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#either way i'd take it
queermasculine · 1 year
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I identify as butch but have lots of soft plushies in my bed... do you think I ought to remove them before I invite someone over for hookups? never see any butches with plushies tbh so a bit selfconscious
don't be self-conscious dude. hoarding plushies is a masculine trait. your ancient shepherd instinct. if i came over and saw a butch had a bunch of plushies i wouldn't be like Ew i'd be like Bro, your deep intrinsic drive to protect and shelter other creatures is being channelled into collecting all these little yarn animals and tiny cloth people? kiss me
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listles-s · 15 days
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man laios and toshiro's/shuro's dynamic is incredibly compelling to me on multiple levels
when you look at them, you can see the cultural and personal barriers that drive almost every single aspect of their relationship, both positively and negatively. laios is incredibly outspoken and driven by his passions, which he expresses freely even in the face of annoyance and/or criticism- he's allowed to be as authentically himself as he pleases, and it's this drive that allows him and the others to survive as long as they have, especially due to the fact that these passions and interests are intertwined with his skills as a dungeon diver. toshiro, in contrast, is incredibly reserved, not only due to his eastern upbringing but also his status as nobility- a combo of cultures that both demand that one save face, to avoid conflict at any cost, even at the expense of one's own feelings and individuality. this, in turn, has made toshiro the perfect samurai, as he's politely-spoken, agreeable, and an honorable, skilled man. both are also incredibly devoted to falin on different levels, having come to accomplish the same mission of her rescue despite drifting apart from the party.
on the flipside, it's these same strengths that cause them to clash- laios is outspoken but unable to truly decipher the emotions of others, leading to a lot of false assumptions and frustration from those who interact with him. toshiro is stoic but to the point of complacency, leading to a aggressively neutral disposition that's ushered by the needs and wants of others, rather than himself. neither man truly knows where they stand with the people important to them in their lives, and hold the ones that they do know how they feel with a fierce admiration expressed in ways that aren't always traditional.
in the end, they both share a growing feeling of isolation from other people that comes to a head when they meet again in the depths of the dungeon, and they both have different ways of coping with the frustrations that arise, seeing the other as only the things they have seen face to face.
it's laios' ability to express himself emotionally without consequence that sparks jealousy in toshiro, leading to a physical fight born out of miscommunication and envy. while toshiro is a driving force in the conflict, it should be noted that the actual fight is started by laios, breaking the dam of indirect communication through force. nothing is more direct than a slap to the face, and it's only after they start hitting each other that toshiro's true feelings come to light.
however, at the end of it all, toshiro is the one who stops torturing himself, listening to laios and giving him the bell, allowing laios and his party entrance into his homeland should they need it, and ultimately giving him support in his mission to defeat the dungeon mage, albeit in his own way. despite it all, they're still good friends with a conflict that boiled over, but came out the other end with a slightly better understanding of each other. the fight was painful for both of them, but it was a necessity for their dynamic to improve, and for them to be made aware of their faults and improve as individuals as well.
but also, if you think about it, their dynamic is literally just this
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circuitcircus · 5 days
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in defense of kabumisu……..
addressing things I see people say about why kabru being shipped w mithrun is ‘bad’ or why their canon relationship ‘doesn’t mean anything’ while also clearing up misconceptions of the characters some fans have
listen it keeps popping up and I just gotta do this or my brain will melt (if you don’t see it around then god I wish that were me) feel free not to read lol there’s an age gap!- erm there’s also an age gap in farcille (ily), the most popular ship in the series...also chilchuck looks like a kid but a lot of fans recognize him as a dilf because of his relative age, so there should be no age gap discourse among adult characters because it feels so conditional tbh
kabru taking care of mithrun is racist!- marcille likes to take care of others as well. is that sexist, or just an aspect of her character?
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kabru isn’t treated like a servant, waiting on mithrun hand and foot…I mean he gives mithrun a foot massage but no one told him to do all that lmfao
he's also not the only one to care for mithrun. pattadol is shown to worry for him and milsril was the one to start taking care mithrun in the first place after he…...y’know. speaking of which-
they probably met when kabru was a kid!- neither of them showed signs of recognizing each other the entire time mithrun was introduced nor when they were together. and im pretty sure KABRU of all people would show some kind of recognition if they'd met before. it's kabru!!! the people person!!! mr. "i-noted-down-50+-characters-in-this-dude's-backstory-for-fun-and-actually-enjoy-social-gatherings"
you would think some kind of memory would come back to him especially after hearing mithrun’s backstory if milsril had even told kabru about him as a kid. but nope. it’s just fan speculation unless there's a side comic suggesting otherwise that i haven't seen
mithrun doesn't care about kabru, his shapeshift double looked like shit!- it's obviously because of mithrun's (then) lack of desires that it looked like that, but they really grow on each other
i think it's safe to assume it'd look more like kabru after they spent so much time together (also laios can barely even remember kabru's name, give this guy a hug)
mithrun is racist!- he’s actually the least likely character to be racist since he lost his desires and that includes a desire for superiority over others. he even calls his past self out on that part of himself. the other elves in that side comic were being just as racist to shorter lived races but just didn’t use ‘outdated slurs’
(unfortunately literally every main character in dunmeshi is at least a lil prejudiced, but I believe it’s worldbuilding and a sign of the times rather than a reason ryoko kui is giving to hate each character)
taking care of others is a pain in the ass!- saying this as a reason kabru and mithrun shouldn't be together is basically saying disabled people shouldn't be allowed to have romantic relationships because they're a "burden"...if someone is actually willing to put in the work, then let them be.
that's not even all of their relationship, mithrun is the fighter of their duo and kabru would've been killed by the shapeshifter or something if he'd fallen down the hole on his own since he sucks at fighting monsters. mithrun helps collect ingredients for cooking every time, too (barometz fruits and griffin egg). he pulls his weight and then some!! i feel like people forget that part of mithrun a lot somehow.
+senshi literally cooks for everyone all time. it's kind of an important aspect of the narrative.
+also, while it is a popular fan thing I see around that kabru handfeeds mithrun, he literally never does lol this is mithrun using his own hands to eat:
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also here we have him washing his own body
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just saying because people like to treat mithrun like a baby even though the narrative respects him as a capable adult who also has special needs because of an accident. he’s captain for a reason
kabru hates taking care of mithrun!- not exactly, he was initially surprised and put off but got used to it quickly. i’m sure he’s grateful for all the times mithrun saved him from a monster and teleported them out of danger as well
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he even starts doing “unnecessary” things for mithrun’s comfort and safety like when mithrun pushes himself too hard fighting, even after his mission to take care of him was complete when the canaries came back
here is even kabru resting while mithrun keeps watch (mithrun let him sleep for 5 hours before waking him up from the nightmare earlier, too):
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there's nothing more to their relationship!- they actually have had a very tight and consistent dynamic since they met and they incite the most change within each other by the end. kabru is the one who inspires mithrun to create new desires so he doesn't waste away, and mithrun is the first person we see kabru being genuine with and it leads him to be more honest with others by the end instead of tiptoeing around everyone all the time (that mask was also the reason some ppl initially disliked kabru…)
kabru’s relationship with mithrun is honestly so important for his character and vice versa, but it’s often disregarded because of one over exaggerated aspect of it (an aspect that isn’t even the first way they interact with each other) or because people want to just straight up ignore it for some reason 🥲🥲
kui dedicates many panels to them that don't particularly serve the narrative as a whole in order to demonstrate this and i think that's pretty significant
you're taking this too seriously!- as if i'm the first person in the world to be crazy about a ship or the characters 😭 i love analyzing text and it's upsetting to see them mischaracterized when kui lays out the characters so clearly and deliberately
also they end up touching each other like all the time and have the kind of canon validation most ppl can only dream of lol i feel so insane look at this:
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and this is just when they're first getting to know each other cuz there's a fuckload more
kinda hard to explain how i don't actually need them to get married or whatever but i'd die on this hill for them and i enjoy their dynamic immensely
haha you thought you were reading ship discourse but it was actually a character analysis 🤪🤪🤪
also don’t somehow take this to mean I think anyone has to ship them, I just need everyone to understand these accusations kind of don’t make sense especially when they can also apply to other pairs or characters
I find it fun that mithrun waited for kabru to wake up before moving on after they first fell through the hole. why indeed…idk but it’s cute either way
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bonus kabru looking at mithrun:
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yardsards · 17 days
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the thing about labru vs kabumisu is that both of them have the same core appeal to me, specifically from kabru's side of things: kabru being someone who is constantly agonizing about social rules and putting on the right mask, and meeting this Weird Fucking Guy who does not (cannot) care about all those things, and so kabru slowly allows himself to be more genuine. they're both such good relationships (whether you view them romantically or platonically), why must there be so much hostility between enjoyers of these ships?
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seyaryminamoto · 2 months
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Azula's most overlooked characterization element
Why, hello there.
It is I.
And I'm back on my bullshit.
I didn't WANT to be. But a bunch of factors pulled me back in.
For the record: I'm not here to start any fights or light the fuse of arguments that I most likely won't have time or interest in responding to. What I AM here for... is to prove that there's something out there a bunch of people are delighted to sleep on because acknowledging it would render maaaany simplistic interpretations entirely invalid...
That group of people includes the fandom, of course. And the original show's staff. And the liveaction's staff, to a fault. Surely the TTRPG ones too. And absolutely, the comic book writers.
Hell, I'll even include MYSELF in that group, even though I'm making this post right now.
I found it really curious that I very recently saw this element mentioned in a pretty neat blog I follow, @atla-lore-archive, I absolutely advise anyone who hasn't checked out said archive to do it if you wish to understand a lot of the "extra lore" the fandom had access to, back in the old days when the turbonick ATLA site still existed and used to be the only source of deeper knowledge about the fandom besides the occasional interview that most people didn't even know where to track down.
But the funny thing is that the post I'm talking about proved that even Turbonick forgot about the people this post is about :')
And that would beeeeeeee...
*cue drumroll*
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Lo and Li!
What makes Lo and Li an important subject to discuss?
Why, a lot of things. Among them, the fact that almost nobody brings them into the core focus of any analysis made about Azula's character. I've personally mentioned them once or twice I believe, mostly as negatives, there's but ONE positive aspect I've ever found of them: them being non-benders MIGHT be a reason why Azula isn't shown as being quite so obsessive with firebending supremacy as Zuko was supposed to be.
But that's very much the sole good thing I can think to say about them and it's completely subjective, as good as a headcanon, because we don't even KNOW if they influenced Azula in that sense!
Why do they seem to get overlooked quite as much? Why... let's start thinking about it, shall we?
Lo and Li are Azula's firebending teachers. As far as anyone can tell, they're also her advisors. These two people should be an essential part of Azula's life... but ironically, we seldom see them with her. Most times, Azula isn't around these two. Whenever she is? It doesn't usually look like she's having a good time.
And that's no surprise, considering her first scene with those two very much puts forward a dynamic of cold distance between Azula and her mentors: Azula is bending LIGHTNING. We have not heard of other lightningbenders until that point, and once the full show wraps up, there's only THREE (Azula, Ozai, Iroh). Out of those three? Only one is a fourteen-year-old girl. It's very easy to assume Azula's lightning is actually a skill she mastered unusually early in life, perhaps relatively recently, hence the practicing... but she's pulling it off. She's succeeding. She's doing something that genuinely catches a first-time viewer off-guard!
And Lo and Li's entire opinion of what she did is: "Almost perfect. One hair out of place."
This tells you the Fire Nation's idea of "imperfection" is... insane. Strict. Imposing. Unyielding. Unforgiving. Azula's reaction isn't to get angry at Lo and Li for saying what they did: it's to get angry at herself and try again.
But... that's not the only instance where we see Azula getting angry around Lo and Li.
The next few times Azula is around them, she doesn't seem to have much of an emotional reaction (one is when they tell her to find other allies, the other when they herald her as a great hero who returned home from Ba Sing Se). In the second of these scenes, Lo and Li are praising Azula as incredible, beautiful, all sorts of grand things...! And Azula smiles. She smiles at the crowd. She's not smiling at the old ladies who are praising her... she's mostly just happy to know her people are welcoming her as a hero indeed! Most the fandom would go "true! what an ungrateful bitch! She should've been happy that Lo and Li complimented her that way!!" Me? I wouldn't say that at all. Not just because I love Azula to pieces? But because the only information we have of Azula's dynamics with these two... doesn't seem compatible with the idea that what Lo and Li are saying here is for AZULA'S benefit.
Anyone who's had a hypocritical parent/caretaker/teacher must have endured awkward, horrible, unpleasant moments where this adult figure treats you like shit in private but in public holds you as this grand example, and a perfect child, and they never seem to stop saying they're soooo proud of you even though you NEVER felt that what they're saying is true. Maybe the first few times, you're naive enough to believe it. By the tenth time of incongruent messages? You start to realize they're talking you up as a way to make themselves look better. They're trying to show they're doing their job at raising you/training you, be it whatever it may. The praises are not FOR you... they're for a third person to hear and think "Oh, this adult's so cool, saying nice things about this kid they're responsible for! Nice!"
... You're starting to get the picture now, I'm sure.
Lo and Li reappear in the Beach. Azula is notably chill, enjoying the ride, talking casually with Ty Lee, telling Zuko to lighten up and to stop taking Ozai's choices personally, right? She seems... content. Relaxed.
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Then, everything changed when Lo and Li attacked.
We don't even see why Azula is making this face at first. But she does it AT ONCE when their ship reaches the dock.
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Who is there indeed...?
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The stars of our post! :') if it isn't our elderly twin ladies... who brought Azula to a very disappoting beach house. And when Azula sees the house in question, she makes THIS face.
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Judge however you may... even Ty Lee is weirded out by the beach house, going by that expression. Zuko and Mai aren't impressed either. But Azula? The look on her face isn't merely disappointment if you ask me... part of it looks a bit like embarrassment too? This isn't at all what she was expecting when she arrived (she has her old beach house for standards, which makes this extra underwhelming, I'm sure). She counts on Lo and Li to provide them with a place to stay, it goes implicit... and then this is what they do. It most likely isn't what she promised the other three in terms of where they'd stay, hence, I'd dare say there's a component of embarrassment here.
Shortly afterwards, we have our well known scene with Azula being utterly unconcerned with Lo and Li's apparent wisdom to the point of yawning over it. This, too, tells you she's just not interested in whatever those two have to say or bring to the table. Then, they show up again at mealtime and I think Azula just ignores them the whole scene.
After this? Lo and Li vanish until the finale. And what do they do in the finale? Why... it's the first time anyone expresses a verbal concern over Azula's wellbeing! Ah! A sign that Lo and Li have SOME affection for Azula! This time, you pesky Azula fans, you CAN'T twist this into a bad thing! For sure!
... Can't we, tho? :')
What IS Azula's reaction to: "We are concerned for your wellbeing"?
"My father asked you to come here and talk to me, didn't he‌? He thinks I can't handle the responsibility of being Fire Lord. But I will be the greatest leader in Fire Nation history."
And here, my friends, is when we have finally hit the jackpot.
Lo and Li could have been Azula's Irohs. She could've had TWO of him! Then you'd say: "hey! Ozai is such a dick he let Azula have two elderly wise ladies guiding her but only gave one old wise dude to Zuko! Rude!" and it would be further proof of Ozai's favoritism of Azula, right?
... But actually?
Lo and Li are no such thing. Lo and Li aren't moral compasses for Azula in the least. Lo and Li are not beacons of wisdom that genuinely help her sort her way through life. Worth noting: THEY COULD HAVE BEEN WRITTEN THAT WAY. They're not. They're not part of mysterious secret societies, they don't help Azula in any objective, significant, tangible way... there's very much nothing to say they EVER fulfilled the role Iroh did for Zuko. What role, then, were they fulfilling instead?
Why... I think we ought to listen to Azula, shouldn't we?
My take: Lo and Li are OZAI'S STAND-INS.
Someone's going to say "hey why would you assume that when Azula said this in the middle of a breakdown?? Surely she was just DELUSIONAL and PARANOID and ashdgkadhsgkjgh...!"
... Let me counter that one with a fun little analysis excercise:
WHY are Lo and Li Azula's firebending teachers and advisors?
The finale very directly tells us these two are not benders. We could've assumed they were! They're not: Azula's teachers are non-benders.
Has a single person out there ever asked themselves WHY this is the case?
How the hell is Azula, prodigy of the blue fire, epic lightning, cruel and powerful and precise and deadly bending... training under two elderly nonbenders?
Bringing this to a real-life example: do you remember what it was like when you were in P.E. classes and your teacher told you to spend 20 minutes jogging, and if you ever stopped you had to do 20 crunches and then get back to the jogging, and every time you stopped he'd tell you the same thing and you'd want that guy to vanish from the face of the planet? I don't know if that was only my experience, but I rather doubt it.
What did kids typically think/say when that happened?
"I wanna see that old fart doing the same shit he's making us do..."
It's a headcanon indeed to say that this is how Azula must have felt over Lo and Li, but it's VERY likely to be the case. But I'd dare say, in Azula's case, it's even worse because, to put it in another way? It's like taking programming lessons from someone who's never learned a programming language. They'll tell you you're getting things wrong without knowing how to help you get them right because they just DON'T KNOW what you're doing, and are outright INCAPABLE of what you're trying to achieve. They can't offer good guidance based on experience because they have ZERO experience on that subject! And yet they want PERFECTION from you! They expect it!
Lo and Li are these teachers for Azula. We only see them in one scene? And yet everything in the rest of the show suggests that they bring nothing important to the table for Azula, be it professionally, be it personally, be it emotionally... not in any aspect of life.
And this, if you ask me, is why the OG show barely ever brings them into scenes. Why the comics flat-out forgot they existed and even featured people like Sozin and Azulon in Azula's beach hallucinations but NOT the two ladies who looked after her and trained her. Why the live-action didn't even FEATURE them.
And us? The fandom? The fic writers?
I HAVE NO IDEA WHEN WAS THE LAST TIME I READ A FIC THAT HAD LO AND LI INVOLVED IN IT.
I'm not even saying as main characters, I don't even know if that exists, frankly: I mean as minor, or background characters. I have NOT seen those two be used in basically ANY fics I've read. I've scarcely used them in mine! In fact, I PURPOSEFULLY got rid of them early on in Gladiator because I didn't want them to sabotage and get in the way of Azula's progress as a character and I believed they'd do exactly that. They were an obstacle rather than anything useful, so I did away with them and then realized they could still occasionally serve some purpose in certain situations: I even had Azula visit them once and they were actually helpful! Fancy that! But... that's it. That's as far as I could go with them. I can't do MORE with those two because they're not characters one particularly feels compelled to work with.
And from what I've seen? That's the case for everyone.
So, I ask again:
WHY ARE THEY THERE?
WHAT IS THEIR ROLE?
WHAT IS THE POINT OF AZULA HAVING NON-BENDING TEACHERS?
Let's go further and further into logical thinking here, shall we?
Azula is a child. Fourteen years of age at the time she's introduced in the OG show.
Azula has no power over many things around her, particularly, her upbringing. That's in the hands of the adults around her. Her mother, up until she vanished, had some hand in it, then, it all falls to Ozai.
Ozai has been Azula's sole parental figure since Ursa left.
Ozai is the one who would reasonably call the shots regarding Azula's education, as all parents are wont to do... ESPECIALLY when he's a king with absolute power over his children.
... so, Lo and Li? Ozai either gave them the position as Azula's teachers personally, or someone else (Ursa) did, and Ozai either didn't WANT to remove them from the role (cue "Ozai being sentimental over Ursa" theories), or Ozai didn't give a flying fuck about who was training his daughter (cue "Ozai is an abusive dick without a heart or a brain" theories).
Anyone, of course, would likely interject here to say surely Ozai ALSO trained Azula himself because that's what he'd do with his favorite kid, right? See. I don't even disagree with that notion.
BUT IT'S A HEADCANON.
We have zero evidence that Ozai trained her! None! I totally will write that into Azula's backstory in many of my stories, but there's NOTHING in canon to suggest this actually happened and that Ozai was genuinely, actively, frequently involved in her progress as a firebender. Assuming he HAD to be is, still, a headcanon. You can't say that with any more certainty than mine when I say I believe Azula loves spicy foods. Does it seem to be something that would fit with her character? I think so! But if eventually canon goes "AZULA CAN'T STAND SPICY FOODS LOL JOKE'S ON YOU!" I... can't even say a thing about it. People's food tastes aren't reflective of their personalities. They really could do whatever they want in that respect. And that's the case for ANYTHING that isn't part of the show's storytelling or the character backgrounds or any texts we consider canon!
POINT BEING: Ozai, regardless of what you want to headcanon, had Lo and Li as Azula's teachers. HIS FAVORITE CHILD... and her only official instructors are two non-benders. Yang added Kunyo as an old instructor of Azula's when she was young, sure! But Kunyo was sooooo qualified that baby Azula was already kicking his ass. So, for that matter? He doesn't really seem to have been a cornerstone of her firebending development and the only other known teachers for Azula are Lo and Li.
For the last time: Azula's teachers are NON-BENDERS. AS CHOSEN, SANCTIONED, APPROVED AND ACCEPTED BY OZAI.
And with those two remarking on absolutely STUPID stuff like "one hair out of place"? Azula still became the incredible firebender she was.
Cue, now, the irony where Zuko was stuck in the basics 3 years after setting out of the Fire Nation... WITH IROH ACTIVELY SERVING AS HIS MENTOR.
You're not gonna tell me that Lo and Li would EVER be better instructors than Iroh, or are you? Because that makes no sense. Full-stop. Iroh is supposed to be the most profound and complete firebender thorughout the show because he's spiritually enlightened even though I admit I think that's bullshit and he doesn't just teach Zuko how to set things on fire, he actually makes him learn theory and spirituality and his teachings are more profound than just "ONE HAIR OUT OF PLACE".
So.
Banished as he is, disgraced and seen as trash by Ozai, Zuko STILL has a better teacher than Azula does.
... Is this LOGICAL? Is this NORMAL? Does this make SENSE?
If you think Ozai's favoritism of Azula takes the shape of "I'll give you every little thing you ask for, sweetheart, I love you very much, here, have ten million doll houses so you can set them on fire, and all the ponies you ask for and on your next birthday I'll buy you a baby dragon and you'll get your own region of the Fire Nation to govern and a fancy title..."?
Then Lo and Li, unfortunately, are right here to be a HUGE contradiction with your interpretation of Ozai and Azula's relationship.
Azula should have THE BEST teachers. Azula does not. Azula doesn't even LIKE them. Azula is openly shown to dislike them! To be annoyed around them, ANGRY when they're teaching her, she feels they're here to keep tabs on her for her father! In a sense, they're Ozai's SPIES on her! :')
Hence? Ozai's favoritism of Azula MIGHT not be what everyone keeps pretending it is. Maybe Ozai didn't do everything to make Azula get things EASILY... and to be fair? That's not what Zuko said anyway. People interpreted it that way... but that's not REALLY what he says:
"Everything always came easy to her. She's a firebending prodigy, and everyone adores her. My father says she was born lucky. "
Every line in this statement is absolutely questionable and all of it sounds like buuuuullshit to me. This is ZUKO'S perspective. And sorry not sorry, but it's tell-don't-show. People swear by his opinion of Azula and pretend he's absolutely objective about it. He's not.
But "Everything always came easy to her," does not mean "EVERYTHING WAS ALWAYS HANDED OVER TO HER ON A SILVER PLATTER." And yet this is what the fandom has constantly interpreted it as.
Azula might just be a prodigy. Maybe she started out ten steps ahead of her brother: this does not mean she needs no guidance, no training, no help. She's seen training herself over perfectionism in her very second scene of Book 2. And the guidance she gets in order to achieve perfection is actually, objectively, stupid.
This is what Ozai chose for her. This is an OBSTACLE for her growth, just as much as Lo and Li were obstacles for me when I was starting with Gladiator! Azula doesn't have it EASY: she just works herself so damn hard that even shit that should HINDER her does NOT do that. And even when her brother objectively has spent THREE YEARS with an advantage in the shape of being trained by one of the VERY BEST firebenders out there? Azula is still beating Zuko at it. With two non-benders as her teachers.
Where am I going with all this?
To the fact that Lo and Li are overlooked in just about every instance of the fandom.
To the fact that nobody includes them, and their influence on Azula, in their analyses of who Azula is.
I've seen a shitstorm rising over the Netflix characterization of Azula: SHE'S TOO ANGRY, they say. Non-stop. She's sooooo hysterical, all the time! She's just pissed perpetually!
Well. I haven't finished the show yet. But the scenes I've seen Azula in so far? They don't fit the fandom's view of Azula because...
... they're not taking Lo and Li into account.
As usual.
:')
Azula's reactions around Lo and Li being frustration, anger, irritation EVEN in scenes like The Beach, where Azula was FINE until she sees them? That shit is storytelling that went over sooooooo many heads, EVEN MINE! When I saw people going on about how canon Azula is... not insecure? Not angry? Has no frustrations and was only ever smirking 24/7? I... didn't feel that was right. I knew it wasn't right. And when I thought about it hard enough? I realized that one reason why this interpretation of Azula is IMMEDIATELY dismissable is because of Lo and Li: those two constantly made Azula angry. Even if that wasn't their intent, it's nonetheless the effect they'd have on her. And Azula didn't like having them around. She CLEARLY didn't appreciate them the way Zuko does Iroh, for instance! And this could be taken as a flaw on Azula's part... if we EVER saw evidence that these two ladies actually love Azula as a grandchild, or so. If we had any evidence that they actually have cared for her in ways nobody else ever did. If maybe the ones Zuko talks about, upon saying "EVERYONE LOVES AZULA" were these two! And maybe he was jealous of them! Maybe he wanted two old ladies to watch his every move and tell him his every flaw!
... Clearly I'm joking about that last thing, but anyway...
There's nothing to tell us Lo and Li were anything but Ozai's assigned watchdogs to keep control and tabs over Azula. That Azula's immediate reaction upon hearing that someone cares about her is "Oh fuck off, my dad sent you here because he doesn't trust me!" is... telling. It's not just paranoia speaking, even if it sure can be read that way! It's actually Azula's perception of those two, which is 100% supported by what we saw of the twins throughout the show, WHENEVER we did see them: their roles in Azula's life are indeed to keep tabs on her, to keep her under control, to pressure her into perfection, AS OZAI'S AGENTS! Seen this way, it MAKES SENSE for Azula to disregard their concern and immediately assume it's FAKE. She isn't even shown to doubt it, never questions that MAYBE they did care about her! She assumes they don't...
... And considering that, as far as I know, the official concept is that they BOTH LEFT when Azula banished one of them only? That they didn't contest her command, staying to look after her even if she only wanted one? I mean, clearly Azula can't tell them apart, so they could've taken turns: one watches over Azula for 12 hours and the other for the next 12 hours, I don't goddamn know! But they didn't do that. They LEFT. And if they left? It means they don't care remotely as much as they say they do. Not to the point where they'd challenge Azula's orders and help her when they KNOW she's not okay.
And all of this further supports my point.
When we see Azula in the liveaction being angry, bitter, irritable at Ozai's choices?
I see a reflection of the same dynamics that the OG too subtly weaved into Azula's relationship with Lo and Li. I see Azula reacting against Ozai's control over her because she feels it's DISTRUST. She feels it means her father STILL needs to be convinced that she's competent, powerful, ready to do his bidding. It isn't a case where Azula's irritation comes from wanting to rebel against her father... it's Azula wanting her father to UNDERSTAND that she's 100% his supporter and will put everything on the line to serve him and the Fire Nation.
And it's very damn easy to read that exact same thing into Azula's dynamics with Lo and Li as it is to see it EXPLICITLY STATED in the liveaction.
My point?
What the liveaction did is not nearly as much of a distant characterization choice as people think it is.
Ozai is Azula's Achilles' Heel. Everything she became, everything she grew up to be, was for his sake. He molded her to become those things and simply didn't give a shit about raising a daughter, he treated her as a weapon, and absolutely pitted his children against each other, just as much as OTHER adults in their lives did. But the impact of Ozai on Azula in the OG is easy to ignore. Why? Because we SELDOM see them interacting. Because we don't get that side of Azula's character fully explored. Because they didn't want to explore Ozai's character either! They were as cheap as they could be with all these aspects and so, only the people who really got into analyzing things on a deeper level would be able to say, without a doubt, that Ozai abused Azula emotionally with all the expectations and demands he put on his own child. Through the golden child-scapegoat dynamic that people have been bringing up non-stop in the past years.
So, proving herself to her father is what Azula wants to do, more than anything. Proving worthy of his favor, of his approval, is the closest thing she can get to feeling loved. Which is depressing as fuck. Azula gets zero affection: it's not even conditional affection, there's NOTHING for her besides approving words if she gets anything right. And this show's work with Azula's character? It was meant to make these things less invisible to all the fans who like to pretend none of it exists. And yes, I've seen them, crawling all over Twitter shitting themselves in fits of rage because how dare that show pretend Azula EVER had a bad time in her perfect flawless life!!
Well, the irony is that the OG gives you a smidge of evidence -- and yet that's enough -- to show that Ozai was doing very similar things to Azula in ATLA, and her reactions to it?
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Huh. No smirks for Lo and Li.
No smirks for the symbols of Ozai's control over her life.
It's almost like the confidence, the smirks, the apparent ease with which she handles everything? Is a front that crumbles easily whenever it concerns the ONE PERSON with power over her life.
I don't believe, worth noting, that Azula's power comes from rage. I've seen people say that in fandom in the past and I find it a completely absurd take when Iroh himself spells out that her bending is about control, about precision, and it's Azula's FURY that makes her a sloppy mess in the finale. It's even INTENTIONAL that when she shoots lightning a second time, in her second establishing scene, THAT SAME HAIR FALLS OUT OF PLACE. She's still angry. She didn't get it "right" this time either. She's imperfect and she's trying NOT to be, but she cannot succeed. And upon bending lightning with emotions (rage/frustration)? That hair falls YET AGAIN out of place. Proof that she's not going to achieve the perfection she's being FORCED (indeed, by her father and the people who are here to represent him, Lo and Li) to strive for.
The liveaction had Ozai pushing Azula for a perfection she couldn't attain either. She's perfectly content in her cruelty at Ozai's side, right until she hears the Avatar was found and that Zuko has a shot at taking away the privileges she's been basking in so far. That she WASN'T nervous about this in canon is pretty damn obvious: OZAI SENT HER TO HUNT ZUKO DOWN FOR BEING A FAILURE. We never saw her reaction to learning that the Avatar was out and about. We have noooo idea what was canonically going on with her back then. The first time we see her besides the flashback is Azula receiving a mission that tells her she's STILL #1 and Zuko is no threat to her because Ozai thinks he's a failure. Thus? She had nothing to fear. Here? Ozai is actively using Zuko as bait to pressure Azula further. And if you're so confident in Ozai's good parenting skills as to believe he somehow WOULDN'T do that? Sounds like you don't understand the very basic and simplistic Fire Lod Ozai from ATLA, and that's not something to be proud of. So probably stop screaming your bad takes at the top of your lungs, because being incapable of understanding Ozai in canon is not a badge of pride, just saying...
FINAL POINT...
This post is not written expressly in the defense of the liveaction and its characterization of Azula. To this point, what I've seen of it doesn't feel WRONG or OFF unless you're the kind of person who thinks Azula is only capable of smirking and if she stops doing that she stops existing or something. Only people who cannot understand the depth, nuance, subtleties in Azula's story would ever be claiming that Azula's relationship with Ozai COUDLN'T be like this, or that Azula couldn't possibly be frustrated with her father or his choices when it's soooo clear what Ozai is going for, and why it's working. But in order to read Azula as a character capable of this range of emotion, frustration and ambition, all at once? You have to be able to treat this character, be it in the liveaction or the OG show, as a human being.
And that's what most the people criticizing this specific change are determined not to do. It's what makes them uncomfy. It's what rustles their jimmies.
Yes. I'm saying it in this very demeaning way because I actually find it quite ridiculous to be this insecure over the portrayal of a fictional 14yo in two TV shows. Whether the liveaction sticks the landing or fails catastrophically, I do not know... but I do know that if it's forcing a bunch of people to rethink Azula's character, and making them panic at the idea that she could EVER have human emotions, even if they're AWFUL human emotions?
Then I'm afraid you're only convincing me that, as bad as that show could ever get? It's getting SOMETHING right. I do love to see misinterpretations of Azula getting slammed in the face by the reality that all those beliefs, headcanons and takes in bad faith are actively, categorically untrue: none of which makes Azula a fundamentally good person, worth noting! But it makes it very clear that reading her as a one-dimensional basic villain, which is what the anti-Azula-redemption crowd actively does, is literally only possible if you overlook, ignore and fail to understand her character and her complexities, be it in the liveaction or in the original show.
There. I said my piece.
Another post, regarding the rest of the liveaction, is bound to come later. I'd say stay tuned but it might take me a while to write it at all. So... wait around and maybe you'll see it someday!
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ladybugboots · 2 years
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let me help you
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dazais-guardian-angel · 8 months
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this torture we're going through with the anime must be divine karma for slandering Bones all this time...... they said "oh, you don't like how we adapt things? you say the manga does it better?? okay then, well now there is no more manga. it's Bones or bust, bitches."
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ineed-to-sleep · 5 months
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decided to play the whole game again w nawen bc now I got her a fleshed out backstory + character development + most importantly. mods for pretty clothes
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aimeecarreros · 4 months
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Lee Juyeon highlights in Watch It @SBS Gayo Daejeon 231225
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clarisse-doodles · 2 months
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Cass + ballet 🩰 (ft. supportive siblings and good dad Bruce)
I love the idea of Cass enjoying dance. It's an outlet that allows her to express herself without words, and I think she would enjoy the highly technical aspect of ballet combined with its storytelling and emotional side. and as a former dancer I always have fun imagining my fav characters do ballet :)
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mudstoneabyss · 3 months
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actually. the specific phrasing that boy Kevin wants to kill older Kevin with "I must disassemble him, piece by piece, so that everything inside of the Old Kevin comes out. Only then can the New Kevin truly begin." is so incredibly the idea that to heal from trauma and "improve" you have to destroy every "wrong" part of yourself, that everything "tainted" by it has to somehow be replaced by something untouched (which isn't possible)
#reading back that phrasing I do think that'll be the way brinknor takes it#this arcs seeming like it'll be so. breaking the cycle of abuse and violence and coming to terms with yourself#and maybe understanding that you can never remove the parts of you impacted by trauma and start again completely ''pure''#but you can treat yourself with the kindness you should've been given#which i hope it is that because. and understand i am biased. but i'd love that direction for Kevin#it feels much more satisfying than any more. angsty way this arc could go imo#like he's been through enough!#because of the way Kevin is portrayed in fanon. not as frequently anymore but still pretty common. I worry about coming off as woobifying#by saying I want him to heal I want him to have nice things I think he deserves them#when he's also simultaneously Not A Good Person#yknow the poor little innocent cinnamon roll baby etc etc fanon#but. well for one im Not Like That about him. but my main point of bringing that up is. him not being a good person is why I want to see hi#get better and generally have a good life. why does someone have to be good to deserve to heal from trauma#especially when trauma is a big reason for the way they are#like its fiction yeah yeah i'm still tired of mentally ill people having to be ''good'' to ''deserve'' to get better yknow#i mean especially in fiction you tend to either see mental illness as the poor traumatized one who's allowed recovery because they're nice#or the insane psychopath who cant be ''fixed'' so ''deserves'' bad things-up to deserving to die!- for it#i didnt mean for this to be a rant erm. oops#wtnv#wtnv spoilers#joyousposting
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papa-evershed · 8 months
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who hasn't misplaced their nephew at least once?
Robert James-Collier as Daniel Watson THE INHERITANCE EP03
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iamthepulta · 2 months
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How much outdoor experience did you have BEFORE choosing Geoscience as a major? Poll Results and Analysis
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Despite total response at 67 people, I think the curve is very interesting. Traveling and being outdoors does seem to be a reason people choose geology.
If I could run the poll again with a larger sample size, I would include Year of Graduation (if possible), to see if there are changing trends over time, and also a Rural Travel/Rural Non-Travel to see if there are specific trends within Rural community responders.
-=- Discussion -=-
Geoscience programs show declining enrollment across the world and many smaller programs have closed due to that lack of enrollment.
I argue from the poll results that this trend might reflect larger cultural trends. The people who choose geoscience are driven by curiosity in the differences of the world around them. Exposure to those differences is enhanced by Travel, second only to the outdoors being readily available in rural areas.
Yet in America at least, travel is often cost-prohibitive except to Middle Class to Upper-Middle Class families. I propose that the decline of geoscience as a major might be connected to a decline in outdoor exposure, whether than be in time available to go hiking, outdoor access, travel being cost-prohibitive, school field trip funding, or suburban areas.
-=- Description of Options Given -=-
Not a lot (grew up in the suburbs/city; no hiking)
Urban Exposure (grew up in the suburbs/city; outdoors a lot)
Travel Exposure (grew up in the suburbs/city; traveled and was outdoors a lot)
Rural Exposure (grew up in a smaller city/town; outdoors a lot)
Familial Exposure (urban or rural community; family member was in geosci)
Familial and Natural Exposure (Lots of outdoor experience with family member in geosci)
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cozylittleartblog · 6 months
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I want to buy a sticker from your shop, but shipping (to Canada) is down as $22 before tax. May I ask why it costs so much to ship a single sticker? Is it Etsy being weird, or does it really cost that much to send an envelope over the border?
I'm not trying to be snarky or passive aggressive or anything, I'm genuinely just kind of befuddled atm.
A fair question honestly! USPS sets the rates for international shipping, and shipping to canada really is about that expensive 😭 I considered sending stickers via envelopes, but 1. if I send them with a stamp (less than $2) they don't have tracking, and etsy Does Not Like That. I gotta send packages with shipping to qualify for star seller, plus it covers your ass in case USPS loses it. and 2. apparently it's illegal to send merchandise internationally in envelopes!! so sadly we're all stuck dealing with the super crazy international rates. I don't like it either because as someone who deals in trinkets, people generally do not want to pay $16 for a charm that costs $12, and they especially don't want to pay that for a sticker that costs $4... I would ABSOLUTELY have way more international sales if USPS wasn't fucking us with the prices but it's out of my control dssdjkfjksdf
I give this advice a lot, but if you don't want to pay international shipping (or just live in a country I don't ship to myself), you can borrow the address of a friend that lives in the states and they can forward it to you! I don't actually know if this is cheaper, but some people have said it is. it's def cheaper for stickers though if your friend uses a stamp!
TL;DR yeah etsy and USPS are Both Weird, sorry ; - ; i assure you i hate it even More than you do lmao
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the last time reigen let dimple possess him, it was, well, — it felt fucking great, despite everything. standing in the eye of the storm, indestructible, fast, strong, agile, powerful, together; having entrusted him with reigen's useless old little body and gotten a 200% return on the investment! so what if he wanted to feel something at least a little bit like that again, if he missed the crowdedness under his skin? so what if he's been feeling kind of lonely lately, especially when off work, what with mob being busy, and himself not being all too close to tome-chan yet, and not letting himself get all too close to serizawa? so maybe reigen starts letting dimple possess him from time to time, just, casually. most of the time the possessions aren't even justified, but it's not weird if they don't talk about it. dimple enjoys being able to breathe, and says exactly that; reigen enjoys being together, and says nothing of it.
reigen never admits any of his reasons, obviously; neither does dimple admit that he deeply appreciates what reigen does for him. it's just a weird little thing that happens between them, largely unacknowledged, mentioned either not at all or through crude lighthearted jokes, with emotions welling in the whitespace between words.
over time, reigen gets his head out of his ass, and him and serizawa become good friends, best friends, boyfriends, even, and later move in together. the thing with dimple continues to happen because there's no real reason for it to stop, and frankly it's not like they ever discuss that; it just carries on. katsuya's been noticing for quite a while that Something has been happening, but he never felt like it's his place to ask, especially when it seemed so silent — nearly non-existent, despite being very real. well, whatever arataka chooses to do with his free time, right?
***
one night katsuya stays out drinking with his school friends a little later than he was expecting, and comes home a little drunker than he was going to. he finds arataka in the kitchen, chopping some vegetables, main lights off and over-the-counter lights dim and amber around his frame; he's so, so pretty, and katsuya hugs him from the back, reaching to try and place a kiss. arataka turns around, his face flashing a wide grin and very bright red cheeks. "oh hi," dimple says. katsuya backs off clumsily, and stammers, "ah, i'm so sorry! i was expecting arataka to be here, but it's you, ah-h-h, this is awkward, again i'm so sorry!"
"no big deal," dimple waves off, and turns back to chopping. "fyi, usually when i'm here, it doesn't mean reigen's not — i don't displace him, yanno? just hanging around in his head, it's like buddy time." he grins again. "right now he isn't, though: i'm just puppeteering the thing. he passed out on the couch waiting for you, and i thought y'all wouldn't appreciate not having shit to eat for breakfast. i'll whip up some stir-fry for tomorrow and dump this back where i found it for a good night's sleep, dw about it"
"ah," katsuya says eloquently, "thank you."
he doesn't leave the kitchen, still — changes positions, getting comfortable, leans on the counter, and watches dimple work. his quick movements, his(?) elegant hands, his concentrated expression, his(?) golden hair, his red cheeks. he looks so handsome like that.
"you look so handsome like this," katsuya says before his brain-to-mouth filter catches up to the rest of him.
dimple puts the knife down and stretches his(? arataka's?) hands out before him, admiring. "it's a beautiful body," he admits. it's not a grin, but smile, softer this time; private, even. "don't tell reigen i said that, but — i really enjoy this; being like this. not just the whole getting to be alive, running around and breathing and eating thing, though of course that too, but also — you know what i mean," he shifts a shoulder up. "possessing anyone is fun, but possessing reigen..." he runs one of his(?) hands down another of his(?) arms, lightly — almost reverently. "it's nice."
katsuya's breath hitches.
he's standing closer than he remembers being. arataka is so pretty like that, in this soft lighting; dimple is so pretty like that, in this soft body.
"i still want to kiss you," katsuya whispers.
dimple's breath, just for a flashing moment, hitches too; he wouldn't admit it. "go ahead," he says, louder than a whisper, but way quieter than his voice.
katsuya does.
it's not chaste and not desperate; gentle-slow and quick-curious, soft, warm, almost exactly the same as every kiss he'd had before, just like this, but so unlike them, and almost tangibly new.
it feels great.
"it feels great," dimple breathes. "it's been a long time, and i've kind of... forgotten what it's like. so i've always wondered how it would feel if i did it."
"you mean, kissing in general, or?..." katsuya makes a terrible, embarrassed pause. "...kissing me?"
dimple shrugs, and turns back to the cutting board again. chop-chop-chop! katsuya stares, maybe a bit dumbly.
***
katsuya wakes up in the middle of the night, slightly less drunk but significantly more disoriented, and stumbles towards bathroom, and gets arataka's phone flashlight shone right into his fucking face (and then quickly towards his feet with a bit-louder-than-necessary apology).
" 'm going to the bathroom", katsuya explains.
"ah, i'm just heading back. samesies moment!" arataka jokes.
katsuya buffers.
"i kissed your boyfriend last night and i'm so sorry!"
"...you are my boyfriend, tsuya," he raises an incredulous brow, and then a hand to brush at katsuya's forehead. "you alright, buddy?.. uh, do you mean you gave me a kiss while i was asleep? if so, it's fine, you shouldn't worry about little things like that-"
"no! i mean kinda yes? agh, i mean dimple-was-posessing-you-while-you-were-asleep-and-i-kissed-him-and-he-kissed-me-back-i'm-so-sorry!"
"ah yea he does that someti- you What? dimple WHAT? wait, did you just call dimple my BOYFRIEND?"
***
the conversation that ensues is horrible. not because anyone's fighting — no one is even angry, unless you count violent bafflement as a subtype of anger — but because a honest, serious, 3-way conversation regarding dimple, gayness, feelings, and gay feelings for dimple, by definition can not be not horrible. arataka takes a smoke break in the middle. (he quit 5 years ago, but a guy needs exceptions). katsuya feels the closest he's ever felt to a heart attack, and that's including all his previous life experiences. dimple grows out a weird little perfunctory foot to tap it in the air.
but they try their best, and they figure things out.
in the end, not much changes; they still don’t talk about too often, but now it feels more like comfortable lack of necessity rather than avoidance; they all just get it. and occasionally, dimple possesses arataka while he kisses katsuya, and oftentimes vice versa.
it's nice.
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swaps55 · 4 months
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2023 Year End Fic Wrap Up
Tagged by @cr-noble-writes. Thank you!
Words written (published or not, WIPs totally count too!):
Published: 65,113 Unpublished:  41,773 Total: 106,886
It feels like I wrote a lot less this year than previous years, but I think it’s less about word count and more that my two big projects, Fugue and Mezzo, sucked up my entire mental bandwidth and I just didn’t have capacity to kick out one shots like I have in the past. I have a bunch of ideas for fun one shots, but not enough time or energy to realize them.
Also, this number is by no means accurate. My Mezzo Leftovers document is sitting at 11.3k, and Fugue finished up with a scrapheap of 28.3k. Gosh, it's hard to believe Fugue was actually 2023. It feels like years ago. Just writing it aged me 10 years. XD
Smut scenes written (if applicable): None. Did I daydream frequently and in great detail about how Sam and Kaidan reconcile in ME3? Yes. Could I write it in my sleep at this point? Also yes. Did I write a word of it? No.
New things I tried: 2nd person POV, Mordin POV, and EDI POV were all new and very scary things I tried, and think were largely successful (jury is still out on EDI and Mordin because only my beta has seen it, but I’m pleased with them).
Fic I spent the most time on: Probably Mezzo, because I wrote more of it than Fugue in 2023.
Fic I spent the least time on: Probably Capriccio, because it was short and mostly wrote itself.
Favourite thing I wrote: Well…I wrote so little outside of the long fics, because they have sucked up all my time and spoons. Fugue is something I am so proud of, but Mezzo has been so fun.
Favourite thing I read: A Sip of Serenity was a Spec Recs Kaidan & Liara treat fic for me by @screwyouflightlieutenant and I love it with an unholy love. Also, Madrigal and Volta by @dandenbo are PHENOMENAL stories you should drop everything and read.
Writing goals for next year: Finishing Mezzo sounds ambitious, but I guess I can be ambitious in January. XD
Tagging...I don't know! Who hasn't done this? If you haven't, please do it and tag me, because I wanna see. @stormikins? @otemporanerys?
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