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#i missed actor nick so much
nickjcnas-archived · 1 year
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nickjonas: The World Premiere of my new movie, #TheGoodHalf will be at the @tribeca Film Festival starting with three screenings on June 8th. Excited to be alongside this incredible cast! @brittanysnow @alexandrashipppp @davidarquette @mrmattwalsh #ElisabethShue
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orpheuslament · 11 months
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emotionally im still at shakespeare's globe seeing their 2023 production of a midsummer night's dream
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amsznn · 3 months
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Hey can you do one where the reader has a crush on Matt.She is very much giving heart eyes and tries to do anything to make him happy.Matt being oblivious complains to his brother about it.Nick and Chris smack some sense into him saying how lucky he is to have someone like us care about him.Matt disagrees and the reader hears this causing her to stop not wanting to make him uncomfortable.Matt misses the way things use to be and gets jealous when learning the reader is going out on a date.At the end they have an argument and he tells her how he really feels.Lots of angst in the beginning fluff towards the end please!!
OVERBEARING - m. sturniolo
warnings: slight cursing, angst at start, fluff at the end
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you couldn’t deny it anymore. and you dont think it went unnoticed either.
the lingering gazes, to the more than normal laughter at his jokes, or the constant acts of service. how you were willing to do anything for him. just him.
matthew sturniolo.
you thought your constant need to be near him was just you wanting to be better friends. that was until your feelings started growing stronger.
“y/n, helloo.”
you brought your attention to the voice you found yourself loving so much.
“sorry, what?”
“i asked if you could pass the remote.” matt repeated while settling down beside you on the couch. you nodded and reached over to grab the remote to hand it to him. it was around 1 AM, and it was just the two of you. nick and chris had went to their rooms while you and matt decided to watch a movie.
“want me to get you a blanket?” you whispered as matt stared at the screen to the opening of the movie.
“no, im good.” matt says. you nodded and turned your head towards the movie. about five minutes or so passed when you asked another question.
“hungry?”
“nope.” matt responds, adding a ‘pop’ to the p to exaggerate his response. you mumbled an ‘okay’. a few beats of silence passed before once again, you asked.
“are you sure-”
“y/n, please m’ just trying to watch the movie in peace.” matt sighed. he was getting frustrated by the second. after a long day of filming with his relatively loud brothers, the only sounds he wanted to hear were the actors on the tv.
but this was only one example of your persistence. you were always clung to matt’s side. following him like a lost puppy at all times.
always there to cook him up a meal after his long day, willing to do any of his chores that he just didn’t feel like doing, even soothing him to sleep on those tough nights where everything went blank.
nick would sometimes make fun of matt. it almost seemed like you were his mother with the way you acted. but thats not what you were trying to come off as. you simply just had a lot of love for the boy that you weren’t really ready to confess yet.
but for matt? he didn’t see your clinginess as a good thing, in fact he began to hate it once nick pointed it out.
on one particular day matt decided to bring it up to his brothers while they were in nick’s room.
“i just don’t get it, like she’s just always there.” matt says while pacing around the room.
“is that a bad thing?” nick asks while organizing the clothes in his closet.
“i mean it wouldn’t be if she didn’t act like im some sort of child.” matt sighed while plopping down at the edge of the bed.
“i dunno, i’d love to have someone like y/n. she literally does everything for you bro.” chris laughs while slightly nudging matt.
“yeah..” nick yells from his closet. “don’t know why you’re bitchin’ bout it she’s literally helps you with like…” nick took a pause to think. “everything!”
matt scoffs before shaking his head. “yeah well it’s nice before it gets fucking unbearable.”
unbeknownst to matt, you could hear this whole conversation. you had came to drop off some food for the triplets, and since you had an extra key you went straight in. now you would’ve made yourself known until you realized you were the topic of their conversation.
to say you were hurt from matts words was an understatement. you quickly rushed out of the house, tears streaming down your face recounting every scenario where you were overbearing.
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hours turned into days and days turned into weeks. matt hadn’t heard from you in a while. he expected to wake up to your daily morning texts, but nothing. after he shrugged that off he expected you to come over like you usually did. but once again, you didn’t.
he found himself longing for your presence more than he ever did.
you both went no contact until you came over, seeking nicks assistance since you had a date that night in hopes that your little crush on matt would subside.
you had went the whole time without speaking to the brunette. opting for a simple ‘hey’. matt was confused. why were you suddenly so distant? sure he wanted space at times but this is not what he had in mind.
matt finally snapped when you attempted rushing out their house, bidding matt goodbye with a meek ‘see ya’.
matt rose from his spot on the catch before making his way towards you. “are you gonna tell me what’s going on, or are you gonna keep avoiding me?” matt said while crossing his arms on his chest.
you could only roll your eyes before slipping your shoes on. “i dont know what you’re talking about, but i have to go.” you spat harshly before spinning on your heel.
“woah, what’s up with you?” matt yelled, shocked at your sudden anger towards him. he pulled you back by your wrist so you could face him.
“y’know if you found me ‘overbearing’ you could’ve just told me.”
thats when everything came back to matt. instant regret washed over him as he gazed upon your solemn expression. the same eyes that used to hold so much adoration for him now hollow.
“i’m so sorry y/n. i know theres no excuse to what i said but i was just being stupid.” matt sighed while running a hand down his face. “you’re far from overbearing, in fact i...i really miss you.”
“really?” you mumbled while your facial expression softened. matt nodded before embracing you in a tight hug to which you reciprocated by wrapping your arms around his waist. your date long forgotten.
“you’re amazing the way you are, and im sorry if i made it seem any other way.”
you smiled at matts words before leaning up to look at him. “just tell me next time, okay?” matt smiled and lightly pecked the side of your temple. happy to have finally gotten you back.
the version of you he loved.
and the version of you he would always cherish.
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A/N: sorry this should’ve came out yesterday but i had to study for an exam. i have also been experiencing writers block but i have a new matt series in mind so stay on the look out for that!
tags:
@junnniiieee07 @tillies33ssss @whore4matt @stellarsturns @summerl986 @inveigledvex @beccaluvschris @stingerayyy2 @bunnysturns @braindead4l @vickyzloserz @sturnzsblog
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bbjobo · 1 month
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Hello hi it’s me, your resident entertainment PR enthusiast. I simply need to talk about the sequel announcement. This is all speculation, but I work in entertainment-adjacent communications and once convinced a household name celebrity to stay at my event to do select press interviews when his wife was going to go into labor at literally any minute, so I like to think I've got a pretty good sense of all of this.
So buckle in, because I'm about how actually fantastic this rollout was, because I’d wager they’ve been planning this since the premiere. 
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RWRB came out truly smack-dab in the middle of the actors' strike. We all know just how much press we must have missed out on, because the strike started before promo would have kicked off in earnest. And when it was finally over in November, the actors are potentially out of contract for promotion, and that’s not even taking into consideration that the holidays are coming up and the six weeks from American Thanksgiving to New Year’s is truly a black hole of press. So this little movie has to rely almost entirely on fan reaction and word of mouth to hit because they’re so limited in what they can do for promo. And it IS a hit! Records are broken! Comments for an extended version (which, ok Matthew we get it, does not exist) and a sequel start almost immediately.
The marketing team makes the most of what they’ve got: they’re keeping up the official character accounts, they’re dropping deleted scenes and BTS. We get cornettos! The fireside scene! Bloopers! Notably absent? Brownstone Thanksgiving. We’ve seen BTS photos of it, we know it exists. Thanksgiving 2023 would have been a great time to drop it, but they don’t. This is the approximate point at which my own personal sequel speculation began. After the strike ends, the posting pace slows considerably but it’s still consistent. It’s just enough to keep it in your mind but not enough to be like “why are you still posting this much about it?” And this continues into 2024.
On the contracting side, conversations were likely actively happening at this point. I wouldn’t be surprised if negotiations picked up literally as soon as the strike ended. The producers would have had that time to get Matthew and Casey back on board and be fully prepped and ready to move on to contracting actors the minute they could. It’d be a shot in the dark to try to guess when these were finalized, but at some point between November 9 and May 9, yeah, they’re in.
But whew, Nicholas is booked and BUSY. Mary & George drops internationally March 5, The Idea of You closes SXSW on March 17, two weeks later M&G starts airing in the US and Canada, and a month after that, TIOY is available for streaming (and limited theatrical release, which is another whole post), and in between all those premieres, he’s everywhere. He’s criss-crossing the country (and tbh the Atlantic Ocean) for all of these appearances, truly going non-stop. The pacing of the premieres makes it nearly impossible to squeeze in another project announcement, and if they had, it would have been a bigger part of every interview he did after, which is something his own team would be working to balance. Plus between TIOY and RWRB, Prime would have been pitching stories against themselves. Better to let him finish out his other promotional appearances and then switch over.
At the same time, we’ve got awards and red carpet season starting. At nearly every red carpet appearance not for their own projects, both Taylor and Nick are asked about a sequel. If an interviewer is given enough time, they ask about a sequel. Sure, fans comment about a sequel on every vaguely rwrb social post from an official account, but the press asking about a sequel felt like a lot to me. Everyone always gave the same vague answer, that they’d be up for it if the story is right, that they don’t know but would be happy to. (Except one time, Nick does slip up and give an answer that feels a little more definitive here where he says “conversations are being had” all the way back in late February/early March). Press are asking the question so consistently that it felt like if it wasn’t happening, PR teams would have put the sequel on the do not ask list.
Then Prime starts actually ramping up on a FYC campaign for the movie. I'm gonna be honest, I was so surprised. It's a rom com, the odds of a rom com getting any sort of awards recognition is so slim, but I thought, "ok, sure, use FYC as a way to get the promo boost they need for an announcement of whatever's coming next." And then I looked up and Variety has picked it as the winner in the best television movie category, which is blowing my mind. The other categories they're submitting in are stacked and I think a nomination beyond television movie will be a long shot, but again, it's big for it to even be considered. And if they're being talked about, that means Prime's gotta put out a great showing for their FYC campaign.
Which brings us to this week. We start off on Monday with Nick at the Met Gala referring to Uma as his mother-in-law. Incredible. Love it. Wednesday and Thursday are a one-two punch of a FYC event and fan event, and the gang’s all here. At the FYC, we get the industry side of things: new portraits and interviews with Deadline, process talk, etc. Because this little rom com is actually doing pretty well and beating the odds? Knowing what we know now, the PR teams spent this week pre-briefing the press on the sequel announcement. Notable (at least to my knowledge) the sequel question doesn't get asked at the FYC event. Because the press already knows it's coming.
Now, on to yesterday. They do a fan screening and Q&A, and they literally roll out the red carpet. Nine months after the premiere and exactly six months after the strike ended, they get the gang back together with fans of the movie, who they relied on so heavily during the strike to help make the movie a success. The tagline on the screen’s giant promo image has been updated to specifically thank fans for “making history with us.” The moderator for the Q&A is the same person who interviewed Taylor and Nick at the beginning of FYC campaign season, their first joint interview since GQ (right? pretty sure. it's all a blur tbh). And at the end of the Q&A, minutes before 12 AM ET, when the embargo on the press release would have lifted, they make the announcement not to press, but to the fans. The fans who loved the book, who watched it over and over, who spread the word about the movie to help make it one of Prime’s top three rom coms OF ALL TIME.
It’s just… an absolute masterclass in how to execute a major announcement that embraces the fans in a time where fandom and interaction between creators and fans can be an absolute minefield. Prime saw the opportunity to lean into the fannishness of it all and they took it and it was a slam dunk.
So where do we go from here? IDK but here’s some unconnected thoughts in list form like Alex would want.
The book’s 5th anniversary is next Wednesday, the 14th.
Casey’s been posting about working on [redacted] for months at this point, which is almost certainly the screenplay
Nick mentioned needing to be back in the UK for filming soon
They would probably like to release this in US election off-cycle years, so that means 2025 or 2027 (and 2027 is too far away). 2026 would be less bad since it’s a midterm election, but still.
Filming could reasonably start sooner rather than later, and even without an unfinished script
I guess we’re back on content watch for blond hair and BTS pictures
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ciaonicole85 · 2 months
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ESCAPING INTO A SHIP
So what exactly made me latch onto the Sydcarmy ship like a leech on a water buffalo?
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It was unexpected (for me)! Yes, the very first meeting between Syd and Carm did make an impact. I thought "Oooh, what's this?!" However, Carmy was/is such a mess that I quickly dismissed it. And Sydney just seemed to want his professional approval and a partner in making something great after the soul-crushing failure of Sheridan. So, the first season I personally didn't feel a mutual sexual/romantic tension, more like an automatic respect and shared goals/passions. Sydney nor Carm were obviously trying to flirt. Most slow burns on TV are 100% obvious like a Jeanine and Gregory (Abbott Elementary), Nick and Jess (New Girl), Jake and Amy (Brooklyn 99), Jim and Pam (The Office)...Until Braciole Ep. 8 that is.
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S. 1 Episode 8- I won't get into everything but Carmy was desolate. Yes, he became a psycho chef and two people quit in Ep.7. However, he mourned Sydney more than Marcus. She was in his flashback/nightmare (?), then the way he told Tina that she looked like Syd (the poor pup), him texting her before opening the note from Mikey, and finally the most gorgeous locked gaze scene since Pride and Prejudice (2005). The soft lighting, the music, the colors, the mind-reading...magical. I still didn't get it initially. Silly, blind me.
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Mentorship where??? Season 2 Carm and Syd's "mentorship" dynamic is pretty much over. They are true partners and spending more time together. They're dressing alike even when not in uniform, finishing each other's sentences or talking in unison. Sydney is opening up more of herself and Carm is asking to know more. They use the ASL sign for sorry with each other and no one else until ep 10. Then there's that locker scene in ep. 1 or 2, when they almost hang out just cause. However, Carmy misses the moment and there's the return of the kicked pup face. Before being on the ship I was delighted with all of their scenes and was looking forward to the food tour. They just ROCK together on screen.
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Classic Love Triangle- Who's Claire? She's "Claire Bear", the prototypical "cool girl", who is willing to chase an socially awkward, wrong-number-giving man, despite being a pretty ER resident with no shortage of options. Did a CW writer get hired? Anyways, why was her presence used almost exclusively to put strain on Carmy and Sydney's relationship instead of The Bear generally? We could have had scenes with Nat, Richie, and Marcus arguing with Carmy about him being distracted due to Claire. They saved 99% of that for Sydney. They CHOSE to insert her in between or just after scenes with him and Claire. Showing Sydney's tattoos and her getting dressed with the stained chef's coat juxtaposed with them was WILD.
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I LOVE that both believe their interpersonal problems are solely about The Bear/business partnership. In most "slowburns" the characters are far more conscious and actively work to keep things platonic. Jeremy might be a smidge aware that Sydney means more to him after the panic attack, but I bet he's shoved it down. All he knows afterward is that being with Claire feels wrong hence ignoring her call and recommitting to SYDNEY. He could of said "You all/This/The Bear deserve my full focus etc..." He was also nagged into greeting Claire at Friends and Family, seemed anxious when Fak brought her up right before The Table scene, and also while explaining that "she's great" to Sydney. He was at peace when focused on Sydney in the moment below.
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The actors: Jeremy and Ayo's real life friendship is warms my soul and their chemistry onscreen is amazing. DON'T WASTE IT!!!
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Jeremy smolders on screen. I want to see Carmy continue to stare, yearn, fall, then eventually confess and for Sydney to reciprocate his feelings. Anyhoo, does anyone else melt when Carm means business?! They do this twice in season one and it's not good for me. Whew, I need to clean my whole house or run a few miles.
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Finally, there's so many other parallels between these two. They are fearful avoidants, have a missing or dead parent, jacked up stomachs, use sarcasm, but are generally very earnest, they struggle with anxiety, are compassionate, are perfectionists, peace-makers, give people multiple chances, are workaholics...so much more. A lot of that is also ME, lol.
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Sydcarmy is my Roman Empire. I love them as much as you can fictional characters and they deserve the most tender, angsty, triumphant, romantic best-friends to more love story.
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oathkeeperoxas · 4 months
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I watched and ranked every Tom Cruise movie so you don’t have to
Simple premise: 45 movies. One actor. Ranked from worst to best, on a sliding scale of -2 to 6 (scoring will make sense as you read).
Technical score is judged on how well the plot is constructed and how well the characters grow and serve their role in the narrative throughout the movie, as well as how well the narrative is written. Enjoyment score is judged on how much I liked the movie: no stars = didn’t like, 1 star = like, 2 star = really like. Bonus star is awarded at my discretion, for reasons such as costuming, soundtrack, particularly stand out acting, etc. Sexism modifier is a negative if women are treated badly, but can add an extra point if the movie gives women their rights. Overall score at the end determines where they sit in the rankings of this post, with movies having the same score in the order I liked them most.
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Vanilla Sky (2001) – David Aames (Starring)
One sentence summary: A man’s reality begins to warp and he is forced to question what is real, and what isn’t.
Technical: -
Enjoyment: - 
Bonus: -
Sexism: 💥💥
Overall: 💥💥
Review: This is a bad movie. Weird acting throughout. Nonsensical plot. Terrible treatment of the women. Definitely the worst movie Tom Cruise has starred in!
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Tropic Thunder (2008) – Les Grossman (Supporting)
One sentence summary: Five actors who are filming a war movie are dropped into a real war zone completely unaware, and must use their wits to escape back to their movie set.
Technical: ⭐
Enjoyment: -
Bonus: -
Sexism: 💥💥
Overall: 💥
Review: LOTS of choices made in this movie! Very few of them good! Why was RDJ in blackface? Was I supposed to find this entertaining? Was any of this necessary? Doubtful. Jack Black and Jay Baruchel had great comedic presences, and honestly the acting and casting was spot on for what the movie wanted, which is why I gave it one technical star.
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Endless Love (1981) – Billy (Cameo)
One sentence summary: A teenage romance goes wrong when a boyfriend burns down his girlfriend’s house in an attempt to win the approval of her parents.
Technical: ⭐
Enjoyment: -
Bonus: -
Sexism: 💥💥
Overall: 💥
Review: They made movies differently in the 80s, I think. The plot is insane, the main characters unrelatable – or maybe I’m just too long out of high school. In any case, this was Tom Cruise’s debut film, and he did it in booty shorts while advising his friend to pretend to set his girlfriend’s house on fire, leading to him actually setting his girlfriend’s house on fire, and it was the best part of this movie. What a way to start a career.
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The Mummy (2017) – Sgt. Nick Morton (Starring)
One sentence summary: After disrupting a tomb, Nick Morton (Tom Cruise) must defeat The Mummy.
Technical: ⭐
Enjoyment: -
Bonus: -
Sexism: 💥💥
Overall: 💥
Review: Yeah… there’s a reason this movie is a meme. Cruise’s acting feels weak, the plot is verging on nonsensical, and the special effects made me laugh. A rare miss in Cruise’s later years of acting!
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Mission: Impossible 2 (2002) – Ethan Hunt (Starring)
One sentence summary: Ethan Hunt (Tom Cruise) must stop a plague by teaming up with a thief who knows the man who intends to kick off the disaster.
Technical: -
Enjoyment: - 
Movie: ⭐
Sexism: 💥💥
Overall: 💥
Review: One star is discretionarily awarded because it’s set in Sydney and I recognise a lot of the locations they filmed in. Though I have no clue how Luther was getting internet connection on a sheep farm out somewhere in western NSW. Did they have satellite internet in 2002?
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Eyes Wide Shut (1999) – Dr. William Harford (Starring)
One sentence summary: After his wife confesses to fantasising about cheating on him, Dr William Harford (Tom Cruise) toys with the idea of actually cheating on her, and has an insane night out in the process.
Technical: ⭐
Enjoyment: -
Bonus: -
Sexism: 💥💥
Overall: 💥
Review: Well SOMETHING happened in this movie. Hot tip, do not go into this one blind on Saturday movie night with your family in attendance. I think, personally, that Dr Hartford could have just sat down with his wife and asked her if she wanted to get into roleplay instead of doing all that. Also, did we really need to see Nicole Kidman pissing? I just really think that wasn’t necessary.
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Austin Powers in Goldmember (2002) – Himself as Austin Powers (Cameo)
One sentence summary: Austin Powers must stop Dr. Evil from world domination by travelling back in time to 1975.
Technical: -
Enjoyment: - 
Bonus: -
Sexism: 💥
Overall: 💥
Review: This is some blend of satire and crack, and I’m not really enjoying the flavour. Tom Cruise’s cameo is pretty funny, though.
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War of the Worlds (2005) – Ray Ferrier (Starring)
One sentence summary: When aliens land and start destroying Earth, Ray Ferrier (Tom Cruise) must do all he can to keep his family alive.
Technical: -
Enjoyment: -
Bonus: -
Sexism: 💥
Overall: 💥
Review: Well… this exists, I guess. Some of these old sci fi novels should not be made into movies. They were not meant for the big screen. Not even Tom Cruise can save this one.
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All the Right Moves (1983) – Stefen Djordjevic (Starring)
One sentence summary: After a disagreement with a teacher, Stefen (Tom Cruise) thinks that he might never get to college and never leave his hometown.
Technical: ⭐
Enjoyment: -
Bonus: -
Sexism: 💥
Overall: 💥
Review: This sure exists. Very unmemorable, even while I was watching it. Generic in music, plot, character, and romance. Anticlimactic ending too!
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The Color of Money (1986) – Vincent Lauria (Starring)
One sentence summary: Vincent Lauria (Tom Cruise) tries to make money by playing pool, but is too good at it for the betting scheme his mentor attempts to set up in order to get rich.
Technical: ⭐
Enjoyment: -
Bonus: -
Sexism: 💥
Overall: 💥
Review: I will admit I found this movie fairly uninteresting, though I enjoyed Tom Cruise’s wild haircut. Nothing but respect for Vincent’s “Vince” shirt, however.
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Days of Thunder (1990) – Cole Trickle (Starring)
One sentence summary: A street racer is pulled onto the Nascar track, where his attitude gets him into trouble with his team, other drivers, and the woman he’s interested in.
Technical: ⭐
Enjoyment: ⭐
Bonus: -
Sexism: 💥💥
Overall: ⭐ 
Review: Two sexism bangs for Nicole Kidman’s ‘romance’ scenes (girl why did you come back to do more movies with this man). The car racing is pretty cool though. I am partial to a good car race, I must admit.
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Interview with the Vampire (1994) – Lestat de Lioncourt (Supporting)
One sentence summary: A vampire sits down with a reporter to tell the story of his life: one that starts with how he was turned into the vampire, and continues to the present day.
Technical: ⭐
Enjoyment: -
Bonus: -
Sexism: 💥
Overall: ⭐ 
Review: Lots of stuff going on in this movie. However, mostly I agree with the well known review that spawned a thousand memes: “Not gay enough.”
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The Outsiders (1983) – Steve Randle  (Supporting)
One sentence summary: Two friends are caught up in the complicated politics between the “Socs” and “greasers” gangs; when one friend accidentally kills a rival, they go on the run from the police before returning home to face court, their family, and the opposing gang.
Technical: ⭐
Enjoyment: ⭐
Bonus: -
Sexism: 💥
Overall: ⭐ 
Review: Patrick Swayze is kinda carrying this movie honestly. Though Tom Cruise’s denim on denim, wild accent, cake-stuffed-in-face beat ‘em up sure is a performance too. You can tell this is an old movie by how affectionate the boys were allowed to be with each other. Absolutely none of that around nowadays.
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Mission: Impossible (1996) – Ethan Hunt (Starring)
One sentence summary: When his team of Impossible Mission Force agents are killed, Ethan Hunt (Tom Cruise) must track down the person responsible. 
Technical: ⭐
Enjoyment: ⭐
Bonus: ⭐
Sexism: 💥💥
Overall: ⭐ 
Review: While there are many (many, many, many) liberties taken with reality in order for this movie to be made, it is iconic for a reason. That being said, the wild subplot of Ethan’s tutor trying to set Ethan up with his wife sure was something! Bonus points for starting such an iconic franchise and, of course, the spy movie scene of dropping from the ceiling and barely not hitting the floor.
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Magnolia (1999) – Frank T.J. Mackey (Supporting)
One sentence summary: I don’t know how to summarise this movie. Taking suggestions from the audience.
Technical: ⭐⭐
Enjoyment: ⭐
Bonus: -
Sexism: 💥💥
Overall: ⭐
Review: I don’t know how to review this movie. Was NOT expecting the frogs, that came out of left field to be sure. I think Kubrick’s vision passed me over. Anyway, two sexism bangs for having Tom Cruise invent the incel motivational speaker 😭
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Born on the Fourth of July (1989) – Ron Kovic (Starring)
One sentence summary: Ron Kovic (Tom Cruise) signs up to the Army, fights in the war, and deals with the repercussions when he comes home.
Technical: ⭐
Enjoyment: ⭐
Bonus: ⭐
Sexism: 💥
Overall: ⭐⭐ 
Review: This movie suffers from the same problem that all movies which are ‘true stories’ have, which is that life rarely neatly fits into a narrative structure, but it manages fairly well anyway. Bonus points given for the BTS trivia that apparently Cruise asked to be injected with some drug that would temporarily paralyse him so he could experience what it was like to improve his acting??? Cruise’s insurance company wisely refused to let him do this.
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Minority Report (2002) – John Anderton (Starring)
One sentence summary: In a future where murderers are arrested before they commit their crime, Chief John Anderton (Tom Cruise) is predicted to kill a man he’s never met – and must escape his own police force in order to prove his innocence.
Technical: ⭐
Enjoyment: ⭐
Bonus: ⭐
Sexism: 💥
Overall: ⭐⭐ 
Review: I had to watch this about 10 times in high school so I was hesitant to come back to it now, but it’s an okay watch when I’m not discussing its contribution to dystopian literature.
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Mission: Impossible – Dead Reckoning Part One (2023) – Ethan Hunt (Starring)
One sentence summary: On the hunt for the two parts of a key which will allow him to control a new AI threat, Ethan Hunt (Tom Cruise) must sacrifice in order to save the world.
Technical: -
Enjoyment: ⭐
Bonus: -
Sexism: ⭐
Overall: ⭐⭐
Review: Media very rarely gets plots around AI right, and this one unfortunately misses the mark. It asks no new or interesting questions about how AI is being used or will be used in our modern world, and seems to take a detour from previous Mission Impossible films in terms of tone and consistency of plot. However, Haley Atwell slaps absolute ass, and there are genuinely funny and enjoyable scenes scattered at random throughout the movie, so it definitely could be worse.
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Legend (1985) – Jack (Starring)
One sentence summary: After a princess plunges her kingdom into endless winter, she must reverse the curse to save the land.
Technical: ⭐
Enjoyment: -
Bonus: -
Sexism: ⭐
Overall: ⭐⭐
Review: A win for diversity! The princess almost ends the world, and also is allowed to save it! Special effects were pretty decent for the mid-80s, even if the plot was a bit basic. Seeing Tom Cruise go all Tarzan and also have a sword was very good, however.
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Oblivion (2013) – Jack Harper (Starring)
One sentence summary: Jack Harper’s (Tom Cruise) mission in life is to protect the last of humanity – or so he thinks.
Technical: ⭐
Enjoyment: ⭐
Bonus: -
Sexism: -
Overall: ⭐⭐
Review: Morgan Freeman steals the show here. I enjoyed the plot twist both at the middle and the end of the movie, and the ending scene wrapped everything up emotionally. 
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American Made (2017) – Barry Seal (Starring)
One sentence summary: Barry Seal (Tom Cruise) works triple time for big money while dodging the law, taking aerial photos for the CIA, smuggling cocaine into the USA for the Medellín Cartel, and delivering guns to the Nicaraguan Contras based in Honduras.
Technical: ⭐
Enjoyment: ⭐
Bonus: ⭐
Sexism: 💥
Overall: ⭐⭐ 
Review: A movie that’s “based on a true story” and which does it right. The informational sections were balanced neatly with the character development and exploration of what this amount of money might do to a family. 
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Rock of Ages (2012) – Stacee Jaxx (Supporting)
One sentence summary: Two burgeoning singers meet at a rock bar, which needs to put on a hell of a show in order to avoid closing down.
Technical: ⭐
Enjoyment: ⭐
Bonus: ⭐
Sexism: 💥
Overall:  ⭐⭐
Review: Extra points for the killer soundtrack. Otherwise, this movie is fairly unmemorable. Tom Cruise’s hairstyle sure was a choice though!
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Taps (1983) – Capt. David Shawn (Supporting)
One sentence summary: When the students of a military boarding school hear that their school is to be shut down, they stage a protest that rapidly spirals out of hand.
Technical: ⭐
Enjoyment: ⭐
Bonus: ⭐
Sexism: 💥
Overall: ⭐⭐ 
Review: It’s hard to have sexism in a movie where there are literally no women, so this one is getting a default 💥. Other than the fact that women don’t exist, this was a pretty good movie, with the extra star granted for the depth of character portrayed, Tom Cruise’s buzzcut, and the acting of all the younger kids on set. 
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Rain Man (1988) – Charlie Babbitt (Starring)
One sentence summary: After his father dies, Charlie Babbitt (Tom Cruise) discovers he has a brother after he inherits everything in his father’s will. 
Technical: ⭐
Enjoyment: ⭐
Bonus: ⭐
Sexism: 💥
Overall: ⭐⭐ 
Review: I really liked how this movie showed that despite how money-hungry Charlie Babbitt originally appears, he goes through an entire journey where he realises how important family is – no matter what form that takes. To see a main male character reflect and regret on his poor relationship with his father and also express the ups and downs of other emotions throughout this movie is refreshing, and Tom Cruise does an excellent job at portraying the journey taken. While it’s obvious he prefers action movies, I actually think Cruise’s true strength is in the dramas he does.
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Top Gun (1986) – Lt. Pete "Maverick" Mitchell (Starring)
One sentence summary: Pete Mitchell (Tom Cruise) attempts to prove that he’s the best Naval Aviator by winning the Top Gun trophy, and also by winning the heart of his teacher too.
Technical: ⭐
Enjoyment: ⭐⭐
Bonus: ⭐
Sexism: 💥💥
Overall: ⭐⭐
Review: Wow. There’s a LOT going on here. It’s impossible to discuss Top Gun without mentioning the blistering sexism that pervades this movie, but since it’s about the Navy in the 80s, no one should be surprised it’s there. However, it also manages to be one of the gayest movies of the decade. Contains multitudes! Bonus points for Val Kilmer’s amazing performance and the insane homoerotic tension that is as inextricable from this movie as the sexism is.
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Valkyrie (2008) – Colonel Claus von Stauffenberg (Starring)
One sentence summary: Before D-Day, a plot to kill Hilter from within the German government unfolds.
Technical: ⭐⭐
Enjoyment: ⭐
Bonus: ⭐
Sexism: 💥
Overall: ⭐⭐⭐
Review: Full of tension and drama, this is a ‘based on a true story’ movie that’s done right (probably because liberties were no doubt taken). A different type of WWII movie, I definitely liked this one. Bonus star for the set and costuming, which were truly excellent.
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Lions for Lambs (2007) – Senator Jasper Irving (Supporting)
One sentence summary: Over 90 minutes in real time, 2 marines defend a position in Afghanistan, a Senator is interviewed on a new military strategy, and a college student decides if he’s going to commit to his classes or not.
Technical: ⭐
Enjoyment: ⭐
Bonus: ⭐
Sexism: -
Overall: ⭐⭐⭐
Review: I’m not American, and it’s not 2007 anymore, but this still hit really hard. Excellent use of the real time narrative to drive the story home deliver the message to the audience.
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Cocktail (1988) – Brian Flanagan (Starring)
One sentence summary: While attending university, Brian Flanagan finds work as a bartender to pay the bills before he finds the way he’s going to get rich – and finds friendship and love along the way.
Technical: ⭐
Enjoyment: ⭐
Bonus: ⭐
Sexism: -
Overall: ⭐⭐⭐
Review: This soundtrack slaps, it’s a cute romcom, and there are cool bartending tricks scattered throughout. It also deals with some more serious topics, but these add to the depth of character and the main relationship to bring extra flavour to the movie.
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Losin' It (1983) – Woody (Starring)
One sentence summary: Four friends travel to Mexico in order to party hard and lose their virginity.
Technical: ⭐
Enjoyment: ⭐⭐
Bonus: -
Sexism: -
Overall: ⭐⭐⭐
Review: The second half of the movie is far better than the first, with a spiralling series of events that had me laughing at every new development. Tom Cruise playing the straight laced kid was a genius decision, and I can see why he repeated this type of role a few times in future movies. 
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Far and Away (1992) – Joseph Donelly (Starring)
One sentence summary: Irishman Joseph Donelly (Tom Cruise) joins forces with Shannon Christie (Nicole Kidman) to cross the sea to America, where they aspire to travel to Oklahoma in order to start a new life, where land is being given away for free.
Technical: ⭐
Enjoyment: ⭐
Bonus: ⭐
Sexism: ⭐
Overall: ⭐⭐⭐⭐
Review: Very much the best of the movies that Nicole Kidman and Tom Cruise collaborated on, I did enjoy this one from start to finish. The costumes are great, but the bonus points go to how bloody and beat up Tom Cruise consistently is in this movie. Yes, go and get back into that fighting ring again. It’s good for my health.
(continued in the next reblog because tumblr will only let me add 30 images per post)
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rocketturtle4 · 8 months
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Only Friends, Shipping Culture, Cross-Generational Differences, Themes and Endgame
Strap in, folks. This is a long one.
What finally pushed me to make this post was a very interesting discourse between @lurkingshan, @waitmyturtles, and @twig-tea here around the way this show has subverted norms to a lesser extent than first hoped and how the fans themselves, and the creator’s interactions with these fans, have impacted the creation and completion of the show, as well as the way themes built through the series may now feel less clear after the latest episode.
I wanted to offer my understanding and perspective because it differs somewhat, but it is also very much informed by this post and the larger Tumblr discourse around Only Friends and shipping culture that this show has sparked. I will note, for the record, that I have been much busier since about episode 5 of OF than I had been for the first episodes (or than I was for BMF), so I have missed a lot more of the fascinating discourse that this show has sparked than I would wish.
Let’s do this.
Shipping Culture
I had never heard of this before joining Tumblr this year (in May) despite watching 50 BLs before that, due to being completely disengaged from the actors as individuals prior to joining Tumblr, and while Tumblr has opened my eyes to how much fanservice is part of these people’s lives and jobs and the problems surrounding that phenomenon. I remain largely disengaged from the actors personally. I do not have Twitter, Tik Tok or Instagram, I rarely watch BTS and even my revelation that First is the most beautiful man ever to exist (and I say that as a person who is both aro and ace) has only got me to watch one First & Khao Armshare interview (The Eclipse one). I have also never purchased merch or event tickets so I am in fact, not a good fan in terms of profit making or engagement.
I do, however, love the shows an awful lot and may engage with BTS more once I have fewer things to watch…
All this to say is that my firsthand knowledge of such things is limited at best, but I am still here to say:
I think Only Friends is doing excellent things here, even if all the ‘couples’ end up together.
Is it burning them to the ground like so many hoped? No, but I have watched 47 Thai BLs at this stage and not many of them explored relationships beyond the pairs in any way, shape or form, and OF HAS DONE THAT.
Of our main six characters, NONE of them have only kissed their “other half.” They’ve literally all at least made out with one other person from the core six, and thus far Mew, Boston and Nick have ALSO kissed other people.
This is, in my humble opinion, A PRETTY BIG DEAL.
I am currently watching Not Me (for the first time, haven’t finished, no spoilers please), and I have been informed somewhat reliably that the original novel included a Gram/Black plotline that was cut/altered (to Gram/Eugene/Black love triangle), and I posit that was due in part because they couldn’t have Gun even KISSING Mond even if he was also kissing Off. Black and White would have been a great way to shift things even a little by having the branded pair be together while ALSO having half the brand with someone else at the SAME TIME. Can you imagine??
And yet as recently as 2021 that didn’t happen.
Sometimes change takes time and patience and I think OF is doing really good work, even if it doesn’t go as far as we might wish.
EVEN IF all our branded pairs end up together unsubverted (which is not what I am hoping for but EVEN IF), this show will have still begun paving the way for more varied storylines and pairings in shows
The Clash of Generational Lenses
Speaking of the end game, lets talk about a little thing called hope.
I had a very interesting discourse back around, hmmm episode 6, with @shouldiusemyname and @plantsarepeopletoo , about the sheer confusion I felt about Tumblr’s idea that every one of these characters should end up apart simply because they’d done bad things or something? (this is extremely generalized. I was missing a lot of nuance from both Tumblr and my own lens hence the unpacking then and now).
Now I went into this show fully prepared for this to end sadly and I largely viewed this expectation of  sad as everyone ending up broken up and alone. I don’t normally watch sad by choice, but I was willing to try this one because Jojo’s stories are SO beautifully compelling that I knew it would be worth the journey. I have watched Love of Siam (not Jojo but sad) and Gay Okay Bangkok (complicated), two very different shows reflective of their times and their creators and from the beginning, Only Friends did not feel like those (although the links to Gay Okay Bangkok and the exploration of real queer relationships has been fascinating and I am very glad I watched that one before OF).
So why was there this, almost prescribed hopelessness, being projected onto these very young characters who were just in the process of finding themselves? Why were these young people’s flaws and choices so linked to the idea that they would end up alone?
Now @shouldiusemyname told me the following (in the context of a much wider discourse):
Ahhh I like this cos this is something I take very much for granted and I think it’s a generational gap thing. This is a reaction to the way we were brought up (again generalizing cos sometimes it’s necessary). There was no alternative to monogamy and being queer meant that you can’t have that for 2 reasons: 1.    Law doesn’t allow 2.    Socially unacceptable cos being gay was seen as what kind of sex you were having as opposed to relationships. If you don’t have the gay sex, you’re not gay. This is also the reason for being anti het norm. We couldn’t have that so we needed to find the alternative and have ALL of it.
We were both generalizing A LOT, but this idea was MIND BLOWING to me at the time.
(For the record I am born late 1990s, Shouldiusemyname is born early 1980s (and Plantsarepeopletoo is born late 80s so we have variety covered lol!))
Because while, (as @waitmyturtles for example has pointed out on multiple occasions) the imposition of purity culture and monogamy on queer culture (and in general) is wrong, the idea that no queer people are desiring commitment or monogamy is also wrong. (I am not here suggesting that even in an ideal world where queer people TRULY HAD equal rights they would magically all want monogamous long-term relationships because that’s just not true. In addition hets regularly oppose the het norm as well, long-term monogamous relationships are unwanted by many of them).
I come from a strong biological background (which unequivocally supports more than two sexes and more than two genders, do not come back here and make this about that, got it!) and am currently doing a PhD in Palaeontology so a lot of my relationship understanding is informed by a wider understanding of breeding, monogamy and nonmonogamy in reproduction across the animal and plant kingdoms just by exposure (and yes reproduction in the plant kingdom is very much included, some plants have both male and female parts, it’s fascinating!). And monogamy is present in a hugely wide range of species, it’s not soley something humans came up with just because of religious norms. Addtionally, there is the development of consistent monogamous and/or committed polygamous relationships (historically, most commonly men with multiple wives) across a huge number of cultures throughout history largely for the fostering of children. Most of this influence has been more irrelevant for the queer community because of their inability to produce children in monogamous pairs*, and children are a huge sticking point for the NEED for long-term stable relationships. So, without this sticking point (combined with the aforementioned factors around law and discrimination), relationships are viewed as less permanent. Thus, I had to unpack my own casual assumptions that relationships normally have a long-term goal. (*Generalizing hugely, obviously there are lots of variations that can produce biological children without assistance, but these points most strongly apply to same-sex relationships)
For example, I find the way this plays out in a show like What Did You Eat Yesterday particularly fascinating, and have realized since starting Season 2 that I had missed a lot of this subtext in the first season because, to me, the idea that the central couple would stay and grow old together was a given. PARTLY because of monogamous cultural lenses, but ALSO because they loved each other and wanted to be together, so why wouldn’t they assume they would stay and grow old together?
I also realized that I am further sheltered in this mindset by not just my age but by the acceptance of my wider family of non-marriage as a concept (or even just not having to have children) as normal and okay. My Grandfather (in his 80s) is one of 10 children and has multiple siblings (my great uncles/aunts) who 1 never married or 2 married but chose never to have children. While I am not going to pretend that my uncles/aunts were never judged for such things, that judgment was NEVER part of my upbringing and we visited my single and/or childless great-uncles just as often as those with children.
I seem to have gotten sidetracked…What is the wider point I am making here?
Ah yes
Only Friends is so interesting because it’s shot like it’s set in the 80s & 90s, before the turn of the millennia, with so much homage paid to the queer stories and reality that the youth of this time grew up with. But the generational change that the last two decades or so have brought is inarguably huge, and so these characters, all born after the turn of the century, are not truly from the world that, in some ways, it looks like they’ve been placed into. @wen-kexing-apologist did an extremely comprehensive post about gay cruising culture and Boston that was extremely relevant to his character and the story being told, but it also was a specific throwback to something that is different in the 2020s. Not because people like Boston don’t exist, but because the turn of the century brought with it so many things that make this exact thing more complicated.
And OF has been showing us why! Surveillance, SO MUCH surveillance, every character has been recorded or recorded other characters or shared recordings of other characters, sometimes all of the above, and this surveillance does have a deep impact on the relationships today’s young people engage in! Not just the queer community but all young people of today are under near constant scrutiny and surveillance, and the young people born in the last couple decades have grown up like this, queer or not.
One last thing to mention here is the specific, observable, phenomenon that has been going on in Thailand, it is clear when you look at media like Love of Siam (2008) and compare it to ITSAY (2020) (which I haven’t even seen yet gah but I still know this is a great example). The phenomenon of BL, for all its flaws, has wrought change in the psyche and culture of the people of Thailand, ESPECIALLY the young people, and this is absolutely informing our six main characters views on relationships because they would have gone through high school with this as a major part of their culture.
Themes and Endgame: I Think Hope is the Point
All this draws me back into how I think OF will end, because it’s been at the heart of the show throughout, and that is hopefully, Only Friends will end hopefully.
Jojo has (I believe) stated outright that his primary goal for this show was to represent his community in truth, the messy non-het non-monogamy of queer youths in their 20s has been playing out across our screens, but the thing that has been keeping my attention riveted on Only Friends is the heart of it all.
The journeys of growth and discovery on this show have been magnificent. @thegalwhorants has been pointing out the intentional parallels of language this show has been using to highlight some of that growth, and that is just one very interesting fraction of the way this show has used words, music (@plantsarepeopletoo), colours, styles and more to represent the transformation characters are going through as they grow into themselves before our eyes.
A few very brief examples:
Mew’s switch to wearing Ray’s wardrobe when he is trying not to care but cares so much about Top.
Ray’s changed wardrobe to match the style Sand picked out for him even as he tried to choose Mew and couldn’t, because he’s already moved on, even when he couldn’t accept it.
Nick’s whole makeover to catch Boston’s attention later even catching Dan’s attention and the way that in that scene with Boston outside in ep10, Nick had returned to his shorts and t-shirt because he finally felt seen the way he sees Boston.
One’s sense of self is often built in part, around their relationships (family, friends, sexual and romantic), ESPECIALLY in collectivist cultures, and so much of our 20s involves growing and learning who you are through these relationships. I have seen arguing about toxic friendship groups and how they all need to just let each other go, and maybe that is the best endgame, I don’t know. Sometimes, growing together can be so much stronger, and sometimes, growing apart is the only way to move forward.
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But these last two eps in particular (but honestly every moment of this show) have left me with the feeling that hope is the point. Because things HAVE changed, the world is moving and the things possible in 2023 are often utterly unthinkable to the youth of the 1980s, 1990s and before. The world is growing, acceptance and love have always been there but, surveillance or no, it’s so much easier to find now.
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To be queer is no longer to be isolated, not in the way it once was, it is not a sentence of aloneness. Nor a stamp of irrevocable pain. Are things good now? HECK NO, you look at any statistic: homelessness, mental health, suicide rate, poverty; Being queer makes your life harder.
No matter how hard you try things might get worse and while that’s true for all people, queerness compounds that and often makes the consequences of your choices harder through isolation.
But the isolation is less now and I think OF wants to show that
You may do many things and sometimes these things will hurt no matter how careful you are, Not caring isn’t the point, Not feeling isn’t the point, God every character on this show feels so MUCH
This episode had moments of complete heartbreak
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Complete regret
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And complete Joy
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And there is much more still to come
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So when I think about endgame, I think about hope, and the lessening of isolation for all, and this does not mean 3 perfectly happy couples in perfect monogamous relationships wrapped up with a neat little bow, It means six individuals who have learned and grown through friendship and love, this may mean healed relationships, it may not, this may mean healed friendships, it may not. (It may mean Top, Mew and Boeing in a throuple but maybe I’m the only one hoping for that lol). We’ve clearly got more drama and pain to come but I am confident now that things will end with hope.
I do not know how Jojo and co will show that, but I trust them, and I can’t wait to find out.
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youtube
OKAY OKAY SO THE TRAILER’s DROPPED AND WHILE IM SO BEYOND PSYCHED TO SEE EVERYONE I HAVE SOME OBSERVATIONS. (With pictures). Apologies for the long post lol
First off:
Powers confirmed coming back for everyone!
Five is teleporting, Viktor’s powered up, Ben’s got the horror, Luther has his muscles again
Speaking of Luther, he seems to be all over the place. In some shots he has his muscles, in some he doesn’t, in one shot he’s donning spacegear, another he’s in a ballpit, and they even make him sit in the back of the van for old time’s sake
No Sloane tho?? No sparrows at all as far as I can tell :| idk how to feel about that
Another little detail I noticed was when they all pile in the van together, Lila calls shotgun and is promptly shoved aside by Five out of sheer pettiness. And then she has to sit in the middle
They seem to have a bonding moment in the subway with Lila sobbing as Five holds onto her, which I’m very curious about (and scared)
Diego’s shown at a birthday party taking care of a little girl!! With braids! Possibly their daughter? Talk of a rescue mission makes me think their daughter might be kidnapped
Allison shown with a kid also has me thinking Claire returns which makes me so happy
Allison also doesn’t seem to be shot in a villainous or shunned light, so it looks like this season isn’t intent on bashing her (yet. As far as I can see, which honestly thank goodness…)
The dark circles under Ben’s eyes worry me, almost as much as the shot of him in prison(?) and him seemingly being out of sync with the others. Is this Sparrow Ben perhaps? Does it have anything to do with the possibility of there being another Ben? (Maybe he’s accused of identity theft?)
There’s also Another Tentacle in the promo image shared yesterday which I noticed. Maybe a second horror?
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I thought maybe it had something to do with Jennifer since there’s been an actor hired for a character with that name, but now I wonder with the two Bens situation…
Reginald might have his Umbrella academy in the woods again? aligning with the comics. Unless this is someone else’s house. But the windows and white brick match.
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Really curious how the academy has been rebranded in this universe to be a house for boys. Six, specifically. Seeing as how Allison is the only umbrella-born girl, it’s interesting to see how this universe has shifted to accommodate them all
Viktor might be a bartender?? The area looked familiar but it could just be my eyes. But apart from his Direct Interview with Reginald, (oooh scary) he seems to get in a physical fight with someone. Which is a new approach for him as a characater
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Forgive my shitty captures but if it’s not Luther, diego, klaus or five I’m guessing it must be Ben?? But it’s hard to say, but he sure is going at it tho
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Who are the square dancers??? My heart wants it to be jayme and Alphonso but the people here look older to me, so it could be Nick Offerman and Megan Mullalley.
Actually upon inspection the fuzzy square dancer has a matching beard pattern to Nick offerman Exactly. So that’s absolutely him.
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Klaus really seems to be struggling again, and has those plastic gloves in almost every shot I see. Him dressing dark and drab also says something about his state of mind as well as the panic attack he seems to have :( but at least they’re all back together 🥲
Looks like they also seem to celebrate Christmas together? And a birthday. Honestly I’m just so happy to see them together for events like this I love these dysfunctional dorks so much
There’s so many more things I’m sure I missed and I’ll be rewatching this a few more times until the season drops (three months!!) but in the wise words of Diego: Let’s Fucking GOOOOOOOO I’m so excited for this. HELL YEAH, THE UMBRELLAS BACK TOGETHER AGAIN BAYBEEE
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meraki-yao · 4 months
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I also have something to add to this anon's ask https://www.tumblr.com/meraki-yao/743384157947920384/i-want-to-hear-your-opinion-on-this-please-if?source=share (your answer is perfect as always, so if I overstep, I'm sorry if I'm not organising my thoughts clearly here)
While I'm not in the fandom, I'm still a fan, which means I follow some people to keep up, and I'm interested in what Nick and Taylor will do next.
The thing here is that there's a group within Twitter fandom that's demanding more from Nicholas. And while they're aware of his need to promote two more projects, him signing books in LA and Milan when possible, leaving Taylor on his TikTok following list*, it's not enough.
Personally, most of these stans are being dramatic because they're not getting more. So, instead of being rational, they start to “joke around” (I'll come back to this later)** by saying Nick doesn't care, he moved on, he doesn't want to be part of a sequel, Taylor and him are not friends, and they bring up his personal life and socmed activity.
A part of me wants to think these people are very young and incredibly online, so they base everything around it, ignoring real-life interactions during their outbursts. Another part of me thinks they're shippers, which eventually ends up being problematic because they see their interactions through that lens. If they don't interact, they hate each other, they are just co-workers, or something happened between them. If they interact, they're besties, they love each other, or they are something else. Like, on socmed, there's no winning for them. It's intense. You cannot see all of that, read some nasty comments, and then say, “I miss when Nick was more active here.” Like, it's obvious why he doesn't want to be active.
I sent you an ask weeks ago about parasocial relationships, and I think these things go along those lines: Most of these people think they know them, they understand their reasoning, and while we do have snippets of their personalities, we don't know them. We're not their friends, and we cannot justify bullying and nasty comments as “it's just a joke, people take things too seriously” because you think it's nice to destroy someone else's work just because you don't get your Instagram likes.
I even read “Nicholas owes us more pictures and content. It's the least he can do.” And he did, for a few days. But he's an actor — he'll have more gigs and eventually RWRB will be another project dear to him. And so for Taylor. And Taylor is signing all these books and going to these events because can go, and most importantly, it was his first leading role. He's extremely proud of the project and of him as an actor. And he'll also move on eventually.
What's more annoying is that we're all aware of a sequel project, and just because Nick is not talking about it any more, they go, “He won't do it because he hates it/now he's too big,” not noticing that they're also implying that Taylor is “less important,” which he isn't. Matthew already said that if Taylor and/or Nick aren't on board, there won't be a sequel, but hardcore fans decide to ignore that part. Nick has never been part of a project this big that actually can have a decent sequel, so there's a big chance of him being part of it. He does care.
I think some people are just very dramatic, and they're not responsible about what they write. So, based on that, it's best to curate your experience as much as possible and recognize problematic accounts/takes on people immediately. Otherwise, it won't be enjoyable.
*I think Nick has been doing some cleaning (I think it's common for him, said by people who have followed him for a while) and he's working on more projects with awarded actors. I think that Taylor has become a good friend of his within the industry, which is good. They've also said Nick's socmed activity is very random and to not be taken seriously because he does a lot of random stuff, but then again, people ignore that.
**Usually these replies come when people start to point out that their comments are wrong, cross boundaries, etc. It's like a way to deflect. But you can tell that it's not really a joke if it's repetitive, which is what's happening right now.
I truthfully don't have much to add. Your points are absolutely spot on, and you organized it very clearly. Thank you for this.
I think I'll just one thing, I was talking to @pippin-katz about this whole rivalry issue, and they said the problem is these people want certain things from the boys, and when they don't get it, they become these violent, malicious comments.
We as fans are not in a position to dictate how they should live their lives. Frankly we're not in any position to dictate people how to live their lives, no one but our own. People need to realize this.
Again, thank you so much for your addition.
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bigswitchenergyy · 10 months
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RWRB movie thoughts (SPOILER HEAVY!)
So, I watched it. Twice. And I haven't been able to stop thinking about it since.
First off, non-spoilers - I loved this movie. I loved the energy, I loved the humor, I loved the chemistry between all of the actors. Taylor and Nick in particular had phenomenal chemistry and I can't stop thinking about them and firstprince and how beautiful it all was. I miss the boys already. 😭 SPOILERS!!
I'm gonna get the (incredibly minor) gripes out of the way.
We got cornbread!! But we didn't get "cornbread knows my sins" which I was a little bummed about. But the beauty of the scene as a whole absolutely made up for it.
The lack of the emotional kiss after the fight really bugged me, because to me, that kiss is the breaking point for them both. That's the "gonna love this stubborn shithead forever" moment, and it's all of the tension and pain and heartbreak poured out into a desperate, hungry, incredibly passionate kiss. going right from "tell me to leave" to the V&A felt a little like mood whiplash, but the V&A scene is so good I can get past it pretty easily
I wish we could have had more of their emails, the phone call where Henry begins to open up about his family, and more pet names. Especially more baby, considering how much that one word affects Henry in the book.
I know why Matthew did it but fuck Miguel, I miss Rafael and Liam
WE NEEDED MORE PEZ, NORA, AND BEA
Now, for my favorite quotes/moments!!
"I'd break the sound barrier for you." when i tell you i fucking screamed into a pillow and sobbed
HISTORY HUH BEING SAID AT THE V&A, I LOVED IT SO MUCH, I SQUEALED AUDIBLY
THE CAKE SCENE, 10/10
Zahra and Amy are the absolute fucking best and were truly able to shine in a way I didn't expect, I'm so glad we got so many great scenes
"I will brexit your head from your body" I know it was in the trailer but it's SO FUCKING FUNNY
The texting scenes were done so well?? I loved hearing their voices saying the lines and I loved the way they portrayed the long distance conversations. The turkey scene in particular is fucking cinema
THE MOTHERFUCKING RED ROOM SCENE. NEED I SAY MORE.
THE SCENE RIGHT AFTER?? AND THEN THE ONE IN ALEX'S ROOM?? I'M FUCKING WEAK, MAN. THEIR CHEMISTRY IS OFF THE CHARTS
The closet scene was SO good. Watching Alex's entire perception of the man change in a matter of minutes is so well done, and Henry realizing that Alex's feelings about it all were completely valid & apologizing is so 10/10
jesus fuck, PARIS. OH MY GOD. The cafe scene, the one where they're taking a walk, and then their first time having sex. It's so beautiful and emotional and i just... I was breathless watching it. It's steamy but it's just beautiful and loving and the way alex and henry are just so enamored with each other absolutely destroyed me.
"You don't know what that's like." "I'm learning." SOBBING
the entire new year's eve sequence was wonderful. Henry's so happy when he's with Alex and Alex is just so happy he's there, and then that fucking SHOT?? The way they're just staring at each other across the crowded room?? C I N E M A
The first kiss was STRAIGHT OUT OF THE BOOK and it was MAGICAL
Nora is a queen and deserved more screentime but I LOVE her scenes with Alex. I think having her not be his ex in this version is a nice change too
And, of course, the motherfucking STORMING OF KENSINGTON. The boys acted their asses off and Nick in particular broke my heart so many times over
The leak. The leaaaaak. fuck.
"Hello?" "Baby." "Alex??" when i tell you i cried so hard
the piano scene 10/10
THE SCENE WHERE THEY COME OUT TO THE CROWD. THE ENTIRE END TBH
CASEYYY!!!!!!
So, yeah. I loved this movie. I'm gonna be thinking about it for a long time, and I sincerely hope Matthew releases the extended cut & all of the deleted scenes and bloopers, because we NEED THEM.
I also hope that Matthew, Casey, Nick, and Taylor know how much we love this film and book. How thankful we are that these beautiful characters were not only written, but then able to come to life. I will forever be thankful for Alex Claremont-Diaz and Henry Fox-Mountchristen-Windsor (yes, i'm using his book last name LMAO) and for their beautiful love.
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morsesnotes · 5 months
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Another neat little bit from Shaun's PBS interview for S6 and Apollo:
JACE LACOB: Looking at “Apollo” as both a director and an actor, do you have a favorite scene that stands out to you?
SHAUN EVANS: Yeah, I do, there’s a few things that I love, actually. Are you supposed to say that about your own work? Yeah, well whatever anyways, I do. I love this montage sequence in the middle. Because I’m an actor, as well—and I always try to do this, in all of the work that I do or have done up to this point, as much as you can—is to nick, or steal, little private moments with the character, so you get to see them when no one else is there, and you get an insight, a little chink, into how they’re feeling about something. I always try and achieve that, even if you’re in the middle of a scene, there’s many many ways of doing it. What I like about this is, I love the scene where Thursday comes in, his wife is listening to some music, so we get the sense that she perhaps is having a romantic involvement with someone else, he just looks up the stairs—he’s on his own in a room—he looks at the stairs, the music is playing in the background, and we read on his face that he is devastated about this.
Then, we have Mrs. Wingqvist meditating. Because this speaks to this idea of going to the moon—to me, in a way, kind of a pointless road trip to find meaning, and these people going to the Single Way Institute, or meditating, or being part of a swingers party, going within to find meaning. So we have this girl—I really liked this—where she’s meditating, she’s trying to find some degree of peace. But you can see on her face that there’s something troubling, and at the end she opens her eyes and then we cut to the brother and sister, who are all lost in their own thoughts as well. We’re nicking private moments with them. It’s so incredible, I think, to be afforded the luxury of that over 90 minutes. If you have to squeeze something into, like, a TV hour, you don’t have the time for that, whereas one of the things that I particularly love about this show, I feel very fortunate about, is that you have the time to let things breathe, to not say everything that needs to be said, but actually to visually tell a story, rather than hitting it over the head. So I love that section of it. There’s like two seconds that I think are hilarious, where Strange is talking to them, the brother and sister are sitting there, and she says, “I took Miss Susann to bed” and he goes, “Oh, I see. Where can we find Miss Susann?” and he misinterprets that it’s a book. She’s an author. I love that moment. There’s a few lighter, funnier moments I really like as well.
[Shaun slightly misremembered the Strange scene. Strange misinterprets Miss Susann as being a person the sister took to bed rather than an author she's reading. 😄]
Shaun Evans on Directing “Apollo”
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omegansamurai · 3 months
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I hate that these YouTube videos complain and moan about how the Netflix live-action Avatar: The Last Airbender was a 'failure'...I mean, if that was the case, then why had it been renewed for not one, but TWO seasons, huh?
And like...I doubt the Avatar Studios stuff is gonna be anything groundbreaking. I don't even think Avatar Studios' content will be any good. Really, it's like, why is this even a thing? Just leave the franchise alone, Bryke, and just let people who can write and make your story a lot more enjoyable (Netflix's Avatar).
It just reeks of desperation and Bryke trying to be relevant. Avatar is not the next Star Wars, I'm sorry. It's a Nick cartoon that should've been an epic four-season (maybe five seasons, who knows?) show, but it shrunk to three, to make a failed shitty trilogy movie that the first movie bombed at the box office, thanks to the creators 'SUPER WISE' decision of canceling the fourth season because they want that trilogy movie series, and honestly? That itself was a bad idea. Bryke tries too hard to make their product the next Star Wars(which I think they're fans of, which says a lot), and it painfully shows. They try too hard. REALLY hard.
Like with Legend of Korra, they try to be super edgy with their 'story' and 'characters', but they just miss the mark on what made ATLA great. I mean, they don't even care about how the bending looks anymore in Korra. Really, there's a reason why they put the final season online, and it was just a bad show. Don't deny it, everyone. I'm certain it would've been good...but it was executed poorly and made not only a mockery of the characters in that show but the OG characters of ATLA(especially Katara). Well, maybe Zuko is the only one who's doing alright...but that just reeks of sexism doesn't it? Toph is all alone in the Swamp, and Katara is...not who she is...always sad about Aang's death...like get it together girl, you're mother-effin KATARA. Get with it!
And another thing, what more is there to tell? What is the next series even going to be? The Avatars are cut off after Korra, right? So...what now? And if you put the setting in some lame-ass futuristic steampunk or cyberpunk world and have bending in it, then...well, that's not really Avatar, is it? It's just its own thing at this point. And really, I don't want any new characters...I never wanted Korra's characters either if the writing they have for them was that bad.
I just think this whole Avatar Studios is just...again, desperation. Like why not reboot it or just...tell the same story, but with a different setting?
Sorry, lost track.
What I'm trying to say is, is that people act like the Netflix live-action of Avatar: The Last Airbender supposedly 'failed', which isn't the case. Y'all are just butthurt about how your 'perfect show' got 'tainted' by big corporations, and honestly, that's far from it. The people behind this live-action were very committed, and the actors were very respectful of their roles. The BTS looked like everyone was having a good time. And here you have idiots going on about how the live-action sucks because...what, Aang talks too much? No sexism from Sokka? Katara didn't act all rage-filled or whatever? I can get the criticisms, but still, I enjoyed it. I liked it. I want to see more.
It's just that this stupid fandom likes to put down the live-action because the cartoon is supposed to be this or that and it doesn't have this...when honestly, it's its own thing, but it's still Avatar! Let it be its own thing! You got the cartoon, now look at this NEW Avatar: The Last Airbender by Netflix! Look at the way they portray the characters, look at the direction they're going, look how they world-build, just look at it! It's almost like fanfiction, and really, isn't that what Avatar is? Fanfiction? It may be a cartoon show, but it's still fiction. They're not real people. We can do whatever we want with them. We're just borrowing their characters, story, and world.
This whole thing is an adaptation. So it's not your cartoon...but it's still Avatar.
I know I'm just rambling at this point, but I'm just kind of tired of seeing thumbnails on YouTube of people bringing down the live-action Avatar. I genuinely enjoyed it, and yes, while it may have some things to work on, the people behind the show will listen to their criticisms and work on that. But again, I still liked it.
Just know one thing...Bryke would've made the live-action of Avatar a whole lot worse if they were in control. I really do believe that. And as for Avatar Studios...I give it a year before it goes bankrupt. I know that's a little harsh, but I just know that the animated Avatar movie is going to be disappointing. ^^;
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lettingtimepass · 1 year
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I WAS AT THE NERDY PRUDES SHOW WHERE THEY LOST POWER!!!
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Here is my spoiler-free recounting!
After over a decade of being a Starkid fan, I traveled 3,000 miles to see Nerdy Prudes!! (The date just happened to align with a trip I was planning.) It was so surreal being in the theater! I saw Producer!Dylan and Corey L. running around with their headsets. Then right before the show started I saw Joe Moses and Tessa walk in. Also two rows ahead of me was someone in a Spiderman hat... I was like... Is that Nick Lang? No... why would he be in the middle of the audience? Later I found out I was right 😂
For context, it was raining really hard in LA and the streets were flooding. LA is not used to rain so they're not well equipped to deal with it.
Act 1 went great and then shortly after Act 2 started, BAM, the lights went off. Everyone froze. The person in the light booth said "We've just lost power." Then, Nick Lang stood up and said, "It's going to be okay everyone, we'll figure this out." And he left to help the staff. But for a good minute or so the entire audience thought it was a bit and couldn't tell if this was part of the show or not! But after a few minutes we were like holy shit this is actually happening. It took maybe half an hour or so but we were back up and running and everyone was so hype cheering on the actors when they came back on stage.
Then, during the final song, on what sounded like the final NOTE, the lights went off again. You could hear a reaction from the actors-- I can't imagine how upset they must have been in that moment! But the entire audience erupted in cheers and instantly gave a standing ovation. After the crowd calmed down a bit Nick came back out and was like "Yeah...... That actually wasn't the ending. There are two minutes left." And we freaked out 😂 They had us wait for a few minutes, but then they decided to call it. In the words of Nick, "You're the lucky audience who gets to see this show with a happy ending!" 😳😳 So yeah - I still don't know the ending. I'm going to have to buy the digital ticket so I can see the ending and also get the full experience uninterrupted. I can't wait for the YouTube version!
SPOILERS BELOW THE CUT - Updated!
I think everyone's favorite part was the LORDS IN FREAKING BLACK!!! AHHHHH!!! JON AS HUMAN!WIGGLY was perfect! Also was he giving Onceler/TumblrSexyMan energy? 🤔 Can't wait to see how it looks on the YouTube version!
I loved Jon's anime nerd character. It was so damn good. The collective "Nooooooo" when the audience realized his death was imminent 😭😂
The parallels between Abstinace Camp and NPMD are very fun to me. "IT WAS GIRL JERI THAT DIRTY GIRL!"
DIRTY DIRTY GIRL WON'T YOU PRAY FOR MEEE?
Max's pronunciation of "skel-a-in" 😭 I need the story of how he decided on that or if it was written into the script?!
The Barbeque Monologues?! And that song? Jeff Blim pls. Lauren is a master through.
Someone pointed out that all the Hatchetfield shows have in-world productions: Working Boys, Santa Clause is Going to High School, and The Barbeque Monologues. Idk what this means, but it is a nice touch for worldbuilding.
The little musical reference to Nightmare time!!
I keep thinking about how Rob M fumbled the Starkid bag 😬 But Joey did such a great job as Pete! For some reason it feels like a full-circle moment between MAMD and "Joey Richter" with him playing the nerdy character 😊
Anglea was freaking fantastic as Grace. I just love her voice and how she makes it go so high it cracks! And Curt and Kim playing her parents was so good.
There's something so funny about Angela's characters being so different - Lex vs Grace - and the fact that they would hate each other 😂 Can Angela please play both of them interacting?!
Kim freaking Whalen!!!! I love her so much.
I LOVE seeing Corey and Mariah playing father and daughter again (but it's a very different dynamic than TGWDLM).
LOVE LOVE LOVE evil/slimly dirtbag Corey. HE'S SO FINE!!
I missed seeing Jeff and James on stage - I wonder if Jeff's chaotic energy would have been too much with the horny teenagers hahaha. But James would have fit right in! Oh well, we can't have them all in every show, unfortunately.
Gotta say I didn't expect them to say "Nerdy Prudes Must Die" so many times in the show 😂
The last song having pop-punk vibes?!
Anddd...... the last scene...... (yes I finally got to see it!) GRACE KEPT THE BOOK!!! Did she say "every perv must die"? Yeah, that's gonna be a lot of people on her list... Also very similar to the end of Abstinence Camp! This isn't going to go well.......
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thtdamfangirl4 · 10 months
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I tried really hard to bring my hopes down so I wouldn’t be disappointed by the RWRB movie and despite both my best efforts and some truly great scenes from the actors in the movie, I was so upset by it.
The Paris scene was gorgeous and intimate and IMPORTANT. Sarah as Zahra was literally flawless. Taylor and Nick were infinitely better than I thought they were going to be. The chemistry was good. I liked Uma Therman.
But.
I was never going to be happy with this movie. It was rushed (due to the nature of it being a 2 hour movie) and cut out not only important scenes for development, it cut people who are integral to the plot and entire plot lines that were paramount to the book’s intention.
It needs June. It needs Nora and Pez to be ACTUAL characters. It needs Ellen and Oscar to be divorced and have the family dynamic that makes Alex who he is. It needs Rafael Luna. It needs Catherine. It needs Bea to be flawed and have a personality and not be sanitized for no discernible reason. It needs the full progression of Alex and Henry’s relationship. It needs emails. It needs better coverage of the email leaks and aftermath. It needs friendship and queer community. It needs 23 year old protagonists. It needs Alex spiraling and figuring himself out.
If I’m honest, that omission might be what disappointed me the most and I haven’t let myself ruminate on it until these words were being tapped out by my fingers. Alex’s bisexual awakening in the book made me feel more seen and understood than any other book I’d ever read, any character I’d connected to. And it resonated within his character throughout the book. Without him learning about himself, the importance of this story is diminished for me and my own journey and connection.
RWRB is my favorite book of all time. I turn to it when I’m happy, sad, anxious, confused, tired, wired, and everything in between. It’s literally perfect to me, no matter anyone else’s opinion. I relate to Alex more than any other character in any other media. Henry is my favorite fictional character, period. I wanted so desperately to like this movie.
There were scenes I loved. But so much in between reminded me starkly of what it was missing.
This is not a hate post about this movie, nor does it stand to denigrate the actors or writers or crew, etc. Nor does it serve to shame anyone who DID love this movie. I hope you DO love it. I hope it brings joy to those who loved the story before and invites those who are unfamiliar into these characters. Most of all, I hope it provides joy to young queer audiences who are seeing themselves represented in a romcom.
But this process feels almost like grief, which sounds so dramatic. For me and people like me, whose souls were unwittingly bared on the pages Casey McQuiston wrote years ago. For people who found an anchor in this novel and hold on for dear life so we don’t drown. To me, this book is perfect, and to alter it in any way was going to disappoint me.
My hope is that in the coming weeks, I can find a way to truly separate this book and my unending catalog of feelings about it from this movie adaptation, which I probably would have loved if I wasn’t a die hard book fan, so that I can enjoy both and recognize that only a piece of the book made it to the screen.
(Truthfully my greatest hope is that they personally grant ME the rights and unlimited budget to write and direct a full miniseries adaptation that is a faithful interpretation to the letter, but no one is going to do that.)
I’ve seen like hundreds of posts already saying that we shouldn’t shit on this movie or take away from other people enjoying it, and I agree. And I apologize if you feel that’s what I’m going with this post. It’s not my intention. But I do want to say that you’re also allowed to be disappointed. You’re allowed to feel like you would’ve wanted it to be different. Just don’t walk around disparaging the book or the talented people who made it possible, and certainly not the fans who are just loving the story and characters you love too, just maybe in a different way.
Idk, this blog is a mess and a safe space and I just wanted to put my initial feelings somewhere because they have kind of taken over my brain. I’m tired and still processing, but if I don’t get out this spiral, I’ll stay in it.
I want to like it. But there were just too many changes. It felt like a different story. As Alex and Henry have both said, “we all must learn and grow.”
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40sjoyner · 2 months
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HAWAII FIVE O! REWATCH;
honestly I started doing a rewatch because I'm absolutely obsessed with this show but I also realized that I don't remember a lot of things that happened or when they happened (and I'm trying to convince my friend to watch) so! I decided to just write points through the episode for myself and well why not to post it on here bc there are people like me for sure. (didn't thought to do it to the first two episodes)
I'm gonna update that through the season probably. Also the qoutes are probably not 100% correct so don't take me by word.
A lot of mcdanno moments i want to remember!
SEASON ONE :)
episode 3
dude in shark tank thanks to steve.
football game, grace meet the team!
steve talk with the governor about danny's custody issues so grace stay in hawaii (i love them you honor)
chin tell steve that steve's dad and him went to every single football game steve played, "it was officially day off" (chin was fresh out of the academy).
five o was steve number player. his dad idea.
the end of the episode they decided five o for the team name. (I genuinely didn't remember it happened like that).
episode 4
danny knee injury.
mary come to visit! (I absolutely love her)
apparently mary and steve didn't met since their mom funeral.
"how long were you married" - A prisoner to mcdanno. The first time someone tell that!
"we were invisible to this man" Mary about John. "he didn't always show us but love us" Steve to mary.
Catherine introduction.
episode 5
max introduction!!!
mary found the champ box
episode 6
we learned more about kono as her benefactor is killed, who she also see as family.
"when i say 'book him danno' it's a term of entertainment" "okay do it every day i like it"
episode 7
A guy take hostage on a ship, steve swim to go on the ship.
steve take his shirt off infronto of danny (yeah its that scene)
""you miss me, don't you?" "oh yeah, I wish you were here but you don't swim." .... "You talking to your wife?" (boat guy) "I'm talking to my partner." (second time someone compares them to a married couple! I'm starting a count with this)
The boat guy knew Steve's grandfather.
episode 8
another grace scene 
danny's ex partner from HPD, meka, was murdered.
another sang min appearance.
a lot of actors i know from different show play in this show and i forgot about this.
It's jiaying! aos fan forever and always, even tho she also played in the 100 (which is one of my fav show ever) my first reaction to her was jiaying.
Antonio from Chicago pd, again another show I'm absolutely obsessed with.
it's funny how we say to people that danny is the clam one when he literally tied a guy to the hood of the car and drove in high speed through the streets.
also five o in formal clothes are so hot.
danny and chin scene together. telling each other they're here for the other. The friendship in the show are amazing.
episode 9
nick taylor introduced, he is steve's friend and he served under him a few years in the navy.
smooth dog mcgarrett! hello
steve say that he was on the other side of those missions, he implies that he was the one who killed the high value targets.
steve say they all had a speciality, he basically say that he was a sniper. (danny ask him and he smiles as an answer)
nick is an asshole and danny knew that!
ok but for real now, the team killed so many people and it's not even ten episodes, i genuinely want to know the numbers, especially for steve. it's one of the only cop show that they kill and show so freely and no one talk about this.
five o saved a country by protecting the guy and his family! why no one remember this!!
"you have got to start doing a better job of picking your friends." "I picked you, didn't I?" (i love this scene so much, their smilesss)
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dropthedemiurge · 5 months
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Got prompted by @pinkkop but also partially this might end up as the controversial Thai BL post because the range of characters I'd defend with the passion is very wide for me:D
8 BL BOYS I WILL THROW HANDS FOR
Uea (Bed Friend)
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This show isn't jokingly called 'A Tale of 1000 Traumas' for no reason, I mean – there is only so much one young adult can go through, and Uea has been through... well, almost everything. Tagging hurt/comfort fics on AO3 will result into red triggers all around. What fascinates me in this character is his resilience, too. He managed to go through everything with the sheer will power and knowing his own worth, what he deserves and what he does not. I am so glad the show made an active choice to send him to therapy and give him a considerate and loving boyfriend! He really needs both.
Sky (Love in the Air)
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Again, no surprise that everyone would want to protect Sky. The acting was also chef's kiss in this show, I know I shouldn't be but I absolutely enjoyed seeing Sky getting triggered and sent to the red-lit room in his mind because this was pure cinematography, but irl I would just hug Sky with consent and never let him go. And kick Gun until he never rises up again too. I think Rain should've been given full freedom to avenge for his best friend. But this is also why I'm writing all these skyrain fics – because they are safe space for each other and I want to keep seeing it.
Rain (Love in the Air)
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Ehem, like I said– the show has not declared it loudly but he's one of the most ADHD characters in Thai BLs if I ever saw one. He does not deserve to be mocked for his struggles and airheadness. I wish we saw more of him playing into his strengths beside taming a dom, instead of being infantilized by the show sometimes. Don't ask me to dive into full analysis though, I only could watch the PayuRain half of the show once so I'm going off vibes I remember, but I absolutely adore Rain and love reading fics that focus on his ADHD headcanon and how others understand and help him. And also those platonic BDSM tendencies he has with his best friend Sky.
Kawi (Be My Favorite)
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For this guy, I would not fight the show or narration because they treated both characters and viewers with care, gentleness, wise teaching and love (Max is a harsh brat but that's his personality). I would actually fight the fandom: from people who hate-watched this show and refused to acknowledge it was amazingly done further than 'i might've liked it but ew screw this actor and novel the show was inspired by amiright don't judge me for liking it jk lol' to some individuals who missed the beautifully developed and portrayed close bond (aspec on at that, I'll stay firm) that spread across >10 years and different timelines and reduced Kawi to immature whiny weirdo who's scared to fuck Pisaeng ten times a day instead of one, idk. This show is a gem with many life-lessons and Kawi has one of the strongest and fascinating character development in Thai BLs that I've seen. Hands are being thrown.
Boston (Only Friends)
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The creators of the show said the series didn't have any intentional message, but considering how many long discussions and poured out frustrations we had with some people, Only Friends definitely did Boston wrong. So what if he's a proud slut, should the show punish him for it while praising 'righteous' characters high on their horses? I don't think so. My guy was constantly filmed illegally and threatened by his hookups and friends, he's very hesitant about falling in love but he tried his best with clearly spoken offers, poly views and limits. I also see Boston kinda neurodivergent and/or demiromantic based on many lines he said about himself and his own view of people and relationships in the series. Nick might not be fully compatible with him, and I would throw hands for both of them, but if those two would communicate better, there would be no need for the OOC "twist" at the end. Their story could be beautiful, sad and realistic, instead Boston being kicked down in the street dirt by everyone after opening up about his heart and fears made me angry.
Akk (The Eclipse)
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These descriptions just keep getting longer and longer? Oops... I don't think I need to explain the desire to protect Akk – this guy has not stopped crying since a mischievous and passionate newbie managed to break through his 100m thick wall of composure, pokerface and sheer will to survive. And also through all the manipulation Akk faced from the people he looked up to. Akk and everything that he went through managed to rip my heart out, and I'm not kidding. If you're repressed, oppressed and/or struggling with money, desire to make your parents proud and can't help but feel 'disapproved' feelings for someone – meet Akk, he's very relatable. I'd protect him and you too.
Thua (The Eclipse)
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*clears throat* I did say this post would get controversial. I can and I will consider 90% of the people who hate Thua as lacking media literacy :D But without getting into useless fandom discussions, Thua is a poor teenager that needs love and support to be able to find himself and his own voice. He's stressed out by a harsh step-father, constantly facing homophobia and mocking in school, has suicidal intentions and the only good friend who opposed homophobic students and teachers, who showed him safe space and helped reach out to his mother, encouraged him to speak out loudly... went behind everyone's back, started dating the main "bully" of the school who threatened every queer for months and decided to support him while silencing students' and Thua's voices. At least that's what Thua experienced from his POV. Would you throw hands? Thua did, and while I may not agree with how he handled the situation, I can't hate him. He finally stood up for himself and his own, tried to change the system, and I'd fight Suppalo school for him too.
Black (Not Me)
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There's someone who doesn't need my protection at all! A second before turning into bloody merciless activist-fighter who doesn't shy away from murdering capitalists and cops, I would still want Black not to think he's better off alone. While antagonistic sexually-tense exchange of comas with his ex-best friend can count as one of the most delicious type of romance that happened in subtext not text, he still deserved to seek solace in his ex-girlfriend and (ex? they were so close, why Gram does not care about him at all when he returns? we'll never know) other activist friend's company. Also, fighting with his life to change something in how the country works and hearing 'nah, your twin is better, he knows how to fight with social media so we achieved more with him than with you' from his mentor and Black deciding that he should again ditch everyone he cares about...noo:( I need spin-off about him where he gets everything he really deserves.
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