#i think this is how sacrifices work. anyway
The Rusty Lake Story in Bitchass Baby Terms
this is ALL off the top of my head (and i haven't experienced like 10% of it maybe?) so i might be wrong but i don't care right now
the lake itself isn't, like, that well established 'cause it's a mystery game or something so we don't need full exposition. it's some deity-like thing as old as the mammoths (not canon) that eats time. or rather memories that are stored in lil cubes. and it gives its zookeepers immortality so they can keep feeding it. they call themselves the Rulers of the Lake but we all know the truth. 'immortality', or rather enlightenment, is represented by you becoming your fursona and living maybe an extra century. mr. owl's looking for a new heir pretty quick in the process but we'll get to that.
corrupted souls are kinda a byproduct of all this. truly the lake's farts. when a person dies horribly, when their memories get extracted wrong, or when the plot demands it, they become corrupted. corrupted souls still talk, and some of them are even sensible (like your mom oooooh), but generally they're jumpscare beasts or wet little puppies. sometimes both. yes you can get corrupted when you're enlightened, and right now it's the more likely outcome actually. there's a whole 'elixir of immortality' that gets harped on, where one drinker gets corrupted and the other gets enlightened, but that is literally only a thing for roots and a little bit of cave so don't worry about it too much. unless you're making dramatic fanart in which case leverage that shit.
cubes come up a lot in cube escape, believe it or not! black ones are bad memories, white ones are good memories, blue ones are connected to the past in a way that's somehow not a memory, gold ones are connected to the future, red ones only exist in my fangame that ellesian recently unearthed, and green ones are jello yum. also suck it anyone who told me pre-tpw the gold cube thing was unestablished. anyway. it was a big thing mr.'s owl and crow were working on, creating a golden cube (presumably to extend their own lives) as seen in cave, but then one just kinda appears in the past within when albert does electric jujitsu. jury is still out on that.
onto the actual narrative i think.
in paradise, you're mr. owl pre-owling (1790-something). the lake's current suckass servants are your family who tried to sacrifice you to it way back, but your mom took your place for mom reasons. now mom's corrupted and guiding you to... well, to get sacrificed for real this time. but with your powers combined (yes mr. owl was two people, no it is never addressed) you get enlightened and tell your family to fuck off 'cause you're building a hotel on that island now. you also get a tease in the secret ending that dale and laura will do a similar fusion dance to be the lake's next suckass. we've been waiting 6 years for that to happen.
in roots, two alchemist brothers get that elixir shit going (1860-1935). one of them becomes mr. crow, while the other becomes a playable character for a game. and corrupted. you rope your whole bloodline into this, harvesting their body parts (usually after they die from other means, but you totally caused most of their deaths) for a reincarnation ritual involving a magic seed (that also only exists for this game). this is where the best characters come from because rusty lake actually wanted to tell a story with this game. you reincarnate into a woman! don't think about the implications.
in samsara room, the inside scoop of reincarnation is fuckin' weird, dude (1935). the original was made before rusty lake began, so it's not truly part of the narrative, but it got folded in for the fifth anniversary.
in hotel, you do not get the backstory of the third bird man (1890ish). instead, you get to kill mr. owl's family again, but one-on-one as animal people. how did they become animal people? fuck you that's how! mr. owl probably did it on purpose to spite them with shit sandwiches and bullets to the brain. oh, also, there might be an evil twin of mr. rabbit that shows up later.
in arles, you're vincent van gogh. that's it. he's not relevant. but it is funny seing the death date of paul gauguin in the timeline docs.
we're talking about the past within later but the 'past' segment takes place around here. 1926 iirc?
in birthday, your parents get shot (1939). you're going to be an important detective, dale, but like right now you're getting traumatized. or rather you're experiencing that memory, then doing blue cube magic to fix it and have your grandpa shoot evil mr. rabbit instead. is your grandpa actually mr. crow? no. shut up about it now.
in underground blossom, your mom gets abducted (1935-1972 maybe). okay, well, not you. this is the laura backstory metaphor game but you're actually playing as the third bird man who is both her stepdad and her pet. and her grandpa albert takes her mom rose for his own nefarious reincarnation schemes maybe probably. rose is surprisingly okay with it but characters rarely put up a fight with the plot anyway. laura's a lonely kid, starts dating robert, picks up art to soothe her nightmares, gets murked, then reaches some kind of epiphany that we just train ride away from before finding out what actually happens. she's your daughter, damnit, you should support her transcendence. not enlightenment importantly. also, no, laura's life didn't literally happen at train stops, it's just a vehicle. not even a pun don't fucking laugh i see you snickering.
in seasons, you set up a really interesting plotline that gets utterly countered by everything that came after (1960's-80's). it's just laura time in there, and she uncorrupts herself, thank you very much. the series has been struggling with how laura gets her corrupted self to 1980-whatever, and so far only one other game's even taken place after 1972. and that game's the past within which also counters every other plotline. sigh. maybe we're not smart enough for these puzzle games. at least harvey's cute and bird-shaped. key point that's impossible to fuck up is that laura dies in 1972, and it's unclear whether it was a murder or suicide. that's why we get a detective.
in harvey's box and the lake, uh i don't know really (1969). these are early games that are basically spinoffs of seasons. they help with the overarching stuff but aren't much for the narrative at this point. also they suck
in case 23, dale starts investigating laura's death and gets wrapped up in the lake stuff (1972). it was supposed to be just another murder case, but he got too into it and it got too into him, so he gets teleported to the lake chapel and ferried off to. somewhere idk. he goes into an elevator that takes him down memory lane to the lake floor.
in the mill, mr. crow is really trying to clean house before dale gets here (1972). this is where laura gets her ass corrupted by mr. crow, and we find out how the lake eats memories or whatever. it's supposed to overlap with case 23 and it almost succeeds. whatever skrunk is still there is forgiveable, this was the flash era after all.
in theatre, dale learns about ripoff hinduism, goads a man into suicide, and abandons his darling toilet fetus son (1971). it's like birthday again, where this is a memory we're seeing, but that is a light distinction. robert kills himself at the bar, and we take his memories for legal reasons. there's some sixfold wheel we learn about that doesn't matter much.
in the cave, mr. crow still cleans house before dale gets to the Magic Memory Machine (1972). mr. owl's kinda sorta dying, and dale's been elected his son or something. gotta get his mindmeats. you read a textbook about cubes, pilot a submarine to the lakefloor, put dale and laura in a surrogate fusion dance machine, then give dale the golden cube it makes before sending him up the elevator again. hotel did imply something serious was gonna happen when he gets to the top, but that was eight years ago. the devs probably forgot and fell too in love with albert vanderboom in the meantime.
in the white door, robert unkills himself and gets wrong psychiatry (1972). as it turns out, mr. owl has a front business running a for-profit psych ward to extract totally good and healthy memories from people. this one is an actual factual spinoff but is kinda relevant for the greater rusty lake metropolitan area.
in paradox, fuuuuuuuck who knows maaaan, isn't it all just a metaphor? (1972). there's a consensus that none of the stuff that happens in paradox actually happens, and that it's all in dale's head while he's in the Magic Memory Machine from cave. even though there's five different endings, he kinda walks away at the end, which might be the worst ending of the lot. the information's solid though; mr. owl spells out the whole heir thing, there's bits of backstory for dale and laura everywhere. also the movie's sick.
in the past within, albert becomes a mechanical engineer for the sole purpose of making plot armor (1926/1984). yeah, remember that guy from roots? the voodoo murderer who got third-hand alchemy information to make up for his lack of pussy? yeah, he invented a time machine decades ago. and he enlisted his daughter to talk to her past/future self to grow him back to life in 1984. with a gold cube that he somehow got. and somehow his scar is genetically coded in him. and we don't see his wiggly lineart dick. what does he do in 1984? trap his daughter in a time loop then who the fuck knows. he's stuck in his jumpscare beast ways from being corrupted for so long. how did he get corrupted when he was literally buried in the ground and salvaged bones from? next game!
there's an ARG that i never saw a thing of because i hated it, best kept memory. from what i gathered, it was another front scheme for memory harvesting, except in the 2000's. does that mean it's enlightened dale/laura doing this one, since mr. owl presumably passed on the title then turned into a fish? i'd like to know too!
also, a chapter of underground blossom i haven't completed, and a paper-based game coming out within the next two years or whatever. i don't know how much they'll clear up.
toodles!
48 notes
·
View notes
Super awesome and cool theory that’s totally original
// TW: Sacrifice/ Mention of Su!cide ( kinda ) //
I’ve seen this been talked about before, but I love the theory so here I am to go over it :p
So if you don’t know the theory, it basically is that either Leo thought the light was a portal to the afterlife or that he thought he was hallucinating.
Now this theory works because 1; Leo has no absolute idea that Mikey can open a portal like this, or thinking he wasn’t capable. 2; I would assume in this situation he thought no one could save him and that it was time for him to go, accepting his fate easily. We see him reaching out to the portal; a lot of times; portals of light are represented as the gateway to the afterlife; hence Leo reaching out. Leo is obviously fucked up in this act; so it would make since that he would easily just be like “ okay time to join gram gram” and shit idk.
// take this scene for example; I think this is when he realizes his fate, and accepts it after //
And now for the hallucination . now yeah, Leo got the shit beat out of him, probably giving him a lot of ( brain ) damage. In this situation he probably would think it was a hallucination, I mean, how could he know Mikey could make a portal so easily with no practice? I think this theory can also make since, but hey, it’s just a theory. ( Matpat moment )
Like I see what the writers were going for, but without any practice-? And in such a situation of grief and sadness it must be pretty hard to focus. And what a coincidence he was able to make the portal right after Leo committed suic- I MEAN.. sacrificed himself. Obviously
Anyways off point; both of this theories are incredibly thought-through and believable.
I hope you enjoyed my silly little rant! Feel free to ask me to do more rants :3
33 notes
·
View notes
hey do u think that once cori officially breaks her pact w devotion she like starts feeling different. like having had something siphoning her life force and also literal blood for so long, her whole life to some extent, and then it’s like… she suddenly realizes that she’s used to feeling a little lightheaded and she isn’t anymore. no more swirlies when she stands up. even if perennial isn’t giving her the kind of strength devotion did (or even maybe the same level of power just of a different kind), now she doesn’t get tired as easily. she can stay awake all day. her appetite is more normal even if she hadn’t had any awareness that it wasn’t normal before. i mean how could that not drive a person crazy right like there’s a difference between knowing something is taking from you (spun in positive tones of sacrifice and unity) and actually feeling those effects start to wear off! and then to have things still work… to have the sky not fall to have her mech still move without it draining her to nothing… anyway
20 notes
·
View notes
Rogue and Gambits relationship in the original is just an endless cycle
In the original Rogue and Gambit got jealous over the other’s relationships, like with Bella Donna and Cody but Rogue and Erik are a little different. Remy and Rogue always found their way back to each other, they never started an official relationship but after they leave their sort of partner there is always a romantic tension with them whether it be them touching each other while walking away or just comforting each other
To Rogue this endless just always finding your way back to Remy but still not being able to be with him was just getting too old. As much as they would both love a relationship to Rogue she doesn’t believe that they are capable of being in one. That scene before that dance with Remy was her finally cutting things off with him because they can’t just be doing the same things, they can’t go on forever doing this but never being in a relationship
To Remy as much as his actions could be interpreted as “waiting for her” they don’t know and honestly do not believe that she will be able to touch anybody so his only option to be with the love is his life is desperately try to convince her that you don’t need intimacy. I feel like with the scenes of them leading up to episode 5 it is Remy realizing that this may be different from Cody. Erik most likely will not turn into a bug alien and Rogue will not come flying back to him. We know for sure that Rogue and Gambit would most definitely start a relationship if Rogue learned to control her powers but from Remy’s point of view that is never. He knows that she doesn’t think they can be in a relationship if they can’t touch and despite his efforts he probably won’t be able to convince her. It has worked in his favor that no other relationships have worked out but in ‘97 it kicked in that this can’t just go on forever
I just love tragic love stories where the main problem is something that the characters can’t control so it makes it all that much worse. Everyone is saying that Cable will fix the timeline but I just don’t think that’s going to happen unless there is some big sacrifice for it to work. Since the main villain is Bastion I don’t think they’re going to do death Gambit with apocalypse. The only way I could see Gambit coming back is with a sentinel Gambit but with how important his death is supposed to be I wouldn’t be surprised if he never came back. I’m just interested in who or what Rogue will get closure from because she most definitely needs it. Anyways~ sorry for going off at the end but yeah I firmly believe that Gambit is gone and I honestly like the choice, what do you think will happen with Gambit?
20 notes
·
View notes
i hope prometheus knows that by giving us fire he gave us sitting around a fireplace and making smores around a campfire. next time i break out the marshmallows im gonna cook one up for him
755 notes
·
View notes
His bullfighting days aren't over quite yet.
+
104 notes
·
View notes
hot take moment cwilbur is literally just psychotic as all hell and i think people got way too comfortable villianizing the shit out of a man who was clearly portraying signs of severe mental illness. cwilbur was like im so fucking paranoid and scared and i think everyone is out to get me and hurt me and ive spiralled to the point i cant reach out to the people closest to me because im so afraid and lost in this spiral and im having constant panic attacks and hurting myself because i dong know what to do with myself and the only way out for me is to die. and everybody was like EVIL MAN WHO ENJOYS HURTING OTHERS AND IS ABUSIVE ON PURPOSE AND A VILLAIN AND SHOULD NEVER BE TRUSTED AGAIN. and then he came back and was like im still deeply troubled and afraid but im desperately trying to make up for the wrongs i did in the past and the people i hurt in my own way and communication is really hard for me but i hope people know that im truely sorry and i love them. im going to try my hardest to fix this in the only way i know how and then respectfully remove myself from the situation because i feel thats the kindest thing i can do to the people ive hurt. and people were like ABUSER ABUSER ABUSER EVIL MAN ABUSER. like girl
Yeah no based true real no questions asked
I'd hope I manage to portray Wilbur the way he deserves in my content, cause that man is heavily bpd coded and he just needs therapy and someone who genuinely loves him but also can handle his bullshit (which has exclusively and reliably been Quackity like, canonically)
But yeah no completely agreed. The man has issues and has definitely fucked up a lot but at the end of the day he really does need love and care and patience, but also boundaries (and therapy and meds, obviously)
40 notes
·
View notes
Remus: You need to stay in the castle, where it’s safe from Sirius Black
Hogwarts: *had Voldemort living on the back of a teacher’s head without anyone’s knowledge, once sent 11 year olds into the Murder Forest with only a dog for protection, had a giant murder snake roaming the school for months, Harry’s best friend was petrified and only avoided death because she realized what the monster was, had a teacher attempt to memory wipe two students, had a secret murder chamber for centuries, and Sirius had broken in to the school before*
Like, Remus, where is this alleged safety inside the school???? Page not found
remus is epitome of ‘mouth running w/o knowing anything’ bc he just,,,,keeps saying shit,,,,,without any knowledge
also it’s funny because. sirius literally got into the school too lol AND WHAT MAKES IT WORSE—AND THIS IS JUST HITTING ME—IS REMUS WOUKD FUCKING KNOW THAT. HE WOULD KNOW HOW SIRIUS IS GETTING IN BECAUSE HE NEVER BOTHERED TO TELL DUMBLEDORE ANYTHIGN DID HE?
not the animagus thing. not the secret passageways, literally nothing. and then he has the audacity to pretend like the castle is safe and sirius black can’t touch harry there (where he literally got into his dorm!!! was right beside him!!) he also has the utter gall to tell harry he’s disrespecting his parent’s sacrifice jesus christ what a flaming trash can of a wizard
42 notes
·
View notes
my total drama oc is a reversal of the show's pre-established "villain" archetype.
right off the bat, they're just the worst person; outright antagonistic towards everyone and constantly causing conflict amidst the cast, openly orchestrating people's eliminations, blatantly cheating but in such a way that technically they're not breaking any rules- without disguising themself behind a mask of geniality (like alejandro, heather and julia did).
and they're kept around well into the competition because their villainy? it's ratings gold. people love a good antagonist, especially one that's so productive. the audience loves to hate them, or hates that they love them, and everyone is gunning for their downfall- which only becomes more and more tempting with every elimination.
plus, chris is more than happy to enable them so long as they keep things interesting.
interestingly enough, they never seem to use the confessional. or at least, none of their confessions are aired. well, that's not exactly true. one confession is aired, and it's them boasting to the audience that they wouldn't understand the inner machinations of their mind, and that they don't deserve to hear their thoughts.
consequently, the audience has no idea what they're thinking at any given time, only seeing glimpses of their schemes throughout the episode until everything comes to fruition- like a puzzle finally being completed. it's a smart move for the network, because it means the audience gets to watch their plans play out in 'real time' without their insight/foreknowledge, making it just as impactful to the viewers as it is to the competitors. it helps with immersion, which is a boon for the ratings!
until their elimination, wherein their confessions are played out on the big screen, and it's heartbreaking.
they explain, in their first confession, that they were accosted by chris at the beginning of the competition to act as the main antagonistic force for the show, and that he's turn a blind eye to their antics so long as they kept the viewers watching, even paying them a decent salary if their act was good enough. because they're smart- smart enough to play the rest of the cast like a fiddle if they wanted to, and chris wants them to.
what a great deal, right? being given blanket permission to be as conniving as possible, and a pay check to boot- who wouldn't take the opportunity?
and they round it out by "getting into character" on camera, sneering haughtily at the lens and- you guessed it- boasting to the audience that they wouldn't understand the inner machinations of their mind, before giggling dorkily at the silliness of their statement, commenting that it'd we way too obvious they were faking if they acted that snooty. they're a theatre kid at heart, so the idea of "playing the villain" is exciting! it's going to be so fun!
but their second confession is sombre. they're visibly tired, wiping away at the concealer under their eyes to reveal some heavy bags, and they're curled up into a pitiful ball in front of the camera. they divulge that the pressure to constantly live up to the shows expectations of antagonism is crushing, and their status as a social pariah is more draining than they'd care to admit, and that- despite the apparent glee they've been committing these acts of villainy with- being so outwardly morally corrupt has left them with a constant churning of guilt in their gut. they only agreed to be the "bad guy" for the money, which would help their family's financial situation tremendously, but they're growing increasingly uncertain if the reward justifies the risks.
by the third confession, they're actively sickened by their actions, eventually devolving from airing their frustrations, lamenting their choice to method act as such an awful person, to throwing up into the confessional's toilet as they hold back guilt-leaden tears and repeat a mantra of "i'm sorry, i'm sorry,". they're drowning in the murky waters of their persona, and backing out now would only lead to more scrutiny and suspicion from the people who were supposed to be their friends, and they know they'd deserve the mistrust. plus, backtracking from their deal with chris would jeopardise everything- from the dirty money they've earned from their antagonism to their place in the competition itself; they'd be voted out in a heartbeat without the network's safety blanket of plot armour!
they don't know what to do. they barely even know who they are anymore.
and then the camera's focus cuts to the real-time them, who's sat ashen-faced and deathly still as their weakest moments are broadcast, not only to the people who rightfully hate them, but to the whole world.
17 notes
·
View notes
good morning you know what's sexy this sunday ? my new mobile header. 😌✨
17 notes
·
View notes
listen valvert is a better exploration of les mis’s themes than enjoltaire could ever be
29 notes
·
View notes
Welcome back to "aeron writes prompts late at night for fun", on today's episode we've got day 7 of @black-rose-events event. Again, little editing, praying this all sounds ok. Also, for context, Villain can sense when people are lying :)
TW/CW for drugging, implied general harm
“I.. I love you.”
The words hovered in the air, coated in a sickening sweetness, a desperation which clashed against Hero’s usual demeanour. Villain faltered, taking a stumbling step as their pacing came to a halt.
“What?” A question, a sharpness, a plea for the truth, golden on their tongue and mind, to turn ashy with falsehood. “Hero-”
“[Villain]. You know it's true. I love you. I have for a long time.” Hero stared at them from where they sat, partially restrained—it had been odd how little effort they'd made to escape—just.. watching, with those damn eyes of theirs. The kind of eyes that could melt your heart even as they ripped it out. The kind that could make a lie taste like the finest wine, like a ray of sunrise overlooking the bay.
“Oh- oh [Hero], no. No you don't. You can't. Don't.. don't tell me those things.”
“Why not?” Hero pulled against their restraints, staggering to their feet. “Why can't I?”
Villain shook their head, clutching the vial in their hands a tad tighter. “You're a liar, [Hero]. Stop- stop lying to me. We can't have that, no matter what you think. There's too much at stake.”
Hero took a step forwards, confident even now. Gods, Villain hated that confidence, that self-assured look, those eyes like a well of dark secrets that would only drag you in and drown you. Villain couldn't drown. Villain couldn't be reckless. Not now.
They glanced at the clock hung on the wall, cursing softly at the time. They didn't have time for this. They didn't have time for lies.
“We.. we could try, [Villain], we could make it work. Just let down your walls. Stop destroying things and build something true for once.” Hero was.. closer than Villain had thought, one hand reaching to grasp their shoulder.
Villain flinched away, grimacing as the vial in their hands swished lightly. “I can't, [Hero]. I don't have time for truths.” The words were bitter, but right all the same. How could Villain love, let alone love someone like Hero? How could they let their guard down for them of all people?
How could they love when every second felt like their life’s decay, every second a reminder of the death that was approaching. They had to go, they had to leave, they had to-
Hero grabbed their wrist, and Villain froze, staring at them.“Please. [Villain]. We.. we can fix things. We can make time. I'll.. I'll help. Okay?” There was almost.. sincerity, almost truth, twisted in their words. It made Villain sick.
Villain sighed, soft, still staring into those eyes, those drowning wells of dark water, a face which had seen more blood than it had any right to. “O.. okay.”
Slowly, carefully, they lifted their free hand, as if to cup Hero’s face in their palm, as if to show some shred of kindness, as if to become the creature reflected in the depths of those wells. Then, face just as reluctant as before, they shoved Hero back, away from the entry to the lab, their free hand smashing the vial against the floor as they sprinted off. The door slammed shut, locked in their wake, silencing panicked shouts as they morphed into frantic coughs, dulled silence.
They'd nearly run out of time. God only knows what Supervillain would have done if they hadn't paid their debts. Hero would have to pay in their absence, it seemed. Villain stalked down the hall, even as guilt churned in their gut, even as the familiar voice of their boss echoed through the corridors, even as they heard Hero’s muffled screams.
It was better to be a liar than admit their love, they supposed.
6 notes
·
View notes
wait hang on new au dropping
au where daddy la roux didn't take the coward's way out and went to prison instead. augustine still goes to college and ends up in montana as a ranger, syb still goes into the military and they essentially cut themselves off from their daddy (or at least syb does)
cue her surprise that, a decade later, she discovers three things
henri la roux is out of prison
henri la roux is in hope county, and
henri la roux is a fucking member of the project of eden's gate*, hand over his heart, a "changed man, billie!"
*grifting them because he immediately broke parole after learning his son currently lives in montana, and so long as he plays the part of the repetant sinner, the cult keeps him safe from the law
7 notes
·
View notes
Steve is most likely to end up in a lavender marriage and Tony's most likely to end up in a “married for tax/immigration/inheritance fraud” reasons.
They meet as married men and pine for each other hardcore and are also trying not to read too much into how their interest seems reciprocated and oh nooooo both Immigration/the IRS and the the Church/in-laws/DADT era army dudes or whatever are snooping around at the same time at each of their marriages and they have to be so good at being married at the people they are married to oh noooooo and they other guy doesn’t know why they are suddenly being iced out and maybe they were just imagining things? maybe it’s for the best with all these eyes around on them…
9 notes
·
View notes
my brother booked a flight to the us not two weeks after he begged 200 € off me to pay his debts to the bank and it's pissing me off bad ngl. i'm usually happy to give money to my siblings and friends but at this point he is using me it's not like i have that kind of money just lying around like i was struggling this month bc i gave it to him and he decides to invest into an impulsive trip to fucking arizona?? also don't get me started on the way he pulls the same shit on our sister. he heard that she was working full time and decided this was a good opportunity to ask her to cover his semester fees. asking his LITTLE SISTER for the money SHE earned working a job she hates because she was saving up for her own apartment... he really has no shame omfg
12 notes
·
View notes