#it's just very much not my interpretation or desire to see canonized in any way

[lo-fi-charming]

so i've been keeping up with TMP as it's airing, which has been fun, it's actually really nice to experience this kind of story weekly since i came into TMA late and listened up to the s4 finale in like, a month or two. i've been enjoying the new characters and statements, and while i was worried i'd have trouble actively listening (my attention span/executive functioning can be really variable when it comes to podcasts), it's been surprisingly easy for me to actually listen to each new ep the day it drops publicly

all this to say im enjoying the show! but i've found myself feeling increasingly frustrated with a couple things i keep seeing when it comes to discussions of it

to me, it seems... there's been a pervasive reluctance to take TMP as what it is. and i do understand that. it'd be stupid to pretend TMP doesn't exist exclusively because of TMA and that show's success, that it's a successor that was pitched as being similar. it's a story being written by the same people (plus guests), in the same universe (roughly), going for about the same tone and maybe themes.

i just feel like it's a bit of a shame, though, that so many folks seem unwilling not to carry TMA with them when they're engaging with TMP

i don't know where or when it was said, but i swear there was a comment made by jonny and/or alex about how TMP will have some commonality with TMA in terms of world-building, but also, people who listened to TMA first may find themselves theorizing in the wrong direction because we're judging things based off what is no longer concrete, reliable information; things are going to work differently in the world of TMP, and since we have preconceived notions on what is relevant or how things work, that's going to influence how we engage with information presented in TMP if we let it. and that's not even considering the fact that they've been explicit in conveying the idea that TMP was written so you can experience it fully without having listened to any of TMA at all!

i'm very much someone who tries to engage with media on its own terms, largely taking things at face value until i'm given reason to suspect otherwise. that's something i'm trying my best to still do with TMP, even though obviously, i've also listened to TMA and am basing some of my thoughts and personal theories on what we know from that

but that's what i mean to say i guess, it's something you have to actively choose to do. and it feels like, just based on what i've been seeing in fandom spaces, that a lot of people are having a bit of an odd time with TMP because of a reluctance to do that?

i think the easiest way to explain what i mean is to point to a general acceptance, already on the level of fanon it seems, to interpret the computer voices as Our Jon and Martin (+ Jonah/Elias, maybe). now obviously we have the actual real world reason why their voices are present in TMP, because of course jonny and alex were going to come back as voices in the show in some way. and i 100% agree it's a perfectly logical conclusion to then interpret their inclusion as being related to Jon and Martin somehow. i'm personally very into the theory that it is in no way them - not in any way that matters - but specifically their voices that have been stolen (by the Web?) as a means to help spread fears in other realities. but that's really not how i've been seeing people play with the concept? it seems largely 1:1. and again, i totally understand where people are coming from with that - especially when you consider how it can be a super fun concept for horror and angst, or even just the fact that folks want an excuse to carry their favorite characters into this new show and still play around with them. i promise i don't mean to bring this up as a means of making anyone feel bad or like, chastised for interpreting things a certain way and playing in the space!

it's the biggest example of what i mean though, and was a huge point of frustration for me when we were first being presented with TMP. it's not just that i don't want the voices to be Jon and Martin proper (i am very into their Ambiguous End, i believe it's best to leave that as a space for fans to play in); in all honesty, i think it's kind of a shame and maybe even a bit boring (im sorry!) to be engaging with TMP this way

and it's not just stuff like that - i've been seeing a fair amount of people expressing frustration and feeling disappointed with how TMP is hitting, but i mean, i feel like that's inevitable when you're going into it expecting More TMA? i saw at least one person basically say "ive been waiting for it to make me feel the way TMA made me feel, and it hasn't yet", and i really just feel like that's setting yourself up to be dissatisfied! beyond the fact that we're only 5 episodes in and the story has barely gotten a chance to happen yet, a huge element of this new show is that it's being approached as a largely collaborative effort, it seems, with lots of guests coming in to help shape the story and more writing and plotting influence that isn't jonny

obviously it's fine to not be super into that! undoubtedly it's a question of taste. but you do have to acknowledge that that's the case and adjust your expectations accordingly, or else you're not going to have a great time

i really like TMA, i had a great time with it, but even if TMP is a sequel to its parent podcast, it's not the same thing - and personally, i don't want it to be! i do hope that's a sentiment that is able to be more widely felt by some fans as we gain more distance from TMA while TMP is airing. i just think more people would be able to enjoy it that way, and come up with more interesting theories and interpretations of things! but those are really just my own personal thoughts

#endlesschatter #tmagp #i just needed to express some of this #it's a bit tricky tho esp with the voices as jmart thing bc a lot of my buddies and pals are playing in that space #and i hate to sound like im vagueing or complaining i swear im not ;lskdjfljk it is truly so unserious in the end #it's just very much not my interpretation or desire to see canonized in any way #though i cant deny some of the arguments made in favor of that interpretation are compelling #and i mean if it's the case in canon! not like im gonna be mad at folks for calling it!! #might not be my favorite angle but could still be plenty fun! #but also yes yeah i just wrote a lot of words down just to say i think it might be nice. if. #the fandom at large didn't try putting a coat of TMA paint over TMP and interpreting everything that happens in a TMA-colored lens

[messiahzzz]

thank you sm for the ask!! 💕 i’m glad you enjoy my posts and it is not a strange request by any means!

note: this is merely my read on gale’s sexual preferences/kinks. i don’t want to police anyone on their headcanons or claim they are “incorrect”. since the game doesn’t provide too much detail, many things remain up to interpretation. (and lest we forget fanfiction has always encouraged the exploration of dynamics that may not be present in canon.)

gale is a character who isn’t interested in walking the straight and narrow route. he is all about new experiences, favoring non-traditional means, putting his own spin on things, and the thrill of seeking the forbidden. the sheer romance of the uncharted and the unknown. he is enthusiastic in almost every aspect and possesses an infectious zest for life. in regards to his sexual preferences, this translates into an eagerness to explore, witness new sensations, and reach new heights together. while approaching the topic of sexuality with a generally playful, adventurous attitude.

if you’re looking for harder kinks, however — i don’t believe gale is the character for you. and in case it needs to be said again: there is nothing wrong with being vanilla.

initially, i see gale as a switch, who gravitates more towards assuming a dominant role, due to his ever-present desire to give and to impress. i do think he enjoys giving up control, yet you still have to actively convince him to let himself go and be spoiled for once. his first focus will always be to fulfill his partner's needs and drown them in his all-encompassing love and adoration. i also believe that gale will grow more comfortable with being the center of attention, once their relationship has reached a point of total security (and he had ample opportunities to show in just how many ways he can wow them). gale is not a strict dom, nor a sub. in his ideal relationship roles would be discarded entirely, deeming them too restrictive in his expression of intimacy with a trusted partner. it’s all about variety and ridding oneself of the shackles of the worldly, after all. melting into one perfect whole, not knowing where he ends and his partner begins.

gale: we are all sensual vessels. illusory magic lets us sail farther, and feel more deeply.

gale: [..] i could use the weave to make us feel sensations beyond reckoning.

based on what we know about gale, these could be some of his kinks:

lots of praise (this is non-negotiable), sensation/temperature play (waxplay, electrostimulation/all the many perks magic has to offer), sensory deprivation, light restrictions and bondage, the occasional roleplay, katoptronophilia (self-explanatory), altered mental-states (hypnosis, psychedelics), orgasm control & denial, body worship, olfactophilia and given his propensity towards verbosity: narratophilia and some very inventive dirty talk. as for my own self-indulgent take: due to the recurring emphasis on hands during his romance, as well as his being the main tool in how he shapes and navigates the world: quirofilia.

nodecontext: flustered, standing in front of his romance partner in bondage gear. not necessarily uncomfortable with the bondage aspect, just trying to stay focused.

now, what are gale’s hard-limits?

gale, after the player received loviatar's blessing: your hide, your choice. not quite my cup of tea though.

while projecting your own kinks and fantasies onto fictional characters is fine and well, disregarding and ignoring the source material (and the character's stated boundaries) is another matter entirely. fanon!gale is rather ooc and very different from his canon portrayal, which is something that tends to irk me. although this remains a common fandom phenomenon.

personally, i don’t see gale as someone who enjoys pain of any kind, be it giving or receiving (with the exception of spanking and light choking, if a certain mood strikes. although it is kept mostly playful). contrary to what fandom may claim, having self-worth issues, being loquacious, emotionally expressive, and vulnerability-seeking (as well as being commonly perceived as arrogant and insufferable) doesn't automatically equal having repressed masochistic tendencies. he could be convinced to dip a toe into sadism, but only upon his partner’s insistence. although i doubt he himself would find enjoyment in that.

the same applies to degradation/humiliation. i doubt that a character who is still very much struggling with inherent self-worth issues and a general feeling of being defective/not worthy would derive sexual gratification from being degraded. yes, it can certainly be healing for some, but gale doesn’t strike me as someone who would find particular enjoyment in that. quite the contrary, actually. nor would he like to do the degrading for that matter (he would vehemently refuse. all he wants to do is sing your praises.) gale wouldn’t enjoy being leashed and/or collared in any way either. the prospect of being tied up or restricted is rather intriguing, cause it serves to center one’s vulnerability while also allowing for more intense sensations. anything that taps into the puppy play/slave territory tho? he would find it demeaning… and, quite frankly, silly.

gale is also not a voyeur, nor a cuck. the entire scene with the drow twins leans way too much into dub-con territory for my tastes. the only way you can get him to participate at all is by rolling a persuasion check with DC 25. in every other dialogue option, he immediately (and explicitly) declines. even if you do manage to pass the persuasion check, he is still very hesitant about participating.

gale: i might enjoy watching you tangled up with the drow, as long as i was five paces back.

he then immediately runs from the room, because sending a simulacrum in his place was the only way to somewhat remove himself from the situation while still being able to please tav. because of course he wants to please and clearly this is important to tav so he might just… have to discard his reservations and... just go through with it?!

gale: well i suppose it would do no good to back out now. let us begin this little anthropological study, if we must.

i am aware that fandom uses the fact that his “orb lit up in telltale excitement” as a justification that persuading him was the right choice, as well as confirmation that he was secretly into it and “just needed a little push" to explore his desires/get out of his comfort zone. that implication alone is very suspect and goes straight into the sort of logic abusers often use. you can be physically aroused by certain scenes, images, or sounds, even while being visibly uncomfortable with the presented scenario. it is a natural response that you can’t often control. which is what he is showing throughout the entire scene: discomfort. he was coerced into this situation, without any prior discussion or an opportunity to talk about his boundaries. furthermore, this is what he has to say if you approach him after the threesome:

gale: ahem. i hope you're not here to ask about our recent, erm, activities. i'd rather those were consigned to the footnotes of our romance, if it's all the same with you.

since he is strictly monogamous, any arrangement involving another person is also a no. he made this rather clear when tav sought him out after receiving halsin's proposal. him being monogamous isn't solely rooted in his trauma, it isn't something he has to “overcome” in order to heal, nor does it mean that their relationship is any less fulfilling. call him greedy, stubborn, or old-fashioned, but he cannot comfortably agree to that.

#baldurs gate 3 #bg3 #gale dekarios #gale of waterdeep #bg3 meta #now what do i even tag this as? #coercion cw #degradation tw #humiliation tw #will have to do some more thinking about the whole “gale has a breeding kink” take #as of now i don't believe that it is a kink nor a squick of his #as long as there's no actual risk of pregnancy involved that is #btw guys i love answering these #if you enjoy reading my long ass posts feel free to clutter my inbox #it speaks

[tizeline]

I’ve never seen a separated au with Leo being raised by big mama, what do you think that would be like? (Since he’s kinda rebellious)

For the record, there are AUs where Leo's been raised by Big Mama, the ones I know of are Gemini AU by tangledinink and True Colors AU by v-albion. I'm not super familiar with either of them, but they're there if you wanna check them out.

That being said-

LEO being raised by BIG MAMA omg I have THOUGHTS

Listen, I don't see enough people compare Leo to Big Mama, but he's quite similar to her. Splinter and BM never got a kid together, BUT IF THEY DID that kid would literally be Leo he's basically just a fusion of the two of them!!

As I've mentioned several times before because I love bringing it up, Leo is strategic, quick-witted, observant and good at talking. In the show (as well as in my own AU) Leo's strengths aren't really recognized, let alone aknowledged for a big portion of the story. Because of that, for a long time he doesn't really get the chance to develop these skills, as much potential Leo has to become a master planner his impulsiveness and inexperience has a tendency to get him into trouble.

BUT! All of these skills also happen to be skills that Big Mama has and would value in Leo. So if he were to actually have to opportunity to not only be raised by BM but also trained by her for his entire life. If he got to properly learn strategy, planning, manipulation...?

... Holy shit Leo would be terrifying.

Think about it, canon!Leo managed to out-smart BM in Many Unhappy Returns without any real experience, just imagine what he could do with a whole life-time of training.... yikes!

Not sure what exactly Big Mama and Leo's relationship would look like. In my opinion she would view him as her son and love him dearly, especially if she knew that he's Splinter's biological son.... it's just that BM has interesting ways of showing affection. ("The love of my life just proposed to me?? Great! I'm gonna lock him up in my gladiator fighting ring for the rest of eternity!") She'd at the very least be quite controlling, I imagine.

As you pointed out, Leo can be quite rebellious, so that mixed with Big Mama's obsessive need to be in complete control of everyone around her would certainly cause some tension. Actually... considering how clever Leo would be in this AU... uh oh.

All of these qualities that BM initially appreciated and encouraged in Leo, what if, as Leo became more and more capable, Big Mama started to eventually view them in a more negative light? If she feels like she's loosing control over Leo, if she interprets Leo's rebellion as not just a normal teenage need for independence but rather him malicously working against her. What if she starts viewing him not as an asset or as a tool, but rather a threat?

If BM has reason to believe that Leo might try to overthrow her and take control over her criminal empire, she might take preemptive action and get rid of him before he has the chance to get rid of her.... Not like murder-get-rid-of, I don't think she'd just kill him, lol! But like lock him up, maybe throw him into the Battle Nexus, I dunno. Anything that would allow her to remain in control of both him and her business.

As for Leo, maybe he would actually try to overthrow BM. Considering he was raised by a literal mafia boss, his moral compass is gonna be a bit wack. Maybe Leo's desire for control over himself would cause him to try to seize control over his mother's business. Oooooorrrrr maybe Leo just wants some independance but doesn't actually want to compete with BM, so when she interprets his actions and behavior as malicious he's not prepared for that at all and, as a result, is more than a little hurt that his own mother would take such extreme actions against him. Who knows?

Hhhhhhh there's a lot of fun posibilities here but MAN I'm not really in the mood to work on an entirely new AU. Maybe I'll create some art for it I dunno, this concept is really fun, but I'm not gonna turn this into a proper Thing, so if anyone else wanna steal this concept and explore it for themselves, feel more than free to do that!

#tizel talk #tmnt #rottmnt #rottmnt au #rottmnt separation au #rottmnt leo #rottmnt big mama

[brujahinaskirt]

Okay, I obviously made the above post as a leetle joke, but since it's getting not insignificant traction, I do want to offer a more serious note.

I love this about Arthur. It's probably my favorite thing about him, but let me use this fresh new RDR2 meta post to clarify exactly what I mean. Despite the aspects of his personality & appearance that are traditionally hypermasculine, and despite how often he is annoyed with people (especially incompetents or people who meddle with his plans), Arthur is decidedly NOT annoyed by the social performance of femininity or by traits that are/were frequently stereotyped as feminine. Ever. Regardless of subject. I might go so far as to say he seems to canonically prefer hanging out with women and with "feminine" men.

Your long-winded, bullet-pointed analysis is below!

The Girls. Most noticeably, Arthur actually sits down to talk with and actively confides in the camp Girls (Tilly, Mary-Beth, Karen) more than anyone else around. These three are the most traditionally "girly" (single, 20s, active, pretty, unattached, highly social, feminine, chatty) members of the gang, though of course they are still criminals and don't perfectly adhere to all period-typical standards of feminine comportment. He doesn't mock the girls** like he sometimes does with other auxiliary members of the gang (like Uncle and Pearson, playful or not). Notably, he doesn't even gently tease Mary-Beth for writing her "silly" romance novels, a highly feminized hobby which she speaks about in a self-depreciating manner, much like Arthur speaks about his own artistic hobbies. Rather, he talks to her about writing like a peer and encourages her to write more by going out of his way to get her a nice pen. Crucially, there is no canon romantic or sexual interest in any of the girls on Arthur's behalf. He just feels the most comfortable in their company and seems to value their advice/opinions on life the most. To me, this is much stronger proof than his forever-burning torch for the cultured & ladylike Mary, which is (or was once) rooted in romantic desire. ** Unless the player persists in Antagonizing them, and these lines (while sometimes shockingly cruel and offhandedly sexual in nature; see Arthur teasing Tilly about pursuing Javier) are largely about goading them for laziness or, in Karen's case, her alcoholism. That said, many of the Antagonize lines strike me as clumsily tacked-on & poorly rooted in canon, which could indicate: (1) an Arthur who is deliberately trying to be disruptive (a generous interpretation), or (2) writers instructed to add throwaway content that will make a certain type of childishly misanthropic gamer (think 13 y.o. boys) squeal in glee with relatively low impact on the overall story.

Campmates. Following the above point... who doesn't Arthur hang out with much? The manly men of the gang; the very people social mores suggest he ought to be hanging out with. Bill, Micah, Joe, Cleet, and even Dutch. (To some extent, this includes John and Sean, but I'd say John sort of lives at the edges of gang life anyway, and Sean is, well, Sean.) Conversely, which male gang members does Arthur hang out with a lot? Sweet little bookish Lenny, a wordy, positive-energy, breezy intellectual who has just barely become an adult. Introspective, soft-voiced, long-haired Charles, who is traditionally masculine by some standards (strong, usually calm, can be standoffish) but decidedly NOT so when his appearance/demeanor is judged by the white Christian American male standards that began to dominate masculinity concepts in the later decades of the 1800s.

Algernon. Oh, my, Algernon. Arthur clearly dislikes Algernon's fancy, loud, outrageous clothing. But weirdly, he seems to like Algernon, not just tolerate him. Arthur in fact goes through significant personal discomfort to avoid hurting Algernon's feelings (the awful hat, the POST.MAN. sobbing), and he immediately says yes to having tea with him without any awareness of a coming business proposition, though half the time Arthur clearly has no fucking clue what Algernon is talking about. I am left to conclude that on some level, he just enjoys hearing Algernon talk, which is word-for-word what he says while listening to the Girls argue about romance novels ("I just like listening to you [all] talk." Hello????). I mean, for God's sake, he meets the man while he's choking to death on a nut at a fancy party, and the second thing Algernon does is tell him he looks like a guy who wears a corset. If anything was going to set off the boiling defensiveness of a dude who worships masculinity, thirty seconds with Algie would have done it.

Margaret, Mistress of Fucking Danger. It's pretty clear Arthur doesn't like Margaret. But that has little to do with Margaret's femininity & cross-dressing (this doesn't faze him at all when Charles Châtenay does it; more on that below) and everything to do with Margaret's deceptiveness and highly selective memory. It's not until the bullshittery unveils itself that Arthur starts getting visibly pissed off at Margaret. Conversely, Arthur does seem more positively disposed toward Sally Nash. (That said, this quest has a lot of problems and poorly aged lines that are depressingly easy for a politically motivated jerkoff to soundbite and miscast as Rockstar being pro-bigot. Cue 800 heterobnoxious gamerbro ARTHUR MORGAN ULTIMATE ANTI SNOWFLAKE SIGMA MALE OF THE WEST YouTube videos.)

Albert, my beloved. Rather than goading him to man up, Arthur tries to persuade Albert (whom he very obviously likes) to pick safer animal photography subjects, e.g. horses, and doesn't insult him for his lack of wilderness knowledge (an aspect of traditional manliness that is highly relevant to Arthur's lifestyle). You'd think he would tear into him for this shortcoming, given that they share so many of the same interests and passions, and IMO his genuine eagerness to serve as Albert's protector and facilitate his art is highly convincing evidence that Arthur does not necessarily view masculinity as a net positive.

Arthur is a basic goddamn boyfriend-hater. He pretty much harshly disapproves of every husband, boyfriend, male partner, etc. in the game and is very, very vocal about it... except one extremely unlikely candidate: Beau Gray. Weak, dandy artist Beau Gray, whom Arthur takes one look at and promptly hands the only gun to Penelope. Arthur is curt and impish to Beau at times, but helps him in his relationship troubles willingly (without collecting repayment), and seemingly for no other reason than the fact he can see that soft, fearful Beau is genuinely head-over-heels in love with Penelope. Is he projecting his own young love for Mary onto them? Maybe/probably, but Beau could not possibly be more different from young Arthur, and Arthur seems to believe this difference will make him a good husband for Penelope. A good husband, in Arthur's view, seems to simply be a man who ardently loves his beloved, regardless of his ability to provide for/protect her, and whose only goal in life is to live that life at her side. This is completely antithetical to mainstream late-1800s views on what constitutes a good husband and what it means to be a man.

Châtenay. Arthur shows us some of the most obvious delight and mirth he experiences in the game when he's hanging out with Charles "Allo Boys" Châtenay, who is straight up in drag a third of that time. This baffles Arthur a little, but doesn't disgust or repel him. I've written about this mission elsewhere at greater length because it is one of my favorite disasters, but it's worth mentioning here too.

Trelawny. Arthur clearly enjoys Trelawny despite his grumbly claims to the contrary. Most of these "claims" are just Arthur's established way of affectionate teasing (he does much the same with Uncle and Pearson, both of whom he genuinely likes). His authentic gripes about Trelawny are all about a perceived flightiness/lack of loyalty to the gang, not about his flamboyance. And even these gripes are half-assed, in Arthur's usual way.

Bluegills & Daisy Chains. One of the most genuine moments of softness we have with Arthur in RDR2 is when he takes Little Jack out of the camp to go fishing. Arthur's usually a much truer version of himself when he doesn't have to play the Big Bad Gang Lieutenant role, but this moment of escape is especially important, and not just because Arthur reveals his fondness for children and his natural understanding of how to talk to them. I notice this: Arthur tries to gently teach Jack about fishing, and Jack is completely fucking uninterested. Jack prefers to make flower chains for his mommy. Arthur doesn't scold him for his drifting attention or his lack of attraction to masculine past-times; on the contrary, Arthur goes out of his way to encourage and protect Jack's natural sweetness and innocence. That's a wild stance for a murdering outlaw to have re: the "next generation" of his family. Hell, I've encountered far too many 21st century dads in my own family who flip their shit when their tiny sons prefer hanging out with women & partaking in "womanly" hobbies like art, cooking, and flowers rather than hunting and fishing.

"...and be a god damn man." This seems like classic masculine bluster on the surface, but what does this keynote line mean in the context in which Arthur says it? Well, it's complicated. This statement serves as (a) Arthur's goodbye to John, (b) Arthur's final call to action for John, and (c) Arthur's last wish for his brother's life. But it certainly does not mean standing and fighting or being tough; i.e., "dying like a man." In that moment, it means abandoning all masculine bluster and revenge fantasy, and running away: leaving violence and fighting and brotherhood and all that crap behind to simply be there (alive, present) for your wife and son.

The Best Women People. Who are the best people Arthur knows, by his own crystal-clear declaration? Abigail and Sadie. Sadie's a rough-and-tumble, super-violent gunslinger and Abigail's a stubborn thief & a former sex worker (in the time Arthur has known her), but they are also, critically, two wives: the most traditional feminine role for a woman of the time period (and indeed perhaps most of human history once the concept of "wife" subsumed that of "mother"). It's also important to note that Arthur doesn't truly give up on Dutch until Dutch abandons Abigail, which serves as Arthur's point of no return. The other men left in the gang at this point specifically note that she's "just a woman" and not worth going back for. Arthur is straight-up shocked by all of this; he obviously considers her among the most worthwhile and value-having members of the gang, and certainly one of the most core members of the gang. Without any hesitation or doubt, the instant it's clear Dutch is cutting Abigail loose, Arthur declares: "That's that, then."

tl;dr: Arthur unironically prefers hanging out with women and queens and I love that for them.

#rdr2 #arthur morgan #red dead redemption #i promise to wait an appropriate amount of time before hurling another one of these massive essays at you tumblr #redmeta

[klaunee]

Edit 2/12/2024: I wanted to add a disclaimer to my redesigns! I really appreciate all of the likes and comments that these have garnered, but I just want to add that these aren't intended to be "improvements" or "fixes" of the original designs in any way and were done as a character design exercise for my own entertainment. Looking back on them there's a lot I'd like to change about them and I'd never claim to be anything more than an amateur/hobbyist character designer messing around with these character concepts. ----------------------------------------------------------------------------- Tentative Beelzebub redesign for fun. Not 100% on it, but wanted to give my attempt at it! Explanation below.

(warning for images of real insects!)

Instead of the party girl angle of the canon design I wanted my interpretation of Beelzebub to be a sophisticated captain of industry for her Beelzejuice operation who also happens to be an impeccable hostess, hence her parties. She was based on several different insects:

Honeypot Ant - I'm not the first to take inspiration from a honeypot ant for a Beelzebub redesign, but it just fits so perfectly as a compromise for the canon design's lava lamp abdomen. It's obscured by her wings, but she has a transparent abdomen full of syrup.

Flea - Since she reigns over the Hellhounds, I thought this would be an appropriate inspiration given her semi-parasitic relationship with her subjects.

Fly - Because Beelzebub is known as "Lord of the Flies", this was a given, and the primary inspiration for the design.

Bee Fly - However, I based her on a bee fly as well as a sort of compromise between the canon version's bee theme.

The one thing that confuses me most about Beelzebub's canon design is her honey... syrup? I'm calling it syrup. Her syrup "hair". It really threw me off at first and it just doesn't make much sense to me. I wanted to reinterpret it as a boa to give her a glamorous look and emulate the fluffy necks of bee flies. The inspiration for this fabulous look was also the character Queen Camilla from that one Rudolph movie.

My Beelzebub has a similar personality as Queen Camilla, being a very warm, motherly woman who wants nothing more than to sate the gluttonous desires of her subjects. She inevitably takes this too far, however, and I would depict her as more of an antagonistic figure than the show did. Ideally Loona would be crashing her party, ingratiating herself to the Hellhounds and provoking Beelzebub's anger.

Speaking of anger, Beelzebub's syrup boa is prehensile, seeing as she's able to manipulate her syrup in the show. This factors into her full demon form, which would see her morphing her syrup into a more intimidating shape, such as four massive arms:

This is just one (very rough and not ideal) concept for what her full demon form could look like to illustrate the idea. Outside of this form, she's actually very small, the smallest of the Seven Deadly Sins and significantly smaller than her Hellhound subjects.

Her hair is a pair of double beehives for the pun, and because the shape looks like both a giant heart and a fly's head + eyes. Her design contains several heart shapes because I think it's cute and to go along with the canon design's focus on being - literally - sweet. Her eyes are meant to look like both inverted crosses and a fly's segmented eyes, and her eyelashes are her antennae.

The fact that she has four pairs of wings (which are arranged to look like a royal cape) and the heart symbol on her main pair is a reference to the Dictionnaire Infernal's depiction of Beelzebub.

Her prominent lips are based on a fly's proboscis, and a running gag in the show could involve her mouth actually drooping like a fly's does in moments of shock.

I tried to give her a more matronly look than the canon version for some diversity in ages depicted on the show, even though she's an immortal being. She would not be dating Tex in this version.

#helluva boss #helluva boss redesign #helluva boss beelzebub #beelzebub helluva boss #insect #insect tw #insect cw #beelzebub #character design #no hate i just wanted to give it a try #hellaverse

[charcubed]

I NEEEED people—especially those with unfathomably large platforms???—to start doing just a tiny bit of internal evaluation before they log onto a blue website and say “I don’t want these queer characters to fuck in canon” or “I’d be fine if these characters never kissed again” or whatever.

This is a post about Good Omens and the prospect of Aziraphale and Crowley potentially having sex in season 3. It's a response to a tweet that I'm crossposting, but let it be known the above statement and this topic applies broadly across multiple fandoms too.

But anyway, in regards to Good Omens specifically:

I am seeing this take that essentially boils down to "Canon has now made it clear that these characters want to have sex with each other through subtext (i.e. Aziraphale and the ox), but I don’t want that to reach narrative completion because the idea of them having sex makes me uncomfortable or isn’t my personal preference” and it is, to put it mildly and delicately, A Very Bad Take.

This is rhetorical (and I do not expect or particularly want an answer), but: explain to me how and why queer characters who are unavoidably visibly queer (aka 2 "man-shaped beings") fucking on screen wouldn’t be a net positive, especially when you can indicate how canon has set it up.

Presumably, some people say things like this because ~they want to see them as visibly ace.~ Okay. But by some of these people’s own admission, there IS more evidence in canon now to indicate these characters crave sex with each other (vs arguing otherwise)... yet people would rather that be ignored/erased all for the sake of them feeling comfortable or feeling better about what canon shows or doesn’t show explicitly??

I’m sorry, but—speaking as an ace person, to be clear—your personal preferences for the story shouldn’t / don’t affect anything here. There’s too much in this.

Yeah, I understand on a personal level not having “representation.” I almost never see myself or my unique experiences and identity reflected in stories. And yet, I also understand that that doesn’t change any story or the world in which we live. Things like this are not said in a vacuum.

Any queer characters having sex on screen IS a net positive. It is rare and impactful, and openly calling for or hoping for otherwise when canon points to its potential is a detrimental alliance with purity culture, whether intentionally or accidentally. Because we live in a Goddamn society!

Who knows (other than Neil Gaiman) whether Aziraphale and Crowley ARE going to fuck on international TV. None of us do! But the subtext right now blatantly says they’re starving for it. And you don’t have to like the prospect of that, but honestly? We SHOULD get to see it play out. There’s no truly legitimate reason we shouldn’t ¯\_(ツ)_/¯ Whether you "prefer" it or not.

And my ultimate hot take is… if someone balks at the idea of that or doesn’t understand the importance of it, despite even seeing the subtext… then they should perhaps unpack that? Just a thought.

Truly the way fandoms are managing to hit either “subtext doesn’t count :/ ” or “let’s keep it to subtext so it’s ‘open to interpretation’ :) ” nowadays depending on what corner one visits is MADDENING. Whiplash-inducing. Surreal. And so much nonsense you can’t pick where to start.

So! I do genuinely hope I'm not kicking off discourse but I felt this Needed To Be Said (and on more than one site). Because posts like “even if they never kiss again, we’ve won <3 “ make me want to be like…

These characters are YEARNING. Do not doom them and us to it. For once, we can reach for the stars and maybe–against all odds–pull them down. Embrace it!

---

[Update: after more discourse has occurred, I have somewhat elaborated on this further, from the POV of the significance of the queer themes in Good Omens and more specifically how they center illicit pleasure/desire]

#good omens #good omens season 2 #good omens spoilers #good omens season 3 #neil gaiman #aziracrow #ineffeble husbands #I'm OVER ITTTT. #this is the delicate version of this rant. trust me. I tried to keep it chill for the sake of posting on main #char writes things #PS adding some brief tags now that the discourse has Escalated: #Mr Gaiman can be pedantic on the internet and pretend by omission he's never heard of subtext all he wants. #it's not what his story is saying and I do actually think he DOES know how to do stories. so. love & light to whatever his deal is. #(what I mean: do not come into my house & try to say 'neil said the ox scene isn't sexual.' inaccurate + that's a whole suitcase to unpack) #(I have now written about All That at length elsewhere with exasperation but it doesn't need to be linked in this post lol.)

[absynthe--minded]

Hello! Can I respectfully request the promised lecture and Powerpoint about Fingon/Maedhros? I'll be honest here... I just do not see it, and I truly do want to understand. There are other relationships in the Legendarium that I really do think Tolkien deliberately and unequivocally coded as queer, and I've used all those same examples you list to back up my arguments. And I do see the parallels with Luthien and Beren (just as Sam/Frodo has parallels with that). But otherwise, I don't see a lot of queer coding. Which is not to say that I think it's a bad ship, just that I don't really see much in the text to support it or see much indication that it's what Tolkien intended. I would love to be convinced, though! I swear I'm not trying to bash Russingon or provoke anything. It seems like you have put a lot of thought and research into this, and I'm honestly curious, because this is a ship that has always puzzled me a bit.

First, thank you for asking! It’s always a pleasure to talk about my boys and my OTP to end all OTPs

I want to start what’s probably going to be a long series of self-reblogs by saying something that’s going to be important in the long haul: there is a difference between “I personally interpret this in a way that enhances the story, and it’s canonically compliant” and “I think and will seriously argue that Russingon is supported canonically by things that explicitly exist to point toward it being more than friendship”. The line can get kind of fuzzy, but it does exist, and the foundation of any good queer analysis is recognizing that.

So before I get into Sarah Waters, Mary Renault, and what the British legal system has to do with any of this, I’m going to make three lists.

Stuff That Probably Doesn’t Mean Anything, But That Is Fun To Examine From A Shipping Perspective:

Maedhros wears a copper circlet, Fingon wears gold in his braids

Maedhros abdicated the throne in favor of Fingon entering the line of succession

Maedhros stepped into a position of military authority after Fingon took the throne, working closely with him specifically to attack Angband after the Bragollach

Fingon is stated by Tolkien himself to have never married nor had biological children, and Maedhros never married nor had biological children either

Stuff That Is Ambiguous In Intent, But Is More Significant Than The Above:

Fingon clearly still cared enough about Maedhros that despite probably not knowing whether or not he burned the ships, he set out to rescue him alone in a display of loyalty to the rival royal line that put his priorities firmly in the “this nér whom I love” camp. It’s worth noting that Maedhros’s family are the reason that his sister-in-law is dead, the reason many of his own people froze to death, and the reason his brother is dead. Maedhros’s rescue, and forgiving him, is more important to Fingon than any of that. Why?

Morgoth’s battle plan for the Nirnaeth Arnoediad (as relayed in the Grey Annals in The War of the Jewels) involved forcing Maedhros and Fingon apart and trying to take both of them down simultaneously. Fingon was of course ultimately killed by Balrogs, and Maedhros avoided being killed by allies-turned-spies, but the goal was to keep them apart and incapacitate them both. Why?

Maedhros’s mental stability, willingness to exist in a society, passion for fighting Morgoth, and desire to curtail his brothers’ worst impulses all evaporate after Fingon’s death and Fingon’s death specifically. Why?

Maedhros and Fingon maintain a relationship with each other that is significantly more important to their actions than similar relationships between Finwëan cousins. Aredhel is never recorded as prioritizing Celegorm to the same extent, and Finrod only goes on a hunting trip with Maedhros and Maglor after things between their families are patched up. Why are they different from others in this way?

Stuff That Actually Matters In Analysis:

Fingon and Maedhros, Beren and Lúthien, and Frodo and Sam all share very nearly the same story at a crucial point. All three feature a situation where a rescuing party feared the one they loved was dead, discovered they were actually held prisoner by Sauron, went alone into peril, and used a song to find who they searched for successfully. Both Maedhros and Beren lost a hand in the course of their journey. Frodo lost a finger, and Sam cut the hand from the orc whipping him. All three pairs were rescued by at least one of the great eagles. Sam and Frodo have on-page declarations of love. Beren and Lúthien are the self-inserts of the author and his wife. This connection is not accidental; the author explicitly compares Frodo and Sam to Beren and Lúthien on the Quest for the Silmaril in the text of The Two Towers. If Maedhros and Fingon are being linked thematically with the central romantic relationship of the Legendarium, there is a reason why.

The Grey Annals tells us that Fingon rescued Maedhros “and their love was renewed”. That’s a direct quote from the text, not an exaggeration. This is more canonical proof of love than we get for some married couples (notably Fëanor and Nerdanel, who are never stated to love one another in the text).

Laws and Customs Among the Eldar explicitly states that half-first-cousins are allowed to marry without it being considered incestuous, so long as their parents aren’t close. That seems like an extremely odd standard, until you remember that there is an unusually close pair of half-first-cousins whose parents don’t get along.

(Obligatory note: the published Silmarillion does state that Idril and Maeglin are too close to marry. The published Silmarillion’s treatment of Maeglin is also almost certainly invented by Christopher Tolkien - Maeglin in the drafts written by JRRT himself is wildly different than how he appears when Chris writes him. Tolkien himself avoided making any such statements about cousin marriage and Turgon opposed Maeglin marrying Idril because he didn’t think it was a love marriage.)

The Grey Annals also discusses one of the histories of the green elfstone that Aragorn receives from Galadriel as a wedding gift - in this draft, it was made by Fëanor, and Maedhros gave it to Fingon. When Aragorn receives it, it’s been set in a brooch in the form of an eagle. Here we have another thing that passed between Maedhros and Fingon that is explicitly linked to romantic relationships between two characters echoing Beren and Lúthien. This is once again not accidental.

Fingon’s harp is almost certainly a reference to the myth of Orpheus and Eurydice, which also heavily inspired Lúthien pleading for Beren in Mandos. Yet again, we have deliberate intent by the author to position this relationship in a light that reflects romance above all else. You could even go further and point out that there are parallels between Thingol’s hostility toward Beren and Fëanor’s distrust and hatred of the Nolofinwëans. Túrin and Beleg, who get to kiss on the page, are also echoes of Russingon - early bliss marred by a kinslaying, a hopeless quest alone armed with a bow, an injury that results from freeing the captive party.

The fact of the matter is that none of this is accidental. Tolkien was deliberate in his worldbuilding, his parallels, his setups and his plot choices. There is a reason that Fingon and Maedhros are linked to so much romance, a reason that they are positioned on equal footing with other more clearly queercoded ships, a reason that it’s their relationship that shapes the First Age. When you accept that none of it happened accidentally, that allows you to broaden your scope, and look at Tolkien’s inspirations, his life, his friendships, cultural influences, and why he might have been so cagey about his M/M ships when they aren’t just important but vital to the text. (After all, Sam and Frodo’s happy ending comes after Sam’s time in heteronormativity, and Túrin and Beleg fall apart in a similar fashion.)

It’s just - it’s not crazy or insane or Shipper Goggles to say “these relationships matter, and the stories actually don’t make sense without them”. That’s all.

(Next time, if you like, we’re going to talk about historical fiction, and there will be lesbians.)

#RUSSINGON #silmarillion #silmarillion meta #absynthe’s meta #replies #tolkien #anon replies

[spitdrunken]

im fascinated to know more of your thoughts on the winter king! Your first post and ideas were fantastic. If its okay I’d like to know about any kinks, suggestive, or overall possibly dark concepts you may have on his views/relationship with the reader! Like a continuation of some sorts of your first post! (Could be male reader or gn)

I will just write down some general thoughts here :')!! I'm glad to know you would like to know more of my ideas. I'll just start of with some NSFW headcanons I definitely have for him. These are just the main ones tho, I also have some somewhat extended petplay thoughts for him that I didn't put here.

notes: public / exhibitionism, CNC mention.

After being under the crown's influence for so long, Winter highly values the feeling of being in control. Especially in an intimate act such as sex, he'd want to at least feel like he's the one leading, at least the first couple of times. If he really, truly trusts you, he would be more willing to let you dom him. Based on some of the things Ice King says in canon, I do personally think he has a submissive side- An inclination for it, even, which is a remnant of Simon. His own experiences have shaped him to suppress any of such desires, though!

Winter does not shut up during sex. He's very, very talkative, constantly praising or teasing you, and describing how he's feeling! It's going to take a lot of pleasure to try and get him to shut up! Even when he's going cross-eyed with bliss, he's still babbling his needy little worlds. It melts his brain quicker if you're human, though. Your natural body heat would enhance the experience incredibly for him.

He's an exhibitionist in every sense of the word. Winter would get a lot of satisfaction of getting himself off in front of you, making a show out of it, but not allowing you to touch! He wants to see you squirm and shake with need for him so, so badly. In general, he'd try to have sex in, like, every corner of his palace. He assures you that his subjects, if they happened to walk by, wouldn't even be able to comprehend what they were seeing, much less talk about it! And if you'd let him, he'd absolutely just fuck you silly while having an audience in his throne room.

Oh, he just loves all kinds of roleplay! And if you indulge him, he will truly go all the way, with preparing costumes and lines of dialogue. It all sounds straight out of a cheesy porn, sure, but he's having the time of his life. He'd favour scenarios with darker undertones, and would be very interested in CNC if you wanted to try it out alongside him. Though he tries to ascribe any and all desires of the Ice King to the past, away from himself, he really wants to act out a kind of scenario where he's kidnapped you, his prince(ss)...! It gets him all kinds of giddy. Or anything else where he has an excuse to make you call him 'my grace / liege / King'.

As for any darker thoughts! Feel free to disregard these from the above if you aren't into it, btw. warning: emotional manipulation, dubious consent / noncon, depending on interpretation

He will try to guilt trip you into sex, if he wants to fuck you. Winter hasn't had sex in nearly a century, (....he doesn't count the times he's had encounters with Candy, the few times that has happened. He would label those moments as mistakes.) and a part of him is selfish enough that he just feels like he deserves it. He's put so much time and effort into trying to sweep you off your feet, got you food and a place to stay, plus everything else that you could desire! His hints will turn more and more thinly veiled, his touches lingering more and more. Dear, hasn't he done so much for you? Won't you be willing to indulge him, just this once? He's certain you'll enjoy yourself with him, he'll make sure of it! It's horrible, really, but Winter is simply not a very good person.

If you continue to deny him for long, he might create a mindless, stupid ice clone version of you, that's basically just a cocksleeve for him. A version of you that cannot deny him, and is always happy to be stuffed full of his cum. In all honesty, it lacks in comparison to what he believes the true experience to be like... It only makes him needier for you, in turn.

#winter king x reader #adventure time x reader #fionna and cake x reader #winter king #cha.winter #cw.dubcon #cw.public #cw.noncon #cw.cnc

[meowzilla93]

So I’ve seen so much ragging on Baxter calling himself a rebel or a bad boy, and it hurts me! ( I know most of it is in jest, its okay!) But I wanted to explain how he really IS what he claims to be, even though may just seem like a privileged individual

(I really had to reduce this from an essay to fit tumblrs character limit, I am talking like a 2k word essay, so its condensed but covers my points lol also please keep in mind I have taken canon information and given my interpretation of the information to this)

Lets look at the definition of a Bad Bay archetype – a cultural archetype often defined as a male who behaves badly, especially within societal norms. Qualities associated with this archetype is confidence, independence and/or assertiveness (though there are the negative connotations such as manipulation, dishonesty or a lack of consideration for others, but we are not focusing on those as these do not reflect Baxter)

And what is a rebel? At its core, it is a person who resist any authority, control, or tradition. Rebels like to change up the status quo, refusing to conform to societal pressures and controlling figures.

So lets look at Baxter Alexander Ward’s life:

Brought up in wealth

Was sheltered and raised with certain values

Parents were controlling and dictated a lot of his life

Was never treated like a child, but as an adult his whole life

More than likely taught to think himself above everyone (which he confirms)

Raised with very bigoted, misogynistic, homophobic and just cruel morals and notions  

If we look at those specific points, where does the Bad Boy archetype fit first?

By the time he reaches 19 years of age, he wants to be able to make connections outside of the circle of money he was raised in

Though he keeps up appearances for his parents, he tends to thumb his parents way of life, not wanting to become the same type of people they are

Rather than endorse their way of thinking, he becomes more open and accepting

(this boy might have mighty expectations for himself, but for others, he will never expect more than they can provide)

He is the very thing his parents do no approve off; Pansexual, accepting of others, opposite to what they want

By the time he is 19 years old, he is already snubbing his parents and their values, wanting to move outside of their circle of life and live his own life. There is the understanding that he was already sleeping around in high school, and considering his partners would be of all genders, the rumors circulating him would affect the image of the family, which his parents would not approve off. His visual looks, moving heavily into the black/ white monochrome and more alternative fit outside the expectations of what his family would expect of him. He dresses as he pleases, not as someone else would want him to.

These may seem like little actions, little acts of rebelling against his family, but these are MASSIVE in the context of his life. To flip the entire narrative that he learnt from his parents, and continues to do so in every way that he is able to. Sure, he gets a fake ID to just get a car to sight see in and get booze for himself to drink when out for dinner or even at home. But these acts are against what his parents expect or event want of him, what their social circle would expect of him, and as such, he fits the Bad Boy narrative within THAT social circle. And that is what matters in this context.

So, of course, this feeds into the rebel label. Going against everything he was taught, becoming the opposite person his parents expected of him. Resisting the control that his parents try and enforce on him and finding ways to escape the grip of expectation. I repeat myself a lot here but its that constant push back on what his parents expected of him, the morals, the views, the way he should handle himself and what they wanted of him. Baxter's rebellion is deep,y rooted in a sincere desire for authenticity, change and self-discovery, making him a truly compelling character.

Baxter at 19 years old was the Bad Boy Rebel of his families social circle. From the outside he just seems like a typical rich kid that was a bit strange, but from the inside, that’s where the rebelling sat.

Baxter at 24 is the man that continued in that path of rebellion. He further cut himself away from what his parents wanted, stood on his own two feet and tried to become the type of person he could be proud of. He separated himself from their morals, their visions, their actions. His mother who held charities to make connections and get a tax kick back? He does it to actually help people and does it almost pro-bono, no expectation to gain anything further from it. His father who holds a franchise and makes money from others manual labor? He takes the labor from others and takes it on himself to ensure that the day that they have (be it wedding or birthday or another event entirely) goes swimmingly and they have less stress than where they started.

Baxter continues to be a Rebel and Bad Boy as he grows and matures, as he continues to shun the way he grew up and becomes a better person for it.

There are probably other key points I have missed, but these are the ones that stood out to me, cementing the idea that Baxter Alexander Ward is a through and through

Rebellious Bad Boy

Thank you for coming to my (slightly unhinged) TED (tumblr) Talk.

#baxter ward #our life beginnings and always #olba #our life #olba baxter #meow drabbles!

[hungry-eel]

The Gluttony showcased in Octavinelle (reupload)

Before I begin with the main content, if you see this and notice that it may possibly seem familiar, that’s because it is. I originally uploaded this onto an old and abandoned secondary account, where around the time I was still in a bit of denial of my stuffing interests. I decided to polish and RE uploaded this analysis onto here because one, it honestly suits this account more, and two, I want this to reach its intended target audience that this blog revolves around, I hope you enjoy this analysis, and with that, let’s get back to the regular scheduled program. —

Hello! I hope you are all doing well! In the past, I have mentioned that Octavinelle is the embodiment of gluttony, and that I would elaborate on that statement more. Well, this is the post where I elaborate on the statement.

Please be aware that although I am going to try and show some cannon proof, at least for this first part, this is still overall just something silly that I enjoy talking about, and having dumb fun with. This is something that doesn't have to be taken entirely seriously, nor is this a statement that I am trying to prove as absolutely true. It just happened to be that I found some cannon connections from my observations.

Be prepared for spoilers from here on!!!

=============================

Azul ~

As of right now, the Azul we have currently doesn't seem to be all that much of a glutton (when it comes to food). However, something else that is also a highly crucial part of Azul’s character was how he was an ex-glutton. Azul goes out of his way to avoid going back to his old roots and maintaining a slim figure, often trying to eat a restrictive and balanced diet. Although Azul has the desire to maintain his health and slim figure, he still does not enjoy the process, and especially preferring fried foods over health foods. He still doesn’t like when others pressure him to eat a lot, even if it’s with his favorite foods, but will still seize any opportunities that he can to enjoy his favorite foods, weather it’s birthdays or other private occasions. Azul is also very well equipped in knowing how to run restaurants as his grandma ran a restaurant, and runs a restaurant himself currently, that being the Mostro Lounge.

Azul’s incessant want to create new contracts as well as the consistent desire for power and control, can also be interpreted as a form of overindulgence on Azul’s end; no matter how much power he has over those he is controlling, it is never enough for him and he always wants more of that power.

In Azuls Birthday Boy card, his groovy art has Jade handing him a plate of chicken and also has a couple of home screen lines asking what we were implying when we were giving him food.

Floyd ~

Floyd has his own personal knack for food, as he enjoys snacking, and indulging in various amounts of his favorite foods such as takoyaki and candy. Even the shelves in his room is lined by snack bags that he uses to have midnight snacks. Floyd has also mentioned in his birthday boy vignette, that he likes to play food games with Jade where they try the most outlandish food combinations possible. Whenever Azul comes back during any of these games, they would try and eat all of the evidence. There was also a brief moment in Treys lab coat vignette where according to Jade, he had to look for more strawberries as a result from Floyd gorging on their current strawberry supply.

Jade ~

Now with Jade, he is an entirely different beast in it of itself! I have always been fascinated with Jade in the sense that when you first see him, he would be the last person you would expect would have a large appetite, especially as he always appears to be very poise and classy, but the more you look into his character, the more clear his tendencies become and its so hard to not see. Because of such there is much more to talk about with Jade than with the other two characters.

Here is a list of canonical things that Jade has done already.

Jade loves to heavily indulge in his hobbies and passions especially when it comes to mountaineering, terrariums, cooking, and his fascination with mushrooms. When it comes to mushrooms in particular, he both enjoys eating mushrooms himself, and finds pleasure in watching others indulge in mushrooms as well (showcased in Jade’s Labcoat Vignette).

In Book five, Jade mentions to Grim that primarily goes to the mountains to search for food. More specifically to try and harvest edible plants and organisms. During which Grim asks, "So basically, you just go to the mountains and scavenge for grub?" and Jade responding with, "Heh heh. I certainly wash and cook what I find, but generally speaking, yes."

There are two notable Home Screen lines where Jade mentions about his eating. One with his PE uniform where he mentions how he has to eat before working out as he lacks energy efficiency. The other one is with his Birthday Boy where one of his lines states, “Are you surprised by how much I eat? Heh heh, I get that a lot. It's why I'm so tall.”

It is hinted and shown throughout various Home Screen lines and vignettes that Jade likes to try many various types of unique foods, either out of interest and/or to create new recipes for the Mostro Lounge.

Legitimately almost all of the harveston event! Just in his event vignette alone he ate over five servings with Sebek and even afterwards wanted to grab desert. Even Sebek, who is also a pretty hearty eater, even admits that Jade has eaten more than him. Jades and Sebeks escapades are just as prominent in the main even itself where Jade is tasked by Azul to try as many unique dishes as possible so they can be added to the mostro lounge menu. Jade proceeds to try out different kinds of foods at the vendors, and in the celebration the night before the game, Jade and Sebek were tearing through the buffet.

In addition, here is some other moments that revolves around Octavinelle in general.

At the very end of the Beans day event, Jade and Floyd have an exchange on how they were craving shawarmas.

Jade and Floyd generally point out how little Azul eats and occasionally tease him about it as well. In the Halloween event when Azul comments on how watching Ruggie eat gives him heartburn, Jade replies by saying, "I believe you could put him to shame if you felt so inclined."

In Jade’s Halloween Vignette, Ruggie mentions on how Jade and Floyd are well built for Apple bobbing as they are tall with pointy teeth.

Both of the tweels have mentioned at least once that they eat a lot because they are so tall or that they are growing boys.

=============================

A question that I have heard often is why say Octavinelle in particular? Besides, there are other characters that also showcase gluttonous tendencies, some may even more so than most of the octatrio.

I say Octavinelle in particular as it is the only dorm where all of the students exhibit the traits in one way or another, as well as serving the aesthetics of the dorm, with its lounge being a restaurant. Octavinelle is also the only dorm where this topic had at least a bit of a curtail point in its Book, that being with Azul’s backstory and how he used to be chubby and an ex-glutton.

=============================

Headcanons!

Here is a small list of some of the headcanons that I have that circle around the topic. I might add more headcanons to the blog as I go, and if anyone else has any headcanons of their own, feel free to share them with me.

Jade is the complete opposite of Azul regarding food and dieting. While Azul tries his best to eat healthily, with moderate portions, Jade eats the most unhealthy foods out of the trio and eats the most out of them as well. Jade also likes to taunt Azul with that fact as well.

Floyd is the kind of character who would most likely eat anything even if it seems inedible.

Jade and Ruggie like to often join together just to try out many different kinds of foods together, similar to what happened in Ruggie's School uniform vignette, and Jade's harveston vignette. There would also be times were I would joke that Jade, Ruggie, and Sebek would band together just to have food.

I like to imagine that the Coral Sea is like a dog-eat-dog world, and along with this, the tweels have to rely on hunting other live fish for their own survival. When coming onto land, the tweels had to learn that they shouldn't hunt for animals publicly.

Whenever there are instances where Azul has to leave the Mostro lounge for an extensive amount of time, Jade and Floyd would keep trying to take advantage of that time to play their game where they eat weird food combinations (mentioned in Floyd's birthday vignette).

=============================

Thank you so very much for reading my essay rambling on a topic that, to be frank, is overall goofy and silly. If there was anything that I missed or forgot to mention feel free to let me know. Otherwise, I certainly had a lot of fun making this, and I hope you found some entertainment or even some insight from this as well!

#foodie #hungry boi #hungry boy #glutton #big eater #twisted wonderland #jade leech #stu//ing #twst jade #twisted wonderland jade #floyd leech #azul ashengrotto #analysis

[flints-black-spot]

I've recently seen a few people talking about media literacy in relation to Flint's sexuality and labels and figured I'd throw in my two cents on the discourse that seems to pop up every few months.

Because, I honestly think it does a disservice to Black Sails as a whole to focus on "gay vs. bi Flint" because like... does it matter? if Flint only has attraction to men, that doesn't change the fact that he's canonically, willingly, had sex with women (namely Miranda). But, on the other end of the spectrum, it's just as important to recognize how, societally and culturally, gender is a construct, which will inherently mean that sexuality is fluid! Flint can be a gay man with some level of attraction to women (hell, the majority of the fandom agrees that Anne is a lesbian, yet she's clearly in love and has sexual attraction to Jack, and that doesn't take away from her lesbianism!), and that attraction doesn't make him any less of a gay man! Or he could be bisexual, and that doesn't take away anything from the overarching narrative of his queer relationship with Thomas! The focus on a single 'correct' interpretation of his sexuality, in my mind, takes away from what the show is really trying to say about sexuality, which isn't the "this way" or "that way" to be queer, but the overarching connection that struggle and strife can bring to a community. (For a similar issue, see James Baldwin's response to critics arguing whether the main character from his novel Giovanni's Room is gay or bisexual, his response is incredible.)

And, on the other hand, it's also not entirely accurate or even fair to try and ascribe modern labels and perceptions of queerness to a character that existed long before those terms were even coined? In Flint's time, homosexuality was something a person did, not who a person was. While, yes, his queerness is inherent to his journey as a character, and he very clearly views it as a part of his identity, it's also very much worth noting that two things (homosexual love and desire, and heterosexual love and desire) can coexist, and not either way take away from his narrative as a whole.

Finally, then, there's the common thread of 'media literacy' in determining Flint's label (which, again, I honestly think is just a non-issue because it has such little impact on anything in meta discussions?). To present an opinion like "Flint is gay" is an example of an interpretation, one which can and should exist among others! To have a single, 'correct' interpretation of a piece of media, especially one like Black Sails, is an inherently flawed idea, because every interpretation should have its own merit on its own. Flint can be both bi and gay, and both arguments have perfectly equal weight, but in the end, it doesn't really matter in the grand scheme of Black Sails meta. Either way, Flint is queer, and that queerness was a defining feature of his character for the rest of the show. To assign such importance to "gay or bi" just feels unimportant.

#this is about the meta interpretations of flint #not personal headcanons #black sails #black sails meta #pip talks black sails #james flint #captain flint

[yaksha-lover]

Hi! Maybe strange question but you seem to have a good grasp on the boys’ personalities. I’ve been reading a lot of the yanderification of the TWST boys and started wondering which ones (if any) would be most likely to have what could be labeled “yandere” tendencies. Just seems like a fun train of thought to chase.

Do you have any thoughts on this? (Also sorry for the word salad.)

In my opinion, I think it’s pretty easy to twist most of their personalities to fit a yandere type, but as for who’s yandere characterizations are closest to their canon counterparts, I would say:

Malleus, I think is the obvious one. Although clearly I don’t think he’d be yandere in canon, it makes sense for him to have some clingy tendencies in a relationship, and an obsession with his romantic interest. It’s the whole ‘you’re the only person in the world who matters to me’ type trope, because of the social rejection and isolation he’s faced.

People usually take it two ways here, either a) very possessive and jealous or b) very protective. I tend to lean towards the second interpretation (although I love to explore the first one, the second is more canon to me). More ‘I would burn cities to protect you, move heaven and earth to make you happy’ than ‘I want to keep you locked up here all to myself, you belong to me.’ So yes, a yandere Malleus may kidnap you, but only to keep you ‘safe.’ He’s also not as emotionally immature as I think he’s sometimes characterized as (although I’m probably also guilty of this). He’s not really the type to force someone to love him, imo, because he wants it to be genuine (his insecurity stems from an inability to be accepted so forcing it wouldn’t truly fulfill that desire to be loved and validated).

Rook, I think also makes sense, but it’s hard to say because most of the time a lot of his characterization is just played for jokes. Like the whole ‘he’s a stalker, he knows a lot about everyone, others get unnerved by him, etc.’ It’s meant to be funny, but if we take it seriously then we could probably jump to some interesting conclusions about Rook. Also, combined with that ghost bride line about him ‘never letting his beloved go’ -

He seems the type to get fixated on some object of beauty, and I could see that developing into a yandere-like obsession. Maybe if he finally finds the one thing - or person - who he thinks is the true pinnacle of art and beauty, what he’s been searching for all along. Initial stalking to learn more about his interest, some uncomfortable attempts at closeness because he knows everything about them and they know nothing about him. Divided between showing his beloved off to the world and keeping them all nice and pretty for his own enjoyment - the only one who can truly appreciate their beauty. Also, once he’s felt the experience of love, I doubt he’d ever want to live without it. Maybe that’s the ‘true’ beauty of life to him, even.

Jamil is just so apathetic that if he ever did fall for someone, I can’t see him ever giving them up if he can help it. Also, we’ve seen in canon that Jamil isn’t above doing mildly bad things for self-serving interests (think masquerade with ruggie, manipulating the oblivious students).

He just wants something nice and soft for himself. Is that so much to ask for, after all he’s been through? Jamil is never allowed to have anything, nothing that Kalim doesn’t. It’s no wonder he’d cling to the only sweet thing he can get his hands on, something just for him. Even if you’re frustrated with him, even if you get tired of him, he isn’t so willing to just let you go. He deserves something nice like you, and you’ll be happy with him, even if you might need a ‘charming’ reminder of it sometimes.

Lastly, Jade and Floyd are popular yanderes to write for a reason. They both already have so much inexplicably unhinged energy even compared to the rest of the cast (other than maybe Rook). Jade seems so cold and apathetic, while putting on a mask of care. Floyd doesn’t really care to do so, wearing his many moods on his sleeve. But they’re still two sides of the same coin; they’re used to getting whatever they want, often by questionable means.

They also seem like they would be pretty possessive, even if it comes out in different ways. Jade and Floyd may be good at sharing with each other, but they’ve never been good at sharing with anyone else. Floyd will show you (and whoever thinks it’s okay to encroach on his partner) how upset he is by this particular development. I doubt you’d want to keep it up when he threatens your friends that get a little too close. Jade is different; the same annoyance and possessiveness still burns him, but he has a little more patience than Floyd. He isn’t willing to start any fights. Jade prefers not to get his hands dirty, but that doesn’t mean he doesn’t have other tactics to scare away anyone who tries to flirt with you.

#tw: yandere #thanks for the ask! #i really love discussing characterization and stuff like this :) #sorry i’m so tangential when trying to make a point 😭😭 #it’s simply impossible for me to be concise #these are just my opinions tho #malleus draconia #rook hunt #jamil viper #jade leech #floyd leech #twst #yaksha-lover replies

[antianakin]

@theneutralmime

There's not a TON of "canon" discussion of Anakin's apprenticeship years between TPM and AOTC, at least in terms of what's usually considered Lucas's canon which is the films and first six seasons of TCW.

He claims at the end of the Wrong Jedi arc that he's considered leaving the Order before (and clearly also chosen NOT to leave), but that could be something that's only started happening since AOTC rather than something that's been happening since he joined the Order, Anakin doesn't specify that. He also doesn't specify why he stays precisely, but when he's trying to tell Ahsoka not to leave, he says "the Jedi Order is your life, you can't just throw it away like this" so you could make a solid argument that this is likely something he's said to HIMSELF when facing those moments where he's considered leaving and then chosen not to.

So while it's fully canon that Anakin, at some point during his tenure as a Jedi, HAS considered leaving the Order and ultimately chosen to stay, it's not canon that he stayed because he wanted to be a Jedi too much necessarily. It's a VERY easy assumption to make, that Anakin chose to remain a Jedi because he believes it's the only thing he CAN be and that he enjoys being a Jedi (and the fame and glory he believes it gives him) too much to leave, but it's not spelled out.

There's one comic where Anakin, at the age of like 12 or 13, does tell Obi-Wan he's considering leaving the Order (in part due to some struggles on a particular mission they're having and the limitations they're under as Jedi that keeps them from being able to help in certain ways that Anakin would like to do) and Obi-Wan convinces him to stick it out until the end of the mission and see if he changes his mind. And in the end, Obi-Wan is able to show that while there are things they're unable to do because of the limitations the Jedi live with, there are also a lot MORE things that they CAN do because of the resources available to them as Jedi. You don't get one without the other and the Jedi have decided that the limitations of working with the Senate instead of independently are worth the benefits of the resources and legitimacy they get from that relationship. It's something Anakin figures out by the end of the story and it's why he ultimately chooses to stay, because in many ways, the Jedi have more power as a collective organization than any one of them would have alone.

What Anakin seems to want is to be able to really make a difference, to help people in an obvious demonstrative way. It's a genuinely selfless and compassionate desire, especially when he's young, but it's something that gets twisted as he gets older. By the time you get to AOTC, Anakin is already at the point where he's more invested in his own POWER to help people than he is in actually HELPING PEOPLE. He's upset about killing the Tuskens because it makes him a bad Jedi, not because he's actually feeling remorseful about the loss of life. He recognizes there's problems in their system of government, but he also 1000% believes in dictatorships as a worthwhile solution to the problem.

So he stays with the Jedi not because he wants to BE A JEDI but because he chooses to believe that being a Jedi is what will allow him the power he wants to do the things he wants. And early on, there's a more genuine desire to help people in that, but it very quickly becomes all about just HAVING POWER in general. He sort-of... hides it underneath this veneer of genuinely wanting to help people and maybe some part of him still genuinely does want that, but by AOTC, it's all about the power already. It's about getting recognition for his skills that he believes he is OWED by the Jedi (and specifically by Obi-Wan and the Council) because he believes he is special and just... deserves to do whatever he wants.

So, personally, taking all of these things into account, my interpretation is that Anakin stays with the Jedi because he wants the power to be a hero that he believes being a Jedi will grant him, because he WANTS the recognition of his power and skills he thinks he deserves simply for existing, and he tells himself that it's all about helping people who need help and maybe some small part of that is still true, but by AOTC it's already been a lie for a WHILE. It's no longer truly about helping people in a selfless and compassionate way, but about the power to do what matters TO ANAKIN. And I think Anakin maybe genuinely believes that if he leaves the Jedi, then he's throwing away an opportunity to have what he wants, that he's throwing away the sacrifices he made when he left Tatooine, and it HAS to be worth that, he'll MAKE IT worth that no matter what it takes, even if he's miserable, even if it means he has to live a lie with regards to his marriage. He DESERVES to be a powerful Jedi AND have the woman he wants or none of what he's lost was worth anything. So of course he won't leave, because that means admitting defeat and giving up on getting what he's owed by the galaxy.

As for what would happen if he'd left the Order right after marrying Padme (or, potentially, IN ORDER TO marry Padme), I just... don't think he ever would. I don't think Anakin in AOTC in emotionally stable or healthy or aware enough to actually make that choice. Like I said, Anakin by AOTC is fully in a mindset that he is OWED the things he wants simply for existing as a super special person. He'd never leave the Order to marry Padme of his own volition, without the choice being forced upon him. If the option is there to have a secret marriage and still remain a Jedi, THAT'S the choice he's going to make. He WANTS both, so he'll KEEP both right up until circumstances make it impossible.

In canon, he's faced with the choice of letting Padme die or committing a genocide against the Jedi and he chooses Padme. In an AU of sorts where the marriage came to light earlier in the war, the Council would likely force Anakin to make a choice between being married to Padme or remaining a Jedi. He cannot have both simply because he WANTS both and he's proven over and over again that he cannot actually balance this relationship with his duties as a Jedi, so I don't think the Jedi would make any kind of special exemptions for him just because his circumstances are different and he came in later. At some point, he still has to be an adult and make a fucking choice and this is one of those places I think they'd enforce that. And I do think Anakin would choose Padme here, especially since the Jedi are the ones putting him in a position where he HAS to choose which would make him bitter towards them and he already HAS issues with the Council as an authority. Whether he'd regret that choice later on in his life is debatable, whether he'd end up resenting Padme for being the thing that lost him his position as a Jedi or not is debatable, but canon tells us that when push comes to shove, he'll choose Padme over the Jedi every time.

As for whether this would make it harder to figure out Palpatine's identity if Anakin left the Order, I honestly don't think much would change there. If Anakin left the Order, he might end up GOING to Palpatine for a job or something given how close they are, which places him closer to Palpatine and even more in his debt. We also know the Jedi are suspicious of Palpatine FROM THE JUMP, they don't LIKE Palpatine even in AOTC and it's Anakin who keeps trying to insist on loyalty to Palpatine over anything else during TCW, and of course in ROTS they're already fully prepared to arrest Palpatine on charges of corruption before they even discover he's a Sith lord. So even if we assume Anakin managed to wander off after he left the Order and didn't end up in Palpatine's clutches earlier, the Jedi would continue to investigate the war and see Palpatine's corruption and decide to do something about it. And honestly, without Anakin there to be a selfish greedy turd, they might actually BEAT Palpatine before he can enact Order 66, Mace is well on his way there before Anakin showed up. If Anakin became a Sith lord EARLY, though, that could cause some issues because it might be even easier to turn Anakin against the Jedi and agree to kill them all and may not give the Jedi quite enough time to act against Palpatine, but at this point we're entering into pure speculation.

#star wars #anakin critical #anakin skywalker critical #jedi #pro jedi #sheev palpatine

[xerith-42]

Stop blaming characters for bad writers

Seriously, stop fucking doing this. While this is a post that could certainly be applicable to MANY fandoms, I'm mainly directing this whole rant at my target audience which is mentally ill minecraft obsessed freaks.

If a character is written badly, gets badly fumbled by the creator, or has the ball dropped in regards to their arc in some way, a lot of people will blame the character, as if they're a real conscious person making these decisions. When they aren't. They're a block man literally being controlled by two people who just aren't very good writers and one or both of them are incredibly sexist, kind of racist, ableist, and just bad writers in general.

Yeah, Laurance does some pretty shitty things through out Season 2 of MCD, actively crossing lines he wouldn't have previously crossed. We as fans can cope by saying something something calling, or just saying Laurance is a bad abusive person, but the reality is that the writers wanted to force the series to fit a specific vision and as a result were willing to do anything to get the series to that point. In order to make Aaron the most favorable suitor for Aphmau, her previous suitors need to be out of the picture, or clearly inferior options.

Garroth suffered the out of the picture, being mostly absent outside of a few cutscenes here and there until episode 81 of season 2, but episode 81 is the culmination of the writers goals to make Aarmau happen. By the time Garroth has returned to the series, the damage has already been done. He's not getting the life he wants. And Laurance is written out of the picture as well, but only after being shown to be inferior because Jesson were pushing an agenda.

Laurance didn't deteriorate as a person due to neglect of his physical and mental well being after a severely traumatic experience. He deteriorated as a character because the writers stopped giving as much of a shit about him and instead were using the series as self indulgent fanfiction of alternate versions of themselves. That's not Laurance's fault.

And this applies to any character who was completely fumbled in MyStreet due to this similar focus on wish fulfillment from the writers. Jess has stated that the relationship between Aphmau and Aaron in Phoenix Drop High is reflective of her relationship with Jason, we all know this. This means that any characters who come off as total fucking creeps in that series (namely Gene), are not actually acting on the whims of their own autonomy or desires as characters. They are acting in service of telling a predetermined story that they are retroactively being added into for author fulfillment.

In this regard I fully support fandom cope and say that you should rewrite your little guys to your hearts content. But if you're going to criticize these characters for their actions, don't criticize them. They didn't do anything wrong. All characters are just puppets in service of the story or themes a writer is trying to push. If a character acts in an objectively terrible way, especially a way that isn't in line with their previous characterizations, that is a failing of the writers, not the character.

And I feel like largely a lot of us can and frequently do this. We're actively criticizing Jesson for being terrible low-key bigoted writers all the god damn time, it's like half of the content here. But when we get into character discourse I feel like some people cling onto bad actions of the canon too closely and I've seen more than a few posts presume some pretty terrible interpretations of characters based on these actions. Obviously Laurance is a character I and a lot of others are fixated on so a lot of discourse revolves around him, and it was seeing some... interesting takes on him that prompted me to start writing this post.

But this happens to everyone. Quite personally based on the character I was shown in MyStreet, it feels really weird that Garroth would make an insensitive comment about his brother's weight. Yeah siblings poke fun at each other and often cross lines, but if that was something Zane was seriously insecure about (which it seems like he might be) then it does make Garroth come off as a really insensitive brother, which just doesn't gel with how hard he tries to bond with Zane despite their tense relationship. And I don't think Garroth should be criticized for making those comments.

Whoever wrote those lines (Jess and/or Jason) should be criticized for writing a scene where a character is mocked by their older sibling over a physical insecurity even if said sibling would not normally do that. It's not Travis' fault that Jesson never decided to give him more of a character beyond "funny pervy guy" that's not funny in every anime they've watched until Season 5 of MyStreet. It's unfair to try and say Travis should be scrutinized for his borderline sexual harassment of some characters when it's not his fault that happened, he was written by writers who don't think this sort of behavior isn't all that bad if they make it out for comedy and punch him in the face.

And god dammit it's not Laurance's fault that his jealousy became the most prevalent emotion he felt. Laurance has always been a character to give into his vices and yet fight against them at the same time, it's what makes him compelling. If they were going to pull on those vices in order to make him a less appealing love interest, he never had a chance to really be his own character after a certain point. Because at a certain point in Season 2, Jesson stopped caring about the character they had been writing for over a hundred episodes at that point. They just wanted to canonize their self insert ship and were willing to do anything to get it.

Laurance isn't an abusive angry person who would have killed Aphmau if they got together. He's a flawed character being handled by incredibly flawed writers who are prone to making some of the worst decisions you have ever seen a creator make in regards to their character writing. He was caught in the crossfire of the adoration he received from a very dedicated fanbase, and the creator who would rather pretend he and his previous arc didn't exist for the sake of her fun. It's not Laurance's fault his arc was stilted, jerked around, and ultimately ended with him completely face planting. And yet still reliably dragging his bloodied body up at just the slightest glimmer of hope (Void Paradox).

It's deeply poetic and tragic that I can describe his character in universe and in the meta-textual sense that way, but we should never blame Laurance, or Aaron, or any other characters for things being like this.

They didn't write the show. Jess and Jason did.

#minecraft diaries #text post #aphblr #aphverse #laurance zvahl #garroth ro'meave #minecraft diaries laurance #mystreet #mystreet garroth #mystreet travis #bad writing #fandom discourse #fandom discussion #character discussion #character discourse

[anaid-queen]

thoughts on Astarion and asexuality

by a certified asexual ✌

yes, Astarion confirmed during Act II that he's only ever used sex as a tool (for as long as he's been a vampire anyway, which we learn later has been more than 80% of his life so far), either for his master because he was forced to or (more recently) for himself - to seek protection and trust, from you. he literally compares it to something disgusting to force himself through. but does that mean he's asexual?

yes, he talks about sex feeling "tainted" to him after he used it so much to lure Cazador's victims (and apparently, not just because it usually worked, but because he had to..? he doesn't specify, but lbr i wouldn't put it past the bastard to make it a rule of some kind, especially if he picked up on Astarion disliking it), but he also talks about being less disgusted by (quote) "beautiful" people (though he also conceded that in the sum of it all, that barely even mattered).

and he jokes about it being "almost [...] a challenge" to not have sex for a while (though it's unclear whether he thinks the player wouldn't be able to hold out, since it's supposed to be on his (Astarion's) terms?), and by the end of the romance arc, you can choose to have sex with him again and he'll enjoy it. all in all, it mostly really sounds like he's deeply traumatized (i mean duh, but yk, also sexually traumatized) and just needs a while to work through that (if you don't give him that time he'll go through with it once more but then break up with you, fyi)) and not like he actually doesn't enjoy sex, never has never will.

i know he was not written as asexual.

[ and yes i also know that asexuality doesn't mean having no desire for / feeling disgusted by sex, i know. but the day ace rep is portrayed any differently in media is still ages away, so i'm working with "character intentionally written as ace = character written as not enjoying sex" here. ]

But.

is it so wrong to feel elated at the thought that he could be? to interpret him that way? especially when he says "I don't think I want you to think of me in terms of sex. I don't know if I want anyone to." (and says the second part so softly, eyes downcast, utterly devoid of theatrics or feigned nonchalance - almost like he's surprising himself with that thought, and voicing it openly). I felt that so much. upon you inquiring further, he snaps almost defensively that he wants to be seen as a person, which i know, i know, easily works back into the trauma narrative of him not being seen as a living (well yk) being that has feelings. it clearly doesn't necessarily mean he dislikes being seen as a sexual being, just that he's more than that and is sick and tired of being reduced to it.

but something still jumped in me at that line. 'please don't look at me and think of sex' is a frequent thought in my mind, and looking at me and thinking of seduction is a joke and a half - i don't dress it behave it or talk it, ever. but nonetheless, the... fear, almost? is still there. (and maybe the very reason i take care not to send any contradictory signals, but that's a topic for a whole 'nother post - this isn't about me).

i just. do i think Astarion was intentionally written as asexual? no. do i think he should be, and that there's something wrong with seeing him or preferring him as allo? absolutely not either! but i believe just as much that it's valid to read him or prefer him as ace. and yk, obv everything is valid, canon is your sandbox and your headcanons are your own - but in this case, it's really, really close to being in the text. he resonates with a lot of us, one way or another, and i think that's beautiful.

#asexuality #ace things #baldur's gate #baldur's gate 3 #astarion #astarion ancunin #*takes a deep breath and posts this* #i'm sorry this got a bit ramble-y but i do hope i got my meaning across ok #i love this game so much and i love him so much and every single interpretation that comes from a place of love is equally valid #this is just me talking my own personal feelings out #everyone who's read this far and/or wants to Yell @ me about him / this game / anything related do not hesitate to DM me btw!! #i have feelings for days (literally)

[candyhoiic]

Here’s my contribution to sinner! Adam because I just think he’s neat 👉👈

Anyways as one of my favorite characters of course I made his design with suffering in mind uwu /hj /lh

The reason why his collar and bracelets/cuffs are on even without his clothes is because he literally can't take them off, and honestly, I wouldn't be surprised if the 'accessories' are actually fused with his skin. It's a part of his divine punishment as a physical means of constantly reminding him of how much he's a slave to his own desires and anger. It can also be interpreted as a physical manifestation of him being a prisoner to hell now tehehe

Actually, now that I think about it, the spikes we can see on his collar and cuffs most definitely go out both ways, so he has spikes piercing into his skin at all times.

His "hood" is actually apart of him too basically like a cobra's hood ^^ I did this since I like the idea of a sinner's appearance being somewhat determined by how they died, and while Lucifer didn't deliver the final blow, he definitely played a major role in getting him there. So, that's why I gave Adam some snake-like attributes (i.e the hood, split tongue, and scales) the very creature associated with the devil himself!

Plus, with the hood, he kind gives off grim reaper vibes, which is fitting since he was technically hell's very own grim reaper along with the rest of his exorcist.

He also has some goat attributes ie the horns, hooves, ears, tail (not that I actually drew it lmao sorry), and sideway pupils for his hood eyes because of their connection with the devil and well that's the first creature that comes to my mind that has horns tbh.

His face and horns are meant to mock his exterminator mask because I'm a sucker for that trope. Just imagine how pissed off he was to find out he couldn't take off his 'mask'

I gave him piercings bc their hot /hj I mean they are but let's be honest canon Adam should have definitely had piercings because they fit his vibe so well.

He also has a nicked eyebrow because he so would. He's just that type of cringe /j

As for the rest of his outfit? I don't really know what to say I just wanted to give him rock n' roll vibes while also capturing that fact that he is in fact an old man no matter how young he might look.

Also, for anyone wondering the belt was absolutely necessary. There was no way I wasn't going to add it when the thought first came to me. It just says something about his ego.

I did my best to make Adam somewhat out of shape, but I don't have really any experience with different body types so some of it might look off, but I did my best.

The headshot in the corner was a very quick drawing of what his full demon form may look like. If I ever actually give it a full design don't be surprised if it changes significantly because I definitely have some thoughts about it but I'm just too tired to actually pour the energy into drawing it rn oops

However, I did have enough energy to draw what I imagine his wings to be like. And of course, I could pass up on another chance to give him a mocking reminder of how far he's fallen. He kept his wings technically but there next to useless as he can't actually fly with them. And honestly, they're not actually all that durable as one can imagine since well their just bone.

So, it's a big weak spot for him but luckily, he can detract them into his skin. Although the process is painful, and he has to let them out every now and then or it'll feel like his back is on fire. They also glow making it hard to hide them when they're out.

The marking/tattoo/brand on his back is a cross with his A over it. I like to think it symbolizes how he put himself before God which is a big no, no. It can also be interpreted as a nod to how he was basically acting like he was God himself by passing on divine judgement and punishment onto others for things he himself was guilty of.

Anyways the red glowing exes over the symbol are simply to show off the killing blows Nifty delivered to him.

Last but not least, I made him caked up and I won't apologize for that either.

Anyways byeee! Thanks for reading my rambles about my sinner! Adam design. Hope you enjoyed!~

#hazbin hotel #hazbin hotel adam #hazbin hotel brainrot #sinner adam #fallen adam #rambles #ramblings #hazbin hotel thoughts #hazbin hotel fanart #my art #my design #I love (to torture) adam #hazbin hotel rambling #hazbin hotel headcanon