horror and psychological thriller in tgcf was done so incredibly well that if the beautiful and touching love story wasn’t incorporated into the book, I would be fully convinced mxtx decided to switch to another genre.
no one really talks about her fascination with the descent to madness and the morals surrounding humanity. at least one main character of each book goes through it. for lbh, it stemmed from the fear of abandonment and the emptiness that follows when the people you care most about decide you aren’t worth being chosen. for wwx, it was the outside in. society deemed him a monster so he had no other option available to him. no way to prove them wrong, and no way to convince himself he’s not either. anything he would do, despite his most well meaning, sincere, and self sacrificing motives, will always be twisted by the world who likes to paint others the devil. for xl…it was such a defeating combination of the two that it was near impossible for him find a way out. no family nor friend to turn to, no place to hide or run away, continuously forced to confront dilemmas beyond anyone’s capacity that sawed away at his already frayed sanity. worse was him having to confront godhood doesn’t mean omnipotent, nor does ascension mean free of suffering.
the way i choose to see it as this is her commentary on human nature, in both freedom and fallibility. ascend to heaven as a human, yet those in heaven are still human. wants, desires, fears, traumas, love, hate, selfishness, self-lessness, kindness, compassion, sacrifice, loss, hubris, duty, family, friends, hierarchy, power, and, above all, free will are all things that make humans what they are. are we wwx and xl? sacrificing ourselves time and time again only to have it all thrown back at our face? never once chosen or understood unless when it’s something short of a miracle? or are we the masses? afraid of the sinister, the disease, the wars? afraid for our young and old, for the talented and lame? for our lives and legacy? what are we, if not forever doomed to be helplessly flawed and hopelessly human?
the way she sees it, we have always been, and always be, both sides. because to her, they aren’t mutually exclusive, but rather each reflections of the other. both never wrong, but never quite right either. convoluted and confusing, mundane yet a tale as old as time.
mxtx writes her beautiful loves stories seamlessly. but she displays her talent best of all by weaving tales of hope and humanity into the threads.
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my problem is that i always end up emotionally invested in the angry abuse victim character-- the character who is always the "wrong" kind of victim. the one who lashes out and is violent, a complete juxtaposition to their sunshine/lawful good counterparts in the media.
i end up resonating too hard with these characters that i always end up on the shitty side of the fandom where people will see you as a bad person for enjoying representation of an angry victim.
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breaking in for a second to say that a lot of the recent stuff going on for writers in particular boils down inherently to a lack of respect.
for one another.
for ourselves.
for our hobby.
from readers who passively just assume that a like is enough. that you don’t need to or want to engage meaningfully.
social media trained you all to be passive consumers and let a computer make decisions for you.
change that shit. reblog. comment. tell people you like their stuff. saying “I liked this” is better than a single fucking like on a post that is lost in the void.
and for those who write based on trends and find themselves constantly burning out: respect yourself and the characters you enjoy more. cherish them. stop chasing so much. this hobby isn’t about notes and being popular, it’s about the love (and sometimes the hate) for canon. not everyone is gonna be the next Cassy Claire or Ali Hazlewood or BNF, just be yourself and stop saying something flopped. maybe just make something you love and embrace happiness.
for those who get into the weird nonsense about ship politics and dark content and other shit: see above about changing behavior and stop engaging with shit you don’t want to see. change your filters. block tags. like you’re capable of using tools given to you instead of harassing people off the face of the internet and being a faceless bully.
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There's been a lot going around in the last week or so about fanbinding and concerns from fic authors about binders profiting from their work. I just wanted to clear the air a little around here with some info about my own work just so we're all on the same page.
I will never profit from any fanbound works, including my own. Every book I bind includes a legalese section in the beginning of the typeset stating that it is not for for-profit resale. I do not charge anything for books I choose to bind and gift myself.
I will never sell another author's work even indirectly through commissions. My fanbinding requests are open exclusively to fic authors who want their own fics bound or exceptional cases of a third party who can guarantee a gift copy will make it to the fic author (and, preferably, any interested fic fanartists) with author permission.
I will never sell finished typesets. Ever. No negotiations. If you want a typeset I've already made so that you can bind a copy of the fic for yourself, just ask. My own typesets are available for free to anyone who wants them, and I'm happy to share other typesets to trusted parties as long as I have author permission and a guarantee that they will not be monetized once the typesets leave my hands.
The books and typesets that do end up on my store will always be 1) copies of my own fics; 2) priced free/as low as possible with a "pay what you want" option. I will never put binds of someone else's fics on my store. I will never list a bind of my own for sale that is not also (again) accompanied by a free typeset. This is to ensure that no aspect of the fanwork is behind a paywall (including other artists' fanart) and any money exchanged is exclusively for the physical art of binding.
I have a deep, lifelong love for books. As a librarian, my entire life (both personally and professionally) revolves around free and no-profit access to knowledge and stories. I can't speak for others (especially the assholes on Etsy), but I did not begin binding fanworks with the intent to profit and that still holds true. I have the utmost respect for fic authors as both a fan and a fellow fanwriter, and I'm wildly disappointed that a few bad actors have put such a negative spotlight on a corner of fanart that has always been fundamentally about uplifting and supporting fanfiction and fanwriting at its heart.
Anyway, thanks for reading!
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Really hope you saw that one post that was like "I wish people stopped sucking g3's dick because it has body variety" like ok. Let's stop praising this new generation for being more inclusive and making people feel more seen. It's different from the one I grew up with so it sucks! This fandom is so obnoxious and entitled like I'm genuinely sorry that being happy that children are growing up with an inclusive piece of media annoys y'all so much
THAT WAS THE POST! Like why are we mad that people are celebrating having inclusive content?? To call it "d*ck sucking" just shows how immature these people are.
G3 fanbase doesn't have to bring down g1, and honestly I haven't seen much people praising g3 at the expense of g1 so it doesn't even make sense the things that person said.
It has to be trolling at this point the way these people seem to be upset and annoyed at the representation of g3? The way g1 stans can't even be critical about g1(maybe they are the ones who should drop d*ck sucking) they talk about g1 like it's faultless then try and turn it around and get mad a people who just want to enjoy g3 and have fun and see more representation on screen.
Also people need to take into account the ART STYLE of the show. There is definitely body variety, being upset that they didn't make all these characters look risqué or whatever is so weird to me. They obviously are presenting these characters more like high schoolers.
G1 was around with the likes of Bratz and those fashion lines, and ofc the style back then isn't going to reflect the style and catering there is now. People need to realize how ignorant they sound. Like you're basing your analysis on the past and how things were back then???
And to say that the dolls are ugly🥴 please grow up because these dolls are actually very fashionable. Just because they don't all look gaunt and risqué in every outfit??
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