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#idk it’s just a fun cast that I want to see be silly and do their dumbass tropishining whatever the hell. they can vibe and save the world
cloudmancy · 2 days
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I have no desire to get you in trouble but I would be curious to hear your thoughts on the new episode and the preview because I also have.. thoughts and I'm interested in what other people clocked as not great or kinda.. idk. other people's concerns, because I have had a lot of them and I never see people really talk about those things
they're doing a new format this season where they film a bunch of rp episodes in a row then take a break when there's a battle so the crew can get the battleset ready, so I understand the dissonance. but the tone of this episode from the tone of last episode was SO jarring. I was ready to chew drywall at the end of episode 17 but we head into the episode 18 fight and at the end all I can say is... damn! that sure is a battle that happened. the entire fight felt really low-stakes even though objectively a few of the bad kids were in mortal danger, but the mood at the table was so relaxed and chill and there was almost no roleplay at all... which drove me so crazy
>no rp except for fun silly party stuff (no callbacks to the adaine elven oracle in a storm thing? after all the fun setup last time??)
>fought 8 different antagonists and none of them said a word
>nobody questioned why or what oisin's grandma or all those dragon were doing there they just started taking them out one by one like raid battles in world of warcraft
>cassandra/nightmare king showed up only to not make any impact or get a single word in
>dos2 lady vengeance fight did the floating boat/ballistas/dragon fight better SMH
and then after all of that we're headed straight into ANOTHER battle episode judging by the preview... and it's against the rat grinders and porter/jace! let me out I want PLOT & DIALOGUE fhjy cannot end like this (5 hours straight of battle where they just kill everyone that moves). there's 2 eps left so I really hope they do the last ep as a 4 hour long roleplay only epilogue episode because as we've all seen ending campaigns on a battle leads to frankly really rushed character and world decisions. it's ultra disappointing too because I loved this entire season so much so far. the setup and buildup and plot points and mystery of fhjy is the best they've ever done it in dimension 20 period
ep 18 fhjy battle was a letdown to me... not giving the party an rp episode after 3 hours of loredump + going straight into a final battle without being able to interact with the world after gaining info is bad. they should've had a chance to process everything they learned about house sunstone, porter's plan, the rat grinders being used as ascension fodder, whatever the whole deal behind ambrosia and lucy frostkettle and why they needed a helios cleric in buddy IN ROLEPLAY. I don't want all this stuff explained to me after the battle by brennan or in some throwaway lines in the adventuring party - I want the bad kids to talk to people! I want them to investigate! I want fig to pull some BS with porter knowing the full extent of all his plans. it really sucks for us as an audience too to be hit with all this lore and get approximately 0 time for it to sink into the implications of how the worldbuilding was shaped by it or realizations of "ohhh that's why that happened at the beginning of the season" before we go straight into killing everyone.
with the way this is going I don't have any confidence they're gonna be able to actually empathize at all with the rat grinders too before they start lopping heads off because in battle episodes everyone kind of just. becomes numbers and an objective to take out except for pet favourite npcs of the cast. and they've mostly been interacting with the rat grinders as nuisances all season 😭 I'm PRAYING to be proven wrong and the last 2 episodes of this are fantastic but it's not looking good folks
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jmeldog · 3 months
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YEAAAAAHHHHH LETS FUCKING GO
Sorry girl ur gonna experience the power of friendship eventually. You can’t run forever. I know this in my heart.
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allmyloveandyours · 10 months
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Actor (12238) and your Roles, Scripts, and Acting Ability
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I found this persona chart neat and if y'know you wanted to act but didn't know where to start/wanted to know the vibes, sweet! There you go, read this.
I AM NOT A PROFESSIONAL just a silly lil fella take everything I say with a grain of salt or sugar idk you pick
Houses to look at that may be important: 1st (for casting), 3rd (scripts), 5th (fame), 7th (contracts), 10th (awards), 11th (fans and goals), others look at anything you want idc. There'll be asteroids at the end with basic meanings to plug into the chart if you'd like. Have fun and if you have any questions/corrections lmk :D
Asteroid Number: 12238
☆Ascendant/1st House☆
Headshots, castings, and the vibe you give out is what to analyze in this house. This can tell you the style of headshots you should get by looking at the sign for colors/vibes to give off. This house is all about first introductions. What do you want them to know about you? Casting could also be dependent on this house, as it could rule over people simply looking at you to see if you should audition or not (like what vibes do you give off and why would cast you for blah blah blah). Your outward personality also shows in this house, and it could give you a type of act they could steer you to playing (like bombshell, crazy fella, fem fatale, things like that).
✯Roles
The roles you get could be because of the vibe you give off (look at the planets/sign teehee). Your personality could carry you more than your ability, (if you have HEAVY placements tho) granting you more roles. For roles you might have a specific type of outfit and right off the bat you know what you’re dealing with kinda characters. In my mind it’s what you see is what you get with the planets in this house, so the roles you’d get would fit that saying. Are you a detective, boom, you look like one. Bombshell? Bomb you look like a mf queen, like shit like that. Aries gets straight to the point, so does this house, and so do your roles. This placement also reminds me of like, idk like John Mulaney, Awkwafina, y'know people who don't necessarily embody a character but people go "oh it's them!" On the other hand, you could be known for your expressions (like the Kubrick stare of something), like something that people again notice right off the bat. With roles your appeal comes from the vibes rather than getting an assigned thing if that makes sense (I know this house is a mess okay work with me)
✯ Sign: Aries 
Aries' straightforward nature, ability to take initiative and leadership qualities are something to admire as a whole, and when it comes to acting, and get you where you need to be and fast. This sign may have more of a penchant towards sportier and physical roles, not wanting to be limited to sitting and talking, and the temperamental nature could make you a sight to see. Where Aries sits in your chart is where you need to take the lead, pave a new way, and walk down it. Embrace the confidence that Aries gives you and chart forward where Aries rules.
☆2nd House☆
The attire you may be put on (we’re talkin costumes babyyy). What colors would you look nice in, or what kind of costumes would you be more likely to put into kinda deal. More in depth this house could talk about your skills and how to approach gaining new methods for the craft. To me this is similar to 9th house of figuring out what tools to put under your belt in order to grow, but it’s more centered around money rather than just self growth. Use the skills you have and can gain to get roles (like for example if you’re a contortionist you might for your horror movie roles kinda thing). This could also tell you how you handle your money when it comes to films, a part of me wants to say budget-but budget like what of your own money to you put into projects, and what would they go towards (depends on the planets and sign yknow the drill). This can also point to talents you could have (like you could look at comedy related asteroids or something and see if they’re there you know the vibe)
✯Roles
Characters that involve opulence, style and class may be roles to lean towards. Being able to dress up and show out may appeal, like the exact opposite of a role you have to de-glam for. Since this is the house of skills and values, you may shift toward characters that put them on display, and you put a lot of value into said skills, regardless of what they are. Roles for these placements remind me of the old Hollywood kinda classics like Breakfast at Tiffany's and Gentlemen Prefer Blondes, that glamorous kind of role that give enough space to show off your skills. Roles at involve slow burns or sometimes even food as well (if not chef, there could just be a lot of dining room scenes of that makes sense idk I just thought I’d throw in the Taurus food cliche thing here)
✯Sign: Taurus 
Embodying the down to earth nature that comes with Taurus is the way to go. The classy and luxurious vibe that Taurus naturally gives off should bleed into wherever Taurus is/rules in your chart. Approach things with caution, put in that earth sign slow work ethic, and work your way into wealth using the Venus ruled sign. This in your chart tells you where you may need to slow down, bring class into the mix, and be stubborn. It can also show you where you may be stubborn/slow to change in acting, like if it’s in 3rd you may have a specific way of delivering lines you may need to change/ work on slowly. 
☆3rd House☆
In the house of writing, ALWAYS look at this house (empty or not) to see the vibe of the scripts you may get as an overall. This could also tell you how you need to write/deliver lines, and the uniqueness you can bring when it comes to speaking. You can track your mentality when it comes to acting when it comes to his house. Like for example I have Capricorn ruling it, with Aquarius Neptune as well, and I've always liked the idea of a long term web series, as it gives more freedom than traditional Hollywood projects. This to me can also explain how people react to you online, for example Drew Barrymore's 3rd starts off with 29° Libra, and from what I've seen, people LOVE her talk show, like the jokes of "I just NEED to talk with her" come to mind, and from what I noticed, it was pretty out of nowhere (like people didn't expect her to get a show), and the rest of the house is Scorpio with North Node in Sagittarius 1°, and people often talk about her carefree nature to talking about deep topics. Obviously it's not exactly acting, but still found it interesting as it is the social media house. 
✯Roles
The house of Gemini goes give MAJOR versatility (for example, Marilyn Monroe has Gemini ruling her third, and she did have versatility she wasn't granted that you can see bits and pieces of when watching her movies like Bus Stop (straight up rage) and Seven Year Itch (comedic timing)). Comedy could be one of your talents, along with generally being able to deliver lines in a way that caters to to role. Chatty siblings, witty side characters, or a smart lead is something that could fit you, just know it'll involve a LOT of talking. Work on being able to deliver long winded rants and monologues.
✯Sign: Gemini
You can tell I have a bias towards Gemini placements in the actor persona chart, as the "two faced" nature of Gemini is something that works well with acting. Like I said in the rest of this section, versatility is key for Gemini. Being able to think of something on the spot and fit to the situation is the best thing to use to your advantage. The personality you embody can be whatever you need it to be at the time. To be clear, this can show where in the chart you're more equipped to change and able to adapt when it comes to acting.
☆4th House☆
The house of the home, comfort and self security is under scrutiny when it comes to acting, as acting requires you to go out of your comfort zone. Now this could mean that you stay close to home, only working with family or doing local theater. Something I've noticed is that if you have a "positive" planet there (like Venus, Sun, etc), you may not want to act outside of your comfort zone. A lot of people I know who stuck to high school theater/had no desire to expand out had more planets in this house. This can also talk about how your family supports you, and how your inner security is impacted when it comes to acting.
✯Roles
Hereditary immediately came to mind LMAO but home roles may be something you consider/get. That doesn't mean you immediately get parental roles obviously, but it could mean that you do family environment roles. He's not the best example since he doesn't have this in his chart, but like Bryan Cranston going from Malcolm in the Middle to Breaking Bad, and being a father in both, or Toni Collette being again the mother in Hereditary but also the mother in United States of Tara, still family roles but dramatically different and more serious tones. You could also be known as a family name with placements here, like you could be on repeat in people's homes with this placement, like Disney or Miss Rachel kind of thing. Known in families. 
✯Sign: Cancer 
Emotionally driven roles are something you could like. With a personality that can offer comfort and emotional security, utilize those elements to get roles and give personality to them. Another thing I've noticed is that with cancer placements, people's parents could know about you (ik that sounds weird but you could be known more either intergenerationally or as an actor older people would like). This can show where you bring emotional comfort/stability in your acting. 
☆ 5th House☆
OH YEAH BABY THIS IS THEE HOUSE!!!! The house of Leo and acting and fame as a whole is an important house to look at. Don't worry if there's nothing in it, look for the sign that rules it. This can tell you how you work the stage, and the uniqueness and fire you bring to your roles. Like the 4th house, this can tell you about theater or just plain old acting in a general sense. Leo can tell you what kind of creativity you may have and bring to the table, the energy you bring to fame, and it could even tell how well you do with younger generations, as the house does rule over children. 
✯Roles
This can talk about the starring roles you could get, as it is Leo's house. The spotlight is put on you in this area, and the planets can let you know how to use it to your advantage. For example, Aaliyah has 23° Venus, and 29° Mercury in Libra, 18° Uranus and Vertex in Scorpio ALL in her fifth, and she utilized her well-known voice and beauty to get roles that put her in a spotlight, as although she only got a couple of roles before her death, they weren't your typical musical star roles, as she got an action movie, dark vampire and was almost in the Matrix, she used that Scorpio deepness and depth and sexiness, and that Uranus weirdness to her advantages to get roles that wouldn't confine her like it has other stars. Put the spotlight on the planets/sign in this house and it'll help you. This one is VERY straightforward. Shine a light on this house and it will shine back on you.
✯Sign: Leo
Leo can tell you where you may simply succeed as an actor. Like 5th, Leo is where the spotlight and creativity is in your chart. The personality to use may sound a little shitty, but put yourself where Leo is. If it's in 6th, do it daily and when it comes to co-workers, if it's 11th, make yourself shine in groups of people. Obviously, it won't be hard, but don't let your light get dimmed where Leo is. The personality to bring is first and warm, and use that Leo charm to show off the showmanship. Embrace the fiery nature and ego (responsibility) here.
☆6th House☆
Virgo's house of health, co-workers, pets and daily life can talk about the mundane side of acting. How often you work and how you take care of your health is the important thing to look at. It can show if you're a bit of a workaholic or a perfectionist, your emotional investment, how your health reacts. Depending on the planets, it could point to how often in your daily life you act or are theatrical. For example, Markiplier (don't bring it up I just got like a set list of people I use and an example ok) has North Node in Aquarius in his 6th, pointing to the fact he may like to act daily, or puts his acting talent into his work (like In Space with Markiplier and such), or would prefer to work as often as he could when it comes to acting, like he worked on his birthday this year for Iron Lung and ended up in the hospital as he got fake blood in his eyes. Not exactly an exciting house, but important. It could also talk about your co-stars/extras and how you interact with them. For example of you got let's say a water sign in this house, you may want to get to know them/befriend them.
✯Roles
John Krasinski has a HEAVY 6th house, which drum roll omg he was in The Office (I just thought I would check it and it made me giggle, he's got like 8 objects and planets in there). Office roles, roles about Mundane tasks, and general health may be roles you get. In my brain, I kinda think of this as the house of The Office and Grey's Anatomy. Realistic roles that talk and delve into daily life are roles that could work well for you. Not that you couldn't do bigger things, Black Mirror also reminds me of this house, as while it is fantastical, it is about daily life in a different universe. 
✯Sign: Virgo
Virgo's perfectionism and analytical nature fits well with acting, as the studious nature and attention to detail can attract people to your performances. As an earth sign, you may not be the most outwardly shiny, and prefer a calm nature, the accuracy you bring to roles is something to use to your advantage. Biopics could be something you're good at, something I thought of was like Christian Bale coping Tom Cruise for his role as Patrick Bateman kinda deal, you notice the little things that's needed to get into a role. This in the chart can point to where you excel at paying attention to details and where you aim for perfection. 
☆7th House☆
We're talkin' contracts, we're talkin' relationships, we're talkin' marriage that's right baby this is the house of one on one. This talks about the kinds of contracts you may get (or if you should sign to them,) and how they benefit you. This is an important house as contracts are typically needed when it comes to acting on sets. This can also discuss the kind of on screen romances you may get into, or just even pairings on screen. This can tell you how your fans could react to your romances (or even ship you with others), and how you react to your own romances (like do you hide it? Work with your partner?). It can also talk about the people that openly dislike you and how easily you attract envy from others. 
✯Roles
To me this is the rom-com house, like to me it's that balance of romance and humor that just appeals to Libra to me. Balance is the word for this house. Give and take between a pairing can be something you shine in. It makes me think of like Bill & Ted or Harold & Kumar or Kristen Wiig & Maya Rudolph, you shine on your own but the partnerships you act in make you shine brighter. That, or you could just be the ideal person to star as the romantic lead. That, or you could be good in roles that are designed to be the mediator. Lawyers, therapists, or just a role that puts you in the middle of conflict you need to calm down.
✯Sign: Libra 
Calm, zen, and pretty vibes are what you bring. Like Taurus, opulence is something that you could bring to a role. Even in the most I guess "un-insert synonym for glamorous here" role", you bring a quality of polish to roles that comes naturally. Where Libra is in your chart is where you can appeal the most to people, or where you could even have the most consistent need to appeal to people, therefore making it easier for you to work with roles. Libra's air sign nature makes them adaptable, but to work with people. Libra's may be the perfect person to work well with directors, and be able to take notes well and fit into what they need. In your chart, this points to where you may fit other needs, along with bringing a natural polish and balance to your craft-but remember to put yourself first.
☆8th House☆
Hahaha this is the s*x house, but also death and depth that's needed as an actor. This could tell you about the darker side of being an actor. It can tell you how you handle yourself in private and prepare for roles, and how well you keep yourself in check almost. This can point to how you feel about any sort of intimacy on set, or how you deal with s*xual topics and even if you want to period. Do you talk about death in your roles? Are things that are hidden things you want to bring to light with acting? These questions are answered with this house. This can also point to how people treat those topics with you. It can show how people may view your attractiveness or how much they want to know your secrets. This house can also talk about the depth you long for when it comes to acting. 
✯Roles
While the first thing I do was to cover is how you may be viewed as a s*x symbol, it does cover other roles, don't worry. Simply it can point to if you may get roles where you're s*xualized or viewed as anything like the other woman/man, or simply just the hot one of that makes sense. Marilyn had her moon in Scorpio in this house, and while she did want emotional depth in roles, others rather wanted to view her as something sexual and sad as shit (I'm looking DIRECTLY at the movie Blonde right in its fuckin eyes I hate at movie). This can also talk about all the darker topics you act in, so topics of dr*gs, death and even simply keeping a secret are roles you excel in. Anything others may not want to do, you would. You require emotional investment in your roles, or nothing. Depending on the sign, it could point to either faking emotional depth, or needing it so much you refuse shallow roles regardless of how good it is. 
✯Sign: Scorpio 
Scorpio as an actor scares me. Not in a spooky way, just in a way where I think they'd be method actors. I've said it before and I'll say it again, Scorpios like to get their hands dirty. The personality you bring obviously could be mysterious, sexy, and charming, but something I see more is dirty-but not in the gross way, but like I said in the houses section, you need to get your hands dirty and take roles others normally wouldn't-skill or reputation be damned if that makes sense, like playing a serial killer, or like Stanley Tucci in The Lovely Bones. You take roles others may not have the heart to. This is the house where you bring depth to the table, and where (or what) you're willing to dig your hands into to become the perfect person for the role.
☆ 9th House☆
The house of expansions, overseas/travel, philosophy and higher education leaves a lot to work with for this house. While this house could just be "oh travel different locations" I do notice that this placement might like press tours, or traveling to promote movies/shows in different countries. This could also tell what you may wish to expand and understand more in your acting. This house normally reminds me of people who like to learn and grow as people, so for acting and writing, you may never be satisfied with your performance, and therefore would like to get better, all with a feel good attitude. This house would do well with going to schools for the arts and expressing your inner thoughts and philosophy through your career. I feel like they may be heard better if that makes sense? Or your views on life could gain you respect. OR (I'm sorry I keep saying or just bear with me) it could even show how you go about learning new roles/methods of acting. 9th can also tell you about types of shows you could get cast in (or write, as it rules over publishing therefore screenwriting is in the mix.
✯Roles
Right off the bat, roles for this placement do kinda scream travel TV, like food or just traveling to explore foreign places and give your insight on them. And if you're not interested in the Travel Channel kinda vibe, roles that could work for you are ones that expand your life view. You may not like repeating roles, and sticking with the same thing for too long as you need to grow constantly with your roles. Roles like teachers, lawyers and religious figures may be things you like to play. Exploration of yourself and the way things are could be roles that fit for you. And if that sounds too heavy, don't worry. You don't need to dive into something serious right off the bat. It could be an exploration of simple things. Idk why but I just get Aang from ATLA even thought that's an animated series, it still works.
✯Sign: Sagittarius 
Carefree attitude is the first thing that comes to mind, second is comedy. Acting as a Sagittarius embodies the Jupitertrian nature of almost overdoing things, but mannerisms? Like out of all of the actors I imagine using your hands and body language to act more than your voice. Like I said before, comedic timing could be your forte, like a lot of Sagittarius actors who do serious acting but are often overlooked when it comes to comedic talents. This in your chart can also tell you where you have the most expansion as an actor, and could have the most range/potential for range, but overall, where you may also need to have a more carefree attitude when it comes to the craft.
☆10th House/MC☆
The general house of success and awards can tell you just that. It can tell you the type of awards you may get/why, or how you go about accepting them. Like in terms of speeches and such (like if you got moon there or something they could be more emotionally driven you know the deal). This can also tell you the type of dedication you have to acting and the craft itself. Whatever rules/or is in this house could talk about how people also view your success, like I said before let's say you get an award, it could be how the public acts when it gets it, good or bad. Idk if I explained it correctly LMAO but it's kinda like the dedication you put in > how people see you (audience and critics) > how you get awards/public response to you winning them. Does that make sense? No? That's okay. This can also be a house that goes into casting, as it deals more with your public perspective. 
✯Roles
Literally Succession LMAO. But roles revolving around reestablished high status (like I'm not talking about rags to riches with this placement, I think more of already having some sort of standing and fighting to keep it), or hierarchy are roles that would work for you. Roles involving royalty/history, similar to something like The Crown or Reign, things that like. Like genuinely could go more into detail but Succession is the best straight up explanation I could give 💀. Rich people doing rich people things and fighting to keep those riches. Very straightforward. Another role I almost forgot to mention is A Star is Born. That working up into your success may be something people like to see, real or fake. Use it. 
✯Sign: Capricorn
Hard work and discipline is what Capricorn does best, and same with being straight forward. Look at where Capricorn is in your chart to know where you need to put hard work and put elbow grease into. Embody a natural (yet humble) boss energy, and bring it to the table. Don't let your standards drop wherever it rules, and because Saturn is Caps ruler, don't try to cut corners wherever it lands for you. Put in your all to get the benefits and rewards you deserve. 
☆11th House☆
Goals! Aspirations! Friends! Fans! Humanitarianism! Look at all of that shit oh boy, you can see why in natal this is the house you look for when it comes to getting attention. But in this case, it can talk about the goal(s) you have when it comes to acting. What message do you want to get across? It can tell you where/how to set your sights to achieve the goals you want. It can also tell you how you channel your giving nature when it comes to acting/writing. Having heavy placements here could point to wanting to get a message across with your acting (like don't do drugs, murder bad, you know the drill). This can also tell the kind of friends you make, or how you evolve them. You may have a preference for working with people you're already friends with/attempting to lift them up (which sorta pairs with humanitarianism if you squint). This can also tell you how your fans may perceive/treat you. That's more straightforward like if you got Neptune there boom they're delusional. You got Mars? Mean as hell (I'm joking I'm 5 drafts into this post work with me here)
✯Roles
Ensemble roles may call to you, as this house is opposing 5th, there's less of a want of the spotlight on you, while still remaining the center focus (like for example shows like The Office and Brooklyn 99 are ensemble, but the main couples of those shows are considered the main characters). You may get roles that involve a community setting such as school, some form of class (dance, music, etc), something that brings society (or a micro version of it) under a microscope. This placement could point to friendlier roles, or if not friendly, the characters you play may be played by friends like I mentioned in the general section (working with the homies). Tech related roles may also appeal to you (like heavy CGI, playing the tech wiz friend), the syfy genre, or a futuristic setting are things you may like to play.
✯Sign: Aquarius 
Uniqueness, individuality and a new perspective is what this sign brings when it comes to The Craft™. The Aquarius Leo axis is (imo) important to look at when it comes to things such as creativity and fame, so if Leo shows where you need to step out and shout to show your uniqueness, Aquarius shows where you need to step back and let your uniqueness shine on its own. Wherever it is in your chart is where you may need to think outside of the box and bring a new perspective. Use the classic Aquarius quirkiness to your advantage with whatever placements you have under it, and don't be afraid to be different from the rest.
☆12th House☆
In acting, this house is you. While 8th house does rule over hidden and can be what you keep private, 12th can just be what you do in solitude. It can tell you how your mental health could be affected by acting/how to heal it. This can tell how your spirituality comes into play when it comes to acting (do you do any sort of rituals kinda thing). The vibe of this house is to remain hidden, and most likely to keep to yourself, so it can say if you like being in front of the camera, or simply in back of it. Heavy 12th house placements could point to working well behind the scenes to direct, or produce instead. It can also tell you how people may hate you. That's pretty straight forward, but keep in mind it's always hidden. 
✯Roles
Like I said before, these placement roles may be better suited out of sight, meaning, directing work, editing, and generally keeping hidden may be things you like. Other roles could be more mental and quiet ones. Like 8th house, these roles require you to dig deep. Method acting could be something that appeals to you to get yourself in the headspace required for acting. With heavy 3rd house placements it could point to voiceover/audio work (just wanted to make that clear). Roles that talk about mental health and the brain activity behind it could appeal to you.
✯Sign: Pisces
One of the natural signs of creativity and daydreaming, it can well, tell you where you daydream too much. Where you're so far up in the clouds you need to ground yourself in order to make things happen. Use the Neptune ruled planet to take the projection you get from others into attention, and wow them with the creativity you were born with. Where Pisces is in your chart, you may need to remember to stay focused, bring creativity into it, and could just simply tell you where you harbor the most dreams. This, like other water signs, can tell you where you may need to trust your intuition more when it comes to acting. 
Ok planet time teehee
Sun: The roles you shine in and the environment you thrive in, what you may be known for acting wise and simply which roles you slip into the easiest.
Moon: The emotional energy you put into your roles, how you can tap into your emotional side when getting ready for a role.
Mercury: Your style of speaking/line delivery, how you write scripts, + 1 for voice acting.
Venus: Love interests (who you play or you you’re paired with), the style of clothing you may wear the most, aesthetics you may embody.
Mars: What topics you may have a passion for, the kind of anger you can have as an actor, or just general frustrations others may have with you, the driving force of your acting.
Jupiter: The success you get as an actor, what area of your life expands with it, how/what kind of travels you may take, your general acting philosophy.
Saturn: What you may need to work the hardest on/just constantly work at, restrictions you may have as an actor, delays you could have if you don't work with Saturn, and where you could reap the most benefits.
Uranus: The uniqueness you have as an actor, (looking at aspects) things about you that may stand out, the part of your life they could get shaken up/changed the most because of acting.
Neptune: A big indicator of the roles you'll get as it rules projection, also what part of your career people will project onto the most, what misconceptions others may have about you as an actor.
Pluto: What transformations you may have as an actor, there you may experience a downfall (and we do a lil trolling), where you may have more intensity when it comes to your career/how intense people are with you.
North Node: A path that may appeal to you when it comes to acting/things that are outside of your comfort zone that you need to master
South Node: Where you’re the most comfortable/your comfort zone, things that come easy to you
Common Elements (I literally forgot to add this section so I’m naming it what it’s called in Astro.com lmao)
Pars Fortune - Where you may be fortunate in terms of acting
Vertex - Qualities/Situations you’ll be destined to go down
Lilith - What feminine qualities you embody and where you may feel the need to have liberation 
Chiron - Where you can experience the most pain when it comes to acting, or experience the most healing/be healing to others 
Ceres - How you take care of yourself and others in your work
Pallas - A natural skill you may have when it comes to acting
Juno - The partnerships you may form in your time acting
Vesta - Where you have an undying dedication when it comes to acting
Asteroids to plug in teehee (Feel free to suggest more PLEASE)
Starr (4150) - Stardom and where you shine
Glo (3267) - Where you have a general glow/stand out compared to others
Fama (408) - Fame and Gossip that could revolve around you
Fan (151590) - The fans you may have/why they like you
Talent (33154) - General talent/a specific knack you may have
Fortuna (19) - Where you’ll experience the most fortune)
Thalia (23) - Comedic presence/ability
Copy:
4150,3267,408,151590,33154,19,23,
Ok!! There it is there's the post I've been sitting on like a silly little fella who just hates posting. Let me know what placements you have! I'd love to hear it/if you have any questions let me know, and I'll see you next posts ok now stop reading seriously get outta here
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the-s1lly-corner · 6 months
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TADC cast x short and fluffy reader? (Maybe the reader has an extra fluffy tail)
TADC cast x short and fluffy!reader !
Ooo I wanna make brioche, but I also wanna make macarons... but I also wanna make scones... OOOOOO but I also wanna make butterscotch haystacks (having a crisis) (this is totally unrelated to the ask I just be yappin)
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CAINE:
Now to be fair, you didnt specify how short you are so to Caine you're probably just normal sized/j .. absolutely loves your fluff, probably runs his hands through it every chance he gets, regardless of if its hair, feathers, or fur! Since you're on the smaller side he can pro comfortably hold you in his arms while flying around! Loves showing you how the grounds look from above, I think!
No thoughts only Caine taking you up to fly over the grounds while its nighttime and you see all the lights down below and everything looks so pretty!!
He wont drop you I promise
POMNI:
You're normal sized in her eyes/j
Keeps her hands to herself but if you offer to let her pet your tail! Good stress relief, I think! Pomni never really initiates it before you offer, though, since she doesnt really want to invade your personal bubble
Please communicate with her that it's fine and it's not something you mind!
RAGATHA:
Occasional pets! She kind of lies somewhere between pomni and jax in terms of how much shes going to pet you without any prompting! More so a head pats person than a tail.. stuff?? Trust me the "tail stuff" makes more sense when you read jax's part..! Doesnt make fun of you for your height, i just cant see ragatha doing that. I was originally gonna say she would make petnames for you based on it, but I'm not actually sure she would.. has probably made bows and stuff for your tail!
JAX:
(Bumping my fists on the table) jax fidget hc jax fidget hc !!!!! Messes with your tail when its within reach; usually just messing with the fur or lightly bapping it around and watching it instinctively move around in response! He would already tease you for being shorter than him... but if you're actually below the average height (or at least, the average within the digital world) then hes gonna lean really into it! Makes a show of getting something down for you, probably overstretches himself and gets on his tip tops to sell the point (he, of course, not needing to do any of thst thanks to his height)
KINGER:
The "how to talk to short people" meme but hes on the incorrect side by crouching down to your height/j he doesnt mean anything rude by it..! Sometimes likes to mess with your tail by petting the fur when you guys cuddle inside the pillow fort! Honestly I can see him with a fidgeting habit, too, like jax! But I think his is less intense and he has a little more restraint.. that said once you give him the go ahead hes gonna be constantly petting your tail if it's long enough
ZOOBLE:
(Watches your tail swish around) "oh... cool.."
Zooble doesn't exactly feel this way or that about your tail, however I will say you extra fluff makes cuddling with them more enjoyable since they look like they're made of hard plastic (Zooble I'm sorry I love you)
Probably lightly teases you for your height; not to the extent jax does it but they probably let out a flat "haah.. short.." when you briefly struggle with something non important
GANGLE:
Short person x person who can (physically and emotionally) be knocked down easily; you guys both have your own struggles/j
Would never ever in a million years make any mean comments on your height, and this includes teasing and nicknames; she doesn't have the heart to even lightly poke fun at you
Petting can be a little weird, since gangle doesnt exactly.. have hands.. I mean she does, but they're like the ends of ribbon; she doesnt have palms or fingers, nor can she put the most force behind her touches (at least that's my personal hc, she doesnt strike me as someone who's. Strong... or even proportionally strengthed? Idk shes ribbon)
Very silly she loves it when your tail starts swishing around when you see her!!
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kurosstuff · 1 month
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Feel free to ignore this if it's too confusing, I myself got a lil confused while writing this.
A'ight so.
✨siren!vaggie x human!fisherman!reader x siren!charlie✨
One of the two gets overly curious and gets caught in one of readers nets, maybe charlie (sounds like smth she would do) and reader finds her and vaggie trying to get her out. Reader pulls out her fish knife to cut the net but vaggie gets the wrong idea and tries to stubornly fight her on land with her bare hands while the reader is franticaly trying to explain that she just wants to help. Just some silly first meeting shenanigans.
OMG Y3S- THIS IS SUCU A GOOD IDEA HELLOz
Also Idk anything fishing. I went fishing once when I was a little kid also short fic♡♡
LIKE UH- Charlie being a siren which? Are cruel creatures the counterpart to mermaids who are innocent(in a human aspect) kind? Like she actually is? He'll y3ah.
Siren! Charlie x fisherman!reader x Siren!Vaggie: unexpected meeting
Being a fisherman is fun- you don't have to worry about other humans stealing from you. Not usually- nor interacting with them. Just can sit back on a your deck waiting for something to catch in your net.
But there's a huge downside. You'll have encounters with other monsters. Land or sea doesn't matter. But- the one you've always hoped to never encounter. The one you like all over fisherman were warned about.
Sirens.
As beautiful as they are- just like mermaids yet oh so different. Known for luring any human to crash or to get into the water. To eat. Hell apparently- they don't always need to eat. They hunt for sport.
They hunt humans for fun
Shivering at the thought, you hummed, having to be more cautious as you set a net out into the ocean humming softly. Apparently, more monsters have been spotted - blinking, you turned hearing your name be called seeing the grumpy old man go up to you huffing. "You be careful, ok, kid?" The man grumbled the as usual Beer in his hand, making you frown - raising an eyebrow, he grunted "you don't know do you?"
"Know what-"
"The fucking siren sightings" he cut you off growling glaring in the water "twos been spotted near the town. You gotta be careful. You know the rules with handling them, right?" Seeing you nod, he hummed, patting your shoulder "after you're done. Come to my bar. I'll get you a drink. On the house. Owe you one anyways-" without waiting, he walked off.
Sighing, you nodded, slowly moving to set out your net. Never was a fan of using the pole. Making sure it was ready, you cast it into the water moving to sit on the chair you brought along sighing.
Now. You wait.
-
It was uneventful. Hours you waited. Nothing- it usually didn't take this long to get a pull from any fish. It was always active. Now? It wasn't. Like the fishes weren't around.
It was weird.
You almost gave up abour to pull the net in calling it a day- wasn't unrare of getting nor good pulls. Just rare to get none.
Before a pull from the net making you grin, "YES!" You cheerer pulling the net in- needing to use more force "fuck big catch today huh-" taking so much longer to pull in then usual.
You wondered what fish you caught' or like your luck. What trash did you bring in
But the second you pulled the net our. You stared at the being in the net. "What the fuck" you choked out confused at what you were even looking at.
A siren.
A fucking siren is in your net.
"H-hi, my names Charlie-" the siren spoke speaking, but you didn't really hear her as you stared. Confused. "So uh.. can you.. let me go?"
"But.. your.. a siren. You'll know?" Gesturing to her claws making her look down yelping looking up at you like a kicked puppy. As if you just told her a horrifying thing
"I'd never hurt a human!" She stuttered out, shaking her hands,"not intentionally - accidentally yeah sure their like super fragile, but.. no- no- sorry i -" she rambled. Blinking, the more you watched, the more you sighed. She - wasn't actually that dangerous. Well. She is. All sirens are
But she was like- a puppy? A sea puppy,
"Ok"
She froze, looking up at you, confused, her rambling cut short "ok I'll get you free-... need to get my knife to cut you free. That's the only way ok?" Seeing her nod, you hummed, pulling out your large knife walking to her
A bubbling noise was heard as you cut the net freeing her- not seeing her panicked face. As she watched the water. "Hey, you ok -" you were cut off by a blur jumping out of the water snarling loudly with a deep hiss charging right at you
"VAGGIE! NO-" the one siren from the net screamed out as another jumped onto you cutting your arm making you kick her off scared- terrified.
Is this how you die? From helping a siren? To be killed by another?
How unlucky can you be?
Holding your cut arm from the grumpy snarling siren- apparently named Vaggie as Charlie? You think - rushed forward, smiling, acting as if she was a mermaid. But - she's a siren, right? "Oh! Yes! I am a siren! But uh.. don't worry, me and Vaggie won't hurt you well... not again!" Charlie laughed awkwardly, rubbing her neck making you flush in embarrassment.
You said that aloud.
Sighing, glancing at vaggie, kicking the knife you used to free the taller siren for from you praying. That wasn't a mistake the snarling slowed, calming down "no no- i- sorry I was just trying to get some food- I uh- didnt mean to trap you.. didn't know sirens like- came here?"
Charlie grinned, nodding excited "oh! Me and my girlfriend Vaggie-" gesturing to the grumpy siren who glared you down "were cutting through were to meet with some mermaids-!" Smiling happy ad you hummed
"Mermaids? Seriously. Ok- Charlie, right?" Seeing her nod in agreement, making you hum softly "the mermaids aren't here. Well not now. Their off doing some hunting and what not. But careful you two. People know your here and not everyone will be nice like I am to you two"
That caused Vaggie to be on edge more so then she was already while Charlie? Didn't look worried at all.
Which concerned you.
"Wait' Charlie- don't tell me are you still gonna continu-" you were cut off by Charlie jumping into the lake. Swimming off as Vaggie stared at you. Unreadable
"I'm sorry" she spoke for the first time Grunting it out as if she never- or hardly spoke or apologied "Charlie does this. Jumps into things without much thought" making you nod slowly trying to understand- before you could reply to her.
She was gone. Following Charlie.
Staring off watching them both disappear you sighed. "..that's it I quit" you grumbled turning to pack up
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hiii! first request ever so I'm a little nervous lol
I was thinking about BSD characters reacting to a reader who's been singing their whole life, but has been made fun of so much about other things that they just keep this passion to themselves the whole time. but they sing alone in their room, so the characters can hear them before coming into our world!
idk I think it could be very cute, what do you think about that?
Here you go. Hope you enjoy.
When you like to sing
Self-Aware! BSD characters x GN! Reader
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Warning: OOC. English is my second language.
__________
When you were a teen, you have learned one thing. People can be jerks about other people hobbies.
"I like collecting vintage wines"
"Why? Better spend this money on something more useful."
"I like collecting post stamps."
"Why? What's so interesting in looking at pieces of paper?"
You also were laughed at a few times.
"I like watching anime."
"Aren't you too old for cartoons?"
"I like drawing for myself"
"Why not show your art to everyone? What's the point of drawing for yourself?"
After having some of your other hobbies been laughed at, you stopped talking about your interests. It's not like you were afraid of been laughed at, but, it feels unpleasant, when your interests called 'childish' or 'silly'.
One of your 'secret' hobbies were singing. You never tell anyone, that you liked singing and keep It to yourself.
You were singing in your room, when you were alone. You sing many songs, doesn't matter, where they were from. You sing songs in your native language but also songs in foreign languages
You were fine with keeping your hobby for yourself.
But, unknown to you, you got an audience.
__________________
�� The Cast likes when you are singing. Not only they can hear your voice, but they also are learning about songs from your world.
🐾 Will learn some of your favorite songs, so you can sing them together.
🐾 Doesn't matter, if you are not the best singer. Singing makes you happy, and you don't bother anyone with your hobby, so, they won't protest.
🐾 Many of the characters will have their favorite songs among the songs you have sang.
🐾 Were existed, when you were singing BSD openings and endings.
🐾 When they get into your world, will complement you for your singing voice.
🐾 Now you have fans.
🐾 If they see, that you are uncomfortable with sharing your hobby, won't talk about it until you are ready.
🐾 If you sing 'ear-wormy' songs, characters will be grumpy, but still will hum the lyrics under their breath.
🐾 Some of the characters (Dazai, Atsushi and Ranpo) start liking karaoke. Want to go with you, when they have a chance.
🐾 Adore the fact, that you are happy, when you are singing.
🐾 In general, very supportive, won't judge you for your hobbies.
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keepthebeanscool · 4 months
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hi !! ok so i got this rb on my post with a screenshot of mariah’s tweet abt jon matteson signing the mariah ethan petition and i figured i respond to it cause ive seen other people saying similar things.
firstly, i didn’t create the actual petition, idk if this person thought i did but i thought i’d just make that clear. the person who created it did use my art and they tagged me so that’s how i originally found out abt it.
anyway, i basically agree with everything said here, i don’t expect mariah to take over the role, i dont WANT mariah to take over the role, i love joey ethan and when i drew mariah ethan my only intention was to create a fun little hc that could stay within the fandom. and that’s still my intention, i love seeing art of her and ppl talking about her but i don’t want mariah to actually take joeys role.
however. i realize that a lot of stuff ive said probably comes across like i do want her to replace the role which is mostly why im making this post bc i don’t. want people to think that. and i am sorry if anything i said or did was disrespectful, i did not mean to but i can see how the petition situation definitely was and i apologize.
specifically with the post this rb is on, i was honestly a little weirded out by the petition as well, i talked about it with some friends and we kind of came to a general consensus that it was kind of toeing the line of disrespectful but overall that it wasn’t a huge deal. and when jon apparently signed it and mariah tweeted about it i figured the actors didn’t mind too much either, so i made that post just being like “wow the actual actors are engaging with our silly bits again.” that’s all i meant to convey with that post, i figured the petition was just a bit that would last a day or two and then everything would go back to normal. which is pretty much what happened i think
Anyway. this is so long sorry but my main points are that my intention with mariah ethan is just a silly little hc and im sorry for being disrespectful and making it seem like i was trying to genuinely switch the casting.
and basically like. directed at the general public, don’t actually try to pressure starkid or mariah into doing anything! we can have joey ethan and also have our mariah ethan hc and love them both!
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cowgurrrl · 1 year
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Losing My Cool
Pairing: rockstar!joel miller x actress!reader
Author’s note: shortie short but I’ve already got another part half finished 🤠 fic named after this song
Summary: What do they say about all good things? [1.1k]
Warnings: yearning idiots, probably incorrect interview technique, idk what else
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A PA brings you over to your mark and instructs you to stay there until your name gets called, which seems simple enough, but she stays nearby to make sure you don't wander. It feels a little silly to always have to be babysat, but you brush it off, smoothing your hands down your blue dress and taking deep breaths. You've done late-night shows before, but they still make you nervous, especially since you know just how many people watch them. Ryan sent you a video of Elizabeth sitting in front of the TV, watching an ad for tonight's show, and cheering when she saw your name and face. So, who knows who else might be watching if your five-year-old goddaughter is?
You can hear the introductory remarks, laughter, and applause that come with them, but you miss the voices whisper-arguing behind you. They die down by the time your brain wraps around the sounds and decide to stay focused. And you do. You run through what you want to say about the movie, fun anecdotes, and easy ways to skate around questions about Joel. You feel settled and prepared until familiar hands wrap around your middle, making you jump and turn in his arms. 
"You're gonna get me in trouble," you say, and Joel smirks.
"I had to convince the production assistant to let me come kiss my girlfriend for good luck."
"You're getting fast and loose with that term, huh?" 
"D'you want me to stop?" He asks, his thumbs swiping over your hips, and you shake your head.
"I kinda like it."
"Good," Joel says as the band starts playing, and you push at his shoulders. He quickly kisses you, his hand lingering on your lower back for a second longer than necessary, before rushing away with a mischievous look on his face. "Kick some ass!'
You laugh at the sentiment as your name gets called from the front of the stage, and the curtain opens enough to let you walk through. You smile and wave to the audience members as you walk over and shake Jimmy's hand. "Thank you so much for being here," he says so only you can hear, and you smile. The band vamps until you sit in the plush chair beside his desk and accept the applause when he repeats your name.
"It's so great to see you! You look fantastic!" He says, and you smile as you run your hands over the skirt of your dress.
"Thank you! I'm so happy to be here."
"Well, we are very lucky to have you. You've been a very, very busy lady these past few years. When was the last time you were in New York?" He asks, and you puff out your cheeks as you think.
"At least four or five years."
"And you went to school out here, right?"
"Yeah, I graduated from NYU. I was lucky enough to earn a full ride on a merit-based scholarship which doesn't happen very often, and once I graduated, I did a few projects here in the city before getting my first movie deal out in LA."
"That's amazing! And since then, you have been nonstop. I mean, you are everywhere. And you have a new movie coming out called Red Dirt Girl," he says as he holds up a picture of the movie poster, and the audience cheers at the image. You reach out to boop Lilly's nose and feel yourself smiling so hard that your cheeks hurt, but you're so happy. For once, it feels genuine. "What was it like to work on this film?" 
"It was just the opportunity of a lifetime. We filmed out west around the Colorado-New Mexico border, and I hadn't even been out there, so it was so fun getting to know that area and working with the cast and crew. I mean, it was just like coming to work and having fun for twelve hours a day, and then we all lived in the same building, so we would just keep hanging out, and we got to be really close."
"And the girl who plays your sister, Lilly Porter, is just phenomenal for someone as young as she is. Did you find yourself getting protective of her?" 
"Oh, absolutely. Lilly just turned sixteen about a month ago, but when we were filming, she had just turned fourteen, so she was really young, and I hadn't worked with someone that young that closely. And we had a day where we just sat down and talked for hours, and she's such an old soul, and she's so smart, but, I mean, we both know how hard the industry can be. So, I set her up with people I trust and gave her advice I wish someone had given me. I got really close with her family, and, of course, they are fantastic people as well. So, it was a learning curve for both of us, but she is an amazing, beautiful person, and I'm so lucky that I got to work with her. I totally consider her a little sister now." 
"Which is ironic considering that you guys butt heads so much in this movie."
"Oh, yes, we do."
"Let's take a look at this clip here," he says as a short clip from the movie comes up on the screen behind you. Lilly's character, Sabrina, is arguing with your character, Jo, about getting sent home from school because of her behavior. Lilly perfectly portrays the annoying little sister as she stomps through the house, making sarcastic comments and driving you up the wall. The clip ends with Sabrina telling Jo that she's just like their mother, which obviously, hits Jo right where it hurts. You smile and clap along with the audience as the clip ends. "Wow! I mean, just fantastic! Were those scenes hard to shoot?"
"The scenes where we were fighting were really hard to film because I just love her so much, and I never wanted to yell at her, but Lilly was absolutely brilliant because she would do a new thing each time we shot the scene that would completely throw me off. So, like, one time she knocked over a chair or slammed the door so hard that pictures fell off the wall, and it would startle me each time, and then it was pretty easy to access that anger after that." You laugh, remembering the time you accidentally did raise your voice because she scared the shit out of you. 
"And did the director tell her to do that?"
"No, she just did it! And Peter, the director, was just sitting there like," You cross your arms over your chest and lean back in the chair, copying the famous Peter Jankowski slouch, and nod, pretending to chew gum. "And like, that's it! Which is great! You always want a director that will let you try things, but I was given no warning." Jimmy laughs at the story and seamlessly transitions into a commercial break. 
The rest of the interview goes smoothly, with you promoting the movie and even playing a game where you had to answer New York City trivia facts. Appearances like this can actually be really fun when they're done right, and you always have a good time when you're on the Tonight Show. As you're leaving the stage, Jimmy tells you that you and Joel have to get dinner with him and his wife the next time you're in the city, and you agree, knowing that it will probably never happen. 
You're excited to see what Joel will say about how things went, but when you go backstage, he's nowhere to be found. You don't find him immediately in the wings where you left him or in your dressing room. You almost ask the PA if she saw him leave, but she's dealing with five million other things, and you doubt she would've noticed even if he did. You furrow your brows as you fish your phone from your purse and type out a quick message to Joel.
Hey! Where are you? I just got done.
The message delivers even though his phone is on Do Not Disturb. You think about calling him but figure he might've just gone back to the hotel room before you. Paparrazi gets pictures of you leaving the studio alone and shouts questions at you, wanting to know where Joel is. You don't answer. You just get in the car and try to get back to the hotel as fast as possible. Truthfully, you're a little embarrassed. You looked around for him like a lost puppy backstage, and now you're just dutifully returning to the hotel to look for him. It also doesn't help that you were photographed arriving with him but not leaving with him. You can feel Melanie's migraine from here.
When you scan into the hotel room, all of Joel's stuff is gone. His clothes, shoes, and even his razor have all disappeared. You were there for an hour, maybe less, and he just left? Your phone buzzes in your purse, and you quickly pull it out to see a text from Joel.
Ellie had an emergency. On the first flight back. I'm sorry. I'll make it up to you.
You sigh, plop down on the now too-big bed, and kick off your heels.
No worries. Take care of your baby. I'll see you when I get back.
Thank you. I owe you.
You don't owe me anything, Super Dad. Just text me when you get home, and keep me updated. Let me know if you or Sarah need anything.
He starts typing something before deleting it and then typing again. For a moment, you two stare at the same screen, waiting for the other to say something even though he's at the airport and you're in an empty hotel room. Your heart clenches in your chest as he types and types and types, just for the bubble to disappear as fast as he did.  
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soleilnomoon · 1 year
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geto suguru x fem reader | issa toxic affair, y'all.
6.2k words (i know, i know), fem reader, nsfw, 18+ mdni; angst city, angst angst city biiitch (yk the vibes) & smut (obvy); feat. cute stuff like a lil' degradation, toxic ass relationship, a lil infidelity, obsessive love & jealousy, lovers 2 exes 2 enemies 2 lovers, public indecency, hand job, oral (f receiving), knife play, a lil bit of blood kink, alcohol, geto is a certified asshole & but reader gets him back, yandere reader bc i love being toxic, gojo makes an appearance! also idk other stuff probably idr ok; also reader is black bc i said she is. this is for @510hz's how to be a heartbreaker collab event (ty so much for letting me participate, i had fun truly). this was inspired by mariana's "power & control"; there's also a lil inspo from "the glory" in there, you'll see. it took me forever but i survived, i hope y'all survive reading this 🤭 (if u see typos/grammatical errors no u didn't)
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“you horrify me. but at the same time, / i horrify myself. we are horrible.” – hélène cixous
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there’s a name for the disease you have; it’s called foolishness, or, in layman’s terms: love.
your mother warned you long ago, to guard your heart — to ensure that no man could penetrate the thick walls encasing it — yet there you are, a silly, pathetic thing scurrying behind a man who would readily cast you aside if it suited him. you truly did resist him at first; you rebuffed his advances with polite smiles and curt responses, yet he persisted daily and, in hindsight, obsessively.
it’s in his nature, after all.
a man like geto suguru simply does not concede if his pride is on the line — and your initial rejection did, in fact, bruise his ego; although, he’ll never openly admit that.
when he does manage to wiggle his way into your heart, with his charming smiles, small gestures that you somehow misinterpret as kindness, you steadily fall for him. it’s not your fault, not really. geto is just that damn good at figuring people out; and with you, it wasn’t difficult. he found it remarkably easy to sway you, he almost felt bad.
almost.
the first few months are pure bliss; he picks you up promptly for dates, takes you to nice restaurants in the city, pays for spa days and shopping sprees — buys you things you never really allowed yourself to buy on your own, surprises you with lavish floral arrangements that make you cry needlessly over how tragically romantic he’s being. and, suddenly, your heart, which was so strongly protected, becomes vulnerable and falls under his control. it flutters around helplessly in the gilded cage he’s crafted for it — a too-tight fit, where every time you exhale you feel the thick bars pressing tightly and you suffocate — but still, love makes you think that all of this is worth it in the end.
as long as geto calls you his, that’s all that matters.
when he calls your phone, you pick up on the first ring, eager and desperate —to hear the dulcet tones embedded in his voice, the words saccharine and carefully picked; things you’ve always wanted to be told, he whispers them all to you before you fall asleep.
but the thing about geto is, boredom is never too far away from him.
it wraps itself around his arms one morning, slithers along and drenches his skin, completely warping his sense of morality — making him much more severe and uncaring than he normally is. all your cute, quirky traits become bothersome to him; he tires of your laugh, doesn’t care to see that sparkle in your eyes whenever he shows up at your front door, and listening to you drone on and on about things that you like bores him to tears.
when he fucks you, it’s impassively, as if it’s something he needs to tick off his list of weekly duties, rather than something he chooses to do because he genuinely wants to be intimate. you don’t question it at first, but it becomes painfully obvious — and awkward — when he leaves every time, not bothering to kiss you goodnight or even look your way. your mind is cruel one morning, when you reflect on how sex with geto is mostly about him getting off and not you; it never bothered you before, but as the months go on, it starts one of many tiny cracks in his veneer.
the rejection is unbearable — tangible in the way it makes you sluggish and depressed — but you deal with it; you must, after all, he’s the love of your life. you simply can’t imagine being with anyone else now.
geto becomes the very man your mother warned you about, but you ignore it without question.
love is work, you remind yourself for the umpteenth time as you sit in the back of your favorite restaurant, checking the time repeatedly and seeing that he still hasn’t shown. you’re in a modest dress with a slit down the side and you’ve already downed two glasses of wine without him. it’s been forty minutes, the server keeps checking on you, giving you pitying looks despite your smiles and insistence that your boyfriend is definitely on his way.
but the longer you sit there, the less sure of that you are.
eventually you leave; they don’t charge you for a thing and you thank them for their kindness — pity, really — and head home. you try calling geto and get his voicemail again; so you leave yet another teary message, this one more incoherent than the last two, and toss your phone onto your vanity before crying yourself the sleep. you don’t know what to do with this feeling — the hopelessness is eating you alive; or maybe it’s just the wine making you overly sensitive.
geto knows he’s an asshole and relishes in it.
he has his notifications silenced while he’s downtown with a few close friends, partying in an exclusive lounge, drinking until his head grows heavy. he doesn’t remember how he gets back to his place, and barely remembers who he fucked that night, but he does have the common decency to kick them out come morning. he’s hospitable like that. his head throbs as he scrolls through his phone, promptly ignoring the twelve texts from you and the fifteen missed calls. gojo called him heartless last night, which he thought was ridiculous — he has a heart, it just doesn’t always work properly; geto now assumes gojo was referring to his mistreatment of you.
something about that nags at him a little, so he decides to play nice and call you back. the phone continues to ring as he lounges on the plush couch in his living room, causing him to frown; very strange. you normally pick up for him right away, but you’re not answering. he should be concerned, but he chalks it up to you sleeping and decides to try again in an hour.
after his third time calling, annoyance turns into anger which fuels his petty jealousy.
what could you possibly be doing that would require you to ignore him — him — of all people?
“y/n,” he says as calmly as he can while his hand grips his phone tightly, it’s his fourth voicemail, but he doesn’t really care. “i don’t know what game you’re playing at, but i assure you… you won’t win.” he doesn’t elaborate past that, and instead throws his phone at the nearest wall — not bothering to pick it up once it clatters onto the hardwood floor. his anger surprises him; subduing certain emotions is an art for him, so all of this feels very new and uncomfortable.
he tells himself this weakness is only temporary, and that you’ll come to your senses too. except, you don’t. you don’t call him back; you don’t bother texting, and you don’t listen to his voicemails until three days later. when geto finds you, you’re in the middle of rewatching your favorite show for the tenth time, eating leftover pizza in your pajamas.
with his nose wrinkled, geto shuffles through your apartment, taking note of the pile of dishes in your kitchen and the way you’ve completely let go of yourself. he’s appalled that a woman like you has succumbed to the frivolities that accompanies hurt feelings. he even says as much to you when you fail to greet him or acknowledge his presence.
it's when he turns off the tv, that you blink several times, sluggish and confused before realizing that the beautiful man before you is not a figment of your imagination.
“suguru,” you sound his name out like it’s unfamiliar, your tongue thick from keeping quiet these past few days; your mind’s a mess, you’re still reeling from the betrayal of him clearly abandoning you, discarding you like you’re just a toy that he’s long forgotten on the street. he snaps his fingers impatiently in front of your face to get your attention again.
“wh-what is it?”
he frowns again. “what do you mean ‘wh-what is it’?” his mockery of your voice and his accompanying sneer is unbecoming of him, you think, but you don’t say that out loud; instead you put down the pizza you were nibbling and yawn languidly.
“you don’t have to be an ass,” you remark carefully, finally glancing up at him as though you’re seeing him for the first time. love muddled your vision, but now you can see geto suguru for all that he is. a liar, a conman, a shitty human being; but most importantly, he’s still the love of your life. you take that last bit seriously; maybe a little too seriously.
but love has a way of making you foolish in ways that are incomprehensible to others.
geto narrows his eyes at you before his lips twitch and he laughs at your insolence. “okay, that’s fair. i did stand you up, after all.”
you turn back to the tv and shrug, flicking a few crumbs off your shirt. “doesn’t matter. what’s done is done.”
for some reason, your apathy agitates him greatly. your tone is off — detached, devoid of the usual joviality that you have whenever he’s around; he figures that he deserves that, but he knows you won’t be mad at him for long. you never are.
“don’t get ahead of yourself, y/n,” his words drift through the air, venomous and well-practiced — he’s mastered the art of tearing down others without even trying — his annoyance reaches its peak when you ignore him and he exhales loudly, as if the entire situation has bored him to death. “since you obviously don’t give a damn about my presence,” he starts, not bothering to hide his malice or irritation, “i’ll give you what you want.”
which is space. permanently — at least, that’s what he thinks you want anyway. he slams the copy of your apartment key onto the coffee table — something that would’ve made you flinch days ago, but you’re so numb you barely notice.
it’s unbelievable that after a year, this is how you treat him; maybe it’s for the best that he’s breaking up with you. after all, he’d never be able to tolerate you having the upper hand in the breakup. still, it does concern him a bit that you’re not reacting in the way you usually would; did he honestly break your heart that badly that you’ve taken to retreating to the far recesses of your mind? not that it matters to him; you served your purpose and wore out your welcome eight months ago.
he just needed a reason to end it.
once he leaves, you feel like you can breathe again. and after a few minutes, you realize what just happened. you scramble off the couch, heart beating rapidly, palm slick with perspiration as you yank open the door and call out to him.
but he’s long gone; already driven off, ready to take on the world without you.
you wear your rejection like a bruise that won’t ever heal; each word said, each call and text ignored, is like a punch in the same spot over and over.
will you ever be able to move on properly?
it’s not really his problem if you can or can’t get over him, as he’s already moved on within the hour. the thing about geto is, he always assumes he’s the one in control — that he holds all the cards in his hands; but he isn’t. he forgets that you’re entirely too observant for your own good, curious, resourceful, and lethal when provoked long enough. you foolishly grab your car keys and drive to his place in the middle of the night; you ignore traffic lights, drive faster than necessary, swerve in and out of traffic as a fit of madness course through your veins.
love continues to delude you into thinking that there’s a way to fix it all; there has to be, it’s the only thing you can believe in right now.
you think about ringing his doorbell, think about calling and texting, think about just banging on his window and demanding he let you in. but you don’t. instead, you lean against your car, dark, heavy clouds looming over that part of the city as rain comes down hard and practically oppressively.
but you don’t move.
you stand there, shivering; soaked from head to toe, hands balled into fists — his last words playing over and over in your mind, like a song you can’t seem to forget. and every time you hear his voice, your heart shatters a little more; you imagine he’s having fun inside, laughing with gojo and whatever new flavor he’s decided to whet his appetite with. you want to give him the benefit of the doubt; maybe he’s having a bad week? maybe he didn’t mean to break up with you; but the longer you try to convince yourself, the sharper his betrayal becomes.
the truth is bitter, inedible, and harsh; it clamps around your mind as the remnants of your heart morphs into ash.
you bite your tongue hard enough to draw blood, but you don’t feel it; how can you, after all that’s happened?
eventually, you hop into your car and drive to your best friend’s house — she’s the only one you can go to, now that you’ve realized that geto is serious about leaving you. after pouring your heart out and downing a few more glasses of wine, your best friend takes you by the shoulders and shakes you repeatedly.
“y/n,” she says calmly, eyes soft and warm, “honestly, babe, you need to move on from him. is he worth all of this trouble?” you consider her question, roll your bottom lip in between your teeth before answering properly.
“of course, he is,” you say quietly, and then a little louder, “my love for him is so strong that i actually think i hate him.” you’ve never seen your best friend so speechless in your life, but there she is, unable to formulate an appropriate enough response to talk you out of this.
but the thing is, as soon as those words leave your mouth, it finally clicks; all the pieces to the jigsaw puzzle set perfectly in place. how could you have been so foolish?
you love him so much that you hate him, and your hatred is so strong that it can only be perceived as love. it’s irrational, maddening, incredibly toxic; but you revel in it. you know what you need to do, you just need time to do it.
days blend into weeks, and weeks to months; you sell your soul to get back your dignity, that determination that geto stupidly overlooked continuously fuels your quest for revenge. you disappear from the city, change your phone number, leave your apartment, and become a nonthreatening ghost from geto’s past. he forgets about you every time he sleeps with someone else, forgets about you whenever he goes on vacation, forgets about you as he whispers the same sweet things to another over and over and over again.
his ego is something to be marveled, and he feels a little unstoppable these days.
six months later, geto finds himself at a stuffy gala — one that his company’s holding to legally siphon money from the upper 1% under the guise of philanthropy — and spends most of the night dodging gojo’s questions over another failed relationship.
“you really don’t think you’re the problem?” gojo says in between sips of champagne, eyeing his best friend through his dark shades, and smiling as if he already knows the answer to that particular question.
geto lets out a frustrated groan and rolls his eyes. “i’m not doing this with you.” because the last thing he needs, is gojo killing his buzz. he glances at the people in attendance, dark eyes flicking over each guest, seemingly uninterested in any of them until you walk in.
he’s not sure it’s you at first, as your beauty captivates him in a way that doesn’t make sense to him. you’re in a pair of heels that look equal parts elegant and enticing, a shimmering, gold gown with a plunging neckline and incredibly high slit. the color offsets the warm undertones of your rich, brown skin that seems silky and otherworldly under all the lights in the room. geto blinks several times, almost as if he can’t believe that it’s you. and, if it wasn’t for gojo making comments about how he didn’t realize you had curves like that, geto might’ve believed you were a figment of his imagination.
how the tables turn.
your date escorts you to a table towards the back, one that’s close enough that geto can watch you properly. something about you is different. he’s not sure if it’s the confidence you exude as you smile coyly at some of the other guests, plump lips curving upward whenever another man asks to make your acquaintance. you keep your head held high, graceful, as if you belong with that crowd — even though geto knows you don’t. you’d never be able to come to an event like this on your own, but he isn’t upset about that.
what he’s upset at, is your date’s hand lingering on your thigh, thumb caressing your knee as he leans over to whisper something in your ear; that’s your cue to smile demurely and swat at his hand. the laugh is well timed — you even throw your head back, offering geto a full view of your elongated neck and round breasts that cling to the fabric of your gown. you excuse yourself under the guise of going to the restroom, and walk past geto without glancing at him — it’s difficult, you so badly want to turn and watch his reaction, but you keep strong, hips swaying as you take the first hallway on your left.
he’s not sure if it’s curiosity, jealousy, or insanity that drives him to get out of his seat and stalk after you. geto was done with you, he knew that — you knew that — but there he is, chasing you like some lovesick teen that can’t seem to get their unrequited crush out of their head. thankfully, the hallway is empty, so when he rounds the corner, he finds you standing there, checking out your reflection in your compact mirror. you feign surprise when you realize someone’s there, one that morphs into temporary confusion before you smile sweetly at your ex-boyfriend.
“well, isn’t this a fun surprise,” you say airily, a sly smile tumbling onto your lips as you make your way over to him. he’s somehow forgotten how to breathe while simultaneously forgetting that you always looked like this — overwhelmingly beautiful and alluring — he just insisted you dress plain on purpose. you like that he’s speechless; you like that his eyes haven’t left you since you walked into the gala. when you get close enough that he can see just how long and thick your lashes are, he finally snaps out of his stupor — somewhat.
“y/n,” he says belatedly, a bit of awe and amusement coloring his voice, “i’m surprised to see you.” what he really wanted to say, was that he’s trying to remember why he broke up with you in the first place — because nothing comes to mind. not when you reach your hand to delicately tuck a strand of his hair behind his ear, not when you intentionally place your hand on his chest, and call out his name softly, almost like a whisper before you take a step back.
“i changed my number,” you say in order to drive the point home and pluck your new phone out of your clutch. “and i moved, but i’d love to catch up with you.” he doesn’t say anything when you type your contact information in his phone and when your lips brush against his cheek, he’s reminded of just how much he adored you initially. he wants to ask why you’ve suddenly come back, but the words stick to the roof of his mouth — thick and impossible to remove, slowly rotting through his common sense. it must be some absurd act of possession that has him pull you close enough to brush his lips against yours; you relish in the nostalgia of the moment, with memories of him kissing you spontaneously during your dates — after all, you’ve been in this position so many times before.
the difference? your claws are sharper, dipped in one of the most potent poisons in the world — hatred.
but you have a role to play now: the naïve ex-girlfriend, who knew nothing of the world before meeting him. geto’s ego knows no bounds when you part your lips for him effortlessly, back arching as he runs his hand down it; his fingers are cool against your exposed skin and you shiver from the contact. he smirks at that, liking that he can still get that sort of reaction out of you. time is essential now, so you kiss him suddenly — your lips soft, supple, and sweet as ever.
geto uses that opportunity to slip is tongue inside of your mouth and familiarizes himself with your taste. you whimper softly and he smirks, thinking that he’s somehow won you over all over again, especially when you drag your nails down the back of his neck, scratching his skin without a care. they’re much sharper than he’s known them to be, and while the sting is tolerable, it’s also annoying. yet he can’t seem to pry himself away; your body feels perfect against his, and you surprise him once again when you rub your hand against his cock. geto’s never known you to be that bold before — and in public too? your kiss transforms into something much demanding, and before he realizes it, you’ve unbuckled his belt and unzipped his pants.
a heat passes through both of you — and you almost forget yourself as you fall into a familiar dance, kissing him fervently as you wrap your hand around his cock. it stiffens almost immediately, a painful reminder that he’s still impossibly attracted to you, despite what he told himself months ago. you get drunk off of the power you hold over him — the man who mercilessly crushed your heart and left you alone to deal with the aftermath — and have to remind yourself that you’re only supposed to tease him a bit.
his breathing grows uneven, and it’s comical how he’s forgotten that anyone can easily walk in on you two — he just doesn’t care. he’d fuck you in front of everyone just to prove a damn point. your hand strokes faster, twisting as it moves up and down his thick length, his skin hot and smooth, keeping you in a daze. it’s always been like that with you — getting so hopelessly caught up in him that you forget anything else exists.
a voice in the back of your mind tells you to slow down, but you ignore it — the thrill of feeling each jerk of his hips has you moaning into his mouth, breathlessly kissing him like you have all the time in the world.
except you don’t.
the reality of that hits you faster than you’d like, so you bite his lip hard enough to draw blood. you pull away after, almost innocently and lick the blood off of him. the move practically pushes him over the edge, and he has to tell himself that he shouldn’t try fucking you in that hallway. you do your best to catch your breath and blink slowly as you both look at each other. to give yourself a bit of an edge, you swipe your thumb against the tip of his cock and admire the precum on your hand. you bring it up your lips, tongue gliding against your skin to savor the taste of him. it’s a polarizing and captivating experience; something about that makes him want to kiss you all over again, but he refrains from doing so, instead focusing on tucking himself in and fixing his clothes properly.
if you were cruel, you’d take a picture of this moment — of geto with a slightly heaving chest, flushed cheeks, confusion etched on his face as if he doesn’t understand why he let himself get carried away like that. your lipstick is smeared prettily against his lips — red, intoxicating, and ominous.
you smile at that; happy that you’ve successfully integrated yourself into his life again.
“let’s… pick this up again sometime,” your voice has a strange lilt to it — coy and musical, dangerously sultry. his heart skips a beat, and he thinks he’s gone mad; geto doesn’t swoon or obsess the way others do for him. but you’re different now, much more interesting, and mysterious. he knows there’s something wrong with this picture, but he can’t seem to connect the dots just yet.
he doesn’t get another chance to talk to you, as your date keeps you busy most of the night; you don’t bother looking at geto until the end of the event, where you wiggle your fingers at him before leaving.
as soon as you get into your date’s car, you get a text message from a number you’ve memorized by heart and smile as you mentally list all the things you need to do before your revenge can be complete.
little does he know, you haven’t moved at all; you still own your old apartment, but you don’t stay there. you temporarily moved into your childhood friend’s place — a ritzy, luxurious high-rise apartment by the beach — while they travel for work out of the country. it’s all for show, of course; you need geto (and gojo, by extension) to think you’ve somehow elevated yourself financially, that you’re successfully integrated into similar social circles, that you can casually score invites to lavish events that cater to the wealthy elite. after changing out of your gown and into something comfortable, you decide to pay a visit to your old place; it’s mostly empty, save for your old bedroom.
you poured your savings into surveillance equipment, have monitors set up around the room, have hundreds of candid pictures of geto and the people he frequently associates with over the past six months plastered all along the walls. you’ve scribbled out his face in most of the pics, and have drawn lines and arrows, written incoherent notes to yourself — making connections and scenarios so that your contingency plans are unshakeable.
geto texts you again and you smile to yourself, loving the way you’ve already slithered into his mind after one brief conversation with him. he doesn’t realize you’ve been watching him all this time, doesn’t realize that you placed cameras in his home, doesn’t realize that you have unfiltered access to his computer and phone — it pays to have friends who dabble in those things.
you make some tea before sitting on the cushy computer chair as you watch geto stress over you not texting him back; you chuckle and spin around in your chair, elation building up in your chest, rattling that gilded cage around your heart. he’s so stupid, it’s almost too easy; you open the text thread with him, start typing out a bogus response for a few minutes, then delete it and leave him on read.
it takes him half an hour to really lose his mind over you not texting him back, and all you can do is laugh until tears fall out of your eyes.
you want him to fall so hopelessly in love with you, that you become his very reason for living and breathing. then you want to carve out his heart and leave him behind. a perfect plan, really; there are some kinks you still need to iron out, but you know, in time, that everything will go as planned.
uneasiness settles into geto’s stomach over the next few weeks; you barely text him back, and when he calls, you’re always busy. it’s foolish the way he’s pining after you; he knows it’s just because he hasn’t seen you in a long time, but something about you is just so… different. the way you abruptly cut conversations short with him, how you keep rescheduling lunch and dinner with him; how you intentionally let yourself be seen on social media with various men and women. and even when he wants to delete your number and block you, he can’t seem to do it.
because there’s no logical reason why he should be upset. you two aren’t dating anymore, this is just his lust-ridden brain taking hold of his common sense. or, that’s what he keeps telling himself.
when you do manage to see him for dinner one night, you tease him mercilessly and without remorse. at first, geto thinks he has control over the flow of the conversation. you keep blushing whenever he strokes your palm, giggle appropriately when he bumps his knee against yours, and act demure when he gives you permission to order anything off the menu. and you do; the guilt you used to feel is nowhere to be found, instead you thrive in the high that accompanies spending his money frivolously.
in return, you slide your foot up along his leg — slow and tenuous, the first course in your act to capture his heart completely — flirt heavily without restriction and encourage him to keep ordering drinks. geto grows tired of dragging things out and insists you continue the evening back at his place.
“oh,” you say softly and, after a long drawn out moment, your lips curve into a knowing smile.
after you’re both full and pleasantly tipsy, he takes you to his place; in his mind it won’t be long before he has you begging him to fuck you — and then he can finally be rid of this ridiculous obsession. you barely make it through the door because his hands are all over you, tugging roughly on your dress to take it off of you. if you weren’t so determined to see this through, you’d laugh — at his eagerness, at his annoyance with the matter, at your uncanny ability to fool him into thinking that you really want him back.
you lay on his bed, legs spread wide, arousal dripping from your folds as he kisses along the inside of your thighs. normally, geto is an incredibly selfish lover — but tonight, he busies himself with devouring you entirely. almost like he’s trying to make up for lost time. your skin is littered with bite marks and hickeys, but you don’t mind; a few battle scars are necessary in the long run. an unprecedented hunger takes hold of his mind — drives him to eat your pussy with vigor and passion. you roll your hips forward, nipples hard as you moan his name loudly.
he likes how you’re falling apart for him — and only him; you tug on his hair roughly, nails raking against his scalp when he flicks his tongue against your throbbing clit. you forgot that when geto puts his mind to something, he really puts in work; his cock is stiff, but he chooses to ignore it for the sake of watching you writhe on his bed, hand pulling on his bed sheet as soon as he slips his lithe fingers inside of you. he pumps them in and out, fast and hard; you bite down on your bottom lip to keep from screaming, but you lose your composure quickly.
the orgasm leaves you panting and whimpering, softly moaning when geto continues to lap at your pussy, despite how sensitive you feel. you get on all fours without prompting and rub your ass against his cock. the sight is erotic and has him gliding the tip of his cock along your wet pussy, an act that wholly surprises him, even more so when he barely gives you warning before driving his cock inside of your tight hole.
again, he wonders what is different; he’s fucked you more times than he can count, and yet this feels completely new — as if you’re not you, but someone else. and he’s so close to the truth, yet so far away that you try your best not to laugh, even as he powers into you over and over, his cock thick and imposing as his pace picks up.
he knocks his hips against you, strokes lethal but pleasurable. you hiss when he grabs a fistful of your hair, but you let him do it anyway — you want to bide your time before the big finale, of course. geto’s mind melts the longer his cock is inside of you, your plush, warm walls tight around him, squeezing in a way that has him moaning your name out loud.
it surprises him, actually, but he doesn’t stop himself; if anything, he’s more invigorated as he continues to fuck you like you’re the only one he ever thinks about. and, while it probably is true, you also know geto more than he knows you. he pulls out of you suddenly, half in a daze and entirely hooked on your body, and slaps your ass before telling you to ride him instead.
it's almost too easy at this point because this is exactly what you want.
you take your time climbing on top and rub your pussy along his length, grinding and rolling your hips teasingly. his frustration gets the best of him when he grabs your hips to hold you steady.
“y/n,” he warns, voice low and husky. you like him like this — too consumed with lust to realize just how much danger he’s in.
“i’m sorry, baby,” you say almost a little too convincingly, lifting up before sinking down slowly, his cock filling you up in the best sort of way. he’s in heaven, clearly; the way your cunt keeps sucking him back in, your arousal dripping onto his skin — your pussy is the gift that keeps on giving, he tells you offhandedly. you laugh and laugh and laugh, determined to snatch his soul out of his body every time you impale yourself on his cock.
his nails sink into your skin when he holds onto your hips, lifting his upwards to thrust inside of you deeply.
“you know, suguru,” your voice is breathy and hypnotizing, his eyes are glazed over and unfocused; you place your hands on his headboard, under the guise of holding on so he can fuck you properly, but really you’re reaching behind to grab the knife you’ve taped to the back of it. “you’re a shitty person.” there’s confusion etched onto his pretty face, and you chuckle darkly  as you buck your hips against his and brandish the knife in front of him.
he'd noticed that it went missing from his set days ago, but figured he’d misplaced it.
“where did you get that?” he grunts when you clench your pussy around him, still riding him as if this is a common occurrence for both of you.
you continue talking as if he didn’t ask a valid question and gently tap his cheek with the flat part of the blade. “you broke my heart, turned my love into ash,” you ride him harder, your ass bouncing on his hips, and he’s much more aroused than he should be. which is alarming because he isn’t stopping you at all. “and you went about your life like i never mattered.” that part still hurt, and you don’t think as you hold the knife to his throat, the blade sharp enough that it knicks his skin when you lean forward.
he knows he should tell you to stop, but for some reason, it’s as if he’s paralyzed by your confession. he deserves it, he knows that, but you refuse to have any sort of sympathy for him. a bit of blood drips down his neck and you stab the blade onto his pillow, nearly missing his face. he actually fucking flinches and it makes you laugh again.
“you’re so fucking stupid,” you almost pity him. almost.
geto’s life literally flashes before his eyes. he’s never seen you this ruthless; the soft, demure woman he knew before is gone — in her place, is someone cold and demanding, someone who won’t hesitate to maim him if he toes the line.
his skin blanches and he swallows hard, words lodged deep in his throat. he doesn’t know what to say to you. “i—”
you run your tongue along his jaw, and grin triumphantly when he shivers uneasily. “you don’t get it, do you? you’re mine forever.” he wants to ask what you mean by that, but you don’t give him the chance. “i hate you so much, that i want to watch the life drain from your eyes.”
it’s morbid and unreal, but it feels right. “that’s also a form of love, right?” you’re not making any sense, and you don’t care; you’ve deviated from your plan — you intended to drag things out, but once he started fucking you and acting like he was running the show all over again, you snapped. “you’re mine forever, understand?”
he had every opportunity to grab the knife, to shake you off of him, but you keep moving your hips, keep moaning for him, and keep kissing him like you want to breathe in his essence. he’s trapped and probably will never find his way out; he realizes now, that your return wasn’t a coincidence. it was planned. it’s fear that keeps him on that bad, that lets you keep fucking him until you’re satisfied, and when he finally cums, you smile wickedly and pick the knife up again.
“there’s no one who will love you the way i do, baby.”
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peak-dumbass · 3 months
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I’m bored and procrastinating so let me spout my rid2015!smokebee propaganda at y’all please just hear me out
Now y’all maybe wondering “why are you specifying rid2015?? Smokescreen was only in TFP, bro doesn’t exist in rid2015–” EXACTLY! Smokescreen wasn’t in rid2015 so most of the stuff made for the ship is for them in TFP but that’s not what I’m trying to sell y’all on
I’m trying to sell y’all on the idea that — if Smokescreen was in rid2015, he would be in a relationship with Bee — hence the specification
Now what y’all are probably asking is “why????”
Well that’s what this post is for!! First off:
The Shenanigans
Idk if y’all remember but Smokey was the silliest bot on Team Prime, easily the most immature mf in the main cast (other than Miko) — now try to tell me without lying to my face that he wouldn’t fit in perfectly with the goofy goobers the make up Team Bee??
He would definitely see himself in Sideswipe and try to bond with him thru pranks and goofing off while also trying to guide him into avoiding the same mistakes he made (ex. Hard Knocks)
He probably makes Strongarm feel conflicted cuz his reckless personality clashes with her image of what an “Elite Guardsman” would act like, but I think Smokescreen would just try to get her to loosen up a bit while not bickering with her unlike what Sideswipe and her usually do
Upon seeing Grimlock he’d immediately go “HOLY SCRAP ARE YOU A DINOBOT!?!?!”, he thinks Grim is so cool and really wants to spar with him
He probably sees Arcee in the way Drift acts and respects him a lot just based on that alone, though he knows it’s gonna take time for him to earn that respect back from Drift (I LOVE HIS CHARACTER GROWTH IN PRIME AND I WILL KEEP THAT IN THIS SILLY LITTLE IDEA OF MINE, HE DID GET BETTER AND I HATE IT WHEN PEOPLE IGNORE THAT JUST CUZ THEY FIND HIM ANNOYING)
He’s probably not met much minicons so he’s not used to them, but I can see him having a good friendship with Fixit and being very nice to Jetstorm and Slipstream
He takes one look at Russell, turns to Bee and says “do you have a thing for human kids with brown hair and names starting with R??” Other than that I think he vibes with Russell and Denny well
As for his dynamics with the Decepticons — he’d be making constant quips, he’d make fun of all of them immediately like a robot alien version of Spider-Man — after previously fighting against Megatron himself he cannot take any of the furries of rid2015 seriously
The Fluff
Look at me. Like seriously look at me. Look into my eyes and imagine with me for a sec.
Bee and Smokey learning how to work with each other in the field again, reminiscing about the rare good memories during the war
Bee infodumping about Earth culture to him while Smokey just listens while looking at him with borderline heart eyes
I think Bee really likes physical affection and words of affirmation so randomly Smokey will just hug Bee when they’re in the scrapyard and will compliment him when he does well at leading and mentoring the others cuz he knows that shit ain’t easy (again, he sees himself and Sideswipe and realizes “damn I really was annoying holy scrap I’m so sorry”)
I HC that Smokey can still move his doorwings like he and Bee did in TFP, so whenever he sees Bee and gets excited his flap up and down (I know this is purely self indulgent BUT IN MY DEFENSE THIS ENTIRE POST IS ME BEING SELF INDULGENT, THIS FANDOM IS ALREADY DEAD AS HELL I’D BE SURPRISED IF ANYONE EVEN READS THIS FAR INTO THIS POST, LET ME BE SELF INDULGENT IN PEACE)
When either of them get bad days where they just keep thinking about the war, they do their best to comfort each other thru it cuz, unlike the rest of the team, they were both there for most of the late-war-shit together on Earth — and for the stuff that Smokey wasn’t there for, he just listens and makes sure Bee knows that he’ll always be there for him
The shock of the team finding out that Bee has a partner is amazing and it could happen in so many ways (if y’all wanna see one of my interpretations on how this could go you could check out my fanfic: Old Recruit on AO3)
The team seeing their usually serious team leader be partners with this unserious constant-joker of a bot stores a lot of cute potential stories in it that no one is writing about — like come on guys I want Bee trying to be serious in the scrapyard but then Smokey just hugs him from behind out of nowhere and Bee just has to process it for a sec cuz touch starvation go brrrr while the rest of them is like :O
The Angst
While this section is mainly Smokey focused more than smokebee focused, I’m still adding it cuz this still falls under the “what if smokescreen was in rid2015” idea
Smokey definitely has claustrophobia and a hatred for being restrained in anyway from the TFP (waking up captive on a Decepticon ship after being knocked out, Knockout restraining him on his operating table while he tears the Omega Key from inside his body, being stuck with a dying Optimus in a cramped cave for a while panicking cuz holy shit Optimus, his #1 hero, is fucking dying) so any mission that requires going into a cave or dark & cramped area is gonna cause him to freak out — but of course he wouldn’t actually admit that until it’s too late and he’s having a breakdown in a cave cuz he didn’t want to let his “stupid irrational fear to ruin a mission”
Same goes with Bee and his fears — I touched on this a bit earlier, but Bee & Smokey definitely have some days where they’re gonna feel off and they can’t get the war out of their heads — and those days are gonna be the worst cuz most of the team outside of maybe Drift won’t really understand it
Smokey is gonna have some feelings about Optimus coming back and Bee not telling him immediately — while this isn’t the first time Optimus died and came back to him, last time it was for a few seconds, this was for THREE WHOLE YEARS — he’s still gonna be happy that he’s back, it’s just gonna take awhile longer for him to be ok with it than the others (the way that Ratchet is immediately ok with Optimus coming back out of nowhere in rid!2015 was weird to me so I’m fixing that with Smokey)
While he loves giving Bee physical affection, he hates unwarranted touching from anyone else, specifically stuff like pats or punches on the back (Alpha Trion when I get you Alpha Trion Alpha Trion when I get you Alpha Trion Alpha Trion when I get you Alpha Trion Alpha—)
For a potential angsty introduction to Smokey in rid2015: He doesn’t meet up with Team Bee until the finale episode on Cybertron, where he’s being mind controlled by The High Council to capture them (I’m a sucker for brainwashing/mind control/hypnotism plots so I need to understand how BADLY I WANTED THIS TO HAPPEN IN THE SHOW IT WOULD’VE BEEN SO COOL)
That’s all I can think of for now, I just love these funky big robos a lot and I’m currently smashing their faces together like a kid with 2 Barbie dolls in my mind, hope y’all enjoyed reading <3
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dib-thing-wannabe · 7 months
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I WATCHED THE PILOT FOR THE AMAZING DIGITAL CIRCUS AND OH MY GOD I CANNOT STOP THINKING ABOUT IT-
(No spoilers under cut, just me going insane)
THE IMMEDIATE EXISTENTIAL CRISIS FROM POMNI WHEN SHE ARRIVED?? THE ALREADY DEEP SEATED LORE ABOUT NOT BEING ABLE TO ESCAPE?! ALL THE POSSIBLIES ABOUT WHAT COULD, CAN, AND SOMETIMES EVEN W I L L HAPPEN!!
If you have been a follower or a mutual of mine for some time now, you wouldn't be surprised to hear that Jax is what got me into it originally, nor be surprised that I am thinking about him the most out of the cast. What probably will surprise you is what I'm thinking about exactly.
What I'm thinking about is what will be done with him in the story. Will he be considered a villain? Will he be considered a good guy, despite him being a bully to the other casts? Does he know more than the others at the circus does? Who knows!! He has the potential for everything!
Something that I am struggling though is what headcannons I should have for him though-
He definitely is one of us fruits, but my question is which one?? He definitely seems like he could be mlm, especially with the energy he gives off. But I cannot stop thinking of transfem Jax no matter how hard I try not to- Because, like, I can totally see it being 100% canon!!
Just imagine the angst potential involving it, because he probably wouldn't know what he's experiencing and he might think that he's starting to extract! But yet the gender disphoria (idk if that's how it's spelled, but you'll get what I mean if it's spelled wrong) was always there for him, even before he joined the circus! And some of you probably know that Goose themselves have started to think about having Jax wear a dress in future episodes, and hooo boy, am I having thoughts about that!!
Imagine this: For the latest adventure, Jax is made to wear a dress, as a disguise. He is just complaining about it the entire time, not even going to look at himself as he's wearing it as he "probably looks silly and stupid in it". Once the adventure is over, he stomps away from everyone to go and take it off, feeling as if he was being made a fool of by them, even though they had been complimenting the way he looked the entire time (even if some of the compliments had laughter in them). In a similar fashion to the scene where Pomni stopped in front of the mirror when she saw herself in the digital circus for the first time, Jax walked passed a mirror and decided to take a look to "see what they were making fun of". When he looked at himself while he was still wearing the dress, he couldn't help but stare at himself. He thought, for the first time in forever, that he didn't just look good, that he looked right. There's wasn't any other way to explain it. He just looked right. He looked and felt like he was what he ever wanted to since he was a little kid. He twirled a little in the dress, making sure to get a good look at himself as he's wearing it, not being able to help but just softly smile at himself as his eyes were majorly dilated. This goes on for a few minutes before his first moment of gender efforia (again, don't know how to spell it-) is interrupted by Pomni and Cain, who were going to see if he was done with getting dressed. Cain just simply says something along the lines of "Wow, you finally decided to take a look at yourself, Jax? My, I thought we would never see the day!" Which results in an embarrassed scoff from Jax as he rolled his eyes at him. But Pomni saw that he was actually happy with the way he looked like never before, and tells him that he could wear dresses more often if it made him happy. He acts like he was deeply insulted by it and said that he wouldn't ever even think of doing this again, but later on he starts wearing dresses in his free time (where no one could see him, of course) (Except for Pomni, she'd probably help him pick out the dresses tbh).
If anyone wants to draw the little imaginary scene I made up, do it!! Draw it! Just tag me in it so I can see it!
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frenchfrywrites · 2 months
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on the topic of tiddies ™, which of the obm cast do you think likes their tits played with most ??
oddly enough my bets are on Lucifer, i bet you could get him to cum just by playing with his tits as he grinds on your thigh, but he'll never admit it.
or mammon, but he's so possessive that any touch by reader/mc could get him to cum
v curious to hear your opinions !! kisses xx
WHEW LOVE your suggestion of lucifer being the one with the most sensitive tits.. very fun
Thoughts under the read more bc I wrote far more than I thought I would
I want to put satan at the top of the list because I like to imagine he adores foreplay and he could have you touch his chest for hours... he could absolutely cum from it alone, and is obsessed with you massaging, biting, bruising, kissing, sucking on, or fucking his tits. He is not picky with how you play with is chest, but you have to give them a lil attention every day. I also think he likes it because he can kiss you while you play with his chest, and he's a silly lil romantic who loves kissing you.
I think I'd put mammon next because (like you said) he's so obsessed with you, and turned on by everything you do to him, that he loves being touched by you anywhere and his chest is soo sensitive to your touch. Also he's absolutely got nipple piercings and looooves having you fuck his tits.
Dia is next because along with having big tits, they're super sensitive, AND he's sooooo in love with you that you could play with his chest for hours and he'd love it
I don't have much of a reason as to why (your propaganda worked..) but I want to put Lucifer high on the list.. I like it being a secret weakness of his. He loves it more than anything, and would never say it (though he does arch his chest towards you while you fuck him; sometimes he's better at showing what he wants than telling you)
Simeon loves having his chest played with, but it's overwhelming for him to have a lot of your attention focused on any one place on his body. He's very sensitive but won't be able to cum from you solely playing with his chest and after a bit might ask you to touch him in other places so he can cum.
Belphie is in the middle for me bc he's largely indifferent (would rather you touch him elsewhere), BUT his chest is so sensitive and i hc him having big boobies, so they're very fun to play with. A perfectly timed tug on one of his nipples, or biting into the meat of his chest will have him seeing stars as he cums.
I think Asmo loves being touched anywhere, but he couldnt sit and have you play with his chest for more than like 15min, he wants to be touched in more fun places!! He loves if you give them some attention, but it's not necessary for him either
Solomon loves to tease you by wearing things bring attention towards his chest, but the only reason is to tease you. As soon as you spend more than 5min or so playing with his chest he gets bored and wants you to touch him elsewhere. He doesn't mind if you play with his chest while you finger him or busy yourself elsewhere, but he gets restless if the main event is you focusing on his chest.
Beel is lower on the list to me bc I can't imagine him being very thrilled by the sensation.... that or he doesn't receive much sensation from his chest at all. He's a total romantic tho, and loves if you rest your head on his chest, or kiss him over his heart, or worship his body in general
idk I can see Barbatos, like Beel, being largely indifferent towards his chest. You could sit there and play with him for a long time, and he'd blush and it feels nice, but it won't satisfy him at all.
Idk if this is a surprise, but Levi's low on the list for me... I think he'd have some chest dysphoria, and would not love attention on his chest. this hc is so weak though, because I constantly write about levi having his chest played with lol
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cherryshortycake · 2 months
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Idk if you write for Kirishima but —
𝐃𝐢𝐥𝐟!𝐊𝐢𝐫𝐢𝐬𝐡𝐢𝐦𝐚 𝐱 𝐛𝐢𝐦𝐛𝐨!𝐫𝐞𝐚𝐝𝐞𝐫 👀
— 🧿 anon
Of course I write for my favorite red head. But I don't know exactly what a bimbo is, but I have a writing in mind that I hope you like.
The night air was filled with the distant hum of city life, a backdrop to the quiet rooftop where you and Kirishima found yourselves. The city lights twinkled below, but Kirishima's eyes sparkled brighter as he stole glances at you. The two of you sat close, shoulders brushing, the silence comfortable.
Kirishima, known for his tough exterior and unyielding spirit, found a different kind of strength whenever he was with you. Tonight, the atmosphere felt charged, and not just because of the city lights.
"So, uh, (Y/N)," Kirishima began, scratching the back of his head with a shy grin. "I was thinking, maybe we could do something more... you know, date-like."
Your heart fluttered at his nervousness. "I'd love that, Eijiro. What did you have in mind?"
His eyes lit up, and he reached into his pocket, producing two tickets. "How about a live hero show? I thought it could be fun, plus, you get to see some badass quirks in action!"
A smile spread across your face as you took the tickets. "That sounds amazing! I'm in."
As the night unfolded, you found yourselves cheering for the heroes on stage, sharing laughter and stolen glances. Kirishima couldn't help but feel a surge of pride seeing you enjoy the spectacle, your eyes reflecting genuine excitement.
After the show, you both strolled through the city streets, hands brushing against each other until Kirishima gathered the courage to hold yours. The connection between you felt like an unspoken promise, a bond growing stronger with each step.
Eventually, you ended up back on the same rooftop where it all began. The city lights illuminated Kirishima's face, his crimson hair catching the glow.
"I had a great time tonight, Eijiro," you admitted, your heart racing as you looked into his eyes.
"Me too, (Y/N)," he replied, a warmth in his gaze. "You make everything...extra awesome."
A playful grin crossed your lips. "Maybe we should do this again sometime."
"Definitely. How about we make it a regular thing?" Kirishima suggested, his hand finding yours once more. You nudging his shoulder in a tease.
And so, under the city stars, the sparks of a newfound connection continued to glow – a crimson flame that promised more adventures, laughter, and shared moments in the world of heroes.
As the weeks passed, your outings with Kirishima became a cherished routine. From hero shows to cozy dinners, each date brought you closer, the unspoken connection evolving into something deeper.
One evening, Kirishima suggested a walk in a quiet park. The moon hung low in the sky, casting a soft glow on the path ahead. You and Kirishima strolled hand in hand, the air filled with a subtle electricity that neither of you wanted to ignore.
Underneath the moonlit canopy, Kirishima hesitated for a moment before turning to face you. "Hey, (Y/N), there's something I've been wanting to say."
Your heart skipped a beat, anticipation building. "What is it, Eijiro?"
He took a deep breath, his gaze never leaving yours. "I really like being with you. You make everything brighter, and I... I think I might be falling for you."
A warmth spread through your chest, and a smile tugged at the corners of your lips. "Eijiro, I feel the same way. and you know that silly"
Kirishima's eyes lit up with genuine happiness, and he cupped your face gently. "Can I... can I kiss you?" Your heart skipped.
Your response was a tender nod, and as his lips met yours, it felt like the world around you faded away. The kiss was filled with a sweet sincerity, a promise of the emotions blossoming between you.
Breaking away, Kirishima looked into your eyes, his thumb brushing against your cheek. "I've never been good with words, but I really care about you, (Y/N)."
His vulnerability touched your heart. "Eijiro, you don't need fancy words. Your actions say it all."
From that moment on, your relationship with Kirishima blossomed into a beautiful romance. Whether facing the challenges of hero training or enjoying quiet moments together, the embers of affection between you both burned bright.
As your connection deepened, Kirishima continued to surprise you with small gestures – a thoughtful note, a surprise date, or simply being there when you needed him. The strength of his feelings mirrored the unwavering resolve he displayed as a hero.
Underneath the starlit sky, hand in hand, you and Kirishima faced the future together, a journey filled with laughter, shared dreams, and the enduring warmth of a love that only grew stronger with each passing day.
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nutakuro · 4 months
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So I ended up accidentally drawing the entire cast OOPS. Just in time before the finale !! I tried my best to recreate the intro still and I think it turned out very good for what I could do with my art style. ii has inspired me so much art wise lately and thought I’d finally pour my heart out into making gijinka designs for everyone from season 3. (Season 1 and 2 I’ll get you one day you’re not safe)
Uhh here’s some design rambles:
Bot was a fun design because I had to think about how they would’ve evolved in the show and o think it would be silly if they had to get fashion advice from fucking nickel and balloon. Who I’m sure is the worst people to do that with, but they are very happy with how they look and their horrible bangs
OJ has multiple designs for him, but I really like the idea of him looking older and older as time passes because of the stress put on him by working at the hotel, but he’s around late 20s like everyone else
Clover is pretty and my favorite.
Balloon gives me Zelda Tri force and cargo shorts vibes. So he’s Dripless
Idk if you could tell but listening to test tube tango over and over again inspired me for her and for Dani wanted to stay a way from the red and yellow hair approach and opted to make him have earbuds he’s constantly wearing because im also autistic and also do that even if im not listening to music.
Also shoutout to the thinkers for being my favorite team and also my favorite batch of designs
Here’s everyone split into their teams so you can see them better:
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You may be wondering (or not) about the floor and box. We don’t talk about box. BUT. I’ve decided the floor to be a shapeshifter who just likes to be the floor for some odd reason ?? But here is a quick sketch I did if you wanted to see what he would look like if he decided to come up.
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wander <--> peepers bodyswap thoughts
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the concept of a woy bodyswap thing has been taking over my mind lately…specifically between wander and peepers. they’re the most interesting option i think!!! they have a lot of parallels i feel but they don’t often get explored which is a shame because i love them. and i feel you can do more with them than other potential bodyswaps
read more is a bunch of thoughts i have about this concept!!! directly copied from a twitter threads i wrote about it so they’re a bit disjointed i don’t feel like writing anything more coherent at the moment
sylvia would recognize that wander isn’t himself like Right Away and would have some Fun tormenting peepers (psychologically. she would not harm a hair on wander’s head) and pretending that she Doesn’t know. (he might try to play the part of wander to idk gain info? try to capture them or something ?) but peepers might still figure out that she does. when this happens (or when sylvia gets tired of messing with him) they team up to grab wander and try to change the two back
now, on wander’s end. of course he’s going to take advantage of the swap as MUCH as he can. of course he’s going to try getting back to his own body! eventually!! but this is a huge opportunity to get close to hater as his Actual Best Friend!!! and to try his best to influence hater to do more good. lots of silly shenanigans unfold.
NOW. one of the aspects of this i REALLY find interesting. is how their luck shakes out
i’m not quiet about how much wander’s luck interests me. probability manipulation wander my beloved. whether it’s inherent to him, mysterious creature that he is, has something to do with the hat or both, i Like It A Lot. peepers lacks this luck—he’s a common victim to all the slapstick humor. but since they’ve swapped bodies, this is changed for them
peepers now has wander’s luck to protect him and wander loses it. and just WAUGGHH imagine how peepers feels the first time he notices this—when normally he’d fall square on his head he lands gracefully on his feet. where he’d get hit by whatever object makes most sense it narrowly avoids him. Suddenly he’s not a punching bag anymore. incredible
and on wander’s end—the exact opposite. wander is rarely on the receiving end of slapstick compared to the rest of the cast, and now he could get a Ton of it. idk! the concept just!! intrigues me!!! i want to know how he’d deal with all of this
it’s all fun and games at first but honestly i feel like it Could stress him out a good amount. especially considering he doesn’t have sylvia or (importantly) his hat who often ground him when he’s getting anxious. dude He Doesn’t Have His Hat!!! what is wander gonna do when he realizes peepers can’t function without heaps of coffee. for peepers this whole thing could actually be kind of a break. wander is going through Hell lacking his normal coping mechanisms. DOES ANYONE ELSE SEE MY VISION
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The Catpeople Laboratory AU (full v3 cast, saiouma)
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First shared in The Saiouma Pit discord server, parts said by others start with their names
Hina: So who started this project?
Dra: I wanna make a haha funny and say Tsumugi but
returntozero: No way Togami Corp was interested in monopolizing the Catboy/girl/Nyan trade
ofc they're experimenting on prisoners first [replying to Ryoma being suggested as the first person the experiment is tried on]
idk, maybe that's too dark for a silly idea, but like, Togami corp fucking with genetics? that's not going to be very moral anyway
so yeah, exploiting prison labor
what if Kokichi was in the batch of the first testing with Ryoma? Like, he was a notorious thief, pissed off some people he shouldn't and cops framed him for murder to give him the sentence those people wanted him to get and that's how he ended up in the same situation
because the project only takes people off death-row at the time, in later testing, when those seem to be successful they'll be maybe hiring people for more testing and there has to be a control group that lives alongside them in the same conditions without getting modified, right?
for comparison, seeing what's because of the environment and what's because of the modifications, Shuichi could be in that group
unless you want them all to get modified, then I guess the control group can be strangers that don't interact with them, it's fun if it's all 16 of them, but also catboy x human…
Dra: How do they all get involved lmao
some of them are criminals (first phase), some of them are there for the money and some for the experiment's sake (second phase)
Iruma signed herself and Akamatsu up, because she wants to fund some project of her own
Korekiyo is probably in the criminal group
Angie could be any of those
Himiko wants to be a catgirl, Tenko wants to be catgirls with Himiko (that ship doesn't sail in my world, but canonically, the one-sided thing has to be there at least for a bit at the start, eventually tho, Tenko needs to meet someone who will be able to match her energy AND tell her she's got to be more normal, my choice for that is either Maki or Kaede. I do not think Himiko has interest in romance, but that's my hc, no hate, just how I see things)
Kiibo wanted to be included, they let him wear cat ears and hang out with the participants of the experiment
Kaito is in the group that just wants money (he needs it for that astronaut education)
Tsumugi is there for the experiment's sake, she believes it'll make the world a better place, actually, she's the one that convinced Gonta to join, he wants to help too
Maki must have been in the criminal group too, cause no way in hell she would choose it
Kirumi must have some ulterior motives, maybe she had to disappear because the rumor of teenage Prime Minister got a bit too loud, maybe she fucked up somehow, somewhere, but a new & low-profile identity will do her good or maybe she's here because the government is invested in the project, but why would it be?
Rantaro actually personally knows Togami, since they're both rich boys, but since Togamis have flexible moral spines they have access to some resources he wouldn't even know of. So, having something of a frenemy-like relationship, Amami asks him for help searching for his sisters and he's like "okay, but do this very stupid thing to entertain me in exchange"
lastly, Shuichi is there, because he can't let a mystery go and he has a fucking gut feeling that Kokichi was framed. unjust sentence? not on his watch (so yeah, he tries to get close to Kokichi to learn his side of the story. and they're cats)
Dra: What do you think they'd need cat people for?
High demand = good business. The end product is selling the modifier to the people, so the masses can become catpeople Or selling the cats as exotic pets/ worse if you want it to be darker
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