I have a feeling that Sanji and Zoro’s death pact will be properly resolved in Elbaf, as it certainly doesn’t feel like we’re done with it. And while Elbaf is gearing up to be very Usopp-centric (and I can not overstate how hyped I am to see him take the spotlight again, finally), let’s not forget that this all ties back to Little Garden, the arc that properly introduced Zoro and Sanji’s rivalry by paralleling them with two rival giants who fought each other every day for over a century, but who also lost themselves in their grief when one thought the other death. The parallel isn’t even subtle, Little Garden’s biggest landmarks are the remnants of Dorry and Brogy’s dinosaur hunting competition. You know. The very same competition Zoro and Sanji posed to each other at the start of the arc?
But here’s the thing. I’m a little worried about how it’s going to be resolved. Because. Despite how readily Zoro agreed to kill Sanji if need be, he must have known that the crew would never forgive him. Zoro is Luffy’s specialest guy but Luffy would not accept any excuse as to why Sanji had to die. Nor anyone else in the crew. But. Does Sanji realize that?
Does he know that killing him would literally be the hardest thing Zoro would ever do, because it would mean literally betraying his Captain and crew? Luffy said he can’t become Pirate King without Sanji, and Zoro and Luffy swore they’d commit fucking ritualistic suicide if they got in the way of each other’s dreams, so does Sanji know where that would leave the swordsman in this case? With no Captain, no crew, and yet another dead rival and best friend (who, mind you, began to live in fear of his own biology betraying him right before dying. but the parallels between Kuina and Sanji and how they relate to Zoro could be a long ass post for another day).
I think he doesn’t know. But he can’t find out how Zoro would mourn him unless the pact actually follows through. But still, I don’t think Oda would kill Sanji, cause that’s no way to resolve this issue. So here’s my speculation about how I think it could potentially play out, following that initial line of thinking of the death pact’s resolution being set in Elbaf, specifically because of Sanji and Zoro’s parallels to Dorry and Brogy.
Like Brogy, Zoro would have to believe that he killed Sanji. That he won their final duel. He’d have to believe that Sanji has fallen and, also like Brogy, have to face that grief and hurt all alone. But in the end, like Dorry, Sanji would survive, having never actually been hurt. Because their edges have dulled after fighting for so long, no longer as capable of landing killing blows as they thought. “Not even the blades of Elbaf could endure two giants fighting for 100 years”? Something of the sort. And maybe this line of speculation is simplistic or optimistic, but the chances of it playing out like this aren’t zero, so just in case, I would want to be able to say that I called it.
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*deep breath in*
the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏
let me explain.
so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.
Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home
Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.
Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.
Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.
Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.
Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.
Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.
And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.
Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.
There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.
Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.
Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.
The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”
Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar
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One thing I love, love, LOVE about the Netflix ATLA is that you *really* get a sense, very early on, for each of the past 3 incarnations of the avatar and how their struggles and their age of the world shaped them into who they are. (Spoilers for the animated show, if you care - and S1 and potentially future seasons of the live action)
Kuruk's age was plagued with threats from the spirit world (a history that rhymes with what we see when the cycle rolls around to Water again with Korra), that is where his focus was, and that is what cost him his closest connection to the living world. It left him crippled and bitter and unable to see the strength in Aangs connections with others. This is really something that was only hinted at in the anime, and I love seeing it fleshed out.
The next avatar, Kiyoshi, was born into an age of strife - warring kingdoms and tyrants and terror. She HAD to become a mighty and fearsome warrior, becuase she had to clean up the mess that Avatar Kuruk left in the living world. So of course, this is the lens through which she sees the troubles of Aang's age. This is the advice she gives him: only the strongest can bring balance and peace.
Then we have Roku, born into a golden age of peace and diplomacy, the remnants of Kiyoshi's iron fist holding the nations in their places. He was allowed a full childhood, friends, and you can see it in his manner, his sense of humor. You can also see the terrible pain of the wound that his best friend's final betrayal left in his spirit, when he counsels Aang that he cannot always trust his friends.
I just. I love that we are seeing all of this, and so soon! The stories of the previous avatars, and the way each of their lives impacts not just the rest of the avatar cycle, but the life cycle of their entire world, is so fascinating to me. I really, really hope they continue to deepen Aang's connection with his past lives if the series continues!
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when you first watch the scene where mike jumps off the cliff in season 1, your first thought is “he did it to save dustin”, and of course that’s true, he wanted to protect his friend. but when you actually stop and think about how quickly he made that decision and how he didn’t scream or cry or try to beg the bullies for another option, it’s actually so much more heartbreaking because you realise he had lost almost everyone he cared about at that point and probably felt like he had nothing to live for.
will, one of the most important people in mike’s life and his first ever friend, got kidnapped and taken to an alternate dimension that he couldn’t escape from on his own. mike lost him.
mike had a big fight with lucas and was too stubborn to apologise and make amends. lucas ran off and pushed him out of the way. mike lost him.
mike yelled at el after she accidentally hurt lucas. this scared her and made her run away, and he was unable to find her again. he lost her. she was also the only person that could help them find will, so he felt like he failed both of them at the same time and thought he would never see them again.
dustin was the only one out of the original party that mike still had by his side, but he was being threatened by the bullies. if mike hadn’t jumped, he would’ve lost him too.
i never thought about it like this until now and it makes it so much more heartbreaking. mike has so much unresolved trauma and so many internal struggles that we have no idea about because they haven’t allowed us to see his POV yet. but i think season 5 will focus on him a lot and reveal so much.
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