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#i don't know if translations are out because i read it in japanese

gaywizardzone · 6 months

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in april 2023 immediately after chapter 247 i was like oh they're splitting up? kanda's going to get a taste of his own dramatic thank you medicine. then i drew this just for fun sketch with that in mind and immediately forgot about it for the next six months. imagine my surprise and delight last week at 249

#i don't know if translations are out because i read it in japanese #so just in case since i obliquely refer to chapter events:#dgm spoilers #d.gray-man spoilers #obviously this was drawn before the chapter as you can tell by allen still having his ponytail. i'm in mourning for that btw #the long hair was everything to me......................😂😂😂 pain and suffering #anyway ummmmm....i love them <3 thanks #d.gray-man #black and white

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aparticularbandit · 6 months

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Also not really impressed with Teruteru's suddenly Southern accent that everyone couldn't understand, but I also remember vaguely reading something about not this specific instance but something similar re: Japanese culture, so I'm chalking that up as localization of something that doesn't really translate in the same manner.

I think better localization for a similar effect would have had him start speaking in a different language, rather than a different accent. That wouldn't be an exact 1-to-1 translation in terms of what's being said, but I think it would provide a more comparable understanding, maybe.

(This is the problem with translations. You can try to be word perfect and have some bits be incomprehensible due to the cultural specificity or you can try and convey the ideas and feelings the same but lose some of the specifics that are extremely important for understanding the thing. A good translation seeks to find a proper balance between the two.)

#musings #bandit liveblogs #bandit liveblogs danganronpa #the flcl dub for instance is not a great translation because it takes out a lot of very specific japanese cultural reference and replaces #them with very specific american ones #this makes it a great dub!#because they mention crystal pepsi and like yes! i get it!#because that's something i understand!#and i think with dubs and localization that's important #but that's entirely different from say translating sappho or plato #or even translating Scripture #where you want that word for word as much as you can #but then you can run into issues with particularly poetry #because a lot of that sometimes relies on word play very specific to that language #and repetitions of sounds that don't show up in the english #and like - how do you convey that?#even with the minor Scriptural translating i've done #there are things you miss in the english - word play!#and also you know translator biases and stuff #but i had a mentor once tell me that reading the Bible in english was like reading it in black and white #and then reading in the original languages was like reading in color #it doesn't change the story or the important things #but you sometimes see more #and like - back to translating - how do you describe red to someone who has never seen red?#anyway #-gets off translating soapbox-

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hedgehog-moss · 9 months

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"rn I feel like reading about someone's quiet daily life, maybe a diary or letters, set in a place or context I don't know much about, without turmoil or tragedy" oh! do you have any recommendations for books like this?

This is one of my favourite types of books! Here are 30(ish) recs...

May Sarton's The House by the Sea or Plant Dreaming Deep

Gyrðir Elíasson's Suðurglugginn / La fenêtre au sud (not translated into English unfortunately!), also Bergsveinn Birgisson's Landslag er aldrei asnalegt / Du temps qu'il fait (exists in German too)

Gretel Ehrlich's The Solace of Open Spaces, which iirc was originally written as journal entries and letters before being adapted into a book

Kenneth White's House of Tides: Letters from Brittany and Other Lands of the West

Sei Shonagon's Pillow Book

The Diary of a Provincial Lady, E. M. Delafield

Growing Up with the Impressionists: The Diary of Julie Manet

Elizabeth and Her German Garden by Elizabeth von Arnim (do not read if you don't like flowers)

The Road Through Miyama by Leila Philip (I've mentioned it before, it feels like this gif)

The Sound of a Wild Snail Eating, I keep recommending this one but it's so nice and I love snails

Epicurean Simplicity, Stephanie Mills

The Light in the Dark: A winter journal by Horatio Clare

The Letters of Rachel Henning

The letters of Tove Jansson, also The Summer Book and Fair Play

The diary of Sylvia Townsend Warner—here's an entry where she describes some big cats at the zoo. "Frank and forthcoming, flirtatious carnivores, [...] guttersnipishly loveable"

The Letters of Rachel Carson & Dorothy Freeman were very sweet and a little bit gay. I mostly remember from this long book I read years ago that Rachel Carson once described herself as "retiring into her shell like a periwinkle at low tide" and once apologised to Dorothy because she had run out of apple-themed stationery.

Jane Austen's letters (quoting the synopsis, "Wiser than her critics, who were disappointed that her correspondence dwelt on gossip and the minutiae of everyday living, Austen understood the importance of "Little Matters," of the emotional and material details of individual lives shared with friends and family")

Madame de Sévigné's letters because obviously, and from the same time period, the letters of the Princess Palatine, Louis XIV's sister-in-law. I read them a long time ago and mostly I remember that I enjoyed her priorities. There's a letter where she complains that she hasn't received the sausages she was promised, and then in the next paragraph, mentions the plot to assassinate the King of England and also, the Tartars are walking on Vienna currently.

Wait I found it:

R.C. Sherriff's The Fortnight in September (quoting the author, "I wanted to write about simple, uncomplicated people doing normal things")

A Tree Grows in Brooklyn, Betty Smith

Pond, Claire-Louise Bennett

Rules for Visiting, Jessica Francis Kane

The following aren't or aren't yet available in English, though some have already been translated in 5-6 languages:

ツバキ文具店 / La papeterie Tsubaki by ito Ogawa

半島へ / La péninsule aux 24 saisons by Mayumi Inaba

Giù la piazza non c'è nessuno, Dolores Prato (for a slightly more conceptual take on the "someone's everyday life" theme—I remember it as quite Proustian in its meticulousness, a bit like Nous les filles by Marie Rouanet which is much shorter and more lighthearted but shows the same extreme attention to childhood details)

Journal d'un homme heureux, Philippe Delerm, my favourite thing about this book is that the goodreads commenter who gave it the lowest rating complained that Delerm misidentified a wine as a grenache when actually it's a cabernet sauvignon. Important review!

Un automne à Kyôto, Corinne Atlan (I find her writing style so lovely)

oh and 西の魔女が死んだ / L’été de la sorcière by Kaho Nashiki —such a little Ghibli film of a book. There's a goodreads review that points out that Japanese slice-of-life films and books have "a certain way of describing small, everyday actions in a soothing, flawless manner that can either wear you out, or make you look at the world with a temporary glaze of calm contentment and introspective understanding [...]"

I'd be happy to get recommendations in this 'genre' as well :)

#book recs #i should have posted this ages ago but i was waiting to finish the book i was reading to see if it #should be added to the list #but in the end it wasn't worthy #sorry for the delay!

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yumeka-sxf · 25 days

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Japanese Linguistic Observations in Spy x Family - part 2

Part 2 - Anya's "Anya-isms"

I think Anya has one of the most interesting ways of speaking out of all the SxF characters. But like with Twilight's dialogue that I previously discussed, it can only be fully appreciated in the Japanese version. Probably the most noticeable thing about her dialogue is how it's written compared to the other characters.

Written Japanese is comprised of three different alphabets: ひらがな (hiragana) and カタカナ (katakana), which together are referred to as "kana," and 漢字 (kanji). Kanji are the characters that hold the meaning of words, while kana simply represent the various Japanese syllable sounds and don't have any meaning on their own (much like the letters of the English alphabet). There are only about 100-ish total unique kana symbols, however, there are over 2,000 kanji in common use today. So Japanese children will start out learning kana and then learn kanji gradually during their school years. This is why Japanese children's books are typically written only or mostly in kana. This is also why manga and books aimed at a younger audience will have kana "translations" of kanji written above kanji characters, which are called furigana.

With that in mind, it's not surprising that all of Anya's dialogue in the Japanese version of the SxF manga is written entirely in kana. Even though using kanji in her dialogue wouldn't necessarily mean she knows kanji, reading a character's dialogue only in kana definitely gives off childish vibes – it conveys feelings of youthfulness and innocence, like "they're speaking only in kana because they don't know the kanji for these words…they're just a little kid, after all." At least, that's the feeling I get when I read Anya's dialogue. Though I haven't read enough manga in Japanese to say for sure, it seems like this concept of making little kids speak only in kana is not unusual, as there's at least one other example I know of: a manga from the mid-2000s called Yotsuba also has a titular 5-year old whose dialogue is written only in kana.

What's also interesting is that all of the other Eden kids speak "normally," using kana and kanji properly in their dialogue. This helps to convey the fact that, despite Anya being roughly the same age as them, their "rich family" upbringing has forced them to grow up faster. In the below panel, you can see how Damian's dialogue uses kanji (with furigana translations) while Anya's uses only kana, even for words that have kanji.

Interestingly, I found at least two cases where Anya does use kanji in her dialogue: when she's calling out the name of her big "Arrow of Light, Seize the Star" move during the dodgeball game, and when she calls out her "Lighting Bolt, Deliver my Aid" move when she tries to throw Yor's weapon back on the deck in the cruise arc. As you can see in the below panels, the names of these "moves" is written in kanji (with furigana translations). This makes sense not only because this is parodying shonen series where the characters shout out the names of their moves, but because it emphasizes how determined Anya was at these moments.

But going back to how Anya's speech compares to the other kids, another thing that stands out is that she speaks very "plainly." Her grammar is (mostly) correct, except for a few mistakes you'd expect a little kid to make. But she uses pretty much no colloquialisms, almost as if she knows the language but lacks the experience for using it in normal social interactions. I don't think this is unusual for a kid her age who's still learning, but it definitely stands out when compared to her classmates. For example, in the below panel, Becky uses normal interjections and other colloquialisms in her speech, like "ne" (ね), "wa" (わ), and "yo" (よ), which are all standard Japanese linguistic devices for softening or emphasizing your sentences. However, Anya doesn't use things like this in her speech. Again, this makes her speech come off as very plain and abrupt, almost like she's not a native speaker.

She also refers to herself in third person all the time in the Japanese version. In fact, I don't recall her ever using an "I" or "me" pronoun. I don't know why the English version of the manga doesn't keep this characteristic of her speech. I think it's very important in highlighting the childish aspect of her personality.

Putting all this together – the fact that she doesn't use typical colloquial speech and refers to herself in third person – really emphasizes the childish, naive, and almost baby-like nature of her character. I'm curious if Endo made her speak this way simply to show what a little kid she is compared to her classmates, or if it will somehow tie back to whatever roots she has in classical languages that he keeps hinting at. Regardless, as I mentioned in my full Anya analysis, what she lacks in speech and school smarts, she makes up for in empathy and resourcefulness.

Besides all this, Anya does make typical speech mistakes a normal kid would make, like mishearing words or saying things wrong. She mostly uses casual speech, but does try to use keigo (polite speech) on occasion, though not always correctly. For example, she says "ohayaimasu" (おはやいます) for "good morning" instead of "ohaiyou gozaimasu" (おはようございます).

But the most consistent "mistake" she makes (though it's not really a mistake) is what she calls Loid and Yor – "chichi" (ちち) and "haha" (はは) respectively.

Japanese has many different words for relatives depending on whether you're talking about your own relatives or someone else's, and whether you're talking to them or about them. "Chichi" and "haha" are the general, neutral terms for "father" and "mother," and are also used when talking about your parents to someone else. However, they're not used when talking directly to your mother and father. There are many other words for that, the usual ones being "o-tou-san" (お父さん) and "o-kaa-san" (お母さん), or some variations of these with different honorifics. Damian refers to his dad as "chichi-ue" (父上) which is very formal, while Becky calls her dad the actual English word "papa" (パパ) which is very informal and normal for kids to use. But again, "chichi" and "haha" are typically only used when talking about your parents, not to them the way Anya uses them. This started from the very first chapter where Loid asks her to call him something that sounds "elite." He originally suggests the very formal "o-tou-sama" (お父さま), but when Anya says "chichi," he doesn't bother to correct her.

Hearing a little kid call her dad and mom "chichi" and "haha" is kind of like calling them "my father" and "my mother" even when speaking to them directly – it's not wrong necessarily, just strange. But again, this serves to further emphasize the childlike nature of Anya's character.

<- Return to Part 1

Continue to Part 3 ->

#spy x family #sxf #spy family #spyxfamily #anya forger #sxf manga #sxf analysis #sxf meta

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caineinthecorner · 27 days

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Language (The Demon Brothers)

★ Based on my language general hcs. Part 2 is here.

Hi. Today we have the demon brothers language hcs, brought to you by a single dumbass bilingual. :D

I include mentions of bilingual/multilingual MC, but I use the term MC and you interchangeably in the bullet points. It's the same thing who cares (you can also add whatever languages you think fit I am just going off vibes tbh)

★ Lucifer.

Since he was the strongest and highest ranked out of the brothers, his innate abilities were muddled the least.

This is to say that he remembers a lot from his innate knowledge as an angel, and can actually fare incredibly well on his own if you leave him in the human realm.

(the language he preferred back in his angel days was Archaic Latin, which is also Simeon's preferred language)

When Diavolo brought up the idea of the human exchange program he was like "(: ok" and binged human language for like two months straight like a total psychopath

He's like one of those fancy 10+ languages fluent polyglots (how)

Despite his fluency, it is rare to ever see him speak them. He has better things to do and prefers demon tongue.

Or if he does, the Loquar Ad Vos that was applied to you once you arrived in Devildom doesn't allow you to hear it.

You try to swear in your native language around him and oh boy it backfires

That is how you learn he's fluent in everything under the sun (exaggeration)

Frustrated, you grumble that you will learn demon tongue just to one up him

He takes it like a challenge. Enjoy reading a million books on the demonic language and having double the homework for your little joke.

(he gives you hard material to learn on purpose to see you fail. Enjoy hell buckoo. Double hell? Hell²)

You kept misspelling good morning in demon tongue as a demonic death threat and that somehow turned into an inside joke between the two of you.

He has to keep himself from chuckling whenever MC screws up words

Your accent is lovely though. Keep it up

★ Mammon.

Spanish and English.

Ok I actually can't justify myself further than "Mams would absolutely fucking go to Vegas" and the fact that USA has a large Latino population but hear me out

You cannot tell me that he would not watch telenovelas. Like. C'mon.

he has the vibes of a Spanish speaker is what I am saying

he was SO frustrated about having to learn human languages you have no idea

In fact he probably still struggles a bit and that makes him really mad

Why is it so complicated all of the sudden?! It wasn't complicated Before!

He unconsciously associates human languages with the trauma of the fall, and the stress and hurt and turbulent emotions it conveys

So learning new languages besides the two he knows is a touchy subject for him

(but like, he will learn MC's native language despite this. Whining to hell about it, but he will. Everything for MC)

You are actually very lucky that you have Loquar Ad Vos with you, bcs he actually switches from demon tongue to either English or Spanish mid sentence sometimes.

Not that you notice with your crusty translator (Loquar also works for human languages it supports), of course.

"Ayo can you [Spanish phrase], oh and give me a [English word], for a [spanglish nonsense]" <- Mammon's dumbass not functioning in trilingual

Also he has an accent but he's trying

The others are used to it so they don't question it anymore, but they deadass could not understand Mammon at some point because trilingual was not computing

It was frustrating to say the least

You two play charades with each other when the other forgets a word in your respective languages

"MC WHAT'S THE NAME OF THE ANIMAL FUCK THAT CHANGES HOME" "... Hermit crab?" "THATS THE BITCH"

★ Leviathan.

Japanese (very decent) and English (bad) are musts.

You cannot tell me for a second this fuck watches anime subbed OR dubbed. He's too weeb for that. He will watch the original dub version for the full emotional impact

He wanted to know what happens in the weeb world of the west (and internet discourse), so he learned English through shitty 2000s anime forums and Duolingo

Probably plays Duolingo competitively and/or cries if he loses his streak

His hearing and speaking English is okay, his writing is literally so so shit

Tried to learn a romantic language to be corny but failed miserably.

(He steered clear of languages his brothers know so he isn't self conscious)

It was probably Portuguese or something since Mammon kept talking about being good at figuring it out as a Spanish speaker (due to it being a romantic language)

The diacritical marks killed him on the spot

Meu português não é bom... (crying)

Victim of the you're* corrections

Runs his several-paragraphs-long rants about weeb stuff through Satan so the grammar is legit

Actually thinking about it would be absolutely fucking hilarious if he knew russian just for funsies. Yeah add Russian to the list

He sends you crusty Russian memes at unholy hours in the morning. Calls that bonding

Would absolutely swear in loud ass Russian while playing Valorant or smt

"ПИЗДЕЦ" "LEVI IT'S 2AM SHUT THE FUCK UP"

Ah + he knows Morse code (obviously). He was really excited when he discovered it and proceeded to obsess over it for like three weeks straight.

Although by the time he learned about it humans had already moved on from its wide-spead use at sea (post-1999), the Devildom Navy adapted Morse code for their own use as per Levi's command.

He teaches MC how to use Morse code (bashfully) and they send lil' messages to each other for fun

★ Satan.

He inherited a good chunk of Lucifer’s angel-knows-all-languages innate talents.

He doesn't have the angel knowledge of every language, of course, but he definitely has a really high count since birth; Unlike his brothers who had to relearn their languages of interest.

However, he can tell™ that the topic of languages is kinda taboo-y, as it signifies the traumatic fall he himself was not there to witness, and kept quiet about it.

The others (mostly) think he just learned languages in his free time.

He is the designated google translate person. When the other brothers need translations, they ask him.

He gets very frustrated when he has to translate something on the spot

Absolutely knows Chinese and Latin just to read fancy old human books and be a menace about it

He has a copy of the Art Of War in Chinese I will fight you on that

Actually he probably owns every important human book in its native language

Culprit of the you're* corrections

If he has to read another thesis-length essay abt weeb shit by leviathan he will actually lose his shit

You know the Voynich manuscript? He's probably trying to decode it for funsies.

If you and him (unfortunately) share a language, he will absolutely correct the living shit out of you when you speak it

Look me in the eyes and tell me he wouldn't "erm ACtuAllY" MC. You can't.

His ass does not understand slang. At all. You tell him See You Later Alligator and he'll be like "tf you smoking ಠಿ⁠_⁠ಠ?"

★ Asmodeus.

French. And Korean. Maybe very mid English.

Ok so french is the language of lOVe and whatever + Korea is known for their heavy beauty-focused culture

I can see Asmo definitely picking up Korean just for makeup and self care brands purposes.

Like it is easier to browse for products he wants if he can actually browse the original places/websites himself

It's just more convenient and he's actually very good at language learning

+ Korean it is a "cutesy" language so it fits his vibe.

Like he absolutely would go "안녕 teehee (⁠ ⁠ꈍ⁠ᴗ⁠ꈍ⁠)" to look disarming is what I am saying

He flirts to hell with Solomon in French. It is a language they both know and isn't supported by Loquar for translation so nobody can snoop their conversations

If you have the misfortune of knowing French I am so sorry for you bcs they are NASTY

Solomon is teaching him English. Asmo fakes being bad at it on purpose

★ Beelzebub.

He knows a decent amount of English.

What does he use it for? Order food. Obviously.

In fact everyone kinda assumes he just knows a few food orders and that's it but no he's actually very decent at English (borderline fluent)

He learned through clunky conversation with small restaurant owners

Beel actually makes a great effort to enunciate every word clearly, so he doesn't like speaking long sentences

"Would you like Salsa with that, sweetheart?" "... Yes," <- Beel has no fucking clue wtf salsa is but it tastes good so who is he to defy food gods (a nice Mexican grandma with a killer Pozole) whom have blessed him

I also think he would probably know some kind of sign language

Fingerspelling maybe, solely because it allows him to talk while having his mouth full or bcs his games are loud and he can't hear words very well

That and, like, the Devildom equivalent of sign language. DSL or something.

Look at him. Absolute sweetheart. He would absolutely want to include deaf or hard of hearing ppl.

★ Belphegor.

Ok so

I am going to be very fr with you

I believe Belphie would be the only monolingual (demon tongue "native") of the brothers

at most he would remember a few phrases of a few languages from back when he was an angel, but not any specifics

Like this dude has ZERO interest in human culture I cannot think he would sit down to (re)learn anything

he would fall asleep trying to learn human verbs actually

He only knows how to tell you to fuck off on 4 languages (/hj)

None which you speak. So that's kinda awkward

He doesn't know how to cast Loquar (nor has any interest in learning how)

Beel casts it for him if he needs it

He can and will deadass just remove the translator spell from you if you try to annoy/interact with him (except if Beel is who casts it on you).

(so Beel now also casts Loquar for you)

Begone >:(

#obey me #obey me shall we date #obey me! shall we date?#obey me lucifer #obey me mammon #obey me leviathan #obey me satan #obey me asmodeus #obey me beelzebub #obey me belphegor #obey me hcs #caineshcs

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thechekhov · 4 months

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Dungeon Meshi Quick Reacts

CH. 33 Sea Serpent (Part II)

Ah, so we're taking a little intermission break from the main team I see. That's just gonna keep being a thing. Alright... keep your secrets...

This is so...normal. I'm not used to it at all.

Feeling a bit of pride for our girl Marcille rn

.....now that I know he's a little bit fucked up, that reaction does not inspire good feelings.

Last name drop?????

They're gay, K.... K..... Kaios?

I've forgotten his name.

Alright, Sherlock, we get it. Cellphone chargers, etc, etc.

Dwarf stinky.

But let's be real, Senshi probably smells like cooking oil.

is..... is the Japanese guy not human by virtue of being 'eastern'? What?????? 😂 I hope it's just this translation....

Hmmm.. so Namari's family got a bad rep, and Laios and Falin took her in, but that means that no one would be willing to take her place? I mean, it's not as if they NEED a dwarf.... it's not as in the dwarf would know anything about previous dynamics... especially if he had been living off of dungeon monsters.........

Senshi is only dangerous to food, chill out bud.

The dynamic here is..... sure something.

The fact that they're fully mispronouncing his name makes so much more sense now.

this boy straight up isekai'd himself to what. have his little DBZ plotline? Is that it?

ah yes. the other type of Guy.

...y.....ya good?

So Laios and Falin got swindled. You're saying they got swindled out of their money because they were trying to be kind. That's what you're saying? Just so that we're all on the same page.

Guy Who Has HyperFixated on Reading People's Intentions Takes the Biggest L.

I mean, to be fair, I don't think Laios cares about people as much as he cares about Falin. But FALIN. come ON. FALIN!

Actually no, Laios agreed to return to the surface for his team instead of following Falin. He's a good egg. SLANDER!! THIS IS SLANDER!!!!!

yyyyyyyyyyyyyyyikes on spikes.

"This whole dungeon system is fucked up, am I right? Anyway. I'm going to buy Twitter take over, that will definitely fix things."

GASP!! A BABY!!!

Oh, the one this and the PREVIOUS chapter was named for? I'm glad it finally showed up!

I cast STRENGTH SAVE! It's TERRIBLE! 😂

👁👁

"her"....

specced poorly, my man. It's a skill issue.

who are you? I would die for you.

This is.......a lot to take in at once. But that's definitely... that's the guy whose name they kept butchering, right? Right? He looks like he partook of the sake a bit too much recently but that's him, right? Why does he have a fangroup now?

Yeah, this is what losing Falin does to people.

Although... this is also a skill issue. Marcile just used the pain to become a stronger, more fucked up version of herself. This guy needs to up his game.

#dungeon meshi #delicious in dungeon #dungeon meshi quick reacts #dungeon meshi liveblog #chekhov reads dungeon meshi

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toskarin · 1 month

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forewarning that this is mostly just an observational ramble

one thing I've gathered from looking around older western fantasy otaku sites is that, presumably in large part because of the order in which things entered mainstream consciousness, sauron is talked about pretty consistently as the final boss of the lord of the rings

technically, this is true of everywhere, but I want to emphasise that it is extremely common to see younger fantasy otaku a decade or two ago use ラスボス when explaining who he is, as a primary descriptor

[before going any further on this, it probably bears mentioning that the japanese translation of lord of the rings is a bit divisive. when it comes up, it's either in the context of how impressive the translation is (skews older) or in how unreadable it is (skews younger), because it's translated into antiquity prose. apparently exceptionally so, even for a fantasy novel, so it was very much extreme nerd shit]

a big part of this is, of course, just the idea of the final boss having more awareness than tolkien at the time the movies were coming out. I imagine almost the exact same thing would happen more or less anywhere that video games hit mainstream nerd awareness before tolkien did, but there's something else that I think might have something to do with it, because if you're looking at old enough threads, you notice that not only is sauron being explained as the final boss, but this is being mentioned in contrast to morgoth not being the final boss

which seems a bit random (morgoth doesn't exactly come up enough in lotr proper to cause this confusion), if you don't know that angband, where morgoth is the final boss and sauron is just the midboss, was pretty popular with western fantasy otaku. well, popular in the way that cult classics are, but you know how it goes

with that in mind, it makes sense that it was (at one point, before tolkien was more accessible through other channels) something people called each other fake fans over

so in a kind of interesting way, namedropping sauron in fantasy otaku spaces that skewed younger (for a time) was almost equivalent to namedropping morgoth in western fantasy nerd spaces. that all kind of stops being the case once you have the peter jackson movies immediately at hand, though

there's also the fact that, because it's a little harder to read lord of the rings in japanese, someone who's casually into the book is much more likely to also go ahead and read the silmarillion, which helped rings of power get incredibly popular with older audiences in japan when it came out. as a fun side effect of all this, there's a bit more morgoth x sauron shipping around

#also should be clarified that the specific way that tolkien is translated in japanese is like #seemingly made to create a generational divide in people who have strong opinions on whether you should use kanji in western location names #same argument as always: do you translate for western sound or period-appropriate language #and its answer is a resounding 'both'

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pikahlua · 1 month

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I hope this will be short.

I guess this line is the fandom drama of the chapter?

I understand a lot of you are really passionate about the accuracy of the English translation. I just want to encourage you to try to engage with the official translation in good faith.

Ojama shimasu literally means "I am disturbing you/I will get in your way." It's often spoken as a greeting where the "apology" is implied (hence the brackets in my translation), but as usual context is everything in Japanese. Izuku is saying this line in defiance of Tomura's wishes. It basically comes across as Izuku plugging his fingers in his ears.

Me personally? If I were the official translator, I'd have strongly considered translating the line as "I'm coming in whether you like it or not."

The purpose in my pointing out the "common greeting" nature of this line was to demonstrate Izuku's sassiness. This is Izuku doing his "meddling where you don't technically have to" thing. The level of formality in Izuku's speech doesn't necessarily translate to actual politeness (check out @bakuhatsufallinlove's excellent post on that here).

Does "You will let me in," mean the exact same thing? Technically no, but it's the sentiment that counts. From an official translator's point of view, "You will let me in," is shorter, punchier, fits in the speech bubble a lot easier, and still conveys the general idea of what's happening in the scene.

I don't know. I wanted to talk about this because I guess a lot of people are concerned about Izuku's characterization and how it reflects on Japanese culture and how the official translation may be misrepresenting Japanese culture to the English-reading audience, and I just...can I ask that everyone take a step back a minute? Horikoshi isn't writing his story for an English-reading audience. He's not considering at all how any of this sounds to English speakers. That's the translator's job, not just to translate what is said but to translate that into the context of who is reading it. Localization is not a dirty word--it's an important aspect of translation. And the notion that Izuku is being polite and respectful here as a Japanese person is just such a...take. Izuku is being hella rude here lol. Japan itself, not just the MHA Japan but REAL WORLD Japan, notoriously has a bystander problem where people will ignore others who are being harassed because they don't wanna get involved. They won't step in to help nor will they even testify as a witness against others for fear of what it means to speak out and break from the pack. Izuku is quite obviously Horikoshi's direct answer to that phenomenon. He's meant to be an example of the morally correct thing to do, which is to be "rude" in these cases.

So I mean, sure, we can talk about what is lost in translation by the line, "You will let me in." But to me what's lost may just be grammatical and pedantic (like the passive voice that switches the onus of action onto Tomura instead of Izuku and what that may do to the focus on Izuku's rise to action here). In any case, it's not a BAD translation that changes Izuku's perceived politeness, just one that may prompt new discussion--and I don't think that's a bad thing.

#my hero academia manga spoilers #final arc spoilers #linguistics fun #izuku midoriya

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meimi-haneoka · 2 months

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Cardcaptor Sakura Clear Card Special Chapter: Comments and Analysis

WELCOME BACK, CCS FAAAAAAAAAAAANSSS!!!!!

Oh my god 3 months went already by from that December 1st and chapter 80, didn't they?? Feels like yesterday 🙈But we're finally here, finally ready for the release of the definitive, last SPECIAL CHAPTER of Cardcaptor Sakura Clear Card!!!! After this, no more CCS for at least a while!!

Why do you see me so euphoric?? WELL, THERE IS MORE THAN ONE VERY GOOD REASON 😂 But let's not jump the gun and let's introduce this post properly: this time around, I won't be posting pictures to "illustrate" the analysis/commentary, because this special chapter was treated differently from the other ones. It didn't get, in fact, a free release on CLAMP's Youtube channel, in any language, and wasn't even uploaded for digital purchase on Comic Days like all the rest of the chapters. The only way to obtain it was via the April issue of Nakayoshi, either with the physical or digital version. Since it is clear to me their intention to keep this gem of a special chapter away from the internet jungle, and since lately I used only the screenshots from Youtube to illustrate my analysis, this time around I won't be posting anything (aside from the color page, which was released by the official account themselves).

AND! I won't be mixing analysis and summary, because I have already conveniently prepared some screenshots with a detailed summary of the chapter for the people who were curious to know, but didn't get to see the chapter yet or did see it but couldn't read Japanese. I have already posted these screenshots on my Twitter account, and I'll put them here too under the cut (please don't repost them around or in other social media), so you can immediately get a broad view on the content of the chapter (I don't have to point out translation mistakes, haha 😅), and then, afterwards, I'll write my commentary. And there is SO MUCH to say!!

But before starting, we can't break the tradition right at the LAST ROUND of our chapter commentaries, right?? So off we go, with the GIF OF THE MONTH!!

Yes, I think this is the GIF that can represent this chapter the most. 😂

The Color Page

This special chapter is composed of 33 pages, and of course I can't avoid starting my commentary precisely from the color page!!

I admit it, I hoped for a color spread with the four main characters of Clear Card (hence, including Kaito and Akiho too), but since the other two appeared with their own color page just in chapter 79, we'll gladly take this single color page with SyaoSaku too!! ❤️ The JP text reads "We've been together till now, and we will always be! Featuring a long-awaited special chapter!!" Syaosaku look absolutely adorable....and so, so happy!! Looking at us, from a wreath made of cherry blossoms, of course dressed in their image colors pink and green, in a "pair look"...I think their shiny smiles conquered the hearts of the entire fandom (saw many comments about it) and it is certainly a perfect introduction to a chapter that is, indeed, completely made of this happy, leisurely, warm atmosphere. I feel like it tastes even better, after all the anxiety they made us go through, right? I'm pretty sure that was CLAMP's goal all along, giving us this little reward after all the hard situations they've put their characters through. This color page looks like Sakura and Syaoran are saying "goodbye" to us, holding their hands in a lover's hold, but seeing them so cute and happy definitely soothes the sad feeling 🥲 Until we meet again...hopefully!

Letters From Around The World

But it's when the chapter starts that we get our first surprise: the time skip is of one entire year!!! We left our little heroes at the end of the first year of Tomoeda Middle school, ready to go in spring break and then start the second year...here, Sakura says she's in her spring break of the next year, ready to become a 9th grader!!! I almost couldn't believe they actually went that far, I knew from CLAMP's podcast that there was a timeskip, but I expected just some months! Although....I have to say the characters don't look that different, Mokona said she made them a tiny bit older and she kept true to that, because it's barely visible! 🤭 But if you compare them with how they looked at the middle of the story, of course the difference is visible.

I was so happy to see that the chapter started right away with a letter from Akiho: a letter or a videocall was definitely among the type of content I wanted to see in this chapter, because of course I still was quite preoccupied about the difficult journey Akiho and Kaito embarked on, so I wanted to see how they were faring. The amount of letters Sakura accumulated over the span of this year tells me that they moved around quite a lot, and she had always something to share with her "long-distance sister" 🤭 Kero praising Akiho's skills and even feeling some sort of "reverence" for her insane talent to find all the crazy and rare books was so funny and nice!! 😂Sakura is adorable, feeling all proud about the talent of her "sister" 🤭 Loved that they actually mentioned the place where Akiho and Kaito are currently at!! (cause they didn't reveal where they'd go first, in chapter 80, and I guess we'll never know). I appreciated SO SO much that they let us see that Akiho didn't drop, but actually continued to practice her sewing skills like she was doing before everything went down the drain with the Alice in Clockland play: moreover, finding out later that this skill is also helping her greatly with the true ambition of her life made me incredibly satisfied. How cute of her to send outfits for Kero and Suppy, even from far away??

I was quite surprised to find out that Akiho sends all the rare books to Eriol, and then laughed my as* off at Kero saying he's selling them off (the way Kero phrases it in JP makes it look a QUITE shady activity 😂). This shows there's a continued collaboration between the "group" in England and YunaAki, and it's very nice. They're not only "taking" support from Eriol, Akiho also does return the favor, providing Eriol with the books he needs.

And then....got really emotional to know that Kaito wrote a letter to Sakura, back when they left one year ago 🥲 I DID feel like some kind of acknowledgement or apology from Kaito to Sakura was missing from chapter 80 (but honestly, with everything they had to explain, where they could fit that?) and so this little mention completely fixed that sense of "he made a mess and barely managed to apologize to Akiho before leaving". Kaito isn't an ass*ole so of course he would've done something like that, and a letter seems perfect for an introvert boy of few words like him. I imagine the letter wasn't really long either. The little moon on the sealing wax...❤️The fact that Sakura is storing that single letter together with Akiho's letters in a specific box makes me almost cry. She cares for those two so, so much! 😭 Sakura wishes to receive more letters from Kaito and I really hope he will open up to her along the way, because he could benefit ENORMOUSLY from her advices and perspective! Also THANK YOU CLAMP for giving us a little "still" of those two next to eachother from the moment when they were leaving Tomoeda, with the suitcases and all 🥲that last faraway shot of all four of them together in chapter 80 was so great, but I wanted to see them like this too!

The SyaoSaku Date

Aaaaaand then we get to the long awaited, craved, coveted SYAOSAKU DATE!!! 🤣 I can't count how many people I've seen wishing for this....to be honest I was going to be ok with any kind of sweet moment between the two, but gotta admit that a carefree afternoon watching a stage play and then taking refreshment at a café gives this sense of normal, complete fun that was missing a bit for them. They are dressed in a very fancy way (loved that Sakura isn't wearing her usual long one-pieces but something different, with puff shorts! A sign of her growing up?) and even though they're not exactly wearing a "pair look" (too corny, maybe?), they are well matching eachother's outfits. And of course we find out that Tomoyo made Sakura's cute outfit and even the decorations on Syaoran's collar! The fact she was the one asking Syaoran to wear them at the date is kinda funny, like some sort of guidance into looking like a couple, thanks to the matching decorations! Tomoyo really takes care of everything....yes....everything. 🥲 The mention of Sakura's wedding dress of course made me go "OH MY GOD" and made me realize that if Tomoyo is already mentioning that.......we aren't *that* far away from that day (I always imagined SyaoSaku marrying early, since they're soulmates and got together so young!! 😆). Truly an emotional, sweet moment that was reinforced by Tomoyo's tender expression in the flashback. Her resolution to devote herself to learn to design even normal everyday outfits, or date outfits, everything that could accompany her dear Sakura everyday, reminded me that Tomoyo found her very own way to be with Sakura, and she's perfectly content with that. Tomoyo's happiness is seeing Sakura happy, and she will do anything to achieve that. ✨

Syaoran and Kaito's Friendship

And then my blushy blushy Sakura changes topic and suddenly throws me on the floor in a fit of laughter, because seeing Syaoran's confused look while he was trying to make sense of the pictures Kaito sent him on his phone WAS HONESTLY PRICELESS. 😆 My god, how long have I wished to see them like this? Moving their timid steps into a friendship (since their girlfriends are like sisters and Sakura literally saved Kaito's derriere), being their awkward dorky selves...they surprisingly get along so well and Syaoran doesn't seem to hold resentment towards him, which is GREAT for me!! He's learning from Sakura to just let go of hard feelings, when you've found out the person who acted in an oppositive way was just in a very desperate situation and had actually no ill intentions. And that makes me incredibly happy. Kaito needs all the support he can get, to make the right decisions in his life, and I can totally see him finding a particular connection with Syaoran, due to how they're both moon boys, who would give their life for the person they love. I think precisely for this, precisely because Syaoran can understand to a degree Kaito's situation and behavior, he wouldn't feel judged and would feel more free to establish a connection with him. I was k*lled with laughter and endearment when I saw that Syaoran felt confused, but still tried to understand Kaito's peculiar way of communicating with him 😂 And guess what? I think he doesn't realize it, but he's totally starting to get it! 😂The way our wolfie boy snaps that picture IMMEDIATELY as the cat passes by, and how he only framed the ear, really shows how in the end he's speaking "the same language" as Kaito 😂 Seeing Sakura so excitedly think to herself that the two became such good friends made me scream "SAME SAKURA-CHAN, SAME!!!" 😂 All in all, seeing these two having such a relaxed, comfortable date talking about their friends and stuff that happened lately made me completely feel that one year that elapsed, and now they act totally like a couple that's been dating for quite some time. 😊 Ooooh thank you sensei, really. Thank you so much for this scene. 🙏

The Moon Is Really Beautiful, Right?

BUT! The real reason why CLAMP will always have my heart and my gratitude is hidden in the next scene. 😂

Oh my god, the screams I've belted out when I saw them. And when I've read THAT. But let's go in order, let's go in order and not jump the gun! We're in Germany, Akiho and Kaito now seem to be living in an apartment in a nice building! They're still talking in keigo, and still calling eachother "Akiho-san" and "Kaito-san". 😊

Kaito SMILES genuinely at the picture Syaoran sent him!! And answers, to an observant Akiho, that he's having fun!! 😭HIM! The one who couldn't understand what was fun in interacting with others!!! He looks honestly so radiant and happy, a sign that his mental recovery is going strong. And that he's slowly expanding his "trusted people" network. 🥲🙏Also, he looks younger than ever!!! 😂

It made me INCREDIBLY HAPPY to see that Akiho didn't drop the "hobby" she had started in chapter 26 (ages ago!!), remember this scene?

I remember how much I loved to know she had started learning how to do this, because together with my friends, at the time, we all thought this could easily become her aspiration in life......and guess what?? CLAMP confirmed she wants to take on a job revolving around books and book repairing!! This is all canon!! T___T oh my happy tears.... There's a sense of pride in seeing that this journey for Akiho isn't only revolving around finding the cure for Kaito's shortened lifespan (which hurt his body terribly) and restarting his "stopped time", or finding Momo and the Alice in Clockland book, but she's also got the mental resolution to do something for herself, for what she wants to do in life, something that is completely disconnected from Kaito. Again, I cannot reiterate enough how this girl doesn't have an unhealthy codependent relationship with Kaito, and she's completely capable of thinking about her own future, aspirations and wishes. She wants him with her, and she could never live happily without him, but the love of her life isn't the only thing that exists for her. It is incredibly satisfying to see her working hard for her own future, where she'll be able to contribute (especially financially) to their livelihood. I can see Kaito helping her and assisting her with that. The other day I was dreaming away with my friends about Kaito and Akiho managing a "book cafè" together somewhere, how impossibly sweet that would be?

Seeing this volitive, ambitious, strong-willed Akiho once again filled my heart immensely. And I wasn't the only one, apparently.....

Oh god, you have no idea of the SHRIEKS I belted out when I saw Kaito saying "the moon is really beautiful, right?" in full daylight. Like. It is absolutely unmistakable at this point what kind of love he feels for her, and while I always knew, I'm sure the character took his own sweet time and personal introspection to reach that conclusion. If you remember, I've always said it and reiterated it at the end of chapter 80: Kaito won't understand things overnight, it will take a long time. And one year, at that age, is enough of a long time to come to terms with one's feelings and understanding what exactly they mean. They lived all that time together as two "equals", no more butler/boss bullsh*t, so they had even more opportunities to see eachother's true colors. And Kaito couldn't help but fall even more in love with Akiho, to the point that seeing her working so excitedly for her future made him gently overflow with that feeling....and said that sweet quote of Natsume Soseki that we all know, by now, what it means. I think the mere fact that what made his heart explode was seeing her so independent and strong, is a good sign that Kaito's love for her is the healthy and supportive kind, too. He doesn't love her and feels attracted to her soul because she's a weaker, younger, malleable being that he can dominate (as a toxic relationship would portray), but at the contrary, because she's free and strong and wonderful on her own. The more he sees her shining, the more that feeling grows. Throughout this scene, he looks at her and talks to her in such an intensely sweet way, you can totally see he's smitten with her.

The most popular reply to someone who confesses with "the moon is beautiful" is the equivalent of "I could die for you/I can die happy now", in Japanese. And Kaito had been unconsciously replying that way, with his actions, the whole damn time during the serialization of Clear Card. But since he took it way too literally, things were really heading to tragedy. Nobody wanted him to die for real, and yet, subconsciously, that was the only way he had found to give outlet to an enormous amount of feels that he couldn't express (because it wasn't appropriate, and nobody would ever love him, and he only caused her pain, and he had to let go of Akiho anyway at the end of it).

So considering all of THAT, this "I love you very much" he said now (he added とても, "very", like Akiho did ❤️) in this way, makes me think even more "yes, you finally understood what was the best way to convey it!" and therefore, it represents another character development for our moon boy. 🥲

There's debate over whether he had already understood what Akiho had meant, in chapter 48. I stand firmly by my convinction that, even if he was informed of the Japanese folklore tale around it, he quickly dismissed it as "no, she's meaning it literally for the moon", since he couldn't really believe that anyone would ever take interest in him, and was sure he would've always been alone. Otherwise, if he really understood and believed that Akiho was in love with him, I don't think he could've ever said that "I thought you didn't need me to be happy". It doesn't make sense. But everything that happened at the fake moon, and all her angry tears, and all her resolution to find a way to cure him, made him finally see that she really meant it in that way. ❤️So his own acceptance and introspection could finally start, and....it brought to this. ❤️ If you want to know more about the popular phrase "the moon is beautiful, right?", I invite you to check my first Clear Card Trivia post, focused on the literary and musical references portrayed throughout this story!

And LOL, I couldn't help but noticing several things in how this scene played out: first, he immediately "runs away" blabbering about the breakfast being ready, a very similar way to how he "ran away" in chapter 52 when Akiho could see right through him and was trying to express her support and feelings to him. This is definitely an indication (taking into consideration also how he acted when he was little) that the reason why Kaito walked away back then, slamming the door, had a sprinkle of embarrassment embedded in it, too. Yeah. I mean, look at the face he's making here, just before he notices, puzzled, that his hand is shaking:

He's smiling so tenderly, among the pain he's feeling because of his poor health. He even laughs! He's happy he heard that! But he just couldn't stay hearing any longer, back then. Now, in this scene of the special chapter, he literally throws "the bomb" and runs away without hearing her answer or reaction 😂😂😂this is definitely embarrassment, and I'd like to think there's even a hint of teasing streak that I've always seen between the lines in his personality. It came out particularly with Syaoran and Momo, but Akiho isn't excluded from this dynamic! 😂

And excuse me, but Akiho's reaction literally made me roll on the floor laughing!! 😂The poor girl is probably so used to live abroad, and Japanese folklore isn't probably coming up immediately in her mind anymore, despite it's a phrase SHE used HERSELF back then! 😂Or maybe it's because she didn't really expect it from him, and so she took a moment to connect the dots. Either way, it was extremely funny! And I can't absolutely avoid pointing out how our girl isn't blushing like mad anymore, but just slightly.... I mean. It must have been quite clear to her too, by now, that her feelings were in some kind "reciprocated", be it for what Sakura said back at the fake moon, his decision to go back to her, and his decision to reveal his true name, hence giving her his most vulnerable part of himself... This isn't a shock for her, and she probably waited patiently, patiently, for him to finally say something like this. So maybe, more than embarrassed, she's surprised that the day finally came! 🥲 Goodness. This really puts all my worries to rest, Akiho will truly be happy. And it makes total sense that CLAMP made him say this now, and not at the end of chapter 80. As I said, more time was needed. This entire scene leaves me with a sweet, soft, comfortable feeling, and it's totally how I've always imagined their relationship to be. Also....no more of that "he loves her as a daughter/sister" crap, not canon-wise at least. 😊

One last thing I have to point out about this scene, which curiously reconnects everything together, is that recently CLAMP have announced the themes to which their upcoming exhibition will revolve around: among them, there's LOVE (of course!), and among the decorations surrounding the featured character on the key visual (Sakura, for now, but there's at least another one coming!) there are a couple of birds too. Birds are, in this sense, a symbol of love in CLAMP's language. I couldn't really help but noticing all the birds flying outside the window next to Akiho, the moment Kaito says that "the moon is really beautiful, right?". Basically, CLAMP were trying to scream it all over the place, however they could. 😂

"Momo-san?!"

It was so nice to see Yukito and Kero-chan gossiping about Touya right in his face, with the complete intention to tease him 😂in that sense, Yukito really seems like a sweet and harmless character, but don't be fooled! His teasing power is over 9000!! 😂Touya's killing glare made me crack up! He's so done for, now that both Kero and Yukito can tease him in the open! 😂😂😂

But please, please, let me scream about MOMO!!! Oh my god I would've never accepted a special chapter that didn't feature her!! Aaaaahhh I'm so glad to see that she's fine 🥲 The conversation between her and Sakura made clear to me that she isn't that free to move how I imagined her to be. Certainly, she decides where to go and who the book stays with (and when to leave), but the impartiality imposed on her role doesn't allow her to act freely like she wants, unless she pays a price. And she decided to pay a price, not to see Akiho and Kaito, but to go and thank Sakura herself first. Because, as her "those kids" suggests, she of course still feels some kind of maternal instinct towards them, and as any mother would do, she wants to thank Sakura from the bottom of her heart for having helped and saved those two. Even her body language (the position of her hands) portrays that. And excuse me, but I A B S O L U T E L Y loved how CLAMP clarified once and for all, addressing directly the complaints of their own fandom, that Sakura wasn't forcingly dragged into a matter that wasn't related to her. Everything she did, she decided to do it because she felt it touched her personally. From the moment she became Akiho's friend and came to care for her, everything that happened and everything that she was involved with was related to her too. This wasn't "somebody else's business" anymore. Because Akiho is one of her most beloved friends, no matter how "fast" that happened. Some relationships bloom almost immediately, because the connection is just that strong. And so, this turned into just another expression of "your happiness is my happiness", with Sakura acting according to what her heart suggested. As Kaito is Akiho's most beloved person, Sakura couldn't help but care for him too, because doing so would've made her friend happy, in a wonderful "circulation of love".

Special mention for the scene with pregnant Lilie, oh my god I didn't really expect this either. How long ago I wrote that Tumblr post about cosmos flowers and the origin of Akiho's name? A couple of weeks ago? It's like CLAMP answered my curiosity, with this scene. I still keep my interpretation in my heart, but I also love the logic "it is a flower that keeps the same name in many countries". Of course. "Wherever you'll go, you'll always be your unique self". (And now I want to cry, mama's heart is so big😭) The way Lilie keeps her hands over her womb made me tear up. The ring isn't there anymore, a sign that she probably already gave it to Momo (understandably, since once Akiho would be born, she wouldn't really have much time left). The baby bump isn't that noticeable, probably because she's at the beginning of her pregnancy. Who knows if she kept seeing little Kaito while she was pregnant. 🥲Who knows if in the scene where she's telling him about how wonderful it is to have something you love, especially a person, she was already pregnant with Akiho. 🥲

Momo and Sakura's final words made me understand that Momo cannot go back to Akiho and Kaito till the circumstances and the moment is right. Whether it depends on Akiho's wish, or the right cosmic arrangement, it's surely not in the short term. Especially considering the limited scope of Momo's agency. It cannot come from Momo (unless she pays a huge price), it needs to come from them, strongly enough. I also want to think that, again as an acquired mother figure, Momo wants those two to find their own way, identity and figure out their relationship on their own, without her interference. I'm sure she's keeping an eye on them from faraway, though. 🥲Even though this still feels bittersweet because I wanted to see them reuniting in canon so badly, it gave me lots of hope for the future. Momo is just waiting for the right moment, and she'll be ready to embrace them when the time is right. Maybe, who knows, we'll see that reunion in another series or in a special publication in the future?

The End

And then....the final scene 🥲NOW it is finally clear what Ohkawa meant in that one Twitter Space, when she mentioned that there was a reason why they never featured Sakura's birthday!!! THEY NEEDED TO KEEP THE EXCLUSIVITY FOR THIS!! 😂 I'm so glad they did, really...it's so sweet to see her reaching 14 years old (the "standard age" of many shoujo heroines! 😂) and seeing Syaoran giving her a present, with that strikingly sweet smile full of love...but most importantly....the breathtaking final double spread 🥲🥲🥲🥲 The way she pulls his hand close to her chest, to her heart, while saying that Syaoran will be forever and ever her most important and special person.....really, this chapter is meant to k*ll us all with feels!🥲and I love how CLAMP keep finding ways to portray their physical displays of affection without resorting to the classic, most wanted (but also probably considered not appropriate yet) "kiss". The very final page is a direct parallel of a page from chapter one, where Sakura was going to school alone and looked back down the street to admire the cherry blossoms in full bloom.

Now, she's not alone anymore, but actually hugging the love of her life on her special day! Really, what a wonderful and fulfilling way to give the final touch to this amazing story! 🥲 Her very last line also contributed to this. Sakura leaves us again, 24 years after the first ending, with words of positivity for the future, and love for her important people. This wraps everything up nicely, but it still keeps things quite "open-ended", hopefully in the eventuality to return to this wonderful series in the future. Sakura is growing up, as CLAMP wished, and it might be possible to see her dealing with more "grown-up" situations, magic and non-magic wise. But one thing is for sure, her relationship with her loved ones will always take top priority. ❤️

Well well well, we came to the end of this looooooong commentary for this special chapter too. I can't help but thank once again all of you who followed my posts all these years, and commented with your POVs on the story.

As I've said multiple times, Cardcaptor Sakura gave me so much ever since I was a kid, and this sequel was no exception. This special chapter, in particular, overflowed with things I wanted to see, and I'm sure I'm not the only one thinking so. I once again want to congratulate CLAMP for wrapping everything up nicely, and thank them from the bottom of my heart for these almost 8 years of emotional journey. 🙏

See you around with my other tumblr posts, and let's look forward to the release of volume 16 on April 1st, and hopefully, news about the anime sequel of Clear Card!!

#cardcaptor sakura #card captor sakura #clear card arc #ccsakura #ccs spoilers #sakura kinomoto #syaoran li #akiho shinomoto #yuna d. kaito #syaosaku #yunaaki #special chapter #translation differences #how come this post is so freaking long even without translation differences?#well dammit I had A LOT TO SAY #and even some itches to scratch #aaaah the satisfaction #😊so happy

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effortandmore · 10 months

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the sleeping hours | knj x f!reader

summary: namjoon thinks there must be infinite versions of the universe, and in every one he’s known, he’s meant to love you.

pairing: namjoon x f!reader

rating: explicit (18+ please)

genre: fluff, smut, angst

au: okay. so this is canon-compliant but also maybe a little bit of a time-travel/multiverse au

warnings/tags: here we go... time travel (kind of), discussions of war, descriptions of famine, talks of anarchy/revolution, descriptions of ww2 germany and nazis, minor character death (not a tannie), implied gun violence, the japanese occupation of korea, sex worker!namjoon, soldier!namjoon, architect!namjoon, idol!namjoon, spy!reader, namjoon has a big dick (ofc), mentions of blood... smut, including: biting, unprotected sex, sex work (this is not the unprotected sex), oral sex (f!receiving), a little bit of cumplay... idk i think that's all but honestly it's not as weird as it sounds i promise

word count: ~12k

a/n: i have wanted to write a songfic for "here i dreamt i was an architect" by the decemberists for... years now. and with my three month vacation from work, i've finally done it! listening to the song will help this make more sense, but essentially there are three verses, and they start like this: "here i dreamt i was a soldier," "here i dreamt i was an architect," & "and in spain i was a spaniard." so, i thought it would be fun to turn that into a story about namjoon and reader across all these different universes. my research for this fic was completely unhinged, and i'm sure i still got some things wrong. if you need translations for any of the dutch, german, or spanish in this, lmk but i think it's pretty readable given context. i hope you like it, but even if you don't, i'm glad i wrote it. thank you so so so much to @ugh-yoongi who assured me this was not too unhinged for the locals—ily and i appreciate you

read on ao3

Namjoon always tells people he doesn’t have dreams, but it’s a lie… Sort of.

If these are dreams, he doesn’t know how billions of people aren’t talking about them like they’re magical experiences, can’t fathom why so many people still don’t believe in multiverse theory.

Lying about it seems infinitely easier than trying to explain it to people. His “dreams,” if that’s what they are, seem so real. He can smell the scents, he can feel the rain and the blood and the orgasm that courses through him when he inevitably, in every single one, finds a version of you. When he wakes up, he can feel the phantom pain, feels like his skin’s just barely dried out from a shower, feels loose and lazy with the pleasure he’d felt while he was asleep.

So, he says he doesn’t dream, because he’s halfway convinced they’re actually happening, and he has absolutely no clue how to explain that to anyone. He thinks there must be infinite versions of the universe, infinite versions of him. At first, he thought maybe it was a past-lives sort of thing, but he’s lived parallel paths on different parts of the planet during the same time frames. Or, he’s dreamt that he has, anyway… maybe they’re dreams. Maybe not. What he’s sure of, though, is that you must be out there in the universe he lives in—you must exist outside of this near fugue state where he always finds you. If you’re on the streets of Germany during the war, if you’re in Andalucia dancing the flamenco and catching his eye on every twirl… If you’re fleeing with him to Jeju as more and more Japanese soldiers encircle your small farm town… If you’re all of those places, he knows you must be here, too.

There must be infinite versions of the universe, and in every one he’s known, he’s meant to love you.

Every dream is different, but the love he feels for you? It’s always the same, and it goes like this:

Birkenau, Germany — April, 1942

He comes to, and he’s lying in a cot. It’s dark. It would be pitch black, except there’s a crack of light on the floor that’s muted and warm-looking even though the air around him still carries a bit of leftover winter chill. Somehow, he knows there’s a coal shortage this spring because of the war. There’s an everything shortage, really. No coal, no clothes, no food… He can’t think of a time he’d eaten anything but potatoes in days… Namjoon can’t think of anything, really. It’s strange, his memories feel dull, rounded around the edges and blurred out, everything just slightly out of reach. Maybe it’s lack of sleep, maybe it’s hypothermia (he’s a little dramatic), maybe it’s hunger; he doesn’t know. Doesn’t want to know, because there’s not much to be done about whatever it is. Knowing the future doesn’t always mean you can change it, he thinks, rubbing the sleep from his eyes.

The clothes he is wearing are stiff—they make it hard for him to bend his elbow to reach his own face. There’s a worn crease in his right sleeve from saluting, dirt that will never scrub out on his lapels… his badges and patches do a poor job of covering the wear and tear. Although his brain isn’t fully awake, the thoughts still cloudy, two are clear: he is ready for this war to be over and he is terrified that he is a little in love with the woman lying next to him.

If someone asked him how he got here, to Birkenau, Germany in the middle of the spring in 1942, he couldn’t tell them (a consequence of for some reason not remembering anything concrete prior to this week at the moment—just feelings and sensations and language and you). He feels as if he doesn’t belong at all and at the same time, as if he’s always existed right here.

He teases you awake slowly. Whispers sweet nothings to you in a language he finds himself surprisingly fluent in—it’s not his native one. He doesn’t know if it’s yours, either, but he knows you like hearing his voice. Remembers how you ask him to tell you stories of his home, how you hum softly along with the folk songs he sings to you when he thinks you’re almost asleep in his arms. He knows he likes the noises you make as you start to come to, knows you need a soft re-entry into wakefulness or else you’re a little off for the rest of the day.

You’d both fallen asleep after what some people would call lunch, although the persistent pit in Namjoon’s stomach would argue that. It’s hard to have energy when you can’t really eat, so the two of you do your best to conserve it.

Tonight, though, tonight he wants to be special. The carnival is in Birkenau this week, maybe longer, but he won’t know. He’ll leave soon, onto the next base, the next battle. It’s a miracle he’s able to go tonight, being a foreign soldier here is dangerous and the demands on him are high. He wears his uniform while he sleeps to stay warm, but doesn’t dare wear it in this town outside of this private and safe space that you’ve carved out for him. It’s been going on for a while, this sneaking away to be with you. There’s another soldier, Seokjin, on his base, who always covers for him. Namjoon doesn’t know how, it’s one of the fuzzy things he can’t figure out. Regardless, he’s here with you now and he knows he’s always grateful to his fellow soldier. And here, he’s someone different. He’s not Namjoon the soldier, he’s Namjoon who loves you, who will give up almost anything to be with you.

Except the one thing you ask him to.

He may be grateful to escape for a while, but he is duty-bound—loyal to his country, to the cause. He is, above everything, a soldier, and that cannot change. The Remington on the cheap bedside table is his best friend, and a reminder that this between you is dangerous, that it has a time limit.

And you? You have to leave, too. He knows it, you know it. It’s not safe for you here, probably just as dangerous as it is for him.

You don’t wear a uniform, you don’t carry a gun (often), but you move under the cover of the night and you deal in secrets you’re not supposed to know. The work you do is just as important as his—sometimes he thinks it’s probably even moreso. He admires you, adores you, thinks you’re brave and beautiful and brilliant. Maybe he thinks some of those things because of how dangerous you are, because of the risks you’re willing to take. Being with him, hiding him here with you is a big one.

Beside him, you stir. Your voice is a melody, always lilting, tumbling from one word to the next. “Love you, Namjoon. What time is it, baby?” Later, he won’t know why he never thinks it’s strange that you weave words across several languages. Maybe that’s just how all spies are; and that’s what you are, at the core of it, isn’t it?

“Is it time?” you ask into the darkness.

“Yes. I need to change and then we can go.”

“Do you think we’ll find something to eat there?”

Namjoon smiles even though you can’t see him in the dark. “We will. Sausages and sauerkraut, I’m sure.” He waits for you to make the gagging sound he knows you’re about to.

You do. “I hate German food,” you complain. “Can’t wait to get out of here once and for all.”

“They’ll have schnitzel,” he says, trying to make you laugh.

“Germans and their pork,” you say dismissively, “swine for swine.”

“They’re not all bad.” He means it, but it sounds a little weak when he says it. It’s hard to see the forest for the trees, sometimes. Doesn’t help that the both of you see the worst of people… that the both of you sometimes are the worst of people.

“Hmm…” you hum, he knows you agree with him. “I know, I'm sorry. I’m just tired. And don’t want to leave you.”

“I know.”

“You could come with me. Run away with me, Namjoonie.”

When you say it, he almost believes it could work. Knows it wouldn’t, knows you’d both end up dead or worse, knows he could never go home, never see his mother again. Knows it would break his heart to bear witness to the secrets you have to keep, to the lives you take.

He never responds, just lumbers off of the cot and strips his uniform off, trades it for the street clothes you keep here for him. They’re ill-fitting, cheap and scratchy. He loves them because they smell like you, smell like the soap you carry with you from France—lavender from Provence—the one luxury you allow yourself.

The two of you walk hand in hand through back alleys and quaint cobblestoned neighborhoods, making your way to the carnival. He hears the barkers getting louder the closer you get, promising fun and winnings and love and only happy fortunes told. In reality, there are no happy fortunes here, and you both know that. But Namjoon’s happy to give into the fantasy of it all, just for tonight. Just to see you smile. He’d do anything to see you smile. Except…

“Win me a prize,” you coo sweetly. It’s futile, since you never take anything with you, and later tonight (or very early in the morning), you will leave Birkenau for good—a mission needs completing, and dead or alive, you won’t be back here again.

“Whatever you want, jagiya.”

You bounce on your heels in excitement and drag him to a booth, one offering cheap stuffed birds. There are swans, peacocks, parrots, ducks… He doesn’t know what you’re drawn by, but he’ll knock over as many milk jugs as he has to get you what you want.

“My strong soldier,” you whisper in his ear after he knocks the top three over. It makes him grin, makes him show you his dimples. He loves you so much, loves how you tease and bait him with your words—then with your body in the privacy of your hideaway. Loves your confidence and your unwavering belief. Loves your conviction. “You can do it, Namjoon.”

He does.

The final three jugs topple off the ledge. With you by his side, he thinks he can do anything. He knows he can.

“Wähle eins,” the barker shouts at him, Dutch accent thick in his German.

“De pauw,” you answer immediately in his native tongue, pointing to the top shelf.

The man pulls one of the blue birds down and hands it to you with a smile. You can charm anyone, Namjoon thinks. A skill you’ve honed doing the work you do, he supposes. “Voor de dame,” the huckster says with a bow and a flourish of his hand.

You giggle as you take it. Namjoon’s enamored with you.

As the two of you wander (you clutching the peacock tightly under your arm), he watches as you make friends with a fortune teller and charm free pieces of chicken schnitzel from a mustached French man. Your greatest feat is sneaking the two of you onto the ferris wheel. Namjoon’s in awe of how you move—though sleight of hand is usually what he catches you at, you’re not as skilled a pickpocket as you are a liar—how you can weave in and out of a crowd unnoticed, how you can blend in with any surrounding, any language, any group… It’s a skill he wishes he possessed, too. He’s too large, a little lumbering, a little awkward in his long limbs made to feel longer as he loses muscle to months of being malnourished. But somehow, you make him nimble, you make him invisible to everyone but you. He wants to chase that feeling forever, wants to bottle it up and uncork it again when you’re gone, when he’s so desperate with the want of you that he’s got no other solace.

Bellies unusually full, legs tired, and peacock secured, he leads you back to your basement apartment. He pulls you along to follow a different path to return than the one you took there—a trick he’s learned from you. Don’t give people the opportunity to see your face twice.

It’s still dark, and you have no electricity, no oil for your lamps, so Namjoon makes love to you by memory.

He feels so foggy, but this he knows how to do, like he’s done it a million times and will do it a million more until you and he become different versions of the same thing. Maybe you already are.

Slowly, using time you don’t have, he undresses you. He’s careful with the buttons of your blouse after he slides your cardigan off of your shoulders. Takes time to press his nose into the skin of your neck once it’s exposed, to try and remember the way that you smell, that lavender soap and the iron of the hard bathwater and the danger that rolls off of you in waves.

When he lets his arms drop from your body, you walk backward toward the cot, unlacing your skirt as you go. Namjoon can’t see you well, but he hears the sounds of the cotton strings being pulled through the gussets, the soft swoosh of it hitting the floor when you shimmy out of it.

“Come here, Namjoonie,” you whisper. He would, even if you didn’t ask. Wouldn’t be able to help himself. Always pulled to you like a magnet.

“Yes, jagiya,” he breathes, now trembling fingers removing his own clothes as he moves. When he finally can feel your skin under his hand, he’s fully undressed, thinks you are, too. Lets his fingertips explore your limbs just to confirm.

You straddle him on the cot, press your thumbs into the meat of his thighs and tell him he’s brave, powerful, that you’re so lucky he’s chosen you. But he knows it wasn’t a choice. Can’t explain it, but he’s always existed for you, would always find you. Couldn’t choose anyone else if he wanted to.

He doesn’t.

The way you kiss him feels like forever, but he knows better. Chases something deeper and messier as his heart rate rises. Knows you don’t have time to draw it out, knows he won’t be able to be as gentle with you as you deserve. No one’s ever gentle with you, is what you always tell him. People who know you know how dangerous you are and they treat you accordingly. Except Namjoon. Namjoon who reveres you and knows you and he are cut from the same cloth—the one where you need to fight for what’s right at any cost. It doesn’t make you dangerous to people who don’t deserve the battle scars you dole out, he thinks. It makes you a hero. To him, you are a lionheart.

Your palms press into his chest above his own heart and you sink onto his length. Every time you’ve been together seems to bleed together for him, but he knows you know exactly how to move to bring him bliss, knows you feel like the god who seems to have abandoned you made the two of you for one another.

It’s a risk, but he reaches up to pull the thick curtain back just a few millimeters. Wants the sliver of light to illuminate the tendons in your neck with your head thrown back as you ride him. Wants to see the peaks of your nipples, the smooth skin over your ribcage, the mole you have right on the plateau of your collarbone. Wants to let his eyes roll back in his skull, that’s how good you feel, but can’t let himself pull his attention from your body.

“Come here,” he says quietly, wraps his spindly arms around you and pulls you down so your chest is flush with his. “Be with me,” he almost begs, “look at me, love.”

Your hands cup his face, and his guide your hips on top of his.

“I want to feel like this forever,” he thinks he hears you say, and Namjoon can see a tear dripping down your cheek before you lean in to press your lips to his. He licks at your mouth, gets you to open for him, plays melodies along your tongue with his.

He thinks they’re love songs.

He hopes you know.

You’re all tight heat around him, and your nipples brush his chest in time with his tongue brushing yours. Your lavender scent is a balm, your tears drip onto his cheeks from above, and your breaths come shallow and labored as he fucks into you.

“I think I’ll love you forever,” he says.

“Mijn schat...” You whisper, brushing your thumb across his cheekbone and smiling the sad kind of smile. Quietly, you tell him that you want to feel him, beg him to move.

He knows he shouldn’t, but he doesn’t stop. Thrusts into you, lets the sound of his skin against yours get louder and filthier. He knows he should stop. Can’t make himself. “Are you sure?” he asks, but it’s probably too late.

You’re nodding anyway, letting out a sweet little moan when his fingers find your clit and he comes, deep inside of you. Feels like a claim he shouldn’t be making. Gets one back from you just moments later when you squeeze around his softening cock, shuddering with your release above him.

Against his chest, you breathe, and he waits for the moment when your inhales align with his. It’s going to be the last time you share the same air, he thinks.

Your work tonight will be messy. He doesn’t ask what that means, thinks he already knows. Eyes the Remington in his periphery and you give him a tight-lipped confirmation. Yes, you have things you have to do. Yes, they’re worth sacrificing your life if you have to.

Namjoon spends a lot of time wondering about the balance between sacrifice and selfishness.

Never seems to decide where he sits on the spectrum.

Lithe like you are, he should barely feel it when you climb off of him, but it’s a crushing weight. Feels like his heart might be melting, like his lungs can’t expand anymore.

Once you’re dressed—in clothes he’s never seen before, those usually given to people of a different gender, maybe a different time—he watches you toss your skirt into the hearth first, then the clothes you’ve been lending him for your trysts. He watches you find the smallest vial of kerosene and some tinder you’d been collecting and add those, too. It’s as if he can see you in your full vibrancy now: focused on the mission, focused on destroying the you that has existed in this space, the him that has loved you.

The fire burns more brightly than he could have imagined after all the time you’ve spent together in the dark. It allows him to see the hope in your eyes when you lean down to kiss him one last time. Allows him to see the tears you no longer let fall when you hand him the peacock, press it close to him so he can hold it like a child.

“Why the peacock?” he asks when you turn to leave. It’s the only question he can think of that he suspects you’ll give him an answer to.

“Immortality, Joonie. You know, the Greeks thought the flesh of the peacock would never decay? Perfect and enduring even in death.”

“Are you the peacock or am I?”

“I guess we’ll find out,” you say as you heave open the door.

He shudders with the cold gust and wishes he knew what to say. Wishes he could choose you over his gun. Wishes you would choose him over yours.

“Until next time, Joonbug,” you say against the wind.

You pull the door hard behind you, and when it punches shut, Namjoon is startled out of his dream.

Seoul, South Korea — Present Day

“You gotta stop falling asleep in here, hyung.” Jeongguk’s voice is almost drowned out by Seokjin’s laugh.

“I covered for you at the last meeting, told them you were chasing down an idea… don’t interrupt a genius… creative flow… you know.”

Namjoon rubs his eyes and sits up. Of course he’s not in Germany during World War two. Of course he’s in his studio in Gangnam, and apparently he’s slept through a meeting.

He hates these dreams because he feels so thrown off when he wakes up. The pain of losing you always sticks with him for a while afterwards, makes his whole world tilt about one degree. Not enough to change anyone but him, but more than enough to notice.

He loves the dreams because he gets to be with you—tries not to let that thought be concerning.

“What’s that smell?” he asks, still half asleep.

“What smell?”

“Mmm… you know, the lavender smell.”

“Hyung, are you having a stroke?”

“I think people who have strokes smell toast,” Jin says.

“Nevermind,” Namjoon sighs as he gets off the couch. “Thanks for covering for me, hyung.”

“You owe me now.”

“Sure, yeah. Of course.” Agreeing is always easier than arguing with Jin.

Namjoon’s awake enough now to notice the looks that Jeongguk and Seokjin are passing between each other. He knows they know something’s going on with him, sees how they adjust the ways they move around him after these dreams, when he’s out of sorts and halfway out of commission for a half a day or so. It’s not just them, either. Jimin has tried to talk to him about it, but didn’t get very far. Hoseok knows Namjoon’s had a few bad dreams, but that’s the extent of it.

It’s not that he doesn’t want to tell them, it’s more that he doesn’t know how to explain it without sounding like he’s completely batshit. Doesn’t know how to tell them that he knows you’re real, that he believes in you the same way he believes in the existence of his sister or his best friend, Heeyoung. It’s part of the problem, really. Because every time he has one of these dreams, he finds himself actually looking for you. In real life. In Seoul. In every city they have a show in. Thought he saw you once in Switzerland, but was too afraid to get close enough to know for sure… Still isn’t sure if he regrets that or not.

It really messes with him when he’s in a city that he’s dreamed you in. Once, in Sevilla, he was too fucked up about it to even leave the hotel room. Tried to explain to one of the managers that something bad had happened last time he was there, but it got complicated when Namjoon couldn’t explain when exactly that was.

“What’s on your mind, Namjoonie?” Seokjin’s tone is gentler now, cautious.

“Spain.”

Another look of concern between Jeongguk and their hyung.

“Do you want to talk about it?” Jeongguk asks softly. “Sometimes it helps to talk about things—you taught me that.”

He can’t help but smile at that. Caught in his own words. And he’s so tired of this, so tired of feeling like no one will understand… he’s tempted. To be honest, he could probably talk about it with Taehyung. Maybe that’s what he should do, he thinks. Tae would listen, wouldn’t judge him. But maybe Jeongguk and Seokjin wouldn’t either. Namjoon has assuredly done more questionable things than possibly believe in a ghost. Or whatever you are.

He sits back down on the couch. “I’ve been having these weird dreams,” he says.

“About Spain?” Jeongguk and Seokjin find seats to settle into, too.

“About a girl, mostly.”

“Want to tell us about her? Is she Spanish? Is she someone you know?”

“I’m not sure,” Namjoon admits. “She’s whoever I want her to be, I think.”

Seokjin’s eyebrows almost lift off his face. “Okay, Namjoonie. Why don’t you tell us about these dreams?”

Namjoon nods. “Well, the one I just woke up from, we were in Germany.”

“All of us?” Jeongguk asks.

“No, I don’t think so. Just her and me. I think hyung maybe, too, but I never saw him in the dream.” He gestures to Seokjin.

“But you have these dreams often?”

“Yeah.”

“And one of them was in Spain?”

Namjoon’s not sure what they’ll think of him once he tells them, but maybe he doesn’t have to give everything away, he decides. Maybe he can just tell him about one of the dreams and see what they think.

“Yeah, I can tell you about it if you want.”

Jeongguk nods eagerly and Jin does, too. He supposes he can’t back out now.

“Alright… well, here’s what I remember…”

Andalucia, Spain — Summer, 1913

The heat is relentless.

Namjoon sweats so much under normal conditions—this is borderline torture. If it were up to him, he’d be back in Sevilla with you, content in the small pension you both scrape together rent for every week. It’s shaded by the orange trees surrounding it, feels safe and private and cool, and most importantly, it’s yours.

Ronda is less forgiving. Maybe because he doesn’t know it as well, isn’t sure who might be someone to know and who might just be pretending. He’s done this for long enough that he thinks he has a pretty good sense for it, but he’s still sucked into having his time wasted on occasion. Wouldn’t mind it so much except it’s time spent away from you.

Blas Infante has been yelling on the steps for a while. His throat should be raw, but the adrenaline of agitating the people of Andalucia keeps him fresh, voice ringing clearly through the square. Namjoon has been watching the wealthiest in the crowd drift away, paying attention to where they’re going, making sure he’s got a line on which bars and cafes will be the best to move on to. The time is about right, he thinks. They’ll be a few drinks in and soon the wider crowd will disperse. Wants to make sure he can find a seat at the bar next to someone rich, attractive if possible. If they’re a little desperate that’s even better.

They probably all will be given the way the political winds are shifting in Andalucia.

As he turns from the crowd, he hears Padre de la Patria Andaluza shout, “the moment has come for the privileged to die!” The remaining crowd roars like the lions on their flags, angry and proud. He agrees with them—as long as he gets his money first.

When he slides onto the barstool, he makes sure to order his own drink first. Chilled palo cortado says he’s from around here but maybe a little down on his luck, otherwise, he’d be drinking Fundador.

It’s strange, he knows he grew up poor, but he can’t remember any of the details. It’s as if his whole life before knowing you is completely out of focus. He feels the resentment, though, the frustration of knowing there’s more for the taking if you have the right family, the right education, the right skin color.

But he’s older now and while it’s there, it’s in the background. Because he knows how to get his share, knows now that it’s also for the taking if you have a nice smile, a silver tongue, and a willingness to do whatever it takes to succeed—including changing your definition of success. Including sacrificing the things you believe in the most.

Good thing the only thing Namjoon believes in anymore is you, and you’re willing to stick by his side no matter what.

She’s not anywhere near as attractive to him as you are. She’s round in all the places he likes—soft hips, soft stomach, thick ass, but there’s something with her face. Too drawn, a little gaunt in a way that doesn’t suit her. It’s age maybe, she’s got to be thirty years older than him.

Age is another one of those tricky things that feels a little elusive to him.

He thinks he’s around nineteen and she’s probably fifty. Doesn’t care, really, as long as she’s got pesetas.

She does. A lot of them.

He fucks her slow in a room above the bar and calls her “Princesa” because she asks him to. Because she’ll pay him more if he does, because he knows how women like her work. It’s been quiet between them since he took her upstairs. They don’t talk about her husband, her children… They don’t talk about you.

She shifts a little below him and it almost hurts. He’s not used to sex so dry like this—makes it hard to imagine it’s you beneath him. Digs his thumbs into the flesh at her hips and tries to picture you instead, but her noises aren’t as sweet as yours, her skin isn’t as supple.

At least, he thinks as he thrusts over and over to her guttural cries, he’s doing this for you. For the future the two of you have dreamed of since you were basically kids and he would throw stones at your window after dark to sneak a piece of your attention. He’s fairly certain you almost have enough saved up to escape, to get away from your father and brother who have never once approved of Namjoon. In their eyes, it’s bad enough he’s a foreigner, but then he has the audacity to be poor in addition.

He wants to give you a good life. There’s still a part of him that thinks someday he can give you an honest one, as well. There’s a part of him that hopes he’s not only his mistakes like your father thinks, that he’s capable of so much more than the world has allowed him to give so far. He thinks you see it, too. He’s pretty sure that’s why you stay.

As the work drags on, he realizes he’s made a critical mistake—he didn’t ask her how much she’d had to drink, didn’t think to slip the bartender a note to water it down a bit. Feels like she’s never going to come, and he can’t leave a job undone. God, he just wants to get home to you. Wants to take a lavender-laced bath with you and cleanse himself of this sin and the thousand others he’s committed before it. Wants to start on new ones with you.

The thought of you: in your orange grove, smelling of sun-dried linen and laughing while he chases you… it gives him the will to keep going.

Ironic that his love for you is the reason his cock is buried in someone else.

Eventually, she comes, and he lies and says he does, too. Makes quick work of ridding himself of the condom with his back to her. This isn’t the first time he’s lied. Would he sound like too much of a romantic if he said he’s only ever had an orgasm with you?

For tonight, his patron seems satisfied, romanticism or not. She asks to see him again the following week and he tells her all about how he’d love to, but he just doesn’t have the money, see? So, if she wants to see him, it wouldn’t be possible unless…

She’s more generous than he’s expected. What she gives him to come back to Ronda will pay for a month of your pension. He shoves it in his pockets and tells her he’s going to get them another bottle of sherry from the bar.

When he slinks out into the finally cool night air, all he feels is relief. He’s going to make it in time to hop the late train back to Sevilla, back to you.

He looks up and down the cobblestone street, taking a second to remember which direction he came from. Notices a man watching him, seems like it should matter, but all that matters is getting back to you.

Namjoon counts his earnings under the moonlight as the train rumbles through the countryside. It’s enough. He’ll need to count what’s at your home to be absolutely sure, but he thinks it’s enough to get you out of there. You dream of Valencia—of a different kind of orange grove, of thick and salty sea air, of vacations in Madrid or Barcelona, strolling the markets and church grounds.

He looks out the window at the moon and thinks of how bright your face will be when he tells you the good news. He looks at the stars and hopes they will guide you both faithfully to a better life.

The train pulls into the station at Sevilla several hours later. Namjoon feels like the time just slipped away, doesn’t quite know how he passed it. Maybe the wine was stronger than he’d first thought…

It’s quiet in Sevilla at this time of night, but he doesn’t pay too much attention to the bustle in front of him, the same man from outside the bar in Ronda rushing up the road ahead of him. Must be in a hurry to get somewhere—Namjoon can relate, he’s in a hurry to get home to you. His bag is weighed down from the coin he’s bringing home, but oddly enough, he feels lighter than ever knowing he may never have to give himself to someone that isn’t you again.

It’s freedom.

After years of conning and scraping and scratching to climb out of the poverty he’s known, he finally has hope for something better. Because of you, because you gave him something to believe in and to fight for.

Tomorrow, he’ll take you to the gardens at the Alcazar, and amongst the flowers and the peacocks you love, he’ll give you the news—tell you it’s finally time. Maybe you can even take the train to the sea that night.

He loves you so much, owes you everything because he gets all that he needs from your company and your faith in him.

As he draws nearer to you, dirt road narrowing as he approaches the pension, he hears raised voices. Yours and someone else’s. Maybe more. It’s all he needs to take off running, can’t fathom why you’d need to be fighting with anyone in the orchard after midnight.

“Namjoon!” you exclaim when you see him sprinting up the road.

He can hear the fear in your voice, and it only makes him come to you faster. “What is it? What’s going on?” he calls. And then he sees them: your father and your brother, gesturing wildly and yelling.

“Mija, you know what he’s doing in Ronda? How disgusting he is? How he’s making a fool out of you, making fools out of our family?”

You’re calmer than they deserve, standing your ground with your arms crossed over your chest, full skirts whipping around you in the breeze. You look brave, intimidating, and more beautiful than ever.

Namjoon starts to understand, realizes he should have known something wasn’t right, that the man in two places would be a problem. Hadn’t let himself believe your father would have had him followed, but why wouldn’t he?

“You know nothing,” you snap at your father. “Mind your own business, old man. I’m not your family anymore. He’s my family now.”

Namjoon joins you in front of the pension, stands by your side, wraps an arm around your waist and presses a kiss to your temple. “I think you should leave,” he says to the men facing you.

Your father spits in his direction, your brother makes rude gestures with both hands. They call him a whore, call him disgusting, claim he’s giving you diseases and ruining you for the god they say you need to meet one day.

(They still believe, Namjoon never has, and you think you already know god—that he lives in the way the birds call a bright greeting to the morning sun and the flowers bend to offer the bees what they both need to live.)

“Leave,” you say firmly. “We’re leaving for Valencia soon—you’ll never have to see us again. I’ll change my name, no one will know the disgrace you think we’ve brought to the family. Just let us be.”

And if Namjoon thought the crowd in Ronda was loud, he hadn’t yet had the screams of your father to compare it to. His face is a violent red, his whole body shakes with his anger, and Namjoon feels scared for the first time in a long time. The arm he has around your waist tightens as your brother pulls a revolver from the back of his trousers.

You are ever courageous—Namjoon can hear your racing heart, but you betray nothing, staring down your brother with iron conviction and pressing in tightly to the man at your side.

“No one will take you from us!” your father yells.

The barrel is pointed straight at the two of you. Namjoon can see your brother’s finger shaking and it’s as if he knows what’s about to happen. He can’t let it, would sacrifice anything for you, already has given up his body and his soul to you in some ways. He’s prepared to do it again. Would never make a choice that wasn’t to protect you. Loves you like you’re oxygen, like he needs you to survive.

He’s nothing without you, but you can be something without him. So, he moves.

And as Namjoon twists to pull you behind him, a single shot rings out through the Andalucian night, louder than a firecracker.

Seoul, South Korea — Present Day

“And then what?” Jeongguk asks, leaning so far in he looks like he’ll topple at any second.

“I don’t know,” Namjoon shrugs, fidgeting with the hem of his shirt. “That’s when I woke up. I had the window open and I think there was a car accident or one backfiring or something. Startled me awake.”

“That’s so romantic,” Jeongguk sighs. “Don’t you think, hyung?”

Seokjin nods along. “How often do you dream about her?”

“Every few weeks… for a couple of years now.”

“Shit.”

Namjoon explains how he can’t stop thinking about you for days after the dreams, how you always look different in them but he knows it’s you every time. There’s something in the way you speak to him, in the way you know his mind, in the way you move across each time and space so self-assured and brave and admirable. And then the words just keep coming. He tells them about how he always dreams of you existing at night—never in the morning. Never had a dream where the two of you have made it through the night and woken up together in love with no tragedy befalling you. He almost cries when he tells them how badly he wants to find you, how he knows you must be real, a person he’s just yet to meet… Says he’s not sure he believes in something like soulmates, but that sometimes his chest actually aches with the need to know you, to be with you. Tells them that you’re never perfect in any of his dreams, but you’re perfect for him: a partner in crime, a lover, an intellectual rival, a battleground ally, just always by his side making him sharper and better and happier. Tells them that all he wants is the chance to wake up next to you just once, sunlight and joy and no crisis clapping him awake. Tells them how lonely he is in the mornings.

When he finally trails off, out of ways to explain that each time he dreams of you, the desire to find you seems that much more urgent, Seokjin and Jeongguk are speechless. Jin looks like the fish he loves, mouth opening and closing but no sound coming out. Jeongguk is a little teary-eyed and his hand is rubbing careful circles between Namjoon’s shoulder blades.

“You have to find her, hyung,” Jeongguk says softly.

“I know.”

“We’ll help you find her, I promise.”

Namjoon thinks the commitment from Jeongguk is sweet, but doesn’t know how they could possibly help. You look different in every dream, a different voice, name, language… It’s an impossible task made even more challenging by the fact that you probably don’t actually exist. Just a figment of his imagination his brain has made to give him some stress relief, some friendship. He says as much, and he can tell Seokjin agrees with him, but Jeongguk is insistent. At the very least, it’s a little comforting that he’s told them what he feels like is probably his weirdest, deepest secret, and they didn’t laugh at him, didn’t march him upstairs to the company therapist.

After that day, Namjoon feels a little bit better about everything. Better enough that he doesn’t dream about you for a few weeks, starts to forget to look for you in the face of every person he passes. The best part is that he’s really able to focus on their upcoming tour, and by the time he boards the plane to another continent with the rest of the members, he wonders if he’ll ever dream about you again.

It’s been long enough that he misses you a little bit, as ridiculous as it sounds. He doesn’t mention that part to Jeongguk or Seokjin.

They touch down in a new city, and Namjoon rubs the sleep out of his eyes. He’d fallen asleep on the flight—no dreams. It’s early, but they don’t get the day to themselves. They’ll eat a snack in the cars on the way to the venue, run a short rehearsal for blocking and then Namjoon will do some foreign-language interviews from the hotel. He runs a hand through his hair and pulls his mask up, trying to mentally prepare himself a little bit for the remainder of the day. And then he smells it, as he steps into the airport, a gentle lavender scent that’s so familiar he thinks he might be imagining it.

Namjoon stops in his tracks right outside the gate and starts looking. It’s practically instinctual at this point, head on a swivel trying to spot you. It’s so ridiculous and he knows it. But there’s just something… it’s like he knows you’re here.

Unfortunately, it’s a terrible place to be having a crisis, and he’s literally knocked out of his search when another passenger on their phone runs right into the back of him.

“Fuck, sorry,” you say, only glancing up from your phone for a second.

Namjoon doesn’t look at you, just flushes with embarrassment as if anyone could possibly know what he’s thinking. Keeps his head down, says, “no problem,” and tells himself that the weird pit in his stomach is nothing and the smell he’s so drawn to is in his head. The you of his dreams isn’t possibly in this airport in a city on the other side of the world.

He tries to shake it off all afternoon, all evening, but doesn’t think he’s too successful. Thinks he probably fucked up a couple of the interviews, hopes one of his managers would have stopped him if he was too off the mark, though. It’s probably fine.

That night, for the first time in weeks, he dreams of you.

Gyeongsangnam-do, South Korea — Summer, 1931

In these most uncertain of times, Namjoon is sure of two things: you are the most beautiful woman he’s ever known, and he is so much in love with you that he feels shaky with it.

It’s quiet in your father’s farmhouse save for your soft moans. With a rare stroke of luck, your mother and father have left to negotiate with the angry man who owns their land now, and Namjoon has taken advantage of sneaking away from Pukyong’s campus to be with you. He’d come to review plans for a new barn with your father, but finding him gone was a blessing.

You and Namjoon haven’t been able to find much time alone since he left for Busan. He comes back when he can, which isn’t often, and you sneak out to the edge of the fields to meet him under the moonlight. He’s gotten used to fucking you quietly and in a hurry, helping you brush grass and twigs out of inappropriate places when you’re done. This though, this is a luxury, to be with you in your own bed, in the daylight. To be as loud as you both want—Namjoon could write a dissertation on how nice you sound when he fucks you.

You’re slick and tight, and you’re the only home Namjoon’s ever really known. He sucks one of your nipples into his mouth and watches as you arch your back underneath him, whine a little, tell him not to leave marks where your parents might see.

Because you’re young and reckless and you’ve both only ever loved each other, he knows he’s got to pull out soon, but it’s hard to remember in the heat of the moment.

You call him “Namjoonah,” you tell him how good he feels inside you, breathy and sweet, running your fingers through his hair to brush it off of his forehead. It’s gentle, the way you touch him, like he’s something worth taking care of. You say all the nicest things to him when he fucks you—you tell him he’s strong and handsome and so big, you always emphasize, widening your eyes and palming his cock through his trousers. It’s probably giving him a little bit of an ego, he thinks, but he likes it anyway. Being the focus of your attention is so flattering. He always wants your eyes on him, your hands on him, your thoughts about him. You make him greedy and selfless at the same time—he wants everything you’re willing to give him and he wants to give you even more in return. Wishes this fucking war were over so he wouldn’t have to be on edge all the time. Knows he’s lucky not to have been conscripted to the Imperial Army yet, but that it’s probably a matter of time.

It’s a blessing, being smart, which people have told Namjoon that he is since he can remember. At least they’ve spared him so far because he’s of more use to them at Pukyong, learning how to be the best architect he can be, than he would be as a soldier. Someday, his own father says, he will build castles for a Korean leader, walls to keep the Japanese soldiers out. Those conversations are had in secret, in whispers and gestures. It’s dangerous to be someone like his father, to think there’s a chance for Korean independence, to fight for it in secret… But it’s dangerous to be fucking you into your mattress when your parents could come home any moment, too, and that doesn’t stop Namjoon.

Like father, like son, as they say.

He’s sure it’s not a secret that he’s your boyfriend. Your parents know him, invite him for meals, they like him. They think he’s a sweet, smart, college boy who’s going to give their daughter a better life than they can someday, and they’re not wrong.

Though, he’s also sure they’d like him a lot less if they knew he was a sweet, smart, college boy who loves your body, loves the way your soft thighs feel around his head when he licks at your core, loves the way he can throw your calves over his shoulders and hold you in place as he thrusts home. Loves the small violet bruises he bites into your skin, hidden away under your long skirts and long linen sleeves. Loves how you let him pull out and cover those bruises with his cum, and then especially loves when you run a finger through it and lick it off—when you tell him he tastes good and you thank him for sharing with you.

They’d think he’s ruined you, and he’d cop to it even though it is absolutely the other way around.

You come with a sweet, loud moan. Your throat sounds a little raw when you say his name again, which only turns him on more. With a few strokes, he follows you, leaving his release across your stomach and breasts and thinking that if all art looked like you do in this moment, he’d change his major.

Lazily, he lies next to you and pulls you close. You should clean up, you should get dressed, Namjoon should be sitting at the kitchen table studying his drawings with his shoulders back and glasses smart across his nose when your father gets home. You don’t want him to leave though, asking him to stay just a little longer, turning your head to kiss him softly.

When he wakes up, it’s dark, and he panics. You’re pliant in his arms, still sleeping, and your parents should be home—what if they’ve seen you? What if they know that Namjoon is taking something sweet from you at every opportunity, paying you back with pieces of his heart?

Maybe it’s time he faces this like an adult, he decides. He’s going to marry you someday anyway, it’s a foregone conclusion. They may not like that you’ve been breaking so many of their rules in secret, but someday you will be his wife, and he will care for all of your family as his own, and hopefully that buys him a little leniency with your father. He kisses your temple and gets out of bed as quietly as he can, pulls his clothes back on, and pads out of your room to meet his fate.

He spots them immediately, and as soon as he has the thought that he’s going to be sick, he heaves all over your kitchen floor. It’s going to wake you up, but he needs to spare you from the scene. Somehow, he gets their bodies covered before you get up. It’s the best he can do but it’s not enough—the scream you let out is haunting, half shock and half anguish. When you crumple to your knees, he holds you, lets you sob and scream into his chest and rocks you steadily. He doesn’t know what else to do.

After that day, he files for a leave from school and essentially moves in with you. You use your anger to fuel you, fighting for independence in secret alongside the bravest Koreans Namjoon knows. Your landlord comes around and neither you nor Namjoon even try to hide your rage and disgust. You spit at his feet and he warns you to be polite unless you want to end up like your parents. Namjoon tries to convince you that the old man isn’t even worth your anger, that you’re better off serving your parents’ memory alive than alongside them in a grave.

As the war picks up, so does conscription. Namjoon thinks he’ll be called any day, but the idea of fighting in the Imperial Army makes him ill. So instead, he makes a plan.

It’s only a matter of months before you’re on the ferry to join him on Jeju. He’s been there, building and fortifying. Perhaps it’s cowardly to cut and run, but he doesn’t care. It’s the only way he can be with you, the only way he can keep you safe. With the farm equipment sold off and a bit of his family’s money, he’s made you a home there, and it’s finally ready for you.

There’s a tearful reunion on the dock, and it’s followed by a trip to the courthouse to get married. It all happens in a daze, the memories hazy and dim, but the way he felt as he kissed you and made you his wife burns in him bright, bright, bright.

He makes love to you on the floor of the new cottage that night, slow and sweet. Tries to make you understand how much he’s missed you, how much he loves you. Thinks he succeeds when you tell him you love him as you come, thinks he’s never seen or heard something more beautiful in his whole life.

Finally, he leads you up the narrow staircase to the room he’s built for you. It’s got a big bed, but not too big, because you always want to be close to him when you sleep. Its wooden floors are made warmer with a rug his mother made for you, a wedding gift. The balcony is small, but he designed it himself, based on a wish you’d told him about, that you’ve always dreamed of a place to read in the mornings. It’s shaded from the eastern sun with a balustrade you can kick your feet up onto. There are crude drawings of your favorite animals carved into the balusters, alternating lions and peacocks. Protection and immortality, built into the home he’s made for the two of you. When you see it, you look like maybe you finally understand the way he cares for you, the way he will do anything he can for as long as he lives to keep you happy and safe.

You let yourself out there, and light up the night with your happiness. Namjoon watches you from the bed. He’s been on the balcony, and it’s small. He’s not technically the architect he always thought he would be since he’s left school for good, but he tried his best with this design, and then tried even more when he built it for you.

Maybe he should have seen it coming, maybe he shouldn’t have been so confident. The funny thing about light and sound is that he sees it happen just barely before he hears it. Sees you stumble a little to your right, sees the balcony wobble and thinks his eyes are playing tricks on him. Then he hears the deafening crack and it’s perfectly timed with his stomach sinking and you disappearing from his view, the balustrade going with you.

New York City — Present Day

Namjoon wakes up in a cold sweat, the alarm blaring next to him. He hates this feeling—the one immediately after the dreams. At least he has most of the day off. The company always gives them time for the jetlag, supposed to be for sleeping, but he’ll use it to shake himself out of this fog that settles in after the dreams. Maybe the Met this time; he saw the Whitney last time he was here and he sort of wants to get out of Chelsea, anyway—thinks the walk might help him clear his head.

He sees you when he’s standing in front of a moon jar, wondering to himself what right these people have to even store this piece and then charge people to see it. Wonders if he could get it back to Korea somehow where it belongs, mutters something under his breath about colonialism and notices you smile at that out of the corner of his eye.

It’s exactly like he’d always thought it would be to see you: immediately he knows. There’s no question. You look different again, not quite like you have in any of his dreams, but you smell the same and you’re wearing a blue and green dress, tight around your figure and flouncy at the hem that reminds him so specifically of a peacock he wants to cry. You smell like fancy French lavender soap and you have a smile that could bring world peace.

The sight of you makes him freeze. What would he even say? There’s nothing he could tell you that wouldn’t make him sound insane, nothing that he’s willing to admit to a stranger, even if that stranger is you. His heart races and he feels himself start to sweat nervously. He’s been looking for you for years, and when he finally finds you, it sends him into a panic. How perfect for him.

He can’t stand in front of the same moon jar forever, though, so he swallows his nerves and stands up a little straighter and begins to turn to you, even if just to introduce himself like a normal person.

Namjoon’s heart sinks when he realizes you’re already gone.

He’s talking to Jeongguk while he sits on the steps of the Met, phone pressed to his ear.

“I know it’s her,” he says, sending Jeongguk into a frenzy of questions.

Namjoon is contemplating the possibility that he’s fucked up his only chance to meet you, when you appear, out of the blue, to take a seat a few feet away from him, he rushes out a “Gotta go, Kookie, bye,” and hangs up as Jeongguk is still talking.

“Hi,” you say.

“Hi.”

“This is probably so weird, but…” You straighten out your skirt and don’t make eye contact. You look equal parts beautiful and nervous. “Do I know you from somewhere?”

Namjoon gets this question a lot. Usually, it’s fans trying to ‘play it cool’ when they run into him in Seoul, trying to give the impression that they don’t immediately know who he is. And yeah, he thinks he’s more humble than some people less famous than him, hates to assume, but it’s always pretty transparent. But, for as much as he gets this question, as often as he brushes it off with an, “I don’t think so,” and a rushed exit from wherever he’s been recognized, he has no idea how to answer it when it comes to you. So, he just gapes at you. It’s mortifying.

“Sorry,” you continue. “It’s just that… Well, this is probably gonna sound crazy, but I think I’ve had dreams about you.”

“Holy shit,” Namjoon says, living up to his reputation as a certified genius and a clever songwriter.

This response flusters you even more, it’s clear you’re embarrassed. The way your eyes flit around and look for an exit from the situation tells him everything he needs to know.

“Sorry again,” you groan more than speak. “Nevermind.”

You start to stand, and Namjoon barely gets his shit together in time to grab your wrist and finally speak. “It’s not weird. I have them, too. The dreams.”

“No fucking way,” you whisper, your eyes wide.

“Yeah.” Namjoon nods in agreement. “How’d you know it was me?” He asks.

“Just knew it,” you shrug, wrist still kept tight in his grasp. “I’m not sure. It’s like… you feel the same. You smell like you, too.”

“Come on,” he says, dropping your wrist finally and standing. “Want to get coffee or something?”

To his relief, you do.

It’s awkward at first. Where do you start with someone you feel like you’ve known forever but you’ve never actually met? Namjoon has a million questions he wants to ask you but none of them seem to fully form in his head. It’s bad enough he has to think through how to not be seen with you—his lifestyle adds a whole layer of complication you’d never faced together in his dreams. Eventually, you knock on his hotel room door about ten minutes after he gets in. It had been a little stressful, waiting for you. He made you promise three times you’d actually show up and then on the fourth one, he made you pinky promise. When you took his little finger solemnly, instead of laughing at him, he was finally (mostly) convinced you’d be there.

And now, here you are, sitting at the little table in his room, clearly trying to be polite and not look at the mess of stuff he’s accumulated in just one night. After all this time wishing he could find you, he’s got no idea what to say to you.

“So… why the Met?”

You smile a little sheepish and shake your head. “You’ll think it’s stupid.”

“I doubt that,” he says, trying to be as reassuring as he can for such a weird situation.

“I thought it’s where the lion statues were… you know… on the steps. I thought if I went there, maybe you’d be there. I was sure it was you at the airport but by the time I realized it, you were gone. So, I guess it was the only place I could think to look for you where you might look for me, too. But they’re at the library.”

“The lions?”

His confusion seems to make you a little shy; you duck your head and shake it, like you’re telling yourself off before you even explain. “You always say I’m like a lion in the dreams. No matter where we are or what’s happened to us. You say I’m strong and brave and beautiful—”

“A lionheart,” Namjoon whispers.

“Yeah,” you brighten at that. “Is it like that in your dreams, too?”

Namjoon tells you it is. And then he tells you about all the dreams he can remember. Not in detail, and not the worst of the bad endings, but enough that the two of you can compare notes. Enough that you realize you’ve been having basically the same dreams, although not at the same time. Both of you have had some the other hasn’t had yet. He loves it when you tell him about one that ended happily, the two of you betrothed in the Joseon era and figuring out how to fall in love. You think it’s supposed to mean something that the two of you are always facing something that’s keeping you apart—you wonder out loud what might keep you apart in reality, too.

“I hope nothing will,” he says without thinking.

“You don’t even know me!” You’re laughing, but he’s clearly taken you by surprise.

“Don’t I, though?” And the mood changes. You swallow thickly and he tries his best not to break eye contact with you even though he thinks you’re so gorgeous he might not make it through the day without passing out. “Can I kiss you?” he asks quietly, but he’s already moving to your side of the table and you’re already scooting your chair back to make space for him.

You don’t kiss like you do in the dreams. In the dreams, you kiss him like he’s the beginning and end, like you’ll take anything he gives you. There’s something nice about that, makes him feel wanted and strong. In reality, you kiss him like you know it’s the other way around. You’re confident, teasing—you smile against his lips when you do a thing with your tongue that makes him let out a moan.

In the dreams, he can’t remember ever kissing anyone but you. But now he’s got your lips on his and you’re definitely not the first person he’s kissed by a long shot, but you’re absolutely the best. It’s almost like having something to compare it to makes it even better.

Maybe there should be some hesitation, but neither of you seem to have any. Not when he pulls you up from the chair so he can kiss you without bending all the way over, not when he walks you back toward the hotel room bed, leaving a trail of tender kisses up your neck and across your jaw in a surprising show of coordination.

It’s inexplicable, he thinks, how he feels like he’s done this a million times with you before but in the best way. He can kiss you without any of the awkward, nervous, first time worries he normally has. He can trust you without knowing quite why, and that part is probably the weirdest thing about all of this because he can’t trust anyone outside of the members and his family usually.

“Is it weird I feel like we’ve done this before?” you ask as you run your hands from his shoulders down his arms.

Namjoon just shakes his head and winds his fingers with yours, leaning in to kiss you again. “No, it’s the same for me,” he says.

Because of the familiarity, maybe, it’s not urgent when you undress each other. He takes time to appreciate this version of you, the one he’s actually holding in his arms, the one who pinches his side gently and then laughs. “Just making sure you’re real,” you say when he yelps in protest.

There’s a moment when you’re both naked, standing in front of the bed, when the air feels thick between you. You’re holding his jaw in your palm and he’s got his hands around your back and neither of you speak for a long beat. For him, it just feels incredible to be here with you. He doesn’t care that he has no idea what you do for a living, where you live… Doesn’t know anything about you except that he thinks he has loved you for a long time. Thinks maybe he was put on this planet specifically to love you. Wonders how the two of you could have messed this up so badly in every other universe, but is actually really glad you did, because maybe that’s why you’re finally here with him now.

“I… I think I love you,” he says timidly. “Makes me feel crazy.”

You have a tear falling down your cheek, but you’re smiling—Namjoon is pretty sure you’re not supposed to be crying before sex like this, but you seem happy. “S’not crazy, I think I love you, too. I’m so happy I finally found you.”

“I looked for you in every city,” he confesses before he presses his lips back to yours, then kisses the tears off your cheeks.

You go soft under him, body pressed into his, and he guides you onto the bed. The two of you laugh into each other’s mouths, mutter how you can’t believe it’s happening, let your breath grow heavier as you take time to learn each other. Namjoon loves it when your lips move against his pulse point, when you get a little rough with him, leaving small bites and bruises in places the stylists won’t give him shit for. You like when he talks to you, tells you how you make him feel, how much he wants to be with you—he whispers right into your ear, the sweetest confessions sandwiched by pure filth that makes your breath hitch and a shiver travel down your spine.

Namjoon’s dreamed you a hundred ways, in a hundred places, but here, spread naked underneath him in this hotel bed and laughing with him while he fucks you slowly is better than any dream he’s ever had.

“Can’t believe you’re real, baby,” he breathes as you run your fingertips down his sides. He looks down to see where his cock is moving inside of you, and he thinks this must actually be a dream. You’re perfect, he thinks as he moves fingers to your clit and presses there gently. When you pull him down to kiss you, it feels familiar again. You brush his hair off of his forehead like you’ve done in every one of his dreams, and now he feels like he could cry—he’s just so overwhelmed by you, so in awe just like he knew he would be. Just as he always has been.

You whisper his name when he makes you come. You tighten around him and dig your nails into his shoulders and Namjoon thinks this is the closest to heaven he might ever get. When you finally work through your orgasm, you encourage him to change positions, to lay on his back and let you ride him.

The way you know exactly what he likes is magical, that deep grinding of your hips in his lap. You don’t have to ask to know what makes him tick, bringing his hand to your lips as you move, sucking two of his fingers into your mouth and whining around them.

He’s always preferred this to something faster. This way, he gets to watch you, feels like you’re taking your pleasure from him, feels like you’re both getting precisely what you want from each other. He could lift his hips and fuck into you, could hold your waist and get you to bounce on his cock like you’re making a sex tape. But this is better. This is you and him, moving like you’re meant to be connected.

You absolutely are, he’s sure of it.

It’s a movie script ending when you come again just as he does for the first time—he wishes he could feel all of you when he spills into the condom, wishes he’d found you years ago and built a more tangible history with you. Hopes more than anything that you want to try to do that with him now.

The two of you clean up with a little bit of shyness; you hide your face as he cleans you carefully with a warm washcloth, and he tries not to let you see him get rid of the condom. It’s not as easy as the dreams where those things sort themselves out, but Namjoon wouldn’t trade these awkward moments for anything.

There’s not really a need to ask you to stay, he knows somehow that you will, but he asks anyway, preens when you agree and ask to borrow a shirt.

He can’t really risk room service with you here, but he gets a manager to bring you food (hand stuck shyly through a crack in the door as to not interrupt), and while you eat, he peppers you with questions about your life. Feels like he knows the important things that are the same as in his dreams (he loves you, you’re loyal), but wants to learn all the mundane stuff, too.

Much later, before the sun rises but after some people would already call it morning, you fall asleep in his arms and he lets himself drift off thinking of lavender and peacocks and falling in love.

Namjoon’s alarm goes off, and the sun must be high in the sky because the light in the room is a bit muted. It’s the first time in a long time he’s woken up content, hesitates for a second before he remembers why, remembers everything that happened the day before, remembers that you were real and here and in his bed and his arms. He lets himself just exist there for a minute, eyes closed, thinking about what might come next, how he’ll explain you to his family…

Then it sort of dawns on him that you should be right there, that he fell asleep wrapped around you and now he isn’t. He panics for a split second when he realizes you’re not pressed against him, doesn’t think he could handle it if this was a dream, too. Tries to be rational, but for some reason can’t quite bring himself just to tip his head over and open his eyes.

Instead, he takes a deep breath, smells hotel laundry detergent and sex and the faintest hint of lavender. He says a silent prayer and then sticks his hand out to the other side of the bed to feel for yours. Thinks he might scream when he doesn’t feel you there immediately.

Namjoon snakes his hand across the sheet and hopes he never has to dream to see you again.

#bts x reader #namjoon x reader #rm x reader #namjoon smut #namjoon angst #namjoon fluff #rm smut #rm fluff #rm angst #bts imagines #namjoon imagine #rm imagine #kvanity #bts smut #bts angst #bts fanfic #namjoon fanfic #rm fanfic

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venusspat · 21 days

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The gender of the person that Teru likes and the wrong translation in this scene, a really small analysis:

(Reuploaded here bc a month ago I uploaded it to Twitter and no one saw it... )

Okay, all of this investigation started bc I asked myself “what if teru actually likes aoi (girl)” And this scene came to my mind, i didn’t remember what he exactly said (about if was a girl) so i rewatched it after. If you want the short answer is no, teru doesn’t mention gender.

If you want the explication, read this post (pls this took me like two hours to investigate )

Let’s begin with the dubbed scene, where he says “her” referencing that hes crush is a girl. I almost added the subtitled scene but I didn’t bc it says the same lol

So, I went to the manga, if i was correct, i remembered that he never said the gender/ pronouns, and I was right

I could have confirmed that, but I wasn't convinced. What if the MANGA was poorly translated?

So, i went to the raws panels.

“But Venus! I don’t speak Japanese, what says there?” If you translate ぃ僕好きな子がぃるんだ on google, the first option is “there’s a girl I like” but ALSO shows up the option “there’s someone I like”

"but it is implied that is a girl, otherwise It would give the option of "there is a boy that I like"" be patient my little friend, let me explain you:

I started to investigate deeply the kanjis, conjugations and things like that, after a while I learned what I am going to tell you and now I understand why it is simplified to the feminine gender

The translation of ぃ僕好きな子がぃるんだ depends on the context and the tone of the phrase. In general, it can be translated as “there’s a girl I like” or “there’s someone I like”, but it can also have other meanings

According to the DeepL dictionary, “ 僕”is an informal and affectionate way of saying “I” or “me”, which is mainly used by young men. 好きな子 means “child/person I like”, and does not specify the gender of the person.

ぃるんだ is a colloquial way of saying “there is” or “there are”, which expresses emphasis or confession.

Therefore, the phrase could express the feeling of a boy who likes a girl, or a girl who likes a boy, or a person who likes another person regardless of gender

So, in the translation (anime dub and sub) it refers to a girl bc the "僕" (mostly used by young men,who teru is ) and the 好きな子 which refers to liking someone, it can be assumed that it refers to a girl because of the assumed heterosexuality, you know lol

it is never confirmed that “them” is a GIRL, the gender is never mentioned, so there are chances that the person he likes is not a girl. Obviously them could be one, I don't deny it, but it also doesn't rule out the possibility that Teru being queer.

Conclusion: the manga in English is well translated but not the anime, the person Teru likes can be either a boy or a girl. End of explication.

And if you're wondering, could I find the answer to the initial question? Well no, but it reduces the options for Aoi to be who he likes, since it doesn't boil down to her just being a girl, which leaves other options.

But then who could be the person Teru likes? Well, I don't know, but I could make a thread theorizing about it.

*cought* *cought* 𝒶𝓀𝒶𝓃𝑒 *cought* *cought*

#teru minamoto #tbhk #tbhk teru #terukane #minamoto teru #toilet bound hanako kun #jibaku shounen hanako kun #tbhk analysis

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onigiriico · 6 months

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Mikoto audio drama (t2) - English TL

[ links: Spotify | YouTube ]

Mikoto-ing again 🫡 I know I say this like every other post, but I 100% recommend listening to the audio alongside the translation! On one hand the VAs just did an amazing job on this, and on the other hand I also feel like it'll. probably make the switches more obvious than I can convey in text lol

Little disclaimer about the way I translated the DID terminology here: I know the correct term in English is "alter", but in the JP audio they're consistently referred to as "personalities" (人格 / jinkaku) while the closest Japanese equivalent to "alter" seems to be 自我 / jiga, from what I could find. I generally try to stick as closely to the JP terminology with my translations as possible, so I mostly went with "personality". I really don't want to offend anyone here so I hope that's a somewhat okay choice ahshbsdj

Okay. Okay that got lengthy. As usual, if you find any mistranslations, have questions, etc etc feel free to send me an ask or hit me up on Twitter where I drop by, like, once a month 😅 And now without further ado:

⬇️ translation under the cut ⬇️

(Es enters)

E: Mikoto…

M: Ah… Hi, Warden-kun.

E: You… are Mikoto, right?

M: Uh… What are you talking about? It really feels like it’s been a while, doesn’it? How have you been? – Huh? What’s that…? Chains? Oh, no. Take them off!

E: I refuse. You’re too dangerous. Physical restrictions are necessary.

M: Umm… (laughs) What are you saying, restricting someone who can’t even hurt a fly?

E: You really aren’t aware, huh…

M: Well, I mean… I do get it. I… go out of control while I’m asleep, right?

E: …

M: The others told me about it. How I got into a fistfight with Koto-chan and whatnot.

E: Seems like it, yeah.

M: I wonder if it’s like… some kind of sleepwalking…? After all, I’ve been losing sleep more and more often recently… Man… It’s really troublesome, isn’t it?

E: Mikoto…

M: The others are all scared of me. I can tell by looking at the way they act. Because I read the room.

E: …

M: It’s pretty tough, isn’t it? (laughs) Ever since I came here, so much has been happening that I don’t understand…

E: … You really… do laugh when you’re suffering, huh?

M: Huh?

E: You don’t get angry. You don’t scream. You laugh, like it’s a minor inconvenience.

M: Ah… I guess so. I might have that kind of trait.

E: …

M: Usually, if you just laugh and pretend, things work out in the end, right? I’m pretty good at that. Making things work out to the best of my abilities.

E: Is that so…

M: (laughs) …But… it’s not coming to an end. All of this. With things I’ve never even heard before, the whole ti—

E: …

M: —the whole time… I have to make all these irritating experiences…!

E: You came out, huh.

M: Hey. Looks like you haven’t gotten a beating yet, Warden brat.

E: …!

M: Hah? What, are you scared?

E: Like you didn’t get beaten by Kotoko…!

M: Hah. That was just because she caught me off guard. We went at it again while you were asleep, and it’s not like I lost there.

E: Multiple personalities… Am I right with the assumption that the you I’m talking to right now is another personality of Mikoto’s?

M: Well, I guess that’s about right.

E: I see. What do you want me to call you?

M: Huh? You’re accepting this pretty readily, aren’t you. Wouldn’t the whole multiple personalities thing normally raise some eyebrows?

E: Yeah. I also didn’t think it was real, at first.

M: Figures. If it wasn’t me, I wouldn’t believe it either. I’d just think it’s a lie someone came up with to get away with murder.

E: But Milgram acknowledges that [it is real] in your case. I simply accept that as the truth, and develop my thoughts from there. So? What do you want me to call you? Your name.

M: No clue about that. Just call me whatever.

E: … For convenience, I’ll be calling you John.

M: Sounds like a dog’s name.

E: It’s derived from John Doe, the name given to unidentified bodies. Do you like it?

M: Can’t say I’m very fond of the way you’re flaunting your knowledge.

E: … Anyway. You’re acting pretty calm today, aren’t you? I thought of you more like a monster of some sort. I wasn’t expecting to have such a proper conversation with you.

M: Don’t get cocky! If not for these chains, I would’ve beaten your face in by now, brat.

E: Ohh, scary, scary.

M: Hmph.

E: John, you are not a prisoner of Milgram. The fact that Milgram’s usual restraints are ineffective against you is more proof for that than anything. Milgram has judged that Mikoto is the prisoner, and you, as his alter, are an exception.

M: Huhh, I see. So that’s why you believe that there’s multiple personalities.

E: That’s why I thought I would try and talk to you as a key witness today. I’m rather glad that you’re being cooperative.

M: But, you know… This isn’t a good thing, probably.

E: What do you mean?

M: I (boku) might be trying to disappear.

E: …

M: Evidently, the time I (ore) have been fronting has been getting longer, so this “me” has been able to stabilize. Isn’t that the reason we can talk properly?

E: …

M: If I had stayed a monster… maybe that would be better.

E: …

M: What?

E: You’ve turned out to be much more rational than I expected… I’m surprised.

M: I’m a university graduate, after all.

E: (sighs)

M: As for alters… Why do you think they’re born?

E: In precise terms, it’s called dissociative identity disorder – generally speaking, [it refers to] when a person experiences severe pain or stress, and a new personality is created to try and isolate [the original personality] from the resulting trauma.

M: Yeah. I… probably come out to ease the stress Boku experiences. The fact that I come out for longer just means that Boku is constantly under extreme stress.

E: Stress… Namely the environment of Milgram, right?

M: Right. Especially the fact that you judged against forgiving Boku is causing a lot of stress. That’s why he’s entrusting me with his heart.

E: I see.

M: Not like I can blame him. From his point of view, he’s being blamed for a crime he can’t even remember.

E: If that’s the truth, then… you’re the one who committed the murder?

M: Yeah, it’s me. I killed them off.

E: …

M: So Boku really didn’t do it.

E: Can I ask… why you killed them?

M: They annoyed me.

E: Who did you kill?

M: Just someone who was walking around nearby.

E: … How many did you kill?

M: Can’t remember. I was first born back then, you know. It’s kinda fuzzy.

E: How can you talk about that so calmly?

M: (sighs) According to the law, how would this go for Boku?

E: With a psychiatric evaluation, there’s a chance of a reduced sentence, but depending on the number of victims… the death penalty might be inevitable.

M: …! I– I’m the one who did it! Boku was just sleeping!

E: Is this really something that works that conveniently?

M: Just put yourself in Boku’s shoes for a moment! He was bottling up all his stress! He kept dealing with it all by himself the whole time, until it exploded! It’s not like he just decided that he wanted to hurt somebody!

E: …

M: He’s not the type of person who could do stuff like that! He always looks out for others, always reads the room, always tries to get along with people around him! He can’t do stuff like that… He was on the verge of exploding! That’s why I was born. It’s obvious, isn’t it? Boku didn’t do anything!

E: Even if that’s true… Even if it wasn’t what Mikoto wanted – someone’s life was still lost.

M: …!

E: Even if it was you, John, who was in [your body at the time] – there’s no way for you to prove that. At the very least not in a way that would be accepted in court. It could still be judged that you’re pretending—

M: You…!! What do you think?

E: I…?

M: I’m the one who did it! Boku didn’t do it! You know that because of Milgram! I don’t care about the law, I want to know what you think!

E: …

M: Please… forgive Boku. I’m the one who did it.

E: … I can’t… judge that right away. It’s not something that I can easily decide to forgive. In fact, Mikoto’s mental footage was so violent… it’s unforgivable. That’s how I judged.

M: That could also just be a fake or owed to the multiple personalities, right?! Boku really isn’t at fault! I’m the one who killed them!

E: …

M: Are you really satisfied [with the unforgiven judgment]? He turned into a murderer overnight!

E: What you did could still be considered a sin, though!

M: …! … I think… I might be the person Boku wishes he was. The person who stubbornly stands his ground, who doesn’t cry himself to sleep from stress, who gives people their payback. If I, the “ore” personality, hadn’t been born, I’m sure Boku would have reached his limit and fallen apart.

E: John… you…

M: It’s true that I was the one who wanted to destroy everything… and the weakness of Boku, who couldn’t stand up for himself all alone, might have been the origin of that. But… that’s all there is to it. Is that a sin?

E: I’ll be considering that after this.

M: After talking to you, I get that you couldn’t forgive what I did. And I’m fine with that.

E: …Yeah. That’s right.

M: The one Milgram is supposed to judge is Boku – Mikoto, right. He’s not me – so, not John.

E: Precisely.

M: Please, forgive Boku. If you don’t… I’m sure he won’t be able to deal with this any longer.

E: “A sin committed by another personality isn’t a sin”... you’re telling me that’s how I should judge?

M: Yeah. If you forgive Boku… I’ll disappear.

E: …

M: That’s right. I’ll have to disappear eventually, anyway… Disappear, and take all of it with me. I… was born to protect Boku, after all.

E: You were… born for it…

M: Yeah. If it’s for Boku, I’ll… do anything.

(machinery whirrs, bell rings)

E: John…

M: W…what? A dog’s name?

E: Mikoto…?

M: Warden-kun, you own a dog? What breed? No, wait, let me try guessing first– A toy poodle? Actually, maybe you surprisingly prefer the ugly-cute kind… like a French bulldog!

E: … No…

M: A pug, then?

E: It’s not the name of a dog!

M: Ehh… Then what…?

E: … It’s the name of your… friend.

M: (laughs) I don’t know anyone like that~

E: … I bet you don’t.

M: Huh…?

E: Prisoner no.9, Mikoto. Sing your sins.

#milgram #milgram music videos #mikoto kayano #milgram mikoto #milgram es #translation #fan translation #I'm crying can't every Milgram vd be this quick to translate /hj

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melverie · 5 months

Text

"The one who reduced me to what I am now is you"

So @impish-ivy asked me to look at the English and Japanese versions of Solomon's and Nightbringer's conversation in 10-A, and there are two things in particular that I'd like to highlight a little (if you want to compare the two versions yourself, I've included the Japanese version, my translation of it and the English version of their entire conversation below the cut)

The first one is about this:

The Japanese version actually more closely translates to "The one who reduced me to what I am now is you" (aka the title). It's a small difference, but it adds a lot more malice to Solomon's words + it also slightly reframes that agreement of theirs that Solomon was talking about to imo

I still wish NB would focus more on its namesake so we could figure out what the relationship between Sol and NB is and what exactly happened between them but oh well.. We still have 6 lessons to go for this season, so maybe we'll get lucky and they at least drop a few hints for us

Anyway as for the second one:

"If you had chosen this, it would have been easy". The "this" is what I want to focus on real quick

Given that right before their conversation, Solomon was asked to choose between demons and angels (tho he ultimalety ended up chosing humanity), so it would make sense to assume that that's what Nightbringer is referring to. But since the meaning of "this" was never specified, it could also mean that the actual purpose of the test might have been to see if Solomon would be willing to abandon humanity instead

Considering that Solomon has now repeadetely asked MC to side with humanity, and how there's also been some emphasize on how demons and angels do not see humans as equals, it's definitely possible, at least

Anyway, translations below the cut for anyone that wants to read through them!

This is how I've structured it:

[speaker]

日本語バージョン (Japanese version) [my translation (I tried to stick as close to the original meaning as possible)] English version

⸺

???

......困った人だ [...you're a difficult person] ...You always have to be difficult.

???

いや、面倒な人だ、あなたは [No, a troublesome person is what you are] Or perhaps difficult isn't the right word. Troublesome is what you are.

???

もしくは、その両方ですね [Or both] Actually, I suppose both are true.

???

こちらを選んでしまえば、楽なのに [If you had chosen this, it would have been easy] If you'd only chosen our side, it would've made things so much easier.

Solomon

あはは。ご期待に添えなくて悪いね [Ahaha. I'm sorry for not meeting your expectations] Ahaha. Sorry to disappoint you!

Solomon

俺がそうしないことは、君も知ってるだろう？ [You knew I wouldn't do that, no?] But you must know I wouldn't do that, right?

Solomon

どうして今さら俺を試すようなことをするんだ？ [Why are you testing me now?] So why are you testing me? Shouldn't we be past that point?

Solomon

俺の信念が揺らいでるようにでも見えた？ [Did it seem like my believes were wavering?] Did you think I might be questioning my convictions?

???

揺らいでいる、とは思っていません [I don't think it's wavering] Not at the moment, no.

???

ですがー [But...] However...

???

あの方......。可愛い弟子のあの方が巻き込まれても [That person... Even if that cute apprentice should get involved...] What if your adorable apprentice were to get caught up in all of this?

???

あなたが揺らぐことはないのでしょうか [...would you never waver?] Perhaps then you might reconsider your convictions?

Solomon

それは脅しかい？悪魔みたいなことを言うんだな [Is that a threat? You sound like a demon...] Is that a threat? You know, you sound just like a demon...

Solomon

でも大丈夫。MCも俺と同じ気持ちだからね [But it's alright. MC feels the same way as me, after all] Still, it doesn't change anything. Because MC feels the same way I do.

???

あの方の本当に望むことを、自分なら理解していると？過信しすぎでは？ [Do you think you can understand what that person really wants? Are you overconfident?] You think you know what it is your apprentice truly wants? That you can see inside the heart of another? That doesn't strike you as overconfident?

Solomon

そうでもないよ [Not really] Not at all.

???

その傲慢なほどの自信はいったいどこから満ちてくるのか...... [Where on earth is that arrogant self-confidence coming from...] You have confidence to the point of arrogance. Where exactly does it come from, I wonder...

???

あなたこそ、悪魔のような振る舞いをしているのでは？ [Aren't you the one acting like a demon?] Have you considered that you're behaving quite a bit like a demon yourself?

Solomon

悪魔のような振る舞いかあ。でも考えてみたら、仕方ないことじゃないか？ [I'm acting like a demon? But if you try thinking about it, isn't it inevitable?] You think I'm behaving like a demon... Well, if you think about it, that's to be expected, right?

Solomon

だってさ [Because] I mean...

Solomon

今の俺を減らしたのは、君なんだから [The one who reduced me to what I am now is you] You're the one who made me who I am today, after all.

Solomon

そうだろう？　「ナイトブリンガー」 [Right? "Nightbringer"] Isn't that right, Nightbringer...?

#will any of this ever be relevant to the story? who knows! i hope it will tho #i hope we kinda speed through lucifer's arc so that we can return to figuring out who nightbringer is and what he wants #obey me #obey me nightbringer #obey me solomon #;mel translates

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crepes-suzette-373 · 3 months

Text

One Piece Magazine Reiju short story

I recently bought One Piece Magazine to read the Reiju short story. I don't know how to share this experience other than just straight up translating the whole thing, but it was utterly hilarious chaos with the brothers trying to cook and it just ended up being a disastrous mess.

I'll give a summary, I guess...

Reiju and her brothers went to another kingdom for a diplomatic discussion, but once they were done, the Germa ships that were supposed to pick them up got delayed by the weather. The bros can't wait so they demand the locals to be given a ship.

Niji/Yonji: "Oh good, they understand. So we don't have to steal a ship."

Well, they did tell the people that Germa will compensate them, but still.

And yeah, the guys were so hungry that they were like "Even though royals shouldn't do menial things like cooking, we're dying of hunger here so it can't be helped."

All writers apparently agree that Niji misses Sanji like an utter dumbass because in the kitchen he out of nowhere says "Didn't we used to have a younger brother called Sanji who likes to cook?"

Yonji says "Yeah, he was kind of lame" and Ichiji says there's been wanted posters of him being spread around.

Based on the info they got, Reiju is aware of Sanji's history with Baratie and the Straw Hat crew, and thinks that because he's listed as just a cook on the wanted posters and not "fighter/combatant", he's probably still not much stronger than before.

Ichiji found some pork, labelled to be from Broc Coli. Reiju mentioned that Broc Coli specialises in pig farming and the pigs have been selectively bred to improve the meat quality. Ichiji commented "Oh, it's similar to our lineage factor modification, then", but then the next second he suddenly gets mad about it himself, throws the meat to the ground and was like "How could pigs compare to our Vinsmoke royal family."

Reiju: "You brought it up yourself out of nowhere though? :/"

Ichiji is grumpy and wants to go fishing instead. With the Raid Suit. Don't know how, wasn't explained, maybe he Sparking Valkyrie'd the fishes.

Niji wants to make chocolates, but had a meltdown because the recipe calls for cooking/confectioner's chocolate. He was like "Why?? do you?? need chocolate?? to make chocolate??? If the chocolate is already there I'll just eat that directly???"

(Note: It's not making cake or brownies or anything, it's making something along the lines of chocolate truffles or milk chocolates or other forms of chocolate that isn't just straight up dark chocolate/confectioner's chocolate. He's confused because the final product is still just "chocolate")

Yonji wants to make bread because it looks easy. Reiju decided to try to make something too, and wanted to make tamagoyaki (Japanese rolled omelettes) because she remembered reading about it in a story book with Sora before.

Reiju's logic: "If a penguin (in the story book) can cook, then even a beginning like me can do it." (so much for Reiju being the rational one)

Yonji starts shouting for help. His bread is a goopy mess and is a total failure. Apparently he didn't add the yeast because the recipe says 3g of yeast, and that's almost 0, so he didn't add any. Reiju tells him to make sure to follow the steps properly.

Ichiji comes back with a giant fish, and is asking for poison check. No poison, so Reiju left him to cut the fish.

Yonji is still having trouble, and he says he had added the ingredients properly this time. The dough is still gloopy and will not firm up even after kneading. Reiju said that maybe because of the exoskeleton, their skin are too cold for the fermentation process to start activating.

Yonji is grumpy and asks if this means he can't make bread. Reiju suggest using hot water to warm his skin, but he's already really disgruntled and says that it's so lame that they have to rely on microorganisms to make bread (well, at least he knows yeast is microorganisms, not just another type of flour).

(Note: This part really does not sound right to me, honestly. Maybe this was just meant to show that Reiju and Yonji have zero knowledge in cooking, but bread dough not firming up and gloopy is usually not related to yeast or fermentation, but the gluten. Most cases that I know of are either caused by adding too much water, not enough kneading, the flour itself is not suitable for bread, or even the dough being over fermented. I've never heard of sticky dough problems being caused by hand temperature.)

Ichiji gave up fileting the fish because there's bones everywhere. he dumped all the dead fishes he caught back to the sea. Yonji gave up trying to make bread and tossed the failed dough away (and also threw away Reiju's egg attempt even though it was fine :/). Niji can't find any chocolate, so he has nothing.

They can't do anything except wait until they reach Germa and then just go "AAAAAAA FOOODD" (well, they act cool in front of the servants, but still).

Reiju herself showered and got cleaned up first before going to eat. Seeing the poisoned stonefish served, she wondered how normal chefs handle the poisonous ingredients and so she went to the kitchen to ask.

There was a young cook on cleaning duty that immediately panics, but then a senior cook named Beryl came out to answer her questions. Reiju says old lady Beryl has been there for a very long time, even before the kids were born.

Beryl explains that to treat the armoured stonefish to make it safe to eat is to let it swim in a tank with Ruby Wakame seaweed. The seaweed will absorb the toxins and after 3 weeks, the fish will change from purple to blue, and this indicates that the toxins is completely gone and it will be safe to eat.

An easier method would be to just skin the fish and take out the poisonous organs, but fish skin is a delicacy, and so the chefs would do this so they can serve cuts of the fish with the skin attached.

Reiju makes a comment that cooking must be very hard because her brothers are all picky eaters (not just Niji, apparently), but Beryl says she and the other chefs are happy to adjust the prep to make the food palatable to the boys.

"Ichiji-sama dislikes green vegetables, but if you chop it up finely and mix it with meat dishes such as hamburg steaks, he will eat it without noticing."

Reiju: Is he a toddler?

(Note: Dunno if this is a universal thing, but it's a Japanese thing that when toddlers hate vegetables, the parents would chop up vegetables and put it in meatballs or the toddler's other favourite food so that they can get the vegetable nutrients even though the child dislikes the vegetable's taste)

"Niji-sama dislikes things with complex seasonings, so things like the sauces and such has to be made to be very simple to the utmost extent."

Reiju: That's dumb.

"Yonji-sama doesn't like food with dry texture, but if it's served to him when he gets hungry between meal times, he'll usually eat it."

Reiju: Is he a dog?

(Note: There is a section where Reiju muses that the cooks "safeguards" their meals just like how "Germa 66 protect peace". What peace? In the main series they're fine with siding with whoever, as long as they get paid. This comment doesn't make sense unless maybe she was being ironic/sarcastic here.)

Reiju apologised for bothering the cooks at this time, and Beryl then lets slip that Sanji has been to the kitchens often. When Reiju presses further, eventually Beryl reveals that Sora likes to make desserts often. Sora would say that she hoped to someday be able to cook together with her kids.

Hearing this Reiju briefly fantasised baking together with her mother and Sanji. Knowing it's just idle fantasy, though, she thanks Beryl for telling her all these and helping her appreciate cooking more.

Reiju thinks of Sanji and reevaluates her opinions on him. He's not "just" a cook. People's lives are basically in the hands of the cook, especially on long voyages at sea. She is glad that him having a place as a ship's cook means that he's found good friends who rely on him and trust him.

She then transforms, and uses her ability to suck out the poison from the fish, saying that the cooks are welcome to ask her for help to take out the poison if they need to cook with the stonefish.

#one piece #vinsmoke family #vinsmoke brothers #vinsmoke #vinsmoke siblings #ichiji #niji #yonji #vinsmoke ichiji #vinsmoke niji #vinsmoke yonji #germa 66 #reiju #vinsmoke reiju

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