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ittsybittsybunny · 3 months

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ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

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TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

#atla #avatar the last airbender #avatar the last airbender tv #atla tv #spoilers #natla #i loved it i hated it i mostly sat through it #i would like a season 2 though #aang #katara #sokka #zuko #iroh #uncle iroh #azula #ozai

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multifandomgirl08 · 9 months

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Mini Verstappen Series Masterlist

Paring: Single Dad!Max Verstappen x Fem!Reader

At the end of 2020, Max Verstappen gets the surprise of his life when he finds out that his ex-girlfriend had given birth to a son, his son. A year and a half later Max's longtime girlfriend of 8 months finds out about his son Nico.

This is an ongoing series. I'm always adding to it. The masterlist changes often.

I do take requests for this. If there is anything that you want to see happen in this series just message me in my ask box. All of my normal request rules apply.

Reader Face Claim: Hande Erçel

Total Published Word Count: 50,339 Words

Disclaimer: This work below is fictionalized ideas and stories involving real people but does not directly reflect their thoughts, feelings, or behaviors. Please keep in mind that this is a work of fiction, so enjoy it as such.

𝑅𝑒𝑎𝑑𝑖𝑛𝑔 𝑂𝑟𝑑𝑒𝑟

0.0. Prologue - [December 2020]

Max finds out that he has a son. And it changes his world.

0.1. Be Something You'll Love and Understand [December 2020] Outtakes

He knew that he should have called his mom yesterday but he was still wrapping his head around the idea of being a father.

0.5. The Moment You Smiled At Me - [November 2021]

The evening that started it all for Max and Reader.

1. Mini Verstappen - [July 2022]

You get a small surprise the first time you visit Max’s apartment.

1.5. Girlfriend? - [October 2022] Request

You meet Nico.

1.8. Caught - [June 4, 2023] 18+ Outtakes

Lando swears he knocked before walking into Max's hotel room, maybe he should have yelled before opening the door.

2. Change - [November 26, 2023 + January 2, 2024]

It’s the end of the F1 season. Some things are changing for the Verstappen's.

SMAU #1. The Secrets Out - [December 31, 2023 - January 1, 2024]

It’s the start of a new year. You and Max decide to tell the world about Nico.

3. A Lioness Protects Her Cub - [May 5 - 9, 16, 23, 2024] Request

Reporters are vultures and Max picks out a ring.

4. Day At The Karting Track - [June 15, 2024]

Nico starts karting. It opens a small can of worms.

SMAU #2. Through Max's Eyes - [March 8, July 30 - August 15, 2024]

Max’s Instagram posts about Y/N, and a small life update from the couple.

5. Something Bad, Something Good - [August 17 - 19, 2024] Request

Reader deals with the haters on Twitter, Nico calls Reader Mama. Max claps back at the haters on Instagram like the malewife that he strives to be.

6. Race Day - [October 20, 2024] Request

Nico tags along with Max during a race day in Monza, well as much as he can.

6.1 Wedding Headcanon - [February 2, 2025]

Headcanons from Max and the Reader's wedding. Social Media posts from their honeymoon.

6.5. Give and Take (Kind of Love We Make) - [February 28, 2025] 18+ Request (The Morning After)

Max had a plan in his head for the evening. He had mapped out the track before, and intended to keep to his strategy until they got home.

6.7. To Constantly Be Away - [March 10, 2025]

Second race of the season and Max is already having a tough time with the car. Missing his family only makes it worse.

7. From Three to Four - [April 4, 2025]

Reader tells Max that your expecting, he doesn't have the best reaction at first.

8. Stones To Throw At My Creator - [July 2025]

He wasn't his father. He would never raise Nico like that.

SMAU #3. The Verstappens - [January 8, February 2, May 26, December 3, 2025]

Big things happen to Max and the reader in 2025. Moving, getting married, and a little surprise that neither of them were expecting.

8.7 Give Me Eyes To See - [December 7, 2025]

Nikita's first few days at home. Flashbacks to moments from the reader's pregnancy.

8.8 Nikita's First Christmas - [December 24-25, 2025]

Nico's first Christmas with his baby brother.

8.9 Ghost of Bittersweet Memories - [January 25, 2026]

A few of the drivers visit you and Max for the day, and you end up talking with Charles about a woman that he meets at an FIA event. (This is the conversation I referenced in Part 2 of Bittersweet.)

9. Glass Houses - [February 17, 22, 23, 2026]

When Raymond had called you about going and getting lunch, you should have known that something was going on.

9.5. All That I Can Give - [May 10, 2026]

Another Mother's Day and one of Nikita's firsts.

9.7. On Sleepless Roads, The Sleepless Go - [December 2-3, 2026]

It's the early hours of Nikita's first birthday, and you can't help but look back at the day you brought your son into the world.

SMAU #4. A Year in Moments - [February 10, May 28, August 2 & 27, October 21 & 31, 2026]

SMAU #5. - [2027]

SMAU #6. - [2028]

10. The End of An Era - [November 2030]

The days leading up to Max retiring from Formula 1. The Article announcing his retirement. And the last race of his F1 career.

11. Right On Track - [2036]

Checking in with the Verstsppens in 2036.

12. Letters From The Past - [November 17, 2038]

Max and Reader sit down to read the letters that Amelia (Nico's birth mom) wrote.

𝐸 𝒳 𝒯 𝑅 𝒜 𝒮

Pinterest Board

Playlist

Paring Evolution

Timeline

Dividers made by @cafekitsune | Banner made by me

Mini Verstappen taglist: @karmabyfernando, @barcagirly, @sachaa-ff, @iamahallucinationnn, @musingsbyshreya, @glow-ish, @nonsensical-nonsence, @fanboyluvr, @champomiel, @gothicwidowsworld, @lighttsoutlewis, @itsalwaysgay, @minkyungseokie, @mynameisangeloflife, @ursforever129, @aundercover, @bborra, @mindless-rock, @cixrosie, @barcelonaloverf1life, @taylorslovesswifties13, @konsti081, @mellowarcadefun, @smnthnclj, @brekkers-whore, @lpab

#mini verstappen series #max verstappen x reader #max verstappen imagine #mv1 imagine #mv33 imagine

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strangersteddierthings · 11 months

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What's Eight Plus Seven?

Part One🦇Part Two🦇Part Three🦇Part Four🦇Part Five

Pizza order successfully placed, Steve dials Robin's number next. He doesn't need to talk long, just... hear her voice. Maybe get some verbal support.

"Buckley residence."

"Thank God it's you," Steve sighs in relief to hear Robin's voice on the other end. There was a little bit of dread that her mom might have answered and then he'd be stuck on the phone while she tried to chat with him.

"Whoa. Was hosting the nerdfest that bad?" Robin asks, laughter in her voice.

"Uhh," Steve starts, because he's eloquent like that.

"Oh no. Was is that bad? What happened?"

He feels a flood of warmth for Robin's immediate concern. "No, no, nerdfest was fine. I, uhh, mostly I'm calling because Eddie and I are gonna, like, hang out and talk and I just- I dunno. Wanted to hear your voice, first."

"Oh. Really? Well. Here's my voice. This is you hearing it."

He laughs at that. "Thanks. It's just, I think it's gonna be, like, a bathroom floor kind of conversation, except in my living room on a couch."

"Oh! I can be there in ten if you need me."

"Nah. This is just- me needing to hear your voice, and also a warning that I might have to crawl through your window and fall apart on your bed later. Just don't know how this is going to go."

"I'm here if you need me. Are you going to talk about Freshman First Day?"

"We, uhh, already did. Mostly. There's been apologies and now we're gonna talk. Get to know each other. Play 20 questions, I guess."

Robin laughs at that. "Alright. Ask him if he's ever going to get me the sandwich he owes me from back in November."

"What?"

"You know, his whole cafeteria speech thing? Stepped right on my ham and cheese. It did make him slip and almost brain himself, and he did apologize. Told me he owed me a new sandwich. I never got it. Ask for me."

"We'll see. Okay, I'm going to go but, thank you. Love you."

"Love you, too. Window will be ajar."

Steve hangs up, then opens the fridge. He debates grabbing them beers but opts for soda. Back in the living room Steve finds Eddie sitting like a normal person on the couch, one leg bouncing relentlessly. Even with his superficial knowledge of Eddie, he can tell he's nervous. Not nervous Eddie would be perched on the back of his couch, ruining the cushions with whatever junk is on the bottom of his shoes. Probably.

"Soda?" Steve offers, plopping himself on the other end of the couch, hand outstretched for Eddie to take the beverage.

"Thanks." The bouncing of Eddie's leg pauses for a moment while he's opening and chugging half the can in one swift motion, then the bouncing starts again.

"Hey, man, relax. You didn't seem nearly as nervous when you were trying to sneakily hang out earlier."

Eddie lets out a big sigh. "Yeah, well, I didn't know you hated me then."

"I don't hate you."

"Oh, shit, no. Not what- I meant, like, past tense. Hated as in, used to hate. Not present tense."

"Ah. Well, I don't think I 'hated as in used to hate' past, like, three months into my freshman year. This is going to be the most self-absorbed shit ever, but, like, once I became popular, I couldn't be bothered to hate you. Didn't have the time to put towards that."

"Oh, of that I've no doubt. That was absolutely the read everyone who tried to interact with you got."

Steve ducks his head to hide his own embarrassment by fiddling with the can in his hands. "I thought you wanted to do, like, 20 questions or something."

"Oh. Serious? You'll do it?"

"Yeah."

"Right then. What even are the rules for 20 questions? Is it 20 questions each, or in total asked?"

"I dunno, man. I don't think people actually keep track. I think we just ask questions until we're done with talking. I guess the rules are don't lie, and if you don't want to answer a question, then don't. Pass on it, or whatever."

Eddie nods but he's still nervous, leg still bouncing. A look on his face so close to fear it makes Steve ache a little. He knows too well what far looks like on Eddie, experienced a week's worth of it.

Steve can start. Ease them into this. "Do you got a favorite color?"

Eddie shifts then. Turns sideways on the couch to lean against the armrest and face him. "Wait. One more rule. No mocking answers. You may laugh once at an answer."

"If you are about to tell me it's hot pink, I cannot follow that rule."

"It's not hot pink. Jesus. It's, uhh, brown, actually," Eddie says, rolling his can between his hands. "It used to be red but. I dunno. When I think of red, now, I think of the sky in the upside down and how that was almost the last thing I ever saw. I think of blood, and bleeding out."

And here he thought he was easing them into this with the most basic of questions. Eddie's already being vulnerable. "Follow up question, if you'll allow it. Why brown?"

"What's wrong with brown?"

"Nothing. Just thought you'd pick black or something," Steve gestures to all of Eddie.

At that, Eddie looks down at his mostly black outfit, the only part of it with any color is the DIO album art on his shirt, then back up. "Fair point. I guess brown just makes me think of home. The wooden porch, the paneling, brown dirt road that leads to the trailer. It's also, like, a good eye color. Exhibit A," He waves his hand in front of his face, batting his eyes exaggeratedly. It pulls a laugh from Steve.

"I can't argue that," Steve waves towards his face, where his own eyes have been described by many a girl as ranging from hazel to honey, but Steve just thinks of them as brown. "Your turn, man."

"You, tragically, had never heard of Ozzy before we met. What's your music of choice, and why is it the Top 40?"

"Like everybody didn't hear you singing along to I Wanna Dance With Somebody last week when it came on the radio at the Byers' Barbecue-"

"Whitney is a national treasure and I will not be slandered for knowing the words to any of her songs."

"Yeah, yeah. I guess it was just the Top 40, but really I don't have a preference. I just let other people pick the music. And, uhh, with the multiple concussions I don't listen to as much music as I used to. The migraines are brutal. It's never the music that brings on the migraine but like, it never helps, y'know?"

Eddie is nodding. "I do know. Like when you get sick and vomit, you avoid the last thing you ate, even when it turns out to be the flu and not food poisoning. Like, you know it wasn't the mango milkshake that made you throw up, but you avoid the mango flavor anyway."

There's definitely a full story in that somewhere. Maybe Steve will ask about it later. "Kinda? I don't avoid music but I don't think I've put a record or cassette in the player in months. Anyway, my turn. How'd you learn to play the guitar?"

"Wayne. He started teaching me before I live with him. Just a few chords when we'd visit every so often when I was little. Really got to learn after he took me in. I was eleven, if memory serves."

"Am I allowed to ask about your parents?" Steve interrupts.

"Yeah. Speaking of parents," Eddie's nervous again, bouncing his leg.

"It's your turn. Ask."

"I know the high school reputation. Big house, no parents. I might have even snuck over a few times to sale here when I knew a party was happening. Rich kids will pay whatever price you name, y'know? So, guess the actual question is, what's the deal there, with your parents?"

Steve would laugh except he has no memory of ever seeing Eddie at his house prior to all the fuckery that's gone down. He was too in his own head to bother with other people back then. And the real kicker? He probably bought from Eddie, at his own house, with his supposed grudge and all. God, he was such a dick. "Yeah. Lots of business trips, for them. The used to ship me off to spend a month with my grandparents when I was little, so they could take those trips. Guess once I was old enough to watch after myself, those trips started to happen whenever, instead of just over summer."

"What, they left you here alone as a kid? Even during the school year?"

Eddie sounds so scandalized it'd be funny if it wasn't so sad. Steve says, "I wouldn't say kid. I was fourteen, so, like, a teenager. But, yeah, gone a lot. More and more with each passing year. I mean, they've been back, but like, for a day or two. Mom switching out what jewelry she wanted and dad bit by bit emptying his office." He pauses with a frown, remembering now the last time he did see his parents face to face. "It was about halfway through senior year. The last time they were here. They didn't even come to my graduation."

Eddie sucks in a breath and Steve can visibly see him hold back some choice words.

"Anyway, long sob story short, I'm still just a rich kid with absent parents. They don't charge me rent or anything, but I pay to keep the lights on."

"That just adds so many more questions to my list."

"Well, it's my turn now, so. What got you into Dungeons and Dragons?"

Eddie looks surprised, and then guilty. "I've always liked fantasy. And, uhh, my Freshman First Day, the DnD booth was set up in the cafeteria, an okayish looking dragon drawn on the poster taped to the booth's edge. And, uh, I approached..."

"No one told you to fuck off?"

"I didn't tell you to fuck off."

"Might've hurt less if you had," Steve hadn't even meant that to be insulting, or insinuating, but it doesn't land. He'd been aiming for teasing and missed the mark, given the way Eddie jerks back, like he's trying to put more distance between them. "Oh, shit, Eddie, I didn't mean- I was-"

The doorbell rings out and both jump, turning to the front door like it might bite them. The bell chimes again, and it's then Steve remembers he ordered pizza. Wordlessly Steve gets up and deals with that. Pays for the pizza and gives a tip, stops in the kitchen long enough to grab some napkins, then folds himself back onto the couch, placing the pizza box on the cushions between them.

The time away from the couch, less than three minutes in total, Steve thinks, was enough to calm Eddie again, since he starts the teasing, "greasy pizza box directly onto the cushions! That'll never come out you know."

Steve shrugs and grins, flipping the box open to grab a pizza slice. "That's a problem for Future Steve."

Eddie grabs his own slice, and they just eat their first slices in silence before Steve breaks that, "I really wasn't trying to- earlier, I was trying to joke. About Freshman First Day. Not, uh, not like, pick a fight. So, if you still want to talk, I think it's your turn to ask a question. Any question. A big question."

"Alright. A big one. Who is Christopher?"

"Okay. Uh, just, give me a moment. I'll answer and I'm gonna be real honest right now with you, so just let me get through this, ok?"

Eddie nods, reaching for a second slice of pizza.

Steve gathers his thoughts, and speaks. "Christopher was my cousin. His family lives in Washington, so I don't see them much. You know that 'shipped off to the grandparents' thing I told you about earlier? Christopher, and his younger siblings, Amber and Robert, also came out to visit.

"I think my grandparents loved to have us all there. My cousins were there for family time, and I was there to just... not be in my parent's way, I think, but the reason why doesn't matter. The important bit. Christopher was two years older than me, and I thought he was the coolest person in the world. I wanted to be just like him. That last summer we spent together, he told me all about the game of Dungeons and Dragons he'd played with his club at school.

"It made me want to play. I was a kid who loved fantasy, too. I had to pretend to leave that behind when I got into middle school; too afraid of disappointing my dad for still liking make believe. I didn't know at the time that making him proud was just something I'd never achieve.

"Anyway, Christopher introduced me to the game, told me the entire campaign they'd run at his school, and then sent me those books. He's the reason I was at the booth that day. If Christopher could play sports and be a nerd, maybe I could, too? But, uh, that didn't go how I planned in my head. And, then. Then," Steve stops here, a knot in his throat but his eyes dry. It's not that he doesn't still mourn the loss of Christopher, it's just that the tears have dried up long ago. "Christopher committed suicide, that year. Halfway through the school year. I think... I think even if I had joined your club, if you had let me take that flier, I would have dropped out after the funeral. I'd wanted to join so bad so that Christopher would be proud of me."

The room has lost focus, now. Steve is staring forward but he doesn't really see Eddie anymore. It's like he's fallen into his thoughts and nothing else exists anymore. "It's a bit fucked up, but being older than me, I think I looked for approval in him that I didn't find in my dad, or maybe I wanted to be him because his parents were so proud of everything he did and I wanted that. Approval. I- it's- I think I used to confuse the two. Approval and love. Maybe I still do? I dunno.

"I guess I just wrapped all that up, the need for approval, Christopher's suicide, my love for fantasy, and shoved it in the same bottle deep down that I kept my anger at you in," Steve blinks himself back into the present. Takes in Eddie's face, a mix of sad and fond, like he wants to wrap Steve in a hug. Steve would probably let him. "That wasn't fair to you. I'm sorry."

Eddie shakes his head no. "You don't have to apologize to me, Stevie. I get it. You wore your jockness that same way I wear The Freak. Like armor. You weren't wrong, earlier, when you said we were dumb kids who learned to lash out and hurt first, so we couldn't be hurt. I was fucking, no, I am still like that. I mean, I just lashed back out at you when all you did was point out how I'd acted to you."

"Yeah, well, life gives everyone a shit hand sometimes. I used to capitalize on that. Kick people when they were down. It's- it's humbling and, like, awful, to unpack that. I know I'm still working on it, but I didn't have to do it alone. Robin and Dustin have been there for me. Great. They call me on my bullshit and it's easier to take then, hearing it from people I know who care about me."

"Guess I better ask find someone to call me out then."

"Haven't you already?" Steve asks, gesturing to himself.

Eddie barks a laugh. "I- yeah, I guess. You sayin' you care, Harrington?"

"Of course I do, man. We wouldn't be doing this -talking about deep shit and getting pizza grease all over my couch- if I didn't."

He watches Eddie turn red, and hide behind his hair. "Could just be doing it for the kids."

"I could. Guess you'll have to trust I'm not. That I also want a do over."

Eddie shoots him a big smile, dimples on full display, and Steve's happy to let go of his grudge if it means Eddie will smile at him like that more.

((Looks like there's going to be one more part. Thought this would be the last one but the boys wouldn't cooperate so next part.))

#steddie #my fic #what's eight plus seven?#platonic stobin #Steve is a recovering rescue dog and Robin is his thunder blanket #dialogue heavy. like. so heavy #they're 'playing' 20 questions so like the whole fic is just talking

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autisticrosewilson · 8 days

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You have any Wilson family headcanons to spare? Especially on Rose & Grant?

DO I EVER!!! Gosh where do I even start

I mentioned to a friend of mine the other day that I think Slade was a leash kid, and I stand by that whole heartedly. He wanted to raise Grant as a leash kid too, simply because he thought you were supposed to, but Adeline threatened his life so it never happened. This was the first of many times he was confronted with the concept that maybe his home life wasn't great.

He would not even begin reflecting on this until almost a decade later. He still doesn't really consider himself a victim and honestly most of his shitty parenting comes from him just having no clue what he's doing. He's aware that he's bad at it, but instead of trying to improve he just tries to avoid his kids in hopes that they'll be better off without him.

Also he grew up in 1950's-60's Appalachia, I think he's more superstitious than he lets on. I imagine he grew up hearing about family curses and old wives tales, and while on some level he recognizes that Fran likely just used those stories to cope with the situation there's also a part of him that believes it for the same reasons she did. He's not a victim, he can't be, so it must not have been abuse. Which eventually turned into him just kind of accepting that he was always going to be a bad father, that there was never a chance for him to have a family and any attempt he makes will just end up worse than the last.

It makes it easier to maintain his self imposed isolation that way.

Adeline is a lot more interesting than people give her credit for. I like to think she was born and raised in a big city like New York or maybe Gotham if I wanted to be funny. She was definitely a wild child, and that was something that didn't change during her first marriage.

I truly do believe that Count whats-his-face (I don't care enough to look him up) tried exactly once to hit her and he ended up with three bullet wounds that all knicked arteries. It was his only warning and he was smart enough to know that.

Addie is loyal to the end, she's the kind of person that steadfastly refuses to let go of people she cares about. In basically ever version of her story she tries, she tries so hard to make things work. I once compared her to the Greek myth of Madea and I think about the comparison often.

I also think that Adeline was always her father's daughter, whether she liked it or not. I don't remember if it was canon that she was raised primarily by her dad but I only remember her dad being mentioned so I think she grew up in a single parent household and was mostly left to her own devices as a kid. She probably grew up really close with her cousin, most people probably thought they were sisters.

Mayflower fucking HATES Slade, she was advocating for the divorce before they were even married. I know in my heart she was Slade's biggest hater. Her and Slade talked mad shit about each other but they were also gossip buddies for the longest and it was the only thing that stopped her from beating his ass all the time.

SladeAddie is so toxic Bi4Bi coded. Really funny to me that Addie was probably older than Slade, do you know the kind of rizz you have to possess to bag a milf that could kill you in 20 different ways before you could blink? One who's already been divorced? What charm was this freshly 18 year old drop out exuding to be pulling like this?

When do you think he told her that he lied to the recruiter about his age and he wasn't actually 23 or whatever? Did he ever tell her? Did she figure it out herself? It was literally never addressed but I think about it all the time.

Slade is definitely still mildly in love with her and falls a little all over again every time she deals him grievous bodily harm. I don't know his thing for people who hate him is probably a self conscious way to punish himself for sucking all the time.

Billy and Alfred being friends is a headcanon that I literally never stop thinking about. Why wouldn't they be old friends or whatever? They have tea the 4th Tuesday of every other month. They complain about their respective morons and brag about the kids they have to take care of because their morons won't.

Billy is definitely a British rock fan and he fucking HATES country music. Slade starts playing it in the car and Billy threatens to crash the whole car just to make a point.

He's like maybe 5 years older than Slade if I'm being generous about it, he just looks older next to Slade because he's not hopped up on super serum.

He's the one Rose gives her father's day gifts to <3

SladeBilly is canon to me, no way Slade is capable of spending that much time with someone without sleeping with them at least once. It might be the healthiest relationship he's ever had with anyone and Billy barely tolerates him.

Lilian Worth my beloved,,,,,,they gave her such a white ass name. I choose to believe that she changed it later on for anonymity. Chea Nath is a name she hasn't used in a while, but it's still one she holds dear.

She seems like someone who was really into ballet, and probably someone who was really good at it too.

She's one of those characters that we don't really have any information on, which leaves a lot of wiggle room backstory wise. I probably write too much about characters with poor backgrounds (surprise your bitch grew up impoverished) so I guess I'll let Lili have this one.

Diplomats daughter, her and her mom were really close growing up, and she seems like she grew up with sisters. She's got that middle sister energy to her, growing up everyday was a fight and let's just say she didn't lose often.

If Adeline is Medea, Lili is definitely Circe. Versatile, powerful, a man hater, and she'll do anything to protect her girls.

Honors student, her grades never dropped below an A- and she has degrees in everything from fine art to communications. Rose went to college purely because her mom made it clear that not going was not an option.

Grant is one of my favorite characters. Ever. He's definitely an old school country enjoyer, much to Billy's chagrin and Slades secret delight.

He was the boy who climbed up the tallest trees to prove he could and then came home with a thousand little scrapes on him.

He has a bee allergy.

He's the least enhanced of his siblings but he still has a meta gene, I think the reason the H.I.V.E. serum didn't activate it like it should have is because his power was the mental kind and not the physical kind so his body couldn't hold up against it even while his psychic powers were getting stronger.

Painted his nails one(1) time, it was a dried up iridescent blue that Addie dug up and was going to throw away but Grant wanted to try it. He didn't know what nail polish remover was though so he scraped his teeth on his nails to get it all off but he couldn't get all of it and he almost cried so hard he threw up at dinner that night because he was scared of Slade noticing (Slade didn't notice and wouldn't have cared if he did).

Thought he was SO stealthy when he snuck out but literally everyone knew because he always came home smelling like weed, hungover, and he went to school in the same clothes he wore to go out. Most of the time Addie didn't care (See above: "former wild child") but Slade "Biggest loser in his hometown" Wilson always had an issue with it.

Officially his tomb is located in the Kane family plot but he's actually buried in Slades hometown next to his grandmother. (Adeline is not aware of this)

Joey was actually the one who pulled most of the pranks when they were kids, but Grant always took the fall. Mostly because literally no one would believe it even if Joey said he did it. Which he tried to do, many times.

Grant taught Joey to make flower crowns but he never admitted it because he thought it made him look weak. He still keeps the few that Joey made for him though, they're basically turning to dust in the drawer he hid them in to this day. They're one of the few things that weren't torn down and shoved in the attic after his death.

Joey still celebrates Grant's birthday every year, him and mom play The Last Man by Clint Mansell on the piano because it was his favorite piece to play before he stopped because it wasn't "cool".

Grant tried to get Joey to come with him when he ran away but Joey didn't want to leave Addie. Joey ended up moving into Grant's old apartment, he often thinks of what life would be like if he'd taken up the offer.

Grant is THE ass hole big brother from the late 90's/early 2000's. Down to the mullet and the shirt with the sleeves cut off. He used to steal Addie's eyeliner and she would get so mad because that stuff is EXPENSIVE and he's just smearing however. She teaches him how to do it properly but he says it makes him look "too girly".

Grant's picture is the only one in Slades wallet because he doesn't have to worry about putting him in danger anymore.

DON'T let Joey's "natural" pretty boy look fool you he has a 20 step skin routine and a 15 step hair routine and he wakes up at the ass crack of dawn to start on his makeup.

He used to get the worst acne as a pre-teen and he has physically burned all the evidence except for one picture of him and Slade on a fishing trip when he was like thirteen, he doesn't know it exists and it's the only picture Slade consistently travels with.

He doesn't want to be the favorite but he would get mad if someone else was the favorite because what work were YOU even putting in for it.

He has 12 year old boy humor I fear. Giggles at dick jokes and has used his name to make "Joe Mama" jokes on various occasions.

Number one Mama's boy of all time, there's not a single time they've gone out in public together where they haven't had coordinated outfits. Him and Addie call biweekly to shit talk people and exchange recipes and the like.

Joey is THE biggest gossiper. He'll talk shit about people right in front of them if he's sure they don't know ASL and whoever is around just has to try not to laugh while they "translate" him.

He's so good at convincing people to do things for him just by looking at them with his big ol' eyes. And he's a theater kid so his expressions are really exaggerated.

Rose, my muse. I know canonically she's a smoker but I'm changing that to her being a vaper. I don't know she just looks like she'd beat the shit out of you for a cherry lemon cancer stick.

Energy drinks don't work on her in normal amounts so to rectify that she constantly walks around with horrific concoctions in a water bottle the size of her head.

She street races as R4V4G3R and she's pretty good at it. She learned a lot about cars doing it which is how Slade justified being an anonymous benefactor for her.

The few weeks Slade had her she ran that shit like the navy. Up at 6 AM on the dot, tight ass ponytail swaying as she got ready for school. She was out that door by 7:25 everyday and she would MAKE Slade violate traffic laws to get to school by 7:35.

Has bitten people before and will do it again.

Had the BIGGEST crush on Donna Troy when she was on the Teen Titans. She didn't know it then but she did. Her taste in women really hasn't changed at all.

Only has her grunge thing going on when she's planning on meeting people, average day outfit is all pastels and florals that her mom used to pick out for her.

Got pretty much all of Lili's stuff, her main apartment is always Immaculately decorated. She also lives in L.A. because literally fuck New York. She's trying to get her engineering degree in PEACE.

She looks up to Grant a lot, she really only has Joey's account of things and he only tells her the good stuff. How he was brave, and strong, and funny. When she was younger she really wanted to be like him, but that was the last thing Slade wanted. So obviously she named herself Ravager out of spite.

Rose is the shortest one in the family but she's buff as hell, my girl is built like a fridge and she knows it. Joey tried to rest his arm on her head one and she stabbed him. It didn't go through his armor obviously but it did leave a mildly annoying bruise that he pouted about for a week.

She low-key really likes Addie but she tends to stay away because of the whole "child of infidelity" thing. She HAS threatened to call Addie on Slade multiple times.

Grew up with a bunch of other kids so she never really wanted siblings, but she would kill for Joey. She'd like a sister though. Really misses her cousins and aunts from the brothel but doesn't want to put them in danger by talking to them.

She's fond of kids but wouldn't want her own because she doesn't want to bring a kid into the kinda life she has, or their family in general.

Routinely takes jobs from Slade because she knows full well he won't do shit. And she's right every time he makes it into a team up that usually ends with them fighting but sometimes, every once in a while, they do something nice together and it makes her remember why she wanted to find him so bad when she was 13.

I don't like her carving her eye out for Slade I thought the whole concept of her idolizing Slade was fucking stupid. She tolerates him at best. So I like to attribute it to her visions, I think the blind prophet symbolism is really fun. Especially because then we can have a Prometheus type situation where her eye patch keeps switching sides/sometimes she's not blind because she keeps carving them out in fits of Seer Madness™️ but they keep regenerating.

SHE HAS BROWN EYES HER EYES ARE BROWN I KNOW HER PERSONALLY PLEASE LET HER KEEP EVEN ONE OF HER ETHNIC FEATURES I BEG!!!

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maegalkarven · 5 months

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I like how Levi and Gortash break each other's boundaries all the time, but somehow it's fine bc it's them.

"Integrity is all and good and I'll fight teeth and nail to keep it. But also if my husband decides on some incredibly major thing for me, I somehow do not really mind."

This is an unhealthy dynamic what works wonders for them.

Gortash plans their wedding without as much as informing Levi of it. Levi is practically dragged to the altar.

Levi makes Gortash immortal by interweaving their lifespans and making sure one can't die while the other is alive (he uses the wish spell). Gortash only finds out about it 15-20 years later when ppl start to notice he doesn't fucking age, and also several assassins' attacks what should have been fatal left him with just some more scars to wear. People whisper their achduke is unkillable.

Gortash creates the genius little implant for Levi's eye bc he hates seeing the mark Orin left on Levi's face and hates even more Levi using Raphael's eye as the prosthetic eye.

The tricky part is what the implant should change along with Levi's body when he shifts into wild form. It won't do for his husband's head to explode because the prosthetic eye is too big for the bird's head.

He tries it on several test subjects until it's perfect. It's both a great gift and a claim over Levi's body; the eye is also a tracking device and basically works as a scrying eye.

Levi doesn't even ask about possible tracking installments and waves it off with a laugh when Wyll brings it up with concern.

Levi kills people he thinks are unnecessary in Gortash's life, regardless of Gortash's opinion on the matter.

And so on.

#dark urge: levi #durgetash #the dark urge x enver gortash #dark urge x gortash #durge x gortash #also levi is incredibly INTO body horror. he looses a body part and it can't be restored by magic?#he damn sure races back to his husband all excited bc ENVER IT'S SUCH AN OPPORTUNITY FOR YOU. DO THE THING YOU DID WITH THE EYE #ENVER WHY ARE YOU UPSET?#while Gortash looks at like half of a limb of his husband missing and prays he doesn't kill the idiot himself #tbh Levi's regenerative abilities are on the top so it only happens like 500 years into their marriage #but still #gortash looking at the only person but noah he actually prefers to keep their flesh: why are you like this #levi: hmm...bhaal probably. so? give me a hand here #gortash: *groans*

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witchcraftandgeekness · 8 months

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TVD X Six of Crows crossover almost nobody asked for

Kaz Brekker

(i tried to make vampire!Kaz aesthetic. The problem is, it looks like simple Kaz aesthetic)

In 20's his brother was killed by his sire but Kaz was turned. This traumatic event lead to Kaz's touch aversion, which made feeding much harder for him. Nowadays he gladly uses blood bags.

Kaz lead the gang called the Dregs in Amsterdam for years. He also formed his supernatural crew, the Crows. When the Original Hybrid contacted him, promising a big reward for kidnapping the doppelganger, Brekker couldn't resist the oportunity.

(i have no intention of erasing Kaz's disability, his leg was injured before his transition therefore he is still limping and uses cane)

Inej Ghafa

Inej Ghafa, the vampire of Nepali origin, who was turned by Kaz, which saved her from Tante Heleen, the witch known for making magically-induced contracts. She is called the Wraith for her ability to move soundlessly, even for vampire hearing. Inej had mastered her control and doesn't feed on humans (unless they really, really deserve that).

(i wanted to make her muslim but it somehow didn't work. Ravkan Saints are clear allusion on Russian saints, which are from Orthodox Christianity. Also I gave her Nepali origin because of Amita Suman)

Jesper Fahey

Jesper is a part of Dregs and the Crows. He was born in Australia (Novyi Zem is mentioned to be based on Australian colonies and i love Australia way too much), and went to college in Netherlands. Unfortunatally for him, things went wrong and he ended up working on Kaz because of his sharpshooter skills and secret magical abilities.

(i imagine Colm to be Irish who imigrated in Australia while Aditi is Indigenous Australian and a witch, zowa as their coven called themselves)

Wylan van Eck Hendriks

The only human in their gang, Wylan balances this by being a demolitions expert, and having impressive knowledge of alchemy and chemistry. He is proficient in music and graffiti art as well (because I said so). Later it was revealed that Wylan knew about supernatural from his father, who was the part of Amsterdam's Counsel of supernatural awareness (which wasn't an obstacle when Van Eck needed some magical help for his own profit). Like Kaz, Wylan was born in Netherlands.

Nina Zenik

Nina comes from Russia and more specifically, Grisha – that's how the coven that consists of witches from different Slavic bloodlines call themselves. For many centuries years the coven has been lead by heretic called the Darkling, who was searching for young witches with the proper heritage and recruting them in the coven. Nina was one of them. Until she met Matthias.

When she ended up in Amsterdam and Matthias – in the jail of local coven, she joined Kaz and worked on him ever since.

Later her magic experienced harsh shift, making her magical source rotate around death instead of nature and life. Among other newfound abilities, she now can see those on the Other Side.

Matthias Helvar

Matthias was born in Swedish werewolf pack that had long-term war with the Grisha coven. The youth go through an initiation by killing their first witch. Something went wrong with Matthias' first kill.

He became an outcast by falling in love with one of Grisha, Nina Zenik. He promised to protect her in life and death and proceeded to fullfil his promise. Even from the Other side.

I got hyped up by this AU and can do nothing about it.

#if anybody would like to make this idea into fic i wouldnt mind #just tell me guys i want to read it too #tvd x soc crossover #tvd au #kaz brekker #inej ghafa #jesper fahey #wylan van eck #nina zenik #matthias helvar #six of crows #six of crows au #shadow and bone

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deancasbigbang · 8 months

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Title: Dean Winchester and the Belly Button Piercing

Author: Trenchcoat_Paradigm

Artist: Callion

Rating: Explicit

Pairings: Dean Winchester / Castiel Sam Winchester / Eileen Leahy Dean Winchester / Female OC

Length: 21000

Warnings: N/A

Tags: Alternate Universe - Canon Divergence, Pericings, Dean Winchester has his Belly Button Pierced (and Sammy doesn't know), Castiel/Dean Winchester First Kiss, Porn with Plot, Openly Bisexual Dean Winchester, Dean Winchester is a tease, Castiel doesn't understand flirting, Idiots in Love.

Posting Date: October 31, 2023

Summary: Dean Winchester was 23 when he got his belly button pierced. It was during a time in his life when everything felt like it was in turmoil (long before he even really knew what his life being in turmoil truly meant). He never intended to go out and get any piercings —his father would have never allowed it. And for 20-something years it had been his best-kept secret… that was until one faithful night when a hunt went wrong and his best friend had to swoop in and help patch him up catching an eye full of his elusive secret. Castiel infatuation with his best friend took a dangerous turn that night (not that he wasn’t already treading treacherous waters with his feelings toward the man). He had already known that Dean had a piercing but he had no idea it was still functional, and equally had no idea that a piece of jewellery, Dean’s own slice of quiet rebellion, would have such a profound effect on him. The now Castiel can’t help but want and with his fading grace is doing very little in hiding his… indiscretions, the idea of it slowly drove him insane. And what makes it worse… Castiel is certain Dean is doing it on purpose.

Excerpt: Castiel’s stare lingered on his navel, wide cartoonish eyes that glinted in the moonlight making the blue in them all that more striking. The shadow of his Adam’s apple bobbed with a swallow as his plush —but chapped— lips parted in a silent gasp. A look that had all the heat in his body fly straight to his face. He wouldn’t have admitted it at the time, not till many many years later when other eyes lay upon the small metal bar that he enjoyed the attention it got. Cassie, Lisa, and his plethora of one-night stands all seemed to get a kick out of it. Hell, even that night when Trey first laid eyes on it and stirred something deep in Dean that took him years of uncovering his own identity to really appreciate. But they were all blown out of the water by the way Cas’s stare lingered on him. An idea that less than a year ago would have terrified him, but now; Dean liked it. Welcomed it. Another one of Dean Winchester's greatest ‘best-kept secrets’ was the fact he had been crushing hard on his best friend for years, and in all that time he had never once seen that look on his face. Something that sat awkwardly between shock and awe, and maybe (Dean secretly hoped) something a little more. Impossible he’s certain of it, Cas has never said or suggested anything that would make Dean think otherwise, other than his weird thing with Meg and that damn reaper, he’s fairly certain Cas would never be interested in anything of the sort, especially not with him. Plus, Dean wasn’t going to be the one to screw up the best thing that ever happened to him over sex. The idea of that alone sent a low fire deep in his gut, a warmth that spread through his entire body and was more than likely making home in his cheeks with a deep blush. It was just a crush, really was no big deal. But if the guy keeps looking at him like that, it just might become one. “Dean? Cas?” Sam’s voice echoed around the vast space, starling Dean out of his fixation and autopiloting his response; “We're over here!” He shoved his shirt down his body hiding away his piercing and swiped up his machete that lay idle on the floor beside him. “Not a word about this to Sam. Okay?” he added with a sharp whisper as Castiel seemed to shake out of whatever trance he had been in. Blinking owlishly before nodding silently and rising to stand alongside Dean.

DCBB 2023 Posting Schedule

#dcbb 2023 #fic preview #2023 promo #deancas #destiel

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blackberry-gingham · 1 year

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Give me your favourite blorbos and favourite headcanon for them

Is this a Christmas present for me anon? Bc if it is, I love it and thank you 😚💖😭😭

I have a lot of characters I like, but as far as absolute faves rn, here's Gambit and Nightcrawler :) thank you so much for this generous ask and enjoy!

Gambit

Gambit's father tried to send Remy to receive formal education as a kid, but Gambit wasn't very cooperative about it (like, at all) and so he never finished

You would hardly know this though, as Gambit is not only, of course, able to read and write perfectly- but he is also bilingual (English and French), can write in cursive, and can read Roman numerals

Gambit grew up Catholic in comic canon, but as an adult he now carries and proclaims himself as atheist (this is also canon, I believe) however, in his heart of hearts, he's really more agnostic

Sometimes in dark hours, he will pray the rosary to soothe himself. That and, very rarely, he can sometimes be found sitting in the local chapel- just to think, he says

Also in comic canon, Gambit dreams of having a family and wants to be a dad one day- as for the headcannon, he'll never say a preference aloud, but secretly he hopes to have mostly girls

He has learned to braid and tie those big, glittery hair bows in preparation for this, but he would die before letting on about either of those skills

This is canon as far as the cartoon is concerned, but just for the record I hc that not only is Gambit indeed a really great cook, but it is also secretly one of his hobbies

Here's something interesting- in comic canon Gambit has his powers surgically reduced by Mr sinister so that he can better control them. For the hc, I believe this is where their red color comes from, but when he was at full power, his eyes were purple

Free fun fact! But this is how you can tell if the gambit I'm writing or drawing is at his full, godly power or not- I intentionally depict him with either color to suit my story/imagination

This might be actually controversial to some, but I am in this category of women myself, so do not fear: Gambit secretly is very (VERY) into curvy women, especially after having grown up in the south (he's a hips and thighs guy, if you're curious)

However, and this is the controversial part, he's one of Those Guys™ that feels ashamed of attraction, so he will very rarely pursue or even entertain them if anyone he knows is watching

If he thinks he can get away with it privately tho- he most definitely will go for it

In a world where he either doesn't end up with rogue or something tho, this weird embarrassment thing goes away entirely as he gets a little older and more emotionally mature

For my followers: this reservation does not exist at all in regards to dad bod Gambit. He proudly enjoys great food AND fine ass women- no holds barred

Gambit's love language is quality time, his myer briggs is ESTP, his sign is Leo, he's about 6'4 (I like to imagine him a little extra tall), and if you see me write/draw him with a dad bod he's at least about 34 years old

Nightcrawler

Nightcrawler cannot swim, at least- not formally

This has nothing to do with physical ability, but rather that he just never learned, mostly bc he has/had no need

He's never had any formal education either, and only learned to read and write at the monastery in his early 20s

This also means he barely spoke English until meeting the professor- now, he's fully fluent tho

I feel that some people are going to act like this is controversial, even tho it shouldn't be lmao- but I hc that Kurt is a virgin

I don't care what the comics say/imply or how old he is: on this blog he takes his faith very seriously and is waiting for marriage

While he grew up staunchly Catholic, as he has gotten older and had more opportunities to study religion on his own, he later converted to Christianity

On the subject of older Nightcrawler- as he ages, certain attributes of his mutation become more pronounced: his fur grows to a thicker, almost woolly texture, his top fangs are longer and protrude from his lip, and he gains slightly keener senses more akin to Wolverine's

On that note- Kurt's hair is naturally curly (although he does nothing to care for it) so once his fur starts growing thicker, this is where it gains it's interesting sherpa like quality instead of just the short, velvet like fuzz he's known for

While his human disguise changes all the time from comic to comic, I like to headcannon that Kurt's disguise is just his natural face and hair, but with human colors- obviously

I toyed with the idea that his human hair would be red/ginger like mother mystique, but ultimately I hc it to be a very light blonde and his eyes are honey brown

On virtue of being an extremely thin man, Kurt ALSO is strongly attracted to full figured women- unlike Gambit tho, at no point in his life does this attraction bother him nor impede his romantic pursuits

Kurt's love language is physical touch, his myer briggs is INFP, his sign is Cancer, and if you see me draw/write him with a dad bod he's probably about 38 years old

#i could write hcs just for dad bod versions of these characters tbh- but i shall restrain myself #im so happy rn like you legit have no idea #XMEN CONTENTTTTTTT WOOOOHOOOOOO #nightcrawler x reader #gambit x reader #marvel xmen

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silverfoxstole · 10 months

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Paul McGann: The latest twist in his tale

He's spent his career thinking on his feet, so it made sense to improvise his latest role, he tells James Mottram

Published: 20 October 2006 in The Independent

Every autumn, Paul McGann is given an annual reminder of his greatest role. Living in a university town like Bristol, "you can set your calendar by it," he says. "The new student intake has just come in, and they've drunk their first grant cheque and seen Withnail and I... and I know when they've seen it. They usually holler across the street." While Richard E Grant's flamboyant drunk Withnail was the character blessed with the lion's share of memorable quotes, McGann's more introspective "I" still had his moments. He grins at a recent reminder. "The other day, some kid had chalked on the pavement outside my house, 'Perfumed Ponce', with an arrow pointing to my front door!"

Now 46, it's refreshing to see McGann is not precious about the fact that his finest hour has just been commemorated this month with a 20th anniversary DVD. "It's actually very satisfying," he admits. "I can safely say, 'If I'd never done another movie, it would've been all right.'" Still handsome, with his Byronic brown curls, there's a sense of genuine gratitude in his soft Scouse accent. The son of a factory worker and a nursery school teacher, perhaps it's in the knowledge that a working-class childhood in Liverpool does not always lead to such a grand career as acting. The Catholic-raised McGann knows he's been fortunate: accepted into Rada, he got his big break in 1982 alongside his three brothers - Joe, Mark and Stephen - in the West End rock'n'roll musical Yakkety Yak.

"We all wanted to be movie stars," he recalls of his youthful days. "When I was a kid, about 11 or 12, we used to try and bunk into local cinemas to see X movies. Who doesn't do that at that age? This would've been 1972. Maybe an older kid would buy a ticket, then go and open the fire door and we'd watch this film until we were all thrown out. You'd see some hammy old thing, but now and again you'd see a great film - like Klute or Five Easy Pieces. I remember watching Jack Nicholson, maybe not understanding what he's up to but thinking I'd love to do that. He was engaging, charismatic - I was rapt!"

McGann was never going to be the next Nicholson, even if winning the lead in Alan Bleasdale's 1986 BBC drama The Monocled Mutineer boosted his profile. Unlike Grant, he never really made it in Hollywood. "What do they say? It's better to regret the things you have done than the things you haven't," he notes. When he did get cast in major productions, he spent most of his time on the cutting room floor. Almost entirely excised from Steven Spielberg's Empire of the Sun, he saw his part for David Fincher's Alien3 truncated to an almost unintelligible degree and then he was unfortunate enough to appear in Queen of the Damned, the ill-fated follow-up to Interview with a Vampire. "Careers are what they are," he shrugs. "They don't make any sense at all when you look back. We're not in charge of them."

Fate certainly seems to have had a hand in McGann's CV. A knee injury in 1994 forced him to cede the lead in ITV's Sharpe to Sean Bean. Two years later came his one-off turn as Doctor Who, following on from Sylvester McCoy in a US pilot that was set to resurrect the series but ultimately never picked up because the ratings weren't high enough. "We made a pilot that didn't work," he says. "And it didn't work because it wasn't good enough." But given the success of the current revamped show, does he have regrets that he's likely to be remembered - in his own words - as the "George Lazenby of Doctor Who"? "It's impossible to regret. It could've been very different. I would've been there for five or six years... and I'd have earned a shit-load of dough. Life wouldn't have been the same but it didn't happen."

If there's a suspicion that McGann is not ruthless enough to play the Hollywood game, not least because Withnail and I anointed him with a cuddly image, he has set about changing that with his latest film, Gypo. An entirely improvised piece about immigration, he plays Paul, a racist father-of-three living in Margate. Trapped in a loveless marriage, Paul is the vilest character of McGann's career, beginning the film by violently objecting to his daughter bringing home a classmate who, it emerges, is a Romany Czech refugee. "I had to be prepared for him to be irredeemable," says McGann. "He is unremittingly miserable."

Fed on a diet of tabloids and Talk Sport, McGann says his character belongs with the "huge majority of these little Englanders with their easy assumptions. At one point, he talks about Africa being a big county - that's about the level of him." He adds that he didn't want to make him like some "Alf Garnett cartoon" and he doesn't - though he confesses to the fact that director Jan Dunn only came to the set with "broad notions" for the scenes. The rest was up to him. "There wasn't a script to discuss," he says. "That brought me out in a rash, to be honest. That was one of the reasons I thought I had to do this. I couldn't think of any proper, intelligent excuse to turn this kind of challenge down."

Telling the same basic story from three separate perspectives, Gypo is officially the first British film to be registered as a Dogme movie. Given that this manifesto, devised by the Danish director Lars von Trier to purify the film-making process by using only original locations, natural light and so on, is over a decade old, it might seem rather after the fact. McGann nods. "I entered it with a mixture of open-mindedness and healthy cynicism. I mean, they're having us on aren't they? Some of that stuff... c'mon! The more dubious claims for the process about truth and nebulous ideas about authenticity. I mean, what's that about? Films are artifice. We're telling stories on film. At the same time, when it works, there is a real tough immediacy and spontaneity to it, and a punch."

Both frank and funny, McGann is the perfect pub-mate - not least because he is so self-deprecating. Noting that his short-lived time playing Doctor Who has nevertheless given him a place in the show's pantheon, he recalls meeting legendary Time Lord Tom Baker. "We were in opposite voice over studios," he says. "This guy in the sound studio told me he was in, so I went and met him. He didn't have a clue who I was! I found it rather refreshing. He was very charming. He just thought I was some kid off the street. So I thought, 'Let's just leave it at that.'"

Yet as chummy as McGann is, it's doubtful if he'd ever fully open up - at least in interview. Dubbing himself "a miserable bastard at the best of times", laying bare his soul is unlikely to make him happy. Of his brothers, he says, "We get on OK. We get on fine." The last time he worked with them was in 1995's Irish famine saga The Hanging Gale, which the quartet conceived themselves. "The biggest obstacle is getting us all together," he grunts, when asked if he'd consider working with them again. He's better on his sons: 17-year-old Joseph is musically gifted, "one of those swines that can play any instrument", while 15-year-old Jake "has been making funny noises" about following his father into acting.

Such reticence can be easily traced back to the mid-1990s, when McGann had his one uncomfortable brush with the limelight. Caught in the street kissing Catherine Zeta-Jones, his co-star from period piece Catherine the Great, by a photographer, it caused a minor scandal and the press descended upon him and his family. While Joseph and Jake "were really spooked by it" - to the point that they now hate having their photograph taken - McGann admits the gossip "rattled" his relationship with his wife Annie, a former assistant stage manager turned interior designer. "I felt like a kid who was being bullied," reflects McGann.

Since Gypo, McGann has done what he's always done, and worked steadily. He recently completed the lead in Poppies, a film about a playwright who becomes obsessed with the fact his grandfather and two great uncles were killed in the Battle of the Somme that will receive its premiere in November at the Imperial War Museum. And he is currently filming a short produced by Zoë Ball entitled Always Crashing In The Same Car, reuniting with Grant for the first time since Withnail and I. "It's good when we're together," says McGann. "We're still mates. Our kids know each other. Very occasionally we're together in the same place - and then it's difficult to pay for a drink. I like that."

'Gypo' opens today

#i was looking for the tale of paul meeting tom for the first time #and found it by accident going through some old files #paul mcgann #interviews #doctor who #eighth doctor #8th doctor #tom baker #withnail and i #he told the story about the chalk on the pavement in a zoom interview a couple of years ago #it sounded as though it had happened recently but obviously not!

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fazedlight · 4 months

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20 Questions More

A deeper and more detailed version of the 20 questions for AO3 fanfic writers. Thanks @eqt-95 and @inkedroplets for the tag!!

1) How do you keep getting ideas for your ship/fandom?

Daydreaming. Writing fanfic is secondary to that. It was only in the past couple of years that it occurred to me that I could write some of it down and see what happens.

2) Which authors inspire you in your fandom, and why are they so freakishly good?

@searidings is my absolute favorite, the way she unravels the characters' emotions and angst is absolutely superb.

3) Aside from the characters of your main ship, who are the characters you love to write?

Ohhh I really love this question:

Cat in Inauthentic, as well as this ficlet and this one. I love her sense of humor.

Lillian in Darkness in All Things. For the same reason as Cat, I just love her snark.

Zor-El in Even Though You're Kryptonian. He kind of surprised me when I started writing him, and to this day I don't know if some of his lines are driven by genuine confusion or if he's just trolling.

4) Are there pairings or tropes you know for sure you'd never write about? Which ones?

I'm a never-say-never kind of person. There's a lot that I don't think I would ever write, but I've been surprised on where stories have taken me before, and may be surprised again.

5) What is your writing process and why is it cursed?

"Process" might be an overstatement...

I have a "scribbles" doc where I keep my ideas. I cull ideas often (though ideas often make their way back anyway). As I write more into the doc, a certain idea may get too big for it, so I spin it out into its own doc.

From there, I kind of go back and forward between outlining and writing. I write completely out of order. Which is why, so often, my multichaps are almost fully drafted by the time I publish chapter 1. I've usually already made it to the resolution point of the plot (meaning, no one's in danger anymore, the bad guy is gone, etc), though the final chapter often doesn't get written until later.

6) What is your favorite part of your writing process?

I love when I've finished the first pass of a chapter/one-shot, and I'm in the editing stage. The story really feels like it's coming together at that point, and it's before all the self-doubt starts bubbling up (that hits hard just before posting).

7) What’s the weirdest thing you’ve had to research for a fic?

A friend of mine is a professor in astroparticle physics, so I spent a couple of hours asking him about quantum mechanics stuff. But only a small portion of that ended up being relevant to the fic and the rest was just for fun.

8) Is there a particular writing rule you struggle with (grammar, spelling, tense, reality in general)?

When I'm first sketching out a scene, about half the time I write in present tense (it feels more like I'm writing a play at that point sometimes), but I publish in past tense. So I end up needing to do a bunch of revisions 😭

Also TYPOS.

9) What was your hardest scene to write so far and why?

Fight scenes are ROUGH, man.

This is probably one of those answers I'll change every time depending what's at the top of my mind. But writing out a fight scene - like in Even Though You're Kryptonian, Darkness in All Things, or It's a Metallo Life - gets surprisingly difficult if there are more than 2 people.

I know exactly how I'd shoot those scenes if I had a camera crew, special effects, etc. But it's hard making sure the audience is aware of where everyone is positioned, why they can/can't act in the moment, etc.

10) Have your characters ever done something you didn’t expect, changing your plot completely?

All the fucking time, man. From the very beginning, even. I was trying to have Lena still be angry by the DEO scene in So I Kept Pretending, but that didn't make sense anymore.

I actually recently had a fic idea dissolve because it wasn't vibing with the characters. Which is fine, it became a ficlet instead!

11) If you could converse with any of the characters, who would it be and why?

Absolutely Kara. I have so many questions about kryptonian culture and how it drives her character.

12) What are some of the tropes or themes that you find yourself returning to in your writing?

Trope-wise, I definitely return to the Rift again and again. I find themes around forgiveness and understanding to be really interesting. Can two good-hearted people with conflicting needs hurt each other while still loving each other? How? What does that mean for the aftermath?

I think that's part of what draws me to supercorp - the complexity of their relationship. How they can both be right, and both be wrong, and love each other enough to rebuild from the ashes.

13) What's your most important resource as a writer?

Coffeeshops and libraries. Getting into slightly busy, cozy environments, out of the house, really helps shake loose the stuff in my head.

14) Can you share some of your strategies for editing and revising your work?

Especially for longer works, I tend to put the work down (and circle to other works, or go outside, or whatever) before coming back to it. It helps to step away for a bit - it's easier to pick up on repetitiveness or unclear passages when coming back.

Though I always find mistakes in my stories much later, so I'm not sure I'm one to give advice on this anyway 🤣

15) Which is worse: making the summary, picking the tags, or the anxiety when you post your fic?

Posting anxiety is the absolute worst. If I leave myself in front of my computer I'll end up refreshing constantly waiting for the first kudos (if it's a one-shot or first chapter) or the first comment (if it's a later chapter) to figure out if I've accidentally pissed off everyone in the fandom somehow.

Luckily, my partner will usually pull me away to go on a walk or grab lunch or do something else to take my mind off it 💗

16) How do you define success for your fanfic - hits? Kudos? Comments? Bookmarks? Or just if you like it?

I only publish what I like. Sometimes I'm nervous that other people won't like it, but I will always like it. Stories that aren't going a way I like - even if I think the idea is cool! - will dissolve. Just recently I dissolved one that felt like it was a cool idea, but it didn't make enough sense for the characters.

Kudos and comments always make me feel appreciated as an author!! Sometimes I'll get a user subscriber out of it, too, and it feels like an honor that someone would want to hear from me more than once.

The thing that feels most precious, though, is when someone comments on how something made them feel (I love making people laugh at my dumb jokes, or cry when a story is supposed to hit emotionally), or when they pick up on something that I wasn't sure would get picked up on.

I tend to lean towards understatement in my stories. For me, the biggest success is knowing that someone recognized what I was going for, without me being overt.

17) Do you have a playlist for your favorite character/ship?

Alas, I don't. But given that Kara is canonically a Britney Spears fan and musicals nerd, I feel like my default playlist works 🤣

18) If fan art was going to be made from your work, which fic would you pick and which fan artist would you like to create it?

Oh gosh, I don't want to pick someone and create pressure, or not pick someone and make them feel bad. This fandom has so many great artists!

That said, some of my favorites do commissions, you can see everything I've commission here.

19) How many WIPs do you currently have?

1 supercorp & 1 rojarias (for @supergirlmayhem)

For me, 2-3 is my happy number, so I'm relieved to be down to this after being so high (I think up to 11?) for so long.

20) What's your advice to new fanfic writers?

If you're wondering why you can't find that story you want, it might mean that you're the one to write it 💗

- - - - -

Tagging (respectfully and without pressure) @rustingcat @luthordamnvers @sssammich @tinyvariations @thatonebirdwrites @theredcapeofk @sideguitars @luthordamnvers @mycatismyeditor @inkedroplets @nottawriter @snowydragonscave @jetgirl1832 if you want some rapid-fire q's thrown your way. But also anyone who'd like to do this!

#I'm not sure who has been tagged already so sorry for additional tags!!#mel stuff #ask game

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iantimony · 5 months

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last tuesday of 2023!

i thought about making this my Yearly Roundup for last tuesday of the year but i think instead i will make this a normal tuesdaypost, and do a big yearly reflection on friday or saturday for last shabbos of the year :)

listening: twilight mirage, still in that holiday special, episode 23. the way that there are eight fuckin episodes for that special........in part 1 or 2 they make a comment how they might have to do three parts and i was like. lol. lmao, even. i'm in the bit right now where they're doing an election and it's very funny. thisbe as the debate moderator made me laugh out loud.

reading: the best part of the game awards this year was the fashion, alyssa mercante: i looooved some of these looks. love the art corset on slide 4, jay-ann lopez on slide 15, the pleated dress on slide 17, the MATCHING BABY ON SLIDE 19, and the author's whole everything on slide 20.

sff's big fat problem, r. k. duncan: i was already aware of some of the stuff talked about here but i am definitely guilty of having less overt things - i.e. goblin emperor reference in there - totally fly by me. i feel like i saw a lot of people talking about rowling's fatphobia after she went mask-off but she is definitely on the more malicious end of the spectrum, it's a much much much more baked in problem than people give it credit for. thinking also about the locked tomb, which i love, but also makes some very weird comments about ortus that i did not clock at all until someone else pointed it out. just something i'm thinking about lately.

the world is hard, dinner doesn't need to be, julia turshen: what it says on the tin. some recipe ideas, cut down to mental bare essentials.

old growth, brawlite: saved the fanfic for last. obsessed with this. it's so so good. the format is a really neat idea that i don't know if i've seen done before. like, using the 'comment section' to point out 'things in the background of shots'? genius. i am eating it up. i should have signed up for this exchange. maybe next year.

playing: fallow. i might buy some games that are on sale tho lol, i've seen both pyre and ghostwire: tokyo recommended this week. latter is no longer on sale unfortunately but i am noting it down for later.

watching: the fashion industry hates older women, mina le

history of bathing, bernadette banner

aaaand a short film that a grad student in my department made as a project. it's. not good. like i'm happy that he's doing hobbies or whatever but this short film commits the cardinal sin of being neither good nor bad, Just Boring. 2/10.

making: the [redacted project] is almost done!! i have 10 rows left. each row takes me about 15 minutes. i will definitely finish it by the end of the week, fringe and all. no pictures yet for obvious reasons but it will be in the first tuesdaypost of the year for 2024! the biggest challenge now is the point of contact on my left hand where i rest the knitting needle against my middle finger is aggravating on a sensory standpoint from overuse, so i have been knitting with one glove on that hand which has helped a lot.

there was a preview of these last week, but i added finishing touches to my gavle goat holiday cards! i used a metallic sharpie to add some horn embellishments and wrote a little note on the back, and mailed out a bunch :)

misc: the first christmas eve/day of my life where i didn't get chinese food!!! shock, horror, etc. i'm at my roommate's family's place so i experienced a real christmas situation. it was fine. her family & their home is like ... hallmark card vibes and idk how i feel about it. i want wonton soup :(

#tuesdayposting

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dalt20 · 3 months

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Tooning In 12. Greg Bailey part 3 of 10

DL:So it says on your IMDb that you directed 52 episodes of a cartoon from CiNAR called We Are the Dogs in 1985. What was that?

GB:I have no idea! I started working at Cinar in Feb. 1992. I never heard of that dog show.

DL:Oh ok. Somebody musta vandalized your account. Moving on, Starcom the U.S. Space Force for DiC and Coca Cola

GB:I remember Space Force at DIC but never heard of Coca Cola

DL:They were the syndicator of the show.

GB:I didn't know that!

DL:They had a television department called Coca Cola Telecommunications. They had a relationship with DiC during The Real Ghostbusters until the film Ishmel flopped at the box office. Causing DiC to leave the partnership.

GB:Was DIC working on Ishmel? I don't know anything about that. I am not really aware of the property. Why did they leave the work relationship over the film or did Coca Cola close up their department? Sorry I guess I have more questions than useful answers.

DL:No, DiC wasn’t working on Ishmel but yes they left their work relationship over the film.And also I'm glad you ask for answers on my knowledge.

GB:Do you know why they left over the film? It was a live action film wasn't it. I was in Japan in those years so there are a lot of things that I seem to have a lack of knowledge about what was happening on this side of the world in those years. Especially in entertainment. It took me years to see films like Robocop after hearing everyone in the US talk about them all the time.

DL:It was because their deal was soured because Coca Cola was losing money from the film, a big loss. And they sold the film distributor Columbia Pictures to current owner Sony. Plus it was thought that DiC was eying a merger with Coca Cola.

GB:OK, I sort of understand now. I will have to ask around about it to see if anyone knows about it other than the executives. I believe this flop happened around 1987 if I see it correctly on Google in my quick look. DIC really went through a big upheaval at that time so it may be related. Jean Charlopin split up with Andy Heyward about that time. DIC Tokyo went with Charlopin and part of the split said that some work would be sent to DIC Tokyo for a season or 2 before DIC LA went off and did their work elsewhere. There was a lot of activity at the executive level and that ended my gig in Tokyo as well. The whole art department in LA also broke up and people went their own ways.

DL:Yep, that is correct.The ALF cartoons for Alien productions and NBC?

GB:I don't think I saw any Alf shows after they left DIC or did they end at DIC. Also Saban was part of the 3 way ownership at DIC. He bought out the music rights that DIC had and moved his company back to France. DIC really had no library to fall back on and soon had no more shows. Heyward had a lot of debt. 80 million seems to stick in my head right now and it doesn't sound like much now but with no library did it really have any value. Heyward promoted his golfing buddy Mike Moliani from director to an executive position. Mike over the years that I was there directed some pretty bad shows that were also very disorganized and had a lazy kind of pre production work done in LA. That's what I was saying last time that I would jump to do shows by Raynis because his shows were so great even if they were more challenging. The Mike Moliani directed shows were not interesting to work on as an artist and animator. It was ironic, jumping ahead 20 years later, the company I worked at Cookie Jar Toronto also bought out DIC and spent a lot of money for a company that still had no library. But I get ahead of myself.

DL:yeah. Saban bought the foreign rights to the shows only to sell them to C&D, the company of Jean Chalopin. Some jackass move.

GB:I don't know that it is a bad thing to have the rights. That's how animation companies make money. It was just questionable what Andy Heyward had after buying DiC without any rights to the music or any of the shows they made. Anyway, I am not the expert on all the executive dealings at DIC and I'm sure a lot of people have more insight than I do about that. So if Saban bought and sold the film distribution rights just to hold onto the music rights it sounds like he might have made a good financial deal pretty quickly. Sort of like flipping some real estate in a hot market.That must be how Charlopin had the rights to Gadget when they made the live action movie a decade ago.

DL:Yeah. And DiC brought Saban to court fighting with them about selling them to their former shareholder where they duke it out until it was settled in 1991 with Saban owning the rights to the pre 1990 DiC library.Revoking it from Jean Chalopin.

GB:That's funny. I believe Charlopin and Saban were old business partners at DIC France pre-LA days. I never heard that there was any bad blood between them. So I guess Saban just licensed the rights to Charlopin to make the live-action Gadget. I think they made a new animated series as well about that time. I didn't see the movie. One day I was listening to a culture critic talking about movie sequels. He said the worst movies are live-action movies based on animated tv shows. He said the Gadget movie was the worst one of those. So I guess he didn't like the movie much. I remember Bruno Bianchi's and Charlopin's names on the poster. Maybe Saban's name was there too but I didn't pay attention. I never met Saban but I had met Charlopin a few times in Tokyo just to be introduced basically.

DL:Actually they were as Saban would compose the soundtrack to Ulysses 31 and Mysterious Cities of Gold.Saban was not a producer on the film, but Chalopin and Heyward were.So how was the founder of DiC?

GB:What do you mean? "How was the founder"?

DL:Jean Chalopin,like how he was.

GB:Like I say I was only introduced to him briefly. He was kind of a nice-looking and amiable person from my brief meeting. He looked like someone very comfortable in his skin and well-suited to the jet-set lifestyle he was living. He was still quite young then. I would guess in his late 30's/ maybe 40 so he was an early boomer. I saw him last around the time the company was breaking up and he had come to Tokyo I guess to meet with Katayama and Bruno and discuss what the plan was.

DL:C.O.P.S. for Hasbro?How was working on that show?

GB:I think everyone in DIC must have worked on that series. It was another syndicated series of 65 shows so as usual they went through the studio at breakneck speed and the quality of syndicated shows was much lower than network Saturday morning shows. I didn't love the show much because it was kind of macho adolescent stuff with not much story value and no humor. I guess if you like that kind of thing it was fine but I never really liked the natural human-looking animated characters. It just looks like bad life drawing or something and makes me remember my early days animating at Hanna Barbera. I just read a byline when I searched on Google to refresh my memory. "Cops in 2020". So I guess it was a future cop show inspired by Robocop. Part of the pre-production work was done in Canada. In Ottawa I believe, because DIC had started doing some pre-prod work in Canada by that point.

DL:Yes, it was inspired by Robocop.As Andy would try to copy trends at the time.

GB:There was some kind of immoral feeling working on shows that were glorified commercials for toys. It did weigh on you and destroyed your belief that animation should be a good thing for kids, not just something to exploit them or make them bug their parents for more terrible cheap toys.A salesman always proposes a show that was a success last year by someone else. It is counter to shows created in a more creative environment where copying something already done would be at the bottom of your list of what to do. Does that make sense? In later years working in development I would see a lot of ideas or suggestions from the sales team about making a show just like Spongebob, or just like whatever was a success last year. It is really anti-creative. But syndication was just selling toys that Hasbro was making. I guess I helped to sell a lot of toys at DIC.

DL:So how did you feel when you left DiC Entertainment in 1988?

GB:I thought my career would end because it would be hard to replace the job with something as high-paced and rewarding. It was also a matter of leaving a very financially rewarding position because we got paid well. I was going to have to leave Tokyo, which I liked a lot. Although in another way it was time for me to leave because I had put my family through 4 years of living out of a suitcase. It was time for things like school for my daughter and living somewhere that my wife could work and get on with her career. Living in Tokyo was definitely making that impossible. I didn't think I would find another job as interesting as DIC but I had learned a lot of useful skills and information about how to control a production and get more input into the show in a professional manner. A lot of skills that were not known in Canada at the time.

DL:So you worked on The Raccoons,your first Canadian production you worked on.

GB:Yes, the first after coming back from Tokyo. I was living in Ottawa for the first time and Hinton Studios was doing Raccoons. I never became much of an expert on it because my time there was short-lived before I went to Cinegroupe in Montreal. I did some Raccoons and I just started on Ren and Stimpy for a week or 2. I also did part of a storyboard on Where's Waldo in that period I believe. I don't remember how I found that job though.

DL:So at Hinton Studios, were they drawing dirty pictures of the Raccoons characters according to rumors?

GB:What?! Animators never do that.

DL:Well TV tropes said so and i just want to know to clear up rumors,that's all.

GB:I always thought those noses on the bad guys Cedric and Cyril looked kind of obscene all the time. It would be difficult to make them do anything too dirty with those flaccid noses. Come to think of it they all had droopy noses even the Raccoon characters except the females. Must have been from all those dirty scenes they were involved in that never made it onto TV that left their noses limp.

DL:Ah. so you work on the Ren and Stimpy pilot, Big House Blues. Were you working with Bob Jacques?

GB:I think I was supposed to but I only did about 2 weeks and then had to leave.

DL:How was the experience and did you like the program?

GB:Too brief to get much out of it. I was pretty excited about the design and method they were using to work. I loved the show of course and often wished I had had more time on it. The model sheets were really great and the show felt really fresh at the time.

DL:So when did you get to go to Cinegroupe in Montreal?

GB:I left to go there right after I did Ren and Stimpy for a few weeks. I was probably working the next week in Montreal and commuting back and forth to Ottawa on weekends. I had worked at Cinergroupe before going to Tokyo for a few months on Ovid and the Gang as an animator. Anyway, when I left Hinton Studios for Cinegroupe it must have been 1988 or 1989.

DL:So what was Ovide and the Gang?

GB:Ovid was a co-production with Belgium. It was an original series based on a comic book style of characters. I can't even remember what the point of the series was or the relationships between the characters. They were very cute-looking characters though and the studio was animating the whole series with about 5 animators and 5 assistants. When I went there after Hinton they were doing a few series. L'Aventure de L'ecriture a show about French grammar and a series Little Flying Bears which is just exactly as the name implies. Everything was little something or other in those years. The bears had dragonfly wings. These flying bears were saving the environment. But I guess they didn't succeed because it's still a mess. But saving the environment was big in animation in those days.

DL:So by the way, did you have cable in the late 90s early 90s? Because these shows were broadcast on The Family Channel.

GB:I do remember them on TV but don't know if it was Family Channel or CBC. I probably only had basic cable at home. I'm not sure when the series finished. Oddly it was a co-production with Yugoslavia. Unfortunately, a few years into production the Yugoslavian war began and that turned into a bloodbath. I remember before the war everyone was talking about what a fantastic place it was over there with all those people living in harmony. The breakup of the country and the massacres just went on for what seemed like more than a decade. Anyway, the show kept getting held up because the co-producing company was telling us about the tanks sitting out in front of the company and it just got impossible eventually. It's weird how all this bad stuff is going on behind the scenes in these innocent cartoons on TV.

DL:Oh yeah. Well can’t believe that the Yugoslavian war was tied to the production trouble of Little Flying Bears.Also before I go, one more question. How was it when you went to work for CiNAR and Young Robin Hood for Hanna Barbera and France Animation.

GB:I heard once that the producer over there wanted to have Cinegroupe's production money payment sent to him in a location in a neighboring country. But that didn't sit well with Cinegroupe. I don't know if they suspected he would run for it with the money and get the heck out of the way of that approaching war. It seemed like the country was unfolding in slo mo at that point. This was before the war in Kosovo and Serbia. The co-producer was in Zagreb. It was a pretty city that held the international animation festival every second year alternating with Ottawa.

DL:Interesting.

GB:Robin Hood was fine. The first job there was on White Fang. I was an animation posing supervisor. Then I did timing direction on Robin Hood. Robin Hood went by pretty smoothly and it was nice working in a familiar US production method. I was able to bring in some of those timing skills from Tokyo into the job.And then I directed a few specials on Munch. Murmel Murmel and Boy in the drawer.I think that is the correct order of work at Cinar. It was called Crayon Animation in those days but it was owned by Cinar.

DL:Wait CiNAR was called Crayon animation?Also before then CiNAR was a dubbing studio before it started to produce its own productions in 1988.

GB:Yes, the animation part of the company was called Crayon Animation. Cinar existed at a different location downtown. They did the post-prod mixing and sound work and recording at Cinar. And the executive offices of Ron and Micheline were downtown at Cinar. The animation studio Crayon was in an old industrial warehouse space in St Henri in the mid-19th century industrial part of Montreal. If you've seen the movie or read the book The Tin Flute that is where it was. Lots of rail yards and on the old Lachine canal.Yes they did the dubbing and all sound work at Cinar headquarters downtown. They owned the building there, which was originally an old convent. Later on we moved out of the Crayon building and moved to a new office tower around the corner from the Cinar headquarters and sound studio.Ron Weinberg would often talk about how he started Cinar by driving around the US with a trunk full of videotapes of the movie Wicker Man and he would sell this tape everywhere. I don't know how he did that but that was the story. I don't know if I ever saw Wicker Man but at Burning they used to burn wicker furniture in memory of that movie.

#animation #animation interview #tooning in.#dic #dic entertainment #starcom #C.O.P.S.#haim saban #saban entertainment #80s cartoons #greg bailey #the raccoons #ren and stimpy #cinegroupe #Cinar #young Robin Hood #yugoslav wars #hanna barbera

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walkingwiththegods1 · 8 months

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An Unexpected Trip to The Underworld (...Or why Hades, is like a big brother to me)

When I was 20 years old, I had to my grandfather living in our house; so my family could take care of him: At the passing of time, he wasn't himself anymore; and my family had to live in the delicate balance of kept him safe, and the safety of the sons and daugthers of the family; specially, me...

I saw to my mother been very dedicated to my grandfather, and the rest of us did all we could in our hands so he could have some quality of life; (which is very hard, if your family is near to poverty; in a nation where only elders of upper class, lives a very accomodate and happy life) and there was a point, than despite my suspictions about my grandfather's illness; I wanted to believe than he will recovered his health, thanks for the constant care of my mother, and some help of my part...

...But... Other part of me, don't wasn't totally certain than will happened, a... ''Miracle''

...One day, I put myself in trance in my room in an hot day of April; when I don't had no one near of me, and decided to know my answer; I went where many fear: The Underworld.

When I get there, it was an place than looks like a cave; than felt a bit humid and cold, with a light so dim, than you can barely see where you were putting your feet; or the forms of the rocks in the walls of the place, and as I was walking forward; it became darker and the floor less irregular, until it was a moment than I was in a very dark room lighted with torchs; with a floor leveled everywhere and in front of me, a pale tall man with long black hair than was sleek at the sides of his face; with clear green eyes, and a regal long clear grey tunic 'till his ankles; with black boots, and with a calm energy: Hades.

Hades (With a serious tone in his voice): Why you came to see me?

Me (With a serious tone in my voice, too): I only want to know something, and I know you are the only one than can tell me the truth.

Hades (In a calm tone): Alright: Ask me your question, and I will give you the answer you need.

I was amazed than he didn't looked angry, or menacing: It seems than he wasn't at all disgusted to have a mortal, in his realm. I was about to asked him, but then... Something unexpected, suddenly happened: I don't felt the need to asked him, anymore..

Me (With a tone of sadness, looking at his eyes) ...He's going to died soon, Isn't?

Hades (With an expression of genuine sadness for me): I'm really sorry!..

Me (Apologizes): No, is okay: I was hoping than it wasn't true, so... You just confirmed what I already knew, deep down in my mind.

Hades (With a calming tone): Yes, but I know you didn't wanted to be true.

Me (A bit recovered of the shock): Well, I prefered than someone tell me the truth; even if it is painful... Than being lied to: I really thank you for told me the truth, anyway.

Me (Before leaving, looking at his eyes): ...Hades: Can I please, ask you for one favour?

Hades (A bit surprised, but then calmed): Okay, What favour you want from me?

Me (Hopeful): ...Could you be my brother?

Hades (Surprised) ...But I told you something than is very sad, and causes you pain: Why you want me to be, your brother?

Me: Is truth, but... You are one of the few beings than told me the truth in my whole life, and than doesn't tried to hid the truth to protects me; which always makes feel worse when I found out the truth. Besides, my big brother lies and do bad things; and I preferer than you be like the big brother who never mistreated me and cause me shame, or pain.

Hades, just moved his head after a while in an slight movement; like telling me than he accepted, and then I gave him a hug where we only locked our forearms; still sad, and gave him a little smile of ''Thank You'', and then... I was backed in my room, with still the coldness of the place over me for a few minutes; before the common heat in the tropics, backed again.

Almost a week later... My grandfather, died. I was very sad, consoling to my mother telling her than she did nothing wrong; than simply after those few years of care, ''It was his time to go...''

Months later, Hades appeared in my house; and he only sat next to me and took my hand for a moment, like it was his way to say: ''You can count with me''. Since then, he is not only a Deity I respect; but I never hated like many people do: He is my brother, too.

Hades, is not the cold-hearted being people have depicted for centuries; and the fear/hate many feel about him... Talks more of them, than of him: Our fear to the unknown, or the fact than then our loved ones we love and are with us today; wouldn't be with us forever. (Enjoy to your loved ones today, so you could avoided feel guilty or remorse; when they will be gone, someday.)

At hours of the dying of Summer, I put this post to tell you all; than we can't fear the unavoidable; and makes the most with the ones you love, and lives in the hopes than you will saw them again; 'cause after Death, always come Change and Life: Is only the body than dies, but a soul can born again; or became a protective spirit than guides and protects you in life, so... The ones than we really cared or loved, are not totally gone; 'causes as the seasons of years repeat itself, our souls too repeat ourselves in reencarnation, making to human's beings eternal...

Than our lifes been full of hope and of being grateful for the neverending circle of Life... So Be It!

#paganism #pagan writings #pagan writer #hades deity #hellenic paganism #pagans #pagan #eclectic pagan #ecletic pagan #hellenic pagan #lokean #pagan from the caribbean #than those erroneus images about deities become a thing of the past #so be it

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canonicallyanxious · 1 year

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assorted thoughts/speculation on how the alan/wen relationship could have possibly stopped working, beyond "i fell out of love with you":

"You should have asked him too if he wanted it" - my very first reaction to this line from Gong was that he was maybe talking about something specific, mostly bc it felt very pointed esp in conjunction with the later line of "maybe you should try doing nothing". then i thought maybe he was talking about a sort of last straw incident as part of a recurring pattern. now i think it's very possible it wasn't about anything specific necessarily, but more a general commentary on their dynamic. Alan seems like a very solution-oriented man-of-action kind of person, from the way he constantly asks Wen what he can do to fix things and make them better and if there are "any other options". on the other side of things Wen is an attentive listener and seems to be pretty attuned to other people's wants and feelings [thinking about his interactions with Li Ming, for example].

so from that perspective i can see how Wen maybe started doing things he didn't necessarily want to do because he could see that it made Alan happy, and not expressing that he might not want to do those things bc it didn't seem like that big of a deal at the start in comparison to how happy it made Alan, and Alan maybe didn't know to ask because he himself is the kind of person who expresses himself through his actions, and things slowly building from there until the situation became intolerable.

"I don't really like beef... but you like it, so i can eat it too" - this line reinforces this impression i get, and i can imagine it being especially true at the beginning of their relationship. they're in their late 20's, i'm guessing somewhere around 27-28, and they've been together for over 5 years [possibly closer to six, depending on when the break up actually happened; their 1 year anniversary was May 2017, so they actually started dating in 2016], which means they probably started dating around 21-22 years. I don't think it's totally out of the realm of possibility for this to have been their first serious long-term relationship [definitely not an uncommon queer experience in particular, i myself didn't start dating girls until after i graduated college] and even if that isn't the case, when you're younger i think it's easy to romanticize things and tell yourself there are things you're okay with changing about yourself to make the other person happy. Wen especially seems like the kind of person who could buy into this pretty easily [Mr. "if i were them i would do everything possible to make it work" over here].

but i think even in your late twenties you have a much more solid idea of who you are as a person than you do in your early twenties, and a better understanding of the things you're less willing to bend for. and i think five years is a long time to push yourself into the mold of a person you aren't, even if it's with things that seem small like waking up for morning jogs or eating beef. like Wen said in ep 5 part 1, he did his best, but after a certain point maybe he realized he just couldn't do it anymore.

"deep down i also hoped we could make it work again" - wen strikes me as the kind of person who doesn't let go of the things that are important to him very easily [i mean just look at how persistent he is with jim lol man knows what he wants!]. and this can be an admirable trait in some cases, but i can def see how it might also significantly exacerbate a situation like the one Wen ended up in with Alan.

what makes it especially complicated is that by his own admission he still cares about Alan and wants him to be happy; he notices everything that Alan does for him and how hard he tries and he's not immune to that because he knows how badly Alan still wants to be a part of his life. and i can see how all that would make it difficult for him to make a clean break. actually i understand the desire to want to stay friends with an ex bc of how important of a role they've played in your life for such a long time, on a very personal level [five years is a long fucking time to have such a deep and intimate relationship with a person! no matter how it ended or how you feel about the person it can be really difficult to imagine life without them!].

but ultimately esp in this case because Alan is still in love with him but Wen isn't a clean break is probably what's best for everyone, i think it's just difficult to realize that when you're as deep in the situation as Wen was. i can see it being a limbo/stasis kind of situation for a really long time, until the opportunity to get some outside perspective comes along [from an emotionally damaged chicken rice seller, for instance. apropos of nothing.]

side note: even if they didn't explicitly say it i still hc that financial reasons were at least one reason why wen was having difficulties moving out. idk how the housing situation in Thailand is but i could def see it being difficult to disentangle yourself if both of your names were on the lease or if you both owned the place [I think Gong at some point says that their place is "also yours" which doesn't necessarily mean that they own the place, ownership is maybe difficult to attain at their age idk how ownership compares to renting in Thailand, but like maybe, who knows, it's a pretty small flat as opposed to a house and if they had rings they might be committed enough to the relationship to spring for a place together, IDK].

also i think the implication is that Wen's family doesn't live in Pattaya so living with them wouldn't be an easy option unless he transferred jobs which is also not an easy thing to do [he doesn't sound like he would particularly want to move back to Bangkok anyway, from his convo with Jim at the beginning of ep 6].

honestly the only thing i can't explain is why Wen would choose to share a bed with his ex for all that time skdnfsdkjfnsdkfns my man just didn't want to sleep on a couch for 6+ months i guess, place apparently too small for an extra futon or an air mattress, didn't want to bunk up in the kitchen so he said "you are not kicking me out of my own bed please and thank you" idk

#sarah.txt #moonlight chicken #mlc meta #mostly speculation just wanted to sort through my thoughts and hcs #if you already saw this post: no u didn't #story meta

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myimaginarywonderland · 1 month

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In my opinion Buck's discovery and hopefully arc from this is so much more important than any possible ship. Because I feel like this is a story that rarely gets told. When you have characters like Buck who are around their late 20s/early 30s they are either most of the time already out or will be depicted as the biggest womanisers.

But Buck isn't and that makes him special. He has always been open, accepting but he just never saw it himself. Maybe he didn't realise it, maybe he didn't understand it but Buck has never been depicted as the classic womaniser who is like low-key homophobic. He was open, sweet, understand and we saw him grow as a person to someone that also was trying to navigate actual serious relationships.

With queer characters it often happens that they fall into the two biggest categories which is "already out and proud" or "closeted with internalised homophobia " (especially in adults/people over 40). Neither is the case for Buck.

He just never clicked it fully until later in life which I think is true for so many of queer people. Sometimes labels feels wrong, sometimes you don't know a name for what you are feeling, sometimes you can't pinpoint what you are feeling, sometimes it doesn't even occur to you that you are different until someone points it out. It happens to so many queer people because there is no one clear experience.

And I hope they show that with Buck.

I hope they show the trying, the failing at labels, the struggling with naming what you are feeling, the attempt to discover this big part of yourself.

I hope they show Buck's first, Buck's fails, Buck's realisations, Buck's journey.

I don't want some step stone to an endgame ship, I want to see someone figure themselves out or maybe even not!

Let Buck not have a label!

Let him question himself!

Let him be unsure of things!

There is no clear cut queer experience, the journey of being queer doesn't end just because you maybe finally realise what you felt because life just isn't that simple.

Coming out isn't a one step process, it's a repeating thing you do your entire life.

People don't randomly just stop questioning themselves. Many people don't really figure themselves out until years later, some never do.

There's no pathway to being clear, no plan.

I hope they show that.

I hope they use this to make it about Buck, to make it about Evan trying to figure things out.

This storyline shouldn't be about Eddie or Tommy or anyone other than Buck.

This isn't about ships, this is about seeing a character that is an adult, someone who isn't a young adult but also not in that older category, someone who most people expect to have himself fully figured out, not be there.

This is about seeing someone go on their own journey and the beauties and probably also heartbreak that can cause.

Give us a character that just is allowed to explore.

Maybe he dates Tommy for the entire season. Maybe he tries to see other guys after that.

Who cares?

Let us see someone just genuinely experiencing their own queer identity without making it out to be some kind of journey that needs an end goal or a final stop, a sort of "You have arrived at your destination."

Make this arc about Buck, about Evan Buckley alone and no one else.

#911 #evan buckley

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