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#i cannot accept that nanami is going to die
shaisuki · 3 months
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hello! Your writing amuses me a lot. Could you write a story where gojo, nanami, toji or Geto find out that their partner was kidnapped and they find her with some blow and they get furious?
Thanks and greetings from Argentina 😘
BRUISES AND DEAD BODIES
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ft. gojo satoru, nanami kento, fushiguro toji, geto suguru
content warnings ─── injuries, murder, gore, assault
ᝰ synopsis .ᐟ there's lines that cannot be crossed with them and involving you is a dumb way to die.
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GOJO SATORU
enemies are easier to make than friends and since his birth, danger followed him everywhere. from bounty hunters to curse users and being related or being significantly special to the six eyes and limitless user, danger was just around the corner.
satoru is strong. unbelievably strong. he has the power to tip the balance of the world and thus, he have the power to protect especially to you.
but sometimes, fate would place a cruel situation to him. you disappeared out of the blue. it's not like for you to tease him with something serious knowing he can be dramatic at times and his instincts isn't he ignores and alas, he was right. you were a captive. some group bounty hunters had ganged up for the price of his head. if he kills himself you live. that's why they have said. a negotiation but there's no such things as a negotiation for him.
only an idiot would mess to gojo satoru and they are. they think using you as a hostage for someone like him would be an easy way to get what they want but gojo proves them wrong.
he sees you bound in a chair. sound asleep. soft breaths adding to your state while your chest heaves. you're alive and it's relief not until he sees the damage they had done to you. blue eyes shimmering. casting it's glow to the precipitants and it's too late to back now for underestimating him.
adding to his hidden rage was the visible bruises and the welts to your skin. they have chosen death. no room to think as his hands cups the head on one of them before twisting it off. the hard skull was no match for gojo's strength. the head pops like a can being crushed in his bare hands and at the blink of an eye. there was nobody breathing except for him and to his lover.
he gently scoops you in his arms. your soft, plump frame against his hard ones and gojo loved the position if only it was under normal circumstances.
footsteps echoes in the silent building where once rowdy bounty hunters had gathered. it's only a shell of the former building while their corpses filled the entire space.
fluttering your lashes open, you were instantly greeted by the soreness of your body. added by the bruises stinging in your skin and a tuft of white hair is the first thing you've noticed about him.
“satoru?” blinking your eyes to adjust in your surroundings and to confirm if it was him and you weren't wrong. it was him. “glad you're awake now.” he says cheerfully. “what happened to you? me, your amazing boyfriend had to save you from the bad guys.” puffing his chest and you weren't sure how you would take his boasting.
tired and defeated. you admitted your weakness. “i'm sorry. i let my guard down.” your face casting a solemn look and gojo ignores it. partly it was his fault and you got dragged into it. since the start of your relationship with him, you're already marked as a target. knowing you are gojo's achilles hell.
“don't worry about it. let's get you to shoko.” you shaked your head. “can it wait until later?” you ask him. “why?” he replied. “i'm hungry.” gojo chuckles at your predicament. bruised and tired and you wanted to eat and of course, gojo accepts it.
“okay, okay. let's get you something to eat and we're going to shoko.”
all the things he can do for you and there's no such thing as denying the things you want.
NANAMI KENTO
veins desperately clawed to the surface of his skin. they look like kernels of corn ready to burst at any moment and it isn't the only thing that is ready to burst.
he's calm and composed. he always is. this is how he handles his profession as a sorcerer. merely a bit of being teetered to the edge isn't enough to break him. of course there are times where he loses composure but it is nothing when it comes to you.
there's drips of bloods staining your face and you're unconscious body is sprawled to the floor and nanami isn't a saint to forgive for such animosity and he breaks.
his muscles bulge while wrapping that necktie in his palms. the perpetrator stumbles out of panic and in fear. nanami's raging from inside and outside.
his fist collided in the cheek. there's a crack can be heard as the one who assaulted you was planted on the wall. coughing up blood and skull was dented like a can being crushed in a hand. it wasn't enough and nanami punches again until only a bloody pulp of a body is only way someone can recognize it as a former body. if it is what is it
“mmm... kento. 'm sorry.” you weakly mustered to speak to him. “no. don't apologize for it darling.” his once face that was clouded with rage clears up. his features softening while he tended to the wounds he can heal.
inside nanami was scared. he didn't show it. how close you are for being parted to him and he can't accept if something happens to you again. it looks like nanami have to make sure this won't happen again even if it's the last thing he will do.
FUSHIGURO TOJI
“oi, oi.” toji began to get irritated. inspecting your face in his hands. moving it left and right to assess the injuries that you had taken from your captors. “a pretty face is all she had and you come destroying it.” even with that heightened senses of his, could he not tell you can hear him.
the sorcerer assassin's eye came twitching in irritation as he looks at your state. toji wouldn't care if someone would get beat up for his fault but it is different when it comes to you. “now which one of you assholes would go first?” the cursed spirit worm vomits one of the weapons in his arsenal and toji stretches his limbs. waving his weapon like a fan and hell broke loose.
“i just wished you didn't come and get me if you're just going to insult me.” rolling your eyes at him and you winged as he pulled your arm. “i did you a favor and you need to repay me.” he casually tells you. ignoring the remarks from you.
fuck. he's toji fucking fushiguro and you know how stubborn this man is when it comes to his selfish needs. you already forgot that it was his fault that you got dragged into his dirty business. “and i'm right princess. you're face is only the redeeming quality of yours.” good heavens. you just wished you were already dead. you can't fucking stand him and yet, you're here.
“come on now.” toji grabs you. not minding your injuries and how you squirmed against him. licking the shell of your ear. “you know what i want.” he whispers. taking the reward in his own hands.
GETO SUGURU
his expression unreadable. staring at your figure that is bound and bruised. how did it resulted to this when he got you locked and guarded all the time and some bloody monkeys took their revenge on him by using you.
geto's fuming inside and he smiles. although it doesn't reach his eyes and a wall appeared out in the thin air. humongous and hideous creatures began to pry the walls to open. with a flick of his finger, they began to attack whoever their owner desired to kill.
the screams. they were loud. screeching as they begged for their lives. it was like fork being rubbed in a surface and only to produce the most irritating sound but for him. that is what he calls a music to his ears. if they have chosen to leave you alone, this wouldn't happen. anyways it was bound to. considering how he was a threat for them in a long time and it would come soon for them to target you and he hated himself for that. getting dragged by the filthy hands of the scums.
all is fine, now. he have you in his arms now and those who dared to harm you again will face him and the hell he is about to unleash him. no one would be safe from him.
he kisses your forehead. you were sound asleep from all of that. gently patting your head to soothe you was comforting enough for him.
geto walks away with you in his arms and the pile of corpses behind him.
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dadsbongos · 4 months
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i eat your skin - f.megumi
part of the jjk movie marathon event / movie selection … warnings - cunnilingus (fem reader), title sounds like vore smut but it isn't i promise word count - 3.7 K / rating - R
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Megumi braces his hands on his knees, brows pinched tight in preemptive annoyance. Satoru spindles over him, shadowing the younger man almost completely - and it only serves to irritate Megumi that he’d refused to sit down. Furiously determined to forever humiliate his former pupil, Megumi assumes.
Or, he would, if Satoru hadn’t actually agreed to give him advice about a little… situation.
“Alright, now when you see her, look at me- seriously, look at me, Megumi,” Satoru’s face is lethally drawn, usual bright grin tugged low and serious with furrowed brows to match, “Megumi, you cannot let her intimidate you,” Megumi opens his mouth, a vile retort slithers back down his throat when Satoru interrupts, “No, I know you, and you’ll feel all sick,” he mocks a frown, even pretending to wipe tears from his eyes, “You’ll get all nervous. But you cannot let her intimidate you out of it.”
“I’ll hardly die asking her out,” Megumi rolls his eyes, one hand lathering the sweat in his palms against his sweatpants and the other scratching the back of his neck, “Maybe this just isn’t a good idea…”
“And what? Be a miserable wimp the rest of your life?” Satoru folds his arms across his chest, “You’ve liked her since you were first years.”
“And?”
“You’re graduates now!”
“So?”
“‘So,’” Satoru mimics Megumi’s sulking nature, voice deep and neanderthal-ish in nature, “Be greedier, kid!” he flicks the younger man’s forehead, “You’ll die one day. You’ll die. Whether it be on a mission, or in your hospital bed as a diseased old man - you can’t stop it. So, why deprive yourself of something you really want when it all ends the same?”
Megumi can’t exactly pinpoint the reason he even came to his old legal guardian for help over, say, Nanami. He definitely should’ve gone to Nanami, at least he could’ve given Megumi genuine advice that isn’t some children’s show morale of “just tell her how you feel!” - he could’ve done that any day.
When Megumi opens his mouth to protest, Satoru flicks him again.
“You think your special one,” Megumi gags loudly at the title, and Satoru pays it no mind, “is gonna sit around her entire life not having fun and being young? Getting dates?” Satoru nods to himself when Megumi doesn’t reply, “Duh.”
“I want this to be special,” Megumi insists, both hands coming to rest in his lap now, he squeezes them together, lacing his fingers and imagining how yours would look with him instead, “I want- “
He wants and wants and wants and does nothing.
He needs to be someone you simply can’t fathom saying no to, he needs it so bad his stomach churns just like Satoru said it would.
“Alright, I know it can be difficult for you - not being me, after all,” a large hand claps on Megumi’s shoulders and he looks up to see the beaming face attached, “But trust me, kid, this whole idea of a ‘special’ confession is archaic bullshit compared to just being yourself.”
“I thought girls liked special confessions?”
“Sexist: not all girls automatically like the same things,” his former teacher shakes his head, sighing out each disappointed fiber trapped in his soul, “And if she doesn’t accept a plain, Megumi-style date proposition, then her shock and awe over a sick-as-hell graphic novel confession isn’t going to make for a healthy relationship.”
“Hm,” Megumi bites back frustrated curses, taking the words and molding them into a more conventional way that actually makes sense. He nods, “Okay.”
“Exactly,” Satoru stands back, giving Megumi room to rise from his bed, “Oh, but one thing that does help?” the older man grins wickedly, “Eat her out. Direct line to a woman’s heart is through eating her pussy.”
“Shut up,” Megumi huffs, pointing at his wide-open bedroom door, “Shut up. Shut up and get the hell out.”
“Jeez,” Satoru yanks at the already loose collar of his plain black shirt, “I thought we left teen angst behind. Just give it some thought! And also, I wanted to ask- “
Megumi huffs, falling back onto his bed, still pointing at the door.
“If,” and in true fashion, Satoru continues, maybe even a little louder (just to prove a point), “you wanted to watch a movie?”
“No,” Megumi immediately answers.
“C’mon! It’s this or paperwork I have to do.”
Megumi’s eye roll gives Satoru no more room for pleading, and so he stalks back to the living room. Dragging his socked feet over a shaggy black rug towards the door, he takes a final peek over his shoulder at the boy on his bed. Stupid mouth in a stupid pout and stupid nose forcing stupid crocodile sniffles, Satoru acts out a picturesque performance. And if his blindfold were off, Megumi is certain he’d catch big blue eyes framed by batting white lashes.
“No, “ Megumi rolls his eyes again, “‘m going out.”
Blushy top with faded blue bell bottoms and a shiny, thin chain that dangles across your chest, Megumi’s eyes flit away from your figure just as quick as they’d found you. Everything’s a little murky under the purple LEDs, but he thinks you’ve worn that before. He thinks you’re somehow more beautiful now. He looks away, snaking through a narrow, picture-framed hallway at Yuuji’s back to this house’s kitchen. There are no light strips strapped across the kitchen walls, simple and plain and unflattering fluorescent bulbs send a gentle cream wash over the walls.
With only a handful of straggling bodies leaning against peeling-edged faux wood cabinets and spotted countertops, there’s more room to breathe than in the hall. Red Solo cups from every teen movie nightmare decorate hands and unnerving corners. Some more anxious part of him wants to reach out and push every precarious ruby further back into secure landing, but he doesn’t.
Two women in complimentary spaghetti strap dresses flounce out of the kitchen with looped arms. They’re sunk into the plum tank until Megumi can’t see them at all anymore.
“Oh, like that!” you muse, nudging your chin towards a pair in matching floral print dresses that reach about mid-thigh, “Exactly my point.”
“That’s hardly 70s influenced,” the man in front of you - Jirou? Junto? Jouji? you don’t really recall - shakes his head, “Just flowers.”
“No, no, look at the trim,” you’re trying your hardest not to point but this guy just cannot pinpoint the details in your mind to save his life, “It’s flowy and mesh. Sort of. That’s a little more flower child era, right?”
“I guess, if your only experience in that fashion was movies,” you huff at the response and he laughs in the face of such exasperation.
“Whatever! You’re so difficult.”
“Hobby,” it’s so plain out of his lips. Like you should somehow be expecting that snark.
“Oh my God…” you can hardly believe someone could be so obtuse. A contrarian just for the fun of it, “And are you normally invited to parties for that?”
“Oh, no,” his tone, again, betrays some delusion that you should already know the answer, but this time you do already know. Who invites a conversation killer to an event? “I got dragged here by a friend. Don’t even know who the host is.”
You snicker, one hand smothering the sight of your mouth, “That makes more sense.”
Megumi can see the hand that binds, you usually don’t string it up around those you’re close with. Like Yuuji and Nobara and Maki and Miwa from Kyoto and your friends that live closer to the coast and the friends that don’t and your parents and him. So you’d think he’d know better than to let a big, gangly, clawed, green beast sprout and grow and suck away at his gut.
Even though that hand is a sign of some rising desire to be out of that conversation, he still hates being across the room when it happens. Because that’s still some semblance of a shining star behind the flesh. Some laugh or smile he’s not next to.
And it isn’t like he hates when you’re out with others. What he hates is being in the same room with someone potentially more captivating than he is.
He hopes you like him best because he’s the most familiar and drawing, and it’s disturbing when someone else might be more homely and more charming and more absorbing. He hates the curdling illness of jealousy and he hates to be this way when you two aren’t even together, but most of all he hates that maybe you’ll prefer someone else simply because they’re better at his craft than he is.
So Megumi watches and rots quietly with thick, spindling vines spreading and tangling him to the kitchen doorway as you talk to a guy whose name he doesn’t know. It’s pathetic and waning most unbearably.
“Stop staring, it’s weird,” Yuuji chastises, chunking part of his weight against Megumi’s side, an elbow shelved on Megumi’s shoulder, “Just go up and say something, if you wanna talk to her.”
“Yeah, it’s that easy,” Megumi jerks through the vines and into the hungry waters of a living room party with a snapping, starved crowd before finding the optimal spot: a plain wall with no posters or pictures to snag and smack down.
Yuuji trails after, his white shirt reflecting a blinding shade of lavender from beneath his puffer jacket. Much easier to track down than Megumi’s gloomy, funeral-grade attire. Yuuji capitalizes on the empty space so ugly at Megumi’s side, staking claim to the wall with a huff, “It is, by the way. You two are friends. Go tell her you’re here.”
“But then I’d have to,” Megumi’s mouth zips shut, head tilting as he snakes a hand through some imaginary crowd.
“I guess,” Yuuji wants to shake Megumi at times like this. He wants to shake you too, sometimes. But mostly he imagines squeezing Megumi’s shoulders and smacking him around, but he never does.
Maybe just the first part.
All out of love.
“Okay,” so Yuuji pivots, swerving in front of his best friend and taking one shoulder in each hand, “You need to do something or you’re going to sit here and be pouty, dude.”
“I’m not pouty.”
“Biggest lie in Tokyo, brother,” Yuuji purses his lips, eyes flitting to where you are, “I’ll get her over here if you really don’t want to.”
“Hm?” Megumi’s brows furrow, neck craning closer as if he could somehow mishear the man.
“Just pretend to be busy or some shit and I’ll brave the crowd,” Yuuji goes to walk away, suddenly pausing and placing a hand over Megumi’s heart, “And if I don’t return, sing songs for me by a nice lake every anniversary.”
“Whatever,” Megumi knocks away the hand but is already pulling out his phone to perform the charade. His eyes lock onto the screen and he soldiers on to not rip them away and give slight that this was planned.
“Do you think I could maybe get your number?”
“Oh!” no, God no - you wish you were better at saying that, “Uh,” it’s not even as if you dislike this guy, you just don’t think any conversation with him could amount past what it has.
Wow, you’re a pain in the ass! Yeah but it’s funny, right? Not if it’s on purpose. Especially if it’s on purpose! Sure, if that’s what you think. You do think it’s funny, right? Sure. Come on, it is! Sure.
And dry replies make you want to claw your eyes out more when you have to give them than when you receive them.
So when the bony fingers of Yuuji creep upon your side, it’s like the first drink of water after sifting through thick bowls and hills of sandy desert. He leans his head down into your peripheral, grinning brightly, “Miss me?”
“Yuuji!” you cheer, turning to… Junsei? and laying a flat palm under Yuuji’s chin, “This is my buddy, who I didn’t know was coming.”
“I texted you,” he pinches your side, “Fushiguro’s busy, so I’m fetching you for the night,” and you wonder if he might feel the stiffness of your muscles and the rigid air, “Sorry, man, but she’s got serious business tonight!”
“Oh,” Junzo! Junzo’s forehead crinkles, nose wrinkling at the bluntness of this cocky new stranger, “Uh…”
“See you around,” maybe it’s a lie, maybe it isn’t. You wave and let Yuuji keep you pressed to his side. You wait until you’re certain the surrounding affairs of other people drown whatever you could say to Yuuji, “Thank you for that. He was asking for my number and I just didn’t know what to say…”
“No,’” he shrugs.
“Oh, like you could’ve done that.”
“I could’ve!”
But Yuuji can do anything, so that isn’t fair.
“‘gumi!” you cheer upon getting close to the boy, arms splaying wide before wringing yourself around his neck, “I was worried you weren’t coming!”
He hesitates before having the misfortune to hear Satoru’s words once again. Be greedier. Be greedier. So he gently settles both hands on your back, pushing you chest-to-chest, “Yeah, well, Itadori wouldn’t let me stay in.”
“Poor baby,” you step back, and Megumi takes notice in how you maintain your hands’ position over his shoulders, nails picking at fluff on his shirt.
Megumi, regrettably, can still hear Satoru in the back of his head. Greedier, greedier, greedier. It chokes him up, the idea of selfishly taking you for himself. But what really grips him is the terrible way your gaze flits from his face to other men - unintentionally, he’s sure. But it drives him wild all the same.
“I hate big parties,” Megumi boldly cradles the bend of your waist with his hand, fingers splaying wide over the curve. He tugs you closer, thighs nearly brushing, “Crowd’s a pain in the ass.”
“Ah, no, c’mon, what’s that Great Gatsby quote?” who’s to say, he hasn't read that book, “‘I like large parties. They’re so intimate…’” you shrug, bottom lip tugging between your teeth when he doesn’t show any recognition, “‘At small parties there isn’t any privacy.’”
“You actually remembered that shit?”
You titter coyly, “Maybe I saw it on one of those book quotes videos. Maybe I remembered it.”
“Well, it’s a stupid quote. There’s too much noise at big parties, it’s hard to hear people.”
“You hear me just fine,” that’s just because he’s leaning closer and trying harder than he does for most people, “Besides, I like it. At big parties you can just fuck off and do your own thing, you know? At small parties there’s this expectation to be around everyone and interact with everyone and be having fun with the group.”
Finally, it seems to click, he nods slowly, “You like to get away from the crowd?”
“Yeah,” you scratch the side of your arm, then your neck, and it’s so odd how just thinking about how uncomfortable your skin is that you can get so itchy, “Hard to do that when the crowd’s five people and a dog.”
“Well,” Megumi can feel Yuuji’s stare, and it takes everything in him to not knock the kid up his skull, “If you wanna get away, I’m sure - uh,” he’s suddenly humiliated by his own hubris, “I’m sure there’s room… upstairs…”
You grace him with a patient nod, hands lowering from his shoulders to lace your fingers together, “I’m sure there is.”
“So…”
“So…”
Megumi nods, head slowly tilting so he’s staring up at you through his long lashes, “So.”
You lean closer, shoulder pressing and nose bumping against his, “So?”
The heat from Megumi’s cheeks wavers over you, his flesh ripe with crimson. You want to bite him. Leave a terrible mark that he couldn’t possibly cover up; maybe he’d let it bleed through his dark shirt. Maybe he’d let you lick it clean.
“You look nice,” he tucks his face down, heated skin now flush against your top. His brows furrow, uncertain, “Really nice.”
Megumi wonders what Satoru or Yuuji would do. They’re greedier than him by nature. More outgoing.
They would’ve done something years ago.
Suddenly, you grin. All sharp teeth and nails pricking over his thigh, through his pants. Your eyes stare down at him over the bridge of your nose, and you lean closer - smothering any space he’d initially put between your bodies.
“Are you gonna do something about it?”
Megumi’s eyes widen, warmth beating over his face and the back of his neck. He flails for a response, trapped under your piercing gaze, before finally settling on a response that he hopes pleases you.
“Do you want me to?”
You frown; something in his chest stings, a chord pulled awry. The tug of your lips is all a ploy, a mesmerizing color to disguise venom, “Don’t you want to, ‘gumi?” you pull away, leaning back with your hands pressed to the mattress below, “Don’t you want me?”
A cold breeze from this stranger’s open window takes up residence across Megumi’s sweltering skin. He hates it. He wants to get up from the bed altogether and slam the window shut. He wants to take you in both hands and sink himself into the softness of your skin. He thinks you’d be savory.
He wants to be certain.
So both of his hands mold to your hips, melting his exposed skin to yours.
Fingers dipping into the waistband of your bottoms, he bats his eyelashes and tucks his lower lip between fangs. He may draw blood. He cares not.
The oxygen is thin; hardly refreshing.
Megumi swallows the pooling want on his tongue, his fingers twitch against you, “Can I- “
“‘gumi…” you flatten yourself onto your back, hips tilting up into his palms, “Show me you want me.”
“Okay,” Megumi nods, air forced out of his throat through swollen hunger, “Okay.”
Once he’s gotten your pants off, Megumi presses open kisses against the inside of your thighs, following the swell to its natural apex. He digs the jab of his nose into you, lips impolitely fluttering against the seat of your panties before dipping his tongue out. Lolling the soft, soaked muscle over the clinging fabric, he feels his chest clench at how you rock your hips down into his face.
He feels one of your hands wind into his messy hair, carding through the softness. He wants to make you tug it - pull cruelly and grind against his face. Take what he gives and selfishly demand more.
Megumi groans heartily into your clothed cunt when the slickness of his saliva pulls your wetness from the cloth; when the unabashed taste of you meets his tongue.
He nearly rips your panties down your legs, settling it in a ball at his side. Heart leaping up into his jaw at the mere thought of getting his tongue into you.
Laving his tongue between your folds, Megumi licks up to your clit and circles the bud - his hips jerking down into the plush mattress when you jolt up and tug his hair. He pulls his head back only to pucker his lips and drool onto your hole, adding to the sloshing wetness before steadying his shaky fingers against you.
Sucking your clit into his mouth, Megumi begins softly. Caressing the bundle of nerves with his warm tongue, blending flat, broad strokes with precision dances of the muscle over you. Meanwhile, he slicks his middle finger into your hole and moans in response to your gasp.
When he’s sure you’re wet and stretched enough, he adds a second finger and curls them both upwards. The muscles in his arm will be aching tomorrow, but he shoves that to the back of his mind. He presses and scissors and dips inside you until the pads of his fingers find sponge, and he hits there, and there again. And again. And again. And again.
He hits there until you’re fully babbling, gushing against his swollen, pink lips and chin. And he’s starting to babble back.
Vibrations are loosely strewn together as ‘yes’ and ‘please’ and ‘cum on me’ are bound against your clit as he nuzzles closer into your heat. Burying himself between your thighs and finding himself releasing a moan into your cunt when your thighs clenched tightly around his head. The fat of your thighs snug over his ears.
Releasing your clit from between his lips with a soft ‘pop’, Megumi flays his tongue onto the exposed nerve. Hot puffs of air leave him with each groan and whimper as his desperation to make you cum hammers over him.
Finally, you yank his hair again and snap your hips into his tongue; cunt sucking his fingers in even deeper. You squeeze around him, back arching, and his name singing from your lips.
Megumi unfurls his fingers as your cum splashes out onto his waiting tongue and chin, riding you through the hurls of pleasure until your twitching legs crash back onto the mattress. Slowly, he slides his fingers out of you before licking up your excess release from the divots in your thighs and your cunt.
Unwinding your fingers, you settle for soothing his stinging scalp with gentle pets.
Eventually sitting up, Megumi gasps for air as you do, staring down at his fingers. Shining with your wetness.
“Still hungry?” you tease, voice ripped at the edges.
“Actually?” Megumi shrugs, “A little.”
The cocky air has dissipated from your body. Once tense and lively limbs were now useless against the bed.
Megumi jams both fingers into his mouth and sucks off your cum.
“Insatiable!” you huff.
Rouge has overtaken Megumi’s cheeks - worse than before - and he can’t meet your eyes after having swallowed what remained of your soak. He leans over onto his elbow to avoid crushing you, “Only when it’s you… I don’t,” he waves his hand around, “do this often…”
“Really? Could’ve fooled me.”
Megumi has to hide his grin, almost embarrassed to enjoy being praised, choosing to take up time looking around the room you’d shoved him into.
Idol posters with one constant member litter the walls. Pink concert tickets cover the desk. And many pictures with the same two people overwhelm Megumi’s sight. He feels an unsettled chill scrawl over his skin.
“Todo is going to kill me,” he grimaces.
“Was it worth it?”
Megumi doesn’t take long to respond, already trying to think of where and when he can get you under him again, “Definitely.”
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Megumi’s proper death is drowning via punani tsunami *thumbs up emoji*
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naomihatake · 10 months
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Nanami Kento headcanons #1
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Summary: random Nanami headcanons, general personality traits I observed and demeanor. I might elaborate later on some of those.
TW: none, I guess?
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︴He definitely has a hard shell. Genuinely, he has a stoic and low key shell rather than a cold one. He just seems unbothered and annoyed at the same time.
︴He's kinda sassy and blunt as fuck, but his comments are only for the best unless he's genuinely mad. He adores discipline and having plans for his next day, so he probably gets quite grumpy when it comes to unplanned things. Less grumpy when it's about a mission because he got used to how unexpected those are.
︴I see him as selfless. A bit too selfless even. He wouldn't let anyone die on his watch even if it costs his life (we're all crying about this one, I know)
︴I wonder if he has a hard time accepting his wrongdoings. And by that, I mean he has a hard time with himself rather than being unable of apologizing. I think he's very harsh on himself and he doesn't forgive himself easily. At the same time, I see him as someone who doesn't regret much. Those two sides of him depend on the context, most probably.
︴He cares more than he lets you see. And he's the type to believe in actions more than words and he follows that belief himself. He's the type to show more through actions than words and he tries his best to keep his promises. Is it even necessary to mention he doesn't make promises unless he's sure he can keep them?
︴His toxic trait is probably being so hard on himself he tends to avoid people thinking he's doing them a favor. However, I don't think this happens everytime. He has to go through really hard times and he doesn't forgive himself at all when he's on a mission with someone and they get badly injured.
︴He's honest. He's honest and very sincere and his bluntness probably makes him look cold, emotionless. He feels so much more than he lets be seen.
︴When he's close to someone, be it a friend or a partner, he's most likely softer. So much softer and his sincerity cannot only be heard, but seen on his features, in his eyes. He tries to mold his bluntness into positive criticism more, especially when it's about people he cares for, the ones he empathizes with.
︴He doesn't settle for less than he thinks he should receive because he gives everything, but he does feel guilty if shit goes down in any kind of relationship. He doesn't settle for less, but he doesn't wish for the moon either. It's kind of balanced, if you get what I mean?
︴If he's hurt, he tries to play it cool and take care of it by himself. He'd try to hide his pain, be it physical or emotional, but he wouldn't get mad if someone tries to help. He might say things that seem harsh, but if you'd look up at him as you help, he'd have such a soft gaze. He's genuinely grateful for help, even if he doesn't accept it at first.
︴He puts too much responsibility on his own shoulders, reason why he most probably doesn't want to become a sensei for young sorcerers. He'd burden himself with so much and he's sure there are people much better at this job, even if he can explain well. He's a good mentor, he'd be a great sensei. However, he swears up an down about how he wouldn't ever become a teacher.
︴He remains a kind person, despite what he seems to be. He's kind and if he'd get born into another life, he'd choose a universe without curses and the burdens he has to carry because of situations in the past he calls "mistakes". Once again, he puts so much on his own shoulders when no one asks him to. He's hard on others, but most importantly, he's hard on himself.
︴He's not optimistic or pessimistic most of the time. He's realistic and realism sometimes appears like pessimism to other people. He's able to read both the good and the bad part from a situation and to put into words. His way of talking/communicating makes it seem like it, but he's just realistic. He used to be very pessimistic as a teenager from what I gathered. He matured over the years and now sees everything from many other perspectives.
︴He's very good at communicating. If the conversation or the group of people he's with feels worth it, he definitely talks. And he's a smooth talker as well.
︴He doesn't let anyone walk over him. He'd be passive aggressive while also casually pointing out they're being an idiot. (I live for savage Nanami)
︴He hates when people disrespect others and ranks and the way sorcerers' grading is viewed is very annoying to him, most probably. In his eyes everyone has potential, in a way or another.
︴He's definitely sorry for the way those kids and teenagers have to just accept being sacrifices. And he'll protect them no matter what it takes because he's been there as well and he wishes he can give them better than what he's experienced as a young sorcerer.
︴"He returned to being a sorcerer from the life of a salaryman because he never felt truly appreciated and didn't believe his work had any significant impact on anyone. In contrast, work as a sorcerer allowed him to build up small bits of appreciation from innocent people. For Nanami, this was more than enough to allow him to live without regrets" — That's what Jujutsu Kaisen Wiki says about him and I couldn't find better words to explain this
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sleep-deprivedracoon · 8 months
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JJK Manga leaks - Heavy spoilers ahead.
Please do not read below the cut if you do not wish to be spoiled.
These are for chapter 237.
I repeat do not read below the cut if you do not wish to be spoiled.
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The pacing of this arc has got me so anxious tbh. It's gotten to a point where people cannot even predict where the plot would head towards and I like it to be honest. It's refreshing (traumatizing) that something isn't predictable even though it follows certain Shonen manga tropes. JJK is such an outlier Shonen. This is a long read, I apologize in advance.
After reading the leaks, I have some thoughts and I have listed them below -
1. Gojo’s death seems kinda pointless right now with Sukuna's reincarnation and reverting to his true form. He literally healed all the damage done by the Hollow Purple. Gojo probably is gone for good and I have slowly come to terms with that. But I need to know what Sukuna's reincarnation to his true form implies for Megumi. From how Twitter and Reddit is reacting, it seems like Megumi also is gone for good now. Everyone clowns on Gojo for being hated by Gege but I truly think Gege hates Megumi the most. Poor baby cannot seem to be catching a break.
2. The fact that we don't see Gojo's body anymore worries me. The fact that we still haven't seen any of our remaining characters react/process Gojo's death also worries me. Worries me because it is giving me copium again and I just have started to accept Gojo's death 🙃
3. We now know Kashimo is going to die when he runs out of CE because he yeeted his human form to fight Sukuna. So Kashimo is not making it out alive in Kashimo vs Sukuna. I atleast hope he damages Sukuna enough for the rest to jump on Sukuna but I doubt that will happen (explained more in detail towards the end)
4. We finally get crumbs of Sukuna's backstory. He was an unwanted child (if the fan translation is believed to be right. I am still going to wait for an official translation because last time the fan translation made us all hope about Gojo's revival way more than it was hinted.). Knowing Gege, I think this is the maximum we will get to know about Sukuna before he became the king of curses. Gege once mentioned in an interview that Sukuna was beyond help and was pure evil. I mean this dude has Uruame cook humans for him. So I don't think Gege is going to give us a tragic backstory for Sukuna.
5. Also Kashimo's line about Sukuna's strength reminds me of Geto and Gojo's KFC breakup line.
6. Hakari vs Uruame. Let's fucking gooooooooo! Beat their ass Hakari!!! I am betting on Hakari winning this. The good guys desperately need this win. Please Gege, just be merciful on us for once.
7. We still don't know what Kenjaku is up to (stay the fuck away from Gojo's body you slimy fiend).
I honestly still do find it weird that Gege chose this route of let's kill the strongest character because he is a roadblock by creating an almost omnipotent character that is absolutely insane and a master strategist. At this point someone will have to turn into Buddha themselves to take Sukuna down. I think the last win we had (if we do not consider Gojo unboxing as a win and the culling games win) was with Yuji and Todo. And Todo retired/left? (I don't blame him though. STAY SAFE MY BOY).
But to summarize the good guys roster right now - Nanami is dead, Nobara is MIA, Yaga is dead, Yuki is dead, Todo has retired, Megumi is likely a goner, Gojo is dead and since we don't know what happened in the 1 month (because we didn't get a training arc), Yuji only has black flash, stamina and super strength right now. The higher ups were probably kiiled/dismanted by Gojo. Zenin clan got KO'd by Maki. Yuta is the only special grade in Japan that is alive. Mei Mei will switch sides like it is nobody's business. Maki is one of the only people who's had an insane shonen level power creep since Shibuya arc. Shoko and Utahime are not fighters.
Whereas the bad guys roster - Uruame with their icy powers, Kenjaku with literally all the curses that Geto had plus several more that he acquired and Sukuna. The fact that Sukuna has a binding vow with Kenny and Sukuna is almost omnipotent rn.
Sukuna abilities :
1) Can make himself immortal by putting his soul into cursed objects(fingers)
2) Can take over others bodies by making them ingest his finger
3) Can use the taken over body's CT proficiently with minimal training
4) Has twice higher CE than the next highest person (Yuta)
5) Has the best RCT on par with Gojo
6) Has a way to revive himself without RCT (such a possibility was not even considered possible in the power system uptil now )
7) Has/Had the 2nd best cursed technique (ten shadows)
8) Has a cursed tool that can shoot lightning
9) Has a flame arrow than can insta kill a special grade curse
10) A way to transfer damage he sustains ,to the soul of the body he inhabits
11) A way to enlarge his body parts (when he tries to eat angel)
12) Has the best durability (sustained 2 purples (probably the technique with the highest damage in the series besides the space-time cleave) a blue infused black flash punch, and unlimited void)
13) An unexplained CT that hasn't been revealed yet.
14) Crazy learning rate able to reproduce anything by seeing it only once
15) Has 4 arms and multiple eyes
16) A barrier less domain - idk if his reincarnation can now do DE
17) Cleave and dismantle for which he can modify the cursed energy output however he wishes.
18) No moral compass or emotional attachments that can be exploited against him.
19) probably has 2nd highest IQ (after kenjaku ) and easily highest battle IQ. Mans not only planned for Gojo but also for after Gojo.
Realistically our protagonists (Right now only Yuji and Yuta) need a dues ex machina moment to take down just Sukuna. And after Sukuna is dealt with, they need to plan for Kenjaku.
The odds aren't looking too good :(
I miss the goofiness that this Manga had lol.
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eydi-andrius · 6 months
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ENDING GREEN
PLEASE DO NOT READ IF YOU HAVE NOT READ THE FIC SUNDAY MORNING COFFEE YET.
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author's note: I guess you were my girlies who cannot accept that Nanami died....because SAME. I have blocked every spoiler but saved his beautiful photos walking and enjoying that beach in Malaysia.
Enjoy! And don't forget to let me know what you think! 💚
divider by @cafekitsune
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💖
When Yuji was the one you saw at your parent’s front door, you almost lost it. You were breathing fast, panicking and dizzy from worry. 
Yuji, who saw how your face turned pale instantly at the sight of him, panicked at first but then, he immediately tried to calm you down when he realized that his presence made you think of something you don't even want to mention. 
“Are you okay? I’m sorry I invited myself in.” He looked very sorry and even bowed in apology. You sipped the cold water he provided and closed your eyes to calm your racing heart. Thankfully, your parents went out temporarily or else, your breakdown will pass through them and poor Yuji will probably have a hard time taking care of everyone in the household. 
“I’m fine. Why are you here, Yuji? Where is Nanami?” With a frown, you put the glass on the table and tried not to fidget in worry. 
“Nanamin is fine. No, not totally fine. But alive and recovering.” He tried his best to explain but you noted how he looked away whenever your eyes met. Wait? What does he mean by recovering? 
“Recovering?” You asked, and stood up in surprise. Your heart is racing back again in worry.
“He’s okay! I swear, he is okay! Shoko-sensei already healed him. He can’t just go to meet you yet. But he told me to tell you he is okay and cannot fulfill his promise of following you here.” He explained immediately and waved his hand to tell you to sit back down and relax, afraid that this time you will totally faint from shock. 
“Healed from what?” You asked with a frown. 
“I- I was told by Nanamin not to tell you. He said he will explain.” Yuji looked like someone who was caught red handed. A boy who was caught, like a deer in the headlights. 
There is no point in worrying any further and pushing poor Yuji in the corner for more questions about Nanami when he was told not to mention anything from you. With a sigh of relief, from that dreadful week of waiting, especially, when you lost contact with him. You finally felt better, still worried, but better. 
“Have you eaten yet? How about lunch?” You offered and laughed when Yuji’s stomach growled at the mention of food. 
💚
The sterile smell of the white colored space made you nauseous. Although you were told he is well, you still do not know what he was recovering from. You have this fear on the way here that you tried so hard to swallow and hide on the back of your head. 
Shoko was the first one to greet you by the door. She gave you a curt smile, but her eyes told you how tired she was. You cannot imagine the amount of sleepless nights she has to endure after that bloodbath. Even Yuji, who used to be so bubbly, was all quiet on your way here. Like an old person who is contemplating life. It breaks your heart to see him like that when he was just a child. He doesn't deserve to see and experience those things by himself. You understand clearly now how Nanami feels if he chooses to be a normal salary man, and leave these kids in the hands of those heartless elders. They will not care if they are exposed to danger and die. The same way they treated Nanami when he was young. With a nod, Shoko opened the door and you were greeted by a bed hidden by a white curtain. 
“Just call me if you need anything.” Yuji, who was following you diligently up until that moment, had decided to give you space to meet Nanami alone. You nodded at him with thanks and he gave you a smile in return.
The walk towards the bed feels endless, the image you tried so hard to not think about keeps flashing in your brain. Each step is filled with a prayer that whatever injury he got is not as bad as you think it was. The more you move forward, the smell of antiseptic grows stronger, and the air tastes bitter, the smell is like an artificial soap. You stopped to take a deep breath before you took one last step and stood at the end of his bed. Mouth agape, you tried your best not to shed tears when you see how he looks. His head was covered with bandages, alongside his left face, all throughout his left arm. Some of his blood seeped out of the white cloth and stained the used to be pristine cover. The constant beeping of his life monitor is loud as it echoes to the quiet room and into your head. Your eyes continue to scan the damage he endured and left a silent gasp when you realized he is missing an arm.
Quietly, you move closer to him and plop down at the nearby metal chair beside his bed. With shaky hands, you took his remaining arm and clasped it like it was fragile. Your hand lost its strength from shock and you shook your head trying to decipher the pain Nanami must be in. You did your best not to shed tears, you truly do, but seeing the love of your life, half alive, pale and bloody is something you would never have thought you would see this sooner. You always thought that Nanami is the type of guy who will be able to leave the Jujutsu world with no injury, and healthy as a horse. You’ve guessed that you spoke sooner or maybe you were just naive. 
His hand is just too cold and the fear you were trying so hard not to think about came crashing down like an avalanche. You did your best not to squeeze his hands too much as you whimpered and cried on his side. You prayed to all the gods and whatever creatures who can provide you a miracle that day. You begged them to give Nanami a chance. To bring him back to you.  
You cannot remember how long you were in that position, but all you were interrupted by a hand squeezing your hand back weakly. You slowly looked up from where your head was placed on the bed, to silent your cries, and watched Nanami’s face for any sign movements. You did not know if you were just imagining that or not, however, your eyes were intensely trained on his face. Waiting for anything at that point. He did not open his eyes, but his mouth moved and you heard an inaudible sound coming from it. 
Carefully, you move closer to his face and move your ears closer to his mouth. You waited for him to say whatever he had said again and when he did, your knees almost buckled from relief. You nodded in agreement and softly placed your forehead on his uninjured face. Thanking all the gods you had prayed for at that moment for granting you another chance with him.
“Yes, we will move to Malaysia once you recover. I will come with you and I will be yours forever.” And it was at that time you realized that at your lowest moment, a person who never knew faith, will only have faith to get through their toughest battle. 
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sweetmoonlight7 · 2 months
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“No words appear to me in the aftermath
Salt streams out my eyes and into my ears
Every single thing I touch becomes sick with sadness”
-Bigger Than The Whole Sky, Taylor Swift
jjk microfic | word count: 243 | spoilers for the manga
It is important to surround yourself with people, so you do not die alone.
Yuji’s grandfather had told him this before dying.
At first it seemed almost like a blessing. Something that had allowed him to save Fushiguro, meet Kugisaki, and help save people.
But now?
Now all he has managed to do is kill and hurt people.
He couldn’t save Junpei, Nanami, or Kugisaki.
Even worse he has managed to be the reason why so many awful curses had resurfaced.
Everything he has done since getting to Jujutsu High has hurt and put more people in danger.
And now the one person who he had been able to save. The reason why he started this in the first place, doesn’t have the will to fight anymore. Fushiguro doesn’t want to keep going.
You can’t save someone who isn’t ready to be saved….but Yuji can’t just let him go. He can’t accept that Fushiguro has given up.
Fushiguro, he had a bright future. He was so much bigger than this, he should have more time than this.
He has a lot to think about and a lot to regret but Fushiguros life cannot be added to his list of failures. He has to help him, even if that is not what he wants.
It’s the least he can do after causing so much pain and suffering.
Hopefully he just needs time.
When he is ready Yuji will be there for him.
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hood-ex · 2 days
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Finished JJK S2. Many thoughts below.
I'm kinda "hmm" over the parallels in personalities between the Yuji/Megumi/Nobara team and the Satoru/Suguru/Shoko team. Yuji and Gojo as the powerhouses with loud mouths. Megumi and Suguru as the quieter members. Nobara and Shoko as the boisterous don't take shit ones. Like idk I guess I'm just worried about Megumi in this equation and hoping he doesn't pull a Sasuke (or duh Suguru lmao) at some point.
Speaking of Megumi, he was only really involved in about 3 fights total. I missed him in the bigger showdowns with the others. On the other hand, I'm really glad Nobara got to step in and deal some actual damage to Mahito. Like I said before, fuck Mahito, all my homies hate Mahito. I mean, seriously, it felt like Yuji was getting nowhere with Mahito, so when Nobara got that hit in, I was cheering, I was hooting. I was painting "Nobara" on the back of my shirt. What an awesome moment for her.
Sorry I watched basically the entire series today so my brain is burning, my memories feel like soup rn, I'm going out of order when talking about events. Uhhh... oh I'm glad Jogo and Hanami died. I was sick of them. The difference in the fight between Jogo and Sukuna vs. Sukuna and Megumi's thingy. His... what was it called again? Eh whatever you know what I'm talking about. The pact (?) monster Megumi called forth before he went unconscious. The difference in those fights was super interesting. With Jogo, Sukuna was just having fun and not worried at all. With Megumi's thingy, Sukuna actually had to strategize a bit and such. No wonder he has a fascination with Megumi.
Too bad Sukuna killed those sisters but honestly not surprised. I did like how those sisters revived Yuji/Sukuna.
Oh?? And Choso dude?? The sibling reveal?? You have nooo idea how much I didn't want Choso to get killed off at the very end. I was hoping, I was praying, I was like absolutely not, now that I know he's Yuji's older brother, he cannot die. Ever. Everrr. Bc you know me and my thing about siblings. Love em. I was laughing when Choso was telling Yuji to call him older brother, and Yuji was like dude whaaat lmao. Like shhh, Yuji, shhh. Just accept it. You have two brothers now. Aoi and Choso. Lolol.
Speaking of Aoi, I had a moment where I was like, okay, I can get over Nanami's death because he had accepted his death, he was tired, he was ready to go, but I CANNOT accept Aoi's death. Even the thought of him dying made me start to tear up. He's definitely one of my favorite characters now, which is funny, bc I thought he was just annoying in his first appearance. But the fact that he has Yuji and Takada in his locket?? LMAOOO THIS MAN IS SO UNSERIOUS PLS. Sucks he lost a hand, but I'd rather him lose a limb than lose a life. (Fuck me, he's gonna die at some point isn't he? I will literally sob. I'm not kidding, I will sob when/if that happens.)
Oh yeah and Nanami fucks forever and always. He was so hot for wrapping his tie around his hand like that. Ugh. Love him. Gonna miss him. Hope someone reclaims his weapon. I actually didn't cry over him bc, like I said, he was just... ready to go. He was too tired to go on. I could accept that.
Bro did Maki die?? I mean surely if Nanami survived then maybe she did as well...? I hope she didn't die. I liked her.
Owww my brain hurts, I need to get my thoughts out faster. Uhh... ohhh. Oh. When Yuji witnessed Nanami's death on top of Nobara's death (not convinced she's 100% dead though bc of the medic boy being like idk she was dead but maybe she won't be bc of my healing) and on top of seeing what Sukuna had done to Shibuya... holy fuck... talk about a lot of trauma in a short time. Dude when he just gave up after Nobara's death... and he curled up and cried when Aoi appeared... that hurt me. That made me feel like I was in the stadium of the first Pokemon movie watching all the Pokemon cry over Ash's stone body. It felt like that moment. That sadness and grief just overwhelming. Damn. What a good moment though.
I haven't even talked about Satoru yet. Woooow... the way he demolished all those curses at the train station in such a short time... crazy. Sucks he's trapped in a box. Like idk what else to say lmao. Free my man Satoru.
Omg omg omg can I talk about how two of my favorite moments of the whole series ended up in this season?? So the scene where Nobara talked to that girl from Yuji's high school who had a crush on him, and she called Megumi to come meet them, and then Yuji appeared later. Ahhh!! Squee!!! Megumi was sooo cute! And he was super cute in my other fav flashback scene where Nobara spilled coffee or whatever on Satoru's shirt, and Megumi stuffed the shirt under his own shirt to hide it from Satoru. Like lmao he gave himself boobies. PLS HE'S SO CUTE. MY LIL BEANIE BABY. See, this is why I can't have this man go all Sasuke. I need him to stay on the team for cute moments like that.
And speaking of cute Megumi things, I thought it was so cute when he was planning to die, and he replayed the last words he and Yuji said to each other. Something about them like staying safe/meeting up later or whatever. And he was like sorry I broke my word, Yuji. Something akin to that. :3
Holy moly some of the dialogue goes on for way too long during fight scenes and such. Like I know they have to explain all the techniques and details of curses and such, but it makes the fight scenes seem so much longer, and I'm like goddd please just shut up and fight (I'm literally not retaining any of the info they're saying anyway asldkja)!! Also, some of the fight scenes, even without a ton of dialogue, were just ridiculously long. Like did we really need 3-4 episodes of one fight between Yuji and Mahito?? I was like somebody new please come in and kill Mahito ASAP.
LOL the way that I was like "FINALLY, WHERE HAVE YOU BEEN THIS WHOLE TIME?" when Yuta finally arrived at the end, only to be like boooooo when he said he was gonna kill Yuji. Like nooo you two are supposed to be friends, okay. Be friends. Amigos. Pals. Fight side-by-side. Nah but surely Yuta will come around and fight alongside Yuji, right... right...
Wow yeah lots and lots of deaths this season. And now Megumi's sister is awake so okaaay...
Also, that Megumi dad dude was awesome as hell. He was freaking insaaane. I didn't care that he was kicking everyone's ass, I was just like let's goooo!
So anyway if any of y'all are reading the manga, please lemme know if Yuji and Choso retain a stronger bond of sorts or if that doesn't happen at all. Or if Choso straight up dies and they never get the chance for any kind of "hey that scar brain dude helped birth us so we're brothers" talk.
!!! I almost forgot!!! Why was Megumi holding Yuji's hood like this lmao. It was cute. And just. the big pile of bunnies.
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seraphiism · 5 months
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𓆩 ღ 𓆪 𝐬𝐨𝐦𝐞𝐰𝐡𝐞𝐫𝐞 𝐩𝐞𝐫𝐟𝐞𝐜𝐭𝐢𝐨𝐧 𝐥𝐢𝐞𝐬 , 𝐛𝐮𝐭 𝐧𝐨𝐭 𝐟𝐨𝐫 𝐲𝐨𝐮 & 𝐢
( IT IS EASIER TO TELL A STORY OF HOW PEOPLE WOUND ONE ANOTHER THAN OF WHAT BINDS THEM TOGETHER. )
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chara : nanami kento fandom : jujutsu kaisen quote cr : anne carson, lights a/n : posted the original fic 2 years ago ! revised + rewritten.
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one. love is not always as kind as the world makes it out to be. to be in love, perhaps, can be such a wondrous thing : to give it, a blessing ; to reciprocate it, a miracle.
but it is not always that easy, not always that simple. in the rhythms of love, there are sharp edges, jagged and wretched and lined with a cruelty and you won't know it until you're bleeding with some kind of heartache.
you learn this the hard way.
you are in love with nanami kento, and he is in love with you. that, perhaps, is one of the most heartbreaking things you have ever come to realize.
( QUESTION : how can i undo this? HOW CAN I FORGET? ANSWER : —————————————————————— )
two. nanami kento does not know how he will die, but he imagines it will be gruesome. to know peace in one's ending is not something he will be granted, but he accepts this with a light heart. he dwells on his life and everything he has known : all the grievances, this dull ache of survival, and a fleeting happiness. he dwells on his funeral, wonders if they will find him, the ache in his chest void, the blood in his veins splattered on unholy grounds ( likely not, he muses, and he cannot figure out if that would be for the best ).
all living things die. that is simply how the cycle works. who is he to decide otherwise?
it is different in a world of curses and sorcerers. acknowledging that you could walk into the hands of death at any moment, departing for missions in which there is no guarantee that you will return to the person or place you know as home-- it is too cruel. unjust, in a way.
he loves you. he loves you, but he cannot.
in days unknown, there will be a time where one of you will not come back. there will be a day where one of you will lay flowers at the other's grave-- the question is simply who will be the one to do so.
he loves you. he loves you, so he will rid of this affection, ignore the remnants of tenderness in a dying heart, and move on. he will not hurt you like that. he cannot bring himself to, and so he will deny himself this bit of humanity.
three. you walk under the cherry blossoms. the sky is pink, hazy, and it is beautiful. it almost makes you laugh-- what a cliche situation this is, to walk side by side with the person you love, the gentle breeze carrying the petals across the ends of the earth.
"do you ever wonder if you've made the right choice, coming back to us?"
you look down at your footsteps, observe the path you take. it goes on endlessly, and it is frightening and exhilarating and right and wrong, but there is no infinity in it. it'll end, somehow, this temporary comfort between you and him, and it will all go back to before : a reluctance in the presence of another and the pondering of what could be.
he stares at you, maintains his composure as he always does. but there is something inside of him that unravels too quickly, and it is with desperation that he keeps a quiet suffering.
the sight of you, peaceful, happy, is all he needs. he will remind himself of this moment in the near future, and perhaps once more in his last moments, because this is the only way he can seek closure in what he knows to be as a necessary hurt.
he inhales, deep, takes in the scent of the cherry blossoms. exhale.
he smiles. there is something inside him that continues to break, but that's okay.
"i've made the right choice."
four. the thought of love, idealized in all its glory, makes you nostalgic. makes you dwell, daydream, and desire for something more. you know it's stupid-- you do, but even you are human. you should remind yourself of that more often.
you study the paintings on the wall. you hate them. always have. you wonder if satoru chose them out himself because god, they're so hideous that you're certain that he was just trying to piss off the headmaster.
there's a loud yawn that shifts your attention elsewhere, gaze focusing on a certain someone : the chosen one, he declares, and you almost laugh every time he deems the title as his. he sits on the couch near you, slouches so much that it's almost as if he could just melt off the furniture.
"satoru," you begin, and your voice is quiet-- distant, almost, "what do you think the most beautiful thing in life is?"
he pauses, scratches his head. rarely do you address him as such, but it's not the most surprising thing in the world -- but maybe it's the way you sound so defeated, so worn out, that it makes him feel that slightest bit of unease and worry for someone he cares for. you feel so far away from him right now, even though you're only a few feet away.
it is a familiar feeling. one he remembers deeply. one he does not like.
but he hums obnoxiously, forces his thoughts away from a past unforgiving.
"me."
"shut up, you fucking idiot."
he grins, takes off his sunglasses.
"why? daydreaming again?"
you don't like to look at his eyes. they're too bright, see too much. you focus on the dreary paintings again, choosing your words carefully.
"hoping." you begin. "i'm hoping." a simple answer. a foolish one, at that. you force a smile. "kind of stupid, right? hope doesn't do much in this kind of world."
you can feel his gaze on you-- heavy. knowing. you meet his eyes, swallow hard. you wish he'd cover them again, because you're not used to this -- the lack of amusement, the lack of pity, but instead, a strange kind of thoughtfulness. you're not sure how to interpret it. best to not.
"nanami is stubborn," he says, adjusting his posture as he sits up a little straighter, "but so are you."
your gaze flickers back to the paintings. there's a lump in your throat now. it hurts, almost-- threatens to render you speechless.
"satoru." you don't know what you're saying anymore. you are desperate to seek answers to something you already know. "is the hurt worth it?"
a pause. a brief silence, ongoing.
"don't you know the answer to that already?"
your eyes sting. the paintings blur just the slightest bit. something aches.
( can't you just tell me, you almost want to beg, your silly little stupid pride on the line, whether i should take the fall or not? )
he puts his sunglasses back on, and though you can no longer see the blue, you know there is a deep sorrow somewhere in the waves.
you wonder if he's still looking at you.
five. neither of you are brave enough to jump. it's for the better. ( it is, it really is, you will reason with yourself, it's better this way. )
"i can do it." nanami says. there's dried blood on his face, cuts and bruises everywhere in sight. it's not all of his blood, but somehow, there's little comfort to be found in the fact.
"yes, i know." you agree without a single hesitation. "but give me this, would you?"
so he does. he leans against the countertop, obedient, watches you sort through the first aid kit like it's second nature ( and at this point, given the first years and their track record, surely it must be ). you gingerly wipe the red that stains his cheek, note the way his jaw clenches in response.
"it hurts."
you smile, bittersweet. your heart twists into a brutal, blinding pain, but you force it anyway, even though you know it's far from convincing. he doesn't mention it. he just looks at you, unwavering, but there's something unrecognizable in his eyes-- something you want to see, but something you want to remain oblivious to. your eyes are stinging again. you bring yourself to break a silence that is heavier than anything you have ever held.
"i'm sorry."
your voice cracks, and his name lingers on the tip of your tongue, sweet and shy, never falling from your lips.
it is almost instinctively that he desires to place his hand over yours, lean into your gentle touch, and remember this fragile feeling forevermore. but to give in is a weakness, and this weakness can only lead to tragedy. there is already enough of that in this life, he thinks ; you cannot carry anymore.
so he swallows the hurt, swallows the suffering. he fights the need to touch you, to feel your presence, understand everything that you are and could be to him. instead, his fingers grasp the bathroom counter so tightly that he feels he could shatter the granite to pieces.
this is the right choice. this is the right choice. this is the right choice. it has to be.
inhale. exhale. there is a gentle curve of the lips, and words that taste like poison, heavy with regret and a longing profound.
"i am sorry, too."
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sakusbo · 3 years
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jjk spoilers
listen. i really want to keep reading the manga but. god. oh my god. oh man. ohhhhh man.
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ryosmne · 3 years
Text
Safe Place.
Yakuza! Nanami Kento x gn Reader
Hello everyone, this fic is in collaboration with my dear friend @sunfloweroranges you can read their fic here :D
I kind of changed my writing style for this one, I'm trying out different things so let me know how it goes, feedback is always welcome, that's all from me hope you have a good time reading 💜
Summary: You're clueless
Warnings: mentions of blood, mature themes, mentions of murder and head chopping, language, yandare Nanami if you squint.
Grocery shopping is never fun when you're alone, especially making your way back home in the cold winter months, it gets dark so early.
A slight twist of your gut had made you walk back home in a faster pace. Turning your head every couple of steps, you never saw anything, yet this feeling never left even when you got through the main entrance of your apartment complex.
The elevator was broken once more, and you were already out of breath from rushing back, as you took the first steps up, your next door neighbor, who looked way too scary for your own liking bumped your shoulder on his way down.
Jeez he's in a hurry today.
Mumbling a quick apology, even though he was the one that was at fault, you quickly found the strength to run up the stairs and lock yourself in. Some short of commotion was coming from outside the complex that you didn't really care to hear.
That pink haired guy, your neighbor, who was build like a damn door, always got himself in some short of trouble, hearing him yell profanities or even throwing punches was a far too often occurance.
Why did he have to live right next door?
It's safe to say you did the best to keep the hell away from him, not that he seemed to bother with you, neitherless he was fucking scary.
Kento was ten minutes late, he was never late, except for the days that he had to clean up someone's mess, the days someone underestimated the power he held or the days someone dared speak your name. He wouldn't even tell them 'dont you dare speak their name' or anything along those lines. There was no warning when it came to mentioning yo,u only taking immediate action.
Naturally you were in the dark about all of that, Kento -or Ken as you would often referred to him as- kept you far far away from the darkness of his world. That was his way of keeping you safe and at the same time having you as his personal way out of his work and in his defence he didn't completely lie about his employment. He was an investor, just a bit of a different stock market than what you had in mind.
As far as you knew, Nanami Kento was an extremely successful business man, he chalked up his tattoo covered body as just his preferred style, since he is this good at what he does, he likes to say that his work place doesn't give a damn about his ink covered skin and the expensive gifts that he always pressures you to accept are just another benefit of his high profile job.
"Darling, I hope you didn't start without me." Wrapping your arms around your extremely sweet boyfriend you left a small kiss on his lips watching as the corners tagged upwards in an equally sweet smile the moment your lips left his.
"Of course not Ken, it's Friday remember?" Fridays are the established date nights in, you and Kento cook and dine together. More often than not you end up slow dancing to some jazz, or with you laying on his chest Infront of the fireplace, listening to his heartbeat, talking about life while he strokes your hair until the dawn.
Tossing him an apron, after he -like the gentleman he is- tied yours, you got to work on today's dish: Chorizo carbonara.
"You're never late on Fridays, bad day at work?"
You spoke while slicing some papers.
"Yeah, the stocks are all over the place and it's getting me stressed, but it's our night darling, anything else isn't of importance."
Kento always found a way of distracting you when it came to talking about his day, he is always quite vague and when his palm rested on the small of your back gazing down at you with those adoring eyes, it's hard to keep focused on anything other than him.
"Why don't you tell me about your day love?"
He always asked you that, Kento is in awful need of the calm that the mundane life you live carries. He craves to feel that, he still loves the power he holds over people, the way the mare mention of his name makes others tremble in fear of what the man will do to them shall they not comply to his requests -more accurately orders-
"Thankfully work was pretty good today, I finished grocery shopping so we could cook, I got us that wine you really loved too. The neighbor is being weird again but that's not new, maybe moving out isn't a bad idea."
Everything was like music to Kento's ears untill that last sentence. You had mentioned moving out before, but Kento always found a way to convince you not to. The rent was good, this house is close to your work, he would always reason with you until you changed your mind. He never pushed too hard fearing that you'd suspect something, but you only smiled and ended up agreeing with him.
You see, unbeknownst to you, your weird neighbor is Nanami's most trusted man, he's protecting you twenty four hours a day, even as you walked up the stairs today he dealt with another threat that was headed right your way. No, you cannot move before you know everything, but Nanami can't bring himself to break your bubble, he loves you and you love him, the real him, he would never scare you by letting you take a peek at his point of view. Maybe he should run away with you afterall.
"He doesn't look that bad, love. I'm sure he wouldn't hurt a fly."
Nanami knew he was capable of a lot more than that but it was true, your neighbor was an ally and although he would hurt lots of people, you were on the list of people to be protected and Sukuna took his bosses orders very seriously.
"Besides, my love, anyone would have to get through me first before attempting to lay a finger on you."
With the way his lips moulded on yours and his velvety tone, how could you not believe every single word that just came out of his mouth. Kento would die before letting anything happen to you, that little statement helped bring you comfort.
"You must really love my house Ken, can you pass me the butter?"
The moment your back was turned, Kento let out a breath of relief. That little voice in his head he always pushed away yelled at him to tell you everything, he burried it in the back of his mind once more.
"Can you believe that? I swear she drives me insane- Ken are you listening to me?"
That was weird, Kento always gave you his full attention. Perhaps he was tired today.
"Yes darling, you were talking about that Satoru guy, the one who annoys you at work."
Yeah you were, but that was while you were still eating, about twenty minutes ago.
"Babe, you're tired, let's go to bed, we can pick up where we left off another time, you need to rest."
The habit of staying up all night on Fridays had really stuck, but sleeping when your partner clearly needed to, is very much on schedule although it rarely ever happened.
Getting up from the sofa, tagging at Kento's arm to follow you to the bedroom had Kento irritated at how concerned you grew for him. He still feels you're too good at times, all the time to be exact.
You only heard him sigh before he pulled you back on the sofa, having lost your balance in his sudden move, you landed on top of him.
"Stay with me a little longer my love, I'm sorry I spaced out, I'm all ears for you now."
Another invitation for you to just talk to him, he didn't care about what. Kento loved the tone of your voice, how it changed pitch depending on what emotion you held or what you were talking about. His voice was quite monotone, like everyone else's around him. He had to grow thick skin and throw away all short of feelings, but everything he locked away years ago came rushing back the moment he spilled coffee on you six months ago. You hadn't even complained about the burning sensation on your skin as he helped clean you up, you just gave Kento a smile telling him that everything was fine and these things happen.
In his world they don't, someone can breathe the wrong way and lose their head, all it took was your damn smile and that statement to get him to need something different than what he had. Kento never thought he missed a thing, he found out how wrong he was that very day.
Sometimes he wished he never took the time to help you out back then, but that was only because he didn't know that he'd put you through all this.
"So I'm just sat there in a staring contest over the last price of cake, I won but my eyes still feel a bit dry."
You laughed, Kento stared down at you with a fond smile, your head on his lap and your hands tangled in his, brushing his knuckles and examining every bit of his skin with such care, God you were beautiful all over.
While Kento's hands were very interesting a small detail in the cuff of his shirt got your stomach to drop.
"Ken, is that blood?"
He swore he cleaned up, he always cleaned up before coming back to you, he never missed a single splatter. Maybe rushing home after not one, but two people tried to harm you today put him on edge.
He had missed a single drop. He was absolutely disgusted that even that tiny part of someone who dared to say the name y/n out loud infront of him and even threatened your existence was anywhere near you.
"Sweetheart that's probably tomato sauce from cooking, thanks for pointing it out, you know I hate staining my clothes, I'll go change."
Your meal didn't contain tomato sauce.
Why was your gut telling you that something was off?
Kento seemed a bit tense tonight, was it just a bad day at work?
He never really conversed on his profession. The huge dragon that started from the back of his thigh, ended on his left shoulder covering his entire back was just his 'style'. You swore you heard him talk to the pink haired man who lived next door but he told you he was on the phone. Everything little bit of suspicious behaviour you had previously payed no mind to, came to you. On top of that what was his reason to lie about a drop of blood on his sleeve? He could've said it was a paper cut or something, Why did he lie?
Behind the bathroom door Kento only cursed at him self.
Why didn't he lie better?
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linkspooky · 3 years
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White Wolf, Black Wolf:  Yuji and Geto
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Dualism, is a common theme in Jujutsu Kaisen. There’s a difference between binary opposites and a completementary pair. Binary opposites supposes that two ideas are complete opposites of eachother, they are enemies and therefore cannot coexist. Death is the opposite of life. However, ideas like the concept of yin and yang suggest that these pairs are not opposites, or even enemies, they just exist alongside one another. The feminine yin contains a single dot of the masculine yang energy inside of it and vice versa. 
This pattern repeats itself with both Geto and Yuji. Two characters who seem like they are complete opposites, enemies, hero and villain and yet have far more in common with one another than one might thing. Each of them represented by a wolf, Yuji the white wolf, and Geto the black. 
Dualism - describing how seemingly opposite or contrary forces may actually be complementary, interconnected, and interdependent in the natural world, and how they may give rise to each other as they interrelate to one another.
1. You and the Worst Person You Know Have More in Common than You Thought
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Both Yuji and Geto are sharing their body with another existence. Not only that but a sorcerer from the previous era. Sukuna started out as a sorcerer, and one from the golden age of sorcerers. We don’t know who is in Geto yet, but they’ve made it clear several times that they’re not a sorcerer from this era, mockingly referring to the sorcerers of this era as beneath them. The difference is, Yuji is the dominant personality and Geto is the subordinate one. They even fight for control of their body in the same way, by grabbing their neck. 
Both Yuji and Geto have died, and then been improbably brought back to life one time already and had their body healed by the same person who seeks to steal their body. They also both died in front of their other half, their friend, Yuji dies heroically in front of Megumi sacrificing himself so Megumi doesn’t have to call Mahoraga, and Geto dies as a villain after his plan has failed executed by Gojo. Even the days they die are opposites, Geto dies in a clear sky and Yuji dies in the rain. 
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They both eat curses. Geto eats them physically in order to store them and use them later. Yuji consumes Sukuna’s fingers in order to grow stronger. Geto’s Jujutsu is themed around his stomach, Sukuna’s is cooking themed. 
Yuji and Geto are both have savior / martyr imagery attached to them. They’re both people who have died, and come back from the dead at least once, and the jesus imagery with Geto is clear and explicitly referenced in hidden inventory. 
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Yuji wants to be strong like Gojo, but it’s clear he follows Geto’s philosophy of wanting to save as many people as possible. What motivates him isn’t a clear and strong sense of individualism, but rather the idea that the strong are duty bound to help the weak. Even when Geto’s completely out of his mind he’s still guided by that principle, if he has the strength to do it, then he’s duty bound to try to change the world in the way he sees fit. The thing with Geto is his ideals are warped, but they’re still ideals, he has principles guiding him. These ideals also shockingly sound similiar to what Yuji says, and the burdens he wants to carry. 
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It’s something that doesn’t change about Geto from the start to the end of Hidden Invenotry, the strong are obligated to help the weak, it’s just Geto flipped. he sees the sorcerers as the weak and oppressed people, and the masses as the strong ones. 
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Geto and Yuji are both people heavily preoccupied with doing the right thing, whereas Gojo and Megumi kind of don’t care (Gojo) / have already accepted the fact (Megumi) that they’re not really saving people with their actions. Geto and Yuji are reckless saviors, they kind of just want to save everybody they see suffering in front of them immediately without thinking through the consequences of their actions. It’s never been seriously analyzed why Yuji feels so deadset on saving others, but from early on he seems to like the idea that it’s a burden that only he can take on himself. It’s something he must duty. The same way that Geto binds himself by the idea of duty. 
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Geto and Yuji are just people who will take the whole world on their shoulders, and this isn’t just a parallel I’m making it’s one directly made by the narrative. When worrying about Yuji’s future, Yaga thinks directly of Geto someone who became overwhelmed by everything on is shoulders.
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Geto wasn’t able to carry on as he once did, because he couldn’t carry the regret with him. That’s the parallel that the story is making with Yuji, that’s the danger Yuji is in. 
2. Worst Person You Know Makes a Good Point
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Chapter 132 there’s a definite change in Yuji’s demeanor. While we haven’t seen the full results of his change yet, not only has he been phsically scarred on his face, but it’s clear the deaths of Nanami, the people killed by Sukuna, all have served to harden him. Nanami wanted Yuji to remain a child a little bit longer, but Yuji has now become a jujutsu sorcerer. However, the words he declares to Mahito have two clear connections to Geto. One, it’s what Geto said to Gojo to stop him from slaughtering the star plasma vessel cult in the moment. 
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Gojo has feelings of course, but he’s not moved by them the same way that Geto and Yuji are. Gojo was in need of a tether in that moment and Geto’s words became his tether. Remember Gojo became so powerful as the strongest one he felt like he was capable of anything without feeling it, even slaughtering people on mass, but in that moment Geto became the link that held him back and reminded him he was human. 
What’s ironic is that Gojo was moved by Geto’s words and held himself back, whereas Geto wasn’t. It was Gojo who stuck to those words a year after the fact. He was the strongest, but he doesn’t ever act unless he carefully considers it. He doesn’t just throw power around or slaughter people the way that Geto does. 
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What Yuji is vowing to do right now, following his duty as a jujutsu sorcerer without even thinking about it, is exactly what drove Geto apeshit bananas (you see because he loves monkeys so much. It’s a, ‘yknow, it’s one of them jokes). 
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Yuji thinks he can just keep going on without thinking and being nothing more than a cog, but it’s exactly that kind of mechanical subservience that completely wore out Geto. Simply going through the motions without questioning it is given to us as the exact reason for Geto’s downfall, it’s one of the most chilling sequences in the manga. 
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People aren’t machines, and they aren’t gears, they break down when they try to conform that way. So while it’s understandable Yuji would want to push away all his thoughts in the moment, it’s also not healthy.
The reason Geto became the way he is, is because he realized the laws he was obeying weren’t as fair as he thought they were. He thought it was his duty, and obligation to help the masses, until he looked at his actions with closer scrutiny and realized that wasn’t really what motivated him. Geto thought what he was doing was good, that he would save people, but then Riko’s death was a reality check to him that no one was getting saved by the current system. Yuji seems to have done the opposite of Geto so far. Perhaps I won’t save people. Perhaps I’m just a cog in the machine and my actions truly don’t matter as long as I can keep fighting with my comrades as a jujutsu sorcerer. However, that’s probably not going to work for him.
Yuji’s current comfort in his moment of crisis is that he’s fighting together with all of his comrades, that he carries the wishes of people like Nanami and that’s why he has to keep going, but Yuji also might not have comrades in the jujutsu world after this. We already see people like Kusakabe beginning to turn against him because of Sukuna’s rampage in Shibuya. 
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So my intention in all of this is to say it’s not black and white. (Because, get it?? black wolf, white wolf??? Okay, I’m sorry I’ll shut up). Geto wasn’t an entirely bad person, there was good in him too. There was still good in him. This is what Getwo says when he’s beating on Yuji, that if Geto had used his forces more like disposable pawns instead of family telling them to fall back and making sure they all lived he would have won. 
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The worst person you know, was still a human being who loved his family with all of is heart. Ideas like this challenge Yuji’s simplified reasons for fighting, and his naive view of the world. 
At the end of the day Yuji and Geto have lots of similarities. They’re opposite colors, Geto black, Yuji white, but they are both still wolves. They’re both moved by deep emotions they feel at the pit of their stomachs. They’re both people who sympathize with others and want to save them, and at the same time get angry and want to kill their enemies. None of this is bad about Yuji in fact it’s what makes him unique among shonen protagonist, he’s not a wholly good person, but just as flawed as anyone else in the story. Nobara’s crazy, Megumi’s crazy, Gojo’s crazy, and then there’s Yuji who should have been the normal one who grew up with a normal life and who is just as crazy as all the rest. 
If anything the parallels between Yuji and Geto show that Yuji is someone who has the chance to grow stronger than Geto by learning from Geto’s fault. Geto tried to carry too much, until the burden of saving the world broke him and he decided he could only save a few people the rest were just monkeys. It’s up to Yuji now to figure out what saving people means, and how he can help others without getting destroyed by the sense of responsibility or just killing himself and dying before he’s helped a single person. However, for Yuji to learn to be better he actually has to think about these things.
That’s also the second parallel to the “I don’t need to think about it’ Scene. (Besides, Sukuna who also declares that he’ll kill for no reason.) In the original Geto fight in the prequel manga Yuta declares this. He doesn’t know whether Geto is right or not, he doesn’t know anything about the world of Jujutsu he just wants to protect his friends. 
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Geto calls him egotistical. In the sense that just like a child, he’s only really thinking about himself and his own emotions. Of course Yuta thinks that way because he is a child, a traumatized teenager at that. However, one important detail about this fight is defeating Geto did not cause him to go away. Killing him didn’t actually fix the problem. Geto just came back a year later with somebody else in his body. 
I think this is all leading up to a point for Yuji where he gives some serious self examination as a protagonist. It’s not enough for Yuji to just defeat his enemies. We even see that when after is triumphant moment with Mahito, Geto just wipes the floor with him.
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Jujutsu Kaisen presents a very complex world, that’s not  just black and white, not just winning and losing. The next big step in Yuji’s character development is probably going to be realizing this. That he needs to seriously think about his reason. That he needs to think about what he wants to do in the future. It’s not enough for him to sacrifice his life to save someone else, he’s not a hero, or some martryr to a cause. I think the most important thing Yuji has to learn at the end of all of this is to actually live, and find out why he’s alive instead of resigning himself to the fact that he’ll get executed one day. It’s only then Yuji will be able to reach his full potential as both a jujutsu sorcerer and a person. 
He’s just a kid you know? The theme of the manga is kids should get to be kids. Yuji should get to grow up just like everybody else, instead of dying before he’s even old because he ate Sukuna’s finger to help someone else. 
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crabrangoonluvr · 3 years
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op I am so sorry but WHY did you choose those character choices for Utena like how do they line up please I am so curious
at the end of the day it's partially what i thought looked cool, but here’s my justifications and reads behind each character and how they can match up!
heavy spoilers for madoka magica and revolutionary girl utena.
kyubey and akio are honestly the most obvious parallel representing systems that rely on the abuse and exploitation of young women to survive. they are both seeking a power that they cannot achieve by themselves, and therefore must manipulate others into achieving it for them. they are both selfish — kyubey will sacrifice some girls of another species so that his species can live longer in the universe, while akio wishes to reclaim the good favor of the world, godhood, and the power of dios. both promise girls their dreams — a literal wish, a castle in the sky — but accepting these promises will only lead to suffering and despair for these girls.
glasses!homura and anthy are more similar in their roles as princesses to be saved than show timeline homura and anthy, and i think that initial timeline is where the utena/anthy and madoka/homura dynamic are their most similar on the surface. regardless, they are both trapped in a time loop of sorts and are actively manipulating the people and events around them to achieve (and fail at) their end goal. at the end of each cycle they face immeasurable pain, as anthy faces the swords of hatred while homura once again fails to defeat walpurgisnacht and watched madoka die. the difference between them in that role as manipulator is that anthy is knowingly serving in that role to seek power for akio, and homura is unknowingly giving more power to madoka and by the design of the magical girl system, to kyubey. they both come off as aloof throughout the majority of the show, but they’re hiding a lot of pain and are easily the most complex characters in their respective shows. they don’t do things because those things are good or right — they do them because they have no other choice.
madoka and utena are in the same role because they both seek to be something else. utena is an orphan who wanted to stay her coffin, but became inspired to become a prince. madoka believes there is nothing special about her, and upon discovering magical girls, always wishes to become one. they are both dissatisfied with the roles given to them, and decide to change their paths, regardless of whether that is a good idea. these choices are made after seeing the suffering of others — utena watches anthy suffer, while madoka watches the cat die or homura suffer. it is also through their sacrifices that the exploitative system is torn down — madoka does it directly, while utena drags her broken body to that coffin and empowers anthy to leave. both are then erased from that world, to be forgotten by everyone except homura/anthy (and akio but not kyubey). their greatest strength is their willingness to help others even at the expense of themselves.
another aspect of the utena/anthy madoka/homura dynamic is that they are able to escape this cycle through love for each other. utena loving anthy is what gives anthy the realization that she is worth it, and she leaves to go be with utena. homura loving madoka and making that wish to protect her over and over again is what gives madoka the karmic destiny that allows her to reshape the magical girl system. i also believe that only at the end of the show, when madoka/anthy are able to fully realize what utena/homura did for them, do they sincerely love them back.
although sayaka miki is a clear reference to miki kaoru, i don’t think she has much in common with him aside from blue and the association with music. kyosuke and kozue aren’t too similar, she’s not a genius, and she has no positive feelings for homura, who is anthy. however, you could read sayaka and kanae as similar if you subscribe to the idea that kanae was the previous duelist who took up akio’s offer at the final duel and then when he had no more use for her, he killed her, but the truth is that i really wanted to draw the juri/shiori scene more than i wanted to draw anything with kanae. so while sayaka doesn’t really map on to any utena character perfectly, i do think her as shiori matches in some aspects. to be clear, sayaka is not cruel or sadistic like shiori, but i see shiori as a deeply self-loathing individual with a lot of regret, which maps on to how sayaka views herself after making her wish. both are indirect in love — sayaka wishes to anonymously heal kyosuke when she really wants his love, and is then beaten to him by hitomi, and shiori goes after the boy she thinks juri loves when she really just cannot deal with her complex feelings for juri. neither will confess to what they really want. i also think it’s important how shiori tells juri to believe in miracles, while sayaka is the one to remind kyoko that she loved stories about miracles and heroism, and both of those sentiments become driving forces for juri/kyoko’s later actions. i also think they are the disaster bisexuals of their shows.
i chose kyoko as juri due to their seniority and skill in battle. i also believe that how it is text that juri is in love with shiori, kyoko is in love with sayaka. both keep something important to them in the same spot — kyoko’s soul gem sits at the same spot as juri’s locket. juri’s locket holds shiori, while kyoko kisses and then gives her soul gem to sayaka during her sacrifice. juri and kyoko also genuinely want to help shiori and sayaka at points — juri was genuinely kind to shiori once, and still evidently cares about her well-being. kyoko was trying to give sayaka genuine advice and help her, but unfortunately was a massive bitch when she did so.
although sayaka/kyoko as juri/shiori have less direct character comparisons individually, their dynamics can be similar. sayaka/shiori inspire kyoko/juri to believe in miracles and heroism, but sayaka and kyoko die believing in that while juri becomes disillusioned and seeks to disprove shiori. neither of them have happy endings. additionally, juri and kyoko believe their love to be unrequited, when really i think that sayaka/shiori can truly return their feelings once they sort their shit out, but are not able to do so within the narrative of the main show. rebellion proves this in sayaka/kyoko’s case, but sayaka is ultimately a redeemable character and a good person. shiori is not a good person, and that is the biggest difference between these dynamics.
mami and nanami are yellow.
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iztarshi · 6 years
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The Boy Princess
An analysis of Saionji that Saionji himself would hate. Collected into one post at the request of an anon.
Once upon a time all the girls of the world were princesses. But what does that mean?
Princesses are saved by princes. Princesses are cherished, not for any particular qualities they have, but by their nature1. A princess’ suffering is never met with indifference and they’re allowed to want someone else to solve their problems. They’re allowed to be passive and dependent, but not allowed to stop being those things. And they are devoted to their prince.
Once upon a time Saionji had a friend he thought the world of. Touga was stronger, smarter, braver, always ahead of him in some indefineable way, and none of this was a reason to feel anything but glad that Touga had singled him out for attention. Then, one stormy night, he was suddenly faced with the awareness of fear and despair, with things people might need saving from, things that could make a child younger than him want to die. Also, with the awareness that Touga had already known, that he could face these things without fear2.
Saionji’s distress, though, doesn’t matter. Touga declares himself an ally to all girls, but his best friend calling out for him to stop doesn’t affect him. It’s with the logic of a child in the throes of hero worship that Saionji concludes that Touga had something eternal to show and showed it to a strange girl rather than him. He’s not wrong, though, to think that Touga wants to save, specifically, girls.
Before that Saionji trusted Touga enough that Touga being stronger and more driven didn’t matter. If Touga accidentally hurt him he would bandage him too. Touga might keep them out late, but he’d be the one to get them home3.
Afterwards, he loses that trust. Whatever Touga gains by being stronger will not be shared with Saionji. Saionji cannot be weak and still be worth something.
As a boy, if he wants to matter to Touga, he has to be his equal.
Saionji’s career as a duelist is ignominious from start to finish. He’s trying to be a stoic warrior type4, which – since he’s a very emotional person – results in vaccillating between anger and vicious glee.
Being equal to Touga is now necessary to even be safe around him. Saionji isn’t, so he isn’t, and even his scrambling to gain equality has become something for Touga to use against him. The first time we see them alone together Saionji whips a sword at Touga’s face and Touga doesn’t even flinch. No matter how often Saionji takes his frustration with Touga out on others, Touga’s the one person he would never willingly hurt, and Touga knows it.
The person Saionji mostly hurts is Anthy, who he’s convinced himself that he loves. She’s everything he thinks he ought to want, and Touga wants her enough to duel for her which makes her irresistible. He tries to convince himself she loves him, too, but never quite manages to forget she’s only with him because he owns her.
Saionji’s duels are “friendship” and “choice” in opposition to Touga’s duels of “self” and “conviction”. The qualities he’s trying to act on, though, are Touga’s not his own. The result is that he doesn’t successfully show any. He craves emotional connection but is, for good reason, widely disliked. Yet his sense of who he is alone is muddled at best. He stubbornly sticks to the duels but has no plan for how to accomplish things within them and winds up manipulated by anyone who offers him an opportunity – whether it’s dubious letters or Mikage bargaining for Wakaba’s hairclip.
Saionji’s final duel isn’t the conclusion of his character arc, but his lowest point. In an arc where the duels are based around relationships he enters the arena alone and “his” duel is really Utena and Anthy’s5.
Touga talks him into the duel, a role which will later be the bride’s, but leaves him to fight it alone6. As the only one who doesn’t have his sword, Saionji’s heart is quite literally not in the duel.
Saionji enters the last duel as a lone warrior who lets nothing stand in his way, especially such petty considerations as decency or feelings, and is promptly flattened by the developing relationship between Utena and Anthy.
Finally Saionji has failed hard enough for it to stick. He accepts that he’s done. He won’t be Touga’s equal, he won’t win Anthy, he won’t gain eternity. But what will he do?
The woods in a fairy tale are always a liminal place. Even more so woods where an unwanted "child" has been abandoned. So it's fitting that Nanami stumbles across Saionji in a state of transition from duelist to outsider.
In a series where clothing and gender presentation are important, Saionji has decided to do some cooking in a frilly apron7. There's even a lacey table cloth under his hot plate. A lot of anger seems to have been shed with the role of duelist and, even though Nanami hits him, he seems mostly confused and worried about her. He even offers to cook her an egg.
While he keeps the slightly ambiguous presentation for camping out where he doesn't expect to be seen, Saionji does start taking on a role similar to Utena's early one as Touga draws him back into the duels. Utena never cared about the power to revolutionise the world. While it's not entirely that straightforward, she's been fighting for Anthy. As a result she's often been snarky as hell about it, able to see through some of the bullshit but not avoid it completely. A female prince, and therefore anomalous to Ohtori's systems, but still a prince, and therefore part of them.
Touga and Saionji also can't move outside Ohtori's systems. They meet on the student council balcony to discuss Touga's upcoming duel and letters from Ends of the World. Touga provides an ersatz car ride with his motorbike, following the pattern of the other duels deliberately. But, like Utena, Saionji now has enough distance to question the system even as he participates, and he's here solely for Touga's sake.
Like the other brides, Saionji is there to delve into his duelist's feelings and motivations, but he's not doing it to tempt or manipulate8. Touga needs to understand his own motivation if he's going to be effective -- it's the less metaphorical counterpart to pulling his sword. And they manage to leave Akio out of the process.
Touga takes Saionji more seriously in this role than he ever did as a rival. Feelings, especially his own feelings, are not Touga's area of expertise. He needs a bride by the nature of the duels and he needs a friend because he's in over his head. Saionji, for his part, seems content with being needed rather than being equal. In a way it's what he's always wanted.
Saionji drawing Touga's sword is animated with a real tenderness that both echoes Anthy drawing Utena's and contrasts Saionji drawing Anthy's, where his expression was angry and his focus on his opponent. It's fitting, in a way, that the pair that comes closest to what Utena and Anthy have is the other same sex couple9.
Saionji makes a good princess in the same way Utena makes a good prince -- although, unlike her, he'd certainly object if you told him that's what the role was. He's comfortable in it and it brings out mostly good things in him, letting him be insightful and supportive. It's a bad role in itself, though. Saionji doesn't need to fight for power over others, but he shouldn't let himself be completely passive and dependant, or rely on other people's goals to give him purpose.
Later, between Utena's victory over them and her final duel, we see Touga riding a bike across the balcony with Saionji on the back. Saionji seems more content with this than Touga, totally relaxed while Touga struggles to move forward providing motive force for them both. There's not much Saionji can do, though, even if he wanted to. Touga's bike has never been a tandem.
Maybe they should get one.
1I just pictured Dios on tumblr telling all the girls of the world they’re valid.
2Touga’s abuse backstory does a lot to explain his unchildlike reaction here. But even without that, Touga canonically shows less emotion when distressed until he dissociates altogether. He’s almost certainly more affected than Saionji thinks.
3Who drives is very important in Utena, and it’s Touga’s bike. Nanami has a picture of herself perched on the back, too.
4Only Utena and Touga frame themselves as aspiring princes. Saionji’s gender essentialism has a more Japanese flavour.
5Which is why Virtual Star Embryology becomes the new ending theme.
6And then complains about everything he did to be Saionji’s friend while in bed with Akio. Jerk.
7He's still wearing his student council uniform underneath, though, so he hasn't totally moved on yet.
8Although he probably gets some satisfaction out of brutal honesty.
9I wonder if this explains Ruka, since Juri and Shiori would have been another same sex couple either less effective or too early in the sequence.
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