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#exhausting i guess...
pollyanna-nana · 9 months
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Louie isn’t evil.
Or: what Pikmin 4 tells us about his character.
BIG WARNING FOR PIKMIN 4 SPOILERS! (and the rest of the series)
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I want to preface this by saying that I am in no way trying to be the end-all, be-all of character interpretations, but Pikmin 4 to me, at least, confirms the suspicions I’ve had since playing Pikmin 2 and 3 all those years ago that Louie ISN’T secretly evil, or possessed, or whatever else. He’s just… Louie. And I think that’s interesting in and of itself.
1. Olimar himself vouches for him, and clearly doesn’t think he’s a bad person.
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Say what you will, but I’m inclined to think Olimar is a decent judge of character. Clearly he’s worked with Louie for enough time to see that while he’s not very good at his job, he’s not intentionally so— at least not in a malevolent way (will get more into this later). He also wants you to forgive him for Olimar’s sake, which can be read as self-sacrificing (as Olimar is known to be) but I also think hints at the soft spot he has for Louie.
It's also worth noting that he states during a end-of-day conversation that he told Louie that, since he's a new employee, he should do everything Olimar does... including throw castaways into the onion. Interesting that Louie took this so literally, but it does provide an explanation for why he kidnapped the Koppaites beyond "he's evil and crazy".
2. He really, REALLY loves his grandma.
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Like, wow. He talks about her SO MUCH both in his Piklopedia entries and also elsewhere in the game. It's interesting. Worth noting is that he never mentions any other family members- unlike Olimar, who talks about his wife and each of his children independently. I've said this before, but the content of a lot of these entries implies to me that Louie was mainly raised by his grandma, likely since birth. And given some of her emails in Pikmin 2, assuming they're also canon to Pikmin 4's timeline... Well, Louie certainly had an interesting upbringing. But he clearly loves her all the same.
3. He has a mischievous streak and tends to do things on impulse.
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This was already fairly obvious from the previous games, but I think it's worth noting that this game confirms that he's... would immature be the right word? In any regard, he doesn't seem to see himself as a "grown-up"- when in all likelihood he is. Personally, as a 22-year-old, I find that pretty relatable as I often think of myself as younger when in reality I am by all definitions an adult. This, along with his grandma still being around, makes it pretty much certain that Louie is a lot younger than Olimar and the president, likely in his early to mid twenties. Being a bit of a goofball isn't really out of the ordinary, all things considered.
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THAT BEING SAID, he's clearly capable of practicing self-restraint when he wants to. What he says here about the red Pikmin is pretty significant, since we know he's willing to eat just about anything- but clearly he has some reservations about creatures that are friendly and helpful. Which leads to...
4. He loves dogs and fluffy things.
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Same. But he doesn't even consider eating Moss, Oatchi or the Ancient Sirehound, showing that his creature-eating habits stop at things he recognizes as useful. He clearly also holds affection for things that are soft and fuzzy, and says as much.
5. He is so autism.
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He plays with fidget toys. He loves certain textures and sounds. This guy is stimming all over PNF-404!!! I think this also lends some explanation for why his behavior is what it is- things like taking Olimar's suggestion to do as he does super literally even after crashing on an alien planet, his hyperfixation on cooking and tendency not to communicate and incorrectly interpret situations (thinking the Koppaites are kidnappers in 3, running away from you in 4). He could even be low or no empathy as well, explaining why it takes a hot minute to get him to understand why people are upset with him about something.
Interestingly this game also makes it clear that Louie wants to live on the planet, or at least thought he did while you were chasing him down, which makes a lot of sense when you consider that he doesn't really seem to fit in back on Hocotate. I, too, wish to run away to an alien world with all of the things that I like and no other people, so I get you, Louie.
6. He hates his boss and his job, and the golden pikpik carrot incident was likely premeditated.
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This probably looks bad, but honestly? As a fellow work-hating anti-capitalist schmuck I get it. The president is for all intents and purposes a huge asshole, from sending Olimar straight back to the planet after selling his ship to not caring that Louie got left behind, just wanting to find the rest of the treasures. I doubt he is very kind to his employees, and doesn't seem very good at running the business. Definitely a funny character, but if he were my boss I would absolutely want to punt him into the sun.
From some other entries he clearly wants to sell certain things to accrue money, but it's for things like getting better kitchen tools and following his dream to have his own cooking show. Clearly being a freight driver isn't what Louie actually wants to do with his life, and he could not give less of a shit about what happens to the company. Very short-sighted on his part, but also again, yeah I get you Louie.
7. He... doesn't like the color red for some reason.
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Honestly, I'm not even really sure what to make of this. Is it because it reminds him of the Hocotate ship? Or does he just not like the color? Would be very interesting considering that it's Olimar's signature color. Perhaps that's at least part of why he attacks you in Pikmin 2- though that's speculation for another day.
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Also funny to me is his comments on the black-colored treasures. We know blue is his favorite color, but I guess he's also a bit of a goth at heart. Lol.
In conclusion.
I think Louie isn't written or intended to be evil, and Pikmin 4's portrayal of him was intentionally written to confirm this. He's just, as some have said, an agent of chaos, but that doesn't make him a bad person. Just an autistic 20-something working a shitty job he doesn't care about, who loves his grandma and has a mischievous streak and a hyperfixation on food. At least from what I can interpret, ymmv!
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gazspookiebear · 1 month
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Ugh I'm so sleepy. Eepy man. Enjoy this shit I cooked up in ten minutes.
You wake up, only to find yourself just as tired as you were a few hours ago. Your eyelids are heavy, and you're fighting back sleep with every blink. Exhaustion wracking your body with every movement.
You feel Simon groan and sit up next to you.
"Mmm... five more minutes?" You mumble sleepily, shivering at the sudden lack of warmth.
"'M sorry love, we've gotta get up"
"Please? I'm so tired..." You whine quietly
"Negative," he says, chuckling at your miserable pout.
"Please, Si?" You say it so sweetly. The nickname you rarely used. His weakness.
A moment passes before you finally hear a response.
"Fine."
You grin, knowing that you've won. He lays back down and wraps his arm around you, pulling your back to his chest. You close your eyes and sleep quickly overtakes you.
Of course, it was never just 'five more minutes'. Simon called your work shortly after and informed them that you wouldn't be coming in today. However that works.
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expelliarmus · 4 months
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kiirotoao · 2 months
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No but holy shit the implications of “I think there is someone he likes, because he has been acting… weird.”
Just imagine El’s confusion over her brother. California is obviously not that great for the Byers. In that very intro scene, we see El making her diorama (which, as sweet and lovely as it is, it ends up getting nothing but ridicule in school), Joyce getting frustrated with a client, Jonathan hurriedly hiding the fact that he’s smoking weed; things are not picture perfect. But Will? Will’s in his own world, in a dreamland of his own, holding to his friends and his life back home by painting it with a focused and tender look in his eyes.
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While everyone at home openly struggles with something, our first glimpse of Will this season is something precious and untainted, a struggle that doesn’t develop until much later when he chooses to face his feelings.
We never see Will acting, quote, “weird.” Will has never really been a character that we see out loud. It all lies underneath. It always has. And when I think about that underlying struggle and yet deep fondness, it just. God, it breaks me.
Imagine Will months prior, starting up this project. He picks out a giant canvas, a page that covers his entire easel. Maybe this is his first time using paint as his medium. Maybe not. But whatever the weather, it’s bigger than anything we’ve ever seen him craft. Ever.
Imagine El’s excitement. She learns that Will is a great artist, and she knows it the minute he shows her a single piece. After that, she’s interested in his art, and yet… it’s at the worst time, because he doesn’t let her into his room, anymore. But she knows that he’s working on his easel day in and day out. The minute he’s home from school, he’s playing music, painting again. Maybe he throws out one or two torn-up drafts. Maybe he skips dinner over it. Maybe he ends up so tired that he’s fallen asleep with paint on his face and doesn’t even know it until she points it out.
She’s impressed and she wants to see what he’s doing, especially because he seems so passionate about it all the time, but he never lets her. He bites his lip and shakes his head. He guards it with his very life. And El is left wondering what has him acting so secretive. So nervous. What is the emotion, where is the energy coming from?
It’s out of place. It’s weird when moving to California isn’t as fun as whatever is on that canvas’ face.
So it must be love. Of course it is. Of course it’s for someone, some girl. What else could it be? What else would make Will seem that out of place, seem that… crazy?
And for all of it to be happening upward of six entire months? That painting didn’t take a day or two, I mean, look at it. It must’ve taken him weeks to get in every detail.
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And all of it. Every little smile. Every dreaming thought. Every ounce of passion. Everything. Was because of Mike.
God.
God.
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lowpolyshadow · 9 months
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forced to once again remember how shadow is laughing when he says "i think i figured out what the ultimate lifeform is! it might be you!"
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spoiledmilks · 4 months
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Movie afton is one of my most fav aftons actually
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ca-d · 6 months
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Harmony Grove // Salem, MA 🖤
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I think what pisses me off most about the Wednesday fandom is that so many are intentionally ignoring the fact that Tyler is MEANT to be a tragic character because he is a Hyde. We basically have it beaten over our heads that Hydes are the outcasts of outcasts, deemed too difficult to help, and therefore abandoned and left to their own devices, basically giving them no way to NOT be tortured into being someone’s slave or ultimately having something tragic or awful happen to them that forces out their Hyde and leaving them to become a monster and/or get killed.
So many people blame Tyler for every bad thing that happened in this first season when he LITERALLY had no option but to do exactly as Laurel wished. He was TOLD to go murder the people he murdered, he was TOLD to get Wednesday to trust him, he was TOLD to go after Eugene, he had no CHOICE but to obey, it’s literally in the show’s lore. And we are both told AND shown what lengths Laurel went to to literally torture this teenage boy into becoming a monster that was FORCED to obey her. Not only that, but all that “mama” talk and physical touch is gag-worthy. SHE is the true monster who wanted everyone dead, and she ruined that boy’s life to try and get what she wanted. And the show INTENTIONALLY shows AND tells you all that.
We are SHOWN how Tyler was chained, beaten, poisoned to bring the Hyde out, to become Laurel’s perfect slave. And still so many see HIM as the “true villain,” stating that if he was truly “good” he never would’ve done all he did. Meanwhile the lore has TOLD you, Hydes have no choice. But WAY too many disregard this plot point entirely simply because they see it as something to cling to for their preferred ship to happen. That’s infuriating to me, truly. Not only from a standpoint of really loving Tyler as a character, but also from a standpoint of it being apparent to ME of where the story is going, and knowing that so much of the fandom is gonna be pissed off about it because it’s Tyler-centric.
We are given so much information about “Hydes have been banned from Nevermore for 30 years,” “Faulkner was studying Hydes but he died before he could finish his research,” “nobody knows for sure if, once unlocked, Hydes are only monsters or if the person they were is still in there.” Between all this within the narrative itself and Hunter talking about how he’s excited to explore the duality of the Real Tyler versus the Hyde next season, I think it’s obvious that Wednesday and Tyler are basically going to get to the bottom of this “are Hydes all 100% bad and dangerous” problem themselves, and the result of their research will probably get Hydes accepted back into Nevermore.
Wednesday already knows how unjust the whole system is, she mentions it FREQUENTLY in the first season. Once she gets past feeling betrayed by what happened in season one, it’s likely going to weigh on her that someone she cared about deeply enough to bring her walls down for, to actually seek out to KISS, was so hurt by this system that he ended up doing all he did. And Tyler is inevitably returning, the writers have talked about how we’re going to learn more about Tyler and explore his true feelings for Wednesday. They’ll be brought back together, no doubt. And thus, the deep dive on Hydes will probably begin.
I don’t care what you ship, I don’t even care if you really LIKE Tyler as a character, but I DO care that so many have made him out to be a pure villain simply because that suits their own personal narrative better, and makes them feel like it’s more likely their preferred ship will win the “war.” Like, try and WATCH a show, actually WATCH it, and not simply cling to bits and pieces that suit the storyline you’ve made up in your head. You’re SUPPOSED to hate LAUREL, you’re supposed to, at the very least, wonder if the Real Tyler is still in there, if he can be helped, and you are SUPPOSED to feel some pity for the boy who was forced into becoming an enslaved monster.
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On Tim's Boat
*Tim and Bernard are laying in bed sleeping, limbs entangled as Bernard sleeps on Tim's chest*
*at 3:47am Bernard is awoken*
Bernard, swatting Tim as he is squinting in the dark: Hey grasshopper? Is that a sleep paralysis demon-
Tim, shifting slightly, eyes still shut, basically sleepy mumbling: you wouldn't be hitting me, you'd be paralyzed
Bernard: then I think someone is stealing clothes from our closet
Tim, running his hand through Bernard's hair so Bernard knows he is listening: don't know why, we are the pits of fashion, they should be stealing from Sophie and Louie's closet, or even Tammy and Lauren's closet
Bernard: is that... Robin?
Tim, wide awake now, swiveling his head towards the closet: WHAT?
Damian, standing there in a Robin outfit looking through their clothes in the closet, gathering a pile on his arm: Your father wants you to call him, Drake
Bernard: Robin works for Bruce? Actually, that's not surprising.
Robin, walking out with a pile of clothes on his arm: I am confiscating these *walks out the door*
Bernard:
Tim:
Bernard:
Tim:
Bernard: Guess you could say he was... Robin us.
Tim: You're lucky I love you
Edit: Part 2
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ink-the-artist · 1 month
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forgive me if you've been asked this before or if its annoying, but how did you learn to use colored pencils like that? your art is so special to me.
ty :) I took an art class for a few years where our teacher had us buy prismacolor pencils as one of the art supplies and had us use them kinda like paints, pressing down hard right away and blending the colors together. its not how youre supposed to use them she was just trying to teach us to use color and ig this was more to the point. I picked them up again years after i stopped going to that class just bc they were there and i wanted to play around w them a bit and ended up actually enjoying it when doing it on my own terms lol
#it was a weird class#it was just this russian lady doing private lessons in her house that my mom learned about somehow#I did NOT like those classes all we did was still life and they were hours long which is esp rough when im in high school and busy#and she wanted us to stand while working the whole time bc tradition i guess?#she did allow me to work sitting but thought i was lazy for it. idk dude i dont want to exhaust myself fast for no reason#standing is a lot more tiring than walking#i def did still benefit from those classes just from learning to accurately draw from life#did not like the teacher tho#on one hand shed paid for the art supplies for kids whos families were too poor to (and these are nice expensive supplies)#which is very nice#but on the other she was very homophobic and open about it#like when they legalized gay marriage she went on a rant about how horrible it is that they can adopt kids now#and also kind of racist#she was telling me how she got blocked from a facebook group bc she made a post asking if she could speak to a white person#and she didnt realize she was posting that publicly she thought it was a private message to the group owner#im honestly still not sure i heard/understood her correctly bc it was so bizzare and the only time i ever remember her being racist#she talked abt it like she genuienly was unaware it was racist#she described it as a misunderstanding bc she accidentally posted it publicly instead of privately#like it wouldnt have been racist to ask that at all#also one time she talked about how she saw demons in her home once#also she doesnt vaccinate her kids bc of microchips#she was like a walking russian stereotype lol#anyway heres some ink the artist lore
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markscherz · 4 months
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I salivate at the thought of skinning you alive
oh good, I thought I'd been left out. [for context to the reader, this is a reference to this post (I hope)]
On the spectrum from crocodile to passerine, I can only hope that human would be closer to crocodile, but not so close to be quite as tiring.
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fromtheseventhhell · 1 month
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it's wild to see people say stuff like "sansa is a politician, arya is a warrior" while not being able to point out a single political act sansa has achieved, and not being able point out any of arya's "warrior skills" that isn't the handful of fencing lessons with syrio she received for like five months max lol
Politician!Sansa and Warrior!Arya are two fascinating ends of a fanon ouroboros; Neither concept exists outside of the other and neither concepts are based on the books. This fandom is just so attached to the idea of Sansa being this incredible politician, with intelligence above every other character, that her having nothing in her own chapters to support that idea doesn't stop them. That's why Arya's intelligence, skills, and entire character arc get reduced to her being nothing but a walking, talking weapon. Like you said, her "warrior" capabilities are essentially the handful of lessons she had with Syrio where her most important + relevant lesson was how to observe her surroundings. Her only "combat" training with the FM was her defending herself with a staff when she lost her eyesight. There's nothing to suggest that she's going to be a warrior, in fact we get the exact opposite. We get constant reminders of Arya's small stature and lack of strength that prevent her from fighting/defending herself in certain situations. All her kills rely on sneak attacks/stealth and she's never been in an outright swordfight with anyone. George even refrains from calling her a warrior like Robb and Jon. Brienne and Asha are examples of female characters who are actual fighters and if you compare their chapters, you can see the difference.
But then Arya's entire existence is antithetical to fanon!Sansa's. Her Harrenhal arc is what people pretend Sansa was doing in KL, her relevance to the North gets transferred to Sansa, and her intelligence and political activeness are erased so that Sansa can shine. They'll write essays on how Sansa is the most intelligent, politically savvy character and how Dany/Jon/Tyrion's arcs only exist to highlight her own ruling arc but the second someone asks them for evidence from the books, it's crickets. I don't understand why their enjoyment of her character hinges on her being the most important/intelligent one. No Arya stan is under the illusion that she's going to be the political character or outclass Dany, Jon, or Tyrion. It's just part of her story so we acknowledge it. Arya is going to have her political arc in Braavos and Sansa is going to have her political arc in the Vale, they aren't mutually exclusive. The only issue is that some people want Sansa to be the only one with a political arc and that's not the story that George is telling.
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quadrantadvisor · 8 months
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I feel like these days we get so much criticism of the dynamics in 2012 that the characters get kind of flattened by the fandom, so I wanna say that 2012 Raph is not just a one-dimensional bully character, he's got a lot more caring and emotional intelligence than he gets credit for. Yeah, he has an obvious protective streak, but even beyond that, he's always his brother's number one supporter, even when he disagrees with them.
He's highly critical of Mikey's desire to make human friends, but when Mikey goes out to do it anyways and it blows up in his face with Bradford, Raph is the one to comfort him and tell him he deserves better.
He thinks Donnie's crush on April is delusional, but helps him out at every chance he gets, removing Donnie from embarrassing situations of talking him up in front of April. When Casey comes into the picture, Raph tells him point blank that it doesn't matter that they're best friends, and it doesn't matter how bad Donnie's chances are, Raph's on Donnie's side in this.
And when Leo starts sneaking out to see Karai, Raph is the one who notices, tells him off, and tries to get him to stop. He doesn't tell anyone else, though. He wants Leo to make good choices, but he respects him enough to let him make bad ones without getting the rest of the family involved. They'd all be on Raph's side, but he doesn't need them to all gang up on Leo like that, even if he's not listening.
Basically, Raph cares about his brothers, including their emotional well-being, even when it's not obvious. And yeah we should criticize the writing and how harsh it gets and how there's no resolution to the ways certain characters are treated, but I get tired of seeing complex characters be villainized and sometimes I just wanna read fanfiction that is nice?????? So that's my thesis I guess lol
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mittenlady · 4 months
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past / future (mildly late day 26 for @aaholidayrare)
my two fav close-ups + a bonus treat
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i wanted to write something angsty and dramatic for this prompt since it works so well, but anything i'd write would essentially be the same as CAYA... which you can read here :) so i wanted to try drawing something for once lol
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kirby-the-gorb · 1 year
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magicalrocketships · 21 days
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hiii i was wondering if you had something new about baby max ☺️
HOW ABOUT THIS LITTLE BIT???? Follows on from Enchanted Light Trail basically but it's just tired travelling.
All earlier parts can be found in this masterpost and on AO3 here (although i've got a couple of bits now to update on AO3).
It's You And Me (I Know It's My Destiny): Max and Daniel Go Home
Max doesn't fall asleep on the plane until they're fifteen minutes away from landing in Nice, which means that Daniel has to try and fumble Max's seatbelt around him without waking him up under the steward's watchful eye, and deal with a crotchety and tired Max as they get off the plane and wait for their luggage and try and gather it all together onto one trolley.
It's exhausting. Max is exhausted, and Daniel hasn't been sleeping well in weeks, and Daniel has all of his stuff and grown up Max's stuff and Max's seven year old stuff and Max's toddler stuff for the 36 hours he spent as Daniel's chunky three year old shadow. He's got their hand luggage and Max's backpack and emergency clothes for if Max got big or got smaller. Max's replacement stuffed Pikachu found himself on the floor in the departure lounge, none of the outlets had food Max wanted to eat, their flight was unnecessarily complicated, time-wise, and Christian couldn't hide his displeasure that Daniel was taking Max home and Max hadn't miraculously woken up big again. 
His head hurts. It really hurts, and he's got no fucking idea where the paracetamol is. It's in one of these bags. Somewhere. 
"Can we go yet?" Max asks, clinging on to Daniel's coat. "Why can't we go yet?"
"I think we're still waiting for one more bag, baby," Daniel says, but part of him just wants to leave it here in the airport, go home and collapse face first into the sheets. 
"No," Max says. 
"Yeah," Daniel says, even though he can see Max is gearing up to lose it. It hasn't been bad, staying with Christian and Geri over new year, but it's been different. Max hasn't liked having to share Daniel with anyone, and he hasn't liked that he had none of his own things. Max likes his own things. He likes his little drawer where he keeps all of his special things (and sometimes Pikachu, when Daniel really likes to sob on the inside). The new Pikachu has been grudgingly accepted but it isn't Max's Pikachu. It doesn't smell right. Max says it feels wrong when he rubs it against his cheek. Daniel could well agree but he's too tired. 
One more bag. 
Their bag rolls around. He dumps it on the top of the trolley. God, he can't remember where he parked his car. Max is looking like he's going to cry. 
"Piggy back?" Daniel asks hopefully once they're finally through customs and Max is tearful and noticeably hanging on by a thread. Max nods so sadly that Daniel's fairly certain no one has ever looked sadder about anything. He hefts him up onto his back, and Max half chokes him as Daniel pushes their stupid overflowing trolley in the general direction of where he thinks his car is. 
He finds the car on the third try, and then has to shove everything into the boot and away. Max doesn't want to be in the car and he doesn't want this Pikachu and he wants to be at home and in his own clothes and hugging his own Pikachu and with his own toys. 
Daniel gets it. He really gets it. He's just not made of magic. 
He ends up telling Max a very stupid story about all the adventures that Pikachu has got up to in the flat without them. Max isn't really one for story telling, but his expression of dubious disbelief is slightly better than him crying, so Daniel will take it. 
And when they finally get home, and Daniel has tiredly failed to even attempt to get all of their bags into the lift in one go. He's got the three bags that look like they're the most useful. Everything else stays in the car. 
Max tucks his hand into Daniel's. 
"Pikachu hasn't really been having adventures," he says doubtfully as the lift doors close. 
"No, baby," Daniel says. "He's at home, waiting for you."
Max nods his little serious nod. He keeps his hand in Daniel's. "My home and your home," he says. 
"Yeah," Daniel says, swallowing down what feels suspiciously like a sob. "Our home."
"Good," Max says. 
The lift doors open again, and Daniel takes him home. 
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