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#i would like a season 2 though
ittsybittsybunny · 2 months
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ATLA Live Action Series Review:
The Good
Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!
Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.
Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!
Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.
Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.
Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!
Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.
Is the show perfect, no - but I wouldn't mind a season 2.
The Bad
Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?
Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.
Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.
Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.
Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.
Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.
Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.
Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.
Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.
Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.
Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.
The Ugly
Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.
Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!
The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.
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TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.
Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.
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poorly-drawn-mdzs · 10 months
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Get Souped!
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ruporas · 11 months
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special operatives (silly interaction beneath read more)
[ID: Digital Art in color of Trigun Maximum, characters included are Wolfwood, Elendira, and Legato in a casual meeting situation. The piece consists of orangey yellow lighting and purple shadows. Wolfwood sits on the left side, facing Elendira who’s on the right. He’s seated on a plain wooden chair with one knee up and he’s holding the strap to his Punisher in his left hand while his right sits against his thigh, He has an irritated expression as he speaks to Elendira. Elendira is sitting in a fancier seat, her right arm rests against Wolfwood’s propped up knee, her left hand holds her suitcase. She’s sitting cross legged with an amused expression. Legato can be seen in the back at the center of the image in his mobile body case, one of his eyes shown to be glaring at Wolfwood. End ID]
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[ID: Sketch, uncolored comic. Elendira says to Wolfwood, “I’m not telling you to dedicate yourself to him, but just accept the situation at hand. We could get along better if we were on the same page.” Wolfwood responds, “Don’t peg me me for an optimist. I’m not dumb. But, I’m also not going to just live in resignation. Plus, I don’t have any interest in getting along with ya.” Elendira coos, “Aw, you sure? I have a wonderful shoulder to cry on when the weak people you’re trying to protect eventually dies in the coming months. Though, I guess it’s fine. Someone like you might just die before then anyway...” She snickers in her hand while Wolfwood is speechless and just glares. Legato is faintly drawn in the back, glaring at Wolfwood, muttering “worthless” repetitively. End ID]
#trigun#trigun maximum#nicholas d wolfwood#elendira the crimsonnail#legato bluesummers#YES they were together in scene canonically for only 1 Measly chapter. Yes legato dipped like 2 seconds later but listen#trigun has such a fun cast and such a vague sense of time that i love to just throw in whatever Chances of the gung hos meeting outside of#canonic time... i mentioned before but i do think ww just runs into them on occasion from town to town#this illust would have to take place after the remembrance of july though ofc since that was when ww first saw elendira... which is still#the funniest ww ever bc he was so Shocked. LIKE AGHAST... BC IT WAS ELENDIRA THE CRIMSONAIL. he was starstruckk it was so cute#elendira of all people deserve that kind of reaction though im glad that they hyped it up with ww of all people. bc its like wow even ww is#kind of intimidated! even though he gained his grips like 5 seconds later to talk back to her. which is why i think theyd have a funny#dynamic. and legato is just there. he does not care about them but he also hates them and it's fun to think about how that'd extend to#wolfwood after knives specifically left the gung hos up to him and then explicitly didnt say shit after giving ww a special little mission#it also is just like. legato is pretty passive in trimax until someone is actively betraying knives or when its vash#and ww also does not give a shit about legato bc he also is like. vaguely aware he'd lose in a fight. so all i make them do is stare at each#other passive aggressively. TRISTAMP on the otherhand is ridiculously insane for making legato genuinely hold enough aggression towards ww#to literally activate his character arc in the season sgmkdsgm cannot wait for final phase where legato not only deeply detest vash but also#bears a similar aggression towards ww. actually im not sure whether i should be Excited for that or not but it would be an interesting#ruporas art
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deardarlingthings · 7 months
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This is a fuckery on my mind because I will not be able to live until I see this in action
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nikothepotato · 2 years
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I’m late but here you go
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untouchedsoap · 7 months
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there is something sooo fucking good about early seasons ian and mickey, about watching this summer fling turn into something more, the fear that elicited from mickey but him being unable to stop, finding those little moments hidden away and taking all this meaning from small gestures and persevering in dugouts and under bleachers and barely pressed confessions in the back of a church that is soo good for my brain
like i am very glad mickey gets to shout his love for ian from the mountain tops and also beat his love for ian into his dad's face but when he was clenching his teeth shut and his love for ian was coming out regardless ohhhhh baby i was eating
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aq2003 · 1 year
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#1 killer of toxic masculinities
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purplecatghostposts · 6 months
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Sometimes (not often and not referring to the proxy versions bc that’s its own thing), I’ll see someone call Masky and/or Hoody a killer and I sit there like. But they aren’t though. They tried to kill one (1) guy and technically Tim did later but that was purely self defense.
Their actual crimes ARE attempted murder, breaking and entering, theft(?), assault, and stalking, with maybe a few more, but 80% of the murders were caused by Alex. You can lump Tim’s kill count with Masky if you want (which brings him dubiously up to 2 if you count Hoody falling) but Hoody has a kill count of exactly zero.
They ARE very intimidating figures and highly important to the story but I definitely wouldn’t label them as killers!
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galaxythreads · 6 months
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okay, here's the thing about the loki series that I came to the conclusion to a few days ago. If you want a series that explores the aftermath of the Avengers in any meaningful way (or Loki's past actions), then the series isn't for you. Unfortunately, given the timeline that they presented us with, most people who watched the show thought it would be about that (myself included). As s2e5 has shown us though, the Loki series isn't really about Loki. It's about Loki and his relationship with the characters from the TVA, mainly Mobius. If you have no interest in the two, then the show doesn't work and is extremely boring.
Unfortunately, unlike other TV series and movies, the series didn't really delve into Loki's psychology. Moon Knight had an entire episode dedicated to Marc/Steven, so did WandaVision. I think that when a series doesn't have that background dig on a character, that the audience is actually really, deeply unhappy with it. The same thing happened with the Falcon and Winter Solider that has with Loki. The audience doesn't care. Secret Invasion had the same problem. Like the plot is happening, but that's not the point. No one cares about the plot, its' just a nice back drop. We want the psychology dig. I just don't see us getting that in episode 6, though.
One of the things I was personally hoping would happen in episode 5 is that Loki would do more timeline jumping, but timeline jumping on his timeline, not gathering the TVA. I wasn't unhappy with it, but I was disappointed because I wanted to see what they could do with it. I wanted the psychology dig. But again, the Loki series isn't about Loki. It's about Loki and his relationship to the TVA.
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quoththemaiden · 5 months
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Aziraphale: The Sword that Guards the Tree of Life
Looking where the furniture isn't
This post is dedicated to @meatballlady's excellent insistence that if we want to try to predict where season 3 will go, we need to look at where the furniture isn't. That is, what must have been there but wasn't shown?
For this one, my source material is going to be Genesis. That is, in no small part, because it does in fact fuck severely that Neil Gaiman and Terry Pratchett took the angel with the flaming sword and the serpent of Eden and made them kiss (@joycrispy, @ouidamforeman). It's also because Genesis, quite simply, exists, and it seems safe to assume that most everyone in Gaiman and Pratchett's intended audience has been exposed to at least its first few chapters dozens of times.
What does Genesis tell us about Aziraphale's purpose?
3:22 Then the Lord God said, “Behold, the man has become like one of Us, knowing good and evil; and now, he might reach out with his hand, and take fruit also from the tree of life, and eat, and live forever”—  23 therefore the Lord God sent him out of the Garden of Eden, to cultivate the ground from which he was taken.  24 So He drove the man out; and at the east of the Garden of Eden He stationed the cherubim and the flaming sword which turned every direction to guard the way to the tree of life.
@joycrispy's analysis above highlights Aziraphale's role as given in the last verse: as the angel chosen to wield the flaming sword, he was sent down after Adam and Eve were expelled to prevent them from returning. Instead, he chose to protect them by giving that sword away. His desire to protect humanity is indeed beautiful (@give-soup-please, @snek-eyes).
But wait, what came right before that? "And take fruit also from the tree of life...?"
2:9 Out of the ground the Lord God caused every tree to grow that is pleasing to the sight and good for food; the tree of life was also in the midst of the garden, and the tree of the knowledge of good and evil.
That's right: What we see in the show is that Adam and Eve were sent out of Eden so that they'd have to deal with the rain and the animals and have to work for their food, but that was never the primary motivation. God planted two special trees, and after Eve and Adam ate from one of them, God was terrified at the prospect of them turning around and eating from the other. And thus, the Garden of Eden was made off-limits and set to be permanently guarded by an angel with a flaming sword.
So, the flaming sword.
Twice now, Aziraphale's sword has helped humanity survive complete and total destruction (@nottobehornyonthemain). The first time, he handed the sword to the first two humans, which protected not just them but the entirety of the human race via Adam and very pregnant Eve.
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The second time, he let it be wielded by The Them, who used it to best the Four Horsepeople of the Apocalypse and save the billions of humans already alive as well as unborn generations.
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Perhaps the flaming sword was only intended as a plot point in the first season. However, if its purpose were completed, it could have easily been destroyed. As a narrative piece, it could have broken dramatically at the end of the face-off against the Four Horsepeople. Or, Watsonianly, God could have chosen to break it Herself; after all, it was already used against its intended purpose twice, so why let it keep existing?
Instead, it's carefully taken away to... where? Heaven?
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The place Aziraphale is now going?
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Or at least a place where he could likely find a record showing where it's being stored?
Whether you call it "rule of threes" or "Chekhov's gun," I think it likely that Aziraphale will be getting his sword back in season 3. He probably doesn't want it (@createserenity, @ineffableigh, @doctorscienceknowsfandom), but he'll need it.
The question, then, is what would Aziraphale do with the flaming sword he was given to prevent humans from reaching the tree of life?
If we're looking at where the furniture isn't, the biggest stretch of an interpretation would be to say that the missing furniture is the tree of life. If anyone knows where Eden is, it would be Aziraphale, Guardian of the Eastern Gate. We know that both Heaven and Hell want to end humanity. The opening credits have humanity walking to their judgment after their deaths; what better way to prevent that than by preventing those deaths?
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The most intense version of this theory says that the audience should be familiar with the story of the Garden of Eden and know damn well that there are two special trees there and that Aziraphale was put in place to guard the second one — the one humanity hasn't eaten from yet, the one that grants immortal life. That's where, if I were truly trying to swing for the hills by aiming at where the furniture isn't, I would ideally like to end this post. If that were the case, season 3 could even open with Aziraphale walking towards the Garden of Eden, sword in hand, but this time approaching it from the outside with the intention of tearing the wall down.
But, let's be honest, making individual people immortal doesn't feel like it would fit with the themes of Good Omens, nor with Neil Gaiman or Terry Pratchett's world views.
So, let's take the tree of life symbolically: Instead of the tree of life granting individual humans immortality, it could instead represent giving humanity immortality. In that case, the thing that's where the furniture isn't is Aziraphale's sword. You know, the sword that's already saved the human race from extinction twice now, with both times being because Aziraphale gave it away.
I suspect that the sword will wind up in Aziraphale's hands again in season 3. I also quite suspect that it won't be staying there. In the end, I expect it will once again be up to humanity to reach out their hand to take the apple from that second tree.
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oneluckygoose · 12 days
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Ok, guys. A lot of people have their fan casts for a Rat Grinders spinoff series, but hear me out.
What if season whatever of Dimension 20 was with the intrepid heroes, but Brennan didn’t tell them what their characters were. They get into the dome, The background is the normal Fantasy High background. The DM screen is the normal Fantasy High DM screen. They all sit as if they would for their Fantasy High characters. Brennan does the introduction, everybody’s smiling everybody’s happy, then he starts with the first scene.
But Nobody has a character sheet nobody knows who they are. “Strange, how do you play if you don’t know who you are playing?” A sentiment throughout the six heroes. The scene moves on, and he does it through one of the players perspectives, and it becomes clearer and clearer, slowly, that that person is playing their Fancy High characters antithesis from the Rat Grinders. Brennan hands them a character sheet.
The scenes go on, each hero getting their own. The character sheets are handed out. Horror: screams are heard throughout the dome, yells and shouts for Brendan to do unspeakable things. All the players are befuddled. All the players are filled with wishes for revenge.
The Intrepid Heroes, beloved of the characters they play called The Bad Kids, now play what they hate the most.
They are the rat grinders.
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Okay, but like
As someone who personally disliked the fandom characterization of Mangey as a child who is basically a wild animal
Which of course meant that (even though this standard was not applied to other equally feral boscage maze characters) if you even dared to have ships involving Mangey it was considered "beastiality"
Season 3 was so vindicating for me. Like as someone who always characterized him as selectively mute/largely nonverbal and with less palatable autism, it was so great to see the proof in the pudding that he is just as capable of being more than just the group dog thought like any other mobian and the hilarity of him being surprisingly adept with technology. Like god those few Sails/Mangey interactions were so so good
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istayawakereading · 11 days
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So I started 911 for the gay fire fighters, and now I’m sobbing in the middle of season 2????
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citricacidprince · 8 days
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“Why do you like crossovers so much?”
Normal Answer: My favorite shows canonically crossed over when I was younger and it made me realize the potential and fun crossovers can bring!
My Answer: I saw 2 low res drawings of Merida/Rapunzel and Hiccup/Jack Frost making out Sloppy Style and being besties on my shitass ipod and it forever changed my brain chemistry. For better or for worse I can’t tell you, but I am having fun here.
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took a while but here’s drummer and naomi
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mother-jim · 9 months
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oh my god when gabriel says 'im the only first order archangel in the universe' it cuts to crowley. what the fuck neil what are you implying
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