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khattikeri · 3 months

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one of my favorite things about mdzs is that for how heavily its plot involves politics of classism and misogyny... even the characters most directly impacted by it can't and don't free themselves from it. literally the closest exception is mianmian.

meng yao being the "son of a whore" wasn't some sort of commie awakening for him that led him to wanting everyone to be socially equal. he played the political game, climbed the ladders, sucked up to and backstabbed and murdered people, including other prostitutes who actually had nothing to do with how he and his mother were treated at the brothel he grew up in.

he put in so much extra excessive effort for even a fraction of the same respect that members of gentry cultivation clans got. and he did deserve to be treated more humanely! but he feeds into the exact same system that created him, leading to his own undoing.

his efforts were for a fragile upward mobility that was never going to hold up. he never surpassed his origins nor did he empower others in similar stations, because the society he lives in is not one that would accept that.

the second he got caught and all those crimes exposed, he was scapegoated to hell and back, replacing wei wuxian as society's terrible one-sidedly evil boogeyman overnight.

speaking of not-quite male gentry, i think it's interesting that wei wuxian explicitly doesn't try to climb the ladders in BOTH lives, knowing full well that anything he does will be punished just for the sheer fact that he is wei wuxian.

wei wuxian is scolded for giving intelligent and correct answers in school. lan wangji does the same and is praised.

wei wuxian occasionally lounges around with fellow disciples and is punished. jiang cheng does the same and mostly escapes.

wei wuxian refuses to carry his sword around in public (after losing his golden core, which nobody knows) and is scorned as an arrogant upstart. nie huaisang has been doing the EXACT SAME THING for YEARS and nobody bats an eye.

unlike jin guangyao, wei wuxian knew subconsciously from the start that his acceptance was superficial and that he could be cast out any time. when he was 10 and recently taken in by the jiangs, he canonically would not eat or use "too much" food and water because he thought they'd find him a nuisance for "wasting their things" and kick him back out.

now away from just the classism, yu ziyuan is a proud and strong noblewoman in a society that belittles and derides women for everything they do. her strong cultivation doesn't matter. she's victim to the vicious rumors of her husband loving another woman who is strong like her but apparently had a more likeable personality.

it doesn't matter even if jiang fengmian didn't cheat or that wei wuxian is wei changze's son with cangse sanren; yu ziyuan can't bear with the humiliation of herself (and by extension her children) not being "good enough". she's ridiculed for "failing" in that one duty as a wife, mother, and woman.

she lashes out and takes out that anger on everyone present for years, giving her children lasting trauma and also being a key element in how the jiang family and yunmeng jiang sect are effectively wiped out at the hands of the wen clan.

madam jin doesn't even have a name outside of the fact that she's married to jin guangshan. i don't even remember reading anything that indicates if she's a strong or weak cultivator, or what, which in itself proves that to most people, it doesn't matter. she's "just" a woman.

of course she's angry at her husband's affairs and all the bastard children they bring in. but she also can't do anything about them, so she lashes out at the few people she can: servants. non-cultivators, probably. those very same bastard children.

shoutout to meng yao getting shoved down a flight of stairs at age fourteen, because if madam jin tried that move against her husband instead, it would make her lose even more face, which as a noblewoman she'd never do.

and that's not getting into how jiang yanli is consistently sidelined for being physically weak.

that's not getting into how mianmian was actually a good cultivator, but was mocked by everyone around her for trying to stand up for wei wuxian when everyone was turning on him. how everyone scoffed at luo qingyang's words as "just some lovesick woman" who "obviously wants to marry or bed him since he saved her".

luo qingyang is the only one of these characters who HASN'T died. she didn't play society's games like jin guangyao. she didn't dig her heels in confidence of her own abilities like wei wuxian.

she didn't bitterly lash out like yu ziyuan and madam jin. she didn't gently accept it like jiang yanli.

she just LEFT.

she married an ordinary merchant and cultivates separately from mainstream cultivation society, and therein found her own peace and happiness.

mxtx doesn't bother with particularly class conscious or feminist vocabulary to hand-hold readers into understanding these disparities, but that choice highlights them & the deeply entrenched politics of their society even more. i really love it.

#keri chats #mdzs #mo dao zu shi #long post #mdzs spoilers #im novel only but still tagging.#the untamed #cql #yeah yeah everyone's written meta addressing this aspect of the story BUT I THINK ABOUT IT ALL THE TIMEEEEE #maybe i just don't get to read a ton of books often; esp not ones that mirror my own culture. but it's just so. soooooo. augh #the fact that the setting itself enables so much of the tragedy in mdzs... which is true of all tragedies but STILL...#this isn't even getting into qin su and the power imbalance w her and jgy post-reveal... man.#man. so much going on here. man #THIS POST IS MESSY AND BARELY EDITED BUT IF U READ IT. ILU

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jaskierx · 6 months

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one of the main criticisms i've seen is from people saying that they shouldn't have killed izzy off at the end of his big s2 arc because this show is about how people can change and people can do better and he'd been fully redeemed

and yes it is about change - and they did show that. they spent a significant portion of s2 showing him changing and accepting himself and becoming closer to the crew. they showed him allowing himself to be vulnerable and allowing himself to accept kindness

but the show is also about other things

it's about acknowledging that the people you hurt don't magically become unhurt just because you changed. stede choosing to go and find ed didn't undo the hurt he caused him by leaving him at the dock. ed apologising to the crew didn't undo the hurt he caused lucius by throwing him overboard. and izzy being comfortable enough to wear drag and sing in front of the crew did not undo the hurt he caused ed by imprisoning him in the blackbeard persona

it's about how you're only able to move forward when you've been able to put things to bed with the ghosts of your past. stede was haunted by the badmintons. jim was haunted by the siete gallos. ed was haunted by izzy

it's about making something good out of something bad. turning poison into positivity. izzy's leg loss became the catalyst for him bonding with the crew, which then became the catalyst for him feeling able to express himself and his queerness in front of others. izzy's death was the catalyst for him apologising to ed and getting that closure for both of them. his grave is part of the land that is ed and stede's fresh start

narratively, it served a very very important purpose as one of the transitioning points between s2 and s3, and dismissing it as relying on 'tired tropes' or 'being unkind' is doing the show a disservice

#this is messy but my brain is tired and also too full of thoughts #ofmd #ofmd s2 spoilers #izzy hands #ofmd meta #lyse.jpg

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knaccblog · 8 months

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We all know that when Crowley says, "You can't leave this bookshop", what he's really saying is, "You can't leave this life we've made together", but he's too scared to include himself explicitly in it, right? It's like in the fight about Gabriel where Crowley says he wants Gabriel "nowhere near the precious, peaceful, fragile existence he's carved out for himself" but we all know he's just talking about Aziraphale because whenever he's actually talking to Jim or himself, he's only worried about what will happen to Aziraphale, not himself in the slightest. Worrying what will happen to himself is a facade he pulls up in front of Aziraphale to deflect from how deeply he loves him.

On the other hand, when Aziraphale says, "Oh Crowley, nothing lasts forever", he's really saying, "I love you so much that I am willing to give up all my most precious worldly possessions to assure that you are given the treatment and reinstatement you so deserve." His tone of voice and his face are both all love even.

Like it's just so amazingly sad that what Crowley is reading as rejection, as "you're not good enough as you are", is almost definitely Aziraphale saying he loves him more than everything else and thinks he's the most truly good soul he knows?

#good omens #good omens meta #ineffable husbands #ineffable partners #aziracrow #aziraphale #crowley #good omens crowley #GOS2 Spoilers #good omens season 2 spoilers #My GO Thoughts and Feels #these two have to stop talking in subtext I'm begging them its for their own good #like this is a master class in how to have two characters talk past each other #it's soooo messy emotionally but really great writing #today we're being brave and posting another one #we'll see if I keep this up lols

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novantinuum · 2 months

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mmmmmmm. messy ass ramble thoughts ahead. this is not coherent, it is 1am, you have been warned.

so i've been thinking about that "i can fix anything! i can just keep messing up and fixing things forever, and you'll never have to know or think about any of it!" line during steven's lil manic panic moment in the ep everything's fine in the context of like... og SU episodes

this whole lil manic slip is one that's like... it seems a little extreme for him as a character at first, when one looks at the situation on surface.

but i think it really does shed a LOT of light onto one of his deepest fear. the same fear he's harbored for a good damn deal of the show.

"i didn't wanna hurt anyone!"

this moment comes just a few eps after the S3 finale 'reveal' of rose shattering pink diamond. in that final scene of the season, steven gets 'confirmation' from garnet that this happened, and seems to accept it for what it was- a difficult decision made amidst a treacherous war.

but also, he Doesn't.

because he's the legacy rose left behind. because each and every day he's growing more into his power. because now, with this reveal of rose's decision to shatter on the table, he's putting each and every decision he makes under a microscope.

he had no choice, he claims. she wouldn't let him help her.

he had no choice. it was self defense.

but is that true?

isn't that the same thing his mom probably told herself before ending a gem's life forever?

even though she poofed bismuth and holed her away for suggesting the very same idea??

rose became a hypocrite... so what if HE becomes the hypocrite, too?

see, with steven... i think it's really easy in the main show to sorta... observe all his actions on the mere surface without considering the deeper tickings of his psyche. like... take lars being brought back to life. from audience POV, that's a good deed. steven just saved someone with his magic! positive moment.

but genuinely... i think this was one of the worst moments of his entire life. i think he's still haunted by it- by the fact that he can just "fix" people in that way. and i think fixing jasper's shattered gem only made the specter of that day worse.

steven believes his role is to be the Shield.

the protector.

the one who is willing to do whatever it takes- even up to turning himself in for a crime he didn't commit- to protect his family and his friends.

and like, we all know that it's not steven's FAULT that lars died. BUT- he still died while under steven's protection.

and so the same way steven blames himself for "hurting" bismuth, jasper, and eyeball, he blames himself for killing lars. mentally, he Takes Responsibility for his death. yet another tick mark in the box of horrible "mistakes" he's made, yet another tick mark landing him just a little closer to the rose he's desperately trying not to become.

and worst of all... it's a mistake he "covers up."

because his tears are able to bring him back from the dead entirely.

and years later he realizes this is true for gems as well ;-;;;

so yeah, i absolutely think lars' death was also at the back of his mind when he said that line at the beginning

what steven saw in the depths of his mind as he was panicking there was him slipping down a slippery slope of violence that he couldn't escape from

first, causing harm to other gems and calling it self defense...

then, letting your friend die protecting YOU when you're the one who should be protecting him and facing NO consequence for this misgiving because you bring him back to life

then, expressing anger so visceral it can shatter floors, destroy whole rooms, flip vans. out of control. inexcusable.

then... outright shattering a gem in a duel while training to hone that anger. once again, facing NO consequence because you bring her right back.

then, that sudden, terrifying thought of "what if i shattered white diamond"

like, steven has absolutely no framework by which to separate his actions from genuine desire or just plain abstract thought.

he has no framework by which to understand the beautiful tool of adding a "man would it be fucked up or what-" to the beginning of those sorts of intimidating, dark musings.

he has no framework by which to understand the complexities of his trauma, and the way in which genuinely fighting back against someone he once called an enemy might feel empowering- instead, it would seem he's disgusted in retrospect with how deep he pressed into that fight, how much a part of him ENJOYED it, all because of the horrid destination it led to.

anyways at this point steven thinks he has now become the Hypocrite like his mom, and that he's just destined to hurt everyone around him forever but never be punished for it and Ouch

this post has no end, these were just ramble thoughts, the end. goodnight. i am sleepy and need to prepare to make Wig tomorrow bc OH boy i am con crunch.

yeehaw .

#jen rambles #su #su future #steven universe #su meta #???? maybe???#it's messy but it is Thoughts

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kait-bait8 · 27 days

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Thinking about Snape’s patronus being a doe.

Thinking about how Snape’s patronus was not another stag to compete for the doe’s affection. It was another doe, a fellow doe.

Thinking about how Snape’s patronus might have been something else before. A bat maybe? But it changed to a doe.

Thinking about how Snape loved Lily. Probably at one point it was infatuation, a crush. Do we have to limit it to just unrequited love though? The platonic love wasn’t unrequited. I don’t think Lily stopped thinking of Severus as a friend, even to her dying breath. Childhood best friends just don’t leave you like that.

Thinking about Severus Snape promising to be Dumbledore’s right hand man. Thinking about Severus Snape at his first Order meeting, sitting awkwardly alone, apart from everyone. No one in his life ever showed him how to be good. Except one person.

Thinking about Severus Snape trying to emulate Lily Evans as he tried to choose the right. Trying to remember the way she stood up for what she believed in. Failing over and over and over again. Making snide remarks, throwing out slurs, physically harming those he disagreed with. Every time with Lily’s voice in the back of his head, reprimanding him. Knowing he could never do right by her. But always trying again. Always.

Thinking about Severus Snape realizing slowly and all at once how wrong his youthful ideas about muggles and wizards had been. How stupid he was for believing them in the first place. Wishing he could go back, choose better, try again. Knowing he can’t. Remembering Lily. Working harder to fix things. Still failing in the little ways that make all the difference.

Thinking about Severus Snape, a decade into his service, casting a patronus, expecting to see his little bat, and seeing her. Well, not her, but her patronus. A doe. His patronus. A doe.

Thinking about how Severus Snape’s patronus is a doe because he worked to become the friend he betrayed. To pay back his debt, to make things right however he could. To protect her son. Her son who he hated because he was the exact replica of Severus’ own childhood bully. But still her son. Her eyes. He had to protect her eyes, the eyes that were still watching, still disapproving.

“Look. At. Me.”

#severus snape #harry potter #Lily Evans #I genuinely think Snape is one of the most interesting characters in the series #from both an in world perspective and a meta perspective #like his character arc is messy and interesting and honestly very realistic #and what it says about the author that she wrote him the way she did #and what it says about society that he is so hated #mauraders

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redwiccanrobin · 9 months

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Sometimes I stop and think about how lonely Amity must have been in that first season. Sure, she had friends. Sure, she was popular. But that doesn’t mean she wasn’t lonely.

She was surrounded by people she didn’t care for all that much. They didn’t seem to care much about her either outside of her title of being a Blight. Whenever we see her with them, she always sort of looks as if she’s not entirely engaged with them. Not really paying that much attention to what they’re saying. It makes sense as she was more so friends with them to appease her mother. She cut off the one friend she had to satisfy her parents. She did so as she always sought and craved their approval.

Then this girl came along. This girl who was kind, bubbly, funny. This girl who wanted to be Amity’s friend even with how rough their introduction was. This girl who tried everything in her power to be Amity’s friend. Amity let her in and eventually fell in love.

Her childhood friend she was forced to let go of was back in her life. They grew closer, able to work through their past. She had her best friend back. And with her, a group of even more friends that came to mean the world to her. All because of a kind, bubbly, and funny girl who was determined to give her a chance.

#the owl house #the owl house meta #amity blight #lumity #this is very messy #i’m sorry

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what-is-love-babey-dont-hurt-me · 10 months

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Canon screenshot and dialogue

#my art #snappy’s art tag #kirby #Galacta knight #meta knight #just something quick and messy #ever since I saw this post I was like woah blorbo from my games said that

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jemmo · 3 months

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Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

#wow look at me writing actual kinda thought out meta #also something something about how the pen being in his pocket wasnt a pen given to him by the author its a pen that was his the whole time #look even if this isnt the right interpretation as intended by the author i just kinda adore this headcanon ive come up with and i cant wai #to rewatch the show again through this lens and see if it holds up #i just adore the idea of this whole thing being this manifestation of a flawed doubtful person trying to navigate through their own messy #nonsensical thoughts to find their own happiness #bc yes thats what triggered me thinking of this whole thing. me seeing that post and thinking yeah that doesnt make sense7 #but then again when you tell yourself things an put your own mental blocks in the way they dont make sense either but you still have to fin #the ways to work around them in order to find happiness #like those things dont go away we just find the loopholes or the ways to overcome them that mean we can be happy #the game is your own mind - deal with your own existential crisis as you wish #anyway this is only part 1 in what i hope will be a very extensive meta analysis of this show - stay tuned #love for love's sake

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chefkids · 3 months

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How to Cook for Your Girlfriend this Valentines Day

Step 1: Pick a recipe that she likes

Step 2: Choose something that she maybe hasn't been able to make on her own

Step 3: Make sure the recipe has a deep meaning and connection to her

Step 4: Let that dish bring her closer to you

Wait. Hold on. Wait a minute...

idk dude IS SHE? cause you're sure not convincing me.

In conclusion, men (really just Carmy) will tell you they're making you a special dinner just for you when in reality they're just reminiscing on how their totally "platonic" business partner found her way into his life with said failed dish. So stay vigilant this V day.

#the bear #sydcarmy #the bear meta #sydney adamu #carmen berzatto #carmy x sydney #platonic and messy #chefs kiss #the bear fx #syd x carmy #happy valentine's day

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aeoris4lovers · 10 months

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the quiet tragedy of verin being the one who never quite made it out.

for most of their lives, essek was the one who was entrenched in expectations, in the politics of their den. while verin was stationed far from the heart of the dynasty, ostensibly free from the eyes of his elders, essek was sitting beside their mother in court and speaking before the queen. and it made sense, because essek had always been better at all of it — the posturing, the sweet-talking, the ladder-climbing. his brother the black sleep was still his brother the prodigy; his brother the heretic was still his brother the shadowhand.

but then, essek meets new people and they get through to him and change him and make him softer, make him better (and why them? what is it about them, that they could do what verin never could?) and he runs. he gives up the title and the status and the power and leaves it all (leaves verin) behind.

suddenly, verin is the lone newsoul of den thelyss, the one with all eyes on him, with the expectations meant for two brothers falling squarely on his shoulders and only his in the absence of their other target. he is still the youngest of his den, the one they all watch and wait to be disappointed by, but there is no one to share that burden with anymore and all at once it becomes painfully clear that distance never really was freedom.

essek has a family, then — not a den but a family, with love and trust and care and warmth and all the things essek once called verin childish for craving — and a welcoming home to go to with someone who loves him waiting there and a garden in the front yard, and verin is left still fighting demons under the banner of a god (of a family, of a home) he only half-believes in.

and maybe they see each other more often then. maybe bazzoxan is remote enough that it’s safe for essek to visit in disguise. maybe essek’s friends come too and are kind enough to offer a taste of what essek has now and verin can almost believe it’s his too. maybe essek doesn’t even fight it anymore when verin insists on hugging him. but how much can that really fix? how much can it really change?

an unloved man leaves no one behind when he finally makes a better life for himself, but essek was never an unloved man. not really.

#listen i have a lot of feelings about verin #hes the kindhearted himbo of the family yes but he also is A Thelyss and weve seen the baggage that comes with #i think on the surface hed be thrilled for essek and love the nein #but it definitely wouldnt be an easy thing to stomach #i imagine its like the feeling of your sibling going to college and leaving you with your shitty parents but like. times a hundred #like ‘im so happy for you but i want to be happy for myself too and you getting out mightve just locked me in so where do we go from here’#fuck man sibling relationships are so messy im going feral #we never even get to SEE verin but he haunts the entirety of essek’s arc and im incapable of being normal about it #cr meta #verin thelyss #essek thelyss #the thelyss brothers #den thelyss #the mighty nein #c2 #critical role #critical role meta

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lifeismarvelous · 2 months

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wawa

#deltarune #kris dreemurr #susie deltarune #deltarune susie #krusie #my art #deltarune fanart #Meta⚡️ art #<3 making messy art

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elizabethactual · 2 months

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This isn't a new or unique thought, but something that drives me absolutely bananas about the Ted Lasso writer response to Ted/Rebecca shippers being this condescending stance that it's so common and basic to do a romance between m/f leads and we've all just been ~socialized~ to want this, is that it actually ISN'T COMMON AND BASIC to see a romance between, first of all, two solidly middle aged people full stop, and two solidly middle aged people who are laden with grown-up, real-life baggage and whose relationship would have begun as a hard won and deeply authentic, joyful, and healing friendship, and probably a million more components that I'll think of after I post this. They of course were not legally obligated to do a romance but I absolutely beg of them to stop acting like Ted/Rebecca would've been dime a dozen because it would not.

#my kingdom for there being 500% more messy middle aged slow burns in this world #see also: the writers quiet quitting their onscreen relationship in s2&3 whether romantic or not #see also: the sexism of male writers lecturing a largely female fan contingent about what they should want #see also: rebecca plotting against ted for an entire season is Hot actually so can we enter that into evidence please #okay time for bed good night #ted lasso #gettin' meta #writing #ted x rebecca

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posletsvet · 8 months

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Was anyone going to point out to me that the reason why curses were swarming the streets and filling every empty nook and cranny in the summer of Geto's spiral was actually Gojo Satoru?

The narrative already bears witness to how Satoru's mere birth tips the balance of the world. As the first Gojo to be born with both the Limitless and the Six Eyes in what is almost a half-millenium, he holds unparalled power. Him simply existing is enough for curses to spring into action and start growing in strength as well.

When he suffers a crushing defeat by the hands of Toji and subsequently thrusts himself vigorously into perfecting his technique, this rapid increase in his strength puts into motion a similar process. He becomes stronger, and so cursed spirits follow suit. He breaks the fragile equilibrium, and cursed energy seeks means to restore it.

First time Satoru Gojo changes the world, he is named the strongest. Second time Satoru Gojo changes the world, he becomes the strongest.

Now, this might be a bit of a stretch on my part, but what if Geto's defection and everything in its aftermath is how the world responds to Gojo being the strongest? After all, you cannot balance the scales by putting too much weight on just one side.

Suguru's abilities as a sorcerer are inherently deeply tied to Satoru's, and intentionally so. The stronger he is, the more potent the curses are -- and therefore the more potential there is for Geto's technique. I have said it before and I'll say it again: they are a perfect counterbalance to each other. The equilibrium is broken by Gojo twice. Each time, Geto is there to restore it: first by being born with the ability to manipulate curses, then by creating the opposition to jujutsu society, which Gojo has become the centrepiece of.

Ever since Suguru Geto entered the narrative, he has been the one to keep Gojo's powers in check -- hence preserving the balance. That's why the narrative brings him back: in order to be well-balanced, it needs both of them to be present.

#jujutsu kaisen #jjk analysis #gojo satoru #geto suguru #satosugu #they are really designed to be a pair huh #i'm once again asking it #gege why #sorry if it's messy #i feel like i haven't elaborated on my thoughts enough #but i don't know how to organize them any better #and i guess it's important to note that i'm not talking about their direct motivations #but rather indirect consequences of their actions on some meta level of the story #and i'm not putting blame for what happened on gojo #not at all #geto had his own reasons and motivations #he made a choice and took his own path #i think his spiral down is so well-written because it takes root in the internal struggle #it could be accelerated by some outside forces #such as unbearable workload that drained him #but the reason he spiraled was the inability to make peace with himself #to somehow justify the gap between his own ideal and that cruel reality which he witnessed #all he did was stayed true to himself to a fault #it's nothing that could be helped by gojo #let alone caused #nonetheless they are tied by the narrative #and that's what i'm talking about

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