The love for nature leaving my body after spotting one (1) mosquito
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Actually while I'm on the topic of Ty Lee, it is a crime that Azula recruited her from the circus before the exact same circus picked up Appa, because if there's one person in the series who has the disposition to secretly befriend the (presumed) last flying bison in existence and re-learn airbending from the original source it'd be her.
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I just realized that for the pterosaurs, K-T was much worse than just being wiped out
Because imagine - you split off from dinosaurs in the Triassic, specializing in becoming the first vertebrates to conquer the skies. Except that, nope, in the Jurassic, those pesky dinosaurs also decide that they want a go at it, and develop flight, forcing you to fight them for a lot of niches and specialize even more.
Then comes the asteroid. Your lineage is dead, that's a certainty. But the dinosaurs? Will they survive, as they were some of the most diverse land vertebrates on the planet? Will they also completely die out like you?
NOPE! They are wiped out except for a handful of small flying species, meaning that they get to survive and radiate specifically in the one niche in which you excelled and that they stole from you. And, worst of all, it's their descendants, not you, that will be remembered as the archetypal flying vertebrates.
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It always amuses me when people call the Lion-Turtle's appearance "convenient" or something similar.
Yep, it sure is convenient that an omnipotent, all-knowing being would appear to the One Who Is the Mystical Bridge right before he faces his Ultimate Test in the Final Days of the World. Sure is neat that the most ancient and colossal creature on the planet would choose to summon the boy who will stand in the path of the man about to burn the forests*. As ships of steel and smoke drift into the sky so they may rain fire in the blazing wake of a centennial calamity, it's impossible to comprehend why the Last Guardian of Nature Itself would choose to approach the battlefield.
Truly, questioning this plausibility of this chapter proves that you have progressed beyond childish acceptance of cartoon fairytales, and are now capable of seeing where the author's hand provided unearned aid. That's literary comprehension.
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something something time travel something something Extinction Avatar Jon AU
[ID: The first panel is of a man tilting his head up as if taking a deep breath, saying, "Ha."
The second panel is of the man looking straight ahead and laughing, hence, "Ha ha ha ha ha HA HA HA HA HA HA HA!" The text becomes more jumbled and incoherent the more he laughs.
The third panel is a view of the man from the front. He looks up menacingly at the reader, his right eye's sclera a blotch of red with a tiny scribble of white in place of his iris, and his left eye a bright iridescent green. An illusion of an eye hovers over his forehead, left cheek, and throat. He says, "Oh, Jonah. You just made a terrible mistake." End ID.]
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It’s 2023, and Larries still can’t enjoy Louis Tomlinson, the artist, as an individual. It always has to be about him and that other person. Everything he does has to relate to someone else. Never appreciated or celebrated his art without needing to link it to someone else. If he wears something, oh, it’s because of someone else; if he expresses himself, oh, it’s about that person; if he has lights surrounding him, it’s not about him alone; no, never, that can not be. The disrespect is constant. I saw someone tweet about wanting to get into Louis, and the replies were about Larry and "proof" compilations from when he was young so many moons ago. Not his music, not his shows, nothing about him alone, nothing about the person and artist he is NOW. Larries do not realize the damage they cause on a daily basis. The whole idea of Larry goes beyond shipping; it in itself is disrespectful, homophobic, and misogynistic on so many levels. Let me play along and say Larry was or is real, and one of them or both do not want to talk about or be public with their sexuality (and stop with the management thing). Why in the world would you engage in a behavior that outs him? What Larries do is not done behind closed doors or only in fanfics (that alone is a conversation for another day); during Louis’ AOTV premiere, his concerts, online, among his colleagues and peers, Larries are there, and they are not just loud but obnoxious. Imagine saying you care about someone (well, more about their sexuality and who he "might" be dating), and yet you out him every chance you get. Vile behavior.
Louis is a person with layers, friends, and experiences that you will never have access to, and that makes you mad and outraged. You attack people he loves, people he dates, and people he wants to be part of his life. You disrespect his family, his son, and his friends, and then claim that you love him while you scream liar to him with no shame. You don’t see Louis as an individual, and you need to realize that. You take part in homophobic stereotypes and discussions about his private sex life; you fight and get annoyed when he exhibits any behavior that doesn’t fit your misogynistic stereotypes; the same man that writes songs like Angels Fly, Holding on to Heartache, Defenseless... (insert all his discography). You contribute the "tommo way" to being an asshole. You showcase classist behavior; you don’t even want to admit that everything he stands for and all his values that he has spoken about publicly go against the person you so desperately "ship" him with.
Louis is a solo artist in his 30s, on his second world tour, standing on his own after years of self-doubt. He finally found confidence and joy in being on stage, he talks about how thankful he is to be accepted, and feeling safe as AN ARTIST, and yet all Larries care about is: is he gay? He can’t be straight...
Grow up and reevaluate what you are really doing. Louis has had enough struggles; enjoy the music and stop reducing him into a delusional ship.
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Might be a hot take but a major character’s death is really only as good as the weight and the treatment that the narrative gives it. Sure, any author has the ability to write death as they see fit. But whether the consumer (of any given form of media) is actually able to emotionally connect and resonate with the departure of someone who has occupied a good chunk of narrative space very heavily depends on how it’s treated within the story. If it’s a major character, the narrative needs enough built-in breathing space. As in, the consumer doesn’t have to fill in the blanks as to how the death impacted the plot or the remaining characters. Let the narrative do that for them, and that would actually allow the consumer to better react and relate to that major death (sadness, anger, joy, etc). Allow the rest of the characters (who were impacted by the deceased) to react to their parting. Let them engage with the death in a manner that helps justify the character’s inclusion in the narrative to begin with. Make it clear how the character’s life and (especially) their death relate to the larger themes of the story. Because most consumers aren’t stupid. We don’t want our hands held at every waking moment, but we also don’t want our investment in a story to be insulted just for the sake of a cheap shock. Give us time to breathe and grieve. And respect that we have put in a lot of emotional investment in a story and its characters, and we deserve to have that acknowledged.
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we got a crowley version of the aziraphale church feelings realization scene. i think we deserve an aziraphale version of the scene where crowley (as aziraphale) sees how horribly the other angels treat aziraphale and gets a cold, cold look on his face. i think some angel, or even god, should scoff at crowley for trying to do something good, like get the second coming out of harm's way, or give aziraphale a lift, or let someone he doesn't trust borrow his car, or get them some hellfire, or something, and go "it's almost funny how aziraphale thought you could come back. as if you could fit in up here. as if anyone would forgive you." and aziraphale should get the iciest, bleakest look on his face as he realizes there was never any chance of heaven taking either of them as they are.
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Preview for ‘Project Loosha’:
“My name is Marina— I’m not important! But my mom is Dr. Tonya Trench…”
When this sparked no reaction, Marina clarified, “My mom is a marine biologist here in Finnerton. She studies Florida manatees…”
Tony exchanged a wide-eyed look with Arianna. “Manatees?” he mouthed.
“Mom’s lab received a call a couple of months back,” Marina continued, lowering her voice, “about a new project… Project Loosha.”
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