sure, theoretically he probably could but, he had never tried to break another demon's deal and even past that, he didn't know if he wanted to. Y/n was disarming, strange, had mentioned wanting to destroy the world. Lucifer didn't know her well enough to gage if there was any real risk and Alastor seemed to have her on more than a metaphorical leash.
"Maybe." he admitted, deciding on the path of least resistance, the one where he could try and succeed or pretend it was an unknown impossibility all along, "I don't know."
In some strange way, there was something stable about the man before her. Alastor was unpredictable, had sent her life spinning. Lucifer felt safe.
"Good enough for me!" Y/n smiled brightly, "I look forward to working with you."
---
Writing this made me really want to do a Lucifer fic with the idle hands thing.
TAGS:
@willowshadenox @i-love-jafar @elfyeet @reader3 @lazygirlfanfic0-0@kahlan170@wendyphan01203-blog @fairyv-ice @clarakainda @lunaramune @mcueveryday @luxky-aish @peterpankat @corvid007 @marukun @nanami1chu @i-like-potatoes12533 @boogiemansbitch @apenasandorinha @almond-t0fu @mygoldtears @ahellborn @winterisholding @misty-melody @themetalbabygirl @trash-shoot @clarakainda @ladyscorpion19 @dasimp777 @juskonutoh @simpingsohard @sethianaa @gabile18 @slytherin4ever
191 notes · View notes
thatsonemorbidcorvid · 5 months
Text
A few weeks after #MeToo exploded on the internet, an old friend and I did what so many women did during that time: We got on the phone and finally began to acknowledge what had happened to us. My friend shared a story of hers from college. Back then, we’d all just considered it a “bad date,” but she now recognized it as sexual assault. She also shared that at nearly every single job she’s had since college, a boss or co-worker has sexually harassed her.
The month before our conversation, I had published an essay sharing my own experience of sexual assault while traveling abroad. Like my friend, it was not my only experience—it was one of many. But I’d only included the one, because in the early stages of #MeToo, the idea of sharing one assault story still felt risky. The idea of sharing more than one felt culturally impossible. My friend agreed.
“As a woman, you’re only allowed one #MeToo moment,” she told me. “After that, people begin assuming the problem must be you.”
Out of the many celebrity #MeToo stories told in the past five years, only a handful have acknowledged the experience of multiple assaults. In an HBO documentary, Alanis Morisette spoke about repeated incidents of statuatory rape that happened when she first entered the music industry, all of which “fell on deaf ears” when she tried seeking accountability. In her memoir, Selma Blair wrote about a teacher who sexually assaulted her, as well as the many men who raped her in her 20s. In an interview with Dazed, Amber Rose said, “I cannot even count how many times a famous guy touched me inappropriately.” On a social media post during the Kavanaugh hearings, Tatum O’Neal wrote about her multiple assaults: “It was not my fault when I was 5, 6, 12, 13, 15.”
Stories that emphasize the ubiquitous nature of assault are vital in a world that so often focuses on one dramatic episode, with visceral details of the violation and an easily identifiable villain. This amplifies the false idea that assault is just a singular, horrifying incident—when in reality, many of us experience it as part of a larger, more insidious culture.
Once a person is assaulted, research shows they’re more likely to be assaulted again, a phenomenon called “revictimization.” Around 50 percent of children who survive sexual assault reexperience it later in life, and even a single incident of sexual assault in adulthood can increase the risk for it to happen again. As psychologist A.E. Jaffe and her colleagues wrote in a 2019 paper on revictimization: “Perhaps the most consistent predictor of future trauma exposure is a history of prior trauma exposure.”
Why would this be? In lieu of a good answer for it (more on that in a moment), we often blame victims themselves. We easily justify these statistics by suggesting that anyone who has survived multiple incidents of violence must be asking for it—either by acting promiscuously, hanging around too many shady men, or getting themselves into precarious situations. One survivor I interviewed told me that though she received some form of victim-blaming in response to all three sexual assaults she experienced, she noticed a stark decrease in support each time it happened again.
“After the second and third, some people began saying, ‘What’s happening in your life to attract that?’ or ‘Do you have enough awareness to know when men want to harm you?’ ” she told me. “One person even asked why I was ‘trusting men so much.’ ” Another friend who experienced multiple assaults went through a similar line of questioning, only with herself. “After so many times, I began asking myself, ‘What is it about me that brings on these experiences?’ ” she said. I told her I ask myself that question all the time.
In his essay “Spectator” for Roxane Gay’s anthology on sexual assault stories, Not That Bad, Brandon Taylor wrote about his best friend telling him she was beginning to think she was “just the kind of person this stuff happens to.” For a long time, that’s what I believed, too. As a travel writer and a single bisexual woman, I figured that at some point, I’d pay the price. Eventually, I’d have to face some element of physical harm—wasn’t that the obvious trade-off for attempting a liberated life? To me, survivorship—more than resilience, bravery, or strength—often felt like resignation.
But in some cases, it’s exactly that resignation that influences repeat assaults. While there’s no conclusive evidence as to why revictimization happens, we do know that normalizing assault can contribute to future harm. If a survivor has not internalized their experience as exceptionally traumatic, they are less likely to advocate for themselves, or demand accountability if it happens again. If they, like me, accept violence as an obvious fact of their lives, then when it repeats, they don’t seek the support they need to process and heal from each experience.
In an article for Psychology Today, psychotherapist and clinical social worker Keith Fadelici called this a “cognitive accommodation to ongoing violence.” The trauma continuously gets downplayed as victims attempt to normalize their assaults, which helps them feel more in control. “This dissociative process is a common symptom of PTSD,” Fadelici told me. “And can also later make survivors less capable of detecting risk by numbing the fear that is supposed to trigger alertness to danger.”
Oppression also plays a significant role. Those with marginalized identities are more at risk for experiencing assault in general, and thus more likely to experience it again. LGBTQ+ people are four times more likely to be assaulted than the general population (bisexual women and trangender people also are far more likely to experience assault than gay men and lesbian women). Rates of sexual assault for Indigenous women are three times higher than non-Indigenous women, and Black women are much more likely to experience assault than white women. Neurodivergent people are 11 times more likely than neurotypical people to be victims of violent crimes.
“If this is coming up repeatedly with one individual, it might be because that person is within systems and structures that facilitate assault more often,” said Jaffe. For those of us living with any of these identities, we normalize violence because living under oppression is consistently violent. In order to survive, a “cognitive accommodation to ongoing violence” is necessary. We train ourselves to get used to it, and move on.
After #MeToo, I began reading and rereading the legal definitions for rape and sexual assault to make sense of what had happened to me. Any sexual contact that occurred without consent constitutes assault? Any sexual contact that included penetration without the other person’s consent constitutes rape? The criteria felt almost too easy. Under these standards, I had been raped twice, and assaulted several other times—all stories I had not yet fully internalized, and was not yet ready to tell. Dozens of legal crimes had been committed against my body, but that idea felt so unfathomable I hardly knew what to do next.
In the three years after publishing that first story, I experienced more incidents, and I still don’t know what to call them. I don’t feel comfortable firmly declaring them as “assault.” I don’t like how it connects so deeply with an oppressive legal system, and how it automatically connotes some excessive form of violence. Even today, it seems too strong and rough a word for how these episodes played out: often with little physicality, with only brief conflict and polite turns toward quick forgiveness, until weeks later when I’d unpack the severity of what had happened. As I began sharing more of these stories with close friends, I would catch myself saying “technically” before saying “I was assaulted,” acknowledging the semantic disconnect I still felt. This hesitation is common among many survivors: As one 2019 meta-analysis showed, rates of victimization increase when participants are asked “behaviorally descriptive questions” about what happened to them, rather than questions that use terms like “rape” and “assault.”
Sometimes, people ask “How many times all together?” I say “six-ish,” a number that captures the amount of experiences that have dramatically changed the way I relate to my body—how it experiences intimacy, how it engages with the world: The one that happened at work, just weeks into my first job out of college. The one at a festival in India. The one while getting a deep-tissue massage. The one at a New York play party. The one so common I learned it has its own name (“stealthing“). The one with a lover I had loved and trusted deeply. The one with another lover, a violation that was not sexual but physical and thus, as yet another nonconsensual act done against my body, still felt so connected to all the rest.
And this still does not take into account every time I was nonconsensually touched in public—the men who pulled and grabbed my arms, my back, my butt, my shoulders to try to get my attention on the street—nor the times I’ve been followed, harassed, physically threatened by strangers on the street.
The accumulation of more and more of these events creates a compounding impact, one where each additional incident begins to amplify the ones before. For me and most survivors I spoke to, we are not healing from trauma—we are learning how to exist in a world where trauma continues to accumulate.
Every survivor I interviewed for this piece told me they fully accept the potential that they’ll experience assault in the future. Still, most of them admitted to me that it’s still easier to only share just one story with the world—never the full range of what has happened to them. “When you only have one story, the enemy is the rapist,” one survivor told me. “But when you have several people with a lifetime of these experiences, the enemy is all of us.”
This is what we mean when we talk about rape culture. The first thing we can do to start to dismantle it is to recognize what we’re up against.
281 notes · View notes
grapejuicestyless · 10 months
Text
I Just Want To Love You.
Harry Styles x fem!reader
Summery: Harry’s an idiot, but he’s not stupid.
Tumblr media
Seeing her so distraught was something I wish I had never seen. The image of her teary eyes burning into mine tattooed itself into my brain and her trembling lip was a constant thought that clouded it just as horrible.
She had been so bubbly, so happy when I first called her. She seemed relieved I was there to talk to her, there to catch up while we were so far apart.
I noticed that about her. With each of these calls, she seemed to grow more and more excited. She got more and more lively like my presence was the best thing in the world to her, even if I couldn’t be there to hold her and say what I wanted to, to her face. She supported me fully, every god damn time.
It was only when her voice came out a shaky mess and her eyes blinked rapidly to hide the tears that it clicked. All too late and all too naive to realize it at the time, but it all fell into place as soon as the phone went dead and the final sentences spoken to each other fell deaf.
She was excited I was coming home. My y/n, my baby, had been at home, waiting patiently for her lover to come home and live up on her for so long. She’s been so patient and so supportive, how could I have not seen it.
Sure, I suspected it in the past, seeing the slight twitch of her lips when I’d mention another leg of tour being added in order to connect with more international fans and spread positivity in the best way I could, but her over supportiveness overshadowed those brief moments. My stomach twisted sickly at my careless neglect to my love.
While I was out for months between holidays, surrounding myself with love and overwhelming support, y/n had been waiting for the one person she held close to her heart to come home and show her some love in return.
Suddenly, I felt selfish. I felt disgusting and I felt like the worst boyfriend in the history books in that moment. How had I been so careless with the most precious love of my life? How had I let myself drift so far from her?
This realization set in hard, hitting deep. I couldn’t sleep on it, knowing I was hurting her by not being there with her.
So, though I was sure I would get an earful the next morning from some of my closest friends on this long, close knit tour group for being so on and off and deciding so last minute to cancel any further plans, but it had to be done.
I watched the phone ring for a few minutes, Jeff’s name illuminated on my phone. Glancing to the clock by my side, it read out 2:35am. Three hours after the phone call with Y/n had ended. Three hours since that moment had been stuck on a loop in my head.
“Hello?” He answered, voice heavy with sleep and throat dry from the hours with no water.
“Hey, Jeff. Sorry for calling so late…listen, fuck. I just want to be straight forward about this. I can’t do those additional shows like I said before. I need to go home this month. Not September. July. I need to be at home.” My voice came out a mile a minute, loud and stern. I was certain of what I wanted.
My palms were heavy on my eyes. Fingers rubbing harshly into my temples, Jeff let out a quiet sigh.
“Okay, yeah. That’s fine. Nothings been finalized yet. We can cancel. I’ll get on it first thing today. At a normal hour, okay? Go to bed, Harry. You have a show today.” The phone beeped dead, and for the first time in the last few hours, the guilt that was so heavy became slightly lighter.
I wanted to call y/n, share the exciting news and explain how horrible I felt for treating her so poorly these past few months. I wanted to kiss her and hold her until she screamed at me to leave her alone, but I was still halfway across the world with a couple more shows left before I could fix everything for us.
Going away for awhile was bittersweet usually. I would cherish the time alone I would get in the serenity of my own home. Having the ability to curl up on the carpet and spread myself put into a comfortable sleep whenever, the feeling of home enough to lull me into a deep slumber for the first few days. I would miss the stage terribly too. I would miss the fans funny signs and excitement surrounding a shared passion for music. Yet, when I made the speech about going away for a bit, I found myself hesitating on the promise to come back.
Yes, of course I would come back. In a years time I would be ready to head back on the road. Yet, still feeling the hangover from my breakthrough just a few weeks ago, I felt nothing but relief to be going away to my y/n.
I found myself rushing to the airport. Showing up early just to sit impatiently with my headphones jammed in my ears so hard it almost silenced all my thoughts.
Y/n seemed to be doing better, recently. I hadn’t told her we finalized the plan to not continue adding shows to HSLOT. I hadn’t told her about that late night call with Jeff or how much deep regret I felt for ignoring her all those weeks apart.
We talked almost every night. She shared her silly poems she had written and doodled on every unused notebook in the house while I was away, she confessed. Always the most cheery when she didn’t have to be. Always so strong. Always such a beautiful, caring woman to me.
What a beautiful love story her and me had that I’d managed to fuck up so carelessly.
That idea became my new worry. From the airport all the way to our driveway, it became the poison that overtook my body. How I hadn’t listened to her silent pleas. How I hadn’t seen how I was slowly killing her with my lack of care.
My knuckles rested on the door. I knocked, knowing it was my home too. I still knocked, unsure if I would be welcomed.
The door swung open, y/n looking sleepy, pen ink on her hands and my clothes blanketing over her body in a cozy make shift pajama set.
“Harry?” It was pure shock, the tone she used to greet me. She eyed me up and down, not knowing if it was too good to be true. If her mind was making up games to tear her down all over again.
“Hi, Baby.” The tears clouded my vision, a lump growing in my throat so great that it came out a gravely whimper.
Arms wrapped tightly around my body, her cheek nestling into the crook of my neck. She could’ve knocked me back, if it wasn’t for the good footing I had on our front steps. Even if we fell and I bled out, at least I was back with my love.
And as my shirt became soaked in her happy tears and her hair growing wet from the ones that managed to escape my eyes, I could only think of one thing. Only one thought that replayed the entire journey home. The one thing I wanted so badly since the realization dawned on me.
I just want to love you.
———————————————————————-
I’m so sorry this is soooo messy 😦😦😦
I had the thought and just had to write abt it ASAP so I wouldn’t lose it. I might redo it later!!
679 notes · View notes
nataliasquote · 1 month
Text
I Know What You Are | n romanoff
Tumblr media
Summary: The bane of Natasha’s existence had finally slipped up but when sent to eliminate her, feeling get in the way far too easily.
Warnings: blood, weapons, character death (oops), angst with no happy ending :)
wc: 5.9k (I got really carried away!)
note: this is part 2 of the ideas that were given to me by @katyaromanoffpetrova so thank you love ❤️ this was fun
-⧗-
“I’ve got your six,” a familiar voice crackled through the redhead’s earpiece. She rolled her shoulders back and adjusted her grip on her gun, eyes darting across the smoke covered landscape that loomed before her. They’d picked a good vantage point but it was far too exposed for the assassin’s liking.
Natasha turned away from the edge and nodded to Clint, who’s arrow was already strung in his bow, ready to strike at a moment’s notice. Her flash of red hair was the last thing he saw before she disappeared down the dark stairwell and back out onto the street.
“How long are we going to be circling like this, Nat?” Clint asked, a little out of breath as he finally caught up to his partner. Her eyes were distant, darting between the loosened bricks of the wall they were currently hiding behind. “Are you sure she’s here?”
“She is, I can feel it.” The echoes of gunfire and explosions rattled through their skulls, although the assassins were quite deaf to it now. Clint more than Nat. They clearly weren’t the only ones disturbed by the actions of one woman and her organisation.
A particularly loud bang went off nearby and Clint winced, his hand flying up to the hearing aid in his right ear. Natasha would have sent her best friend a sympathetic look if something hadn’t caught her eye across the desolate square.
A flash of silver, glinting in the orange sunlight as golden hour descended across the war zone.
“Got her.” Natasha scrambled up from her place and raced after the dark figure, her movements as silent and deadly as the night. Frustration spurred her onwards. This woman had been the source of Shield’s stress for months, but that was all about to end.
Her target’s preferred methods rather intrigued Natasha, who was all about efficiency when it came to killing. Guns were always in her arsenal, widow bites too. Her thighs often felt empty without a full holster. But the mystery woman never touched a gun. She was a master with a blade, stabbing and slashing her enemies with a brutal grace, silently dancing across the battlefield leaving disaster in her wake.
She was a free spirit, which drove Natasha mad. No one should be allowed this amount of freedom with her track history and there was no way Natasha was going to return to Shield empty handed. Not today.
The cacophony of noise ceased suddenly and Natasha felt Clint’s presence on the rooftop to her right. The hazy air was still so Natasha stuck to the shadows, the rough brick pressing through the fabric on her suit as she skulked around a corner.
But a sharp pain struck the back of her knee and she collapsed to the ground, a grunt of pain escaping her chapped lips.
A five inch blade thrown with horrifying accuracy had lodged itself in her upper calf ,only inches away from her knee. The pain was nauseating, but Natasha barely had a chance to properly process it before two dust covered boots stepped into her eyeline. With another grunt, she looked up at the figure before her, determined not to show pain on her face.
Her icy glare was met with a mask-covered face, one she knew well. The black mask was made of hard plastic and resembled two hands that covered the wearer’s mouth and nose - basically a muzzle. But playfully glinting eyes peaked over it and it was obvious they were paired with a smirk. Gloved hands twirled a knife, almost daring Natasha to step up and attack. But the redhead had been knocked off her game by those very eyes that taunted her.
She knew them…
Too well.
She used to love them. And as those gloved hands moved to slowly lift the mask from her face, Natasha felt her heart fall into the pit of her stomach.
“Y/n?” She dared to ask, voice barely above a whisper. She got no reply, but the subtle tensing of her opponent’s muscles told her all she needed to know. Fate was laughing at her. The woman she thought had been ripped away from her when they were teenagers was now towering above her, forcing suppressed memories of the Red Room to come crashing down onto both women, leaving them breathless.
This moment of hesitation was all Clint needed to fire, but Y/n was one step ahead. She’d seen him on the roof and knew what he was waiting for, so by the time his arrow had implanted itself into the wall, she had disappeared into the smoke, leaving Natasha alone. The knife in her leg and the rubble indenting her skin did nothing to shake her from her mind, still staring into the empty space where the woman had just been.
Clint came rushing over and dropped to his knee to inspect Natasha’s wounds. He didn’t dare address how much his best friend looked like she’d seen a ghost, pale face and wide eyes and not just from blood loss.
“Cmon, we have to get out here.” He hooked his arms under hers and tried to get her to stand, but Natasha was far too spaced out too even notice what he was trying to do. But Clint’s main concern was the knife. He couldn’t pull it out lest she bled out before they made the jet, but Natasha couldn’t exactly walk far either.
He propped her up against the wall and lightly tapped her face a few times, her green eyes shooting back to his.
“Where did she go?” She asked, suddenly breathless.
“I really don’t know. But you need to get to medical, Nat. We have to let her go.”
“I knew her. Oh my god, I knew her, Clint. Why is she here?” Clint didn’t know how to answer. Part of him thought she was just rambling nonsense from the bloodloss, but a small part of him knew she was making sense. And it didn’t take a genius to figure out where they knew each other from.
“We’ll figure it out when we’re back.” His eyes widened as Natasha’s hand gravitated to the knife lodged in her calf. He reached for her hands, holding them up and away from her injury.
“Clint,” she warned, trying to pull her hands away. “Let me pull it out and we can go after her.”
Clint had to stop himself from rolling his eyes. Natasha’s stubbornness was infuriating sometimes. “That’s not gonna happen. She’s gone, Nat, and you need medical attention. Fury wouldn’t be impressed if you bled out from a knife wound.”
Natasha glared at him but stopped struggling and allowed him to help her limp back to the jet. They’d parked on the rooftop of an abandoned warehouse, so the stairs were a killer. Natasha’s lip bled from how hard she was biting it to muffle her cries of pain.
But the moment she sank down into her seat, memories flooded her mind, both positive and negative, but all involving Y/n. She wasn’t fifteen years old anymore with eyes full of hope, but the same spark was still there, one Natasha had fallen in love with.
What had happened to her?
~~~
The low clunk of a heavy metal door echoed through the chamber, three pairs of footsteps following suit. A female assassin, flanked by two guards, made her way to the centre of the room, her mask resting loosely between her fingers as her eyes remained fixed on the cracks in the concrete floor. The lighting was harsh, yellow bulbs buzzing, making her eye twitch.
Hushed voices became silent as she was presented before them and Y/n knew what was about to happen. She’d lived this day a thousand times.
“Agent,” one of the men called out, his voice gruff. “Mission report.”
“There was an ambush. I could not complete the mission, Sir.” Her eyes remained at her feet but she felt the air in the room shift and the guards beside her tense up. No one failed a mission in Hydra.
A pair of boots approached her and stopped only inches away. A calloused hand firmly gripped her chin and tilted her head up to the light, fingers bruising the skin on her jaw. “We taught you not to fail,” he spat, jerking his hand to emphasise his words. Y/n didn’t flinch. “All of your training, everything we’ve done for you and this is how you repay us?”
“There was a complication.”
He jerked her jaw again, forcing her to look him in the eye. “What complication?”
“The Avengers were there. I couldn’t-”
The sound of a fist slamming on a metal table made her jump and her mask clattered to the ground. The Avengers were a sore spot, and judging by the amount of Russian curse words intermingled with the Avengers’ name in only a few sentences, that hadn’t changed in the three days she’d been gone.
The agent in front of her returned to the group and Y/n finally took a breath, readjusting her jaw after its rough treatment. Although she worked willingly for Hydra, Y/n wasn’t that bothered with keeping track of exactly who they hated each week. She just did as she was told and breathed through the punishments that followed after. Work was work, unfortunately for her, and Hydra provided food and a roof over her head. Luxuries, as far as she was concerned.
A door opened to her right and she watched from the corner of her eye as a figure slipped through, sticking to the shadowed walls on instinct. The glint of a metal arm gave her a weird sense of peace and she turned to meet his eyes, his gaze softening as he looked at her.
“Soldat,” Pierce called, finally rising from his chair after staying silent for so long. He smiled slyly at Y/n who only ignored him. “Take our prized possession to the training room and make sure she never fails again. Use whatever measures you have to.” He directed his orders at Bucky who clenched his metal fist and grabbed Y/n/s forearm, dragging her out of the room.
Neither spoke a word until they reached the training room, just as dark and cold as the rest of the facility. You’d think an organisation like Hydra would have the funds to buy some decent light bulbs. All this yellow light was on Y/n’s last nerve.
Bucky threw her down onto the mats and stood with his arms behind his back as he watched the woman try to get her breath back. He didn’t intend to wind her, but the cameras in every corner were monitored so he couldn’t go easy on her.
“Sorry,” he muttered, his hair swinging beside his face and hiding his lips from view. Y/n waved him off and climbed to her feet, bringing her fists up to her face and setting her feet in a fighting stance. The cameras had no audio, so as long as they fought and he got a good few punches in, no one would suspect anything different.
“Don’t. Just hit me.” They circled each a few times, blocking a couple of punches but nothing major until Bucky grabbed Y/n’s arm and trapped her in a headlock, squeezing just tight enough that her airways were constricted. She tapped out and regained her position before they fought again, this time with her sending a few hits to his stomach.
“I need to ask you about something,” Y/n said through gritted teeth, deflecting a series of punches. Bucky grunted, which was his way of saying ‘go ahead’. “You know when you saw Steve for the first time since… you know, how did you handle it?”
Something shifted behind his eyes at the mention of his old best friend and he sent a strong left hook towards Y/n’s jaw, metal colliding with the bone with a crack. Her head whipped to the side and she let out a cry of pain, palm coming up to cradle her cheek. Bucky just watched for a moment before pulling her in front of him and forcing her to fight. They both hated this, but Y/n’s punishment would be ten times worse if he didn’t get enough good hits in. And Y/n preferred to be bruised by him than some old guard with unbridled rage and unchecked anger issues. Not a good mix.
“Was that not the right thing to ask?” How she could joke with a cracked cheekbone and bruised ribs was beyond Bucky, but humour seemed to be her preferred coping mechanism so he let her at it.
“It’s fine.” His words were more of a grumble than anything, but Y/n was used to that. He wanted to help, but you had to read deep between the lines. “I smashed several helicopters and almost killed him.” Wasn’t quite the response Y/n was expecting, or needed, really. “But they did brainwash me so I don’t suppose that helps.”
“Well, kind of?” Bucky narrowed his eyes and ducked, avoiding a punch before sending a kick to the back of Y/n’s knees. She wobbled but stayed upright, kicking him in the ribs to buy herself a couple of seconds of breathing time.
“Why do you ask? Did you see him?” It wasn’t hope that interjected his words, but Y/n noticed a flicker of something she couldn’t place a finger on.
“No, but I saw someone who reminded me of the same thing. Someone I thought I’d lost.” Natasha’s eyes, full of recognition and aspiration filled her mind and for a moment she faltered, lost in the dizzying memory, encapsulated by a flaming halo of hair. The scar in her eyebrow, her full lips, the ash that had settled on her black tactical suit; all flooding back and hitting Y/n like a truck.
She barely realised she was on the ground until she felt Bucky pin her arms above her head. She just stared into his eyes, a crease between her brows, unable to shake Natasha from her mind. Bucky watched her for a second before slapping her across the face.
“I’m sorry. Again.” He helped her to her feet. “But if they find out you know someone on the other side, they’ll do it to you too.” She’d watched many of his brainwashing sessions and even supervised when he’d come out of cryofreeze and none of it looked the slightest bit appealing. “I don’t want that for you.” She was the only good thing about this place and for his own sanity, he couldn’t lose her too.
“They couldn’t do that to me,” she said with a cocky smirk, her eyebrows quirking upwards. “I’m too valuable. Besides, Natalia won’t forget me again and would probably go on a killing spree if that happened.” Bucky shot her a look. “You’re right. That’s more my style.”
Bucky rolled his eyes slightly, unable to smile at her words. He was supposed to be an emotionless killer - they couldn’t know he had a soft spot for her.
“Luckily for you, you won’t see her again,” he said, swiping her legs from underneath her and sending her crashing to the floor. She scowled and scrambled up, jumping to wrap her thighs around his head in an attempt to bring him down. “It’s better that way.”
“Who says I won’t?” Y/n used her momentum to swing herself around, feeling his hands grip her thighs. “I want- I have to see her again. So I will.”
Successfully flooring him with an ‘a-ha’, Y/n straddled his waist and held her forearm to his throat. But she didn’t expect him to suddenly flip them both and mirror her actions, pushing her down into the thin mats and letting the cold seep through her suit as he held her there.
“So what, you’re going to kidnap her?”
Unbothered by her compromised position, Y/n just smirked, relaxing her body as she accepted defeat. “Who said anything about kidnapping?”
~~~
“Natasha, it’s a trap.” Clint was trying to talk some sense into his best friend, who was clearly having none of it.
“You think I don’t know that?” She gave him a look and returned to fixing her belt. “I’m prepared for this, so please stop stressing.”
“Oh, well forgive me for being sceptical seeing as the last time you encountered her she threw a knife into your knee,” Clint remarked with his arms folded over his chest. Natasha just rolled her eyes and stood up, adjusting her collar.
“I’m going to be ok,” she reassured, although her words fell on deaf ears. “I know who I’m dealing with.”
Clint looked into her eyes for a moment, trying to find a hint of doubt behind her bright green irises. But he found nothing but confidence, as usual. “But, do you?”
Whether it was part of her plan, no one knew, but Natasha walked straight into the trap with her head held high. It was easy, too easy. Natasha knew it, Y/n knew it. Yet that changed nothing. The blindfold was tugged from her eyes and she blinked, trying to adjust the dim light above her. The bulb only cast a small pool of light that spread not far from her chair, plunging the rest of the room into an eerie darkness. There was no sound, no gunfire or wind howling, and no windows as far as she could see. But her assessment of her surroundings was cut short when a figure stepped into view.
A small woman, slim, but muscular and toned enough to make it known that she could take down anyone of any size. Her posture was impeccable and she balanced a small blade between her fingers as if it were a feather and not a deadly weapon. Her lips curled into a smile, but it wasn’t all that inviting or warm. The yellowy light cast shadows across her face as she observed her hostage for a few seconds.
“I thought interrogations were supposed to be your thing, Natalia.” The way her old name dripped off her tongue was like sweet honey and Natasha clenched her jaw, eyes fixed on the woman prowling in front of her. Sure, she could get out of the ties around her wrists, but something kept her there. A desire to learn more about her. “You gave up pretty easily.”
“You know damn well I didn’t give up,” she spat, glaring up at the woman who was now standing so close their legs brushed. “I came willingly.”
“Oh I know,” the woman said with a smile, tracing the sharpness of the redhead’s jaw with her knife. “You can’t resist me.” Her Russian accent was thick and had Natasha completely transfixed. The tip of the knife trailed down to her collarbones so gently. “I didn’t think it would take years though.”
“I knew where you were.” Not exactly a lie - she’d been tracking Y/n’s work for years. She just didn’t know it was Y/n behind the killing sprees and assassinations.
“You break my heart.” There was a mischievous sparkle behind her eyes and it frustrated Natasha to no end. “Guess you thought you were too good for me now, huh? All caught up in your Avengers business and no time left for me.” She pouted like a child.
Natasha looked up at the dim light above her head before answering. It was cliche really, tied to a chair in the middle of a damp room with only a single string bulb as a light source. But the woman before her was far more calculated than she ever let on, so Natasha knew it was part of some much bigger plan.
“Well I can’t exactly have a coffee with the enemy,” she said sarcastically. “The Avengers would take you in if you stopped murdering people for no reason.”
“Ha!” She spat out, turning back around to face Natasha, her knife spinning casually between her fingers. “Avengers. What a pathetic excuse for an organisation. You think they mean well, and that’s just adorable really.”
“They’re not pathetic.” If there was one thing Natasha was protective about, it was her family. “Take a look at who you work for, you’ll find some pretty pathetic business going on there.”
Y/n’s eyes darkened. “Hydra is not stupid. At least our scientists actually do something useful instead of pottering about building metal suits.” A jab at Tony Stark. Classy.
“Yeah sure, if you call illegal human experimentation ‘useful’.”
Y/n let out a soft laugh. “Don’t get all big and bossy with me,” she replied, watching as Natasha’s stony expression cracked slightly. “The twins signed themselves up, I did nothing.”
“You lured them in.”
“What can I say, I’m irresistible.” She winked at Natasha and disappeared into the shadows, leaving a very disgruntled redhead alone.
To say she was the most annoying person Natasha had ever met was a severe understatement. That woman got under her skin and just festered there, and no amount of focus would ever make her go away.
Whether she was knocked out or drugged, Natasha didn’t know, but when she next woke the room was a lot brighter and her hands were no longer tied behind her back. Y/n sat opposite her, the same blade laying flat in her palm.
“Took you long enough.” This wasn’t the same place as before and Natasha reached for her belt, wanting to feel protected. “Don’t. I’m not going to hurt you.”
“That’s reassuring, considering you kidnapped me.”
Y/n finally looked up and scoffed, pushing her chair back so it scraped harshly across the wooden floorboards. “I did not kidnap you. We went over this Natalia. You came willingly.”
“And then you tied me up.” Natasha gestured to her wrists, now free of course.
“What can I say, I’m into that kind of thing.”
Natasha sighed. This was her chance. She wasn’t restrained, Y/n seemed relaxed and no one else was around. She could save a lot of lives, and her own ass by killing Y/n now. But somehow she couldn’t shake the memory of all the stolen kisses and touches they’d shared within the icy confines of the Red Room. How that young girl had been through so much and yet still felt so familiar sitting in the chair opposite.
“Y/n,” she started, switching her approach completely. “What happened to you?” The woman looked up, eyes dark, scanning across every inch of the redhead’s face.
“Why would you care anyway?” Her witty sarcasm was gone, replaced by a steel wall behind her eyes that fully blocked Natasha out. The redhead plagued her mind and tugged at the knot in her stomach, but she refused to let it win.
“You were there, and then you left. And I never knew why.”
“No. I didn’t leave. You did, Natalia.” Her tone was accusatory as she leaned forward, resting her elbows on her knees. “You left me alone in that place and you let them take me.”
“I didn’t leave you. They told me you got out, escaped, so I asked to go on more missions. I couldn’t bear it there without you.” Natasha’s voice dropped on the last few words, almost scared to admit her feelings out loud. How could she? The woman she swore to love for the rest of her life had broken her heart to the point where she had never loved anyone since.
“And you believed what they told you?” Natasha said nothing. “Somehow you manage to escape and you don’t come looking for me. We had a promise, Natalia. No matter what, we’d find each other. What happened to that?” Y/n was no longer a deadly Hydra agent gripping the handle of her knife like she was ready to send it flying into a target. No. She was a little girl again, holding onto promises as the last sign of hope in her life. Holding onto Natasha’s pinky finger with her own like their lives depended on it.
Noticing that Natasha didn’t want to break the silence, she continued. “Do you know how hard it is to find work with our skill set? For the ‘good guys’, I mean. You got lucky.” There was a hint of resentment in her words and it hit Natasha in the stomach. “When you tell people you’re an assassin for hire, they usually want to throw you into a penitentiary or shoot you dead right there and then. I had no choice.”
“If you knew where I was, then why didn’t you come and find me?”
Y/n hesitated for a moment. “You didn’t need me ruining what you’ve already got here.” This amount of vulnerability made Y/n’s skin crawl, but all her usual standards seemed to fly out of the window when Natasha was around. It had done ever since they were barely teenagers, soft lips pressed against each other in the gentlest of kisses. The fear of getting caught was worthless when compared to the comfort they had found within each other. “Besides, if I went after an Avenger, we’d both be dead.”
“They gave me a second chance, they would give you one too. You just have to prove it.” Natasha rose from her seat and joined the other woman who had moved to look out of the water-damaged window. “I can see how much you hate it, Y/n.”
“Hate what?”
“Working for Hydra. I can see it.”
Her grip tightened around her knife and Natasha took a step back. “No, they gave me everything.” But her words weren’t as convincing as she intended them to be, her lack of will to live and keep fighting catching up with her. “I owe them everything.”
“But Shield can give you more. You deserve to have something good.” Natasha squared her shoulders and reached out to place a hand on the woman’s shoulder. “No more pain, no more manipulation. You get to call the shots, make your own decisions.” Y/n wasn’t convinced. “We’d get a second chance too.” Her nose scrunched slightly, unable to gauge how Y/n would respond to her last words.
Y/n looked down at her hands, avoiding Natasha’s gaze and trying not to focus on how comforting her touch felt. She stared at the blood that had dried under her fingernails. It never seemed to fade, no matter how hard she scrubbed. She wanted so desperately to run, leave her problems behind like she’d always done. But part of her clung onto the prospect of a second chance with Natalia - she’d craved her warmth for over a decade.
Natasha saw the conflict flicker behind the woman’s eyes, a stark contrast to the sarcastic and confident front she’d put on only hours before. She was exhausted, anyone could see that and Natasha knew all too well what it was like to want to stop running. To stop fighting for other people and start fighting for yourself.
“Why are you doing this? I thought you came here to kill me?” Y/n’s eyes turned icy and she pulled her body away from Natasha, distancing herself once again. But the emotion in her voice couldn’t be masked, and it made Natasha’s expression soften.
“I made a different call.”
Y/n bit her lip, the knife between her fingers spinning rapidly but controlled. “I don’t deserve this second chance, Natalia. Just do what you came to do, earn yourself some more brownie points for the boss.” Her jaw clenched and Natasha pulled her gun from the holster. But instead of firing it, she simply slid it along the dusty floorboards, along with her belt full of weapons. Y/n scoffed at her actions, holding her knife as firmly as she could, but the tremble in her fingers gave her away. She didn’t mean this. Any of it.
“Well that was stupid.”
But her movements were suddenly halted. The door to Natasha’s left crashed down and three figures burst in, firing shots at Y/n before Natasha had a chance to protest. They’d seen the knife and reacted, ignoring the way Natasha yelled at them. The women threw themselves down onto the ground, Natasha shielding Y/n’s body with her own.
“Stand down!” She yelled, holding Y/n against the floor whilst turning over her shoulder. Steve, Clint and Sam stood in the doorway, weapons aimed and pointing at the assassins on the floor. “I didn’t signal anything!”
“You’d been gone for hours Nat, we had no choice. Fury gave the order.” Natasha ignored Clint’s words as Y/n groaned beneath her. Their weapons were still aimed at the Hydra agent despite Natasha’s glare.
The redhead slowly removed her hands and went to help Y/n sit up, but then she noticed the blood. It was visible even through her dark suit and Y/n gingerly pressed her hand to her stomach before pulling it away with a frown.
“I don’t know if we’ll get that second chance, Natalia,” she whispered, looking up at terrified green eyes. “You’ll have to do it on your own.”
“No, don’t say that.” Natasha replaced Y/n’s hands and began to press down on the wound, muttering her apologies as Y/n whined in pain. “You’re going to be ok.”
‘I want to be good, Natalia. I really wanted to be good.” Her words were strained as blood continued to pour from her wounds, coating Natasha’s hands instantly.
“I know, Y/n, I know. You will be, just stay with me please.” She pressed down harder, tears blurring her vision as she felt blood pooling beneath her palms. No one was listening to her cries for help- why weren’t they listening?
Y/n weakly grabbed Natasha’s wrist and pulled her hands off her wound, shaking her head at Natasha’s protests. She could taste metal on her tongue and the redhead’s face faded in and out of focus as she tried to shakily cup her cheek.
“Natalia-”
“No!” Natasha’s lip trembled and she shook her head frantically, pulling her hand away from Y/n/s grip. “You’re not leaving me now, I swear to god. You can be good, I know you can.” Y/n smiled weakly, barely conscious now as blood trickled from her lips. “Please, I just got you back! I can’t lose you again.”
“You won’t lose me, I’ll always be here.” Her nose scrunched up at how cheesy it sounded as she reached her hand up to point to Natasha’s chest. “Right here.”
“No, no, no. Don’t talk like that! You’re not giving up on me, Y/n. Pain only makes you stronger, come on!” She was just spewing words now, her sentences all jumbled and barely making sense as she pressed down on the wound. Y/n smiled up at her and tried to squeeze her thigh where her hand rested. But the energy in her body was fading fast and she could do nothing but look Natasha in the eyes in her final moments, wanting to memorise that specific colour one last time.
When her hand slipped to the floor with a thud, Natasha’s heart stopped. An eerie silence fell across the room, the feeling of death weighted like a blanket. The redhead didn’t make a sound, her sobs silent despite the tears trickling down her flushed cheeks. A stark contrast to her pale skin.
“No,” she shakily whispered, pushing Y/n’s hair back out of her face with a bloodied hand. “I’m sorry.” She cupped her bruised cheek and brushed her thumb over it, finally feeling her skin under her hand for the first time in years. It wasn’t as soft as she remembered, years worth of scars destroying the surface, but it was still perfect to her all the same.
Tears mixed with the blood and created a watery mixture that dripped down off Y/n’s chin and into the collar of her suit. Natasha dropped her head to rest on the other woman’s chest, hands moving to grip her shoulders tightly as though she might disappear. The redhead kept muttering apologies, wanting to make up for all the time they’d lost, even if it was fruitless.
The three men in the doorway shifted uncomfortably, the scene before them an unexpected one. “Natasha-“ Clint began, taking a step towards the redhead.
“What did you do?” Her voice was dangerously low and she slowly turned around, Y/n’s hand now clasped in hers. “Look what you did!”
Sam and Steve hung their heads, not wanting to see anymore of the dead woman across the room. Clint was just focused on his distraught best friend, who’s hands now matched the colour of her hair.
“Nat, we need to go-“
“Then go,” she spat. “I’m not leaving her.”
Clint let out a sigh and slung his bow over his shoulder. He gestured to Steve to help, who looked rather uncomfortable but followed anyway. “Well bring her with us-“
“What, so you can parade her in front of Fury and show off? Yes, well done, target eliminated! You don’t touch her!” Natasha was clawing and kicking as Steve pulled her to her feet. She held onto Y/n’s hand for as long as possible before Clint gently tugged it free, triggering an outburst from Natasha.
She was a mess of limbs, uncharacteristically uncoordinated as she struggled against Steve’s body as he guided her out of the room, practically carrying her as she refused to walk. The whole time she screamed out for Y/n, her voice growing more hoarse by the second. She took no interest in her surroundings, the dimly lit stairwell not even registering in her mind. All her spy training had completely vanished.
She was placed onto one of the benches in the jet and she watched, a shaking mess, as Clint placed Y/n’s limp body on the floor opposite, blood no longer pouring from her stomach. Natasha stayed frozen in her seat, knees pulled up to her chest as a defence mechanism. She didn’t care that there was blood on her hands, nor that it transferred onto her cheek when she wiped her nose. No, she didn’t care about anything except the woman lying in front of her.
The lifeless woman.
She wanted to scream but it was as if all the emotions had drained out of her body like a flood. She was numb, just staring with empty eyes, the light behind them barely flickering now. Clint shot worried glances in her direction once the jet was in the sky, and Steve and Sam stayed well away, not wanting to fall under the wrath of an extremely angry and emotional Natasha.
Not that she cared what the others did. She just wanted the one thing she couldn’t have. Fate had shown her time and time again that it was not on her side, but this truly was her final straw. There was no fixing this.
They had found and lost each other within the space of a months. But this time there were no second chances. It was set in stone, just like Y/n’s name would be for the rest of time.
Maybe, in another lifetime, they would finally meet again.
Maybe, in another universe, Natasha Romanoff could truly be happy.
101 notes · View notes
thunderfrommyheart · 2 months
Text
breaking down the misinformation in @afronerdism post about me.
Debunked by Stuart Semple himself. 
I’ve taken the time to do this because nobody wants mis-information bouncing around the internet. 
The key thing to know - in the artworld rich people have access to processes and companies that most artists don’t. That’s how they get to create giant beans which cost $20million. At the top the rich get richer, and at the bottom artists struggle to make their mark with what they’ve got. 
Vantablack is an example of a group of rich, entitled people getting together to pat themselves on the back, whilst the rest of the world watched horrified at the tone-deafness of the whole thing.
it's also worth noting whilst OP is clearly educated and understands politics they are not in any way an expert in the artworld, art discourse. I however have been in the artworld for 25 years, have written for the guardian, art of england and vogue. I have presented art programs for the BBC and have a properly published book on art history - it's out in June called 'Make Art or Die Trying'. I have studied art and art history and spoken at Oxford University, The ICA, Denver Art Msueum, Dublin Art Museum and at Frieze. I have lectured at the Royal College of Art in London. I have curated over 20 contemporary art exhibitions internationally, I have directed two galleries. I am by definition an expert.
MY BREAKDOWN: OP is @afronerdism - I've gone below them point by point
A: What Vantablack is not: a pigment. A paint. Vantablack is not something that you were supposed to use to paint with. 
SS: CORRECT - However nor is glass, chrome, powder coating, sandblasting, booze casting, tar, concrete or steel yet they are used by artists everyday. 
Whether the material/process is a paint or pigment or not doesn’t matter. 
A: Who creates and distributes Vantablack: an engineering company named Surrey NanoSystems.
SS: True. And many artists work with engineering companies every day, notable examples are Jeff Koons and Damien Hirst. Lots of artists collaborate with industry to get their work made, that is what fabrication is.  You go to Surrey NanoSystems - not to buy paint but for them to coat your work in Vantablack. 
A: Who does not do those things: an art house. A distribution company. Any kind of company that creates and distributes pigments on a massive, artistic scale. 
SS: Which is totally true and fine. However they do coat things in Vantablack for a series of clients in many different industries including fashion designers, jewelers, brands, car companies, and watch companies. They will coat anything for anyone who has the money unless they are an artist. They only accept work from Anish Kapoor as he has an exclusive license with them for art. 
A: Who was Vantablack made for: Vanta Black was made by aerospace engineers for aerospace engineers, looking for something to coat the insides of massive NASA telescopes. 
SS: Initially, but quickly was used by a lot of other industries including architects, fashion designers, bands, brands, car companies and even a deodorant. 
They are able to make it in quantities large enough to coat whole buildings as we saw when architect Asif Khan used it to coat a whole pavilion during the Pyeongchang Winter Olympic Games. 
(If had told Surrey nanoSytems he was an artist - not an architect, this would never have happened)
A: Who it was not made for: artists.
SS: Except the one with the license. (Anish Kapoor)
———————————-——————————————
A: Hopefully already just by understanding what Vantablack is, what it was made for, and who it’s made by you and other people are beginning to see what the problem is with Stuart simples narrative around Vanta black. 
SS: It’s Semple not simple. 
SS: The narrative was not created by Semple as for a few months before he shared his pink the world media was criticizing Kapoor for his Monopoly with major articles in the Guardian, Daily Mail, and BBC news. Each featured reactions from a broad spectrum of artists who spoke about the unnecessary license and the elitism in the artworld. 
A:  But you may be wondering if Vanta black is a highly toxic unstable substance made out of carbon nano tubes by aerospace engineers for aerospace engineers, working in space, then how did we get here? well, Vanta, black 2.0, if you will was created in such a way that it could be sprayed onto substances in a certain way meaning that theoretically it could be used artistically.
SS: Yes VBX2 can be sprayed, and Surrey Nanosystems have training days where they teach in-house teams how to do that. The VBX2, however, arrived quite late in the story and Kapoor’s rights started with the first version. 
A: Surround nanosystems held an exhibition where they displayed Vanta black and when artist saw this, they were inundated with calls from artist, wanting to use it in their work. 
SS:
Surrey nano systems (not surround)
They actually debut it at an airshow in England, it was all over the world media, many artists saw it. They then went on a massive PR mission and the material was seen on CNN etc. 
Kapoor became aware of it and approached them to see if he could use it in his work. 
Together they struck up an exclusive deal which would mean if any artist asked them to coat a piece of work with the stuff they would be turned away. 
That deal was something Surrey and Kapoor were initially proud of. They couldn’t see the inherent elitism in the exclusivity so they went on another PR pr to tell he world Kapoor was signed up to use it. 
It was then the artists of the world really became aware of it, and sure enough, when any of them wrote to Surrey - even really huge ones with plenty of money, they were turned away. These artists including Christian Furr and Ron Arad, amongst others were all featured across the media. =
A: But as we’ve already established surrey nanosystems is not a distribution company. They’re an engineering company. And they made the decision that they could only work with one artist, because they simply did not have the physical ability to produce Vantablack at a scale that allowed them to work with more than one person. 
SS: They did say that, but a lot later. They were always a fabrication / engineering place and there was never an idea that they would distribute the material. That’s not the problem any artists ever had with it, they all fully understood what the material was. The issue was that even if the artist had the money and could ship their work to Surrey, they would not coat the object with it, but they would serve other industries. This is seen as deeply prejudicial towards artists. 
A: (To this day, vanta Black has to be distributed by a specialized robotic arm that creates it in painfully small amounts in an enclosed box that can then be given to someone in a lab. ) 
SS: This is untrue - the arm is used to spray the objects that Surrey have agreed to coat. 
It does not make the material. The material is made by growing carbon nano tubes on a surface. 
And the spray version contains nano particles. The robot arm is used for precision when coating. 
You often see a robot arm spray cars for example. The arm is used like this. 
A: Enter Anish Kapoor: Anish Kapoor, at this time was already a world, renowned artist, and the creator of many public facing pieces, such as cloud gate, a.k.a. the Chicago Bean. His entire life‘s work was dedicated to how light is refracted and interplays with the void, making him not only the perfect person to be chosen because of prestige but also because his life‘s work spoke to the engineers who created Vanta black.
SS: Whist as an artist he has dealt with reflection and the void at length, it’s a stretch to claim his entire life’s work is dedicated to it. 
SS: It is true that as a figurehead for Vantablack he is a good choice, he’s very rich, extremely famous, he’s a Sir (i.e knighted by the queen and a turner prize winner). Plus he makes work that would look good in Vantablack. 
SS: None of this means that he needed exclusivity to do it, the company could simply have collaborated with him and if any other artist asked to have something coated, they could have easily said they were too busy or didn’t have enough of the material. 
SS: The issue is the way they couldn’t see the prejudice, elitism and lack of access in the exclusivity. 
A: Now this should’ve been seen as an incredible accomplishment and honor for this Indian artist to be chosen as the soul licensor of Vantablack as this company was only able to choose one person and people were really excited about this for him and that’s where the story ends, right? Right? Right? 
SS: It’s unclear why his race matters. He is one of the richest, most well known, most famous artists in the world. The fact he has exclusive access to a material/process like this is not a reason for people to be excited for him, people are free to be excited or not. This is purely your opinion not a fact. 
A: Enter Stuart Semple: Stuart simple was a 25-year-old man in the UK living with his mother when she came into his room and told him about Vantablack. 
SS: Stuart was born in 1980, which would make him 36 at the time. 
SS: He was not living with his mother, in fact he was living in London with his own family. 
SS: His mother did not come into his room however on a phone call she spoke to him about an article she had read in the guardian about how artists were upset by Kapoor having Vantablack. 
SS: Stuart was (and is) a well-known contemporary artist, very embedded int hat world. He has had over 20 solo exhibitions dedicated to his work all over the world and his pieces are in major collections and museums. He’s not in the league of Kapoor but in the artworld is well known as an artist. 
A: As an artist himself, Stewart simple wanted to try Vanta Black, and was told by the company that he could not.
SS: This is untrue - Stuart did not want to use the colour, nor did he approach the company. 
A:  It was then that he discovered the only person on earth licensed to use Vantablack was Anish Kapoor. 
SS: This is untrue, he was aware of this when his mother told him what she had read in the newspaper. 
A: Please keep in mind that Vantablack is not a paint, and it is so difficult to work with that Anish Kapoor has only ever produced one singular piece of art with Vantablack. 
SS: This is untrue. Tens of thousands of items have now been coated in VantaBlack, from soda cans to watches. Initially, Kapoor used his rights to create a series of limited edition wrist watches that sold for $100,000 each, and then went on to create a whole series of large sculptures that were initially shown at a huge palazzo in Venice that Kapoor bought, during the Venice Biennale, and then at an exhibition at the Lisson in NYC where there works were for sale with an average price of $500,000USD.
A: So like a child who has just been told by their mom that they can’t use something, Stewart simple decided to throw a hissy fit. 
SS: It’s Stuart Semple (not stewart simple) - and there is no evidence of any kind of Hissy Fit. However he did create a piece of internet performance art, where he put a jar of pinkest pink paint on the internet, humorously, and asked anyone who bought the paint to sign an agreement that they ‘weren’t Anish Kapoor and Associate of Kapoor and that to the best of their knowledge information and belief, the material would not make its way into the hands of Anish Kapoor’. Semple has always explained it was a tongue-in-cheek piece of performance art, and that he was never expecting anyone would actually buy any pink. The best source for this is an article in Wired in which the journalist concludes with the piece being a powerful piece of online performance art. Bearing in mind Semple is an artist who works with performance, that is extremely likely. 
A: He created a pink pigment that he conditionally said everyone could use except Anish Kapoor and then launch this pigment with the hashtag #ShareTheBlack. 
SS: He created the pink pigment in 2010 - and has made his own paints to use in his own work since he was a child. It was not made in response to Kapoor. However he did not make them public they were for his own use, and the Kapoor situation made him question his own exclusivity in keeping the materials he was making for himself. He decided to share his pink as a gesture and a piece of art in it's own right.
A: This caught the attention of the news media, and when asked about this situation, that was previously relatively unheard of, Stuart simple,
SS: Neither Stuart nor the Vantablack situation were unheard of. The media was already reporting on the controversy around vantablack long before Stuart put the pink up. Stuart was also well known which is why the media wanted to talk to him about it. 
When GQ came to do a 5 page feature on him they were clear it was because he was an established and well-known artist in his own right. 
He had already been hosting art shows for the BBC, had written for the guardian and Huffington post and had collaborated with major musicians. 
A: went onto describe Anish Kapoor as this tyrannical elitist who “banned“ the use of Vantablack to keep other artists from using it. 
SS: There’s no evidence that Semple said that, however, he was critical of the exclusive license and did feel the story opened up a well-needed discussion about access to art and the trend in which those with the money could afford to have works fabricated when others couldn’t. He is at heart an egalitarian and has made free art studios, his Designs for humanity charity, his creative therapies fund at Mind (a mental health charity) etc.. and a major free art gallery in his hometown that shows some of the biggest living artists. So Semple’s opinion is allowed, to him Kapoor epitomizes an elitism that is dominated by the super-rich, after all, Kapoor is getting close to being a billionaire. 
A: But hopefully you can already see how that is Literally not true. Anish Kapoor does not make Vanta black. Anish Kapoor cannot sell Vanta black. Anish Kapoor cannot give you permission to use Vanta black. And Vanta black is not even a paint. 
SS: He does not make it, but he does hold the exclusive right to use it in art. 
SS: No other material or process has been exclusively licensed by one artist in the history of the world. 
SS: Jeff Koons does not make his own giant steel sculptures, a factory does. Jeff can’t book your work into the factory, and steel is not a paint either. He doesn't have an exclusive agreement with the steel fabricators. If they aren't too busy with Jeff, and you've got the cash, they'll make something for you too. This is standard with art fabrication.
SS: I didn't physically make the giant steel and foam smiley sculpture of mine for the city of Denver, fabricators helped with that, and engineers. They work with several artists.
SS: This makes no sense given it is understood vantablack is a material and a process of application. 
SS: However Kapoor could surrender his exclusive right and Surrey would then be able to take bookings from artists. 
A: meanwhile Stuart has launched an entire very lucrative career around slandering and smearing Anish Kapoor 
SS: Untrue, Semple had a very successful career and his day job is as a contemporary artist. Actually speaking up about elitism in the artworld is a risky move for someone who relies on that artworld to pay his bills. 
A: when Anish Kapoor literally never did anything but be qualified enough to be the one person chosen by a company that is literally only able to work with one person at a time. 
SS: He did do something, he signed an exclusive agreement and he felt he was entirely justified in doing so. He also went out in the media and with surrey nono systems and gloated about it.
SS: They can’t only work with one person at a time, we have seen whole buildings covered in vantback, jewellery, cars and soda cans and many sculptures by Kapoor. Surrey have collaborated with thousands of brands, designers, architects and companies. 
A: The fact remains Stewart simple, very intentionally allows this narrative to continue because it makes him money. 
SS: It is unclear how it makes him money as the pink was sold for $3 which was what it cost to make, and his website which researches and distributes cutting edge materials is a non profit that collaborates with artists. They even did a crowd funder to make Black 3.0 - a super black acrylic that any artist can use. It's also unclear how he is perpetuating this narrative, when he's clearly moved on to other projects many years ago and rarely mentions it. In Semple's world it's a very small thing.
A: He has made a ton of money off of slandering Anish Kapoor as if Anish Kapoor is the reason he can’t use Vanta black when the reason he can’t use Vanta black is because no one can use Vanta black, and the only person who might be able to use it is Anish Kapoor and that is not Anish Kapoor‘s fault. 
SS: There’s no evidence at all that he’s slandered Kapoor. Kapoor being extremely wealthy, and the level of media that covered the story back in 2016 would never have allowed it. It would have been a legal nightmare. All the publications who write about the story GQ, BBC, The Guardian, Wired, have journalistic laws and it would not have happened. 
SS: There’s no evidence that Semple has made a ton of money. 
A: It is not lost on me that there are racial connotations to the story as well. There are actual companies and artists in the world who have trademarks around certain colors that they do not allow other people to use in public showcases. 
SS: There are colour marks or if you like 'trademarked colours'. The public showcases point doesn't make sense in this context - colours are protected in classes i.e certain uses on Serbian products are prohibited. EG - Tiffany blue cannot be used on jewellery boxes. 
A: But we really as a community allowed this white man to smear and slander an Indian artist,
SS: Again it’s unclear what the ethnicity of the artists has to do with the core issue. 
SS: It’s a little bit of a leap given Semple has also liberated Klein Blue (made by a white French man), Barbie Pink (owned by Mattel a corporation), and created the Brightest White. 
 A: based entirely off of misinformation, and to this day people jump on the Internet, saying fuck Anish Kapoor because of it. 
SS: Kapoor secured the rights to the blackest material ever made. Everyone else who can afford to, can use it, unless they identify as an artist. 
SS: Many people feel like that is wrong. 
A: Now, Anish Kapoor is not some struggling person. He is probably a multibajillionaire 
SS: He’s worth about 800 million according to Forbes, he’s within the top 5 most wealthy living artists.
A: And doesn’t necessarily need our sympathy. But I think the story of Vantablack is a really good case study of how misinformation spreads, and how people never bother to question the framework of a story. 
SS: In my opinion, your post is misinformation, that has been spread unquestioningly. 
97 notes · View notes
Text
Everyone’s forgotten about Lizzie.
She’s sure of it. They must think she’s dead, and if they didn’t, they wouldn’t help her anyway, because they hate her.
That’s what she tells herself. That it’s deliberate ill intent, and not that any memory of her has just completely slipped from everybody’s mind.
It’s less painful that way.
And Lizzie’s been left on her own, falling through the void, darkness all around her.
She isn’t even sure if she’s falling. She might just be floating, untethered. There’s no wind here, and everything is just black.
The worst part are the whispers.
Lizzie didn’t know who they are. She’d tried asking them, but when she opens her mouth no voice comes out, which terrifies her. She might be deaf, she doesn’t know. She can’t see or hear or feel anything.
It means that if she cries for help no one would hear it. The whispers seemed to have been behind that.
The whispers.
A soft, steady pattering into her head 24/7 (if she could know the date) that would probably drive her insane if she hadn’t already and is just hallucinating.
She wants it to stop, so bad.
The communicator pings over and over. She watches the other players going on with their lives and deaths, the playful bickering, the serious reports, and so many, so many deaths.
She keeps wondering. Imagining scenarios whenever she sees a message. Etho dying to Scar’s hands. The Heart Foundation rambling about gifts and favours. Life continues, without her.
It’s as if she was never there at all. When Jimmy dies she hears the whispers discussing the players’ grief, of their shouts of anguish.
When she died there was just silence.
It’s no use. She’ll never know the circumstances, never know about the world going on above her while she falls.
She can’t send messages, blocked by solid code, only receive them. She concludes that it’s a cruel joke on the part of the whispers.
One day the whispers stop.
Lizzie is hopeful that this means a change in her situation, in which she’s completely helpless.
But then she checks the chat, and realises there’s no one else left on the server but Scar. The whispers have grown bored.
The ghosts leave the game, one by one.
Days pass. Could be months, or hours. Lizzie sees the last sign of life leaving the server when Scar’s death message pops up in chat, and she instinctively yells, “No!” and instead of the silence that would come before when she tried to speak, her voice emerges instead, hoarse from days of neglect.
Ironic.
She can only speak when there’s no one to hear her.
She knows Scar will happily respawn in Hermitcraft, congratulated on a stunning win. If it was stunning. She hasn’t seen anything but black for who knows how long, and she can’t even tell if her eyes are open.
She doesn’t say anything again, left in complete silence as she falls through the void, wiped from history.
-
people trying to justify canary curse with the “lizzie is still alive” theory are focusing on the wrong person in that hypothetical
i’ll write a happy ending if at least one person tells me to, which i don’t think will happen so i get to kick up my feet in the meantime
136 notes · View notes