reasons for there to be only one bed ˗ˏˋ ꒰ 🍊 ꒱
¹⁾ they’re undercover as a married couple, and as such need to act like one
²⁾ there’s technically two beds available, but it’s freezing cold and everybody knows body heat works best
³⁾ it’s a camping trip, and one character’s forgotten their sleeping bag
⁴⁾ a character goes to their friend’s house after an emotional upheaval in search of comfort, and ends up staying the night - but refuses to kick the homeowner out of their own bed, resulting in the two of them sharing it
⁵⁾ in a roommate scenario, one character’s bedroom has been rendered unusable - and with the couch being unsustainable in the long run, they proffer sharing the one remaining bed as a solution
⁶⁾ there are two beds, but only one blanket
⁷⁾ a character’s taken ill, and the other party worries too much to leave them alone for even a minute
⁸⁾ in a fit of anger after a mission gone wrong, both characters sleep in the only available bed because no one was chivalrous to offer to take the floor
⁹⁾ a character’s had a nightmare, and needs company to feel safe enough to go back to sleep
¹⁰⁾ the weather takes a tumultuous turn, meaning a late night hangout has to turn into a sleepover when a character gets stranded there for the night
¹¹⁾ it’s a late night at work and when they both grow too tired to continue on, the only option is the lone office couch
¹²⁾ a threat’s been made against one/all character(s) involved, and so under the guise of safety in numbers it’s deemed safest if they stay together - everywhere
¹³⁾ one character joins the other for a late-night conversation, and ends up getting comfortable in their bed next to them - evidently too comfortable, as the char in bed falls asleep on the visitor and effectively traps them there
¹⁴⁾ there’s no bed in the shoddy refuge they’ve found after things went sideways, so when it comes time to sleep the only real choice is to stay close together
and, of course,
¹⁵⁾ it’s the last room available at the hotel after a long trip
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I think when people think of mental illness and what helps, especially with things like anxiety and depression, the treatment involves pushing yourself. Pushing yourself to get out of bed, to exercise, to take a shower, to go out in public, to order your own food from the cashier, etc.
And because the mental health movement has grown so much, people think that's the default of ALL illnesses. That the only way someone will get better is if they push themselves. That practice makes perfect. That you'll become more comfortable or strong over time the more you do something.
But what people need to realize is, with physical disabilities and chronic illnesses, pushing yourself in most cases is DETRIMENTAL. Pushing yourself past your limits can lead to flare ups or further injury. That's why it's important to know your limits, how certain activities may affect your condition, and learn how to either adapt or get help to complete the activity in question.
Also, most of us are already pushing ourselves. Most of us don't have access to the help or equipment we need. Most of us live in places where we frequently encounter inaccessible obstacles. Most of us NEED to rest.
So please don't try to be our physical therapists or doctors. There are people specifically trained to help us navigate our own conditions and limitations. There are people trained to help us strengthen our body's resilience without causing flare-ups or injury. Do not tell us "it'll be good for you" or "you need the exercise" when we say something is too heavy or too far or when we say we need our mobility aid(s). Your friend with depression may need to be encouraged to get out of bed, but your friend with chronic illness definitely doesn't.
Respect our rest.
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I'm curious if like showering in gym class is actually a thing or just in movies to provide teenage angst, because it certainly wasn't a thing in my junior high or high schools
and not just in a "no one decided to shower" way, but in that there were showers in the locker rooms but we weren't allowed to use them and I'm not even sure they were hooked up to plumbing. this was across two schools, and I had pe first period in high school so I might have actually used them if given the option, but we weren't allowed to even approach the showers lmao. i just assumed that was the case pretty much everywhere
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Fic authors self rec! When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers. Let’s spread the self-love ❤️
You caught me in an ugh-spiral haha sorry.
But even in an ugh-spiral there are two fics that I’m consistently happy with:
One Thing Leads To Another, in which we introduce an elf having a mental health crisis to Sobriety™️, and Gimli busts his ass open in a National park (not in a sex way).
Balcony Etiquette, in which I do a modern Gigolas take on Hitchcock’s Rear Window, which sounds stupid - and it is, it’s very stupid - but it is also fun and I had fun doing it.
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You know if Alice in Borderland 3 is set in the real world I really, really hope they give at least one character Borderlands-flashbacks that blend in with the real world to a near-seamless degree. Your subconscious is desperately trying to communicate that something happened. It was real.
No one else can see the firelight dancing across the carpet when you check into a hotel, and you can't feel the heat of it, anyway. No one else can see the vines choking out gleaming high rises or the moss covering the pavement in the reflection of your rear view mirror. No one can tell you why all the fruit in the supermarket smells rotten. No one can tell you why, when you throw open the curtains in the middle of the night after a particularly vivid nightmare, all of Tokyo is dark (except for one white spot in the distance, and you can almost taste the dread in the back of your throat).
That is, until you meet someone you almost recognize.
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Genetic engineering, DNA modification, tested it on herself... Why would Jillian go through all this trouble? Adoption would be easier, surrogacy wouldn't be an issue for a woman with so much money, so why this devotion to medical science, to gene manipulation?
This doesn't seem very logical unless we take one step further in examining her characterisation as a sort of Virgin Mary character implied by her clothing and framing during season one: a man is never mentioned in connection to Michael's conception, either as donor or father... Possibly because Michael has no father. Jillian has made him up from scratch or, at least, using only her own genetic material.
This would surely equate to an awesome "medical marvel" and it would accomplish two additional things: first, it would account for just how sick Michael needs to be so that an extremely rare substance that doesn't even belong to this world can be his sole hope in surviving (the result of a miscalculation, an unforeseen mutated gene, some error in Jillian's design, the absence of something); and second, reproduction without the aid of man ("sinless", sexless) not only ties Jillian's character more closely to the theme of the holy mother, it also more strongly makes a Jesus figure out of Michael.
This is significant because it makes him into a designated saviour: Michael, too, "dies", crossing to "the other side" and later returning with the mission of saving humanity, which is the role he is sure he will play during all of season two. This story has been told before, the structure is the same and we all know it. He mirrors Christ in his being born of a woman untouched by man, in going beyond life and back, in being tasked by a higher power to act for others in his sacrifice. It is a destiny clearly written out for him, a classic narrative, a hero's journey neatly set up for Michael to accomplish and all he has to do is follow the script.
And yet, doing everything right, by the book, Michael ultimately fails.
If, according to all of the doubts awakened by the developments in Warrior Nun (is Adriel's realm not Heaven? Is he not an angel? Is Reya God? Is Jesus just as alien as Adriel? Etcetera), the Catholic church's teachings are all twisted, incomplete, when not simply ignorant of all that is true in spiritual, metaphysical matters, then this saviour narrative that constitutes the foundation of the institution itself is doomed — as well as whatever guidance it could supply.
I was discussing with @halobearerhavoc earlier about (among many other intriguing things) how myth informs the show and how it might predict Reya's fall, but also how that event would necessarily depart from how it plays out in the original myth. That is due to the fact that our protagonist here is Ava, a woman, and that this tiny little fact of sex alone forces a shift in how things are presented, in which values are prioritised, in how conflict is treated, escalated or resolved — this applies here as well.
Michael was the textbook redeemer, he was made for this, brought up by Reya with this explicit purpose and with the acquired conviction that he was the key to it all.
Ava, on the other hand, is a product of coincidence, of accident, of the unfathomable. She is already a rupture in tradition — dead and brought back, unknowingly, unwillingly the "usurper" of the halo, inserting herself in the line of bearers at random when she doesn't even seem to have any belief... Ava exists outside of tradition. To Michael's determined "Destiny", she is the one imbued with free will (it isn't out of guilt or duty that she returns to the Cat's Cradle, but through Mary's sympathy, through her own understanding and action). Ava is the unplanned factor, contrasted with Michael who was so planned that his life might have begun inside a Petri dish.
It isn't determinism that will save us, a mantle of glory woven by someone else wanting to place it upon our shoulders regardless of our own wishes; it isn't a decrepit institution or some despotic deity that will define us or what we do; it isn't the heavy, malodorous layers of ancient mould gathered over the endless tomes of Established Tradition or the carefully made calculations of arrogant scientists who think they can predict and explain and control everything.
Salvation cannot be through what Michael represents: an imposed duty, a stagnant, hackneyed story.
A story, we would do well to remember, which was already used to subjugate others, whatever its initial intentions might have been; Jillian certainly didn't predict what would be of her son and surely the primitive Christians didn't see into the future to understand what their devotion and their modes of its transmission would cause, yet it came to happen. The extermination of the Cathars, the persecution of pagans, the burning of "witches", the suppression of indigenous beliefs, activities and lives, to name but a few of the atrocities committed in the name of this one story...
So it cannot be Michael, embodying this narrative so well, that will bring about a fortunate ending to humanity's troubles.
Instead, salvation comes through Ava. She herself might be inhabited by a number of parallels with Christ, but she also carries freedom, an outsider's view which makes the inside so see-through, love, an ability to move outside of what had been previously set for her by someone else (one might even argue that these are the traits that made Christ before the story surrounding him came about)...
The walls built around her needn't contain her — and, phasing as she does, they do not.
Moreover, what would have been the real ending to Reya's plan, had it been followed exactly as it should have? The divinium bomb did hit Ava in the end, but wouldn't it have been worse had she not been interrupted in running up to Michael while he immobilised Adriel during the televised freak circus?
Ava's unpredictability, her impulse, her innate need to act with free will rather than constricted by what others dictate — Ava is the foil to fate itself, the foil to a structure, to a hierarchy that has been festering and rotting from the beginning of time, it should seem.
The hero of this story could only ever be her.
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