for the drabble thing kinda 👉👈 (mostly be rambling per usual but could be an idea). I've been listening to music non stop at work and favorite record by fall out boy came on today
and there's a lyric that goes "and I confessed, confessed to you riding shotgun, underneath purple skies" and it screams mammon and mc to me. ALSO the rest of the song makes it sound like past tense/lost love/one that got away...angst potential too. Like reminiscing? Mc moved on but he never did.
I just like thinking about different ways he may confess, and if he'd just blurt it out without thinking? Or maybe he's hyped himself up, he's driving mc up to a hilltop to stargaze, he's got it all planned - and something mc does just makes him blurt it out
if it was something silly like turning on the A/C before he could finish asking them to, because MC just knows him that well, that would be hilarious
Mammon: hey uh, can you-
mc, already turning the dial: i got you
Mammon: i am in love with you.
- ✨ anon
also, partially related but Flu Game by the same band reminds me so much of nightbringer!mc and I could go on forever about it
Yes this feels very Mammon to me... blurting it out before he means to lol! I do like the angst of MC moving on, but he never did, too! That's some good potential right there.
BUT I did a drabble based on the rest of the idea, that he's taking MC to a hilltop to confess but doesn't quite make it lol.
Mammon knows he has to tell you. It's been stewing inside him for a while, brought to his attention every time you meet his eyes, every time you say his name, every time you touch him or hug him or do something before he even asks. He's nervous to say it, but he won't risk losing you because he was too afraid.
He has it all planned out. What better way than to take you for a drive? Up onto the highest hilltop in the Devildom. Thinking about it makes his pulse race. He's on high alert all day, not able to focus on anything except the moment when those words pass his lips.
Mammon rehearses what he'll say. He thought about getting poetic, but in the end he decides it's better to just be straightforward. To be honest, to be true, to tell you exactly what he needs you to know, so there is no possibility of miscommunication. He chants it in his head all day. I'm in love with you, I'm in love with you, I'm in love with you.
You settle into the passenger seat of his Demonio like you belong there, riding shotgun beside him. He wants to say it right then, before he's even started the car.
I'm in love with you.
Mammon holds it in as you click in your seat belt and smile at him before turning on the music. It's a playlist you made together of all the songs you both love most. As you start singing along to the chorus, he wants to say it again.
I'm in love with you.
Mammon's eyes are on the road, but you are all encompassing. Despite this, he doesn't let his attention wander from the task of driving. He cares too much about you to be reckless.
He hasn't said much because he doesn't trust himself to speak. The road gets tricky as he starts up the winding cliff side to get to the highest hilltop. He can't look away from it, but he's sweating. He wipes quickly at his forehead.
"Hey, MC, can ya-"
"I got you," you say, already turning the dial.
His heart skips. And the words he's been repeating in his mind all day come bursting out. "I'm in love with you."
For a moment, the only sound is a soft song that has begun to play. Mammon's mind is buzzing, full of static at the shock of what he's just done, what he's said. He didn't even make it up to the hilltop.
"Er- I mean-" he starts to say, but it's too late.
He sees you reaching toward him in his periphery. He takes your outstretched hand without even thinking about it.
"I love you, too," you say, simply.
Mammon holds your hand like it's the only thing keeping him alive as he finally makes it to his destination. He stops the car and turns to you, taking in the way your eyes are shining brighter than all the stars and city lights streaming in through the windshield. He leans over to kiss you and the current between you is like lightning, brighter and more intense than any other light could hope to be. Wild, unpredictable, full of passion - just like him.
masterlist | Thank you for reading!
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wait u are a genius and i want a full explanation of ur analysis on the florida lyrics w jason
⋆౨ৎ˚⟡˖ FLORIDA!!! + JASON GRACE — AN ANALYSIS BY CYNTHIA
masterlist | rules
on the radio . . . florida!!! (taylor swift ft. florence + the machine)
an THANK YOU SOOOO MUCH FOR ENABLING THIS. jason might be a little ooc in this but that's just me looking deeper into his character (something mr rick riordan failed to do). also obvs im not doing lyrics that repeat twice both times LOL also sorry if this is bad these r all off the top of my head
you can beat the heat if you beat the charges too
they said i was a cheat, i guess it must be true
there are many possible meanings for the first line but im choosing to interpret it like this - you can escape their criticism if you prove them wrong. this, to me, is similar to when jason came back to camp jupiter. when leo (unwillingly) fired against camp jupiter, the romans immediately began attacking. instead of fighting them himself, jason begs them to listen to him and tells them he's on their side (thus trying to beat the charges of being a traitor)
however, it didn't work and he ended up getting a brick thrown at him and passing out - "they said i was a cheat, i guess it must be true" - while taylor's saying cheat as in a cheater (romantic relationships), for jason this refers to the emotional cheating he did on camp jupiter. sure, he didn't want his memory wiped and to be placed in a whole new camp with the greeks, but he liked it, so in a way he did cheat
and my friends all smell like weed or little babies
and this city reeks of driving myself crazy
we all know jason never fit in in camp jupiter. even in his pre-memory loss days, he seemed to stick out like a sore thumb (despite also being their golden child and the son of the camp's namesake). when he comes back to camp jupiter, jason feels even more left out - his friends are all either stuck in the past and incapable of growing and developing ("all smell like weed") or have moved on an extraordinary amount which he cannot keep up with ("or little babies")
as i said above, jason didn't fully merge with his fellow romans. a primary example of this is the fact that he willingly joined the fifth cohort simply to improve it, and im pretty sure he says somewhere he's always been a little more rebellious than the average roman. it also took him a lot of effort to become praetor. coming back to camp jupiter probably brought back all the judgement and criticism he received from the romans - "and this city reeks of driving myself crazy". the verb "reeks" also implies a bad smell, not a good one, so the memories are not a good kind of nostalgia
little did you know your home's really only
a town you're just a guest in
so you work your life away just to pay
for a time-share down in destin
okay so the first part - "little did you know your home's really only / a town you're just a guest in" - again, emphasises how alone and solitary jason feels in camp jupiter. however, i'd like to bring up the fact that percy became praetor within a week (? if not less) of arriving at camp jupiter. praetor is a position which jason grovelled for for ages, only for some random greek guy to be able to replace him after one single quest. why? well, that's simply because the romans saw him as a guest, not a resident of camp or new rome - someone who is temporary and will leave to go somewhere else eventually
jason has been a member of camp jupiter since he was two. he was quite literally working his life away, work is all he ever knew since his childhood was robbed from him so quickly. he worked so hard just to become praetor and so he could make a change and maybe finally fit in with his fellow romans. however, he simply ended up with a timeshare - which (according to google) is "shared ownership of vacation property" - he and percy practically shared the position of praetor, and both saw camp jupiter as somewhere temporary (although jason realised that later on), just like how a vacation home isn't the place you're going to stay in forever
florida
is one hell of a drug
florida
can i use you up?
for jason, florida is camp half-blood. while camp jupiter is orderly and constantly forces him into tight lines, camp half-blood allows him to express himself for who he really is and makes him feel as if he were on cloud nine (similar to how a drug makes you feel when you're high)
however, jason is still hesitant to fully commit to camp half-blood. after all, his father is jupiter, not zeus. could he really be a part of the greeks, or will they see him as foreign too? ("can i use you up?")
the hurricane with my name when it came
i got drunk and i dared it to wash me away
in the song, florence welch is referencing hurricane florence, which caused major damage in south-east of the US. since jason is the son of the god of winds and sky, in a way, all hurricanes have his name since they're all semi-controlled by his father - hurricanes run in his blood. he probably sees himself as the hurricane, causing damage to both others and himself. he most likely feels like the piece of domino which started the chain of disasters he and his friends faced, since his arrival at camp half-blood is what began the second great prophecy (for them)
i'm choosing to interpret "i got drunk" as jason changing once he got introduced to the life and culture of greek demigods. he was no longer perfect, proper praetor jason grace. although it (naturally) took him some time, he became wild and carefree like them, similar to how a drunk person may act. this also ties in with the idea of camp half-blood being like a drug to him. everything about it is addictive, the more he gets, the more he wants
barricaded in the bathroom with a bottle of wine
the bottle of wine here is a symbol for camp half-blood. when jason feels unsafe, he chooses the greek camp over the roman to keep him company.
also, this lyric is reminiscent of the great war - "i drew curtains closed, drank my poison all alone" - in which taylor swift isolates herself from everyone else and dwells on the end of her relationship with her ex, which in turn makes her believe they were the bad one in the relationship. similarly, jason is often depicted as thinking about his days at camp jupiter (the few memories he can recall, at least) and from what i can remember it's never really fond. the more he thinks about it, the less camp jupiter feels like home. this reaches a climax in house of hades when he speaks to the god of the southern winds and realises he wants to stay at camp half-blood - he drank his poison and killed any tie he had with camp jupiter
well, me and my ghosts, we had a hell of a time
yes, i'm haunted, but i'm feeling just fine
i think this is pretty self explanatory. growing up in the harsh environment of camp jupiter, jason has killed and witnessed death to the point where he seems desensitised to it. however, jason is soft on the inside. he puts up a facade when he's praetor jason grace, not letting anyone else see how much this affected him - "yes, i'm haunted, but i'm feeling just fine"
and your cheating husband disappeared, well
no one asks any questions here
i feel like this is him talking to reyna directly (real ones know i am the biggest jeyna shipper so obviously i had to bring them up LMAO). since praetors often end up being in romantic relationships, jason was probably seen by a lot of romans (especially the more traditional ones) as reyna's husband, despite them never even dating
you can sense a bit of snark here as well with "no one asks any questions here" - again, i bring up the fact that the romans were incredibly quick to accept jason's betrayal of camp jupiter, even though he didn't, and reyna siding with them (even though she knows its not true)
a cheating husband is also mentioned in fortnight ("my husband is cheating / i wanna kill him") which i believe is reyna's song but that's a story for another day
so i did my best to lay to rest
all of the bodies that have ever been on my body
and in my mind, they sink into the swamp
is that a bad thing to say in a song?
this is the turning point - the scene in hoh where jason makes the choice between camp jupiter and camp half-blood. he lets go of his past and everyone he knew pre-memory loss ("so i did my best to lay to rest / all of the bodies that have ever been on my body"). please keep the line "i did my best" in mind, as healing isn't a linear process and obviously there were some days where jason wanted nothing more than for things to go back to the way they were
a swamp is described as 'uncultivated', meaning you can't grow any plants in it. similarly, his relationships with the romans will never grow back as "they sink into the swamp"
"is that a bad thing to say in a song?" PURE SASS. he's mocking the ideals of romans but for once doing it without fear. he's saying sure, it might be, but do i care? no 🥰
little did you know your home's really only
the town you'll get arrested
so you pack your life away just to wait out
the shitstorm back in texas
this is once again referencing the fact that jason was exiled from camp jupiter after his 'betrayal', even though he should be the first person they trust in a confusing time like this - discovering there are whole other counterparts of the Gods they know and love. not only because he's praetor (reyna is praetor too, after all), but because he's been at camp for the majority of his life
i need to forget, so take me to florida
i've got some regrets, i'll bury them in florida
tell me im despicable, say it's unforgivable
at least the dolls are beautiful, fuck me up florida
again, pretty self explanatory considering the themes of drugs and alcohol i've mentioned above. jason wants to forget (haha very funny cynthia you all say in unison) anything and everything to do with camp jupiter and roman culture, so naturally, he runs to their antithesis - camp half-blood. i like to think if you played a song in his head while he was choosing between cj and chb it'd be this banger of a bridge
however, he still feels guilty. after all, loyalty is a very serious thing for romans. i think reyna tells annabeth something about how if you swear on your life and break that swear, the romans won't hesitate to actually kill you. no matter how much jason tries to pull away from roman culture, some things (like the loyalty) simply run in his blood - "tell me i'm despicable, say it's unforgivable" he wants to be held accountable by anyone, even though he knows his friends on the argo ii are the last people who'd judge him
"fuck me up florida" is jason completely succumbing to everything greek. we all know how the romans look down at greeks (prime examples being the ghosts calling percy graecus as an insult when he arrives and octavian immediately assuming the worst when the argo ii arrived). to the romans, the greeks are lousy and messy, everything they don't want to be. jason has always been this way deep down. he's willing to let the greeks completely fuck him up
love left me like this and i don't want to exist
so take me to florida
love has constantly been bringing jason down. he has a big heart and yet he's lacking so much luck in that department. his relationship with reyna was completely destroyed the moment hera took his memory and put him on that wilderness school bus, and he and piper's relationship has always been awkward, ending in them breaking up and dating someone else while he was left truly alone
here, i don't think chb is florida. however, i don't want to say its elysium because that hurts. so lets just say its a magical place where everything is perfect and he can escape
(take me to) florida
i chose this specific one for the (take me to) bit, which sounds exactly like the "take me to" in the lakes - "take me to the lakes where all the poets went to die"
i don't remember if this was ever mentioned/implied anywhere in the books or if it's something my brain came up with and i accepted as canon, but jason is definitely the type of person who romanticises things he shouldn't. the lakes is one of the the most romantic places in england and is a commonly used date spot
here, jason wants nothing more than to just die peacefully (he is the poet) than have to endure any more pain and misery. what better place to die than in his florida? (i read somewhere that he was buried in cj and nothing makes me wanna kill myself more LMAO)
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I love the comic book writing sensibility that Frequency has, like how Three and Five's ending is great for the story being told but if it were a published comic it would still leave them on the table for if a future writer wanted to use them.
whats funny is that despite doing my best to keep in line with dc comics/comic writing sensibilities throughout the fic (staying as comics-accurate as possible in terms of continuity/tone/characterization/story elements etc) that particular comic writing reality was one that was like. kind of a genuine anxiety that i didn't know i had until i started writing this thing.
ive said before that in the original concept for Frequency all of the clones (besides Thad) were going to end up dead. whether it was via killing each other or unintentionally being the instrument of their own demise (disney villain style). obviously it changed because creating an entire narrative about this one character's redemption arc and then not allowing any of the other villains to have a shot at redemption felt hypocritical and like. mean. not to mention antithetical to the whole ethos of the story.
but the reason why killing off all the other clones was my first instinct is partially because i had this kinda subconscious recoil to the idea that any of them would actually continue on after the story was over.
like, because i was trying to stick to canon so much, while figuring out the story a thought came up a couple times that basically went like, "okay, well, if this was a real comic, then...". and inevitably i had a realization that if this WAS a real comic, my original clone characters would be canonized, and therefore available to any future writer who wanted to yank them out of their respective endgames and inject them into other stories. which i Did Not Like the Idea Of.
classic "making up a guy to get mad at" except it was more "making up a reality to get anxious about". because obviously no matter how much it sticks to canon, Frequency still exists in a fan-created space.
but! i'd never made up original characters to put in my own fanmade stuff before and was definitely feeling protective. because all those original clones i made had yknow: a story purpose and narrative function to facilitate the actual key characters, Thad and Bart. the idea of them being removed from that context in any capacity, even if it was in the hands of a good writer, made me have this gut "no STOP you're ruining it!!!!" reaction.
they were all made for Frequency, and to foil Thad as a character, i didnt like the idea of Three being brought back as a one-note villain or Jude and Nathaniel getting folded into the wider Flash cast of allies. and none of them were made to be main character material. plus the character roster at DC is already uhh Extremely Stacked i genuinely did not want the takeaway to be "and here's the nEW ADDITIONS TO THE FLASH FAMILY!" because that wasnt the intention
anyway i got over it lol. i still did my best not to leave any loose ends, and have each ending be wholly satisfying on its own, and ideally the oc clones basically continue on offscreen while the true adventures are based around Thad and Bart. but yeah it felt right to leave off on that note (and served the story much better than killing everybody off)
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🃏 Kokichi Ouma Age-up Timeline 🍇
Here, I've used his initial designs as inspiration! I like looking back at older designs cause for a lot of them, it's like watching them grow up!
Headcanons under cut (HUUUGE SPOILER WARNING FOR DRV3)
(Content Warning for child abuse, mental illness and disorder, self harm, generally dark and unsettling topics ahead)
-=-
First off, I'm firm in my take that Tsumugi was lying about everyone being fictional. There's a lot that doesn't match up, and the local V3 fandom celebrity responsible for the Amalgamate fic has helped me tremendously in solidifying my stance. I think they absolutely do belong to the DR universe, but the memories they get that aren't part of their backstory are completely fabricated.
If there's any additional input on V3 in Raincode, don't let me know because I haven't played yet ;w;
That said, there's many things I, like Kokichi, will refuse to clarify or elaborate on. His character demands mystery, and it would be a trivialization of his writing to just. lay it all out there. I think approaching his writing with the mindset of knowing the whole truth would be to bastardize his integrity and simplify him in a distasteful way - so all my headcanons here will be written and are intended to be seen as broad strokes as opposed to finely tuned detail.
-=-
I like to think of his past as muddy and confusing, even to him. There's not a lot he can remember clearly, and constantly confuses different takes on his memories. To me, it's clear that lying is a huge trauma thing to him - I would assume multiple sources would be responsible, like authority, family, and peers.
He's been lying as a means of survival, with multiple layers of how he feels about it - despite what he says, there's not actually one truth. Multiple truths exist for one single thing, and I think that mindset is something that scares him tremendously - he'd probably say that reality is just a lie you tell yourself, in order to justify trivializing and minimizing both feelings/emotion and trauma.
In his head, there's so much wrong with him that he can't even begin to unravel himself and understand everything that's happened to him, why he does what he does, why he feels what he feels... so on. He feels multiple things that often contradict each other, and he doesn't know how to understand that, so he often switches his justifications to suit whatever narrative he needs to cope.
In general, however, he claims he's just lying. There are in fact, genuine times he does actually lie... but rather than being a true compulsive liar, he is actually a compulsive method actor. He's so empathetic to everything and everyone, that he can easily switch his masking techniques to suit whatever he or others need, and does so involuntarily most of the time, though he does know how to "switch it on" purposefully.
In his earlier ages, he may have suffered from a guardianship similar to what those who have DID had gone through (not me projecting lol /hj). He's been bred and born into tragedy, not unlike Komaeda but absolutely distinct from him in that I do not believe this boy has had any good luck with anything in his life - not family, not friends, not money, nothing. I might even go so far as to assume that, similar to Yasuhiro having an unnaturally high good luck, Kokichi is suffering from unnaturally high bad luck.
I noticed that, on a lot of his designs, he seems to have always had *something* covering at least one of his hands - and even on his final design, though it could just be a design fluke or something weird with perspective I misunderstood, you can see the smallest scrap of fabric underneath his right sleeve that could be seen as another hand/wrist covering. When lined up with the other designs, it could very easily be taken as a wrist bandage - at least by my eyes. So, I (and a lot of others it seems, especially those who identify with him) have taken this to mean he may in fact be self-harming, and has been for a long while. Anyone who hyperfixates on this guy wouldn't be surprised in the slightest if that turned out to be true.
I think that age 11 is probably what Kokichi himself would think of as his 'turning point', just going off of my little chart here; something tremendously awful happened to him, then. To fuel speculation and abide by his character rules, all I'm going to definitively say is... he likely wouldn't even trust doctors with a needle, let alone his life.
So, the hardest year of any modern kid's life... 12 years old. In my family especially, it's the worst year you'll ever face, and my god was that true for me. So I think this year fits him for gaining his... as the creators put it, 'otherworldly' expressive nature. This is the year he completely stops putting effort into trying to understand the truth, and fully embraces the chaos that is his reality. He's fine!!!!!! :)))))
He mellows out around 15, and I like to think of this year as his cringe-fail-iest year to date. This motherfucker would likely be seen in Hot Topic, jamming to MCR, glomping his friends, verbally roleplaying, so forth. His phone signature is a series of kaomojis. Idk if there's a similar equivalent of being a cringe baby weeb for Japanese who are my age, so I'm really just basing this on my own experience of being 15 in 2011. But whatever the equivalent is, he is absolutely it. 15 year old Kokichi is current Kokichi's most embarrassing time ever.
However, it's also likely the age he started his talent's namesake - of becoming the Ultimate Supreme Leader. Which, I choose to believe is, much like Kokichi in general, both true and false. Same for his actual group, DICE. Both is good ;o)
Following his talent, he has a natural command to his voice that feels as though you're forced to hear him speak. No one can really talk over him unless their ability to do so demands it - say for example, Sonia, the SHSL Princess. Due to the nature of their talents, I think Sonia's voice and ability to command would absolutely trump Kokichi's. However, due to the aforementioned bad luck, people are compelled to not trust him - even if what he's saying is true. (Kokichi voice: oh pythia we're really in it now)
Also, you can't really tell because of all the scarring, but 15 and 19 are the ages where he stopped going outside so he's paler and paler, lol
And my last one, I love to imagine that due to his talent, he's actually intensely adept at fighting, especially dodging. In fact, I think he's even way smarter than he'd like to believe!
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Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.
When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?
Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?
I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.
I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.
An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.
So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.
Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡
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