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#garrettes revenge
foxilayde · 7 months
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Netflix said let’s do it for the hoes
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froggyfootsoldier · 6 months
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started watching an "every reference you missed in the fnaf movie" video and the dude in the video i could tell was way more qualified to review the movie than any rotten tomato critics bc one of the things they said was
"the colors of mike schmidt and steve raglan's shirt and ties are indicative of how dark/light they are in the beginning and end of the movie. mike wears a dark shirt with a light tie because he starts in a dark place, but ends up in a light place by the end, and steve wears a light shirt with a dark tie because he seems to be an innocent career councelor (light) and then he is revealed to be behind the murders (dark)"
i cannot think of a more fnaf community read than that. the fnaf movie was not made for critics. it was made for that youtuber ONLY
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pidges-lost-robot · 2 months
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*Shiro is wheeze laughing*
Lance: Pidge and Hunk are fighting again
Shiro: I thought I told you to leave them alone. Stop making them fight with each other
Lance mischievously:... I like drama
Shiro: *starts cackling*
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marmie-noir · 2 months
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Jealous 2.0
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“Hey ya’ll, welcome in. I’m Sunny, I’ll be your server today.” I said my usual spiel, sliding a menu to each of the four men with a sweet smile, placing four sets of wrapped silverware in the middle of the circular table. “Ya’ll want me to start you with some waters or you have something a little more fun from the bar in mind?” I asked, clicking my pen and pulling out the little pad I took orders on, smiling at the men. 
They were handsome enough, middle aged so a little gray at the temples but each of them held themselves with a cool confidence that I didn’t even mind. The one on my left returned my smile, flashing a row of pearly whites. “Well Sunny girl, I think we’re going to start with a few pitchers of whatever is on tap, and an order of nachos?” He glanced at the others and they all nodded, plucking up the menus to look at them. “Sunny, that sure is a pretty name.” He added, chin tilted up as he met my eyes. He had hazel eyes, dark hair too, a tan that worked for him. 
“Thank you, but I can’t take credit for that. I’ll pass the praise on to my ma though.” I said, smile still in place as I clicked my pen, putting the pad in the server’s apron around my waist. “I’ll go get those beers.” 
I walked away, heading towards the POS system at the bar to type out to get the nachos going from the kitchen before grabbing a few plastic pitchers from the clean shelf, going to the taps. Mitch was pouring Pops another drink but glanced at me out of the corner of his eye. 
“How’s it going?” He asked, leaning on the bar as I filled the pitchers with the basic tap beer. 
“S’okay. How is the bar?” I asked, flashing him a smile, taking any opportunity to talk to Mitch during work. When we’d get back to the house at the end of the day Pops would take up his chair in the living room and I would usually grab the first shower before turning in for bed or sitting on the back porch reading until I got tired enough to lay down. We spoke, of course, but stealing little conversations at work felt a little more special for some reason. Maybe it was because Mitch had other options for conversation and still chose to come to me. God I was pathetic of this man. 
“S’not bad.” He said, blue eyes flicking over to my newest table, watching the men talk amongst themselves. 
I didn’t answer Mitch, grabbing the two pitchers in one hand and four glasses in the other, walking back to the table. Setting everything down I flashed my service smile, glancing between the four of them. “Ya’ll ready to order or need a few more minutes?” I asked. 
“You know sweetheart, the boys and I were just talking about how pretty you are.” The man with hazel eyes spoke, reaching out and patting at my arm. It was a safe spot so I didn’t pull away but I did tilt my head slightly, placing a hand on my hip. “How’d you end up in a place like this? Not that it isn’t nice, been comin here for years and just haven’t seen you around.” “Ah, I started a little over a month ago I think now.” I said with a small shrug, used to having the conversation with the regulars. “I like it here. I get to meet a lot of people, and who doesn’t like tips?” 
The men all smiled and nodded, hazel eyes letting out a little chuckle. “Fair enough. We need a few more minutes, but thank you Sunny.” I nodded, turning and walking away, unphased by the conversation. Moving behind the bar to see if there were any dishes I could snatch to take to the back when Mitch broke my concentration. 
“I need help behind the bar.” Mitch said, sidling up next to me. “Ann will be taking over your table so you can help me.” I frowned, glancing up at Mitch confused. “What, Mitch-” I frowned as I walked after him, his long legs easily outpacing me but we were in a small space behind the bar. He refilled a beer, popping the top off another one, serving the people that were coming up to the bar in waves. 
Mitch had never needed my help before, so why now? I huffed, not pleased at the idea of losing out on my tips for the night, bar tips were never as good. “Mitch-” “I’m the boss and I said I need your help Sunny. Listen.” He said sternly, looking down at me before moving past me to make another mixed drink at the end of the bar, flagging Ann over so she could take over my tables. 
I frowned but realized I couldn’t really do about the situation, setting my frustration on the back burner to focus on the group before me looking at me hopefully for a drink. “Hi all, what do you need?” I asked, slapping on a smile. 
The next few hours flew by. The bar was busy, and Mitch and I moved well together, but he certainly hadn’t needed my help. I’d seen him work busier crowds with ease, and the frustration at losing out on my tips really bothered me. Wiping off the bartop to clear it of spilled beer and condensation it had wound down enough for me to finally get answers from Mitch. 
“I need to talk to you.” I told him, grabbing his wrist and pulling him towards the back office. Mitch didn’t stop me or stumble but he did gesture for one of the girls to get behind the bar, not wanting to leave it unattended. 
I opened the office door and pulled him through, closing the door as he moved to lean against his desk and face me. I don’t think I’d ever seen him actually sit behind the damn thing once. 
“What was that about?” I asked, stopping before him with my hands on my hips. 
Mitch had the audacity to fold his hands on his lap, looking relaxed as always. “What was what about, darlin?” He asked, voice smooth and low. 
I narrowed my eyes and pointed at him, index finger gently prodding at his chest. “Don’t you try that sweet cowboy bullshit with me now, Mitch Keller. Why did you pull me behind the bar? I’m not stupid, I’ve seen you handle bigger crowds with ease, so why did you pull me off tables. Tipping tables, mind you.” 
Mitch grabbed my hand that had been poking at him, warm fingers wrapping around my wrist, thumb brushing against the inside of it. “Just needed some help is all.” He said, pulling me a little closer. I went, curious as to what he was doing but not letting myself get distracted. As he spread his legs slightly to pull me between them to get me closer I met his eyes, telling him without words I wasn’t buying it. 
He huffed, glancing away for a moment with a little frown on his lips, free hand scratching along his jaw. “That man grabbed at you. Figured you’d wanna get away from him.” I paused, confused, thinking back to right before he pulled me behind the bar. Nothing out of the ordinary really happened, no one grabbed me like that one time, the memory of large fingers digging into my thigh painfully making me frown. Then it clicked. The four top of good looking men, the man touching my arm. 
I grinned, taking a step closer to Mitch, the burn of satisfaction warming me over from the inside out. “Mitch Keller, are you jealous?” I asked, crowding his space slightly. He huffed, rolling his eyes and adjusting his hat on his head, hand still wrapped loosely around my wrist. 
“Jealous? Darlin’, really?” He asked, flashing that good ol’ boy smile at me, chin tipping up to meet my eyes. I got flashbacks to the day in the cooler earlier last week, when he had accused me of the same thing. His free hand settled on my hip, pulling me closer, and I willingly leaned in with my own smile. “Oh, good. I’d hate for it to be weird when I call one of them. I got some numbers before I was snatched behind the bar so I figured…” I trailed off, giving a little shrug, feigning nonchalance as my hands settled on his broad shoulders. “Might take one of em up on the offer of a date in the next few weeks.” He tensed under my hands and I knew I had him. 
“Mm.” He said, hand tightening slightly on my wrist before releasing it. “Well it’s a shame that you’ll be busy that day. It’s busy season after all, I need you here.” “I never said what day, Mitch.” I said, stepping back as he stood, making me look up at him now. He paused, blue eyes flicking over my face before his lips set into a thin line. 
“You are doing doubles all next week.” 
“Wait- hey!” I gasped, chasing after him as he left the office. I caught Ann’s grin and returned it, chasing after my boss when he tried to hide behind the bar, fully intending to pester him into giving me at least an afternoon off. “Cowboy you get your tall self back here, I wasn’t done with you!”
Read more Sunny and Mitch here
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skyoftwilight · 2 years
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i return with but a silly lil vent doodle from earlier :]
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ginaraemitchell · 8 months
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Closure (A Riveting #PsychologicalThriller) from #RevengeFiction Author, Garrett Addison | 5-Star Book Review
With its meticulously plotted narrative and profound psychological exploration, "Closure" stands as the perfect choice for aficionados of crime thrillers and psychological dramas alike. From its opening pages, the novel takes readers on a captivating journey through the depths of human emotion and the lengths one might go to seek closure. #IndieAuthor #booksirens #Suspense #Thriller #GetReading #ReadDifferent @GarrettAddison
Closure (A Riveting #PsychologicalThriller) from #RevengeFiction Author, Garrett Addison | 5-Star Book Review                         image courtesy of Garrett Addison Book Details ~~~~~~~~~~~~~~~~~~~~ Purchase Links for Closure  Amazon-OneLink for all countries    BookShop/IndieBound ~~~~~~~~~~~~~~~~~~~~ My thoughts on Closure  “Closure” by Garrett Addison is a gripping revenge crime mystery…
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vivispec · 1 year
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fandom: dragon age 2
pairing: garrett hawke & marian hawke
tags: hawke has a twin au, hawke is made tranquil, revenge killing, crushed to death, post-canon, angst
"As if struck by a blow to the chest, she was knocked off balance, winded. Staggering, stumbling, the revelation radiated out from her fingertips pulling away, burned as they skimmed the sun etched into his skin."
On her way out of Kirkwall, Marian Hawke finds a familiar figure in the midst of a brawl outside the Hanged Man...but the joy of finding her brother after such a long span is cut short when she finds he's met a fate worse than death.
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tawneybee · 6 months
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Okay so I had an intense fnaf movie theory
(⚠️SPOILERS FOR THE FNAF MOVIE⚠️)
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So starting off, one of the major plot points of the film is that Vanessa is William's Afton's daughter, and that Mike and Abby don't seem to be related to them at all, right?
And there's a theory about the Golden Freddy Spirit BEING an Afton kid. Not just the blonde hair (the actor isn't a natural blonde, it was dyed for his role) but the way the kid seems to react to everything.
He remembers his death. That's a plot point for the other kids, that they don't remember their deaths and the drawings make them believe the Yellow Rabbit is a friend. But he does seem to remember, since he told Mike through a drawing that the Yellow Rabbit killed his brother.
It's uncertain why he doesn't tell the other kids, or why his main goal is getting Abby rather than getting revenge, but it seems he's playing William like a pawn rather than vice versa. It's only when William stabbed his sister Vanessa that he stepped in. And the way William reached out for him in the safe room like he was asking for help almost solidifies it.
Now back to my theory, I'm sure plenty of you have heard the theory that the Schmidts are actually Henry's children, not William's. It would explain why William drove 9 whole hours to kidnap some random kid in Nebraska if the kid wasn't actually random. Maybe a revenge scheme over some company fault.
So my thought is, the family dynamics with the Aftons and Emily's are switched in the games vs the movie.
Game:
Micheal Afton (eldest brother)
C.C Afton (supposedly middle brother)
Elizabeth Afton (supposedly youngest sister)
Charlie Emily (murdered twin)
Sammy Emily (supposedly survived twin)
Movie:
Mike Schmidt (eldest brother)
Garrett Schmidt (middle brother)
Abby Schmidt (youngest sister)
Golden Freddy Spirit (murdered twin)
Vanessa Shelly-Afton (survived twin)
I say twins because young Vanessa looks about the same age as GFS (although we don't know what year the photo was taken).
It feels like swapped dynamics to me. Garrett is a Charlie Emily parallel in their identical deaths, which could make both Mike and Abby Sammy Emily parallels as the surviving siblings. And the way Vanessa parallels Micheal A. (especially in her guilt and need to make up the kid's childhoods), would make GFS both C.C and Elizabeth. Honestly if GFS did have some sort of loyalty/passiveness to William murdering him like I mentioned, it definitely confirms an Elizabeth parallel.
I don't even need to mention how William makes Vanessa help him with his crimes (just like Micheal in the games) or how he plays with her guilt by blaming the mess on her (which suggests he would've blamed her brother's death on her, just like how Micheal feels guilty for C.C's death).
Sammy would probably also feel guilty for Charlie's murder, as that's how Charlie felt in the books when she thought it was Sammy who got taken. That was a situation that wasn't in the surviving sibling's control, just like how Mike couldn't stop Garrett's kidnapping. But GFS's murder could've been a preventable accident that Vanessa felt at blame for, just like Micheal for C.C (and probably Elizabeth).
MATPAT PLS NOTICE ME I THINK I'M ONTO SMT
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meggtheegg · 6 months
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FNAF Movie Theory...
I'm pretty sure there's still one major plot twist in the universe of the movie that's been set up for a sequel but hasn't actually happened yet. Heavy spoilers under the cut:
After watching the movie in theaters and then revisiting a few scenes on Peacock, I'm still kind of convinced that Mike Schmidt is Michael Afton.
Here's my reasoning. A lot of the characters spend time acting like they know something the audience/other characters don't, and those things are...mostly resolved. But some of them just...kind of aren't.
The main thing that sticks out to me is William's whole storyline. Starting with the scene where he offers Mike the job, his behavior is almost explained by the movie's logic. He sees Mike's name, seems...kind of deeply upset, looks at him very closely, stands to get coffee, and has a moment of visible internal conflict. Then he instantly offers him the Freddy's job. The way the movie frames this, it seems to be saying that he recognized the name of one of his victims, realized this was the kid's brother, and decided to kill him right then and there. Which is passable as an explanation, but it has a lot of holes, if you look deeper.
Why would William so instantly recognize a fairly common last name as the brother of some kid he killed that wasn't even anywhere near Freddy's? Why did he kidnap/kill Garrett in the first place, in some random forest in Nebraska? Why did he see the name on the file, then immediately stop and examine Mike's face so closely, when Mike's memories/dreams pretty clearly show that they never saw each others' faces when Garrett was taken? Why did he send Vanessa to "keep Mike in the dark" if he purposely gave him the job to get him killed? Why not have the animatronics kill him right away? He didn't know that Mike was searching for the man who took his brother, and while he could have maybe guessed he was still actively haunted by what happened based on Mike beating up a guy that he thought was kidnapping someone, it still feels like a weird choice to go and hire him, then just have him do the job with no issue for a few days.
As for Vanessa, we see that she's been cleaning up William's messes for years. Why is Mike the one she changes her mind and stands up to her father for? There's no implied romance between the two and no particularly meaningful connection beyond them both having family issues. I guess she cares about Abby because she's a kid, but kids getting hurt clearly never stopped her from helping her father before.
And, on a more meta level, this is Scott and his storytelling style we're talking about. The man puts plot twists inside of plot twists and everything always ties back into the Aftons, somehow.
So, here's my theory: I think that Mike is William's kid, but Mike's mom left Afton when he was young and remarried the man that Mike thinks is his father.
It seems convoluted and maybe cliche, but if it's true, then suddenly there's an answer to all of those questions. "Michael Schmidt" isn't exactly an eye-catching name, unless you had a kid named Michael and your ex-wife married a guy with the last name Schmidt. Garrett's kidnapping, then, becomes an act of intentional, petty revenge rather than an extremely random coincidence. Giving Mike the job and sending in Vanessa suddenly becomes about piecing together how much he knows and figuring out if he's worth trying to reconnect with or is just a threat that needs to be killed. (It feels worth noting that William is as far as I can remember the only person to call him Michael in the whole film. He also very pointedly never says "Schmidt" until he's decided to kill Mike and suddenly announces his full name out loud. If he went by Michael as a little kid, that is what William would default to calling him, but if he took the new husband's last name, that would be like like salt in the wound that he wouldn't want to voice. By finally saying it out loud, it feels like he's making the decision to fully separate himself from Mike.)
As for Vanessa, if Mike is her brother, it makes sense that he would be the person she'd turn against William to save. It would be weird for her not to tell him, but she could also be trying to protect him, in some way. There's never any mention of her mother, and it seems like it's just been her and William for a long time. Also, ending the movie with her in a coma feels like a strange narrative choice, but it makes sense if she knows information that's purposely being kept hidden for the sequel.
Of course, it could just be that the movie has kind of messy writing and I'm trying to fix it because I want there to be a deeper reason for it. Maybe there is no Michael Afton in the movies, or maybe he's off chilling and doing his own thing somewhere and we'll see him in the sequel. Only time will tell.
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jiggowatts · 6 months
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↓ ↓ ↓ FNAF MOVIE SPOILERS BELOW, READ AT YOUR OWN RISK ↓ ↓ ↓
I have to ramble here cause my brain is absolutely bouncing off the walls and I gotta get my thoughts out, apologies LOL.
It kinda sucks Mike isn’t an Afton. And I know “Mike Schmidt” being his alias was just a fan theory, and that the movie was going to be different than the games - but still. Michael’s story and character as a whole was the driving point of the franchise’s story. His quest for vengeance against William, his tragic backstory and death, the physical and mental trauma he went through - it all tied the story together. Because I am stubborn, I will continue to gaslight myself into thinking movie Mike really is an Afton.
I know I sound like Matpat but just hear me out. I mean, there was that whole scene with Mike and William in his office. William hesitated saying Mike’s full name, and even took a moment to just kind of look at him - it was almost like he knew. Yes, it could just be that William recognized the last name from police reports about Garrett’s kidnapping or whatever. Also, why was William so insistent about getting Mike to work at Freddy’s if he was just some random guy? What was his purpose for that? Not to mention the fact that Mike said his mom died when he was young with no further explanation. Maybe his mom divorced William after the MCI, married someone else and had Garrett - two things which angered William, and he took revenge in the form of kidnapping and killing Garrett and/or Mike’s mom. Why else would William just happen to be in a random park in Nebraska 💀
In conclusion, Scott genuinely could be doing a bit of trolling (as he tends to do) and reveal Mike’s true past in the next movies, or it could be he’s just a Schmidt and nothing more. But I will continue to believe otherwise because I am, in fact, a sucker for the OG lore and its intricacies. Now, they did acknowledge the Abby / Baby connection (Chica trying to stuff her into an animatronic that looked like Baby) AND we do still have two more movies so there’s still a possibility that Mike and Abby are really Aftons!
Also, I am in no way bashing the movie. I genuinely loved it. This is just me simply having fun with theorizing lol.
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No but like, i'm still so confused by Vanessa being Afton's daughter. At it is, it's a great plot twist and it adds a lot of substance to the story.
Yet, i'm so confused because it really looks like Mike is in fact, William's son. There was a lot of things set for it. Like for example:
• William reading Mike's name and stopping mid sentence and realizing something. You could say that what he realized was that this kid was the brother of one of his victims. Yet, in the next second he starts to set him up to work in the pizzeria. Like, why? He wants him near. Plus, why does he want to kill Abby too? He just decided to fuck this man life *twice* without a reason?
• Why he keeps calling him "Michael", like. Yeah, it's his name as it was stated before in the interview. But, no one else calls him by "Michael", just "Mike". If i'm not mistaking, even Aunt Jane calls him by it. Why is he insisting in calling him Michael.
• In the dream sequence, when Cassidy (¿) makes him give up Abby, his mother and Garrett are the only one speaking. But his father is silence, he doesn't even say anything, react to it. In fact, the "My mother died and my father couldn't deal with it" feels so weird. His father just walked away? Why is his father so minus in this movie.
• Mike having a younger sister and brother just like Michael Afton has Elizabeth and Evan. (And Abby being a nickname for Elizabeth, like, c'mon, that's so obvious, what the fuck.)
I think that there is something more, a lot more. Maybe in the novels based in the movie, or maybe in a new movie it would be explained, because it feels like there was a whole hole dug up ready to be filled for later. So, i have two theories.
• The delulu one: Mike is in fact, an Afton. His mother just divorced William and got custody of him, went away and she married Garret and Abby's dad. In this way, that's why William is so focused on killing his son's step-siblings due to rage and revenge. This too, would somehow explain Vanessa. She is either Afton biological daughter too, or instead, she was kidnapped and raised by him to fill a void left by the divorce, and thus, unable to actually fill that feeling, he blames her and decided to start killing kids.
• The most probably one: Mike isn't an Afton, but he's Emily. He's Henry son and, in that way, William is so focused on making him suffer, just out of pure hate for his father.
• Vanessa is not an Afton. She was kidnapped and/or raised by William from a young age but she's actually an Emily.
Either way, i feel there is something, something because i still can't figure it out, for the life of me, why William reacted that way when he read Mike's full name. It doesn't make sense if he was like "oh, the brother of that one kid". It was more like "oh, *oh*"
Hear me out, maybe i actually figure it out, or maybe i'm in such state of denial that i refuse vehemently to think that Mike Schmidt isn't Michael Afton.
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alexzalben · 8 months
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OUR FLAG MEANS DEATH RETURNS ON OCTOBER 5
OUR FLAG MEANS DEATH returns for Season 2 on October 5, with three new episodes. Max will stream two new episodes a week until the season finale on October 26.
Teaser trailer, key art, and more info below!
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The eight-episode second season of the Max Original comedy series OUR FLAG MEANS DEATH, from creator-showrunner David Jenkins, Emmy®-nominated executive producer and star Taika Waititi, and Emmy®-nominated executive producer Garrett Basch, debuts with three episodes THURSDAY, OCTOBER 5 on Max. The season continues with two new episodes weekly leading up to the season finale on Thursday, October 26.  
Season 2 logline: OUR FLAG MEANS DEATH is based (very) loosely on the true adventures of 18th century would-be pirate Stede Bonnet (Rhys Darby). After trading the seemingly charmed life of a gentleman for one of a swashbuckling buccaneer, Stede became captain of the pirate ship Revenge. Struggling to earn the respect of his potentially mutinous crew, Stede’s fortunes changed after a fateful run-in with the infamous Captain Blackbeard (Taika Waititi). To their surprise, the wildly different Stede and Blackbeard found more than friendship on the high seas…they found love. Now, they have to survive it.  
Season 2 cast: In addition to Darby and Waititi, season two stars returning cast members Samson Kayo, Vico Ortiz, Ewen Bremner, Joel Fry, Matthew Maher, Kristian Nairn, Con O’Neill, David Fane, Samba Schutte, Nat Faxon, and Leslie Jones. New additions joining the ensemble cast include recurring guest stars Ruibo Qian, Madeleine Sami, Anapela Polataivao, and Erroll Shand, and guest stars Minnie Driver and Bronson Pinchot.  
Season 2 credits: OUR FLAG MEANS DEATH is executive produced by Academy Award® winner Taika Waititi, alongside creator-showrunner David Jenkins. In addition to his duties as showrunner, Jenkins directed the first two episodes of season two. Garrett Basch, Dan Halsted, Adam Stein, and Antoine Douaihy also serve as executive producers. Season two was filmed in Auckland, New Zealand.
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rhysdarbinizedarby · 8 months
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Our Flag Means Death Season 2: Exclusive First Look
Vanity Fair joins Stede, Blackbeard, and the rest of the cast on set in New Zealand for an exclusive early look at the second season, debuting on Max in October.
BY SARAH CATHERALL (AUGUST 24, 2023)
Only the fans of Our Flag Means Death can determine whether they’ll be satisfied with the show’s second season, which debuts on Max in October. But if you ask Fernando Frias, who directed three of the season’s episodes, he sounds pretty confident: “If my life depended on saying whether it’s yes or no, I would say yes.’’
It’s December 8, 2022, and the principal actors on Our Flag Means Death as well as the 800-plus extras and crew members have three days left of their three-month shoot for season two. Things are starting to get emotional. “You’ve been the most amazing crew I’ve ever worked with,” says one actor as he wraps his final scene. Frias says it’s like leaving “a long summer camp,” adding, “it’s like a family.”
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Rhys Darby as Stede Bonnet. COURTESY OF NICOLA DOVE/MAX.
The series created by David Jenkins was a surprise breakout hit when it debuted in the spring of 2022, building a fiercely devoted fan base with its silly yet emotional deadpan, and defiantly queer take on the adventures of real 18th-century pirates. Everyone involved in Our Flag Means Death is eager to preserve the surprises in store for season two, which kicks off with gentleman pirate Stede Bonnet (Rhys Darby) and softhearted bad boy Blackbeard (Taika Waititi) ruefully separated after finally realizing their love for each other at the end of season one.
It’s “going to be unexpected and surprising, but also very pleasurable and satisfying for those who like the show,” promises executive producer Garrett Basch. It “doesn’t follow the expected route,” teases Con O’Neill, who plays Blackbeard’s devoted enforcer, Izzy. All that means is we’re not at liberty to share too much about what happened on set that day, which included emotional conversations, new cast members, banter with the Kiwi crew, and some seriously killer costumes.
But these exclusive new images give a hint of what is in store. There are fresh faces—Minnie Driver will guest-star as the real-life Irish pirate Anne Bonny, and Ruibo Qian joins the cast as the mysterious merchant Susan—and a lot of New Zealand actors and locations, now that the production has decamped across the Pacific.
“The viewers will see the scope of their world has expanded based on the fact we’re able to get to these amazing locations within a short travel time,” says executive producer Antoine Douaihy. “You will notice a marked difference between the two seasons in terms of the scope and the scale.’’
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Minnie Driver joins the cast this season as Anne Bonny. COURTESY OF NICOLA DOVE/MAX.
There will be plenty of familiar faces too, of course. On set that day in Kumeu, New Zealand, a rural area about 20 miles outside of Auckland, are Waititi and Darby along their fellow returning cast members O’Neill, Vico Ortiz (Jim), Kristian Nairn (Wee John), Joel Fry (Frenchie), Matthew Maher (Black Pete), Leslie Jones (Spanish Jackie), Samson Kayo (Oluwande), Ewen Bremner (Nathaniel Buttons), Samba Schutte (Roach), and more. New onboard are two Kiwi actors, Madeleine Sami (most recently of the Australian mystery-comedy Deadloch), and Samoan-born Anapela Polataivao. And there’s one returning figure impossible to miss on the soundstage: The Revenge, the stately ship that Blackbeard—a.k.a. Ed—commandeered at the end of season one. In real life it was carefully transported across the Pacific Ocean from the show’s original Los Angeles soundstages.
The Revenge is vast and impressive, much larger in real life than it appears onscreen. But it’s not the only stunning scenery in store. There are around 50 sets involved in the production of season two, including the 30-acre forest behind the Kumeu Film Studio, Piha Beach, and the wild, black-sand Bethells Beach.
Waititi, who also executive produces the series, was part of the push to film season two in his native New Zealand. “Taika is an extraordinary talent and what’s really great about him with his international success is he’s remained very committed to New Zealand and very loyal to our industry,” says Annie Murray, the CEO of the New Zealand Film Commission. “The beauty of filming in New Zealand is that you can find incredible varied locations within a very short driving distance. [And] when you get to those locations you can turn your camera in any direction.’’
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Rhys Darby as Stede Bonnet, filming at New Zealand’s Bethells Beach. COURTESY OF NICOLA DOVE/MAX.
The scope of the season is very evident back on set, as well. There’s a whole other pirate ship in addition to The Revenge, plus sets for a floating market, Stede’s cabin (empty when we visit), and the Republic of Pirates first glimpsed in season one. Behind the scenes it’s a maze of wardrobe, wig rooms, and dressing rooms. In another facility, props are stacked on shelves, ready to be taken away to storage as soon as filming wraps—vases, plates, antique furniture, and piles of mannequins replicating dead bodies which were used in one of the battle scenes.
Costume designer Gypsy Taylor joined the production this season and has designed hundreds of costumes, checking with everyone on set that day to make sure everything is in place before cameras roll. Taylor says each of the principals have six to eight looks in this season, and that every item—every leather belt, wig, bit of jewelry, even a mermaid tail—has been made by her 60-strong workshop. The costumes this season have a “Mad Max, ‘streets of New York’ feel,” says Taylor. “David Jenkins was keen to give the series a cool rock-and-roll vibe…so we had these rock-and-roll elements with an 18th-century twist.’’ As is evidenced in the image below, even Stede’s crew winds up with some unexpected new looks over the course of the season.
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Wherever it is these Revenge crew members have found themselves, there’s something that surprised them. COURTESY OF NICOLA DOVE/MAX.
Two armies are part of the action in season two, all of them needing elaborate costumes—around 150 Chinese pirates and a fleet of 100 navy officers. Even the breeches are in studded black leather, and punkified. Says Taylor, “The theory behind their costumes is they would’ve stolen from other pirates…. Although our Wee John has started to become quite the seamstress, so he’s knitting this season.’’ True enough: Nairn is wearing what looks like a hand-knit sweater on set that day.
Wee John isn’t the only pirate getting into crafts. Nancy Hennah, who has managed the hair and makeup for both seasons, points to Blackbeard’s wig—made in London—and tattoos as Waititi works on set. With 14 tattoos on his right arm and 10 on the left, plus plenty of scars, he needs at least an hour in the makeup chair. “Taika wanted most of the tattoos to look like he’d done them himself,” Hennah says. “Like on slow days on the boat when there’s nothing much to do, they sit around and give each other tattoos.”
She gives a hint of a storm in one episode: “One of the hardest days here in makeup was when they were caught in a storm on the back of the boat. [The cast] were saturated for a whole day, which caused havoc with things like tattoos and hair, wigs and beards.’’
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Taika Waititi as Blackbeard, who begins the season with a broken heart. COURTESY OF NICOLA DOVE/MAX.
By mid afternoon, Con O’Neill is taking a break in his trailer. He pulls his slim, leather trousered legs up to a corner seat. A candle blazes on the kitchen bench as the veteran actor talks about the physical endurance required during the shoot. “It’s been frantic,’’ he says. His signature gray hair barely moves, frozen by the team of hair stylists who arrived on set around sunrise. (All interviews with actors in this story took place before the SAG-AFTRA strike). 
Izzy “goes on a remarkable journey” this season, says O’Neill. “He understands what love is and whom he’s in love with.’’ On a series featuring a variety of joyful queer relationships—not just Stede and Blackbeard, but Black Pete and Lucius (Nathan Foad), Jim and Oluwande, and Spanish Jackie and her many husbands—Izzy’s unyieldingly straitlaced devotion makes him an odd man out. By the end of season one many fans speculated that Izzy was driven by something at the intersection of love and obsession. This season, according to O’Neill, Izzy gets even deeper into that dynamic. “Physically it’s been quite demanding, and also emotionally it’s been quite demanding to be playing a man enraged by unrequited love, who’s basically a hopeless romantic, and to be able to play all that and also remember that this is fundamentally a comedy.’’
Though the show is often warm and fuzzy when it comes to feelings—one of Stede’s mottos in season one is that when faced with challenges, “we talk it through as a crew”—Izzy represents the darker, more violent side of pirate life, which the show doesn’t shy away from either. “What I love about this show is it does allow itself to swing between the two,” O’Neill says. “We’re almost operatic in our darkness at times, and then we swing back to the sweetness of the simplicity of the love of our two guys. It’s been challenging just to get the tone right.”
“We’ve gone further this season than we did last season with those tones,” he continues. “So sometimes it’s quite interesting to remind yourself that you have to take your foot out of the tragedy—literally, your foot—and put it back into the comedy.”
With a season behind them to build the dynamics between the characters and the actors alike, on set there’s been “a lot more spontaneity and script revisions based on what’s happening day-to-day,” says Douaihy. “The cast are so comfortable with one another and their characters, that they move through it naturally.’’
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Leslie Jones as Spanish Jackie and Taika Waititi as Ed a.k.a. Blackbeard. COURTESY OF NICOLA DOVE/MAX.
The way O’Neill puts it, they’ve also built trust with Jenkins, their showrunner, to follow some bigger swings. “I don’t think David Jenkins is ever going to follow an expected route. I’d hate to drive in a car with him.” Thinking of the fans who will greet the series when the show returns in October, O’Neill continues, “I think they’re going to appreciate what [Jenkins] wants. Season two does stick to the original premise that we created in season one, which is take it on to other levels.’’
One character leveling up in a major way this season is Jim, the quiet badass (there are knives involved) played by the nonbinary actor and activist Vico Ortiz. “Jim really evolves in season two,” they say. “They’re a bit more chatty and a bit more conversational…. Most of the first season you see Jim in disguise, hiding, but in this one you see them a bit more [thinking,] Oh, this is my chosen family, and I feel good. There’s a bit more zaniness and a bit more softness.’’
Like O’Neill and several other castmates, Oritz had attended their share of fan events by the time season two began filming, and the entire cast and crew returned to the high seas with a strong sense that their show had taken on a life of its own. “It’s so beautiful to see that people are finding community within the fan base. It’s about creating spaces where we feel safe and seen, and it’s so great to see that so many people watch the show and feel validated in their experiences, whatever that may be,” says Ortiz. “A lot of people that watch the show are like, “Yeah, I’m a guy and it’s good to see all these dudes being vulnerable.’ We can just shake up [ideas about gender].’’
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Ruibo Qian joins the cast this season as Susan, a merchant with secrets of her own. COURTESY OF NICOLA DOVE/MAX.
Basch admits the fan following surprised some of the team, “but it made a lot of sense” too. After years of television shows and movies that built up the potential of queer romance only to stop short, Basch thinks the fervor for Our Flag Means Death “says that shows in the mainstream aren’t delivering that promise or that setup, and we have. That’s really why the fans have gone wild for it.”
That promise, it’s safe to say, is kept in season two, and then some. On set that day in December, for example, there was a major romantic moment between two key characters. But we’d risk Ed Teach’s wrath if we told you any more.
Source: Vanity Fair
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garrettauthor · 10 months
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Hey y'all!
This is a reminder that I write fantasy books. They're cool as fuck, they deal with themes of family and antifascism and the nature of responsibility, and they also happen to be REALLY queer.
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For, like, the whole first LONG part of my writing career, I was on an exclusive deal with Amazon. I wasn't allowed to publish or distribute my ebooks on other websites.
That's no longer the case. I'm free!
So, I'm putting all my books on my Patreon. That's THIRTEEN books and counting.
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Full-size books, not novellas. (Nothing wrong with novellas. We love'em. Just...this is a lotta books and I need you to understand that).
Want a bi, robin-hood-meets-batgirl, young forest girl becomes master thief adventure? That's the Nightblade Epic.
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Want a polyam, trans-friendly, wizard-school-meets-The-Godfather, mystery and intrigue series? That's the Academy Journals.
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Want an ace-and-bi best friends, buddy revenge, monster hunter, Princess-Bride-meets-Supernatural-but-queer journey? That's Tales of the Wanderer.
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Want a queer-platonic-but-also-SUCH-sapphic-yearning, reluctant chosen one, found family, mysterious past, LOTR-meets-Hot-Fuzz, heroic quest? That's the Resurrection Cycle.
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And they're ALL in that post on my Patreon.
I'm trying hard to not only write my own books but publish more marginalized and underrepresented voices. I've already started. I'm planning to do a lot more.
So if you want to help make all of THAT happen...and also just, like, get thirteen new books right now...
Patreon?
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rebisrot · 6 months
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I really wonder if they're setting it up so that Michael is Henry's son instead of William's. Obviously we see William pause when he reads Michael's full name, which was to make us think there'd be the reveal later in the movie that he's his father, but this didn't happen, so why did William pause? It also adds reason as to why William would go after Garrett, the implication has always been that William was very careful about who he targeted, why take a random kid from a random campsite? If Garrett is Henry's kid as well, it's an act of revenge. (This also leads to a possible set up of Garrett possessing the Puppet.) If I remember correctly all we get as to what happened to Mike's dad is that he left because he couldn't handle his wife's death.
(Side note, I know it could be interpreted as Mike of the movie being Mike Schmidt and not related to the Aftons at all, if you think that Schmidt wasn't an alias used by Michael Afton, and that the pause could have been because William knew that he might have killed Mike's younger brother based on last name and Garrett was just a random kid he targeted. But it's JUST A THEOR-)
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blood-and-pizza · 6 months
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A theory about the FNAF movie (MAJOR spoilers ahead):
I think Mike Schmidt is, in fact, William Afton's son. In other words, Michael Afton. Mike simply doesn't remember William because the sleeping pills he was taking screwed with his memories.
Not only that, but I even came up with a reason William killed Garrett Schmidt, Mike's ADOPTIVE younger brother. Simply put, William lost custody of Mike due to fallout from the MCI years ago, so he tracked down the Schmidt family and took revenge by kidnapping Garrett and ending his life. Basically, the Schmidts took one of HIS children, so he retaliated by taking one of THEIR children because he's that vengeful and petty.
William didn't kill Garrett because he loved Mike, though. He did it because he sees his children as his property, and nobody likes having their property taken from them. And something else William doesn't like is when other people are happier than he is (something I deduced due to the game and book versions of him killing Charlotte Emily, which I surmise was done to spite Henry, whom William had expressed jealousy towards in his writings).
I know this theory is pretty flimsy. If Mike is William's son, that would make Vanessa his sister, and neither of them recognized each other at all. (Mike has sleeping pills to blame, but Vanessa has no excuse that we know of.) Not to mention some people interpret Mike and Vanessa's relationship as being more than simply platonic, which would make things VERY weird. Also, if William lost custody of Mike, how did he still have Vanessa around? Is Vanessa even his biological child? Did he kidnap her? Brainwash her?
Not to mention, William's double-take at Mike's last name may disprove this entire theory. That double-take seemed less like William acting and more like a genuine surprised reaction. Not in a "hold up, this is my son" way but in a "hold up, this guy is that Garrett kid's brother" way.
The only reason I'm clinging to this theory is that it gives William an actual motive for killing Garrett instead of it just being at random. Plus, I genuinely feel we need a sequel in order to prove or disprove this theory entirely, so until we get one... yeah.
One detail that's itching my brain is that when we first meet Vanessa, she introduces herself as "Vanessa Shelly". Not Vanessa Afton. Either she was adopted by another family too, or she changed her last name to distance herself from William. I'm not sure which one it might be.
Another detail that's bothering me is that the Missing Children have apparently been contacting Abby for quite some time before the movie begins, and I genuinely wonder WHY that is. How did they find Abby? Why did they want HER to join them, aside from wanting her to be their new BFF? What's so special about Abby? Is she connected to someone important? Is she just naturally receptive to ghosts? I really wanna know!
I'm willing to be wrong about all this, just so y'all know. I just think it's strange that William Afton randomly killed Mike Schmidt's younger brother for seemingly no reason, and I'm not satisfied with it just him doing it randomly.
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